- 6 hours ago
Category
🎥
Short filmTranscript
00:00Transcription by CastingWords
00:30CastingWords
01:00CastingWords
01:30CastingWords
01:33In the name of the Italian people
01:35The second section of the Court of Rome
01:37With regard to the case between
01:39Hugh Hefner publisher
01:40And Tatilo editorial
01:42Establishes that
01:43Mrs. Adelina Tatilo
01:45Is prohibited from using the name
01:47Playman for both issues
01:48Currently in preparation
01:49And those issues already distributed
01:52As well as any other staff
01:53Yes?
01:57Why didn't you come to court?
01:59Would it have made much of a difference?
02:01We lost our case, right?
02:02Sixty days now.
02:03That's the designated time limit for us to file an appeal.
02:06Otherwise, I'm sorry, but you'll have to change the name of the magazine.
02:09Let's appeal the decision then, pronto.
02:11Right. We'll need a legal basis for it, though.
02:13Then let's find one.
02:14But it's not that easy.
02:16We'll be expected to show Playman's trademark is original and not copied at all.
02:19To be completely honest with you, the chances of appealing successfully are just about at zero.
02:23So we'd better find some kind of evidence or supporting documents that can help us.
02:28Listen, here's what we'll do.
02:30You'll look at the files I leave behind.
02:32I'll think about things, and we'll meet again soon.
02:35Thank you very much.
02:36Have a nice day.
02:43So now what? What do we do?
02:45Put the magazine first.
02:46Did you hear what the attorney said?
02:48We only have 60 days from now.
02:50Well, we'll use them properly.
02:52We just have to find a theme that's original and powerful.
02:56I think you had a proposal, didn't you?
02:58I was thinking about covering couples.
03:00A bit generic, no?
03:01But we'd be making it from our unique point of view, right?
03:04Beyond the conventional couple, beyond marriage, since free love is a big topic now.
03:09It's an interesting idea.
03:11Let's move on that.
03:12Yes.
03:13Yes.
03:17Certainly.
03:19Yes.
03:20Reassure the Undersecretary.
03:21I'll do everything possible.
03:23Goodbye.
03:23It's the Chief of Staff of the Ministry of the Interior.
03:28The American Embassy is pressuring him.
03:29The American Embassy?
03:31Well, there's an Italian photographer who's trying to sell photographs.
03:34He took of Jacqueline and asked his son, baby.
03:37So what?
03:38She was in the nude.
03:41Evidently, playboys already refused them.
03:44There's just one person who purchased those photos.
03:46Those photos have got to disappear.
03:49Like that.
03:58Beautiful.
04:02What you doing later?
04:03I'll just head home.
04:04What else is there?
04:05Elsa.
04:06Oh, Mrs. Tartalil.
04:07These are the documents from the lawsuit against Playboy.
04:10I'd like you to make copies and send the originals over to legal.
04:12I'm on it, ma'am.
04:13Yeah?
04:14Steve Magenta, the Jiglo.
04:16Oh, God, I totally spaced on that.
04:17Whoa, explain to me how someone's face is on that.
04:20Shall I say you can't talk?
04:22No, I've got it.
04:26I'm here, Steve.
04:27I expected a dinner invite.
04:29You said you were going to call.
04:30What happened?
04:31Sorry, I've had a lot going on.
04:33You free today?
04:34No, today's already looking pretty complicated.
04:36Perfect.
04:37You can unwind a bit then.
04:39Coliseum sound good to you?
04:40Half an hour?
04:41No, it's not possible, Steve.
04:42Really?
04:42Trust me.
04:43I have a gift for you.
04:44He hung up on me.
04:50Oh, please, go appreciate life, huh?
04:52Since you can.
04:58Is that the gift for me right there?
05:00Careful.
05:05Let's see an exhibition together.
05:07Hmm?
05:08It's Nora's sister.
05:09Uh, well, we're so busy.
05:11Hey, we'll have fun, okay?
05:13And plus, it'd be for work.
05:16It'll be something like, uh, happening with models all stripping noon.
05:20That's your field, right?
05:22That's right.
05:23Well, maybe you can help me in my field, too.
05:25I'd help you?
05:27There's a bunch of rich ladies that go to these.
05:30I've got you there with me.
05:31They'll line up, too.
05:34So then?
05:36I'll mull it over.
05:36Take a look.
05:42Who's that?
05:44He's your gift.
05:46As I was telling you, Fulvio Garitano was a photographer who has traveled the world.
05:50The two of us actually met thanks to Nora Schuster.
05:52She's been a friend in common.
05:55And what brought you out here to see me?
05:57I have photographs that might be of interest to you.
05:59Is this really her?
06:07Jackie Kennedy?
06:08I took them on Scorpios, a Greek island that her husband bought.
06:12Aristotle on Asis.
06:14I'm sorry, just tell me, how did you get these?
06:16By skill.
06:17And some good fortune.
06:21I'll do 50 million.
06:22A hundred.
06:23They're yours.
06:23No.
06:31That price is too high.
06:36Take a look at this.
06:39They're the biggest stars of the moment.
06:41Jackie is the widow of a president of America who's now married to one of the most affluent men alive today.
06:46Yes, I'm aware.
06:47You were also then, I imagine, aware these photos are a little bit dangerous.
06:51That's what makes them worth the money.
06:53That's what makes them difficult to place as well.
06:56Maybe, but I'm partial to risks.
07:00You can hang on to that.
07:03See you, Steve.
07:04Have a nice day.
07:05Thanks.
07:05You as well.
07:06Hey, sorry.
07:22Sorry, I was running late.
07:24But this place, what is this?
07:26Let's go.
07:27I can see that you chose a good place for us to talk privately.
07:43Don't you like it?
07:45Sure.
07:46But shouldn't I just tell you what's going on at work, or...
07:48Yeah, but maybe we'll both dance for a bit?
07:54Are you telling me that I'm on a date?
07:57Whoa.
08:00Yeah.
08:05You could have asked.
08:09Well, you might have said no.
08:10Just don't get any ideas if I stay.
08:15No, I won't.
08:17Check with me?
08:18No.
08:23Dance with me.
08:24You and me.
08:43You and me.
08:45At the darkening of the street.
08:51You and me.
08:54So is there anything at the office lately?
08:59Did someone offer some photos to Mrs. Tatilette?
09:02You told me that I'm on a date.
09:07Sorry.
09:11No.
09:12Nobody tried to offer her any photos or anything.
09:14Darling, please don't cry.
09:19Tonight with me.
09:21I mean, what's the first thing that comes to mind?
09:34What do you notice?
09:35Well, today's couples are adapting.
09:37Yes, it's a proper transformation, don't you think?
09:39But how is it different?
09:41Let's try to figure out just what it's transforming into.
09:43Well, Director, a couple doesn't have to mean a pair any longer.
09:46Exactly.
09:47Like polygamy or partner swapping.
09:49All about free love, man.
09:51There are some way more advanced countries like Sweden, but we're...
09:53Because we're big Catholics.
09:54But we're also possessive and hot-blooded.
09:56Well, I find that I'm a traditionalist.
09:59So, let's begin looking a little deeper into this dimension, okay?
10:02Not the tradition, like Selva likes.
10:04We'll look at transgression instead.
10:05Let's get to work.
10:06Sorry, Director, but...
10:08If we're about to close, why should we?
10:11Hefner is in Los Angeles.
10:13And we're all here.
10:14So, let's just continue to focus on our work.
10:16Right, Fosky?
10:16I'm on it.
10:22Adelina, morning.
10:23Morning.
10:24We started on the issue.
10:26The subject is really current right now.
10:28That's why I'm working on a piece discussing what trust means nowadays for modern couples.
10:31That sounds great.
10:32Did you already take care of the pictures?
10:34Working on it.
10:35Tomorrow, Apollji has a shoot lined up.
10:38Perfect.
10:39Let's speak more later.
10:40Perfect.
10:42We meet again.
10:44Director?
10:45Hey, Elsa.
10:46Good morning.
10:47What brings you here?
10:48Have you reconsidered my offer?
10:57$25 million.
11:01Before it was $50.
11:03Before.
11:04They're worth more.
11:05I guess.
11:06But you already shopped them around, yes?
11:08Maybe even to Playboy.
11:10And they didn't want them.
11:11No one will publish these photos of yours.
11:15Offer is $25.
11:16Later, who knows?
11:18Maybe even less.
11:19You really are despicable.
11:20Do you know that?
11:21Yeah, but I'm also your only real possibility now.
11:24These photos will ruin us.
11:29You know that, right?
11:30If we do close, we'll at least go out with quite a bang.
11:32First Lady, a widow, and also very likely a woman, beloved throughout all of America now.
11:37We couldn't possibly publish these.
11:39When we lose our claim to the name Playmen, then, we have absolutely nothing.
11:42But thanks to her, everyone across the globe will know.
11:45Yeah, right.
11:46And they'll all be against us.
11:47The Americans, Onassis, who is also the most powerful man in the world.
11:50These are the first and only photos of a First Lady.
11:52We'll make huge sales, trust me.
11:54But they're stolen pictures.
11:56And I'm sorry, Adelina, but among other things, what kind of publication are we?
11:59One that survives, that's what.
12:01Apologies, Chartreau, but you didn't find it all too problematic with Elsa.
12:08What did you pay for them?
12:09$25 million.
12:11Nobody else wanted them.
12:13Even Playboys refused to publish any of these.
12:15I'm sure, yes.
12:17The reason is pretty clear.
12:18Jacqueline, Anassas, love or convenience?
12:22I'm sorry to disturb you, but this arrived.
12:25Thank you, Lela.
12:34Did something happen, or...?
12:37It's all right.
12:38It's nothing.
12:39Just the divorce papers that I asked my lawyer to have prepared for me.
12:50Just sign them, and I'll send them to your husband.
12:53Then it's all over and done.
12:55Isn't this what you've wanted?
12:57And the couple lived happily ever after until they divorced later.
13:01You're not funny, you know.
13:05What did you want from me?
13:06If you're here to get an absolution, to be divorced, I won't change my mind.
13:10No, I came because I'm so friendless.
13:13The magazine is about to get shut down.
13:15And I'm just the worst possible mother, and I'm trying not to be a terrible Christian, too, at least.
13:19Why are you the worst possible mother?
13:21Well, Lorenzo hasn't come back home yet.
13:22And I'm devoting all of my energy to preparing to print an issue on polygamists and swingers.
13:27Could you put aside a copy of it for me?
13:30For my Sunday sermon.
13:31You think I'll go to hell?
13:39I don't know.
13:41But should you get sent there, I'll accompany you.
13:45Ah, Lela.
13:50I'm sorry, but could you give these to Mariotti?
13:52Yes, then if you don't mind, I'll be going.
13:54Sure thing.
13:57How come you're still here?
13:59What's that?
14:00Uh, no, it's nothing.
14:01I was just checking to see if I might be any help with this plagiarism suit.
14:04The people in Legal are on it.
14:05You must know that.
14:06I thought maybe something would stand out.
14:08Well, if you do want to help out, then please talk sense to the lady in charge.
14:11Adelina trusts you.
14:13You see the guy who came by this morning?
14:16Yes.
14:17He sold her a few photos.
14:19Photos?
14:20What?
14:21What photos?
14:30Hey.
14:31Hi.
14:32Hi.
14:36For what?
14:36Well, if you're giving me one more date.
14:39What am I mistaken, then?
14:41You're not, no.
14:44What's wrong?
14:47Nothing.
14:47Come on.
14:48Let's go.
14:49How about some dancing?
14:50How about some dancing?
14:50Ain't no bad thing.
14:54I got a good thing going.
14:57Ain't ever gonna let it go.
15:00When you got it bad, honey, that's how you know.
15:0524-7, baby.
15:08I can feel the beat.
15:12If you want to know the bitter, you got to taste the sweet.
15:16Give me, give me, give me more of that real thing.
15:22Real thing.
15:22You really do seem like a cop, you know.
15:27I mean, once this is all finished, I may get you hired by the police, huh?
15:33Say, how about we both try to meet up for some lunch?
15:35Something wrong?
15:42You've been acting strange all night.
15:44Look, you can just tell me if this has been too fast.
15:48I get it.
15:49Things for you can't be easy.
15:51If it wasn't a good time tonight.
15:53No, no.
15:54I had a good time tonight.
15:55Tonight and the other night.
15:57Then what is it?
15:58What's going on?
16:09Look at each other and smile.
16:10You two look at me instead.
16:11Right at me.
16:12Hold it.
16:12Yes, perfect.
16:13All right.
16:19Here we go.
16:21Okay.
16:22Beautiful again.
16:28I want this one as the cover shot.
16:30Kissing him, but still being drawn to the other man there as well.
16:34Don't you agree, Chartreau?
16:36Weren't you the one who wanted to talk about free love?
16:39But remember that it's usually all men that constitute our readership, for the most part.
16:43Yeah, and so what?
16:44Well, this idea of a guy who's happy just sharing his woman with men besides him is audacious to me.
16:49Especially here in Italy.
16:50Oh, so if it was one man who was kissing two women, I assume you're totally unfazed about it then.
16:56Sorry, but you called?
16:57Yes.
16:57Could you please have that cake brought to Mrs. Massey's house?
17:01I'm sorry, but we're giving gifts to Massey?
17:03No.
17:03It's for my son.
17:04It's his birthday tomorrow.
17:17Move it!
17:17Get moving now!
17:25De Cesare, we're not even printing.
17:27There's nothing for you to seize.
17:28Order straight from the magistrate.
17:30We need to check the entire office.
17:31Well, you better get to it.
17:32Let's get it, guys.
17:33Do you know why they're here?
17:36No.
17:37It's for these.
17:39Try to smuggle them out of here for me.
17:41Me?
17:41Why?
17:42I'm not able to do it.
17:44I'm putting my faith in you, Elsa.
17:47Under your vest.
17:51De Cesare.
17:52Tell me what you want, and I'll point it out for you.
17:54We both know very well what I'm looking for, Mrs. Balsamo.
17:58Mrs. Tatilo now, but no, I don't know.
18:01Hand it over now.
18:02What is it?
18:04May I?
18:06Yeah, of course.
18:10Bring them downstairs.
18:12Please, come in so we can talk about it.
18:14So ever since we did the Saturday printing,
18:30the Chesity's seemed who knows what's the matter with the guy.
18:36Let's go.
18:38You can go back to work now.
18:44Elsa.
18:48Yes?
18:50You'll depart this evening for Switzerland, with photos.
18:53I have a deposit box there where their safety is assured.
18:56Wouldn't it be best to wait?
18:57There's no time now.
18:59Listen to me.
19:00You'll get on a plane to Geneva tonight at eight.
19:02I have a car that will be coming to pick you up.
19:05Inside, you'll find a ticket and all the information you'll need.
19:08Everyone's survival depends on making sure they're taken there.
19:12So go and get your things.
19:14What is it?
19:22How come they got here so suddenly?
19:24Almost like someone just reported us.
19:26Only three of us knew about buying those.
19:31How much do you trust, Elsa?
19:32We are now boarding for years from flight 654 to Geneva.
19:46We are now boarding for years from flight 654 to Geneva.
19:49Who is it?
20:19Happy birthday, Lorenzo.
20:43Happy birthday, Lorenzo.
20:47Happy birthday, Lorenzo.
20:53I love you.
20:56Oh, man, my sweet tooth is totally the worst.
21:11Sweet tooth? You've got mad munchies now.
21:14Yeah, so, you want some of this?
21:15No, no, no, no, no, no.
21:16Huh?
21:17Oh, by the way, I finished the flyer for the protest later on.
21:22Wanna take a look?
21:24After all, you're the son of a great publisher, right?
21:27Fuck you, no.
21:28Damn, that's powerful. The photo really works.
21:29Yeah, really?
21:30Well, don't fuck yet, though, okay?
21:32Here.
21:33No, no, no, no, please, man. It's for you.
21:35I mean...
21:36No, no, no, no, no, please, man. It's for you.
21:37I'm in it.
21:38Aw.
21:51So that's how it works between you two?
21:53She has all the fun and you stand and watch.
21:57What the hell are you saying, huh?
21:58What the... What the fuck?
21:59What the fuck?
22:00What the...
22:01Guys, stop it!
22:03Lorenzo!
22:23Lorenzo! Sweetie!
22:24I'm in it.
22:25Oh.
22:26I'm in it.
22:27I'm in it.
22:28I'm in it.
22:29This is a great way of finding her.
22:30I'm in it.
22:31I'm in it.
22:32Whoa!
22:33Oh!
22:34Oh!
22:35Oh!
22:37Oh!
22:38Oh!
22:39Oh!
22:40Oh!
22:41Oh!
22:42Oh!
22:43Oh!
22:44Oh!
22:45Oh!
22:46Oh!
22:47Oh!
22:48Oh!
22:49Oh!
22:50Oh!
22:51Oh!
22:52Oh!
22:53What happened to you?
22:54No, it's nothing. I'm fine.
22:56Just fell off my scooter, but I'm fine.
22:58Are you sure you're okay?
23:00Do you want a glass of water?
23:02Or else some food? I can make it for you.
23:04No, no, thank you.
23:09Anna kissed some other boy tonight.
23:11Hmm.
23:15I love her, but not the way she wants.
23:19Might she have wanted to...
23:22Make you feel jealous?
23:23No, no.
23:24Well, girls do that sometimes.
23:26She believes in all that.
23:28She wants to live like that.
23:31Free love type thing, I mean.
23:35And I just can't.
23:39I understand how it might appeal to her.
23:44So what, you didn't mind your husband was with other girls?
23:46No, that's not what I meant.
23:50But you know, for Anna, it's... it's different.
23:53Her father just ran off on her, without a thought for her and her mother.
23:59So what?
24:00If you never let anyone close, you'll never get abandoned by anybody.
24:05The only advantage of that type of free love is splitting without a divorce.
24:08What about you and dad?
24:11Are you divorcing?
24:12The lawyer sent me copies of the documents.
24:13I just have to sign them now.
24:14Can I take a shower?
24:18Of course.
24:20Your home is always here, okay?
24:21Oh, my God.
24:22Oh, my God.
24:23Can I take a shower?
24:24Of course.
24:26Your home is always here, okay?
24:29Can I take a shower of course your home is always here, okay?
24:40Lorenzo, I'm throwing your clothes in the wash, okay?
25:00Anyhow.
25:10Okay.
25:40No call from her.
25:54Maybe she's been arrested.
25:56Or she ratted us out.
25:57No. No, I trust Elsa.
26:03But she's still a bit angry with us, isn't she?
26:05After all, she holds us responsible for what happened to her.
26:07But not anymore, no way.
26:08No?
26:09No. At the office, she found a family in us.
26:11One that's even better than her first one ever was.
26:15Hello? How can I help?
26:17Is Elsa around?
26:23Yes, hello?
26:23Hey, it's Elsa.
26:25How did it go?
26:26Everything's done. Do I head to the airport or...?
26:28No, just stay put in the room there.
26:31Someone's gonna come to pick you up soon.
26:33All right. I'll wait here.
26:34Yeah, see you.
26:35What you say?
26:36The photos are all secure now.
26:38Oh, you man of little faith.
26:39Who is it?
26:49You've got a call.
26:51It's an American.
26:54Who is it?
26:54Mrs. Tatulo?
26:55Yes, this is she.
26:57It's me, Hugh Hefner.
26:59The owner of Playboy.
27:01Um, Mr. Hefner.
27:03Um, nice to meet you and to talk to you.
27:07Sorry, I'm glad you called, but my schedule is... it's pretty busy.
27:11Of course. I'll be quick, then.
27:14I have a lawyer here with me to discuss something with you.
27:18Okay.
27:21You wanted me?
27:24Close it.
27:24All right.
27:28All right. Hugh Hefner just called with a new offer for us.
27:32Great.
27:32He still wants Playmen, and now he's promising to keep all the staff on.
27:36Everyone.
27:37Might be a sincere offer, though.
27:39The first magazine to publish anything remotely like this in Italy was us, right?
27:43So what? You want us to trust Hefner now?
27:45No, I'm not saying that, but...
27:47Maybe if we do sell to him, we'll no longer be stuck trying to publish the Kennedy photos,
27:50we won't upset our husband, and we can keep on working.
27:53But the only reason he proposed it is because he wants us gone.
27:56So he'll buy us now, but shut us down in six months.
27:58No, not necessarily.
27:59Maybe instead he'll realize how valuable we are.
28:02And how.
28:02We won't have the freedom to decide anything.
28:08But don't you see this man's offering us an opportunity?
28:17Look, Adelina, please don't start acting like Saro.
28:21Why are you bringing up Saro?
28:22Because he'd try to keep Playmen, wouldn't he?
28:24He would have done anything to keep a grip on all that power,
28:27but we all would have gotten dragged down along with him.
28:31That's not what I'm like.
28:47You've been pensive for a while.
28:50You just never stopped working, do you?
28:52No, forgive me.
28:54After all, I pretty much earned this date, right?
28:57Without me, you'd have missed out on the photos.
29:02So why make such a long face?
29:07You must worry that Onassis will turn against you?
29:09I'd like to know who he is, how he'll behave.
29:12If I don't publish those photos, there's no...
29:14just no other possibility we might survive.
29:16Well, it's clear Onassis is the type to act cautious.
29:18What do you mean?
29:19Love, lust, and a powerful couple.
29:21What happens when power meets love?
29:24Nothing good.
29:25Is it true love between former First Lady Jacqueline Kennedy
29:28and the Greek ship owner?
29:29After all, the marriage is governed,
29:30as is in common practice these days,
29:32with a prenuptial agreement.
29:34And what's that?
29:34It's an agreement they sign that specifies
29:36exactly how often those two make love monthly.
29:38So much for love.
29:40Of the rest, it stipulates that the tycoon
29:42will owe Jacqueline $25 million
29:43in case of separation and divorce.
29:46$25 million?
29:47The agreement is intended to prevent
29:49legal disputes in the divorce.
29:53So the person who blows it...
29:55Is entitled to nothing.
30:00You are one of a kind, Steve.
30:02I know.
30:04Don't forget the exhibition for Schuster.
30:05No, I won't. Thank you.
30:07How did you manage to take the photos?
30:13Miss, I told you it was good fortune.
30:15Yes, but explain how you came to know
30:17Jackie and Onassis were going to stay
30:18on that island then, of all days.
30:20Who told you?
30:21They travel constantly and have houses everywhere.
30:23An informant did.
30:27Hmm.
30:30How did you get there?
30:32The security detail they have there is like an army.
30:36Ah, I do have my informants too.
30:39I'll ask once more.
30:41Who told you Jackie was on that island?
30:43Have you already put out the new issue for printing?
30:55Yes, of course.
30:56Better call it off.
30:57We're publishing Kennedy.
30:58Make a call.
30:59Wait, stop it.
31:00Martoni, hold on.
31:00We can't just change the whole magazine.
31:02Even if we want to,
31:03there won't be any time for a completely new reprint.
31:05No, we can manage.
31:06Elsa's going to leave Geneva with the photos.
31:08We can clear the path
31:09so nobody else can block her along the way.
31:11And we'll be at the printers of Mariotti by then.
31:13Wait, we're doing everything in secret?
31:14Of course.
31:14I'll grab her at the airport now.
31:16No, I've sent Poggi.
31:17Listen, I don't understand.
31:19There's still Onassis.
31:20What's going on?
31:21Has he somehow given us permission now?
31:23Well, yeah, pretty much.
31:24Yes, hello?
31:24This is Martoni from the office.
31:26Stop everything.
31:30Let's get going.
31:41That's the sixth phone call I've had
31:59with the American Embassy today.
32:00Okay, everybody.
32:11Our first print run of 500,000 copies
32:13has sold out in just two days.
32:15Hey!
32:16That's crazy.
32:18We can do it.
32:20We've been receiving pre-orders
32:21from all over now.
32:23Thousands more.
32:23Germany and the United States
32:25and even Australia.
32:26And there are still more calls.
32:28Crazy.
32:28And most important of all,
32:29everyone wants to buy ad spaces
32:31with us now.
32:31Well, we better honor
32:32the occasion, guys.
32:33Sorry.
32:33Yeah.
32:34I want to thank you all.
32:35I mean it.
32:36Let's keep working hard.
32:37Bravo!
32:38Yeah!
32:41Okay, guys, I know a place to check.
32:43I'll call Steve.
32:44I'll set up something to say.
32:50That's your editorial morning.
32:51Yeah, sorry, sorry.
32:52We unplugged the phones for a meeting.
32:53You can go ahead.
32:54I know, Mom, yes.
32:55But you can't just panic
32:56because all our phones are busy, okay?
32:57The cover is beautiful.
32:58Yeah, I felt inspired by a film.
33:00It's Bob, Carol, Ted, and Alice.
33:01Yes, great.
33:02How's 10 o'clock on Monday sound?
33:03Does Wednesday at 9.30 a.m. work?
33:05Yes, Claudia, Claudia.
33:06I know, I'm sorry.
33:07It's all confirmed now.
33:08Let's meet at the Jackie O tonight.
33:09Mom, I won't be there for dinner.
33:11Sarah!
33:12Yes, yes, yes, yes.
33:13At the Jackie O.
33:14Yes.
33:1511 tonight.
33:15Great, that's perfect then.
33:17Okay, let's meet up sometime next week.
33:19I'm glad.
33:22That was a call from Bulgari.
33:24They want to get a couple of ad spaces with us now.
33:27But hang on, explain something.
33:29Hmm?
33:30When did you start to put together
33:32that Onassis tipped the paparazzo off?
33:34If Onassis had actually wanted to protect
33:35his recent bride and secure that entire island,
33:38it could have been very easily done.
33:40Somehow, that paparazzo still arrived on the island
33:42without any problems.
33:44You see, she causes a scandal,
33:45he divorces her,
33:47and he owes her nothing from his estate.
33:48Of course, thanks to the prenup they signed,
33:50he'd be happy with us, not angry.
33:51I'd guess that this call is from Cartier.
33:58Who is it?
33:59It's Mario.
34:00There you are, huh?
34:02You know that rejecting Hefner's offer
34:04was a big gamble, don't you?
34:05Well, yeah.
34:06He defends his work, and I defend mine too.
34:08He gets it.
34:09What's the purpose of your call?
34:10Maybe to compliment us all?
34:11Well, yes, that's obvious, right?
34:13But also because Hefner is still willing to buy you out.
34:16I consider the offer, all right?
34:17You'll be shut down otherwise.
34:18Thanks for being concerned.
34:20Get your lawyers ready, then.
34:21They're ready, Mario.
34:22Talk soon.
34:25So now we really do have to win our petition.
34:27Yes.
34:28And bring our playmen to America.
34:31Ambitious today, huh?
34:37You wanted to see me?
34:39Yes.
34:41Listen, Elsa,
34:42you were really fundamental here.
34:44And thank you for putting all of your trust in me.
34:46Playmen's been my first real experience with
34:50thinking I'm useful.
34:51I'm actually worth something.
34:54But I still do have to give this to you.
34:58You say that here you've learned how useful and worthy you really are.
35:02Now you must also learn how to be free.
35:04And especially from that type of guy.
35:07I know what it means to put your trust in a man who doesn't truly deserve it.
35:10I know that you two are closer than I realized.
35:16How'd you find out about us?
35:18I'd suspected it.
35:20If you suspected, why pick me out for Switzerland?
35:22Because I trusted in you.
35:25Believe me, I chose love once upon a time, and every day I pay for it.
35:30Follow a different road than I did.
35:32I could tell.
35:33See you later.
35:41On the train ride.
35:43Come on talk.
35:46Sato?
36:06I received your ridiculous request for a divorce just now.
36:10What in the hell has been going on out there?
36:14Adelina?
36:16The recent issue of Playmen featuring pictures of Jackie Onassis naked, exposed to the entire
36:25world, is absolutely disgusting.
36:27It's really as if with every single new issue, they're trying to push the boundaries even
36:32farther.
36:32Like they're trying to find new meaning for words like squalor.
36:36And I'm not talking about these photos, which are absolutely, without a doubt, in very poor
36:41taste.
36:41They're actually launching a genuine attack on women's freedom.
36:45Yes, I'm not afraid of saying it.
36:47It really is an attack.
36:48The idea of men like that who sneak around in the shadows, hiding behind bushes, all so
36:53that they can steal a photo, and without the slightest scruple about violating someone's
36:57private property, or a woman's intimacy.
37:00It doesn't matter that she's a famous celebrity.
37:02She's a woman.
37:03I might get caught too.
37:05You might get caught too.
37:06Perhaps even Adelina Tatilo.
37:09Who at this moment is somewhere, counting the stacks of money.
37:12She's certainly made off of this ambush.
37:15Adelina Tatilo is nothing but a sexist, and she's manipulative.
37:18She's taken the worst of men's power, and now she's abusing it.
37:22She's exactly like her husband.
37:24No, in fact, she's even worse.
37:26Oh, God.
37:26A woman should know that women must defend one another instead, and not just exploit each
37:32other.
37:34So am I like your father?
37:36Do I just exploit others?
37:39You never have managed to reach the sales you did.
37:42And you're not as much of an asshole.
37:44But now, who knows?
37:46What do you do?
37:55Are you staying here?
38:00Let me go on smoking joints.
38:01It's a deal.
38:02No way.
38:02Joints?
38:03No.
38:04I'm still your mother.
38:05Mean and bourgeois, huh?
38:06You hold it back from us.
38:29No need to hide and do more.
38:40No need to hide and do more.
38:45Are you doing all right?
39:07Are you going to leave or...
39:09No, no.
39:15I am beautiful.
39:36And also erotic.
39:40When did you last make love?
39:42That corner bellow break.
39:46So no one loves us.
39:50Could it be right?
39:54Could it be right?
39:56Or could it be?
39:59Would it be right if we would stop this fight?
40:03Would it be right if we would stop tonight?
40:08And the world in love holds me, ooh.
40:17And the world in love holds me, ooh.
40:23Help me.
40:24Help me.
40:26Help me.
40:28Help me.
40:29Help me.
40:35And the world in love holds me, ooh.
40:41Ooh, ooh, ooh, ooh.
40:44Ooh, ooh, ooh, ooh.
40:46Ooh, ooh, ooh.
40:48Wouldn't see you forever?
40:50Is there a sound?"
40:51Captions by RTL
Recommended
57:19
|
Up next
43:57
48:55
50:21
49:00
51:00
46:33
51:00
50:21
45:25
59:04
45:38
47:54
49:25
57:01
38:01
1:03:38
42:46
49:26
51:58
52:15
18:53
51:03
52:11
49:09
Be the first to comment