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00:00Barbiecore, bimbo, cottagecore, coquette, soft girl, shabby princess, dopamine dressing.
00:07The trend cycles change too fast for most of us to keep up,
00:10but there's a common thread to a lot of the trends, and it's very girly.
00:14Today, many people are embracing a hyper-feminine aesthetic,
00:17and while the specific fashion trends may shift, the girly thread remains.
00:22I've rediscovered my hyper-feminine hot pink princess self.
00:26I love that part of me.
00:27Across modern aesthetics, pastels is specially pink.
00:30Lace, sparkles, and everything else that has been historically seen as too girly
00:35is being embraced as part of a radical reclamation of power and femininity.
00:40More than just a fad, modern hyper-femininity is a movement.
00:44It aims to be a more nuanced and intentional brand of girl power
00:47that celebrates traditionally feminine characteristics as strengths.
00:51Whether you're in glitter and stilettos or decked in coquettish silhouettes
00:55and hosting a garden tea party, here's our take on the hyper-fem aesthetic,
00:59how it's sparking feminist conversation, and how it's creating a community of women online.
01:07When imagining a heightened feminine look, you might picture pink on pink on pink,
01:12but this hue wasn't always the driving force of feminine attire.
01:16In fact, pink was a fairly gender-neutral color until around the 1950s.
01:21Pink, pink, and the world is rosy red!
01:25So how did we get here?
01:27The first wave feminists of the 19th and early 20th century
01:30saw how the way they dressed impacted their mission, and adapted accordingly.
01:35When suffragists adapted Amelia Jenks Bloomer's pant design,
01:39they found that the focus shifted to what they wore rather than what they said.
01:43As a result, the style was dropped, and the women wore white,
01:46suggesting purity and moral virtue to prove they weren't a threat to masculinity.
01:51This ebb and flow of aesthetics was also seen when women took to work during World War II.
01:56They began donning pants and traditionally male fashion
01:59for efficient workflow in their new factory jobs.
02:02But after the war came to an end and the men returned,
02:04women were pushed back into domestic roles,
02:07and a very feminine era of fashion followed.
02:09This whole kitchen was designed for efficiency and convenience.
02:13Donna Reed became a major example of idealistic femininity,
02:17fitted in tight shapewear, dresses, heels, and lipstick, while completing housework.
02:23Along with First Lady Mamie Eisenhower's pivotal pink inaugural ball gown,
02:27the precedent for how a sophisticated woman should present herself was set.
02:32By the 1960s, women began returning to the idea that what you wore could affect your activism.
02:37But this time, instead of attempting to be pristine and white-clad,
02:41they went against the day's norms to symbolize their rejection
02:44of the way they were being oppressed by society.
02:47Women embraced looks like the miniskirt as one way to represent their new wave of feminism,
02:52sparked by the advent of birth control, leading into a decade of sexual revolution.
02:56The pendulum has continued to swing back and forth over the decades
03:00as new movements chose to claim or reject feminism in an attempt to achieve their goals.
03:05In the 80s, women began walking the tightrope of corporate dress,
03:08finding ways to make fashion work for them,
03:10while attempting to be taken seriously in the workplace.
03:13The 90s saw subcultures like the Riot Grrrl movement,
03:16which generally rejected traditional feminine aesthetics,
03:19gaining popularity in tandem with the rise of girl power,
03:22which was incredibly feminine.
03:24Both trends sought to empower women and young girls,
03:27but had very different ideas on how this should look,
03:30socially and satorially.
03:32It was also around this time that we began seeing a rise in girly tropes in the media
03:37that showed women who gravitate towards traditionally feminine colors and hobbies
03:41as vapid, stupid, or self-involved.
03:43Whoever said orange is the new pink was seriously disturbed.
03:49It's no secret that the 2000s and 2010s time period had a woman problem.
03:55Whether it was trivializing feminine aesthetics or interests,
03:58or just not giving women the same respect as men in sciences and the arts,
04:02this time period pushed a lot of women to disown the feminist label to stand out as likable.
04:08She wears short skirts, I wear t-shirts.
04:12The message was clear.
04:13Women weren't cool unless they were liked by men,
04:16which meant being the cool girl who liked pizza, beer, and video games,
04:20while still being conventionally attractive and thin.
04:22So, not like other girls.
04:24Okay, I'm gonna go get us another round.
04:26I'll grab it.
04:27It's no big deal.
04:28Here, you don't have to tell around me.
04:30I'm not that type of girl.
04:31With the late 2010s came a new wave of feminism,
04:35typically wrapped up in the girl boss attitude.
04:37As well-intentioned as this was,
04:39being a hashtag girl boss limited women's successes
04:42to playing with the boys and stepping over other women to get to the top.
04:45Young women today, however, have subverted that narrative
04:48by proclaiming,
04:49I am like other girls, and that's great.
04:52Through TikTok, women are connecting through shared passions and experiences
04:56and are re-examining what was once considered lowbrow art,
05:00whether it was movies, fashion, dolls, or music,
05:02because together, they're realizing that the system never really took their interests into account
05:08when deciding what was cool or acceptable.
05:10I rock a lot of polka dots.
05:12I wish it had ribbons on it or something to make it just slightly cuter,
05:16and that doesn't mean I'm not smart and tough and strong.
05:20Hyperfem TikTokers address feminist issues
05:22and engage in the discourse around whether their return to frills, pink, and pearls
05:27could be setting feminism back,
05:29as some claim it could be,
05:31standing firmly in their beliefs with the intention to educate.
05:34By embracing things that we are one shame for,
05:36we're able to live our truth without bending to the overall consensus of the patriarchy
05:39that femininity is bad and things that represent femininity are bad.
05:42Other accounts are leaning into hyperfeminine ways of relating to each other
05:46using girlsplaining to help teach one another about political happenings and current events.
05:51Welcome back to Girlsplaining Incorporated.
05:52In this video, I'm going a little bit more in detail on what exactly an economics nation is.
05:56This shift has also influenced the way women talk about themselves,
06:00tackling internalized misogyny and feminist issues together,
06:03discussing favorite books or reading poems,
06:06all while putting on their sparkly pink makeup.
06:09Creators like Madeline Ford are taking back the narrative
06:11that women shouldn't like other women
06:13and instead encourage others to share what they love about other women
06:17and to embrace their femininity.
06:19In all honesty, I never have and never will be offended
06:21for someone comparing me to a woman.
06:23Even then, I'm like,
06:24thank you, I'm honored, she's f***ing beautiful.
06:30While feminine aesthetics of the past
06:32centered on thin white women,
06:33the hyper-femme looks of today are about choice and inclusivity,
06:38with women of color, queer people, plus-size women, and more
06:41finding joy and comfort in the look.
06:43The look has many sub-genres and cultures.
06:46When creator April J wasn't seeing people like her
06:49in the cottage and princess core communities,
06:51she created a video naming a new aesthetic,
06:54shabby princess.
06:55It's always from very expensive brands,
06:57and I always felt bad because it's not attainable for everyone.
07:00Thus, shabby princess was born.
07:02She asked to see others' shabby princess looks,
07:04and people of all backgrounds and sizes
07:06began using her aesthetics.
07:08While some videos were met with hate,
07:10the new community stood up for each other,
07:12and most comment sections were filled with positivity and excitement.
07:15Maybe the most radical step away from the cool girl mindset
07:19or the feminine expectations of the 1950s
07:22is that hyper-femme aesthetics are decidedly not for men's enjoyment.
07:27Masculine people aren't the ones who will really care
07:30about women's makeup skills or attention to detail in their outfits,
07:33so their efforts become only for themselves.
07:36And for other fems to notice.
07:38In hyper-femme aesthetic,
07:39the admiration of other women or fems is the highest compliment.
07:43In fact, many women who participate in these very girly
07:46or hyper-feminine trends admit to doing so specifically
07:49because they don't want the attention of men.
07:52Even though the aesthetic is a twist on traditional femininity,
07:55it's also been claimed by queer people who present femininely
07:58as a way to subvert the idea that people need to dress
08:01in a way that men find attractive to fit in.
08:04Super-feminine and girly seems like something
08:05that would be a performance for men
08:06and something that would be attractive to them.
08:08And then realizing you're not attractive to them
08:09is kind of like,
08:10oh, so this is just because I enjoy this
08:12and they're not a part of that.
08:13But of course,
08:14being fem isn't just about the aesthetics.
08:16It's an identity that celebrates the community
08:18and celebrates feminine traits
08:20while challenging heteronormative systems.
08:22As people look to break down gender norms,
08:24especially in fashion,
08:25the embracing of traditional feminine aesthetics
08:28continues to grow.
08:29It's more common to see cisgender men
08:31sporting traditionally feminine skirts,
08:33dresses, nail polish, and pearl necklaces.
08:36What was a few years ago seen as a big statement
08:38or rebellion is being normalized.
08:41As the acceptance of feminine aesthetics
08:42continues across all spectrums of society,
08:45we're finally starting to do away with the notion
08:48that girly automatically equals vapid or weak.
08:51Ultimately, being hyper-feminine
08:53is about expressing your femininity
08:54the way you want to
08:56and accepting that gender can be performed
08:58in the way you are most comfortable.
09:01When you're in your feminine energy,
09:02you dress in a way that protects your energy
09:04and truly represents your soul,
09:07represents who you are as a woman
09:09with your unique style.
09:11Whether it's the miniskirt of the 1960s
09:13or bloomers of the 1850s,
09:15policies and reform affecting women
09:17changes the way feminine aesthetic presents itself.
09:20as much as the aesthetic affects
09:21the actual feminist movements.
09:23With rollbacks to reproductive rights around the globe,
09:26it's not surprising that women are rethinking
09:28the way fashion represents their experiences.
09:31Platforms like TikTok allow these aesthetics
09:33to be established, owned, and spread by women themselves.
09:36It's not being sold by toy companies,
09:38Disney princesses, or other major corporations.
09:41This hyper-femininity,
09:42whether it's hot pink barbiecore
09:44or soft, lacy, and coquette,
09:46encompasses many facets of people
09:48who appreciate beauty
09:50and take time and attention to detail
09:52for the joy of themselves
09:53and their pro-femme community.
09:55It allows for vapid makeup tutorials
09:58or get-ready-with-me videos
09:59and gives space for pro-femme conversations
10:02in a way that's refreshingly resisting
10:04the male gaze.
10:05Importantly, hyper-femme asks us to examine
10:07what truly sparks joy
10:09and to question
10:10why we should ever be made to feel
10:12that we can't enjoy it.
10:14That's the take.
10:15Click here to watch a video we think you'll love,
10:17or here to check out a whole playlist of awesome content.
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