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The Feminism of Hyper Femininity - More Than a Style
The Take Film TV Movie
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8 hours ago
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00:00
Barbiecore, bimbo, cottagecore, coquette, soft girl, shabby princess, dopamine dressing.
00:07
The trend cycles change too fast for most of us to keep up,
00:10
but there's a common thread to a lot of the trends, and it's very girly.
00:14
Today, many people are embracing a hyper-feminine aesthetic,
00:17
and while the specific fashion trends may shift, the girly thread remains.
00:22
I've rediscovered my hyper-feminine hot pink princess self.
00:26
I love that part of me.
00:27
Across modern aesthetics, pastels is specially pink.
00:30
Lace, sparkles, and everything else that has been historically seen as too girly
00:35
is being embraced as part of a radical reclamation of power and femininity.
00:40
More than just a fad, modern hyper-femininity is a movement.
00:44
It aims to be a more nuanced and intentional brand of girl power
00:47
that celebrates traditionally feminine characteristics as strengths.
00:51
Whether you're in glitter and stilettos or decked in coquettish silhouettes
00:55
and hosting a garden tea party, here's our take on the hyper-fem aesthetic,
00:59
how it's sparking feminist conversation, and how it's creating a community of women online.
01:07
When imagining a heightened feminine look, you might picture pink on pink on pink,
01:12
but this hue wasn't always the driving force of feminine attire.
01:16
In fact, pink was a fairly gender-neutral color until around the 1950s.
01:21
Pink, pink, and the world is rosy red!
01:25
So how did we get here?
01:27
The first wave feminists of the 19th and early 20th century
01:30
saw how the way they dressed impacted their mission, and adapted accordingly.
01:35
When suffragists adapted Amelia Jenks Bloomer's pant design,
01:39
they found that the focus shifted to what they wore rather than what they said.
01:43
As a result, the style was dropped, and the women wore white,
01:46
suggesting purity and moral virtue to prove they weren't a threat to masculinity.
01:51
This ebb and flow of aesthetics was also seen when women took to work during World War II.
01:56
They began donning pants and traditionally male fashion
01:59
for efficient workflow in their new factory jobs.
02:02
But after the war came to an end and the men returned,
02:04
women were pushed back into domestic roles,
02:07
and a very feminine era of fashion followed.
02:09
This whole kitchen was designed for efficiency and convenience.
02:13
Donna Reed became a major example of idealistic femininity,
02:17
fitted in tight shapewear, dresses, heels, and lipstick, while completing housework.
02:23
Along with First Lady Mamie Eisenhower's pivotal pink inaugural ball gown,
02:27
the precedent for how a sophisticated woman should present herself was set.
02:32
By the 1960s, women began returning to the idea that what you wore could affect your activism.
02:37
But this time, instead of attempting to be pristine and white-clad,
02:41
they went against the day's norms to symbolize their rejection
02:44
of the way they were being oppressed by society.
02:47
Women embraced looks like the miniskirt as one way to represent their new wave of feminism,
02:52
sparked by the advent of birth control, leading into a decade of sexual revolution.
02:56
The pendulum has continued to swing back and forth over the decades
03:00
as new movements chose to claim or reject feminism in an attempt to achieve their goals.
03:05
In the 80s, women began walking the tightrope of corporate dress,
03:08
finding ways to make fashion work for them,
03:10
while attempting to be taken seriously in the workplace.
03:13
The 90s saw subcultures like the Riot Grrrl movement,
03:16
which generally rejected traditional feminine aesthetics,
03:19
gaining popularity in tandem with the rise of girl power,
03:22
which was incredibly feminine.
03:24
Both trends sought to empower women and young girls,
03:27
but had very different ideas on how this should look,
03:30
socially and satorially.
03:32
It was also around this time that we began seeing a rise in girly tropes in the media
03:37
that showed women who gravitate towards traditionally feminine colors and hobbies
03:41
as vapid, stupid, or self-involved.
03:43
Whoever said orange is the new pink was seriously disturbed.
03:49
It's no secret that the 2000s and 2010s time period had a woman problem.
03:55
Whether it was trivializing feminine aesthetics or interests,
03:58
or just not giving women the same respect as men in sciences and the arts,
04:02
this time period pushed a lot of women to disown the feminist label to stand out as likable.
04:08
She wears short skirts, I wear t-shirts.
04:12
The message was clear.
04:13
Women weren't cool unless they were liked by men,
04:16
which meant being the cool girl who liked pizza, beer, and video games,
04:20
while still being conventionally attractive and thin.
04:22
So, not like other girls.
04:24
Okay, I'm gonna go get us another round.
04:26
I'll grab it.
04:27
It's no big deal.
04:28
Here, you don't have to tell around me.
04:30
I'm not that type of girl.
04:31
With the late 2010s came a new wave of feminism,
04:35
typically wrapped up in the girl boss attitude.
04:37
As well-intentioned as this was,
04:39
being a hashtag girl boss limited women's successes
04:42
to playing with the boys and stepping over other women to get to the top.
04:45
Young women today, however, have subverted that narrative
04:48
by proclaiming,
04:49
I am like other girls, and that's great.
04:52
Through TikTok, women are connecting through shared passions and experiences
04:56
and are re-examining what was once considered lowbrow art,
05:00
whether it was movies, fashion, dolls, or music,
05:02
because together, they're realizing that the system never really took their interests into account
05:08
when deciding what was cool or acceptable.
05:10
I rock a lot of polka dots.
05:12
I wish it had ribbons on it or something to make it just slightly cuter,
05:16
and that doesn't mean I'm not smart and tough and strong.
05:20
Hyperfem TikTokers address feminist issues
05:22
and engage in the discourse around whether their return to frills, pink, and pearls
05:27
could be setting feminism back,
05:29
as some claim it could be,
05:31
standing firmly in their beliefs with the intention to educate.
05:34
By embracing things that we are one shame for,
05:36
we're able to live our truth without bending to the overall consensus of the patriarchy
05:39
that femininity is bad and things that represent femininity are bad.
05:42
Other accounts are leaning into hyperfeminine ways of relating to each other
05:46
using girlsplaining to help teach one another about political happenings and current events.
05:51
Welcome back to Girlsplaining Incorporated.
05:52
In this video, I'm going a little bit more in detail on what exactly an economics nation is.
05:56
This shift has also influenced the way women talk about themselves,
06:00
tackling internalized misogyny and feminist issues together,
06:03
discussing favorite books or reading poems,
06:06
all while putting on their sparkly pink makeup.
06:09
Creators like Madeline Ford are taking back the narrative
06:11
that women shouldn't like other women
06:13
and instead encourage others to share what they love about other women
06:17
and to embrace their femininity.
06:19
In all honesty, I never have and never will be offended
06:21
for someone comparing me to a woman.
06:23
Even then, I'm like,
06:24
thank you, I'm honored, she's f***ing beautiful.
06:30
While feminine aesthetics of the past
06:32
centered on thin white women,
06:33
the hyper-femme looks of today are about choice and inclusivity,
06:38
with women of color, queer people, plus-size women, and more
06:41
finding joy and comfort in the look.
06:43
The look has many sub-genres and cultures.
06:46
When creator April J wasn't seeing people like her
06:49
in the cottage and princess core communities,
06:51
she created a video naming a new aesthetic,
06:54
shabby princess.
06:55
It's always from very expensive brands,
06:57
and I always felt bad because it's not attainable for everyone.
07:00
Thus, shabby princess was born.
07:02
She asked to see others' shabby princess looks,
07:04
and people of all backgrounds and sizes
07:06
began using her aesthetics.
07:08
While some videos were met with hate,
07:10
the new community stood up for each other,
07:12
and most comment sections were filled with positivity and excitement.
07:15
Maybe the most radical step away from the cool girl mindset
07:19
or the feminine expectations of the 1950s
07:22
is that hyper-femme aesthetics are decidedly not for men's enjoyment.
07:27
Masculine people aren't the ones who will really care
07:30
about women's makeup skills or attention to detail in their outfits,
07:33
so their efforts become only for themselves.
07:36
And for other fems to notice.
07:38
In hyper-femme aesthetic,
07:39
the admiration of other women or fems is the highest compliment.
07:43
In fact, many women who participate in these very girly
07:46
or hyper-feminine trends admit to doing so specifically
07:49
because they don't want the attention of men.
07:52
Even though the aesthetic is a twist on traditional femininity,
07:55
it's also been claimed by queer people who present femininely
07:58
as a way to subvert the idea that people need to dress
08:01
in a way that men find attractive to fit in.
08:04
Super-feminine and girly seems like something
08:05
that would be a performance for men
08:06
and something that would be attractive to them.
08:08
And then realizing you're not attractive to them
08:09
is kind of like,
08:10
oh, so this is just because I enjoy this
08:12
and they're not a part of that.
08:13
But of course,
08:14
being fem isn't just about the aesthetics.
08:16
It's an identity that celebrates the community
08:18
and celebrates feminine traits
08:20
while challenging heteronormative systems.
08:22
As people look to break down gender norms,
08:24
especially in fashion,
08:25
the embracing of traditional feminine aesthetics
08:28
continues to grow.
08:29
It's more common to see cisgender men
08:31
sporting traditionally feminine skirts,
08:33
dresses, nail polish, and pearl necklaces.
08:36
What was a few years ago seen as a big statement
08:38
or rebellion is being normalized.
08:41
As the acceptance of feminine aesthetics
08:42
continues across all spectrums of society,
08:45
we're finally starting to do away with the notion
08:48
that girly automatically equals vapid or weak.
08:51
Ultimately, being hyper-feminine
08:53
is about expressing your femininity
08:54
the way you want to
08:56
and accepting that gender can be performed
08:58
in the way you are most comfortable.
09:01
When you're in your feminine energy,
09:02
you dress in a way that protects your energy
09:04
and truly represents your soul,
09:07
represents who you are as a woman
09:09
with your unique style.
09:11
Whether it's the miniskirt of the 1960s
09:13
or bloomers of the 1850s,
09:15
policies and reform affecting women
09:17
changes the way feminine aesthetic presents itself.
09:20
as much as the aesthetic affects
09:21
the actual feminist movements.
09:23
With rollbacks to reproductive rights around the globe,
09:26
it's not surprising that women are rethinking
09:28
the way fashion represents their experiences.
09:31
Platforms like TikTok allow these aesthetics
09:33
to be established, owned, and spread by women themselves.
09:36
It's not being sold by toy companies,
09:38
Disney princesses, or other major corporations.
09:41
This hyper-femininity,
09:42
whether it's hot pink barbiecore
09:44
or soft, lacy, and coquette,
09:46
encompasses many facets of people
09:48
who appreciate beauty
09:50
and take time and attention to detail
09:52
for the joy of themselves
09:53
and their pro-femme community.
09:55
It allows for vapid makeup tutorials
09:58
or get-ready-with-me videos
09:59
and gives space for pro-femme conversations
10:02
in a way that's refreshingly resisting
10:04
the male gaze.
10:05
Importantly, hyper-femme asks us to examine
10:07
what truly sparks joy
10:09
and to question
10:10
why we should ever be made to feel
10:12
that we can't enjoy it.
10:14
That's the take.
10:15
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