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In the Eye of the Storm spans the period of history between the revolutionary movement begun by Iran's national hero Mirza Koochak Khan in the early twentieth century, to the freedom of Khoramshahr during the eight-year war between Iran and Iraq in the 1980s. The story is told through the trials and tribulations, love and relationships of one family.
“This video is shared for educational and cultural purposes only. All rights belong to IFILM.”
“This video is shared for educational and cultural purposes only. All rights belong to IFILM.”
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00:00Thank you for listening.
00:30Thank you for listening.
01:30Those being exiled to Basre, don't get left behind.
01:38Those being exiled to Basre, don't get left behind.
02:00Those being exiled to Basre, don't get left behind.
02:10Those being exiled to Basre, don't get left behind.
02:20Those being exiled to Basre, don't get left behind.
02:30Those being exiled to Basre.
02:32Don't get left behind.
02:34Those being exiled to Basre, don't get left behind.
02:36Don't get left behind.
02:38Don't get left behind.
02:40Don't get left behind.
02:42All aboard.
02:44All aboard.
02:46All aboard.
02:58All aboard.
03:10All aboard.
03:36What is it?
03:37You're changing your mind?
03:39Don't worry about leaving, boy, big head.
03:45Before you know it, I'll have sent you to New York.
03:48Go on.
03:49Go on.
03:50Go on.
03:51Go on.
03:52Go on.
03:53Go on.
03:54Go on.
03:55Go on.
03:56Go on.
03:57Go on.
03:58Go on.
03:59Go on.
04:00Go on.
04:01Go on.
04:02Go on.
04:03Go on.
04:04Go on.
04:05Go on.
04:06Go on.
04:07Go on.
04:08Go on.
04:09Go on.
04:10Go on.
04:11Go on.
04:12Go on.
04:13Go on.
04:14Go on.
04:15Go on.
04:16Go on.
04:17Go on.
04:18Go on.
04:19Go on.
04:20Go on.
04:21Go on.
04:22Go on.
04:23Go on.
04:24I pray to God to bless you.
04:45I pray you'll never fall on hard times.
04:48Help me.
04:49I pray you'll never suffer.
04:51I pray you will never be in need.
04:57Rajabali?
04:57Yes?
04:59You?
05:06Sir?
05:12Where are you going?
05:15Come back, Rajabali!
05:19Raj!
05:21Rajabali!
05:34Amen!
07:39One of the bullets had hit her straight in the heart.
07:42The photographer had taken a picture with such artistic commitment, he turned her chin to the right carefully.
07:51They must have wiped off the blood splattered on her face.
07:57If her eyes had been open, maybe I would have seen that even in those last moments, that Ryoishik's eyes still had her eyes fixed on those insurmountable peaks.
08:14Maybe in her eyes I would have seen regret.
11:40When are you going to marry then, Uncle?
11:41Mind your own business, boy.
11:42Hello, Aunt Malaga.
11:43Hello.
11:44I hope you're not too tired.
11:46I'll be back in time for you to serve supper.
11:47Thank you very much, Abbas.
11:48God give you strength, Abba.
11:49God give you health.
11:50Hey, Uncle Abbas.
11:51I'll be back in time for you to serve supper.
11:52Thank you very much, Abbas.
11:53God give you strength, Abba.
11:54God give you health.
11:55Hey, Uncle Abbas.
11:56This Golem Karam Ali is still trying to win Rana over, you know.
11:57Come on, son.
11:58Ignore him.
11:59He's burning with jealousy, Uncle Abbas.
12:00Mind your own business, son.
12:01But he's proposed to Rana.
12:02Rana has to say no, which she will.
12:03No.
12:04No.
12:05No.
12:06No.
12:07No.
12:08No.
12:09No.
12:10No.
12:11No.
12:12No.
12:13No.
12:14No.
12:15No.
12:16No.
12:17No.
12:18No.
12:19No.
12:20No.
12:21No.
12:22No.
12:23No.
12:24No.
12:25No.
12:26No.
12:27No.
12:28No.
12:29No.
12:30No.
12:31No.
12:32No.
12:33No.
12:34No.
12:35No.
12:36No.
12:37No.
12:38No.
12:39No.
12:40No.
12:41No.
12:42No.
12:43No.
12:44No.
12:45No.
12:46No.
12:47No.
12:48No.
12:49No.
12:50No.
12:51No.
12:52No.
12:53No.
12:54No.
12:55whole story of Saurav's death to him. Then he kept asking me, Grandfather, why did
13:03Rostam kill his own son? I told him it's Saurav me. I can't change it. In the end
13:11he fell asleep sobbing. Bijan, Bijan, get up son. Uncle Abbas is leaving.
13:20Uncle Abbas! Uncle Abbas! Tom! Tom's!
13:43Hey, where are you off to? Let's see if your neck fills the curve of my stuff so I can find
13:48you a wife. No, it doesn't. Look, see, there's a lot to go. Uncle Abbas is leaving. Well,
13:56I'll take you like I always do. You walk slow. I want to walk with Uncle Abbas.
14:00Vanessa, come, come. Your son's getting away. If you run off, who's going to help me? Let
14:07me go, Grandfather. Let me go. You walk slowly. But I tell you stories. I don't want stories.
14:13Let me go. I'll collect hay until you come. How do I know you'll keep your promise?
14:18I beg you, Grandfather. Let me go. Let him go, Grandfather. Here, take this.
14:22You aren't faithful, boy. Eat it, won't you?
14:26I will.
14:32Uncle Abbas! Uncle Abbas!
14:34Come, Bijan, son. Work is something you have to put your back into. As Grandpa always says,
14:40the head that prefers the pillow will never be held high. Come. Come on.
14:54I always say we shouldn't bring Bijan. He always gets in the way. Never mind, son.
15:00Hey, you were going to leave anyway. What if I go off to work in the woods like your father
15:05and the rest? Then what will you do, son? You won't go. Why not?
15:10Am I blind or crippled or something? I can't sit at home all day.
15:14Because of Rana. Because of Rana you won't go.
15:18Oh, you cheeky devil. How many times must I tell you to call her Aunt, not Rana, huh?
15:25When we're married and I bring her under one roof with me, I'll go with peace of mind.
15:29God give you strength, Abbas.
15:32And you help. I'll definitely go. I can't not go.
15:37She won't let you go.
15:38Well, don't tell her.
15:39Well, I don't want to tell, but she'll ask me.
15:42When I say I don't want you to tell her, say yes, uncle.
15:46If you make me a plain, I won't tell.
15:49What you cheeky devil.
15:50We've put you to so much trouble, Abbas.
15:54You wouldn't have to if only our dear Hesom would come back to his wife, eh?
16:00Give that to me.
16:01You know, I wish I was serving Mirza like Hesom.
16:04Hey, lady.
16:16Have you swallowed your hello?
16:19Hurry up. Hurry up and get ready to go to the fields.
16:23No, I'll come with grandfather.
16:25What have you done?
16:28She's not talking to you.
16:29Hey, I didn't do anything.
16:33You know, Bijan, he's always annoying lately.
16:36I told you we shouldn't afford him alone.
16:37Hey, Lele, come on, let's go.
16:41I'll take you to grandfather myself.
16:44Nope.
16:45I'll come with grandfather.
16:52Then don't come.
16:54Dear Malaga, I'll come with grandfather.
16:57Go.
16:58Good, Wobijan.
16:59Now look after Lele in the fields, okay?
17:02Lele, don't go into the river again.
17:08Listen to your grandfather now and don't wander off.
17:11You going then, unfaithful girl?
17:15Can I please play with Bijan?
17:17You can, but don't leave your grandfather's side.
17:20Okay.
17:22Well done, Lele.
17:25Come.
17:26You're what I call a good friend.
17:29Come, beautiful bride.
17:30What a beautiful bride.
17:34Do you want me to tell you a story?
17:36Yes, grandfather.
17:37Tell the story of Lele and Majnun.
17:40I've told you that story a hundred times.
17:42Aren't you tired of it?
17:44No, grandfather.
17:47Let me tell you the story of Siavash.
17:50No, grandfather.
17:52I just want the one of Lele and Majnun.
17:56Well done.
17:58I'm glad you know what you want.
18:00Okay.
18:03The story of Lele and Majnun.
18:05Ogre, ogre.
18:20That one looks like an ogre.
18:22No, it looks like an angel.
18:24No, it looks like a troll.
18:26Grandfather, where do clouds go?
18:28Everywhere.
18:29In the end, at the very end, where do they go?
18:32They turn it to rain and fall to earth.
18:36Another ogre.
18:37That cloud looks like an ogre.
18:39Those are his horns.
18:41No, it looks like an angel.
18:43Look, and those are its wings.
18:45She's right.
18:46They're wings.
18:47It does have wings, but it looks like a plane.
18:50Yes, well done.
18:52It does look like a plane, doesn't it?
18:54Have you seen a real plane?
18:55Once, one of them flew over a house, Grandfather.
19:00Must have been the bloody English.
19:04What about you, Grandfather?
19:06Didn't you see a plane in the war with the Russians?
19:08There weren't any planes then.
19:10Maybe there were, but we never saw them.
19:14The wars were fairer back then.
19:16You looked your enemy in the eye.
19:19You knew who you were up against.
19:21Did you kill them, Grandfather?
19:23How do I know?
19:25We charged ahead shooting.
19:26It was a war.
19:28They shoot, and you shoot, and in the end, nothing.
19:32A king leaves, and a minister comes along.
19:34They give a piece of our country to the foreigners.
19:38Then they give themselves hundreds of titles, like Fatalichon.
19:43What did the Russians look like, Grandfather?
19:47Just like you and me.
19:49They're humans, after all.
19:51One has black hair, another blonde.
19:53All kinds.
19:55What's the difference, say, between you and Lely?
19:59Answer me that.
20:01Lely's very pretty.
20:02You're pretty, too.
20:06Lely's Taji.
20:08That's who you are.
20:09Where am I from?
20:10I've told you not to interrupt me.
20:13You're from Rusht.
20:16I mean, you were born in Rusht.
20:19Your dad's a Turk.
20:21And your mother's a Kurd.
20:23And I'm a law.
20:25Your father's mother was a Turk.
20:27I mean, her father was a Turk.
20:29Her mother was from Russia.
20:30Then where am I from, Grandfather?
20:33Well, you're an Iranian.
20:35What about me?
20:37We all belong to this land, dear.
20:39What land?
20:42This land.
20:46Look, we're all living under the same sky.
20:49Now it looks like a plane.
20:50Just look.
20:51No, it still looks like an angel.
20:57No, it still looks like a plane.
20:59Doesn't it, Grandfather?
21:00Well, it's a cloud.
21:01Every hour it changes shape a hundred times.
21:04Grandfather, how many planes have you seen?
21:06I've seen a few, but I wish I hadn't.
21:12You're so lucky.
21:13Where were they?
21:14I saw one of them four years ago.
21:19You were very small.
21:20In those days, Rush was controlled by the English.
21:25Mirza wanted to take it back from them, but they attacked him with planes.
21:30Where do the English live, Grandfather?
21:33How do I know?
21:35The other side of the world.
21:37But those bastards are like woodpeckers.
21:40Wherever they find a suitable place to nest, they lay their eggs.
21:43Once, when I was young and able and working for Mirza,
21:46we went to go from Funamed to Laijan, next to the White River.
21:53There was a vast, even, shiny field.
21:56Suddenly the English planes came along.
21:59Bang, bang.
22:00They would swerve around, dropping bombs on people's heads.
22:04Many died.
22:05But however much we shot at them, nothing happened to them.
22:09Those ungodly people killed and left.
22:13So many were martyred.
22:14When I grow up, I want to become a pilot and kill all the English.
22:20No, son, no.
22:22War's not good.
22:24When I was your age, I wanted to go to war as well.
22:28My father was the Abbas Mirza's vice-regent, God rest his soul.
22:35They were trying to rid the country of the foreigners
22:38when the king, his cowardly father, betrayed him.
22:42They stayed in on foreign soil, hungry and thirsty.
22:48In the end, they came back with their tails between their legs.
22:52They didn't have the courage to go back to their own villages and homes.
22:55So we stayed in Taboris.
22:59My father died.
23:01I got married there.
23:02And then your father was born.
23:06And then, in the end...
23:08After all that effort,
23:14all that fighting, loss of life,
23:18and the destruction of 17 Caucasus cities,
23:23in short,
23:24Khan Babacan gave himself the title Fat Ali Shaw.
23:30On what basis, God only knows.
23:34And why?
23:35Then why does my father go into the woods with Mirza?
23:39Well, my dad goes to the woods with Mirza as well.
23:42Mirza doesn't want to fight.
23:43He has to.
23:45He wants Iranians to be able to determine their own fate.
23:49That's all.
23:49Well, I'll become a pilot and go with Mirza, too.
23:53I'll get on a plane myself
23:55and go up to the clouds and play with the angels.
23:59Ah, well done.
24:00That's a good idea.
24:02You don't have a plane.
24:04Well, someday when you've become a pilot.
24:07Okay.
24:07Uncle Abbas has promised to make me one.
24:10Okay, then.
24:11That's enough.
24:12Go off and play.
24:14You can't touch me.
24:16Meow.
24:17Meow.
24:19I think I'll have a decent sleep with these youngsters around.
24:28It's a bit young.
24:30Meow.
24:30Meow.
24:30Hey boy, come and have some rice bread
25:00Don't fall, Bijan
25:05Hey, Lely, slowly, girl
25:09Don't fall again
25:10Go and sit down, you're tired
25:16Go and sit, have some tea
25:18No, I'm still strong
25:20Oh, I wish we were born men, don't you?
25:25Malaga, what makes rice grow?
25:27The toil and labour of us women
25:29Too true
25:32It should be called price, not rice
25:34The price we pay
25:35But I'm glad to be a woman
25:37Come on, don't lie, don't lie
25:39I'm not lying
25:41I suppose you enjoy a life of toil and strife, do you?
25:46No one likes toil and strife
25:47You just get used to it
25:49I love my life, you know
25:52And my children
25:54My house
25:56Night and day
25:58My husband
26:01My land, of course
26:05You've read so many sonnets and poems, you're becoming a poet
26:10You talk about toil and strife so well
26:13If I were a man, I'd believe you
26:15I'd believe you
26:17Believe it
26:17We women are just like this land
26:20If we didn't exist, nor would life itself
26:23You've worked too hard
26:24You're tired
26:25The heat is getting to you
26:27Yes, it is
26:28But I have stamina and I'm brave
26:33Look how tall the children are
26:37We do miracles
26:39I'm tired
26:41Of having so much on my chest
26:44And not telling a soul
26:46Of being alone for so long
26:48I've told myself a hundred times
26:51When he comes back
26:52I'll pour my heart out to him
26:54I'll shout and have a tantrum
26:57I'll tell him that I'm tired
26:59I'll tell him I'm poorly
27:01I want him to be by my side
27:05To be my partner
27:06For him to greet me when I come home from the fields
27:10When the sun goes down
27:12I want him to sit beside me
27:14And have a cup of tea
27:16And talk to me
27:17And at night
27:19To lay in bed beside me
27:21So I can rest
27:23Without waking at every little sound
27:25I want him to raise his child
27:28But
27:32When he comes home
27:34I cannot say a thing
27:36I hold my tongue
27:38Out of respect
27:40And before the sun has even risen fully in the sky
27:45He puts his rifle on his back
27:47And rides off on his horse
27:49And again
27:50Silence
27:52We are the same, no?
27:55The same as my mother
27:56And your mother
27:57We have to hold these things in our hearts
28:01And breathe not a word
28:03And say nothing
28:04If we shout
28:05We'll break into a thousand pieces
28:07You know
28:09It's because we say nothing
28:11That they forget about us
28:12Come, sit down before you faint
28:14And have some tea
28:15Here
28:30Break this piece of salt
28:31And have it with your cucumber
28:32To make it taste better
28:33It's between the two yards
28:36And have it with your tooth
28:38Tyler
28:38That line
28:39I won't hold this
28:40We're the same
28:41But there's some
28:42Another
28:42It is
28:43No
28:43It's
28:44I won't hold this
28:44But there's some
28:45That's
28:45It's
28:46I wonder
28:47I love
28:49It's
28:49It's
28:50I wonder
28:50It's
28:51It's
28:52I wonder
28:52It's
28:52It's
28:53It's
28:54It's
28:55It's
28:55It's
28:55I wonder
28:59It's
29:00It's
29:01Let's go.
29:31Let's go.
30:01Let's go.
30:31When a lion gets old, a dog laughs at him.
30:34Here.
30:36Eat it.
30:38That's your share.
30:39Hey, didn't Grandfather say not to bother God's creatures?
31:04What are you going to do if the bees come after us, huh?
31:08I'm not talking to you anymore.
31:12Okay, sorry. I won't bother them anymore.
31:15When I become a pilot, I won't let you on the plane.
31:24Don't.
31:27Listen, it's Uncle Abbas. He's singing a song.
31:32So what?
31:33Well, he's singing for our night.
31:38Yeah, so what?
31:40Get up. Get up and get on the plane.
31:44Let's go and find Uncle Abbas.
31:47Will you kind of snapper to bother the animals again?
31:50I promise.
31:53Come on.
31:54Let's go.
31:54Let's go.
31:55Lady, lady, you are my sight.
32:05Oh, lady, lady.
32:08Night and day is so difficult for me.
32:13Oh, lady, lady.
32:17Lady, lady.
32:18You are my sight.
32:21Oh, lady, lady.
32:25Night and day is so difficult for me.
32:29Oh, lady, lady, lady.
32:35Lady, lady.
32:37You are my sight.
32:39Oh, lady, lady, lady.
32:43Night and day is so difficult for me.
32:47Oh, lady, lady, lady.
32:54Lady, lady, you are my sight.
32:58Oh, lady, lady.
33:02Night and day is so difficult for me.
33:05Shh.
33:06Oh, my God.
33:07It's silly of Abbas to fall for that round with a big nose.
33:10Silly man that he is.
33:11Lady, lady, you are my sight.
33:15Oh, lady.
33:16You're right, dear sister, you see me.
33:18Lady, lady, you are my sight.
33:24Oh, lady.
33:27Oh, my God.
33:31Lady, lady, you are my sight.
33:36Oh, lady, lady.
33:39It's going to hurt you right now.
33:40And he sings with such sadness.
34:09He doesn't stop to catch his breath.
34:11If he sung a happy song, it wouldn't bother one so much.
34:13Leave them alone, girl.
34:15Maybe it sounds nice to the object of his affections.
34:17What luck.
34:18One washes a horse for her.
34:20Hello, another sings for her.
34:22Hello.
34:24Why do you keep standing there and staring at me like that?
34:27You've made the water dirty.
34:28Do you want me to take your eyes out with these stones?
34:30Because I will if you keep staring.
34:32Shall I break his head with a stone, auntie, runner?
34:43Goodness me, who's head?
34:45You know, that golem, Kurt O'Malley, who's going off with his horse.
34:48That's all we need.
34:49If his head needs breaking, I know how to do it myself.
34:52Now go off and play.
34:53Give me that jug, lady.
34:56Off you go.
34:56What are you doing?
35:25You soaked me.
35:26Stop embarrassing me.
35:28Next time, when you feel like chirping, go someplace else so they won't talk behind my back.
35:32Huh?
35:32Huh?
35:33Instead of singing, go and sew up your shirt.
35:45If I'm far away, you won't be able to hear my voice, hmm?
35:50Did you hear?
35:51Did you?
35:52How they made fun of me next to the river.
35:53Did you hear that?
35:54I didn't do anything improper, did I?
35:56We're engaged after all, aren't we?
35:59Well, what did you want to say?
36:07Our house.
36:08I'm finishing it.
36:10Oh, that's not soon enough.
36:14Well, I'll finish it.
36:16Come this afternoon and tell me where you want the windows.
36:19Are you crazy?
36:21People will gossip.
36:22Well, they can say what they like.
36:24What are you afraid of?
36:25What are you afraid of?
36:31Let's get married quickly.
36:35So that I know that you're mine.
36:36Then I can go to the woods for a while.
36:40No, you won't.
36:41You want to go to the woods and get another wife there.
36:44You say the woods as if there's a hidden treasure there.
36:46My dad left us alone and I'm not going through that again.
36:48How are your voice?
36:55Or the others will hear you.
36:56I don't care.
36:58Let them hear me.
36:59If you want to hold a gun and go off into the woods, I won't marry you.
37:03You men know nothing but war.
37:04Why do you want to marry if you're going off to the woods?
37:10Everyone's going.
37:11I can't not go.
37:12Kids, let's go.
37:15Hey.
37:17Right now, I don't care anymore.
37:20It's time for you to make up your mind now.
37:24If it was up to me, I'd be by your side at all times.
37:28You know that.
37:30I'm tired of not seeing my father for so long.
37:34I'm tired of seeing young widows.
37:42Well, when is this war going to end?
37:44You tell me, huh?
37:45When we finish it.
37:47Well, don't make me beg.
37:51Okay, okay.
37:53Don't cry.
37:54It upsets me.
37:56My dad sent us a message that he'll be back at the end of the week.
37:59Come over and see what he's decided.
38:06Don't disappoint me.
38:15Look at him so happy.
38:18Look at him jumping up and down.
38:19I hope you have a long life, son.
38:24Have a son.
38:29Be careful.
38:30Na, na, na, na, na, na.
38:50Na, na, na, na, na.
38:52Na, na, na, na, na, na.
38:54Na, na, na, na, na.
38:55Na, na, na, na, na.
38:58Na, na, na, na, na.
39:00Na, na, na, na, na.
39:01Na, na, na, na, na.
39:04Na, na, na, na.
39:09Good news, Abdullah.
39:10Yes, good news.
39:13With the help of Mazar, we'll soon be citizens of a republic.
39:18Here, I've brought you the newspaper about the cause.
39:19Thank you very much.
39:25I see a bus getting married before the war starts.
39:29Why do you say that?
39:31Yeah, it looks like Esenala Khan doesn't want to negotiate.
39:37Abdullah, do you know when my father's coming back?
39:41Yes, boy.
39:41He'll be coming home either today or tomorrow.
39:43However much we nail down, bring and take, it's still as if we're at the beginning.
39:52Uncle a bus.
39:53How many years do you think it'll take us to finish this house?
39:56A man's eyes are lazy, but his hands are clever, son.
39:59Give me that wide one.
40:02When this part of the roof finishes, maybe we can do something.
40:06Maybe we can go horse riding.
40:07What do you think, son?
40:10And maybe we'll have some kebab at the restaurant.
40:13That would be great, Uncle.
40:14You promise?
40:17A man's as good as his words.
40:22Let's go bring some planks.
40:23Get up.
40:24Oh, my God.
40:49Hello, Miss Rana.
40:50Hello.
40:51Not Rana.
40:51Auntie Rana.
40:53Paul.
40:54Oh, God.
40:54Kill me.
40:55Don't come close.
40:57They'll hit you.
41:05Leave it.
41:06You'll ruin your hands, Rana.
41:07Well, get some workers.
41:09You're killing yourself.
41:13Knight.
41:14Midnight.
41:15Go back.
41:16You're working all the time.
41:18Where can I get workers?
41:21Paul.
41:21Everyone's gone off to help Mirza.
41:28I've been left here like the harem eunuch.
41:31Well, you go off as well and leave me.
41:35Well, if I don't go, then, how will you be able to hold your head high in front of the other women?
41:41I'll go so you won't feel ashamed.
41:45Paul!
41:45Ashamed of what?
41:47I'm saying this for your sake.
41:50Ah, Paul!
41:56Auntie Rana, go and let us go on with our work.
41:59Not a dear.
42:00I am helping you.
42:01Come, boy.
42:03When you help, Uncle Abbas doesn't work anymore.
42:06I think that's enough for today, son.
42:12You're tired.
42:14You mean there'll be no pay or kebab at all?
42:18Huh?
42:20We'll have kebab.
42:25I think a man's eyes aren't just lazy as they're naughty as well.
42:29Come on.
42:30Put your back into it, Uncle.
42:32Paul!
42:33I told you, Rana, you'll ruin your hands.
42:42That crazy man's come back again.
42:44Why are you standing there watching us?
42:46If you really mean you don't want to go to the woods, then why don't you stand up to Ghulam Karameli?
42:51When I say there aren't just enemies in the woods for you to go and fight with Merza,
42:55you laugh at me.
42:56They're a homegrown enemy.
42:58You want to stand up to him or not?
43:01You mean the one who ran away?
43:04He's nothing!
43:05Nothing!
43:06I want you to stand up to any enemy who dares to face me.
43:09You understand?
43:11Even you can stand up to him.
43:12Don't worry.
43:14Come!
43:14Hit him, Bijan!
43:16Hit him, son!
43:17Come!
43:32Come!
43:33See how it suits my bride.
43:51Pretty, isn't it, Malaga?
43:54She gets her beauty from her mother.
43:56But don't get her used to this girl, Merza.
43:59She's my bride.
44:01Naughty little Lely.
44:03Pretty Lely.
44:04It's yellow, pure yellow, it's saffron rice.
44:10Don't have some, Lely, dear.
44:12It's delicious.
44:13Does it taste good?
44:15Yes, very good.
44:16Yeah.
44:17Be careful not to get it on your clothes.
44:19It's yellow, pure yellow, it's saffron rice.
44:21Where have I gone, Renard gone?
44:23To the gold shop.
44:24Don't worry.
44:25Her mother will never leave Renard alone with our old Abbas.
44:28You know, shame.
44:30Our poor old Abbas.
44:31Come, come.
44:33And let's not talk behind people's backs.
44:36No doubt you'll spread rumours when the wedding day comes.
44:38I'm not like that.
44:42Kids, finish up quickly.
44:43Let's go.
44:44The bride and groom are leaving.
44:45Lely and I want to go meet father.
44:48No, you won't.
44:49Let's go.
44:49Come on.
44:50Come on, let them go.
44:51Why not?
44:52It's not the woods where bears and jaguars might eat them.
44:55It's been a long time since they've seen their fathers, hmm?
44:57Oh, my goodness.
44:59Then you'll feel sorry for yourself.
45:01Lely, go and take our son home any which way you can.
45:05Why me?
45:07Bijan, if you don't take your father home, there won't be any dinner.
45:12Aunt Golnursa, Aunt Malaha, where are you then?
45:15Have you forgotten why we've come?
45:17Come on, then.
45:18You concentrate on Renard.
45:20Be at her beck and call.
45:21See what she wants.
45:22You don't need us, huh?
45:23Well, elders have to be present, don't they?
45:26Am I right, Renard?
45:28No, of course.
45:29You're right.
45:30You're always right.
45:33Elders means the mother of the bride, not your sister-in-law and neighbor.
45:37You really shouldn't say that, my dear.
45:40But you really are very kind.
45:43It's pretty.
45:44It's pretty, but expensive.
45:59Oh, dear Renard.
46:01Look what a beautiful necklace it is.
46:02It's very expensive.
46:04It's yellow, pure yellow.
46:06It's saffron rice.
46:06Goodbye.
46:06I'm going to meet my father.
46:10Deli, let's go.
46:12Where are you going, Bijan?
46:17Just let them go.
46:18Bijan!
46:19Doesn't father come?
46:32They're coming.
46:33What about my daddy?
46:34How do I know?
46:35Long live the earth.
47:00Glory to the woods! Long live for the Republic!
47:07Mirza Koucha Khan, the Commander-in-Chief of Iran!
47:30The Commander-in-Chief of Iran
47:35The Commander-in-Chief of Iran
47:40The Commander-in-Chief of Iran
47:46The Commander-in-Chief of Iran
47:49Yay! Yay, Papa!
47:50How are you?
47:51Good!
47:52Papa!
47:53This must be the little one Mirza Hassan, right?
48:00The Commander-in-Chief of Iran
48:05May the dictators go blind how you have grown.
48:08What's your name, champion?
48:10Your servant, Bijan.
48:12Well done.
48:13And this must be Money Jay.
48:15Your servant, Lili.
48:17What do you mean, servant?
48:18We mustn't use the vocabulary of the dictators.
48:20This isn't the edge of slavery.
48:23We're standing up to the authoritarians for everyone to be their own man and to be their own slave.
48:30Have you forgotten, Hassan?
48:33Take your son, Mirza Hassan.
48:35I think you need to go home now. What do you think?
48:40Of course you have to come home, Daddy.
48:42Actually, Uncle Mirza said if Bijan's daddy doesn't go home, there'll be no dinner for him.
48:50What?
49:04Brothers, gather.
49:06Come on.
49:20Come on.
49:36You'll see everything!
49:41Everybody, please, don't move.
49:44I can sit here recently.
49:45Keep still, everybody.
50:01Everyone stay still.
50:03Don't move.
50:04Smile.
50:06Don't breathe, anyone.
50:10Don't blink either.
50:12Remember to stay still.
50:17And in three, two, one.
50:42Well done, you've found a good bride, Mirza Hassan.
50:46Congratulations, congratulations.
50:48Hello.
50:49Hello, Father.
50:50Congratulations, son.
50:51Hello.
50:54I'm forgetting your face.
50:58I'm afraid you won't even come back to see your grandchildren.
51:02I'm sorry, my dear.
51:03The woods are calling to me.
51:06The woods have been calling to you for as long as I can remember.
51:10May you live long, Kalu Gorban.
51:15You look confused, Golum.
51:17I'm losing Rana for good.
51:20Open your eyes.
51:21Come on.
51:22I'll sort it out.
51:24Good boy.
51:25Long live, Liza.
51:37Glory to the woods.
51:39Long live the Republic.
51:41Nick!
52:05Long live the Republic.
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