- hace 1 semana
Reparto: Nuria Torray, Carlos Estrada, Susana Campos, José Luis López Vázquez, Julia Gutiérrez Caba, Maite Blasco, Carlos Cores, Manolo Gómez Bur, Guadalupe Muñoz Sampedro, Manuel Alexandre, José Orjas, José María Caffarel, Francisco Cornet
Dirección: José María Forqué
Sinopsis: Un hombre y una mujer viajan en coche por la carretera que une Madrid con Barcelona. Al cruzarse inesperadamente otro coche en su camino, sufre un accidente. Él muere y ella resulta gravemente herida. Varios conductores, entre ellos el responsable del accidente, pasan de largo; entre ellos está Julio, un camionero que ignora que la mujer herida es una antigua novia suya.
Dirección: José María Forqué
Sinopsis: Un hombre y una mujer viajan en coche por la carretera que une Madrid con Barcelona. Al cruzarse inesperadamente otro coche en su camino, sufre un accidente. Él muere y ella resulta gravemente herida. Varios conductores, entre ellos el responsable del accidente, pasan de largo; entre ellos está Julio, un camionero que ignora que la mujer herida es una antigua novia suya.
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CortometrajesTranscripción
00:00:00Here, in the archives of our city's traffic department, there are thousands of forgotten stories that are, at their core, always the same story.
00:00:13Any report can start like this.
00:00:16At 10 p.m. on December 21, motorcyclists on duty on National Highway 2 discovered a passenger car crashed on the curve at kilometer 55.550.
00:00:26All that remains of a life is this. Some photographs, a report, and a number. One more in the long statistic.
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00:04:23Is he your husband?
00:04:25No!
00:04:32He is feeling better.
00:04:56So, I'm sorry, but you'll also have to identify the woman.
00:05:09She was in the car with her husband.
00:05:12They're going to operate on her in a few minutes.
00:05:21There is not much hope that he will be saved.
00:05:26There is not much hope that he will be saved.
00:05:57Do you know her?
00:05:58Who is that woman?
00:06:24Don't know.
00:06:26We only found a name and an address on an envelope.
00:06:29We've already notified him, but he hasn't shown up yet.
00:06:34When did he die?
00:06:36In the operating room.
00:06:40They couldn't do anything.
00:06:42Motorcyclists have stated that several cars must have passed by shortly after the accident occurred.
00:06:48But they didn't stop.
00:06:49Well, only for one, the one who gave the warning.
00:06:55Too late.
00:06:57Because?
00:06:59Why did they let him die?
00:07:00Why didn't they stop?
00:07:05Why didn't they stop?
00:07:06Why didn't they stop?
00:07:06Why didn't they stop?
00:07:07They didn't stop.
00:07:08They didn't stop.
00:07:09Subscribe to the channel!
00:07:39When will you return?
00:07:49I don't know.
00:07:51Any day now.
00:07:53It must be eight o'clock already.
00:07:56Would you like some coffee?
00:07:58Good, but quick.
00:08:09The vanguard has emerged.
00:08:18The vanguard, the mail, today's soli.
00:08:21The vanguard has emerged.
00:08:22Wow, what a convertible.
00:08:23Don't tell me this exists.
00:08:31Hello, Noy.
00:08:32It's almost nine o'clock in July.
00:08:33There will be time.
00:08:34What I lose here, I gain on the road.
00:08:39How are you?
00:08:40It wasn't bad at all.
00:08:41Imagine, when I ran into her last night she said hello.
00:08:43And I said hello to him.
00:08:45No.
00:08:45No.
00:08:45No.
00:09:14These little ducklings and these little stilts will never have rheumatism.
00:09:22Doesn't it make you want to take a bath?
00:09:25Pacita, Pacita, come here.
00:09:28Calm down, my son, you stay very calm, okay?
00:09:32Stay still!
00:09:33Everyone ready for the photo.
00:09:37Move aside a little so that the statue of Don Bernabé can be seen.
00:09:40More, more, like that.
00:09:41Auntie, the statue...
00:09:45Sagrario, honey, why are you covering up the statue of Don Bernabé?
00:09:48Go ahead and talk to Don Bernabé.
00:09:49It's natural for the couple to be together.
00:09:52Furthermore, I insist, Maribel, that this is not the most suitable place for a wedding photograph.
00:09:56A memory for a lifetime.
00:09:58How do I convince my friends that we got married at the spa?
00:10:00I don't see the need to convince anyone.
00:10:02Quiquito, my son, Maribel is right.
00:10:04If it weren't for the photos, everyone would say that she hadn't gotten married at the spa.
00:10:08Jesus.
00:10:09And Mr. Jurado? Isn't he coming?
00:10:11No, he said that in this photo he was accompanying us spiritually.
00:10:14Is it good to drink?
00:10:15Yes, yes, tabernacle, very good. But you're blocking my view of the statue.
00:10:20Quiquito, you're going to look very strange.
00:10:22Well, since your aunt keeps pushing, I'm not going anywhere.
00:10:26Stay still!
00:10:28It's going to come out!
00:10:29It's going to come out!
00:10:31It's going to come out!
00:10:32It's going to come out!
00:10:33It's going to come out!
00:10:41Hold on a little longer!
00:10:57Wait a minute!
00:10:58And now another one at the foot of the statue of Don Bernabé.
00:11:12Wedding photos make me feel really sad.
00:11:14Well, I think I came out on top this time...
00:11:15It's very small.
00:11:17Very good, little one.
00:11:20La la la la, la la la la,
00:11:23Give me your hand and let's go there.
00:11:25La la la, la la la.
00:11:28La la la la.
00:11:29Okay, fine, I'll pass.
00:11:31Passed.
00:11:31Let's sing! Let's all sing!
00:11:52The wedding of the Tiegui family?
00:11:54Yes, all the way to the lake, sir.
00:11:55Thank you so much.
00:12:01Hey, Don Jesús, I'm here!
00:12:15I've already brought the car!
00:12:17Jesus, Jesus, that man is calling you.
00:12:22I'm coming, I'm coming!
00:12:23Come with me, we need to see the car!
00:12:25It's my wedding gift!
00:12:29She has her song ahead of her, and she's very late!
00:12:32I think I turned out like this in this one.
00:12:35Sorry for the delay, but I wanted to give it one last once-over in the garage.
00:12:38Your son-in-law, huh?
00:12:39Delighted.
00:12:40And congratulations!
00:12:42Garcia, car dealership.
00:12:43Member.
00:12:45Then I would give him a card.
00:12:46Everything will be ready, I suppose.
00:12:48Perfect, Don Jesús, perfect.
00:12:50I already told him it was a bargain.
00:12:52The little gem is waiting for us there.
00:12:54Ah!
00:13:01Look closely.
00:13:07Premium quality spark plugs specially designed.
00:13:10Hey, what about Delco?
00:13:11What do you say about Delco, huh?
00:13:13No, nothing.
00:13:14Are you from the Garcia family?
00:13:16Delighted.
00:13:17Buying and selling cars.
00:13:18Member.
00:13:18Then I'll give you a card.
00:13:20Hey, another detail about the little gem.
00:13:22Specially designed dual exhaust pipe.
00:13:25Sometimes it does nothing, just a little noise, like...
00:13:28He goes down, gives it a tap, gently, of course, and that's it.
00:13:33Here are some new aspects.
00:13:35Come.
00:13:37Listen, look.
00:13:39Automatic light set, which works with a separate remote control.
00:13:42And reinforced luggage rack with six suction cup attachments.
00:13:46Immovable.
00:13:47This way, the gear shift.
00:13:49That is important.
00:13:51Peace.
00:13:54Sometimes it fits, but...
00:13:56It never fails!
00:14:02As I was saying, the most important thing about a car is the gearbox.
00:14:05It must be handled gently, delicately, with a woman's hand.
00:14:08With a woman's hand.
00:14:10With a woman's hand.
00:14:12With a woman's hand.
00:14:13Of a very strong woman.
00:14:14It's a matter of finding the right balance.
00:14:17Intermittent, the light switch.
00:14:23What a beautiful day they've chosen for the wedding, huh?
00:14:25No, time is the least of our concerns.
00:14:26I am very much in love.
00:14:29Ah!
00:14:30And the Clavson.
00:14:32What do you think?
00:14:33Flowers and bees of Guadalajara.
00:14:57Don't worry, man.
00:14:58That it will be nothing.
00:15:00No, Don Pascual, no.
00:15:01I see it as very bad this time.
00:15:03Flowers and bees of Guadalajara.
00:15:03He went to the bank to withdraw his payroll money, like every Friday, and I don't know how he managed to get to the office.
00:15:10Doctor, doctor, what kind of vitamin is going on?
00:15:13A, B, or G.
00:15:14Have them take them with water or milk, or wine, or whatever the child likes.
00:15:24Come on, Don Pascual, I see you in a very bad way this time.
00:15:26Don't worry, man.
00:15:27It will be nothing.
00:15:28That buries everything for us.
00:15:29Flowers and bees of Guadalajara.
00:15:31Yes, I'm fine now.
00:15:49He's been a bastard.
00:15:55Is everything ready?
00:15:56Yeah.
00:15:56Hello hello.
00:16:00Let's see.
00:16:01What's wrong with this man?
00:16:03Nothing, nothing, nothing.
00:16:04Yes, yes, yes.
00:16:05Stay still, stay still, stay still.
00:16:06We'll see.
00:16:07Let's see.
00:16:10Well.
00:16:13This pupil, as always.
00:16:17A little bit of water.
00:16:19Will it be enough?
00:16:20Okay, okay.
00:16:22Quiet down, Don Ramiro.
00:16:23You stay put, okay?
00:16:24How do you find it?
00:16:25Neither better nor worse than other times.
00:16:28But you won't die from this.
00:16:32I find it worse than ever.
00:16:36Yes, I'm fine now.
00:16:38A little something and...
00:16:43That's really bad, isn't it?
00:16:47In one of these, he could die.
00:16:49Is she a family member?
00:16:52No.
00:16:53So, why all the interest?
00:16:59What position do you hold in the house now?
00:17:01Substitute cashier.
00:17:03I am Don Ramiro's assistant.
00:17:06Already.
00:17:08It's reckless for that man to go to the factory to pay the payroll.
00:17:12It could give him another attack on the train and...
00:17:14Imagine.
00:17:15Yes sir.
00:17:16And with so much money in his wallet.
00:17:17Does another employee need to go?
00:17:21If you want me to go.
00:17:22I need you.
00:17:25And that boy, Rogelio?
00:17:28Yeah.
00:17:30He's a good kid.
00:17:32And trustworthy.
00:17:33We have to be careful, Conchita.
00:17:36Or you can't trust anyone anymore.
00:17:39Have you read the newspaper this morning?
00:17:41No, sir.
00:17:41The cashier at the Catalan spinning factory has disappeared, taking 50,000 pesetas with him.
00:17:47And he had been in the house for 10 years.
00:17:52As many as you.
00:17:55You have to be very careful with your diet.
00:17:59You take white meat.
00:18:01Yeah.
00:18:01White fish.
00:18:02Yes, yes.
00:18:03Well-cured ham.
00:18:05Yeah.
00:18:05Rogelio, come here.
00:18:08Don't give me hot sauces.
00:18:12And rest.
00:18:13Plenty of rest.
00:18:16And if you take me for a few sea baths, even better.
00:18:20How much does he currently earn?
00:18:211,830 with discounts.
00:18:24I think we should give him this opportunity.
00:18:26Unfortunately, Don Ramiro will not last long.
00:18:28And you can be the one to replace him.
00:18:31If I would dare to go to the factory to pay the payroll,
00:18:33It would be in the 2:40 mail.
00:18:35And, naturally, we would reimburse him for the cost of the second-class ticket.
00:18:40Furthermore, we will consider a salary increase with obvious interest.
00:18:46Good.
00:18:47What do you say?
00:18:47Yes, Mr. Luciano, and thank you very much.
00:18:51I want you to know that there are 75,000 pesetas in this wallet.
00:18:57I don't think I need to tell you anything else.
00:19:01No, sir.
00:19:10It's a shame.
00:19:11We could use a good snowfall.
00:19:13Because if it doesn't snow, I don't know what we're going to do with the winter sports showcases.
00:19:16Just in case, start thinking of a slogan for raincoats.
00:19:20It will most likely rain.
00:19:22Let me think.
00:19:25Will I look for you in the rain?
00:19:27Will I love you in the rain?
00:19:28Seriously, Ernesto.
00:19:30Seriously, Paula.
00:19:30Do you have anything to do tonight?
00:19:33Let's assume not.
00:19:34Let's suppose I've discovered a small bistro, a little tavern where the food is wonderful.
00:19:39And then a place where two people can talk, preferably a man and a woman, without the music being too disruptive.
00:19:44Do you want to check it out?
00:19:45When you have a free moment, or find a break in your work schedule these days,
00:19:53I would appreciate it if you would consider looking for another idea for the central display window.
00:20:00I don't like this one.
00:20:01And the thing is, this guy can sometimes be quite likeable.
00:20:16There is a clear decline in sales during the peak months of August, September, and October compared to...
00:20:30I called you last night.
00:20:31Weren't you there?
00:20:33No, I went out for a drink. Maybe more than one.
00:20:37What was that idiot saying to you?
00:20:39Are you jealous?
00:20:40What was I saying?
00:20:41He asked if she wanted to go out with him tonight.
00:20:45Or tomorrow?
00:20:47Does it bother you?
00:20:48Yeah.
00:20:51It bothers me.
00:20:54And are you going out with him?
00:20:57Don't know.
00:20:59What's wrong, Paula?
00:21:00Me?
00:21:06I'm...
00:21:07I feel very lonely.
00:21:08Very sad.
00:21:09I...
00:21:10I want to help you.
00:21:19Did you ever hide your ring from the past?
00:21:20Did you ever hide your ring from the past?
00:21:21Did you ever hide your ring from the past?
00:21:22Have you grown tired of me?
00:21:38Have you grown tired of me?
00:21:40No, that's not it.
00:21:41But we'll both end up getting tired of each other, and I feel really sorry about that.
00:21:46What we had was beautiful.
00:21:49We have to save him.
00:21:50I don't know how.
00:21:52Only you can do it.
00:21:54I have given up almost everything for you.
00:21:56You, on the other hand, don't give up anything.
00:21:57Paula, I...
00:21:58No, no, I don't blame you for that.
00:22:00I'm the one who should have prevented it.
00:22:03At the moment I have nothing.
00:22:05I don't even know what you like.
00:22:08No, Jorge, please.
00:22:09When you feel lonely or sad, call me.
00:22:13Where to?
00:22:14To your house?
00:22:15And who said I was your lover?
00:22:17But why?
00:22:18Why are you talking like that?
00:22:19I'm having a bad day, please forgive me.
00:22:27I wanted to discuss them with you, but I don't think it's worth it.
00:22:30I'll make some new ones.
00:22:46But we'll both end up getting tired of each other.
00:22:57And I feel very sorry for you.
00:22:59What we had was beautiful.
00:23:01We have to save him.
00:23:03I don't know how.
00:23:04Only you can do it.
00:23:06I have given up almost everything for you.
00:23:11Row?
00:23:12Something like that.
00:23:15Iga?
00:23:16Do you want to eat together?
00:23:20In the usual place.
00:23:22Just to talk.
00:23:25I promise you.
00:23:27Okay, sir.
00:23:46Let's go, feet to the floor!
00:23:54Let's go, feet to the floor!
00:23:55Let's go, feet to the floor!
00:23:56Let's go, feet to the floor!
00:24:03Let's go, feet to the floor!
00:24:04Let's go, feet to the floor!
00:24:05Let's go, feet to the floor!
00:24:05Let's go, feet to the floor!
00:24:06Let's go, feet to the floor!
00:24:06Let's go, feet to the floor!
00:24:07Let's go, feet to the floor!
00:24:07Let's go, feet to the floor!
00:24:08Let's go, feet to the floor!
00:24:08Let's go, feet to the floor!
00:24:09What do you think?
00:24:20Okay, two minutes ten.
00:24:21Cachito, you're great.
00:24:25How much?
00:24:27Two minutes ten.
00:24:32Hey, you idiot.
00:24:33You've never done that in your life.
00:24:35You haven't heard it for two minutes and ten seconds, and without hardly stepping on it.
00:24:38Do you understand?
00:24:39I've even been advised not to go below seventy because the engine overheats.
00:24:43And it's smoking, isn't it?
00:24:44Two black men.
00:24:45You're a cretin.
00:24:46Leave it.
00:24:47The thing is, he has an inferiority complex.
00:24:49Look, handsome, I'm very sorry, but you've been scammed.
00:24:51That car is a clunker.
00:24:53Accept it with resignation, it happens in the best of families.
00:24:56That's right.
00:24:57I'm ten minutes ahead of you in fifty kilometers.
00:25:00We'd have to see it.
00:25:01I've seen it, I'm telling you.
00:25:02Four kings.
00:25:04We can bet on three Catholic kings.
00:25:06Hey, I've got an idea.
00:25:07Why don't we have a 24-hour Barcelona-Madrid route?
00:25:10We can be back before breakfast.
00:25:12Two ladies.
00:25:13I'll take Perico in my car.
00:25:16A lady.
00:25:17That's fine by me.
00:25:19Dare I, Dracula?
00:25:20Well.
00:25:23Three bills.
00:25:24I think it's stealing your money.
00:25:26You come?
00:25:27Naturally.
00:25:27I'm not missing this event.
00:25:29Good.
00:25:29First allergic stage, huh?
00:25:31Do you know the entrance bridge?
00:25:33The one with the little lanterns.
00:25:34See you there.
00:25:35So that?
00:25:35We'll see you here when we get back.
00:25:36We can do one thing.
00:25:37As we crossed the bridge, we each broke a lantern.
00:25:39Yes, man.
00:25:40And while we're at it, we'll kill the mayor.
00:25:41I'll give you a quarter of an hour.
00:25:43Oh, what a tall tale!
00:25:44I'm going to call Luchi to see if she wants to come with me.
00:25:46I get bored and I kiss.
00:25:47Paco, keep this in mind.
00:25:48OK.
00:25:48You nod your head in response.
00:25:49And call home.
00:25:50Tell them I'll be late.
00:25:51No, say he'll arrive early.
00:25:53Right at breakfast time.
00:25:55Good, sir.
00:25:58See you tomorrow, Jaime.
00:26:00See you later, buddy.
00:26:11From the house of the lords of Altamira?
00:26:17From Miss V.
00:26:19No, it's a personal errand.
00:26:35Luchi?
00:26:36Yes, it's me.
00:26:38You're not going to tell me you were sleeping.
00:26:40Hey, I have a plan for you.
00:26:42Let's go to Madrid right now.
00:26:45No, to return.
00:26:50All these photos of the ceremonies
00:26:52You take them to Doña Enriqueta, the groom's mother.
00:26:54It's there.
00:26:55The photo costs 21.50.
00:26:57Good.
00:26:57On your side, Don Jesús.
00:26:59Yeah.
00:27:01Let's see, let's see, let's see.
00:27:02The photos, ma'am.
00:27:03Oh excellent!
00:27:05Wedding photos make me feel sad.
00:27:07Me too.
00:27:08Do you want a handkerchief?
00:27:09I don't know.
00:27:12Study.
00:27:12And where is Maribel?
00:27:13What do you do?
00:27:14Calm down, Enriquito, son.
00:27:15She is changing her dress.
00:27:17But where?
00:27:18That room.
00:27:19Here, Mom.
00:27:20Enrique, son.
00:27:23Sorry, Enrije.
00:27:24Passed.
00:27:24I'll pass, son.
00:27:25Passed.
00:27:29The same thing always happens to me.
00:27:31And although it may seem unbelievable,
00:27:32I didn't turn out so badly this time.
00:27:34I came out like this in the soldier one.
00:27:37Presenting arms.
00:27:38No, it's just that the warrior was too small for me.
00:27:47Bye bye.
00:27:47Goodbye, goodbye.
00:27:51Enjoy your meal.
00:27:56How are you, Purita?
00:27:57Hello.
00:27:58Hello.
00:27:59Hello, happy boyfriend.
00:28:01Permission.
00:28:02Who are you giving me?
00:28:18Maribel.
00:28:20Maribelita.
00:28:21It's me.
00:28:23Maribel.
00:28:26Darling.
00:28:27He's your husband.
00:28:29Go away, you idiot.
00:28:30I'm going back.
00:28:31I don't know what.
00:28:32How can you say you have no experience?
00:28:34Aren't you there?
00:28:35Or have I gone to the wrong room?
00:28:37Maribel.
00:28:39Maribelita.
00:28:40Come on.
00:28:45It's you?
00:28:45Yes, yes.
00:28:46It's me, Cielo.
00:28:47I really want to see you.
00:28:50Me too.
00:28:52Go on, go on.
00:28:52Open the little door.
00:28:54No no.
00:28:55My mother might come.
00:28:56But it's just a little bit.
00:29:02Maribel, one kiss, just one.
00:29:08I can't, Begoña is here.
00:29:10I've already told him I'm going back.
00:29:11Okay, well then, go back, go back, go on.
00:29:14No, no, no.
00:29:15No.
00:29:22Come on, hurry up.
00:29:23The noise doesn't matter, the noise doesn't matter, it doesn't matter.
00:29:26I can't do it like this.
00:29:26It doesn't matter.
00:29:27Then, in the car.
00:29:28Well, you don't need few comforts.
00:29:30We need to hurry.
00:29:31I don't want us to get caught out on the road after dark.
00:29:33I told him he can come with you or there's plenty of room in the car.
00:29:36No, there's no room.
00:29:37It's very small.
00:29:38In addition, we have to bring the palette.
00:29:40They can go on the cow.
00:29:41It has double reinforcement and a specially designed suction cup attachment.
00:29:45Mr. Garcia said so.
00:29:45No way.
00:29:47The honeymoon is always done by the newlyweds alone.
00:29:50It's the custom.
00:29:51But what do I remove?
00:29:52Neither coconuts nor norices.
00:29:53Your aunt can go get on the bus or in a balloon if she wants, but she should leave us alone.
00:29:59And remember what you promised a moment ago.
00:30:00Blind obedience to your husband.
00:30:02I'll give it to you.
00:30:03And no, mate.
00:30:04Yes, little one.
00:30:05Whatever you want.
00:30:08Good.
00:30:11It's going to come out.
00:30:12It's going to come out.
00:30:14Already.
00:30:16Goodbye, son.
00:30:18Remember your mother.
00:30:19Goodbye, beautiful.
00:30:21Send news.
00:30:22Yes, we'll put one on the side.
00:30:24Goodbye, very happy.
00:30:25Bye bye.
00:30:26Bye bye.
00:30:29Bye bye.
00:30:31Goodbye, what a guy.
00:30:34Long live the groom!
00:30:35Viva!
00:30:36Long live the godfather!
00:30:37Viva!
00:30:38Viva!
00:30:39Viva!
00:30:48How I envy them!
00:30:49When do you think they will arrive in Madrid?
00:30:53Well, that depends.
00:31:19Do you like looking at fire?
00:31:32It's always changing.
00:31:34What happens to me is that if I stare at it for a long time, I end up not thinking about anything.
00:31:43We still have two hours.
00:31:44Two whole hours just for us.
00:31:52I love you, Paula.
00:31:57You're sure?
00:31:58Yeah.
00:32:01I love you, Paula.
00:32:04I'm sure I love you.
00:32:09And you?
00:32:11Don't know.
00:32:12Don't say that.
00:32:15That's not true.
00:32:17We have been very happy here, in our corner.
00:32:22We have given up everything.
00:32:24Have you resigned?
00:32:25Yeah.
00:32:26Anything but this.
00:32:29What have you given up, Jorge?
00:32:32You still have everything.
00:32:33And what's more, this is in our corner.
00:32:36Let's be honest.
00:32:38Everything has been very easy for you.
00:32:40Very comfortable.
00:32:41You have no right to speak, Messi.
00:32:46I know I have no rights.
00:32:48Please, Paula.
00:32:51Tell me the truth.
00:32:53Would you be willing to sacrifice everything to save just this, our corner of the world?
00:32:58Would you be able to?
00:33:10Look at me.
00:33:10I am willing.
00:33:17I don't even need to think about it.
00:33:21If you want, we can leave right now, anywhere, forever.
00:33:26I don't mind giving up everything for you.
00:33:27But you don't want to, do you?
00:33:41This is absurd.
00:33:44Yes, it's absurd.
00:33:47Where are you going?
00:33:48To Madrid, home.
00:33:49If you want to take me.
00:33:51Paula.
00:33:55Let's stay here.
00:33:56It's still early.
00:33:58No no.
00:33:59I know that the same thing will happen as always and you'll end up convincing me.
00:34:03And I don't want to.
00:34:06You're surprised, aren't you?
00:34:07Sometimes women need to be given everything in exchange for nothing.
00:34:18Paula.
00:34:19Wait.
00:34:20What are you trying to do?
00:34:22Go crazy?
00:34:23That?
00:34:26No.
00:34:28I simply want to know how far your love goes.
00:34:32And I know it won't go any further than this.
00:34:36From a nearby hotel.
00:34:39Look.
00:34:41Your house and mine are to the right.
00:34:43The warehouses, your office, my shop windows.
00:34:48Everything that has been our life up to now.
00:34:50On the left, it will just be you and me.
00:34:57You choose.
00:34:59Sometimes I feel like killing you.
00:35:03Do it.
00:35:04Do it.
00:35:04Come on, Jorge.
00:35:22Do it.
00:35:23Do it.
00:35:24Do it.
00:35:25Do it.
00:35:25Do it.
00:35:26Do it.
00:35:26Do it.
00:35:27Do it.
00:35:27Do it.
00:35:28Do it.
00:35:28Do it.
00:35:29Do it.
00:35:29Do it.
00:35:30Do it.
00:35:30Do it.
00:35:31Do it.
00:35:32Do it.
00:35:32Do it.
00:35:33Do it.
00:35:34Do it.
00:35:35Do it.
00:35:36Do it.
00:35:37Do it.
00:35:38Do it.
00:35:39Do it.
00:35:40Do it.
00:35:41Do it.
00:35:42Do it.
00:35:43Do it.
00:35:44Do it.
00:35:45Do it.
00:35:46Do it.
00:35:47Do it.
00:35:48Do it.
00:35:49Do it.
00:35:50Do it.
00:35:51Did you keep your ticket safely?
00:36:03Yeah.
00:36:11Here it is, look.
00:36:13Why don't you eat your sandwich now?
00:36:15It might cause a delay.
00:36:17I don't feel like it.
00:36:19I'll eat it later.
00:36:21What are you thinking?
00:36:28We could get married, Teresa, and pay for the furniture.
00:36:31Rogelio.
00:36:32You're thinking the same thing, don't deny it.
00:36:35If Don Ramiro were to die...
00:36:39Be quiet.
00:36:41Because?
00:36:41Miss Arevalo and the manager told me.
00:36:44They would make me a cashier.
00:36:46Me.
00:36:46And do you know how much the cashier earns?
00:36:483,500 pesetas.
00:36:50Aside from the points and the position.
00:36:52Because a cashier is a cashier.
00:36:56AND...
00:36:57And he is very ill.
00:37:00I think so.
00:37:01But it's very strong.
00:37:02It has a resistance.
00:37:05May I?
00:37:05Yes, if you'll allow me.
00:37:06Don't you want to get up and stretch your legs a little?
00:37:17Yes, yes, yes.
00:37:24You have to hide it, Rogelio.
00:37:26Nobody should suspect that you're carrying so much money in your wallet.
00:37:28Why don't you travel in the same carriage as the guards?
00:37:34I prefer to go alone.
00:37:35It's best not to draw attention to yourself.
00:37:36No no.
00:37:37It's safer if you go with the guards.
00:37:38Let's ask him which carriage you're taking.
00:37:39But Teresa, listen to yourself.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:41No.
00:37:42No.
00:37:42No.
00:37:42No.
00:37:42No.
00:37:42No.
00:37:42No.
00:37:42No.
00:37:42No.
00:37:43No.
00:37:43No.
00:37:44No.
00:37:44No.
00:37:45No.
00:37:46No.
00:37:46No.
00:37:46No.
00:37:46No.
00:37:47No.
00:37:48No.
00:37:50No.
00:37:51No.
00:37:52No.
00:37:53No.
00:37:54No.
00:37:54No.
00:37:55We're in the back row at 109 and 10 as per the regulations.
00:37:58But the starting eleven is often empty.
00:38:00Ah.
00:38:01Thank you so much.
00:38:05In the last one.
00:38:06They're in last place.
00:38:07You'll see, everything will turn out alright.
00:38:09And maybe when you return they'll even give you a reward.
00:38:11Yeah.
00:38:12Yeah.
00:38:13Rogelio, God willing.
00:38:16Of course he wants to.
00:38:17Otherwise, he wouldn't have sent that attack to Don Ramiro.
00:38:20Yeah.
00:38:21If I sent him more.
00:38:23Probably.
00:38:30Teresa.
00:38:35It's coming.
00:38:36It's coming.
00:38:39It's coming.
00:38:50It's coming.
00:38:51It's coming.
00:38:52It's coming.
00:38:52Already.
00:38:52It's coming.
00:38:53This is it.
00:39:23Biscuits, drunks, biscuits, little drunks, behind, behind, behind, little biscuits, drunks,
00:39:31Come with me on a trip with the rich, biscuits, drunks, little drunks, behind, little drunks.
00:39:38Were you lucky? It's empty.
00:39:40Yes, but then people start getting on.
00:39:43Don't worry, you'll go with the guards.
00:39:48Be very careful, for God's sake.
00:39:53If you come early, we can go to the movies.
00:40:01Yes, yes, we'll see.
00:40:10Goodbye, goodbye, have a good trip.
00:40:12Goodbye, goodbye, goodbye, see you tomorrow.
00:40:17Rogel!
00:40:18Oh, mother! Oh, my mother!
00:40:23It's leaving! It's leaving! The train is leaving!
00:40:27Rogelio!
00:40:27He's leaving!
00:40:32They've left the train car behind!
00:40:33That's it! That's my train! You can't get off it!
00:40:36It's because you were leaving.
00:40:38Yes sir.
00:40:39And haven't they seen the sign?
00:40:40Which poster?
00:40:40It's very clear. Madrid-Guadalajara.
00:40:44So.
00:40:45You'll have to wait for the express train.
00:40:46What time does it pass?
00:40:47At 23:50.
00:40:49I can't wait.
00:40:51Then file a complaint.
00:40:52But I don't know if they will refund the ticket price.
00:40:55The sign was there. He must have seen it.
00:40:57Yes of course.
00:40:58But...
00:40:59Doesn't another train pass before the express?
00:41:01Even if it's merchandise.
00:41:03No, sir.
00:41:07What do I do now?
00:41:09I don't know.
00:41:10I can't think of anything.
00:41:12Nothing.
00:41:16Let's get out of here.
00:41:21If Miss Arévalo could see me.
00:41:36It had to happen to me.
00:41:37Everything goes wrong for me.
00:41:38Rogelio, why don't you go to the office and tell them what happened?
00:41:41That's so they can fire me and laugh at me.
00:41:43I am... I am a wretch.
00:41:45Can this happen to anyone?
00:41:46No, just me because I'm an idiot.
00:41:48The first opportunity I've had in five years.
00:41:50And what for?
00:41:51To get on an uncoupled carriage.
00:41:53And it also had a sign.
00:41:55They will never trust me again.
00:41:56What should I do, Teresa?
00:41:59What can I do?
00:42:00I don't know.
00:42:01Is there any solution?
00:42:05The factory is very far away.
00:42:0770 kilometers away.
00:42:09Then no, of course not.
00:42:12What were you going to say?
00:42:14That you rent a taxi.
00:42:15A taxi...
00:42:15Hey, your brother still has the motorcycle, right?
00:42:30Yeah.
00:42:31I have to go, Teresa.
00:42:33But how?
00:42:34On your brother's motorcycle.
00:42:35He's not here.
00:42:36He can't take you.
00:42:37It's the same.
00:42:37I'll go alone.
00:42:38But with so much money.
00:42:40Teresa, you don't understand.
00:42:41It is necessary.
00:42:42We have to pay the payroll this afternoon.
00:42:44Nobody will find out.
00:42:45I won't spoil it for her.
00:42:46I swear.
00:42:47Look.
00:42:57I don't know what fun there is in breaking the lampposts.
00:43:00Just because.
00:43:01In addition, it brings bad energy.
00:43:02Ganterros, who are some granterros.
00:43:03I would finish them all off in four days.
00:43:05Shot against a wall.
00:43:06Raise the lampshades, Felipe.
00:43:15Hey, listen.
00:43:21It happened a long time ago.
00:43:23I was there sweeping.
00:43:24And that's by cleaning that lamppost.
00:43:27How much?
00:43:28About ten minutes.
00:43:29We've already taken five minutes from them.
00:43:31Come on, hurry up.
00:43:31No no.
00:43:34No.
00:43:35No.
00:43:36No.
00:43:38No.
00:43:38No.
00:43:39No.
00:43:39No.
00:43:40No.
00:43:45No.
00:43:45Careful!
00:44:08They're going like crazy.
00:44:10You get distracted by anything.
00:44:12Yes, yes, with any little thing.
00:44:13You have a very vivid imagination.
00:44:17Because I have no other choice, Maribel.
00:44:40A little treat, son!
00:44:43It is dangerous to drive with one hand.
00:44:45The other one is on Maribel's left knee.
00:44:48Quiquito, for God's sake!
00:44:49You're my wife and I have every right to be.
00:44:51Don't embarrass me.
00:44:53These Latino husbands, what temperaments!
00:44:56Exactly. And I plan to touch her knee many times.
00:44:58Because she's my wife.
00:45:00You're doing the right thing, son. As long as it lasts, you're doing the right thing.
00:45:03Stop, Enriquito, stop. He's a priest.
00:45:15Why, what?
00:45:17Enrique, son.
00:45:18You're selfish and it didn't screw you over.
00:45:20Did you stop, or is something wrong?
00:45:27Enrique, it's not a honeymoon trip, it's nothing.
00:45:40Thank you. Thank you very much.
00:45:42I thought they wouldn't stop.
00:45:43You guys are very good.
00:45:45Good afternoon.
00:45:46Good afternoon.
00:45:47But please, don't be offended.
00:45:49Every day some kind soul picks me up.
00:45:52There is still charity in the world.
00:45:53All.
00:45:54Any minor mishaps?
00:45:55I don't know, the one with the carburetor hanger, there are so many things here.
00:45:58May I?
00:46:01Maybe it's nonsense.
00:46:04Father, would you like us to pray three Our Fathers to Saint Christopher?
00:46:06to help us find the fault?
00:46:10That?
00:46:11I believe that in this case it is not necessary to bother Saint Christopher.
00:46:14I've looked into that a lot, Father.
00:46:18Sometimes a blow like this does more than a mechanic.
00:46:23Whenever you want?
00:46:27Come on.
00:46:31May I, Father?
00:46:33This is so tiny.
00:46:35You see, Enrique!
00:46:36I didn't want to pick up my father, and if it weren't for him, we would have been left in the cart.
00:46:40I have done nothing but reciprocate your charity.
00:46:44They are newlyweds.
00:46:46Ah, for many years.
00:46:47Go for it, brother, otherwise we're taking off.
00:46:55Ah, ha, ha!
00:47:12Ah!
00:47:13Ah!
00:47:13A cigarette.
00:47:33Take.
00:47:35I'm here.
00:47:37Come on, learn.
00:47:43Don't let them get past us! Don't let them get past us!
00:47:50Come on, come on.
00:47:57They're getting away from us!
00:47:59We'll take them to the edge of town.
00:48:13They're getting away from us!
00:48:43They're getting away from us!
00:48:56Come on! Come on!
00:49:21Come on!
00:49:22Come on!
00:49:23Come on!
00:49:26Come on!
00:49:28Come on!
00:49:33Take this off me!
00:49:35Come on, come with us!
00:49:52Runs!
00:49:55What do you want?
00:50:17Xavier!
00:50:20Well, are you a child or a dog? You have to learn manners from a young age.
00:50:23But I really want to.
00:50:25No, no, no.
00:50:55Thank you!
00:51:25Good afternoon.
00:51:42Good afternoon.
00:51:43Pia!
00:51:47Good afternoon.
00:51:48Good afternoon.
00:51:49Two toothbrushes and toothpaste.
00:51:50The big tube or the small one?
00:51:51Big.
00:51:55Do these fit you well?
00:52:09Yes, yes.
00:52:19It's very rare.
00:52:20He doesn't like candy or American chewing gum.
00:52:23I like the licorice stick.
00:52:25Bye bye.
00:52:26Bye bye.
00:52:26Don't know.
00:52:50I'll let you know in any case.
00:52:52I can't tell you anything more now.
00:53:06As?
00:53:07No.
00:53:09No.
00:53:10Nothing's wrong with me.
00:53:13Yeah.
00:53:15OK.
00:53:16You did your shopping very quickly.
00:53:33Have you spoken to her?
00:53:38Yeah.
00:53:41If you don't dare, we can go back.
00:53:44We're wasting time.
00:53:46And I don't want to waste a single second.
00:53:49Jorge.
00:53:50That?
00:53:51Take me far away.
00:53:53Before I'm the one who regrets it.
00:53:55Be very careful, Rogel.
00:54:17Stay calm.
00:54:18Bye bye.
00:54:22Bye bye.
00:54:22It's going over 130.
00:54:41It would be advisable to notify the other post so that they can report it.
00:54:46Z20, Z51.
00:54:47Z20, Z51.
00:54:50Report in car, Jaguar, white.
00:54:52What's happening?
00:55:06Radioactive rain?
00:55:07At kilometer 320 you have committed an infraction.
00:55:10We supplement the complaint, Jaguar, white.
00:55:13Are you a parent?
00:55:16Don't get angry, guard.
00:55:19I'm going to give him a chance to make the most of the day.
00:55:22There are two cars coming up behind us doing stupid things.
00:55:27500 each, huh?
00:55:33Z51 is listening.
00:55:35Attention, attention.
00:55:37A car is heading towards you at high speed.
00:55:52Take heart, brothers, take heart.
00:55:57Yeah.
00:55:57It won't be long now.
00:55:59Ah, what a beautiful day.
00:56:00Oh, so beautiful.
00:56:00I was notified to come.
00:56:22Look at these gentlemen who have been kind enough to bring me here.
00:56:25You need to fix their car right now.
00:56:26As you command, Don Fermín.
00:56:27Try to get some fresh air.
00:56:28They are newlyweds.
00:56:29Man!
00:56:30Congratulations!
00:56:31And congratulations!
00:56:33Many.
00:56:35Congratulations, miss.
00:56:37I'm leaving you in good hands.
00:56:38You are a young girl.
00:56:39Ah, there's a fountain.
00:56:40Can Barça do it?
00:56:40Thank you.
00:56:41Maribel, I think it's failing, it's failing there.
00:56:46I think it must be something to do with the coil.
00:56:49When you say so, Don Fermín.
00:56:50Yes sir.
00:56:54It's from the coil.
00:57:09Maribel, you dry your hands like nobody else.
00:57:12Well, if I had a towel, you'd see.
00:57:14Maribel.
00:57:16Kikito.
00:57:20Where?
00:57:22Come.
00:57:36But where are we going?
00:57:38Let's go to that car.
00:57:39No.
00:57:40Come on.
00:57:41I'm afraid.
00:57:41Men respect nothing.
00:57:43Hey, I'm your husband.
00:57:44Do you know what that means?
00:57:45That you are my wife.
00:57:46Yes, but...
00:57:46Happens.
00:57:49I think that...
00:57:50Happens.
00:57:57And run the little ropes.
00:58:02Maribel, darling, finally, just...
00:58:03Cue this oauto.
00:58:14Thank you!
00:58:14Don't worry.
00:58:44What are we going to do when we get to Madrid?
00:58:49I don't know.
00:58:51We'll think of something.
00:58:55Whoever gets there first wins?
00:58:58Three bills.
00:59:01Nothing.
00:59:02And that's why you made such a fuss?
00:59:14What are we going to do when he arrives before the pint?
00:59:21What are we going to do when he arrives before the pint?
00:59:23What are we going to do when he arrives before the pint?
00:59:30When it moves.
00:59:31When it moves.
00:59:32When it moves.
00:59:33Nothing to be done.
00:59:35But they still look the part.
00:59:38Until you're passing by.
00:59:40What are we going to do when he arrives before the pint?
00:59:42What are we going to do when he arrives before the pint?
00:59:44I don't have to leave.
01:00:14I don't have to leave.
01:00:44I don't have to leave.
01:01:14I don't have to leave.
01:01:44Yeah.
01:01:46Good.
01:01:47OK.
01:01:49But before twelve o'clock, otherwise there's no bonus.
01:01:51I've already heard it.
01:01:52Let's have a drink, shall we?
01:01:54No, I have something to do.
01:01:55What's wrong with him?
01:02:07The same old story.
01:02:08Trouble.
01:02:09It's been a pleasant surprise to find you.
01:02:11What are you doing here?
01:02:17I was waiting for you.
01:02:18And how did you know he would come today?
01:02:22I've been coming here for a week.
01:02:24Every day.
01:02:25Okay, I'm going to eat.
01:02:30Come with me.
01:02:34Something is wrong.
01:02:35Is there trouble?
01:02:37It must be something to do with the brakes.
01:02:43It's a great place.
01:02:45Peter.
01:02:46Peter.
01:02:46Hello, man.
01:02:47Blessed are the eyes.
01:02:48Let's see what we can eat.
01:02:49At this hour?
01:02:49Yes, but quickly.
01:02:51Chorizo and stew omelet.
01:02:52Okay.
01:02:53Paquita, turn on the stove.
01:02:55I'm glad you came.
01:02:56It's the only good thing that's happened to me today.
01:02:59Because I've been here for a day.
01:03:00You look very pretty.
01:03:07But she's very pretty.
01:03:17Sit down.
01:03:21It's a shame I have to rush off to Madrid.
01:03:25We were going to have a great time this afternoon.
01:03:26I'm exhausted.
01:03:31Don't you want to take anything?
01:03:33Hey, a hare crossed my path on the road.
01:03:36I killed five on Tuesday.
01:03:38What were they like?
01:03:38Like the bottle.
01:03:40Mine was like that.
01:03:41If I bring the shotgun...
01:03:44I have a day today.
01:03:47Since the wound, without tasting a bite.
01:03:52Want?
01:03:54Okay, so what?
01:03:55What did you have to tell me?
01:03:58Can't guess?
01:03:59No.
01:04:01I've been waiting for you for many days.
01:04:03I didn't know what to do anymore.
01:04:05If I don't find you today.
01:04:07I had written you a letter.
01:04:12A letter?
01:04:13Yeah.
01:04:14Do you want to read it?
01:04:15The stew.
01:04:22That way there's no need to wait.
01:04:23You should have seen it.
01:04:25It was a hare like that.
01:04:26Wouldn't it be a tiger?
01:04:26What would a tiger be?
01:04:28It was a hare as big as a pine tree.
01:04:30Funny.
01:04:32I'm starving.
01:04:35Try it.
01:04:36Don't you really want to try it?
01:04:37It's great.
01:04:43It's great.
01:04:50Sorry.
01:04:51You don't expect me to swallow this story, do you?
01:05:14That's true, Julio.
01:05:15It's true.
01:05:16And what do you want?
01:05:16Don't know.
01:05:19Marry you?
01:05:21I had to tell you.
01:05:23I didn't know what to do.
01:05:24Look, beautiful.
01:05:24Not me with tricks.
01:05:27You're old enough to know that...
01:05:29Well, children don't come from Paris.
01:05:32You just don't understand.
01:05:33I can't stay here.
01:05:35If my parents find out.
01:05:36That?
01:05:37Every day, millions of women give birth to children.
01:05:39And nothing ever happens.
01:05:43Calm down.
01:05:44You'll see.
01:05:45Nothing ever happens.
01:05:46Ana, baby.
01:05:49I want to go with you.
01:05:52Where to?
01:05:54Don't leave me, Julio.
01:05:55Don't leave me here.
01:05:56But you're not right in the head.
01:05:58Do you really think I'm going to carry you and the kid?
01:06:00just because you come looking for me and tell me
01:06:02Am I going to have a child?
01:06:03Well, they should have thought about it before.
01:06:11Luisa.
01:06:12Luisa.
01:06:13Wait.
01:06:14Luisa.
01:06:16Where are you going?
01:06:20Let me.
01:06:21But hey, what do you want?
01:06:22Nothing.
01:06:23That's enough.
01:06:26Don't cry.
01:06:27Can't you see they're watching us?
01:06:29I've already said that nothing's wrong.
01:06:30Come on!
01:06:31Goes!
01:06:39I'm sorry, I didn't mean to offend you.
01:06:41You just have to understand.
01:06:42How was his wife doing?
01:06:44How was his wife doing?
01:06:45I behaved like a brute.
01:06:47But of course, just like that...
01:06:50Calm down.
01:06:51You'll see how everything works out.
01:06:54You know I love you.
01:06:55You're the only girl I've ever truly loved.
01:06:58Yes, yes.
01:06:59I swear.
01:07:00Well.
01:07:02Alright.
01:07:04We'll talk about it another day when we have more time.
01:07:06Now I have to go.
01:07:07But I will come back for you.
01:07:10You won't come back, Julio.
01:07:12Why do you say that?
01:07:13Of course I'll be back.
01:07:15I'm in a hurry now.
01:07:16I'm leaving for Madrid.
01:07:17You won't come back, Julio.
01:07:20I really will come.
01:07:21And we'll talk.
01:07:21There has to be a solution.
01:07:23Take me with you.
01:07:24I can't stay here.
01:07:26You know it.
01:07:28You are the only man I have ever known.
01:07:30And I really do love you.
01:07:32Yet.
01:07:34I need you.
01:07:35Take me.
01:07:36Let me go with you anywhere.
01:07:39I swear I won't be a burden to you.
01:07:41The point is that...
01:07:43Think about it carefully, okay?
01:07:44These things need to be thought through.
01:07:46I've been thinking about it for a long time.
01:07:51You don't want to, do you?
01:07:53Of course I want to.
01:07:54Okay, if you're determined, pack your things.
01:07:57I suppose you'll have to take something with you.
01:07:58Well, we're very short on time.
01:08:00In the garage in a quarter of an hour.
01:08:02Ah, Julio!
01:08:04Come on, hurry up.
01:08:28And Julio.
01:08:47He's not here.
01:08:47If he's left, it won't have been five minutes.
01:08:52Didn't he leave any message for me?
01:08:54No, he didn't say anything.
01:09:00When will he return?
01:09:01I don't know.
01:09:02In ten or twelve days.
01:09:05You, load those packages into the van.
01:09:07Hurry!
01:09:09There are no trucks leaving for Madrid.
01:09:10No, not today.
01:09:14Wait.
01:09:18Wait.
01:09:20Look.
01:09:21This car is leaving for Madrid right now.
01:09:24Perhaps the gentleman wouldn't mind taking her.
01:09:26What's the matter?
01:09:35Nothing.
01:09:37That girl, right?
01:09:39One day you're going to get into serious trouble.
01:09:41And what's it to you whether I get into trouble or not?
01:09:44Mind your own business and leave me alone.
01:09:47The brakes again.
01:09:48I told you to check them.
01:09:49We'll have to take a look at it.
01:09:53We can't go on like this.
01:09:55What a day.
01:09:57There's a workshop over there on the left.
01:10:19You know what?
01:10:49I don't know how to dance the waltz.
01:10:51Yes, yes, I've tried, but I can't.
01:10:53I can't do it, my feet get tangled up.
01:10:55That needs to be fixed.
01:10:57Starting tomorrow, waltz class.
01:11:03Any other secrets?
01:11:05Yeah.
01:11:07Important?
01:11:09Extremely important.
01:11:10I'm hungry.
01:11:13That will also need to be fixed.
01:11:15As soon as we arrive in Zaragoza, we'll look for a place.
01:11:17Ah, yes, I think there's one you'll like.
01:11:21Do you know the city?
01:11:22No.
01:11:23So, let's go early tomorrow...
01:11:25Let's not make plans for tomorrow.
01:11:27Let's never make plans.
01:11:29I'm hungry and I don't know how to waltz.
01:11:30That's the only thing that matters.
01:11:31And above all, Jorge, I am happy.
01:11:37No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:11:43No!
01:12:13No!
01:12:41Jorge!
01:12:43Let's go!
01:12:48Jorge! Let's go!
01:12:53We can't do anything.
01:12:55They can't find us here.
01:13:13It wasn't your fault.
01:13:15Jorge, it wasn't your fault.
01:13:17It was just bad luck.
01:13:19Nobody saw us.
01:13:24What time is it?
01:13:26No.
01:13:27No.
01:13:31No.
01:13:32No.
01:13:33No.
01:13:35What time is it?
01:13:45Seven thirty.
01:13:47It's impossible that they've gained such a big advantage over us.
01:13:55Did you see that? What a crazy thing to do!
01:13:57Yeah, it wasn't Jaime's. What a shame.
01:14:05What a disaster. We'll be the last ones to arrive in Madrid, and nobody will be able to stand that idiot Jaime.
01:14:35Thank you!
01:15:05What are you looking at? We're running late, aren't we?
01:15:31I work to earn money. And if I'm not on time, I lose my bonus, understand?
01:15:41Don't worry. Lots of people pass by here. And I'll let someone know.
01:15:53It's an accident, right?
01:15:55I haven't seen anything.
01:15:56There may be victims.
01:15:57And what were we going to do? We don't have the space. Besides, these things only bring more complications.
01:16:02But, Hipólito, there are victims.
01:16:04What do you want? Do you want us to spend the night on the road? Do you want them to get the car upholstery dirty?
01:16:08Let everyone fend for themselves. And the next person will warn them.
01:16:27Attention, M10 and M30. Attention, M10 and M30.
01:16:50The central office is calling you. Please go to kilometer 55-550, N2 highway.
01:17:01There is a crashed car and two seriously injured people.
01:17:03Do you think they will be saved?
01:17:21Well, I don't know.
01:17:22Attention, attention. Please prepare an operating room for urgent surgery on two people injured in an accident on the Madrid-Barcelona highway.
01:17:36Received. Agreed.
01:17:38Okay. Short.
01:17:41Excuse me, can we leave now?
01:17:43He'll have to wait for the police car, but he can't be long now.
01:17:47Thank you.
01:17:48Thank you.
01:17:52We have to wait.
01:17:55Yes, son, yes. United in good times and bad.
01:18:22It's not possible that Jaime and Lucha are still on the road.
01:18:35Because they had the fall of the century.
01:18:37Don't be a beast.
01:18:38By the way, haven't you noticed that construction detour...
01:18:40No.
01:18:47Three meters.
01:18:49Stop, just a moment.
01:18:52Good.
01:18:58I'd love to get there.
01:19:00Yeah.
01:19:06Good.
01:19:09It can't be very pleasant walking around with so much money, huh?
01:19:12Is something wrong?
01:19:31No.
01:19:32Nothing.
01:19:38He is in very serious condition.
01:19:39There is no.
01:19:41There is no.
01:19:43There is no.
01:19:44There is no.
01:20:01Yeah.
01:20:05There is no.
01:20:05There is no.
01:20:06It's useless now, he's dead.
01:20:26What time will we leave tomorrow?
01:20:31Don't know.
01:20:32We need to buy some things.
01:20:38I only have what I'm wearing.
01:20:52Two toothbrushes for all the luggage.
01:20:59I'm leaving, Paula.
01:21:03What are you saying?
01:21:06I'm leaving.
01:21:09Where to?
01:21:11What does it matter?
01:21:13But why?
01:21:15Because?
01:21:17No, it wasn't our fault, you know that.
01:21:20It was a tragedy.
01:21:21If you had been my wife, we would have stopped, do you understand?
01:21:24Because?
01:21:28We started to feel afraid, too soon.
01:21:32No.
01:21:36That's not why.
01:21:39The thing is...
01:21:41You love your wife.
01:21:42Goodbye, Jorge.
01:21:54Goodbye, Jorge.
01:22:03I knew this had to happen.
01:22:05It wasn't because of the accident.
01:22:10TRUE?
01:22:17Jorge.
01:22:19Jorge!
01:22:20Jorge!
01:22:21Jorge!
01:22:22Just one envelope.
01:22:43We'll have to let him know.
01:22:46Can you give us any information about her?
01:22:48At your service.
01:22:49I live victims, one dead and one seriously injured.
01:23:14Two fifty.
01:23:22It must have been what I'm telling you.
01:23:23He was coming in fast, in a hurry.
01:23:25He tried to overtake another car on the curve and...
01:23:27The same old thing.
01:23:28Sure, that would probably be the case.
01:23:30No, it wasn't like that.
01:23:38He was walking on his right.
01:23:41It was another car that came at him.
01:23:43Three ten.
01:23:45He tried to brake to avoid the crash.
01:23:48But he couldn't.
01:23:51He lost his way and...
01:23:52And how do you know that?
01:23:54Seven thirty.
01:23:54Because the guy who was in the other car...
01:24:02It was me.
01:24:06I was in a hurry.
01:24:08He will have to come with us.
01:24:10What is your name?
01:24:13Jorge Castro.
01:24:15Well, his father.
01:24:18Where you live?
01:24:19Madrid.
01:24:25Married.
01:24:29Are you sure the accident happened at that time?
01:24:31I've already told him yes.
01:24:32Please wait.
01:24:32Do you know that woman?
01:24:52Yeah.
01:24:57She has seen her.
01:24:58Do you know if...
01:25:02Will he live?
01:25:05Don't know.
01:25:15She's family.
01:25:17She's my girlfriend.
01:25:21I...
01:25:22Well, I...
01:25:24I was to blame for everything.
01:25:28To the man who was with her in the car.
01:25:31Did you know him too?
01:25:35No.
01:25:39Come in, but just for a moment.
01:25:58Luisa.
01:26:02Luisa.
01:26:05When they told me you had left...
01:26:09I took the first car I could.
01:26:12I was afraid I would never see you again.
01:26:15I don't know why I did it.
01:26:19But I would have come back to look for you.
01:26:22Yes, I would have come back.
01:26:24It is no longer necessary.
01:26:26Everything has been resolved just like you, my dear.
01:26:31You won't have to marry me anymore.
01:26:45Why do you say that?
01:26:46Why not the child?
01:26:52I would have come back for you too, Luisa.
01:26:56Just for you.
01:26:57No.
01:26:58No.
01:27:10Yeah.
01:27:10No.
01:27:10What's happening?
01:27:40What's happening?
01:28:10What's happening?
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