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00:00MUSIC
00:20Hello, hi!
00:23Hello, everybody!
00:25Good evening!
00:27Good evening!
00:28Oh, lovely to see you all!
00:31You are very welcome to the show!
00:34Hello, hello, hello!
00:35I tell you, such great guests tonight,
00:37I couldn't be more excited if I was being knighted by the king.
00:41Oh, look at them there.
00:43I wonder what they're saying to each other.
00:45My wife's posh.
00:46Really? So is mine.
00:47LAUGHTER
00:49Big show for you.
00:50It's funny, isn't it?
00:51Because it's posh.
00:53Big show for you tonight.
00:55Joining us later at Singing For Us is the one and only Ed Sheeran!
00:58CHEERING AND APPLAUSE
01:00He'll be performing the single, Camera.
01:03But first, it's Camera Lights Action for tonight's guests.
01:06He's a top comedian who's now acting with some of Hollywood's biggest stars,
01:10from Dwayne Johnson in Jungle Cruise to Clifford the Big Red Dog in Clifford the Big Red Dog.
01:14Now, he's showing his sinister side in the dark news thriller Malice.
01:18It's our good friend Jack Whitehall!
01:21CHEERING AND APPLAUSE
01:23There he is!
01:25See you, everybody?
01:26Look at the smile.
01:27There you go.
01:28That's so cute.
01:29That's cool.
01:30And she was Oscar-dominated for her role as a vengeful wife in Gone Girl,
01:36stole the show as Elspeth in Saltburn,
01:39and has just made a triumphant return to the stage in the hit play Inter Alia.
01:44Here to tell us about her latest role in Now You See Me, Now You Don't,
01:48it's Rosamund Pike!
01:49CHEERING AND APPLAUSE
01:51CHEERING AND APPLAUSE
01:54Sweet, sweet!
01:55You look great!
01:56Hi!
01:57Good to see you again!
01:58Good to see you again!
02:00CHEERING AND APPLAUSE
02:02We've loved this kick-ass Oscar winner in films like Everything Everywhere All At Once,
02:07Crouching Tiger, Hidden Dragon and the smash hit Crazy Rich Asians.
02:11Now she's back as Madame Marble in Wicked For Good,
02:15it's Michelle Yeoh!
02:17CHEERING AND APPLAUSE
02:19Oh!
02:20Oh!
02:21Oh!
02:22Wow!
02:23Fabulous!
02:24I love Michelle Yeoh!
02:27That's Rosamund and Jack, don't say hello to them!
02:30CHEERING AND APPLAUSE
02:32And this movie star has been flying hard since his breakout role in Top Gun Maverick.
02:37From the hit rom-com Anyone But You to disaster epic twisters,
02:40now bringing us the action blockbuster, The Running Man.
02:43It's a first-time welcome to Glenn Powell!
02:47CHEERING AND APPLAUSE
02:49Hello, sir.
02:50Lovely to see you.
02:51All right, guys.
02:52I know.
02:53Have a seat.
02:54All right, guys.
02:55CHEERING AND APPLAUSE
02:57What a very lovely couch.
03:00Hello.
03:01Welcome, everybody.
03:02Hello.
03:03And so welcome back to Jack and Rosamund and Michelle.
03:05First up, welcome to Glenn.
03:07And you are friends with Jack Whitehall?
03:09Oh, yeah.
03:10Oh, yeah.
03:11We got to hang out a little bit while I was shooting the Lion Man.
03:13Yeah.
03:14The last time we met was at Glastonbury Festival, right?
03:16That was, yeah.
03:17We bumped into each other at Glastonbury.
03:18And we'd met, like, a couple of times before that.
03:21And I bumped into Glenn there, and I was with my fiancé
03:24and then two of my fiancé's girlfriends,
03:26who are both single ladies from Essex,
03:28who, the minute they saw that I was friendly with Glenn,
03:31just, like, locked in.
03:33And then, for the rest of the weekend,
03:35that's all they talked about.
03:36So, like, every day I'd wake up and I was like,
03:38oh, so what do you want to see today?
03:39They were like, Glenn Powell.
03:41I want to see more, maybe, bands.
03:43And then they encouraged me to, like, message you loads.
03:45So then I sent all of these messages to you going,
03:47hey, Glenn, what are you doing today?
03:49Like, what acts are you going to go and see?
03:51Like, booty calling you at, like, 11 o'clock at night.
03:54I did think you were a little thirsty.
03:57Exactly!
03:58Because you didn't realise that I was with these two girls.
04:01And then on the Monday morning, I was like,
04:03oh, my God, he's going to think that I'm like his baby reindeer.
04:06I'm reading through all of these messages.
04:08One of them that you did not respond to,
04:10and I'm quite within your rights not to,
04:1111 o'clock at night on the Sunday,
04:13I'd sent him a message saying,
04:14Scissor Sisters question mark.
04:17I thought that was some, like, British slang.
04:21I didn't know what that...
04:22Yeah, they weren't even playing at the festival, to be fair.
04:24Good, good.
04:25I was like, never accept the Scissor Sisters emoji, you know.
04:29And here you are, the new action hero on the block,
04:32sat next to one of the greatest action heroes of all time, Michelle Yeoh.
04:37Absolutely.
04:38Absolutely.
04:41But, of course, you're not here kicking ass tonight,
04:44you're back with Wicked.
04:45And so, last time, the Wicked press tour was insane.
04:49So, where are you off to this time?
04:50You're off to Paris after this?
04:51Tonight.
04:52Oh, wow.
04:53OK.
04:54We have our screening in Paris tomorrow,
04:56then we come back here to London,
04:58and then we go to Singapore,
04:59and then we go to New York,
05:01and then the movie comes out.
05:03Wow.
05:04A little trip around the world.
05:05I guess...
05:06I mean, because it's been so many years,
05:07you're going to miss it when it's gone, aren't you?
05:09We are missing it already.
05:10Oh.
05:11It's been such an amazing family.
05:13And also, great that you put all that work in,
05:15and then it was a success.
05:17Phew!
05:18Didn't you imagine if Wicked...
05:19It didn't turn out the way it did, though.
05:22Can't you imagine?
05:23Just limping around the world.
05:25Here's more of it.
05:28There's two and a half hours more.
05:30No, no problem.
05:31Thank God.
05:32No, thank God.
05:33And now, it's a warm welcome back to Rosamund Pike.
05:35The last time we were here,
05:36it was a Zoomy thing,
05:37and you were Zooming us from a cabin.
05:40Was it in Eastern Europe somewhere?
05:42It was my home, Graham.
05:44Oh, wow.
05:45My home in Prague.
05:46Shade.
05:47A cabin in Eastern Europe.
05:49My home in Prague.
05:50It didn't...
05:51Do you have any lights?
05:52It looked very dark.
05:54LAUGHTER
05:55Well, it was locked down.
05:57It was...
05:58We were, you know,
05:59hunkering down like the rest of the world.
06:02LAUGHTER
06:04Here's the thing.
06:05The last time we were on, broadcasting for your beautiful home in Prague...
06:09LAUGHTER
06:10We all at Envik.
06:12LAUGHTER
06:13You went a bit...
06:15You kind of found new fame, but in a very niche way.
06:18Oh, my gosh, yeah.
06:19You asked me about my family, my children speaking Chinese.
06:22Yes.
06:23And you asked me if they'd taught me anything,
06:26and I came out with one thing they'd taught me,
06:28which is a Chinese proverb, I suppose you'd call it,
06:31and apparently that clip went viral around China
06:35and now I am recognised as the girl who tells fart jokes...
06:39LAUGHTER
06:41..and speaks proverbs about farting.
06:43So, when I was doing the play in the summer,
06:45at the National Theatre, people would come
06:47and bring me pillows and teddy bears,
06:50which, when I pressed the button,
06:51would come out with this Chinese phrase,
06:53..and...
06:56LAUGHTER
06:58Loving it.
06:59Yes.
07:00Loving it, wow.
07:01It is hard.
07:02It is hard.
07:03She really did say fang pi, OK?
07:05LAUGHTER
07:06If it's so funny, Michelle let out a little fart.
07:09LAUGHTER
07:10Well, then, a little fart.
07:12LAUGHTER
07:13Now, Jackie, you've also found international fame
07:15from a story on the show.
07:17LAUGHTER
07:18I mean, it's very different to Chinese proverbs,
07:21but, yes, I do sometimes get recognised for my appearances
07:23on The Graham Norton Show.
07:25The last time it happened, I was on tour in Australia
07:27and I was in an airport with my family
07:30and a guy recognised me, he was like,
07:32Oh, yeah, we love you, Jack Whitehall, yeah,
07:35that story you told on Graham Norton
07:37about not being able to flush your shit down the dunny.
07:40LAUGHTER
07:41And he stamped my passport and let me through.
07:43LAUGHTER
07:44People remember that story and then they just come up to you
07:46and say it with, like, no context.
07:48OK, so, Glenn, the challenge is on.
07:51LAUGHTER
07:52I've got to throw something out there.
07:53Do you remember when we had dinner at that place?
07:55What was the... With Pete, what was the name
07:57of the place we grabbed dinner?
07:58Dorian.
07:59Yes, Dorian.
08:00We...
08:01This place has one bathroom.
08:04This is the most awkward fan interaction I've ever had.
08:07I... I go to the bathroom and, you know,
08:10sometimes, like, you go to the bathroom
08:11and there's, like, toilet paper already, like,
08:13on... In the bottom of the toilet.
08:15Yeah, yeah, yeah.
08:16Right?
08:17So, I'm just, like, lift up the seat, pee, do the thing,
08:19and flush.
08:21And I realize now why there was toilet paper on there.
08:23It just flipped all this stuff underneath it.
08:28And I was like, oh, my God.
08:30So, I'm, like, trying to do...
08:31I'm like, this is crazy.
08:32So, wash my hands, leave, and as I open the door,
08:36there's about eight girls outside the bathroom door.
08:41And they go, oh, my God, sorry, we had to meet you.
08:44We wanted to say hi.
08:45And they're like...
08:46And I was like, are you guys going in here?
08:48And they're like, yeah.
08:49And I go, it wasn't me.
08:51That was, like, to the whole other person.
08:53I didn't do that.
08:54They're like, what are you talking about?
08:55I was like, you're gonna see a whole situation.
08:57I just wanna know, like...
08:58I added to it, but not, like, in that way.
09:01I just want you to know, Jack Whitehall did that.
09:04He's the toilet.
09:06He's the toilet.
09:07This guy.
09:08This guy.
09:09All right, let's get started tonight
09:10with a new movie from Glenn Powell.
09:12It's called The Running Man.
09:13It's in cinemas from the 12th of November.
09:15And before we talk about it,
09:16here's a taste of what's in store.
09:19I'm trying to get myself killed.
09:21So, kiss my ass twice.
09:23Right there.
09:24Is why you can win this game.
09:26The rules are simple.
09:28Survive 30 days.
09:29With the entire nation hunting you down.
09:31And get your family out of Slumside for good.
09:36Hunt!
09:38Him!
09:39Down!
09:40Stop filming me!
09:54Have you ever wondered if this game is rigged?
09:59Guess we'll find out.
10:00Hey, buddy.
10:01You're on freebie.
10:02Wow!
10:03It is a fantastic kind of action thriller.
10:15Huge sequences.
10:16You play Ben Richards.
10:18Tell us about Ben Richards.
10:19Ben Richards is a guy who was kind of put on a blacklist
10:24for trying to stand up for some of the guys he worked with
10:27so he can't provide for his family.
10:30He can't get any job.
10:31And his daughter's really, really sick.
10:32So he signs up for this game show where no one's ever won it
10:35called The Running Man.
10:36Where the entire world can hunt someone down for 30 days.
10:40And it's life or death.
10:42So everybody, yeah.
10:43And if you win you get a billion dollars.
10:45Wow!
10:46It's a hell of a show.
10:48And this is based on a Stephen King short story, is that right?
10:51Yeah.
10:52Stephen King wrote a book in the early 70s.
10:55Came out in 82.
10:56It's set in 2025.
10:57That's what I love.
10:58I love that he set it this year.
11:00Which is wild because everything that's happening in the story,
11:04it's like all about like sort of deepfakes and like fake news
11:07and all the things that are kind of happening around it.
11:09And like this all predated reality TV.
11:12Wow.
11:13It's pretty wild, yeah.
11:14It is The Running Man and clearly there is a lot of running.
11:16Yes.
11:17In this show.
11:18So who better to advise you than king of running, Mr. Tom Cruise?
11:21That's correct.
11:22Yeah.
11:23Because he is, yes.
11:24He is.
11:27And did he advise you?
11:28He did.
11:29I mean, you know, I sort of thought Tom was going to give me like,
11:32I mean, you've been doing stunts like your entire career.
11:35I mean, this was like kind of my first, you know,
11:37time being out in front of an action movie and, you know,
11:39so I was just like, all right, what do I need to know about,
11:41you know, kind of being in front of a thing?
11:43I thought it was going to be like a 10 minute phone call.
11:44It turned into two and a half hours, like about him being like,
11:46this is how you don't die.
11:48Wow.
11:49Doing an action movie.
11:50There's a lot of ways.
11:51I mean, I don't think I really realized, you know,
11:53you're like, okay, like the explosions are real,
11:55but I know kind of when they're coming.
11:57He's like, no, those can kill you.
11:58And like, you know, you jump off a bridge, like things snap,
12:01you know, people are tired, you know?
12:02So it was like really Tom kind of giving me a low down,
12:05but he also kind of gave me running lessons.
12:07He kind of said, you should film yourself running
12:10because you don't look as cool as you think you do.
12:13And he was really right.
12:15I don't think, I don't know if the last time like you've run on camera,
12:19but you start paying attention to other people running.
12:21You're like, humans are weird looking things when they're trying to go fast,
12:24you know?
12:25And so, yeah, I tried to, you know, meet with a sprinting coach and kind of do it right.
12:28And Tom, I mean, you, I guess credit Tom with this amazing career opportunity of Top Gun.
12:34Oh, absolutely.
12:35Yeah.
12:36Yeah.
12:37I mean, Top Gun was a movie that changed my life.
12:39And there was a time in which I wasn't going to do it.
12:41You know, I originally auditioned for Miles Teller's role, the role of Rooster.
12:45Yeah.
12:46And so then I get a call from Joe Kaczynski who's the director and he called me.
12:50I remember it was, it was on July 4th and I was wearing an American flag tank top.
12:59I was on my balcony having a tequila soda and Joe Kaczynski called me and said,
13:06Hey, you know, we're not giving you the role.
13:08We're going to, it's going to go to Miles.
13:09And, uh, and my buddy thought I was getting Top Gun.
13:12So it's me sad in an American tank top.
13:15He was filming me getting this like super sad phone call on an American flag tank top on July 4th.
13:20Just like, that's not great.
13:22But then Tom and I sat down and, um, you know, he, he kind of gave me the advice.
13:26He's like, you know, I, I said, I just don't think the, the role is, was up to, up to snuff.
13:32And I, I was a little bitter.
13:33I was kind of like the, you know, you don't want to get broken up with and then be like,
13:36Hey, can we still be friends?
13:37You know what I mean?
13:38So I was kind of like, you know, I didn't think the role was really there.
13:41And he said, do you know how I've, you know, kind of done my career?
13:44And I said, how?
13:45And he said, well, I don't, you know, choose, you know, the roles.
13:48I choose the movies.
13:49You know, he goes, I choose good movies and then I make the roles great.
13:52And so he kind of convinced me right then and there.
13:54And it was like the best decision I've ever made.
13:56That is really good advice.
13:58Cause Rosalind bike, you worked with a great Tom Cruise and Jack Reacher.
14:01You reached out to him for advice.
14:03Didn't you?
14:04Tom is amazing.
14:05You remind me of him actually.
14:06Oh, okay, great.
14:07You know, in a kind of, there's a, there's a, there's a lovely warm quality about you.
14:11All right, Rosalind.
14:12He has.
14:13You know, I mean, we've, we've had...
14:15You're on television.
14:16I'm going to get the Scissor Sisters text a little later.
14:23Maybe.
14:24I think I might write better texts.
14:26Um...
14:27You've had more than enough to drink from.
14:29Um, but, but Tom, no, he, I mean, he is a, he does sort of strike one as a mentor.
14:34Because he's been in the business for so long and he started so young and he's been a lead for his whole career really.
14:39I mean, I love his advice about, you know, not choosing the roles, choosing the movies.
14:43But he has had the best roles in all the movies.
14:45Totally.
14:46Yeah.
14:47It's great advice, but also, you know, um...
14:49LAUGHTER
14:52But the night before I started filming Gone Girl, I was so frightened because I'd never had that sort of pressure of a, of a character in that kind of book with that level of director and those eyes on me and having to be American and all the rest of it.
15:05And I, I couldn't sleep.
15:07And at four in the morning, I thought, who, who can I write to, to get something?
15:11And I wrote to Tom saying, I'm not up to this and I'm terrified and I'm, and he wrote me back the kindest letter that immediately.
15:20Because he obviously knew the call time was coming in about three hours.
15:24Yeah.
15:25And he sort of said, you know, you've, you've got this and you are ready and, and, and other things.
15:29But it was a very, it was a very significant gesture.
15:33Yeah.
15:34Um, of someone with that level of fame and people writing to him and probably how busy he is.
15:39I mean, the guy sleeps one hour a night or something.
15:41LAUGHTER
15:42I mean, you know, that could have been his hour of sleep.
15:45LAUGHTER
15:47He was very tired the next day.
15:49LAUGHTER
15:50And, Glenn, tell me this, because Topcon, you, you know, you were in it, you saw it, you knew that you were good in it, this is going to change your life.
15:57And then it got delayed, and I don't know if you remember this, because of Covid, it kept getting delayed.
16:02You must have been going out of your mind.
16:05Well, it's also like, you're going out of your mind, you're also running out of money.
16:08LAUGHTER
16:09You know what I mean? Like, you're also like, oh man, I'm sort of waiting for this movie to come out for, for my career to start.
16:14I'm a very poor movie star.
16:15I'm a very poor movie star.
16:16I'm a very poor movie star.
16:17It's like, it's not great, you know?
16:19And so, you know, and every time it got delayed, I would get a call from Tom to like, let me know it was getting delayed, which was really sweet of him.
16:29But it was also like, you start like dodging Tom's calls like a loan shark.
16:33LAUGHTER
16:34You're like, shit, Tom's calling me again, I know what this means.
16:36Please don't call me again.
16:37Please don't call me again.
16:38Yeah, please don't call me again.
16:39But then, it's funny, I'm actually hosting SNL next week.
16:42Oh, cool!
16:43Yeah!
16:44Yeah, and it's, I'm really excited about it.
16:48But I was supposed to host SNL, that fault, like, so they had to literally, Warren Michaels had to take back the offer for me to host SNL.
16:58So I was supposed to host SNL like four years ago.
17:00Wow!
17:01And so I finally get to host next week after, so every time Top Gun got delayed, Lauren called me up and I'm like,
17:07is everybody taking everything in my life and everything?
17:10What is happening?
17:11I'm a movie star!
17:13Let me be a movie star!
17:15Well, listen, you can see Gled in the running band from next Wednesday.
17:19Very good.
17:20CHEERING AND APPLAUSE
17:27Meanwhile, in another part of the chorus, Michelle Yeoh brings us the epic conclusion to the wicked saga, Wicked For Good.
17:35It's out on the 21st of November.
17:38So, this is essentially like the second act.
17:40Yes.
17:41Right?
17:42So, if people missed the first act or...
17:43Doesn't matter.
17:44Yeah.
17:45But you know the yellow brick road.
17:46Yeah, so...
17:47But you should watch the first one.
17:48Of course.
17:49Of course.
17:50So, where do we find Madame Marble now?
17:53What's going on as we join act two?
17:55So, act two is much more emotional because as in act one, you've met all the different characters and they've made choices.
18:03And with choices, there are consequences.
18:06Um, the yellow brick road is being built and then Elphaba has been ostracised.
18:12She's now living by herself in the...in the forest.
18:15And she's got the Book of Spells, which is something that Madame Marble wants back most desperately.
18:22So, she's made Elphaba the Wicked Witch.
18:25When, in all honesty, Madame Marble, MM, flip it around, Wicked Witch!
18:32Oh!
18:33Ooh!
18:34Ooh!
18:35Yes!
18:36She's a real manipulator!
18:38Yeah!
18:39Wizard of Oz!
18:41Wow!
18:42I'm still trying to work it out.
18:48World Wide Web!
18:49It's stunning.
18:55I mean, John Chu, as usual, with Alice Brooks, um, is such a cinematic experience, like, one.
19:03But this one leads you down paths.
19:05Um, you meet who's the Tin Man, who is the Scarecrow, who is the cowardly lion.
19:11Yeah.
19:12Um, and most important, what happens to Elphaba and Galinda?
19:17And part of Madame Marble's, uh, job is kind of promoting Glinda as the Good Witch.
19:23And we've got a clip, and this is you helping Glinda on her way.
19:28The public is on edge.
19:30So it's more important than ever that you lived everyone's spirits as only you can.
19:39Accordingly.
19:42Oh, Madam, I love it.
19:44What is it?
19:47Your new mode of transport.
19:49Your very own vehicular spherical globule.
19:52So, like, a bubble?
19:58Sure.
20:06And love me Ariana Grande there.
20:07Oh, she's brilliant.
20:08And am I right that you've never been in a musical before?
20:11Never.
20:12This was my first time.
20:13I went, John Chu, bless him, because we worked together in Crazy Rich Asians.
20:17Yeah, yeah.
20:18And so he wrote to me and he said, Michelle, can you read the script?
20:21I would love you to play Madame Marble.
20:23And I was like, Madam who?
20:25And Wicked.
20:26I knew, I've heard of Wicked, but I hadn't gone to see it in West End or in New York.
20:31There's a gasp of horror.
20:32I know.
20:33How could you?
20:34So, anyway, I read and I go, I called him back and go, like, uh, excuse me, it's a musical.
20:39She sings, you know?
20:41And he go, like, you know, I don't sing, right?
20:44He goes, nah, you'll be fine.
20:46And typical of John, he can convince you to do the impossible.
20:50And so he convinced me.
20:52Wow.
20:53And I'm so glad he did, because the first time when I walked onto the stage and it was a forest scene,
20:59and I suddenly, you know, it's like you walk in, it's silence, like this, and suddenly you hear a voice.
21:07And it was just Cynthia warming up.
21:10She wasn't even singing a song yet.
21:12Her voice is just so incredible.
21:14Yeah.
21:15So when I had my singing, and thanks to her, I'm in Billboard 100 in that song, because of her.
21:23Yeah.
21:24Woo!
21:25That was amazing.
21:28They sing live, both her, Cynthia and Ariana, even when she's in the harness doing all those somersaults,
21:36she's singing live.
21:37It's amazing.
21:38These two girls are just like little angels.
21:41And when it came to my turn to sing with her, typical, you know, we have the tick-tick-tick-tick,
21:47and then it's your turn to sing, and I'm like...
21:50I literally was just doing, like, miming the words.
21:54And Cynthia just took my hand.
21:56She goes, like, I know you can do this.
21:58I've heard you before.
22:00And having that kind of, you know, when someone takes you and giving you that confidence was one of the most beautiful things I had.
22:08And so I sang with her.
22:10Yeah.
22:11And we were on Billboard 100.
22:12Yeah, you did.
22:14That's amazing.
22:15Now...
22:16This is rare.
22:18Very rare.
22:19We have not one, but two Bond girls on our sofa.
22:23Oh!
22:24Because Rosamund...
22:27Rosamund was in Die Another Day, and then Michelle, you were in Tomorrow Never Dies.
22:34Tomorrow Never Dies.
22:35Both your Bonds were Pierce Brosnan.
22:36Is it true?
22:37You said no to this.
22:38You didn't want to do it.
22:39Or is that not true?
22:40That's not true.
22:41I thought I was offered to play 007.
22:44Oh!
22:45You're like, yeah, good idea.
22:47Yeah, I'll do that.
22:48Yeah.
22:49Because I didn't fit in the traditional Bond girl, I thought.
22:56So I had to prove them wrong.
22:58Yeah.
22:59But Pierce was keen that you did do fighting.
23:04Yes.
23:05He's amazing.
23:06He's...
23:07You know when you're confident as a man, right?
23:10When you see a woman fighting, you go, good for you.
23:13You know how to take care of yourself.
23:15I don't have to lift you up all the time.
23:18So when we did the action sequences, Barbara Broccoli and Michael Wilson were fantastic.
23:23I'm sure you knew them.
23:24Mm-hmm.
23:25And she...
23:26They...
23:27I brought my own team from Hong Kong.
23:29I would love for you to do stunts in Hong Kong.
23:32If you love to do your own stunts...
23:33I would love to do that, yeah.
23:34That's the place...
23:35I will not be a Bond girl.
23:36No.
23:37You can be Bond.
23:38OK.
23:39We'll do the Bond girl thing.
23:40OK.
23:41OK.
23:42And we did this whole action sequence in the bicycle shop.
23:45You know, and the...
23:47Because in Hong Kong, we don't have rehearsal times.
23:51We walk onto the set, fully dressed, ready to go.
23:54And we are told exactly what we have to do.
23:57So right there and then, they'll say, OK, these two guys are coming at you.
24:01And we shoot it right away.
24:04That's how...
24:05Oh, my God.
24:06I know.
24:07Super dangerous.
24:08Super dangerous.
24:09But I think that's the way we've always made movies in Hong Kong in the 80s.
24:14Because that was how it was.
24:16And Pierce would just come onto the set, fold his arms, watch and go like,
24:20Yeah.
24:21I like this.
24:22So, yeah, he was really, really cool.
24:24He didn't have any feeling that...
24:27And I...
24:28And it's true.
24:29You're James Bond.
24:30Who's going to take that away from you, right?
24:31Totally.
24:32Yeah.
24:33So, we had a great time.
24:34Because, Rosamund, am I right that you didn't know a lot about Bond before?
24:37No.
24:38I mean, this story makes me sound like an idiot.
24:40LAUGHTER
24:41I was so young, but that's very sweet of you.
24:44It's not really an excuse.
24:45LAUGHTER
24:46Yes, I hadn't...
24:47No, yes, I hadn't...
24:48I hadn't seen a Bond film when I got cast.
24:50Is that because...
24:51Your parents were very protective.
24:52They thought they were too...
24:53We didn't have a television.
24:54OK.
24:55Weirdo.
24:56LAUGHTER
24:57She grew up in a cabin.
25:01LAUGHTER
25:02It's lovely.
25:03It's really nice.
25:04It's not committed at all.
25:06She lives off-grid in Prague.
25:12But then you got invited to...
25:14To audition, yeah.
25:15Yeah.
25:16And they said, you know, just wear, you know, some of your own clothes,
25:18you know, some business attire and an evening dress.
25:22And I didn't have...
25:23Well, I didn't have business attire, so I had to go to my neighbour
25:25and borrow that.
25:27But I did have evening dress, because my mother was a...
25:29Was a...
25:30Was a singer.
25:31So she had a great sort of 80s evening dress made by my
25:34grandmother, which was beautiful, kind of big silk taffeta,
25:37you know, like a peacock.
25:39It had huge roses on it.
25:40I thought the roses were a bit much, so I took them off.
25:43Anyway, I arrived with this dress in its huge bag, you know,
25:46at the...at the audition.
25:48And the costume designers and Barbara Broccoli looked at this dress
25:50and they said, well, that...
25:52That is a very, very beautiful dress.
25:54But Bond girls wear things more like this.
25:58And they held up what looked like, to me, like five pieces of string.
26:02That's true.
26:04And I realised then that I had a whole education yet to happen.
26:09But you got the part.
26:10I did.
26:11Well, they thought, we've got to teach this poor girl something.
26:13Listen, you can see Michelle in Wicked For Good from the 21st of November.
26:19November.
26:20Yeah.
26:21Meanwhile, Rosamund Pike's latest movie offering is Now You See Me Now You Don't.
26:28It's in cinemas from the 14th of November.
26:30That's next Friday.
26:31So, yeah.
26:32So, this is the third outing in this series of kind of magicians,
26:38kind of Robin Hood magicians who do these big heists.
26:41Yes.
26:42So, how do you fit into the world?
26:44Has anyone seen the Now You See Me movies?
26:47CHEERING
26:48They're gorgeous.
26:49They're gorgeous movies, which is why I wanted to be part of it.
26:51It's a group of magicians who are a motley crew, a kind of motley family,
26:55a dysfunctional family, if you were.
26:57And they set out to tear down some of the nastiest people on the planet
27:03and redistribute their wealth.
27:05People who've earned wealth through very, you know, nefarious methods.
27:11And I play one of those people.
27:13It's my villain era.
27:14LAUGHTER
27:15And I play a diamond heiress who's heiress to a diamond mine.
27:20She's South African and she's definitely trading with people she shouldn't.
27:25Her diamonds are covered in blood.
27:27Her money's covered in blood.
27:28It's all the nasty stuff.
27:29I love her name.
27:30And we will relish.
27:31Tell us her name.
27:32Her name is Veronica van der Berg.
27:35Or Veronica van der Berg.
27:37If we're South African here.
27:40But listen, we have a clip.
27:43This is you as Veronica van der Berg showing off your diamond
27:46to one of the four horsemen played by Jesse Eisenberg.
27:49The wonderful Jesse Eisenberg.
27:50Now, a wise man once told me, in the mirror in fact,
27:53never assume you're the smartest person in the room.
27:56Prove it.
27:57Be my guest.
27:59All right, well, let's see if we can get that case open.
28:01Abracadabra.
28:03Huh.
28:04Nope.
28:05Alakazam.
28:06Wait.
28:07Open Sesame.
28:09Still safe with me.
28:18Relax.
28:19Relax, Veronica.
28:20Now, as your ads like to remind us, diamonds are forever.
28:25Oh.
28:26Oh.
28:27Oh.
28:28Now, Rosalyn, you are known for doing research for roles.
28:34So how do you get into this?
28:37Did you kind of meet people who own incredibly big diamonds and things?
28:41Well, I tried.
28:42I mean, I tried to meet all the people who deal with, you know,
28:45in the arms trade and who sort of fund small wars.
28:49I mean, I really tried.
28:50I tried to.
28:51I'm playing a horrible person.
28:52Wow.
28:53Would you like to meet me?
28:54Would you like to be my muse?
28:56Can I take you out for lunch and ask you all about the nefarious dealings you do?
29:00And, of course, everyone I managed to find was utterly reasonable,
29:05very kind of ethical, and that was just not what I wanted.
29:08So I knew that within about five minutes of meeting them and thought,
29:11now what do I talk about for the rest of the lunch?
29:14Because, you know, all I'm interested in is how you do this job,
29:17how you do ill in this business.
29:19Yeah.
29:20Which, of course, you know, for all I know, they were my character
29:23and they were just hiding it.
29:24Oh.
29:25But, you know, maybe.
29:26Well, weirdly, someone who does know about the whole jewellery industry
29:29is Jack Whitehall.
29:30This is so weird.
29:31What?
29:32What?
29:33Didn't you do...?
29:34Oh, no.
29:35No, didn't you...?
29:36No, I did an event recently.
29:37Yes.
29:38The Louvre?
29:39No, it wasn't the Louvre.
29:40It was big.
29:42Your new year did not fall off.
29:45It was so bad.
29:46That's a good one.
29:47I was doing this thing, I was booked to do the jewellery awards,
29:50the Grand Prix de la Haute Jewellery in Monaco,
29:53and it was full of French speakers.
29:55It was like the sort of Oscars of jewellery.
29:57They booked me as host for some reason, and I was like,
30:01what the hell am I going to talk about at jewellery awards?
30:03And then it was the same week as the Louvre heist.
30:05So I was like, oh, my God, thank you, comedy gods.
30:08Like, there's my monologue.
30:10I turn up to this event, it was all French speakers.
30:13I was the only person speaking English on the stage.
30:16The woman that came out before me was like the Anna Winter of jewellery,
30:20and she gave a speech in French that obviously I did not understand,
30:23but I was subsequently told that in the speech she had said quite
30:27earnestly that the Louvre heist was one of the most tragic things
30:30ever to happen to the French people and that the nation would rally
30:34together and get through this difficult time.
30:37Ladies and gentlemen, Jack Whitehall.
30:39I walked out in a high-vis vest with a load of prop jewellery
30:44that I bought on Sheen.
30:46I was like, right, who wants Napoleon's tiara?
30:48Fucking tumbleweed.
30:50Oh, right on my arm.
30:54It was...
30:55Oh, no.
30:56That is amazing.
30:57Oh.
30:58I think I said the word heist five times in my monologue,
31:04which it turns out at jewellery awards saying heist is like shouting
31:07bomb at an airport.
31:08It was horrendous.
31:10I love that thing that came out a couple of days ago,
31:13that their security password is Louvre.
31:18Really?
31:19Probably with a zero instead of an O.
31:21No, no.
31:22Not even an exclamation mark at the end.
31:24Just Louvre.
31:25Louvre.
31:26Yeah, got it.
31:27Reminded that Now You See Me Now You Don't,
31:29that opens next Friday.
31:31But...
31:34If psychological thrillers are your thing,
31:36Jack Whitehall brings us a new series.
31:38It's called Malice, and it's out on the 14th of November
31:41on Prime Video.
31:42And here is a bit of the trailer.
31:48Hi, you must be Jamie.
31:49Yeah.
31:50Adam.
31:51So nice to meet you.
31:52Oh, man, he showed up.
31:53Imagine me and you, I do.
31:56You're here for the kids?
31:57Yeah.
31:58I'm pre-lating, really.
31:59God, I'd see how the other half live.
32:00Well, welcome to our vacation.
32:02I believe that's our song.
32:04So happy together.
32:07Sorry.
32:10I see what you mean about him.
32:14He cooks.
32:16He actually plays with the kids.
32:21There's something...
32:22Something what?
32:23I don't know.
32:24Go on, then.
32:25What is the worst thing you've ever done?
32:27I was saying to you backstage, Jack, this is so impressive.
32:36It's a really different sort of role for you.
32:38So tell us who you play, what's going on.
32:40Yeah, so I play Adam, who is this very charming Manny tutor
32:45that's invited into this wealthy family's home to look after their kids,
32:50but he's got an ulterior motive and is sort of hell-bent on getting
32:55vengeance on David Duchovny's character, who plays the sort of
32:58patriarch of the family.
33:00And it is properly, it goes to really dark places.
33:03Yeah.
33:04I mean, it's kind of got a White Lotus-y vibe.
33:06There's a little bit of, as Rosman was saying backstage, wealth porn.
33:09LAUGHTER
33:11It's definitely a bit of that sort of, you know, glamorous, you know,
33:14picturesque Greek island and all of that.
33:17But then, yeah, it's got a kind of talented Mr Ripley vibe as well.
33:20Yeah.
33:21This cuckoo-in-the-nest thriller.
33:22But, yeah, for me it's just a completely different part to anything
33:25I've ever played before because I'm playing a proper villain in it
33:28and, yeah, it was really fun.
33:31And now there's quite a lot of sexy time in Malice.
33:35There's a little...
33:36Yes, my character is also sexually quite adventurous.
33:40Oh, yes.
33:41And...
33:42Episode two, everybody.
33:43Yes, episode two.
33:44Episode two.
33:45In the second episode he attends a sex club
33:49and participates in an orgy.
33:52Oh, wow.
33:53Of the homosexual variety?
33:54Well, I think it's all welcome.
33:56Every variety.
33:57Everyone's welcome, yes.
33:58A phrase just came into my head there that's definitely
34:01not appropriate for a television show.
34:03We can cut it out afterwards.
34:04Any holes of gold.
34:05No, I...
34:06Please do.
34:07And please do.
34:08Anyway...
34:10Oh, God.
34:11My mum and dad are in tonight.
34:12I, er...
34:13Right, so, yes, he goes to an orgy.
34:16And I read that on the page and I was like, oh, you know,
34:18in my head it's like sort of eyes wide shut,
34:20it'll be quite erotic.
34:21Far from erotic.
34:23We filmed it at eight o'clock in the morning on a Tuesday
34:26in a strip club in Watford called Beavers.
34:28LAUGHTER
34:30And I was there with a lot of other people
34:33and there was one gentleman in particular
34:35who I had to have quite a lot of intimacy with
34:37and he was, er, not a Bond girl.
34:40He was a middle-aged man from Hemel Hempstead called Jeff.
34:44LAUGHTER
34:45He was stood there with like a cushion strapped round his midriff
34:48and the actual intimacy with him was quite awkward
34:52but the most awkward bit was like the breaks in filming
34:55when there was like a little pause and then we had to...
34:57Yeah, the chit-chat.
34:58Yeah, the chit-chat.
34:59Yeah, yeah, yeah.
35:00During one of the breaks of this very intense scene,
35:02he genuinely turned to me and went,
35:04Jack, I hope you wouldn't mind but could I get a selfie?
35:07LAUGHTER
35:08I was like, er, yeah, maybe we could wait till after the orgy.
35:12LAUGHTER
35:13It's not orgy etiquette to have a selfie.
35:15He was like, it's just that my son's a really big fan of yours.
35:18LAUGHTER
35:19I thought he fucking won't be when he sees this.
35:21LAUGHTER
35:23Malice starts next Friday.
35:26Jack Whitehall, everybody!
35:27CHEERING AND APPLAUSE
35:29OK, it is time to meet our music guest tonight.
35:34This man has won four Grammys and seven Brit Awards
35:37and is one of the biggest names in pop music.
35:40Please welcome Mr. Ed Sheeran!
35:42Here he comes!
35:43CHEERING AND APPLAUSE
35:45CHEERING AND APPLAUSE
35:47CHEERING AND APPLAUSE
35:49CHEERING AND APPLAUSE
35:51CHEERING AND APPLAUSE
35:53CHEERING AND APPLAUSE
35:55CHEERING AND APPLAUSE
35:57There you go.
35:58Yeah, it's Ed Sheeran.
35:59CHEERING AND APPLAUSE
36:01CHEERING AND APPLAUSE
36:02You're good.
36:03I'm good.
36:04Excellent.
36:05Now, do you know Glendo?
36:06No.
36:07No?
36:08Oh, well, now you do.
36:09I know who he is.
36:10Oh, Ed Sheeran.
36:11Not as close as me and Jack, but we'll get there.
36:13LAUGHTER
36:14Were you in the orgy as well?
36:15I was, I was.
36:16LAUGHTER
36:17It's a busy time, yeah.
36:19I'm still left out.
36:20LAUGHTER
36:21It'll be season two, don't worry, Ed.
36:23Michelle Yeoh, a big Ed Sheeran fan.
36:26Big fan.
36:27We've met before, yeah, yeah.
36:28He met at the Met Gala, you were so sweet.
36:29Oh, you too.
36:30You were with Stella.
36:31That was a mad night.
36:32It was the first time I'd ever been to anything like that
36:34and it was like, you know, you go in on your own
36:36and suddenly there's just everyone you've ever seen, ever.
36:39Wow.
36:40Is that the first Met Gala you've been to?
36:42Yeah.
36:43I don't know, I'm kind of like, I feel like I've done it now.
36:45You know, it was like, there was a curiosity.
36:47Yes.
36:48And it was fun.
36:49You could walk up to anyone.
36:50No-one had any entourage, so you could just walk up to anyone.
36:53Sounds like my orgy.
36:54LAUGHTER
36:55But he had a beautiful suit on, OK?
36:57Yes.
36:58Yeah.
36:59Nice.
37:00Not just a cushion.
37:01LAUGHTER
37:02For the cushion.
37:03LAUGHTER
37:07Have you been...?
37:08Is that what it was for?
37:10LAUGHTER
37:11Have you been back to Beavers since?
37:13No.
37:14Do you know it?
37:15I think it's amazing that there's a strip club called Beavers.
37:18You're called Beavers.
37:19LAUGHTER
37:21I love that.
37:22Now, we're very excited, Ed, because you are performing for us tonight.
37:25I hope so.
37:26Yeah, no, you are.
37:27I hope so.
37:28We all hope so.
37:30There's a lot of likes over there.
37:32Something better happen.
37:33What are you performing for us?
37:35Playing a song called Camera.
37:36Ah, OK.
37:37Whoa!
37:38That is off the album Play, but now Play is out in a deluxe.
37:42You've got the new version.
37:43Yeah, this is the deluxe one.
37:44It's out on the 28th of November.
37:46And it's sort of like, it's almost like a coffee table book.
37:48It's gorgeous.
37:49Yeah, do you know what?
37:50There was a few, like, iterations of this record.
37:53I did a lot of, like, exploring musically and different things.
37:57And then I ended up just moving to India for a bit
38:00and making the record there and finishing it with, like,
38:03amazing Indian musicians and producers and translators
38:06and blah, blah, blah.
38:07But there was, like, a good two months where I made a load of songs
38:11with Dave as a producer on this, but they sort of live in their own world
38:15but they didn't necessarily live, so the iterations of the record
38:19are essentially the extended version of this.
38:21Now, this one's called Play, and we know, you know,
38:24a lot of your album titles were kind of the mathematical symbols,
38:27multiplied, blah, blah, blah.
38:28So, Play, is this a new era?
38:31Yeah, so this, I kind of see this as it's called stereo.
38:34It would be like play, pause, rewind, fast-forward, stop.
38:37And I don't want to bring everyone down, but you have already got
38:40a plan for a posthumous album.
38:42What?
38:43Yeah, I think that's just sensible.
38:46I've had friends die without wills and it's fucking chaotic
38:49and all I'm saying is I have a plan for when I pass away.
38:54I know what songs I want at my funeral, I know where I want to be buried.
38:57I think that's a sensible thing to have.
38:58And there's so many...
38:59Ed, you're very organised.
39:00I don't know, but I think that there's a lot of posthumous albums
39:05that have come out of artists that we know and love
39:07that I don't know if they'd have wanted them out in that sequence
39:11or the mixes of it or blah, blah, blah.
39:13So, all I'm saying is when I pass away, the thing that comes out
39:17is the thing that I want to come out.
39:18And has that album got a title?
39:20Eject.
39:21What?
39:23Eject.
39:24That's amazing.
39:26What does that tour look like?
39:31What, the Eject tour?
39:33Yeah.
39:34I don't know, maybe I'll just be putting formaldehyde
39:35and just sort of taking down places.
39:37Ed, listen, very exciting.
39:38We must mention the documentary film One Shot.
39:41This is going to be on Netflix.
39:43It's directed by Philip Barantini.
39:45Yeah.
39:46He's the man who directed Boiling Point and Adolescence.
39:49So, One Shot is the thing.
39:51So, what is your One Shot, Ed?
39:53Well, I think, I honestly think that this is the best thing
39:56that I've done in my childhood.
39:57I love it.
39:58I love it.
39:59It was, while I was doing it, I kept looking at Phil being like,
40:02you're mad.
40:03The fact, what his mind does, like the fact, it was one camera
40:07and we start in a venue and then we go out the venue
40:10and bear in mind it's all live, there's no like extras,
40:13it's just people that we meet on the street.
40:15And by, we did three takes and by the third take it was like chaotic,
40:18people knew that we were doing it, we couldn't really like move around.
40:21But we go from the stage into a taxi, we then drive in the taxi
40:25to the High Line and then we walk across the High Line
40:27and then we play a gig, all playing songs as we walk
40:31and then we get on the top of a bus and the bus gets,
40:34there's a traffic jam which we didn't like take into account
40:38and then I get off there and then I go into a hotel,
40:40we go up to the top of a hotel, they then put the camera on a drone
40:43which flies down as I'm performing and then I run across to an Irish bar
40:46and then I leave the Irish bar and get in a car and then I drive from the car
40:50to the subway then I get on the subway, travel, then play another song
40:54walking to the venue and then play a gig.
40:56It is, it's mad, like really really mad.
40:59I love it, we've got a clip, this is, I just love this, this is very near the end.
41:03Yeah.
41:04So this is, you're in a shop, you're buying a hat
41:05and then you're walking out towards the venue to start your gig
41:09and so this guy didn't know you were coming into the store.
41:12Well this is the second time we shot it.
41:14Oh I see so he knows.
41:15He was aware this time.
41:16Okay.
41:17But we did one that was like a rehearsal that went terribly wrong.
41:20And then you were singing the whole time.
41:22Yeah.
41:23These guys were on the subway with us beforehand and they would just follow us.
41:26Oh they followed you, yeah.
41:27And so this is the, you can see the theatre, you're just approaching the theatre now.
41:30And then at some point someone says hurry up.
41:33I'll leave it all for you in time.
41:35Hurry up.
41:36Hurry up.
41:37Am I on time?
41:40Am I good?
41:41On time?
41:42Yep.
41:43Cheers mate.
41:44And this is the theatre you left an hour before.
41:47Yeah and then they filled it with 2,000 fans within, within the hour.
41:51How you feeling?
41:52Yeah, yeah, yeah, great.
41:53Crowd good?
41:54Alright.
41:55Great.
41:56I love this, here we go.
42:01It's not wild.
42:06I know, it's great, it's so good.
42:21I love it.
42:22I genuinely think that's the best thing I've ever been involved in in my career.
42:28Well listen, seeing you walking to that theatre has got us all in the mood for hearing you sing.
42:33Right.
42:34So if you'd like to head over to the stage.
42:36There goes Mr Ed Sheeran.
42:41He's approaching the stage, he has arrived.
42:45Here, performing camera, it is Ed Sheeran.
42:50You should see the way the stars illuminate your stunning silhouette.
43:05You're glowing in the dark.
43:08I had to count to ten and take a breath.
43:12You think that you don't have beauty in abundance, but you do.
43:20And that's the truth.
43:25You're frozen in motion, a perfect picture in a frame.
43:32Some visions don't ever fade.
43:37I don't need a camera to capture this moment.
43:43I remember how you look tonight.
43:47For all my life.
43:50When everything is black and white, your color's exploding.
43:56There's something in the way you shine.
44:01I don't need a camera when you're in my eyes.
44:09You should see the way this night is unfolding beautifully for us.
44:15It's getting late, but I don't mind.
44:18We'll take this in until the sun comes up.
44:22And I think that what we have is like every dream I had came true.
44:30Lying here with you.
44:35A photo could not show the way my heart is beating big.
44:42Some visions don't ever fade.
44:46I don't need a camera to capture this moment.
44:52I remember how you look tonight.
44:56For all my life.
44:59When everything is black and white, your color's exploding.
45:05There's something in the way you shine.
45:09I don't need a camera when you're in my eyes.
45:16And in a flash it's gone.
45:18But I'll keep holding on.
45:21To every little detail in the fabric of the night.
45:24Never letting go of it inside.
45:28I don't need a camera when you're in my eyes.
45:29I don't need a camera to capture this moment.
45:43But I remember how you look tonight.
45:47For all of my life.
45:50my life
45:51When everything is black and white your colour is exploding
45:56There's something in the way you shine
46:01I don't need a camera
46:05When you're in my eyes
46:10Wow!
46:14Ed Sheeran and the Flames Collective
46:19Youth Choir, come on back Ed!
46:23Such a lovely job, thank you so much
46:26The Flames Collective Youth Choir
46:28How gorgeous were they?
46:30I feel I'm regretting
46:32Sit where you land, sit where you land
46:35That choir, so lovely, Flames Collective Youth Choir
46:38Yeah, so good
46:39Well thank you very much guys, thank you so much
46:44And
46:46Talking of young performers, Ed Sheeran, you've had, this sounds unlikely, you've had a busy week in Parliament
46:52Yeah
46:53Tell us what happened
46:55I wrote Keir Starmer a letter because I feel like the arts in general but in schools have really been like underfunded and cut over the last, well ever since I was a kid
47:08And I feel like, I went to a state school in Suffolk and my music teacher was fantastic and I feel like he is one of the reasons why I am where I am
47:19And we were just sort of rapidly losing that and I feel like as a country, like yes we have a lot that we offer as a country but the thing that we're most proud of, like that we're really proud of everywhere we go around the world is our art, it's our painters, it's our filmmakers, it's our actors, it's our musicians, it's our poets and comedians
47:41No but seriously, but the arts, and it's the thing, you know
47:47I wasn't even mentioning television
47:49If, er, you know, and also not just that, like financially it brings 7.6 billion music alone into the UK economy
47:59And so to, like, defund all of that and then wonder where the next generation of, like, art is going to come from
48:06And, you know, so I wrote a letter to Keir and I said, er, for one thing there's a thing called e-back that was put on music that basically
48:14It made it the DOS subject that if people took it wouldn't count as much for universities and blah blah blah
48:19So I asked for that to be removed, I asked for funding to be put into underprivileged schools for, for music
48:24Erm, I asked for the curriculum to be changed so it wasn't so classically focused
48:29It could be, like, pop music or it could be rock music or it could be things that make kids want to go
48:34Do you know what? I want to learn a Taylor Swift song
48:36Not, I have to learn Bach and be able to read
48:38Because that, that's not the way that I learnt music
48:40So, I asked for curriculum change and I asked for, erm, instruments to be bought for schools
48:46And I sent this letter maybe, like, eight months ago
48:49And I just thought it, he'd just read it and gone, do you know what, like, I'm in enough shit at the moment
48:54Erm, but I got a letter back from him, maybe two months ago
48:59Just basically saying, thank you for your letter, I'll have a think about it
49:02And that was kind of it, and then about two, three days ago
49:05They said, oh, they're going to bring it up in Parliament
49:08And he approved it, and it's, yeah, it's gone, it's gone, yeah
49:12And it's like, that's so, that's amazing
49:17Yeah, I think it's like, it's the first, it's the first step in a lot of, erm, a lot of things
49:23I think that, erm, Keir Starmer has listened to the first step
49:26That my foot's in the door now, and then I can continue badgering him
49:29Er, Ed, thank you for caring, and for kids up and down the country
49:32Thank you for that, always a treat to see you
49:35And thank you for that amazing performance, Ed Sheeran, everybody
49:38CHEERING AND APPLAUSE
49:41That's it for tonight, no time for Rick
49:43Cheers, if you're afraid, so please say thank you to the rest of my guests
49:45Jack Whitehall
49:47CHEERING AND APPLAUSE
49:49Rosamund Pike
49:51Michelle Yeoh
49:53CHEERING AND GLENN POWELL
49:56CHEERING AND APPLAUSE
49:58Next week is children in need, so we won't be here
50:00But do join me the Friday after that with the music from Sombre
50:03Oscar-winner Divine Joy Randolph
50:05Comedy genius Ben Stiller
50:07And the stars of Song Song Blue, Kate Hudson and Hugh Jackman
50:10I'll see you then, good night, everybody, bye-bye!
50:12CHEERING AND APPLAUSE
50:18The highs and lows of being in a girl band
50:21Fame at an early age, frank and honest accounts
50:24Press red for Girl Bands Forever on BBC iPlayer
50:27And that's the WC iPlayer
50:28Who will see the most the most the most the best
50:30The highs and lows of being in the VWC iPlayer
50:33People are back in the期待
50:35The highs and lows of the
50:44The highs and lows of the lows of the day
50:46Have a boy!
50:47I have no idea!
50:48How long is the beginning of 나�worth
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