- 8 hours ago
Lud Zbunjen Normalan (252 Epizoda) S10.E12 ∙ Dobro je tesko vidjeti, a lako se spozna
Lud Zbunjen Normalan (252 Epizoda) S10.E12 ∙ Dobro je tesko vidjeti, a lako se spozna
Lud Zbunjen Normalan (252 Epizoda) S10.E12 ∙ Dobro je tesko vidjeti, a lako se spozna
Lud Zbunjen Normalan (252 Epizoda) S10.E12 ∙ Dobro je tesko vidjeti, a lako se spozna
Lud Zbunjen Normalan (252 Epizoda) S10.E12 ∙ Dobro je tesko vidjeti, a lako se spozna
Category
😹
FunTranscript
00:00The first time I give up is to say,
00:07I felt that I would like to say,
00:12I felt that I would like to tell you that
00:15I would like to tell you,
00:21I would like to tell you something more
00:23than you have to say,
00:25Come on, friend, tell me another story about your journey.
00:30Tell me, what country do you want to tell me?
00:34You say that in London, no one knows how to break the ski.
00:38Not to break the ski.
00:40We're going to eat, we're really complicated.
00:44What are we complicated?
00:45We're not. We speak the same language.
00:49We call them the Serbian, the Croatian, the Crnogorsian, the Bosnian.
00:54The best would be to call him Maternji.
00:56What is Maternji, my best friend?
00:59What is that, Latvara?
01:01Do you live in English and speak English?
01:04Yes.
01:05Do you live in French and speak French?
01:08That's right.
01:09We live in Maternoj, so we can speak Maternji.
01:14There's a logic.
01:17You can see how it is.
01:19Stop.
01:20That's right, Meho.
01:22You've been a powerful and confident voice.
01:26You're the best voice between the water installers.
01:29Listen, Faruk, I'm not an installer.
01:32I'm a fan of a wide range of attention.
01:35Thank you very much.
01:37Thank you very much.
01:38Hey, great voice.
01:40Do you want this Jukebox to play today or not?
01:42I want, but I don't know.
01:44I don't know where to play, but I don't know how to play with Hopkins.
01:47Who is Jukebox?
01:48I've got a Jukebox.
01:51Here we go.
01:52Oh, you see?
01:54He's a good retro foe.
01:57This is Faruk, the Jukebox who is a living guy.
02:00I know him.
02:02He has a soul.
02:04Jukebox has a soul.
02:06When I tell you, if you look at him, you don't work.
02:09You have to be a little bit, and then you work like a guitarist.
02:13Look.
02:14Come on, Mare.
02:15Sing.
02:16What's your account to play with Jukebox?
02:20There's no account, Faruk.
02:22If you wanted me to kill, Mare, let me let me let me let you let me let you let me let me let you let me let me let you let me let me let you let me let.
02:28Not Faruk.
02:29Two marque songs.
02:30No, I have to give you two marquees to listen to Stonce.
02:34Ma, dosta si ti mene maltretirao za džaba, znaš.
02:36Puno je meni kapa tvojih muzičkih želja.
02:38Ma, nemoj, ja baš imam istan čan osjećaj šta Raja u kafaniju hoće da sluša.
02:45Uff.
02:46O, o, o, o, o, o, kako ti ovo sranje?
02:50Udaj, pusti jako normalnu muziku, pusti Stonce.
02:53Što je šta, fali ovo me?
02:55Ma, daj, ima me hundred u glavu.
02:57Pusti Stonce kad ti kažem.
02:59Raja, Raja, Stonce, Stonce.
03:04Stonce, Stonce, Stonce.
03:06Faruk, ti si bio tad tako pjan, ko letva.
03:10I tebi je to tako samo izgledalo u tvojoj glavi,
03:12ali to nalik tome se to nije desilo.
03:15A, ba, šta je, Marija, kako ti ovo sranje od nozike?
03:20Daj, pusti nešto normalno, pusti Stonce.
03:24Nemam ja hundred u glavu.
03:26Što šta, fali ovo me?
03:28Što šta fali ovo, Raja.
03:30A, ajmo svi, ajmo, Stonce, Stonce, Stonce, Stonce, Stonce, Stonce, St-si.
03:38Ma, nije tačno, ja to nemam uopšte u svojoj memoriji.
03:42Vjerujem ti da nemaš u memoriji.
03:43Ma, slušaj, neće Mariju više nikom altretirat sa muzikom.
03:48Ubaciš dvije markice pa slušaš šta hoćeš.
03:50U što hoćeš ti da ja sad dam dvajest Maraka da bi presušlo album Stonza?
03:56Meho, može li se taj džuboks našteliti da neke pjesme koštaju više, a neke manje para?
04:03Ma, more, mare, šta god, kako god i koliko god oćeš.
04:07E, odlično.
04:09Namislit ćeš mi da svi izvođači koštaju Marku i po, a Stonzi pet Maraka.
04:17Aha, pa ti, bujrom.
04:38Šta ti bi?
04:42Šta je? Šta je? Šta ne gledaš tako?
04:47Ko da nikad nisi vidio nekog da lače, ja?
04:51Nikad nisi ni vidio da neko lače tako temeljto kot ti.
04:55Šimo mi sad nikakve vaspitne, molim te.
04:58Dobro, sene, neću, ali ja bih chio znat šta je uzrok tvog temeljtovog alkoholiziranja.
05:05Život.
05:06Život. Život!
05:08Well, my friend's life was crazy, it wasn't anything new.
05:12Yes, now I got into the club, I got into it.
05:16Well, my dear, I got married and I got married and I got married.
05:23My father was very happy, and I would love to be happy.
05:30I would love to see a woman who would be doing good and good.
05:35Good, good.
05:38Where are you?
05:40Where?
05:41Where is it?
05:43Where is it?
05:46It's not this...
05:48It's like a angel.
05:54Yes.
05:55She is one of your rare women's men who doesn't have any value.
06:00You and the little girl, you and the two of you.
06:05You are one of the people who don't have the right to talk about it.
06:09You and the two!
06:12You are all you have done by me and working on me.
06:16All of you!
06:18Dad, I will take it. Dad will be sure he will come.
06:21Take it, son.
06:23Don't forget the drugs.
06:25Here we go.
06:27Let's go.
06:29What are you giving him?
06:31What is it like?
06:32My friend, he is asking for therapy.
06:36You know, we are learning how we are with Faruk.
06:40We have to put him in the food.
06:42We find him.
06:44Therapy?
06:46Why does Faruk need therapy?
06:48You don't know.
06:51You know, Faruk has this.
06:53I'm sorry that he doesn't have Dr. Djeđimilovic here.
06:56That he will explain.
06:58Faruk is his patient.
07:00For us, the next factor is a disease.
07:03We have it in the genes.
07:05No.
07:06He has a paranoia on him.
07:08But Faruk is good.
07:10He is good when he takes care of therapy.
07:12Today's treatment is great.
07:16I can't believe it.
07:19I would never say that...
07:21I don't care.
07:23I don't care.
07:24He is good.
07:25He is great.
07:26He is great.
07:27He is great.
07:28Just...
07:29Just...
07:30Just...
07:31Just...
07:32Just...
07:33Just...
07:34I don't care, son.
07:35You know that it is a disease.
07:37Yes.
07:38It is a disease.
07:39But...
07:40What?
07:41He is not a disease.
07:42It is not a problem.
07:44You don't care.
07:45I think...
07:46When I go out, I will finish it.
07:47I will finish it.
07:48I will finish it.
07:49I will finish it.
07:50I will finish it.
07:51I will finish it.
07:52My dear, I knew you were so tired.
07:54And that you are not able to find other women.
07:57I will never be able to find a woman.
07:59I will never be able to find a woman.
08:00Stop it.
08:01Stop it.
08:02Stop it.
08:03Stop it.
08:04I will do it.
08:05But I am ready to do whatever you want.
08:08You will only return to the woman.
08:11My dear, my dear, that is...
08:14... a story of a crazy story.
08:16I am to give you the truth over the years...
08:19... and bring the experience to you...
08:22... when you do not listen to anything.
08:24What would I say to you?
08:26Is that your Christian shit and how women are used to?
08:32Yes, I would know anything.
08:35You would know anything.
08:36What would you know?
08:37I would know the foundation.
08:38What is the foundation?
08:40The foundation of each woman's foundation.
08:44I've told you a million times a million times.
08:48Let's say the foundation of each woman.
08:54What is the foundation of the world?
09:00Where are you?
09:02What is it?
09:04What are you saying?
09:06What are you saying?
09:08I asked you what is the foundation of all these things.
09:12I pray for concentration.
09:14Let me tell you.
09:16I've opened my eyes.
09:18Listen.
09:20When women are asking the foundation,
09:22the foundation is not as many people think,
09:26be rich, famous, handsome, handsome, handsome.
09:30No.
09:32It was never the foundation.
09:34They have sex.
09:36They have sex.
09:38They have sex.
09:40They have sex.
09:42The foundation is the foundation of the woman's heart.
09:50What do you think?
09:52My strength.
09:54There are no women who won't let them in the end.
09:58You can be enough.
10:00You're right.
10:02I'm going to try again.
10:04I'm going to the jukebox.
10:06I'm going to go to the jukebox.
10:08I'm going to go to the tifu.
10:10My God.
10:12That was our old song.
10:14We'll see if it's going to be stressed.
10:16And that was the majority of you.
10:18We're out.
10:20And I'm going to ask you.
10:22Have a great day.
10:23I'm going to have a great day.
10:24But I'm up to the tifu.
10:26I'm going to have a great day.
10:28And some of the tifu, and a half of three.
10:30I have to go to Milena's coffee with you.
10:37I love you.
10:41I love you, my brother.
11:00I love you.
11:19I love you too.
11:24There's nothing wrong with it.
11:27I don't know if they're going to eat meat.
11:31I don't want to eat meat.
11:34They don't want to eat meat.
11:37It's just for the siphon and sajli.
11:40Maria! Maria!
11:43Come back to Marko Ipo.
11:45I'm afraid that the return of the money
11:47won't fall into the politics of this party.
11:51How is the politics of Marko Ipo?
11:54He's looking for the song and he's looking for the song.
11:57That's interesting.
11:59But the song is going.
12:01They're going to eat meat.
12:03Don't forget it.
12:04It's very simple.
12:05You have to eat Marko Ipo to eat meat.
12:08You're going to eat meat.
12:10You're going to eat meat.
12:11You're going to eat meat.
12:14There's no logic.
12:21You're going to eat meat.
12:22You're going to eat meat.
12:27You're going to eat meat.
12:29You look at him.
12:31You're going to eat meat with my dog.
12:34Bye.
12:35How's it going?
12:36What's up?
12:37I'm looking for a drink.
12:38How's it going?
12:39What's up?
12:40Well, last night he's been at the restaurant.
12:42Yeah, I'm looking for aghani.
12:44What are you doing, little boy?
12:46What am I doing? You can see that I've done a beer.
12:49Great. Put it on the stove, put it on the door and turn it on.
12:53What am I doing? Barbara comes to the beer.
12:55Oh my god, Milena comes to the beer.
12:58There's no theory that Barbara and I will be with you at the same time.
13:02Barbara is running, tells Milena to not come.
13:05Oh my god, Milena is running, but I don't know why she's not here.
13:09Nothing good is to take a seat and take a seat somewhere.
13:12Where are you?
13:14Where are you from?
13:16Who is the oldest in this house?
13:18Barbara and me, we drink coffee and coffee.
13:20Okay, you have to drink coffee.
13:22You will be with us.
13:24You know what, we want to take a seat.
13:26And you don't have anyone?
13:28No, no, no.
13:30Vesna?
13:32Vesna, no.
13:34I don't have to go clean.
13:36Maria?
13:38I don't know what her name is.
13:42I believe that we're all together.
13:44Certainly.
13:46Certainly.
13:47A very brave and wonderful speech.
13:50I want you to think about it.
13:54Listen, you don't have to say anything from me.
13:58You can think about it.
14:00If you want, you can sit and think about it.
14:03I don't want to wait.
14:05I'm tired.
14:07Well, I promise you.
14:09I'm going to think about it.
14:11Guys, guys.
14:13Guys, guys.
14:14What's up?
14:15I'm Eho.
14:16Jubox.
14:17What's Jubox?
14:18He doesn't work.
14:20What does he do?
14:21He doesn't work.
14:22He doesn't work.
14:23He doesn't work.
14:24He doesn't work.
14:25He doesn't work.
14:26He doesn't work.
14:27He doesn't work.
14:28I'm not so afraid that you have such a bad choice of music.
14:31No, no.
14:32Don't do it.
14:33Whatever you say to me, he doesn't work.
14:36He does work.
14:37He does work.
14:38He does work.
14:39That's it.
14:40You're definitely stupid to him.
14:42I've said that you have to be gentle.
14:44That's how he is.
14:45He's nervous.
14:46He's nervous.
14:47I'll look.
14:48I'll look.
14:49I'll look.
14:50I'll look.
14:51I'll look.
14:52He says he's sitting.
14:53If you don't look, then he's sitting.
14:56I'll look.
14:57I'll look.
14:58Who is Verica?
14:59I don't know one of you.
15:00It's not really important.
15:01Oh, look.
15:02Look.
15:03Look.
15:04I don't hear it.
15:05Verica and I have been working for a couple of years together.
15:08We've had some mutual dreams.
15:10Then, our life has changed us on different sides of the world.
15:14That's right.
15:15I'll never be the same in my life as I planned.
15:20When a man knows what tomorrow will be.
15:23Verica!
15:24Verica!
15:25Verica!
15:26Verica!
15:27It's so nice to see you, Miho.
15:29Oh, my God.
15:30I'm sorry.
15:31How long has it been?
15:32I've only been 10 years old.
15:34Miho.
15:35You're wrong, Miho.
15:37I tried to go without you, but it doesn't go.
15:40It doesn't go.
15:41It doesn't go.
15:42I tried to go with others.
15:44But, Miho, nobody is like you.
15:47I don't know.
15:48I don't remember.
15:49Try to find someone else.
15:51Miho.
15:52Miho, no one has your hands.
15:54No one knows what you know.
15:56Miho, you're so natural.
15:58I pray for you.
16:00I pray for you once again.
16:02Let's try it together.
16:03Miho.
16:07Miho.
16:08Miho.
16:09Miho.
16:10Miho.
16:11Miho.
16:12Miho.
16:13Miho.
16:14Miho.
16:16Miho.
16:17Miho.
16:18I am nuts.
16:20If you go with me.
16:22If you go with me.
16:23To work on, Miho is having a descub告訴ie.
16:24I, Meho.
16:25You're a weak guy.
16:26This is Meho.
16:28He's a good guy.
16:29That's what I've heard.
16:31A little earlier, he and she were standing there with Shanko.
16:35You wouldn't believe what the girl said all this?
16:39Meho, no one has your hands.
16:42No, Meho, you don't know what you know.
16:45Meho, you're so natural.
16:47I pray for you.
16:49I pray for you once again.
16:51I don't know.
16:52I tried.
16:53I'm not sure.
16:55No, I can't.
16:56This time will be different.
16:57I feel it, Meho.
16:59Meho, I need your hands.
17:02These hands are making magic.
17:04Look.
17:05My fingers.
17:07How do you have 50 fingers?
17:09I know that I have magic.
17:11You have, Meho.
17:12You're 100% magic.
17:14Others don't know.
17:16Nobody knows.
17:17I tried it with others.
17:19Nobody like you.
17:21I don't know.
17:22I don't know.
17:23I don't know.
17:24I don't know.
17:25I don't know if I know.
17:26Let me, Meho, just one night.
17:28You'll be happy.
17:30Really?
17:31When I tell you, really?
17:33I don't know.
17:34Who would say Meho?
17:35I don't think so.
17:36I don't think so.
17:37You know.
17:38It's often a joke.
17:40I don't know.
17:41But now, when you say me,
17:43I kind of see him on the other eye.
17:47I don't know.
17:48He's not a little, but a little bit too.
17:51He's always a...
17:52He's almost a...
17:53He's a lot.
17:54Right?
17:55Yes.
17:56I don't know.
17:57And…
17:58It's like a man's smell.
18:01And it's not a joke, but it's like a human instinct.
18:11Maria, you should have to play a little longer.
18:15I don't know.
18:18What?
18:19The machine is it.
18:21You have to go to the machine to feel you.
18:24You understand?
18:26You're just like a woman with a woman.
18:29You have to.
18:32You have to.
18:33You have to.
18:35You have to.
18:36You have to.
18:37You have to.
18:38You have to.
18:39I know where I am.
18:41And if it doesn't appear, it will be full.
18:45Here you go.
18:47I'll go.
18:49I'll go back and get a second.
18:51Yes.
18:52I'm not a lady, but I thought it was a girl
18:57and this guy is really sexy.
19:01We'll see you tomorrow.
19:02We'll see you tomorrow at the cafe.
19:03sure.
19:04Do you want to go?
19:05We'll see you tomorrow at the cafe.
19:06Tomorrow at the cafe.
19:07We'll have to talk about it.
19:09Bye.
19:11What?
19:13What?
19:15What?
19:17This is not possible.
19:19How can't you?
19:21Oh, my God.
19:23It was a great atmosphere.
19:25It was a great atmosphere.
19:27It was a great atmosphere.
19:29I can't believe it.
19:31I can't believe it.
19:33I can't believe it.
19:35I can't believe it.
19:37I can't believe it.
19:39I thought it would be better for us.
19:41Well, where are you?
19:43Tell me a proposal.
19:45I'm not a proposal, but I'm afraid
19:47that you don't have to deal with them.
19:49You don't have to leave Milena here.
19:51That's right.
19:53You can't.
19:55You can't?
19:57Okay.
19:59You have a compromise.
20:01I'm the oldest one.
20:03I'm looking for a compromise.
20:05I can't believe it.
20:07It will be the same as it was in our old Yugoslavia.
20:13Not that old.
20:14In the past,
20:15the Arabs were involved with the oil.
20:18The Central Committee had to take a couple of days.
20:23Today, you drive with a couple of days.
20:26Tomorrow, I drive with a couple of days.
20:28Wait.
20:29You think Barbara and I will be one day in town,
20:32and the other day, you and Milena?
20:33Well, I have to do it!
20:37Compromise.
20:39Compromise.
20:42Who is going to die now?
20:45Hello?
20:46I'm in the hotel room with Sandra.
20:48How can I take my money?
20:51Hey!
20:52Joe!
20:54Where are you?
20:56Where are you from?
20:57Where are you from?
20:58Where are you from?
20:59Where are you from?
21:00Where are you from?
21:01Where are you from?
21:04Okay.
21:05Let's go.
21:08I'm here.
21:10I'm waiting.
21:12Let's go.
21:13Hello, Joe.
21:17What do you want Joe?
21:18You are coming here today,
21:20you have to say something important.
21:23That's right, Joe!
21:24You want to be quiet!
21:27My God!
21:29What would you call yourself?
21:30Do you think?
21:31I'm thinking?
21:32I'm thinking!
21:33I am!
21:34You are, Joe!
21:35Let me be quiet!
21:36Look at me!
21:37I'm walking up to my feet!
21:39I have to go for the freezer!
21:40I'm going to buy some food.
21:42What's the food?
21:44Faruk, I don't know what I have for myself.
21:48I'm going!
21:49Wait, Maria, who's going to give me a drink?
21:51You don't know where the drink is.
21:53Take it yourself!
21:54Maria, who's going to go to the cafe?
21:57I'm sorry!
21:59Oh, my God!
22:01She really needs a drink.
22:06What's that?
22:10I can drink some wine.
22:14Come on.
22:16Let's drink some coffee.
22:18I'm sorry.
22:20You're so sorry.
22:22You're so sorry.
22:24I'm sure you're going to go to London.
22:26You can't go to the street.
22:28You can't go to the street.
22:30You know what's the best?
22:32The horse on the left side of the street.
22:34What's the horse on the right side of the street?
22:36The horse on the right side of the street.
22:38What's the horse on the right side of the street?
22:39The horse on the right side of the street.
22:41The horse on the right side of the street.
22:43What's that?
22:44You can't go to the left side of the street.
22:45You can't go to the street.
22:46You can only look where you'll fall.
22:48I don't know.
22:50I don't know.
22:51What did I do?
22:53The horse on London when he's all gone to the right side?
22:55Well, my job is good.
22:57He has done several and non-negative horses.
22:59Not many days.
23:01I don't understand.
23:03Eh, now I'll explain your back to you.
23:10Hello, Faruke.
23:14No one else.
23:17Senchi.
23:20How nice to call Senchi.
23:24Where are you?
23:27Of course, when you want to answer.
23:31In the evening?
23:33We'll see you in Sanremo to drink wine.
23:38Let's go.
23:39Hello, my dear.
23:42This evening is my feast.
23:51Thank you, Faruke.
23:53Oh, my dear.
23:55Take a bath.
23:57I can't get my feet.
23:59I can't get my feet.
24:01I'm going to get my feet out of this gravity.
24:03Let's go, Sanka.
24:05Who's going to sit behind the table and have to go?
24:07No, Faruke.
24:09How much?
24:10I've got this.
24:11I've got this, right?
24:12I've got this.
24:13I've got this.
24:14I've got this.
24:15I've got this.
24:16It's very nice.
24:17Tearly.
24:18Maybe he seems to have me to go.
24:19I've got this.
24:20Mr. He's got this.
24:22To, to, to.
24:26This is really nice to see you.
24:30Yes, I'm trying to see you.
24:31I've got this.
24:32There's been a long time.
24:33You've got this.
24:34Now, you've got this.
24:35Really?
24:37But...
24:39Just...
24:43Jole!
24:45What is there?
24:47Okay, you?
24:49Jole!
24:51You told me that you have something important to tell me.
24:55I can't wait for you to hear what is it.
24:59You know, Marija, I'm married in the summer.
25:03And I'm going to invite you to do something.
25:07It would be very nice.
25:13Do you want to marry me?
25:15Of course, I wouldn't marry you.
25:17I thought that Jole must marry me.
25:23I remember that, Faruk,
25:25when Jole called me,
25:27I said that Jole must call me
25:31and tell me to marry you.
25:33Is that right?
25:35Yes, that's right.
25:37Marija said that Jole must come and tell me to marry you.
25:41So, I would like to go to my wedding.
25:45Why wouldn't I go to my wedding?
25:47I would like to go to my wedding.
25:49Juhu!
25:51Okay, then, I'm very happy.
25:53I'm going to go to the toilet.
25:55No, I'm not even in the toilet.
25:59Auuuuu, Marija, my own srotat,
26:03How do I get deceived myself?
26:07What are you doing?
26:09What are you doing?
26:10That's right.
26:11What are you doing?
26:13Why are you doing this?
26:14How are you doing it?
26:16How are you doing it?
26:18I am doing it.
26:20Let's go.
26:21Maria, why wouldn't you tell him that you have a mom and that you are happy with him?
26:28It won't be true.
26:30Where is my mom?
26:31I won't believe him.
26:33I'll meet him with someone.
26:39I'd like to drink some wine, but I have to go.
26:43The war, the organization, all of that.
26:46I didn't know that you are together.
26:51I think that you are together again.
26:53Yes, we are together again.
26:58Julie, do you know how love is?
27:02It's a shame.
27:05There's nothing better than when the old shame starts.
27:09Yes, yes.
27:10When I saw you a little bit earlier, I thought you were not happy.
27:16Oh my God, Julie.
27:19I'm so happy.
27:20I've never been happy.
27:22I'm crazy.
27:23I'm so happy.
27:25We'll see you in the summer.
27:28I'm so happy because of you.
27:30Faruk, the invitation is for you.
27:32Okay, Julie.
27:33We'll throw you on the table.
27:37See you, Julie.
27:39Come on, come on, come on.
27:42Come on, come on, come on.
27:44Faruk, sorry.
27:45Sorry, sorry.
27:46I didn't know what to do.
27:48I was so impulsing.
27:50I didn't want to be worried about you, but sorry.
27:53Maria, we're not sorry for you.
27:55We're friends.
27:56You're my friends.
27:57You've always had my food for you.
27:59I pray, give me a drink,
28:01so we can get married.
28:03Let's go.
28:04Let's go.
28:05Let's go.
28:06Let's go.
28:07Let's go.
28:08Let's go.
28:09Let's go.
28:10Let's go.
28:11Let's go.
28:12Do you say it's a couple days?
28:13Yes.
28:14It's a couple days.
28:15Our situation.
28:16Oh, this isn't good.
28:18What's wrong?
28:19You see?
28:20Every other day I'm shooting.
28:23That means that all the couple days I'm not going to be with you in this month.
28:28What do you think, Farak?
28:30We're not going to shoot today.
28:32No, Samke.
28:33We're not shooting.
28:34We don't have discs.
28:36Why didn't you get discs, mother?
28:38No, no.
28:39No, no.
28:40No, no.
28:41I'm having a free day today.
28:43Tomorrow I'm going to shoot.
28:44Samke, we're only going to hang out.
28:46Tomorrow is a free day, but tomorrow you're shooting.
28:49And then?
28:50You and Barbara don't shoot at the same day.
28:54One day you shoot, and the other day Barbara shoots.
28:57You're going to shoot on the 12th, the 14th and the 16th.
29:02And Barbara will shoot on the 11th, the 13th and the 15th.
29:04Can I?
29:05That's great.
29:06One day I'm shooting, and one day I'm taking a break.
29:08Can I?
29:09Let's drink the beer.
29:10I'm just kidding.
29:11I have a strange relationship with Senada, and I would want to to kick into the beer.
29:18Let's replace the days!
29:20Yes, Melissa and you are going to be staying together, and Barbara and I are not staying together.
29:25We are doing more because of Barbara's filming.
29:28Wait, this means tomorrow, instead of you, Milena and me are going to be a break?
29:33That's right. In general, you get more than one day.
29:36Let's go!
30:03This is her, the machine. Her size is her.
30:07She doesn't feel the heat between you. She doesn't have any physicality.
30:10She has to know what's going on and what's going on.
30:13Who did you want?
30:14My ball, Tifa.
30:16Look at these two tips.
30:19Slowly and gentle. You can do one.
30:22That's it.
30:24I told you, gentle.
30:26There's no pressure.
30:33I'm sorry.
30:35I'm sorry.
30:36I'm sorry.
30:37I'm sorry.
30:38I'm sorry.
30:39I'm sorry.
30:40I'm sorry.
30:41I'm sorry.
30:42I'm sorry.
30:43Hey, Barbara.
30:45Listen.
30:46You've come to hang out on stage.
30:48We couldn't get some discs.
30:50It's not a shame.
30:51It's not a shame.
30:52It's all the same.
30:53It's all the same.
30:54Here we go.
30:55Here we go.
30:56Hey, Senchi.
30:58Hey, Senchi.
30:59Hey, what a song you're singing.
31:01What a coincidence.
31:02It's our thing.
31:03Sorry, Dad.
31:04Could we go back home?
31:05What a song you're singing.
31:06What a coincidence.
31:07It's our thing.
31:08Sorry, Dad.
31:09Could we go back home?
31:10What about home?
31:11What about home?
31:12What about home?
31:13Well, you said yesterday that this is our day today.
31:15Yes, yes, yes.
31:16But, you know, it came to a certain change in a barbarian plan of filming.
31:19So, it would be more difficult for us to stay on our couple of days.
31:21That means that Milana and I will have a new day tomorrow tomorrow.
31:31That's right.
31:32You have a new day.
31:33Super.
31:34Super.
31:35That's it.
31:36We have three days.
31:37We'll have to watch TV TV.
31:40Oh, we won't do that.
31:43What are you doing?
31:44What are you doing?
31:45I don't know.
31:46I don't know.
31:47I don't know.
31:48I don't know.
31:49Wait, wait.
31:50Wait, wait.
31:51Wait, wait.
31:52Let me tell you that we don't have a recording today.
31:53No recording.
31:54We don't have a recording of the screens that are in our camera.
31:57We're not going to be like this.
31:59Oh, she is a bitch.
32:00What are you doing?
32:01I'm sorry.
32:02Hello.
32:03Barbara.
32:04We have another time to hang out.
32:07You and Samir are changing.
32:10We don't go back.
32:11We're going back to the old.
32:13Hey, you two.
32:17I'm sorry.
32:18I'm sorry.
32:19I'm sorry.
32:20I'm sorry.
32:21But I'm going to see something else.
32:22What are you doing?
32:23What are you doing, son?
32:24If you come to this plan, and it will be good for you two,
32:27the stage will be your fourth day for you.
32:30Wow!
32:32Yeah!
32:34How did she say exactly?
32:36Beži, Bonsovada.
32:37What do I know?
32:38Something,
32:41something,
32:42something,
32:43something,
32:44some kind of hands.
32:45These hands are making a mask.
32:47Look at the left.
32:48The fingers of the lop of the.
32:50How do you have 50 fingers?
32:51That's exactly what she said.
32:53And to be honest,
32:54after I saw her a few days,
32:56I started to believe in her.
32:59Hi,
33:02Hi,
33:03Mari,
33:04have I got a beer?
33:06Let me.
33:07Can you see,
33:08Meho?
33:09Here we go.
33:12Aha.
33:17Meho,
33:18can I ask you something?
33:19I ask you.
33:20It's great.
33:21Marija and I have heard something about your secret.
33:26What the secret?
33:27About your magical hands.
33:30That's it.
33:31It's been a while ago,
33:33I'm waiting for myself to not think about it.
33:35Let me tell you,
33:36just about two of us.
33:38What is the secret?
33:39It's not a secret,
33:41but I really don't want to do that.
33:43I just want to show you.
33:46What do you want to show?
33:47Show me?
33:48Only two of us.
33:49Nobody knows.
33:50No one knows.
33:51Is it us two people?
33:53No one else.
33:54I should do it.
33:55One of them,
33:56one of them,
33:57it'll be really funny.
33:58No, no.
33:59Meho,
34:00thank you.
34:01But,
34:02I can't.
34:03I can't.
34:04Nothing.
34:05I can't try.
34:06Follow me.
34:07Let me take care of Meho.
34:09I'll take care of Meho.
34:10What?
34:11I'll take care of Meho.
34:12I don't know.
34:13Where are we going?
34:14Where are we going?
34:15Here, we are going.
34:16Here.
34:17Here.
34:18No, no one will see.
34:20Watch out.
34:32That's just one of the tricks.
34:36What are you talking about?
34:38What are you talking about?
34:40We had a little bit of tricks.
34:42We had a little bit of tricks.
34:44We had a lot of tricks.
34:46We had a lot of tricks.
34:48But no one would pay.
34:50No money.
34:52What do you think of me?
34:54What are you talking about?
35:00What are you talking about?
35:02What are you talking about?
35:04It's not just a bad battery.
35:06I'm not sure what you're talking about.
35:08I'm not sure what you're talking about.
35:10You're talking about this.
35:12You're talking about this.
35:14Don't do it!
35:16Don't do it!
35:18What are you talking about?
35:20Nothing is coming from me.
35:24Guys, come on tomorrow,
35:26and I'll tell you if I can change.
35:36Jabba!
35:37That's right.
35:38Rolling Stones will be Jabba,
35:40and the rest of the crew will be in two markets.
35:43What do you say?
35:44I'm not counting.
35:45Let's go.
35:46Here, Faruk.
35:48From today's to Rolling Stones, Jabba.
35:52I've deserved it.
35:53Yes, yes, yes.
35:54I had a need for you.
35:56You know, I'll buy you for a few days.
35:58I'm not sure how I fell.
36:01I'm not sure how I fell.
36:03Come on, Marijalo.
36:04Why are you sorry?
36:05We're friends.
36:06We need to fall together.
36:07One for the other.
36:08If you need to.
36:09You're a good friend.
36:22What do you mean, Faruk?
36:23What are you doing with Marijal?
36:24I'm not sure.
36:26You're a good friend.
36:27What are you doing with Marijal?
36:28I'm not sure.
36:30It's true.
36:31I'm not sure.
36:32I'm and Marija.
36:33They've been together a lot.
36:36I'm really happy to be together.
36:38Is that true?
36:39It's true.
36:44It's true.
36:45I'm not sure.
36:46It's true.
36:47We love Marija.
36:49You're crazy.
36:50I've had to know him.
36:51You've had to know him.
36:52I'm so happy for you. You're amazing, Stepard!
37:05It's amazing!
37:07What?
37:08The fact that Barbara is constantly changing the terms of filming.
37:13It wasn't my fact that it was my fact.
37:17Hello, Fuffe!
37:19I said, are you going to buy discs?
37:23No!
37:25No!
37:26No!
37:27No!
37:28No!
37:29No!
37:30No!
37:31No!
37:32No!
37:33No!
37:34No!
37:35No!
37:36No!
37:37No!
37:38No!
37:39No!
37:40No!
37:41No!
37:42No!
37:43No!
37:44No!
37:49Yes!
37:50Yes!
37:51Ha-ha!
37:54...
37:55...
38:05Pustite me da živim
38:07Samo bi da preživim
38:09Malo duge i sreće
38:12Život čeka ti neče
38:14Pustite me da živim
38:17Samo bi da preživim
38:19Malo trasni voli,
38:21Život jedna se voli.
Recommended
33:39
|
Up next
38:47
35:53
36:25
34:36
34:52
Be the first to comment