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00:00:00Yes?
00:00:11Police officers.
00:00:14Marie MacDonald?
00:00:30Impressive.
00:00:40Marie wants to take them down.
00:00:42Why?
00:00:44It's all over.
00:00:46Gone.
00:00:47Surely something to be proud of.
00:00:49Hanging on to the past is not going to pay the bills.
00:00:53Yep.
00:01:00Yep.
00:01:01That's it.
00:01:06In Schlagen.
00:01:14Forget the newspapers, magazines.
00:01:17The truth is we hated each other.
00:01:19You were at the funeral.
00:01:21We wanted to pay our last respects.
00:01:24You keep out of this, Larry.
00:01:30So when the band split up, you didn't keep in touch at all?
00:01:33I hated the publicity, the pretense.
00:01:36I wanted to drop out, lose myself completely.
00:01:39So you married Larry?
00:01:41We understand each other.
00:01:44I didn't want to change the world.
00:01:46Save a rainforest or any of that crap.
00:01:51All I wanted was a secure, normal life.
00:01:55Why did you visit Alan Mann the day he was murdered?
00:02:06I haven't seen Alan for 25 years.
00:02:08You were spotted, Marie.
00:02:10It was my idea.
00:02:14No.
00:02:15You see, I was the group's manager.
00:02:20Alan was the youngest.
00:02:22I felt a personal sense of failure.
00:02:25He was on a rollercoaster right from the word go.
00:02:28Fell out to all the traps.
00:02:29Booze, drugs, girls, everything.
00:02:32And a few months ago I discovered that he'd contracted AIDS.
00:02:37He was living in a shitty little room.
00:02:40With nothing, nobody.
00:02:42Just couldn't ignore it.
00:02:44So a touch of conscience?
00:02:46If you like.
00:02:47Do you have any idea who would want to kill Rick and Alan?
00:02:50No.
00:02:51Aren't you worried?
00:02:52Why?
00:02:53Well, you two could be on the killer's list.
00:02:58What a strange couple.
00:03:10Did you really believe all that?
00:03:12I couldn't make head nor tail of them.
00:03:15I think they were hiding something.
00:03:17Or protecting somebody.
00:03:28Damn it.
00:03:39I knew we shouldn't have started this.
00:03:42Well, you'd be happy for us to lose everything.
00:03:44It wasn't me that spent all the money.
00:03:47You've enjoyed it as well.
00:03:51Shouldn't leave your door open.
00:03:53You never know who's about.
00:03:55Naughty Nikki Lee, late as usual,
00:04:00puts herself in the hot seat for the next 60 minutes of Sounds from the 60s.
00:04:06Me?
00:04:07Well, I'm signing off to the early show tomorrow evening.
00:04:11Don't forget to tune in.
00:04:13But till then, it's good night and good listening.
00:04:17And thanks to the wonderful Johnny Patterson for the last two hours.
00:04:22I'm going to be with you right up until 7.30.
00:04:25So, let's get on with the music.
00:04:32You two can work it out between you.
00:04:36I don't want to get involved anymore.
00:04:38What's wrong with him?
00:04:39Oh, he's having second thoughts.
00:04:41If anything goes wrong, this will all come back to me.
00:04:50All you have to do is keep your mouth shut.
00:04:52And what if Tony doesn't go along with all this?
00:04:54Leave Tony to me.
00:04:59It's only a matter of time before the police get to me.
00:05:01I mean, you know that, don't you?
00:05:02You shouldn't have run away from the cemetery.
00:05:04That was stupid.
00:05:05Look, there are questions I don't have answers to, Marie.
00:05:10So what?
00:05:11You tell them you were the group's roadie.
00:05:13You wired them for sound, that's all.
00:05:15You know nothing more.
00:05:16Well, I'm an electrician, for Christ's sakes.
00:05:19They might suspect that I wired Rick up.
00:05:21It's the ID office.
00:05:25Stuart.
00:05:27Rory Ferguson.
00:05:28Hi.
00:05:29The Melville bar tonight.
00:05:31About eight o'clock.
00:05:33You'll see something to your advantage.
00:05:36Like what?
00:05:38I don't want to spell it out.
00:05:40But you'll see an unholy alliance.
00:05:42What you've got to ask yourself is what are they up to?
00:05:47Can you be a bit more specific?
00:05:48It's called bribery.
00:05:56Yes.
00:05:58Sir.
00:05:59I think we might have struck lucky.
00:06:01What exactly are we meant to be looking for?
00:06:18We'll know it when we see it.
00:06:20What is the rumble man's location?
00:06:21Yes.
00:06:22I know it.
00:06:23I know it's that you would have to be a bit more.
00:06:24I know it is.
00:06:25Yes.
00:06:26You'd say something to, you know it.
00:06:27Well, yes.
00:06:28Yes.
00:06:29Yes.
00:06:30Yes.
00:06:31Yes.
00:06:32Yes.
00:06:33Yes.
00:06:34Yes.
00:06:35Yes.
00:06:37Yes.
00:06:39Yes.
00:06:40Yes.
00:06:41Yes.
00:06:42Yes.
00:06:43Yes.
00:06:44Well, yes.
00:06:45Yes.
00:06:46Yes.
00:06:48It's your round, then, is it, Johnny?
00:06:56Two thousand pounds.
00:07:00That's a lot of money, Johnny.
00:07:02I told you it was a loan.
00:07:05What, a disc jockey at the top of his profession, borrowing money?
00:07:09Come on.
00:07:10I have problems.
00:07:12How much do you earn a year?
00:07:13That's a private matter.
00:07:15So do you want me to ask questions, Elsemoor?
00:07:17No.
00:07:18No.
00:07:22That's better.
00:07:25Now tell me the truth.
00:07:27Look, I have a girlfriend.
00:07:34She...
00:07:35She has an expensive habit.
00:07:41Drugs?
00:07:43You're saying that Louise is an addict?
00:07:45Paola.
00:07:47Paola.
00:07:50Do you know what that word means?
00:07:52Of course I know what that word means.
00:07:54I thought you might.
00:07:55Pushing records for money.
00:07:57I told you, it was a loan.
00:08:00Who's pushing two of us, Freeman?
00:08:02Who says it's being pushed?
00:08:03I say it's being pushed.
00:08:05I don't know what I'm doing here.
00:08:12I lend him the money.
00:08:15I haven't done...
00:08:15Take him down.
00:08:16This must be right up your street, eh?
00:08:42Bribery.
00:08:43What?
00:08:44Bribery.
00:08:45It was a loan.
00:08:46Do you think the court's gonna believe that?
00:08:51They'll believe it when I tell them you promised to put me out of business.
00:08:56I have witnesses.
00:09:05He's got you over a barrel.
00:09:08He would never get to court.
00:09:11You're going to have to release him.
00:09:12Oh, I've had enough for one day.
00:09:16So what do you want me to do with them?
00:09:19We don't have any choice, do we?
00:09:27We don't usually do these bloody things when the sun's shining.
00:09:30Yeah.
00:09:31You've got to have the right mood for an exhumation.
00:09:34Somehow it's not the same in a bright sunny morning.
00:09:37God, I hope this one doesn't fall apart.
00:09:39Oh, no, she was buried in an upmarket, 60s-style state-of-the-art coffin,
00:09:44which is more than Alan Mann will achieve.
00:09:47Live life to the full make-off.
00:09:48Lesson for us all.
00:09:50Morning, gentlemen.
00:09:51Morning.
00:09:51Thank you, ma'am.
00:09:54Right.
00:09:56Now, hold on, hold on.
00:10:04Where do these come from?
00:10:06Somebody always puts roses there.
00:10:08Can we get on with this?
00:10:10What do you mean, always?
00:10:11Every two, three weeks.
00:10:13Michael, there's a lot of work to be done.
00:10:17Right.
00:10:17Say a word to you, don't be afraid
00:10:21But all weekdays
00:10:26The bus is always late
00:10:30And the road is very afraid
00:10:33On the sun's red
00:10:35No, today
00:10:39Digitally remastered the tracks
00:10:44Stick some reverb on
00:10:45Just giving you a professional opinion
00:10:48How many songs in all?
00:10:4913 on both
00:10:51And all unpublished
00:10:52Better than I expected
00:10:54Even better when we start talking about money
00:10:57We've still got to get Tony's agreement
00:10:59I'm catching the early morning ferry
00:11:04Once we get everything signed
00:11:06Then we make our move
00:11:07She was listening
00:11:10At the door
00:11:10That's a lie
00:11:12I just came to see
00:11:13If you had a gig for me next week
00:11:14Let me introduce you
00:11:18To the new Janie
00:11:19I'll need to get samples of soil
00:11:29And any water that's in there
00:11:30Ferguson had these sent over my courier
00:11:49Janie Conley's funeral
00:12:07They all look so young
00:12:09The mourners are named
00:12:10The manager, Larry Bain
00:12:13And the group's roadie
00:12:16Patrick Liddle
00:12:17Our mystery man
00:12:20No wonder you couldn't catch him
00:12:23With a name like that
00:12:23Sergeant Reed
00:12:28Freda
00:12:29Yes, sir
00:12:31Get on to records
00:12:35See what they can dig up on Henry
00:12:37Someone who legs it like that
00:12:39Has probably got some form somewhere
00:12:41Okay
00:12:42What are you waiting for?
00:12:47I know he's supposed to be bright
00:12:51But it's hard to see it sometimes
00:12:52Jackie
00:12:55Where the hell she got to now?
00:13:00Don't worry, what can I do?
00:13:01You know he's supposed to be bright
00:13:06I don't know
00:13:06Maybe he's supposed to be...
00:13:07But he's supposed to be bright
00:13:08But he can't wait for him
00:13:09Nothing
00:13:09Where the hell is he?
00:13:10That's why, right?
00:13:10He's supposed to be bright
00:13:11I can't wait for him
00:13:11Heaven's right
00:13:12I can't wait for him
00:13:13I can't wait for you
00:13:14But I'll wait for him
00:13:14I'll wait for him
00:13:15I can't wait for you
00:13:15Little packed his bags and moved out the day you lost them at the cemetery.
00:13:45Does he have any friends?
00:13:49He's got a red metro.
00:13:51Oh well, that's the main thing.
00:13:54He also has a persecution complex, doesn't pay his rent and he's threatening to take his landlord to the European Court of Civil Rights.
00:14:01In fact, he hasn't worked since last Christmas.
00:14:04I'm enquiring about Ian Garvey.
00:14:07Are you a relative?
00:14:09I'm his girlfriend.
00:14:11Let me see.
00:14:13He's had an operation.
00:14:25Crom?
00:14:27Sorry to trouble you, sir, but I thought you'd like to know.
00:14:30I've traced Tony Balmoral.
00:14:32He stays at the Lorne Retreat.
00:14:34It's on in Schlagen.
00:14:36What time do the ferries run?
00:14:40Depends on the weather.
00:14:42Usually back and forwards all the time.
00:14:44By the way, sir, the restaurant, the Hilton, it does a wonderful lobster salad.
00:14:51It's just a setback.
00:15:11He'll be okay.
00:15:13I feel some responsibility.
00:15:27Is that what you call it?
00:15:29I came here to help you and I find you're holding his hand.
00:15:32What are you getting at?
00:15:33You're not concerned about Ian. You never were.
00:15:36You simply want him to give evidence against Doctor and Faulkner so you can get out of trouble.
00:15:41That's not true.
00:15:43Luke, why don't you just go?
00:15:46You're not wanted here.
00:16:11I wouldn't have bet on you being here.
00:16:15I'm not sure I want to be here.
00:16:16Think of it as an investment.
00:16:17Why me?
00:16:18You had the contacts.
00:16:19Okay, I'll listen to them.
00:16:20I'll let you know.
00:16:21From what I can gather, the retreat is on the east side of the island.
00:16:24They run some kind of natural fish farming program.
00:16:25What's the matter, Jackie?
00:16:26Nothing, sir.
00:16:27I want you fit and ready in the morning.
00:16:28You're going to insulate.
00:16:29I don't know.
00:16:30I don't know.
00:16:31I don't know.
00:16:32I don't know.
00:16:33Why me?
00:16:34Why me?
00:16:35You had the contacts.
00:16:36Okay, I'll listen to them.
00:16:37I'll let you know.
00:16:38The retreat is on the east side of the island.
00:16:40They run some kind of natural fish farming program.
00:16:47What's the matter, Jackie?
00:16:50Nothing, sir.
00:16:51I want you fit and ready in the morning.
00:16:53You're going to Inchelagon.
00:17:08It was stupid, irrational, and not what I expected of an opposite of your experience.
00:17:31We had to let them go because you don't have a case, Jackie.
00:17:34We are a team.
00:17:36We do not get results by personal vendetta.
00:17:39Yes, I asked for Sergeant Reed's telephone to be checked.
00:18:06There's no answer.
00:18:08You'll have to catch the next ferry.
00:18:10What is she doing?
00:18:13Yes.
00:18:15She's what?
00:18:21Unplug the bloody phone.
00:18:23She's been under a lot of pressure lately.
00:18:25I'll take a car, go around and get her.
00:18:27No.
00:18:28You're coming with me.
00:18:38It's kind of beautiful.
00:18:39But you'll do the opposite.
00:18:40You're enjoying it.
00:18:41I'm one of those four stars.
00:18:42Had to catch up on the trail.
00:18:43It's kind of nine Scholarship train, and you have been coming on.
00:18:44It's going to be gorgeous here.
00:18:46You're going!
00:18:47I'm coming open and have a warmEE car on the trail right already!
00:18:48I'm like, I need to be calm as you're doing it.
00:18:49I'll come to you now.
00:18:50Go on, goë©Žìì.
00:18:52You're on me!
00:18:54I'm coming back the place by theçŻ.
00:18:55I'll open it!
00:19:59It's been a long time, Tony.
00:20:01What are you doing here?
00:20:03Why did you do it?
00:20:05Do what?
00:20:07Kill the others.
00:20:09You haven't changed, have you?
00:20:11You were the hot-tempered one.
00:20:13The only one with the guts to do it.
00:20:15I've changed.
00:20:17I'm not the Tony Balmoral you once knew.
00:20:20A leopard doesn't change his spots.
00:20:24It's been a long time.
00:20:54I found peace in this place, Marie.
00:21:05Come on.
00:21:06You know what our problem was?
00:21:12Success came too easily.
00:21:14We couldn't handle it.
00:21:16We depended too much on Janie's talent and charisma.
00:21:19I didn't come here for a post-mortem.
00:21:22Without her, we were nothing, Marie.
00:21:24She carried us.
00:21:27I just went along for the ride.
00:21:29And when the bubble burst,
00:21:31I wasn't bitter.
00:21:33In fact, I was relieved.
00:21:37The bubble hasn't burst yet, Tony.
00:21:39We can milk it some more.
00:21:47Cephalopod mollusk.
00:21:49Eight arms equipped with suckers.
00:21:51You know what suckers are, don't you, Marie?
00:21:56You like backbone.
00:21:57You always did.
00:22:01But not you.
00:22:03You could have been a great guitarist.
00:22:05Pity you're such a wimp.
00:22:08What do you want, Marie?
00:22:09Pity you're such a wimp.
00:22:24Same.
00:22:29I'm not even going to give you the satisfaction.
00:22:32Go to hell.
00:22:37A pop star, you say?
00:22:39Aye.
00:22:40Back in the 60s.
00:22:42Ah, we get them all here at the retreat.
00:22:45Bank managers, drug addicts, all sorts.
00:22:49After their first winter on the island,
00:22:51they usually change their mind.
00:22:52How long before we get to this place?
00:22:55Well, what do you want?
00:22:56The main road?
00:22:57The scenic route?
00:22:58Well, a shortcut.
00:23:00Shortcut.
00:23:09Mr.
00:23:19Youngin.
00:23:20Wait.
00:23:22Hang on.
00:23:23You can shake mymee.
00:23:24Go now.
00:23:27Wait.
00:23:28Man.
00:23:28Wait.
00:23:29Mike.
00:23:29Respect?
00:23:30Aye.
00:23:31Listen,
00:23:31tammy.
00:23:32Mr. Balmoro?
00:23:45Tony Balmoro!
00:24:02Oh, no, leave it, leave it then.
00:24:28Well, not me.
00:24:29It's the only uniform I've got.
00:24:32I don't know.
00:24:48They were a Christmas present.
00:24:51I believe you.
00:24:53They were I don't know where the sun and our sky was raining.
00:24:58I become my son and my grandmother queda ever realized that Sophie Corona is on my street,
00:24:59I have to be away fancy, so I'm dumb.
00:25:00Fuck!
00:25:01Fuck!
00:25:01Fuck!
00:25:03Fuck!
00:25:04Fuck!
00:25:04Fuck!
00:25:07Fuck!
00:25:11toxic what is dopêł ?
00:25:12Fuck!
00:25:13Fuck!
00:25:14Fuck!
00:25:15Fuck!
00:25:15Fuck!
00:25:16Fuck!
00:25:17Fuck!
00:25:18Fuck that shit!
00:25:19Back!
00:25:19Come here!
00:25:21I'm sorry, sir.
00:25:27Three murders on our hands, and you decide to have a lie in.
00:25:34I've got things on my mind.
00:25:37My office.
00:25:45You set an incident room up at the retreat.
00:25:48I'll have a squad of detectives here within the hour.
00:25:50First murder we've had on the island.
00:25:53I would never have had a crime before.
00:25:55And we'll get our own forensic boys in for continuity.
00:25:59It'll be an upheaval for the folk around here, that's for sure.
00:26:01I suppose you don't keep records of who comes and goes on this island?
00:26:04No.
00:26:06But the weirdos up at the laboratory might know if he'd any visitors.
00:26:11Sometimes I'm not as smart as I should be.
00:26:15But outside of that, I've got feelings and responsibilities like everyone else.
00:26:20I couldn't sleep, sir.
00:26:23I walked for most of the night.
00:26:26I've told you not to get personally involved.
00:26:29Well, he doesn't seem to be getting any better.
00:26:32It wasn't your fault, Jackie.
00:26:35It doesn't help.
00:26:37It's not your problem.
00:26:40I know.
00:26:41I can't go on making excuses for you.
00:26:58Yes.
00:26:59Yes, Michael.
00:27:16I'll get a team down there right away.
00:27:20You better come back here.
00:27:21Tony Balmoral is dead.
00:27:34If you'd been here when you were supposed to be here, he might still be alive.
00:27:40Well-dressed, medium-height, attractive, middle-forties.
00:27:51Ask to see Tony Balmoral.
00:27:53Well, it doesn't take too much figuring out.
00:27:56Now, she would have taken 15 to 20 minutes.
00:27:59That's an hour and a half in total.
00:28:02Yeah.
00:28:03That would give her plenty of time to get back and catch the return fairy.
00:28:09We'll move away.
00:28:10Wherever you want.
00:28:13What?
00:28:13What about your career?
00:28:15That's not important anymore.
00:28:18Well, I wouldn't want you to give up.
00:28:20Ian, I just want us to be together.
00:28:21Listen, I'm sorry.
00:28:34I've been very selfish lately.
00:28:39We're getting married.
00:28:41Oh, I'm pleased for you.
00:28:44Fault on Doherty.
00:28:48I don't want to go ahead with the charges.
00:28:51Well, that's your choice.
00:28:55Kate has something to tell you.
00:28:59When I went into Vierman's office yesterday, he had these tapes of a recording session.
00:29:04I couldn't quite make out the girl's voice at first.
00:29:07But then he came to me.
00:29:09Jeannie Connolly.
00:29:10From the Adders?
00:29:12They were unpublished songs.
00:29:14Alex said they were going to make a lot of money out of it.
00:29:16They...
00:29:17Well, there was a man and a woman there.
00:29:19And did you know them?
00:29:21No.
00:29:21But the funny thing was,
00:29:24Alec introduced me as the new Jeannie.
00:29:27I take it Tony wouldn't sign.
00:29:46There are other ways.
00:29:48He's dead, Marie.
00:29:49Dead?
00:29:54He was on the radio.
00:29:56Can't be.
00:29:57I was with him.
00:29:58You'd better get your story straight.
00:30:00You don't believe I had anything.
00:30:02I've always stuck by you, haven't I?
00:30:04The tapes were of a girl singing.
00:30:08Kate thinks it was Jeannie Connolly.
00:30:10The talk was of unpublished songs that would make them a lot of money.
00:30:14A record by a group.
00:30:15A record by a group well past its sell-by date pushes its way into the top 50.
00:30:19And now we hear of a group well past its way.
00:30:20And now we hear of unpublished songs.
00:30:21A record company's dream come true.
00:30:24And Alec Vierman is the common denominator.
00:30:26Who were the other two?
00:30:27Who were the other two?
00:30:28From Kate's description, the woman sounded like Marie MacDonald.
00:30:30But who was the man?
00:30:32Tony Balmoral had a visitor just before he was murdered.
00:30:35Was sure it was Marie MacDonald.
00:30:37I think it's time we had a word with her, don't you?
00:30:42How many times do I have to tell you I didn't kill him?
00:30:46I'm on your side.
00:30:47Tell me.
00:30:48What would be the point?
00:30:51Okay, then.
00:30:52Somebody knew you were going to see him.
00:30:54There was only Alec, Patrick, and...
00:31:08The police!
00:31:09They're looking for me!
00:31:17They've been making inquiries, asking about me.
00:31:19They think I'm a killer.
00:31:20They're questioning everyone, Patrick.
00:31:22Yes, but did you know they'd exhume Janie's body?
00:31:25It's all in the papers.
00:31:27Why would they do that?
00:31:28I mean, if they find out about...
00:31:30It's the police.
00:31:37Oh, God, I've got to get out of here.
00:31:39There's no need!
00:31:52The Metro!
00:31:54I'm afraid he saw you coming.
00:31:56I'll read you for some help.
00:32:00It's in better condition than I anticipated, Jack.
00:32:13Come and have a look.
00:32:20Of course, the head has become detached.
00:32:23Still, we're lucky.
00:32:24We might have ended up with a bucket full of brown sludge.
00:32:27Mind you, it's not far from that now.
00:32:32What are the chances?
00:32:33What, of proving it wasn't an accident?
00:32:35Of proving it was mudged up?
00:32:38Very slim.
00:32:40We'll have to see what the boys in forensic come up with.
00:32:43To lose one partner may be considered a misfortune.
00:32:47To lose two is downright carelessness.
00:32:50A coincidence.
00:32:51You visit the victims only hours before they're murdered.
00:32:55There's also a question mark over where you were at the time of Rick Mulvey's murder.
00:33:00Supposition.
00:33:02You had the motive.
00:33:04And the opportunity.
00:33:06Motive?
00:33:08Tapes.
00:33:10What tapes?
00:33:11The tapes you had in Alec Vierman's office.
00:33:15Oh, this is silly.
00:33:17Silly?
00:33:19Is that what you think?
00:33:21You're facing several murder charges, Marie.
00:33:25I didn't kill anyone.
00:33:27Then why don't you tell us what this is all about?
00:33:30Because once you're on the sheet, it's too late.
00:33:33You don't go recording new material and not tell the other members of the group.
00:33:38Janie.
00:33:40She was cutting us out.
00:33:41We had a binding contract.
00:33:43We had a right to those songs just as much as she did.
00:33:47You asked Alan and Tony to sign away their rights?
00:33:50Why not?
00:33:52Alan didn't care. He was on another planet half the time.
00:33:55And all Tony Balmoral wanted was peace of mind.
00:33:58What I tried to do was legal and above board.
00:34:03And when they wouldn't sign, you killed them.
00:34:06No!
00:34:08You're the sole surviving member of the group, Marie.
00:34:10You stand to gain a small fortune in royalties, whatever else you've got planned.
00:34:17Don't you?
00:34:19Well, don't you?
00:34:21Yes.
00:34:24Yes.
00:34:27You have enough to hold her till tomorrow?
00:34:31We'll need more evidence if we're going to make the charges stick.
00:34:3624 hours.
00:34:40Still no sign of Liddle.
00:34:47Yes, Stephen.
00:34:49Had a call from the lab, Jack.
00:34:50Yes.
00:34:51There just isn't enough.
00:34:53Enough?
00:34:54Well, it was a long shot.
00:34:58Surprisingly, the toxicologist found traces of heroin in the hair.
00:35:02Hardly surprising in view of her lifestyle.
00:35:05Yes, but what concerns me is, I've got the pathologist's original notes here.
00:35:10And for some strange reason, he saw fit not to test the body for drugs or anything else.
00:35:16Meaning?
00:35:17It all looks a bit dodgy to me.
00:35:20Dodgy?
00:35:22Let me put it this way.
00:35:24I wouldn't have arrived at a verdict of accidental death.
00:35:28Can I have your attention, please?
00:35:34I think we've inherited another mother.
00:35:39Jackie, yet, MacDonald,
00:35:43Morris and Fraser,
00:35:45and Smith, my office.
00:35:48Briefing.
00:35:49A Scottish soldier,
00:35:51a Scottish soldier,
00:35:53who wandered far away,
00:35:55and soldiered far away.
00:35:58Come on, Angus.
00:36:00Tell the nice man what you did best at school.
00:36:02Reading, writing, and arithmetic.
00:36:05What did he say?
00:36:06He said reading, writing, and arithmetic.
00:36:09No, that's what you said.
00:36:10What did he say?
00:36:11Tell the nice man, Angus, what do you like most?
00:36:17Erm...
00:36:19A bottle of beer!
00:36:20A bottle of beer!
00:36:21What did you say?
00:36:22A bottle of beer!
00:36:23A bottle of beer!
00:36:24A bottle of beer!
00:36:27The bees are the most difficult thing to do.
00:36:30A bottle of gear, a bottle of gear.
00:36:32It's good, eh?
00:36:36I could change the script.
00:36:37I'd change the bloody act if I were you.
00:36:38Please, Mr. Veerman, you're our last chance.
00:36:41That sounds like a personal problem,
00:36:42and I'm not the vicar.
00:36:43Piss off.
00:36:46I'm bloody good.
00:36:47You're bloody awful, and you know it.
00:36:48Disappear!
00:37:00I want my share.
00:37:02You know the deal.
00:37:03Once I've sold the tape.
00:37:04I need the money now.
00:37:06Can't help you, Patrick.
00:37:07Look, if it wasn't for me, you wouldn't have the tapes.
00:37:09You want to settle for a one-off payment, is that what you're saying?
00:37:11Yeah.
00:37:13What kind of figure are you thinking of?
00:37:14Oh, make me an offer.
00:37:15A grand.
00:37:17One and a half.
00:37:18You've got to be kidding.
00:37:19I don't kid about money.
00:37:21Then, you bastard!
00:37:22Look, all I want is my fair share.
00:37:37I think I deserve it.
00:37:38I brought you that!
00:37:39I brought you that!
00:37:47Piss off.
00:37:48There's no way to talk to your old friend.
00:37:51I've got news for you.
00:37:52If we don't get a date soon,
00:37:53it's curtains for you, mate.
00:37:55I thought you'd burn your head, you sussanuck.
00:37:57That does it!
00:37:58That does it!
00:37:59First thing tomorrow morning, you open the fire!
00:38:02Well...
00:38:03I never meant...
00:38:04Don't answer back to you, though.
00:38:05I'd like a few words.
00:38:19If that's not too much trouble.
00:38:26What about the others?
00:38:28I've told you.
00:38:29There was no love lost between any of us.
00:38:31Our relationship was purely business.
00:38:35Would Patrick Liddell confirm that?
00:38:45We've just picked him up.
00:38:47You're wasting your time.
00:38:49Patrick doesn't know anything.
00:38:52He was a band's roadie.
00:38:54He's bound to have known what was going on behind the scenes.
00:38:57Might tell us something you haven't.
00:38:59I've told you everything.
00:39:01Might even put you in the frame.
00:39:03He knows nothing.
00:39:05If I was in your shoes, I'd be scared.
00:39:11Why should I be scared?
00:39:13Another couple of hours, I'll be out of here.
00:39:17Don't get me wrong, communication is the key.
00:39:25We could talk it over if you just agree.
00:39:31I know this may be hard for you.
00:39:33I know this may be hard for you.
00:39:34But I think it would be wise.
00:39:37You don't seem to realize.
00:39:41I've got serious eyes.
00:39:45Serious eyes.
00:39:49Serious eyes.
00:39:51Wish you'd understand my point.
00:40:01Oh, you can't put me in a cell.
00:40:03Oh, please, please, please don't put me in a cell.
00:40:07Well, Madison, let me talk to someone.
00:40:09No, don't put me in a cell.
00:40:11Please don't put me in a cell.
00:40:13I'll tell you anything you want to know.
00:40:15Well, Madison.
00:40:17Come back.
00:40:19Come back, please.
00:40:21My report.
00:40:23And the original pathologist's notes.
00:40:29They don't telly.
00:40:31I suggest that the case be reopened.
00:40:36Are you still suggesting that someone got at the pathologist?
00:40:40That Janey was mounted?
00:40:42That is for you to find out in your investigation.
00:40:45But that's what you suspect.
00:40:47As I said, it's up to you.
00:40:50You know what this is going to do, don't you?
00:40:52Make more than a few waves.
00:40:55Not our problem, thank goodness.
00:40:57What if I told you Janey was murdered?
00:41:21I don't think I can take any more of this.
00:41:24Tell me what really happened, Marie.
00:41:26Patrick stole the tapes the night Janey died.
00:41:33I'm listening.
00:41:36Besides being the group's roadie,
00:41:41he ran errands for her.
00:41:45Drugs?
00:41:46That's what he told me.
00:41:48Did he tell you how she died?
00:41:50There was a party.
00:41:53She went up to her room on the 11th floor.
00:41:57Smashed out of her head.
00:42:00He followed.
00:42:02Got there just after she fell.
00:42:06Why didn't all this come out in inquest?
00:42:11Larry was our manager.
00:42:13He did his best to cover up the drugs aspect of it.
00:42:17So he bribed people.
00:42:19He had to protect our image.
00:42:23Is that it?
00:42:28Please.
00:42:30I want to go home now.
00:42:32I suppose you'll be getting married once all this has died down.
00:42:47Maybe.
00:42:48I want to know what's going on, Roddy.
00:42:49Going on?
00:42:50There's a rumor going around about unpublished songs written by Janey.
00:42:54Don't believe all that you hear.
00:42:55The rumor is you have them.
00:43:00Roddy.
00:43:01I've always respected you as a friend.
00:43:02The songs she wrote just before she died.
00:43:04How come they've suddenly appeared after all this time?
00:43:11I've always respected you, but...
00:43:14the song she wrote just before she died.
00:43:16The song she has only appeared after all this time.
00:43:18How come they've suddenly appeared after all this time?
00:43:21How come they've suddenly appeared after all this time?
00:43:51You do know each other, don't you?
00:44:04Take them down.
00:44:10Denies all knowledge of the tapes.
00:44:11Well, I'm sure you'll be able to find out.
00:44:14I thought you wanted to do the questioning.
00:44:16I've had enough, Michael.
00:44:17Look, these tapes are the key to this whole business.
00:44:20There's a good chance that Janie was murdered.
00:44:24McVitie's applying to have the case reopened.
00:44:35I knew Little was up to something.
00:44:37Rick was probably the first person he approached.
00:44:40Killed him because he wouldn't do business over the tapes?
00:44:43Possible.
00:44:45I always thought the guy was right on the edge.
00:44:50Pull over.
00:45:00I'll get out here.
00:45:03I often wondered why you didn't get married.
00:45:07Marriage is a...
00:45:08A good way to end a beautiful friendship.
00:45:12So is death.
00:45:26So, what happens now, then, about the tapes?
00:45:28Two of us will probably get as far as the top ten.
00:45:33Then a CD will be released.
00:45:35A compilation including Janie's new numbers.
00:45:38The copyright will be owned by Wehrman Music Limited.
00:45:41Wehrman Music Limited?
00:45:43Enable convenience.
00:45:45The main beneficiary will be Marie MacDonald.
00:45:48Not if I have my way.
00:45:50Look, Roddy, I must go.
00:45:51Thanks for lunch.
00:45:53It was super.
00:46:02Time we question Wehrman, sir.
00:46:04No.
00:46:05I want to speak to Little first.
00:46:12Jackie.
00:46:13Yeah?
00:46:13Go and get Little up, eh?
00:46:14What's the matter?
00:46:22The caretaker at the graveyard said there was always fresh roses.
00:46:27Well, did Margaret Reney?
00:46:30Could be someone else.
00:46:37Bye-bye.
00:46:40Roddy.
00:46:43Marie.
00:46:44The tapes.
00:46:46I don't have them, Marie.
00:46:48That's not what Alec Wehrman tells me.
00:46:50Marie, I'm just a reluctant middleman in all this business.
00:46:54Do you think the police are going to see it like that?
00:46:56Hey, Marie, the...
00:46:57Don't Marie me.
00:46:59I want those tapes back.
00:47:008969, good afternoon.
00:47:22Mrs. Rennie, it's Inspector Jardin.
00:47:25I came to see you.
00:47:26Yes.
00:47:27Mrs. Rennie, Janie Connolly's grave.
00:47:30Yes.
00:47:31Have you visited it recently?
00:47:33Good gracious, no.
00:47:35I just thought that perhaps with...
00:47:37What I told you was all in the past.
00:47:40Someone has been placing red roses on the grave.
00:47:48Mrs. Rennie?
00:47:50Are you still there, Mrs. Rennie?
00:47:55Please don't call me again.
00:47:57I've told you all I know.
00:48:00You move out.
00:48:01Did you ever come soon?
00:48:02Yeah.
00:48:03I'm never leaving.
00:48:05I won't do that anymore.
00:48:06You can't wait until the dark was into the sky.
00:48:08inander
00:48:11I know.
00:48:12But now according to people who come together,
00:48:13all this will keep running like it.
00:48:15So feel it to be aĐșĐŸ in place.
00:48:18Ooh, the dream engine Ellis Acts 1ight is overreason.
00:48:20But now it will come together.
00:48:21The salvageć
00:48:28There'll be an official enquiry.
00:48:41Yes, sir.
00:48:42They'll want to know why he wasn't properly searched.
00:48:46Belonged to a previous prisoner.
00:48:48Must have been missed.
00:48:58Must have been missed.
00:49:28Must have been missed.
00:49:58What do you want to know?
00:50:04What do you want to know?
00:50:06What do you want to know?
00:50:14What do you want to know?
00:50:22What do you want to know?
00:50:30What do you want to know?
00:50:38What do you want to know?
00:50:46What do you want to know?
00:50:54What do you want to know?
00:51:02What do you want to know?
00:51:10Ben Marie showed up on the scene a few weeks later, with little and the same proposition.
00:51:14I could see the potential.
00:51:16What do you want to know?
00:51:17Why did they come to you?
00:51:18Because they knew I wouldn't disclose how I got the tapes.
00:51:20Meaning?
00:51:22The tapes that were stolen from a young girl who just thrown herself off a balcony.
00:51:26What would that do for my reputation?
00:51:28What do you want to know?
00:51:32What do you want to know?
00:51:34What do you want to know?
00:51:36I've been excluded.
00:51:38What do you want?
00:51:40Roddy?
00:51:50Roddy?
00:52:05And that's it.
00:52:07No, no.
00:52:07Not quite, Alec.
00:52:09Where are the tapes?
00:52:10No.
00:52:12Roddy Ferguson.
00:52:13Ferguson?
00:52:14He had the contacts.
00:52:15He was going to set up a deal with a record company.
00:52:19Can I get my nodded dog back?
00:52:28South Lorne?
00:52:29Larry?
00:52:31Yes?
00:52:31Roddy Ferguson.
00:52:33Yes?
00:52:34Is Marie there?
00:52:36She phoned to say she'll be back about four.
00:52:39No problem, is there?
00:52:41Your wife is trying to blackmail me.
00:52:44Did you know that?
00:52:46Get out.
00:52:49Roddy?
00:52:53Tell Marie I've got what she wants.
00:52:56Tell her to stay put.
00:52:57I'll contact her.
00:52:59Some guy tried to kill me.
00:53:27Do you know that?
00:53:28Well, who would want to kill you?
00:53:30You tell me.
00:53:31Listen, Alec.
00:53:34Everything's over between us.
00:53:36I suppose you're going back to that little creep.
00:53:39Well, we're going to get married.
00:53:41I'm thinking of going to college, too.
00:53:43You have a contract with me.
00:53:45I did have a contract.
00:53:47Not anymore.
00:53:47No one walks out on me.
00:53:50Ian is considering making a statement to the police
00:53:53implicating you in the assault.
00:53:54I could back that up if necessary.
00:53:59You couldn't seem to save your life anyway.
00:54:02Get out of here!
00:54:03You've missed him again, I'm afraid.
00:54:16You've missed him again.
00:54:16You've missed it.
00:54:35Good bye.
00:55:06Shouldn't you wait until Roddy comes back?
00:55:08Where is he?
00:55:10I don't know.
00:55:14You get the key to this drawer?
00:55:16No.
00:55:18No.
00:55:26There's a Mrs. Rennie at the front desk.
00:55:35I don't know.
00:56:05I don't know.
00:56:35I don't know.
00:56:49He was fanatical about Jeannie.
00:56:51When Inspector Jordan mentioned red roses, it all came back.
00:56:58He wouldn't leave her alone.
00:57:02He pestered her with phone calls, sent her flowers, red roses.
00:57:07If he couldn't have her, nobody else would.
00:57:14All that kind of silly nonsense.
00:57:17Who are we talking about?
00:57:19She egged him on.
00:57:20It was a game to her.
00:57:23He was on the telephone.
00:57:27I came in and he shouted at me.
00:57:29He was very angry.
00:57:31It was none of my business.
00:57:33What was none of your business?
00:57:36Sheila.
00:57:36He was being blackmailed.
00:57:40I heard he was blackmailing him.
00:57:41Somebody who telephoned.
00:57:44I heard you know it was someone who telephoned.
00:57:46If it had been an incoming call, I'd have heard it.
00:57:49There's a bell in the other office.
00:57:50You haven't used the phone since?
00:57:52No.
00:57:53Last number, re-dial.
00:58:07South Lone?
00:58:11South Lone.
00:58:14You tell you're Mr. Ferguson.
00:58:16I want to speak to him when he gets back.
00:58:23Yes?
00:58:25Michael?
00:58:26Yes, Chunky?
00:58:35Yes, thank you, Jackie.
00:58:38We're in business.
00:58:53You tell me what he's trying to do with you today.
00:58:56Yes, thank you.
01:00:00You.
01:00:06Why?
01:00:08You destroy the talent.
01:00:12It was an accident.
01:00:14She fell from the balcony.
01:00:16It was an accident.
01:00:28She fell from the balcony.
01:00:30There was no accident, Larry.
01:00:32The police investigated it.
01:00:34I was there, Larry.
01:00:36She didn't struggle.
01:00:38She knew.
01:00:40She knew I was saving her from that evil.
01:00:42You killed her.
01:00:44Should have left things the way they were, Larry.
01:00:46Please.
01:00:48There's no need.
01:00:50You corrupted her memory.
01:00:52You corrupted her memory.
01:00:54Ah!
01:00:56Ah!
01:00:58Ah!
01:01:00Ah!
01:01:01Ah!
01:01:02Ah!
01:01:03Ah!
01:01:04Ah!
01:01:05Ah!
01:01:06Ah!
01:01:07Ah!
01:01:11Ah!
01:01:12Ah!
01:01:13Ah!
01:01:14Ah!
01:01:16Ah!
01:01:18Ah!
01:01:19Ah!
01:01:24Oh!
01:01:24You intend to prove it from her death, Marie.
01:01:43I can't let that happen.
01:01:46No! You're hurting me!
01:01:57Marie!
01:02:06Don't get it!
01:02:08Don't get it now!
01:02:13I loved him a wee.
01:02:15I stayed true to a moment.
01:02:17You did die to complete the circle.
01:02:21You're all just as bad as one another.
01:02:23Just a wee game for you, isn't it?
01:02:25Roddy Ferguson, everybody's fool.
01:02:43No!
01:02:45No!
01:02:49No!
01:02:51No!
01:02:53No!
01:02:55No!
01:02:57No!
01:02:59Oh!
01:03:00Oh!
01:03:01Oh!
01:03:02Oh!
01:03:03Oh!
01:03:04Oh!
01:03:05Oh!
01:03:06Oh!
01:03:07Please!
01:03:08Please!
01:03:09Please!
01:03:10Please!
01:03:11Please!
01:03:12Please!
01:03:13Please!
01:03:14Oh, God!
01:03:15Somebody help me!
01:03:18Please!
01:03:21Ha ha!
01:03:22Well, you don't expect me to, do you?
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