00:00Ciao a tutti, sono Sonia Serafini. Ho avuto l'opportunità di intervistare i protagonisti di Pieces of a Woman, il nuovo film Netflix che uscirà il 7 gennaio. Sentite che cosa mi hanno detto.
00:30La prima cosa è la prima cosa, la prima cosa per la vita per la paine.
00:34Oh, chi è stato? I credo era Nietzsche.
00:37Abbiamo l'art, quindi non perichiamo dalla realtà .
00:43So, ho visto il film twice, una in Venice e una in la la mattina.
00:48E congratuliamo, è così potente, ma anche fuori di speranza.
00:53Questo è un storia che no uno vuole dire, ma passa all'ora, all'ora.
00:57So, why did you decide to make this movie, especially for your English debut?
01:05So, it was basically for an invitation, doing a piece in Poland.
01:12So, first it was a theater play.
01:14And what was the intention behind it?
01:17I think we wanted somehow to break our silence.
01:21We have a shared experience of a miscarriage.
01:25The story, of course, our story is very far from what you see in the movie.
01:30But we also learned that every forced pregnancy end up in either miscarriage or stillbirth.
01:37So, we felt the urgency to talk about this.
01:41And I read Fragments of Dialogue in Kara's notebook.
01:45And it was the most beautiful, most personal writing I ever read by her.
01:50And also, I just, like, shocked that we are never talked about it, you know?
01:57And we want to break our silence with the play and with the movie.
02:03And also, want to break silence about a taboo.
02:07In your opinion, cannot be the best remedy for pain.
02:11I think we try to tell a story of a grieving mother.
02:16But also, tell a story about the love and the grace she experiences through the biggest love of her baby.
02:27I think in these stories, we tend to talk about the loss and the tragedy.
02:33Which is, of course, obvious and very important because losing a child goes against the circle of life.
02:41But how you break the taboo is to give space, you know, for other layers.
02:49For things that you, you know, these stories bring you.
02:54You may become a stronger person.
02:57You may understand something more about humanity.
03:02Deeper.
03:02So, I think we wanted to express these layers, too.
03:07Definitely.
03:08I mean, this is really the story of as much about life as loss.
03:13And this is a really important aspect for us.
03:17And also, this is a bit like our experience during our therapy somehow to making this movie.
03:23And I hope the audience will get it.
03:29Yes, you can relate to them, even if you don't have the same experience.
03:33Because maybe you can relate with the relationship with the mother.
03:36I mean, it's so many things inside.
03:39What about the long shot for the birth scene?
03:41How much of that scene was improvised?
03:44You know what?
03:45It was not that much improvised.
03:47It was real hard to be alive.
03:49And, of course, you cannot improvise a 25-minute shot.
03:55I don't think so.
03:57It was very much like dogma, handheld style.
04:00But we don't want to do a handheld style at all because it's very personal.
04:04Because someone has the camera.
04:07So, we were way more spiritual with our tool.
04:10And we want to be physical.
04:13We want to be emotional.
04:14We would like to create as crazy about variety of emotion as possible.
04:20And we planned that scene like an action scene.
04:23You know?
04:24Like how you can do a car crash.
04:26You know, planning and planning and planning and planning.
04:28And let's go for it.
04:29So, that was more how we do it.
04:32And, you know, the long shot helps because the long shot is really keep the physical aspect in present and expand film time.
04:42And we compress into that expanded film time our real time, which is like a complete birth in 22 minutes.
04:51You know, it's just happening in cinema.
04:53You know, nowhere else.
04:54And put you very close to Marta's experience.
04:59I mean, you are there.
05:00And you feel what she felt in that moment.
05:03And it's incredible.
05:05I really love that scene.
05:07And then you have the title of the movie.
05:09So, you say, what about?
05:11This is just the introduction.
05:13I mean, I don't know what I'm expecting now.
05:16We always knew this is a little bit like a movie into a movie.
05:21You know?
05:21And that was also like a very important thing.
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