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  • 3 mesi fa
Ecco la nostra intervista a Brian Mendoza, regista di Sweet Girl, il film con Jason Momoa disponibile su Netflix.
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00:00I think the memories that shape you of, you know, where it's memories are how you sort
00:23of learn as you go into the future.
00:26So the memories that shape you are all about, you know, the lessons in life that you're
00:31learning and that you're applying to yourself.
00:34And then when you become a parent, I think you can take those lessons and apply it to
00:39your kids.
00:41What is your obsession with Paloma?
00:44What it means for you, Paloma?
00:46Ah, Paloma.
00:48So we made a film called Road to Paloma years ago.
00:53And on in during that film, I rescued a dog named Paloma and we named her Paloma rescue.
01:01We rescued her on a Native American reservation.
01:05So she passed away during prep on this from from lymphoma.
01:10So she's our dogs are very big to us.
01:14And so when we had to name the rabbit, it just felt like it was great to name her Paloma.
01:19Plus just the other meanings of Paloma being peace.
01:22And wow.
01:23So sweet.
01:25And like in the movie, what's your childhood favorite song?
01:31My childhood?
01:32If you have one.
01:33Yeah.
01:33Well, Sweet Child of Mine is not bad at all.
01:37Yeah.
01:38It's certainly one.
01:41So you threw an ambulance in the middle of Pittsburgh.
01:46It was crazy that scene with the dolly in the air.
01:49It was crazy.
01:49So what's the craziest thing that you have done on set?
01:53I think the craziest thing I've been seeing this this one.
01:57And I hope I hope I don't leave interview going like, oh, there's another one that was crazier.
02:01But we had to shoot on a live subway.
02:04And so we we closed down.
02:07We shot from one stop to the next stop.
02:09And we had to time it out.
02:12The fight choreographed the fight so that it worked within that amount of time to get there.
02:17And then once it reached the second stop, we had to throw Bella out.
02:21She gets thrown from the train.
02:22That was probably the most challenging.
02:26Just logistically, whenever you shoot on something live, that being a subway train is always difficult.
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