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Sweet Girl: l'intervista al regista Brian Mendoza
cinefilos.it
Segui
3 mesi fa
Ecco la nostra intervista a Brian Mendoza, regista di Sweet Girl, il film con Jason Momoa disponibile su Netflix.
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00:00
I think the memories that shape you of, you know, where it's memories are how you sort
00:23
of learn as you go into the future.
00:26
So the memories that shape you are all about, you know, the lessons in life that you're
00:31
learning and that you're applying to yourself.
00:34
And then when you become a parent, I think you can take those lessons and apply it to
00:39
your kids.
00:41
What is your obsession with Paloma?
00:44
What it means for you, Paloma?
00:46
Ah, Paloma.
00:48
So we made a film called Road to Paloma years ago.
00:53
And on in during that film, I rescued a dog named Paloma and we named her Paloma rescue.
01:01
We rescued her on a Native American reservation.
01:05
So she passed away during prep on this from from lymphoma.
01:10
So she's our dogs are very big to us.
01:14
And so when we had to name the rabbit, it just felt like it was great to name her Paloma.
01:19
Plus just the other meanings of Paloma being peace.
01:22
And wow.
01:23
So sweet.
01:25
And like in the movie, what's your childhood favorite song?
01:31
My childhood?
01:32
If you have one.
01:33
Yeah.
01:33
Well, Sweet Child of Mine is not bad at all.
01:37
Yeah.
01:38
It's certainly one.
01:41
So you threw an ambulance in the middle of Pittsburgh.
01:46
It was crazy that scene with the dolly in the air.
01:49
It was crazy.
01:49
So what's the craziest thing that you have done on set?
01:53
I think the craziest thing I've been seeing this this one.
01:57
And I hope I hope I don't leave interview going like, oh, there's another one that was crazier.
02:01
But we had to shoot on a live subway.
02:04
And so we we closed down.
02:07
We shot from one stop to the next stop.
02:09
And we had to time it out.
02:12
The fight choreographed the fight so that it worked within that amount of time to get there.
02:17
And then once it reached the second stop, we had to throw Bella out.
02:21
She gets thrown from the train.
02:22
That was probably the most challenging.
02:26
Just logistically, whenever you shoot on something live, that being a subway train is always difficult.
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