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La nostra video recensione di Father Mother Sister Brother, il nuovo film di Jim Jarmusch presentato in concorso alla 82ª Mostra Internazionale d’Arte Cinematografica di Venezia.

Con un cast stellare che include Cate Blanchett, Vicky Krieps, Mayim Bialik, Charlotte Rampling, Indya Moore e Luka Sabbat, il film esplora temi universali attraverso lo sguardo unico e poetico del regista.

Nel video analizziamo i punti di forza della pellicola, lo stile registico e le performance del cast.

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Trascrizione
00:00After a trio of titles presented at the Cannes Festival, Jim Jarmusch was invited to the Lido, at Venice 82, to present his new film, Father, Mother, Sister, Brother, in competition.
00:13The film is practically completely summed up in its title.
00:18It is a story of three episodes, specifically, that feature children talking about or with their parents.
00:23In the first episode, in particular, we have two children who go to visit their elderly father after he was widowed and the embarrassment between the characters is palpable.
00:39There is a real intimate relationship, they do not speak to each other and they almost never see each other.
00:44And Guillermo manages to capture with great effectiveness the embarrassment and the unsaid things of this relationship, of this three-way relationship.
00:56The second episode instead features two sisters who go to have tea with their mother.
01:03From what we can understand, the mother is an established writer, while the two sisters apparently struggle to find a way to assert themselves.
01:10In this case too, the relationship seems to be quite formal, quite detached and yet embarrassed.
01:23As for the third chapter, there is a generational leap and instead we have two siblings, a twin brother and sister,
01:29who are struggling with the mourning of their parents, who have become orphans, following, it seems, a plane crash.
01:40And the two tell each other and recount with great affection and great tenderness the slightly punk,
01:45slightly reckless life to which their parents had subjected them.
01:52The film is a real summary of Jarmusch's style.
01:56There is a lot of downtime, a lot of reflection and self-reflection.
02:00The result is a product that is enjoyable, and will certainly appeal to fans of the director,
02:09but which is perhaps difficult to enjoy precisely because it certainly, intentionally,
02:13confronts us with those, um, natural relationships,
02:16namely those, those of blood with our family,
02:19which are often not exactly heterogeneous,
02:21which are the most difficult to process and deal with.
02:23In this regard, the film certainly hits the mark.
02:31It manages to communicate very effectively the sense of embarrassment and discomfort
02:36that the situations depicted are intended to convey,
02:39despite the fact that it is not exactly an entertainment film.
02:46In the context of the competition,
02:48it is unlikely that it will have space for the awards,
02:51The Lions that will be awarded at the end of the festival
02:53is certainly a great opportunity for photographers and fans
02:59because the film is full of stars.
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