La Grazia, nuovo film di Paolo Sorrentino, ha inaugurato la 82ª Mostra Internazionale d’Arte Cinematografica della Biennale di Venezia. In questa video recensione vi raccontiamo le nostre impressioni sul film, l’accoglienza al Lido e le performance del cast.
Sorrentino torna a Venezia dopo È stata la mano di Dio con un’opera che intreccia poetica autoriale e riflessione universale, confermando il suo ruolo tra i registi più apprezzati del panorama internazionale. Protagonista assoluto è ancora una volta Toni Servillo, affiancato da Anna Ferzetti, Orlando Cinque, Massimo Venturiello, Milvia Marigliano, Giuseppe Gaiani, Linda Messerklinger e Vasco Mirandola.
Nel video analizziamo i punti di forza del film, la regia, la fotografia di Daria D’Antonio, le scenografie di Ludovica Ferrario e i costumi di Carlo Poggioli, senza dimenticare l’emozione del red carpet d’apertura, che ha visto al centro anche la madrina Emanuela Fanelli.
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00:00Venice 82, the 82nd edition of the Venice Biennale International Film Festival, has officially begun.
00:08We are in Lido and we have already seen the opening film, La Grazia by Paolo Sorrentino.
00:15After Pardinope, the Oscar-winning director returns to collaborate with Tony Servillo who not only gave him the Oscar for La Grande Belleza,
00:23but also some of the best films of his career and La Grazia is a candidate to be among the director's best films.
00:30The story is that of Mariano De Santis, President of the Republic, six months before the end of his seven-year term.
00:43And these six months will be, however, characterized by doubts, uncertainties and the realization that, throughout his life, De Santis,
00:50throughout his political and legal life, De Santis has been a cautious person, a person who has never taken a clear position,
00:57probably also because of his profession, in fact, a jurist who bases his work on the truth and precisely because the truth, the facts are difficult to establish.
01:11Precisely for this reason he has a very cautious approach to life.
01:14However, this caution will be shaken by these last six months of his mandate.
01:22The elderly jurist will have to deal with the question that has tormented him for over 40 years,
01:27and which concerns his late and beloved wife Aurora,
01:30and above all he will have to decide whether or not to sign a particular law,
01:33and whether to grant clemency to two lifers.
01:35Along with Servillo, who of course always offers a master class in acting on the big screen,
01:46there is Anna Ferzetti who plays the daughter of President De Santis and who surprises with a
01:50very balanced and measured performance, and probably her best of her career.
01:54The film puts its protagonist in search of lost lightness, which is very complicated for a person,
02:05a lawyer, an upright man who is nicknamed Reinforced Concrete.
02:12So you can imagine the kind of character Servillo plays.
02:18In the first part, the film is characterized by being very scripted,
02:21there is a lot of dialogue and unfortunately it often sounds stilted,
02:25but in the second part it loosens up.
02:28Sorrentino manages to be very sincere in this film
02:31and the perception is the great emotion that involves and overwhelms,
02:35especially in the second part.
02:42This great emotion, this great emotion that comes out in the second part of the film,
02:46um, gives a very rounded, very complete meaning to the story and there are also hilarious,
02:51very funny moments and all the supporting actors, although they may appear little on the screen,
02:56still manage to give depth to their characters.
03:04The film represents a moment of greater focus in Sorrentino's career as a director
03:08after the experience of Partanope which had been a little less balanced.
03:12It seems that the environment of the Palaces of Power is particularly congenial to Sorrentino for plumbing the human soul.
03:25And in fact, Grace, as we have already mentioned,
03:28certainly represents one of his best moments as a director.
03:32Ah!
03:32And that's exactly how I'd like to turn this to follow.
03:38As you guys can, I guess,
03:40go to.
03:46There have been a great opportunity here for things about Masa
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