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Slow Horses Season 5 Episode 2
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FunTranscript
02:00I should warn you, I'm armed.
02:07I thought you were a burglar.
02:15I couldn't have killed you.
02:16No, you couldn't.
02:18What the, uh, what the fuck is that?
02:21It's a waterbed.
02:23It must be like sleeping on a bouncy castle.
02:27I've been smoking in my room.
02:28I did you a favour.
02:30You don't want to smell what he's covering up.
02:31Give me that much champagne.
02:34No, that's partly water.
02:37I was saving this.
02:38For losing your virginity.
02:40You'll be vintage by then.
02:42Why are you here?
02:45Check in to see if you're dead.
02:47Anyone try and kill you or anything tonight?
02:54No.
02:55Ah, pity.
02:56It'd be nice to get this sorted one way or another.
02:59You, you know, just anyone tailing you?
03:04No.
03:05Well, either you're getting worse or your colleagues are getting better.
03:08Fuck me, that's a puzzler.
03:12Look, how come aren't you protecting?
03:14Uh, I'm, uh, not convinced you do, but, uh, you know, due diligence and all.
03:21You nearly getting run over.
03:23Broken CCTV.
03:25Potential spotter.
03:27Vehicle making a quick exit.
03:30It's dodgy, but none of it raises my spidey senses as much as hearing that a real-life woman is happy to spend time with you.
03:38How do you know about Tara?
03:40Uh, Standish left me a message.
03:42Now, I'm not a conspiracy theorist, but something's going on.
03:46I don't get it.
03:48We should have that put on a T-shirt for you.
03:51I'll take the couch.
03:52The bed's a fucking nightmare.
03:53What?
03:54Hang on.
03:55How come you're going to sleep?
03:56I thought you were here to keep guard.
03:57I know.
03:58Whatever gave you that idea?
03:59I'm here to make sure someone else is.
04:01Give her a sword and a helmet.
04:09She'd look like a brave little hobbit.
04:12Right.
04:13Open the windows.
04:14I'm off for a dump.
04:15I'm off for a dump.
04:45I'm off for a dump.
05:15I'm off for a dump.
05:45I'm off for a dump.
05:46I'm off for a dump.
06:15I'm off for a dump.
06:16I'm off for a dump.
06:17I'm off for a dump.
06:18I'm off for a dump.
06:19I'm off for a dump.
06:20I'm off for a dump.
06:21I'm off for a dump.
06:22I'm off for a dump.
06:23I'm off for a dump.
06:24I'm off for a dump.
06:25I'm off for a dump.
06:26I'm off for a dump.
06:27I'm off for a dump.
06:28I'm off for a dump.
06:29I'm off for a dump.
06:30I'm off for a dump.
06:31I'm off for a dump.
06:32I'm off for a dump.
06:33I'm off for a dump.
06:34I'm off for a dump.
06:35I'm off for a dump.
06:36I'm off for a dump.
06:37I'm off for a dump.
06:38I'm off for a dump.
06:39I'm off for a dump.
06:40I'm off for a dump.
06:41I'm off for a dump.
06:42I'm off for a dump.
06:43I'm off for a dump.
06:44I'm off for a dump.
06:45I'm off for a dump.
06:46I'm off for a dump.
06:47I'm off for a dump.
06:48I'm off for a dump.
06:49I'm off for a dump.
06:50I'm off for a dump.
06:51I'm off for a dump.
06:52I'm off for a dump.
06:53I'm off for a dump.
06:54I'm off for a dump.
06:55I'm off for a dump.
06:56I'm off for a dump.
06:57I'm off for a dump.
06:58I'm off for a dump.
06:59I'm off for a dump.
07:00I'm off for a dump.
07:01I'm off for a dump.
07:02I'm off for a dump.
07:03I'm off for a dump.
07:04You sure wanted one of us dead?
07:34Yeah, you, you dumb prick, you!
07:46Surrounded by losers, misfits and boosers
07:51Hanging by your finger knives
07:55You may want them fake, you've got blood and the snake
08:00You're foolish, you're foolish, you're fake
08:04There's a, there's a hope of this slippery slope
08:09Somewhere I go searching
08:12To get back in the game
08:16And fill it up your shame
08:18And dance with the big boys again
08:22You can't tell me what you said
08:24You can't tell me what you said
08:26You can't tell me what you said
08:32How can you tell me?
08:34Oh
08:36Oh
08:46Oh
08:48Oh
08:50Oh
08:52Oh
08:54Oh
08:56Oh
08:58Oh
09:00Oh
09:04We're going to catch up with Shirley.
09:14Do you want to look like I'm up for a foot, Chase?
09:18The assassin's got a face full of bleach and a couple of broken bones. Shirley will bring him down and bring him in.
09:26It's a case of mistaken identity. Like I said, no one knows I live here.
09:30Yeah. Except your girlfriend.
09:34I told you, she's got nothing to do with this.
09:38You lost your keys recently.
09:40Yeah, and she found them. Does that sound like she's guilty?
09:42Yeah, she had them copied.
09:44Why do you think that?
09:46Cause the assassin had a fucking key.
09:48Switch your phone off so the park can't trace you.
09:52I'm sorry, girl.
09:54Ha, ha, ha.
09:56Ha, ha, ha, ha.
09:58.
10:00, , Sammy.
10:02, Step off, I sit here.
10:04Oh
10:07,,
10:12,,
10:14.
13:17In the middle of election for mayor when people are already losing their minds.
13:22But my improvements should give us extra defense.
13:25I'm going home.
13:27You should get some rest.
13:28No, I'm staying here.
13:29No, I expect you to stay, but you could put your feet up on one of the benches in the corridor.
13:36Oh, are we here?
13:50Are we here?
14:02Are we here?
14:06Well, you can't afford it.
14:07Well, you can't afford it.
14:08And I would never come here.
14:10So the park won't find us.
14:12I ordered the house red for you and a pint of red bull for me.
14:28And I slipped him a twenty.
14:32Why?
14:35So we could have any table we want.
14:38So, how did you meet her?
14:45Gravity.
14:46Gravity.
14:46Gravity.
14:46What?
14:47Well, like the twin sons of Tatooine.
14:52Well, you've got the same tattoos.
14:54Tatooine.
14:55It's a twin sun desert planet in Star Wars.
14:59Rocket fuel.
15:02Cheers.
15:04Here, give him a tenner.
15:05I would have gave him a twenty.
15:08Yeah, that was the idiot's axe.
15:10I want his patent pen.
15:19Sorry, sir.
15:20Can't smoke in here.
15:22Yeah, I know.
15:25You're worried about my health.
15:26The fucking menu would kill me.
15:28Look, fifteen quid for porridge.
15:32Here.
15:32There you go.
15:36Write down everything you know about her.
15:39Who approached her, what you told her about yourself, what sort of things she's asked about.
15:43Every detail is important.
15:46Apart from that shit you were telling me just now.
15:50I'm off to the bowl.
15:51Quick fag.
15:52What the fuck are you doing here?
16:16Someone shut up, host flat.
16:17What the fuck are you doing here?
16:18Someone shut up, host flat.
16:19Really?
16:22Lam wants us to check out the address of Ho's girlfriend.
16:27Us.
16:29Us as in.
16:32Wait, how did Lam know where I was?
16:35He said you'd probably be working out on account of your issues.
16:38And this is your nearest free equipment.
16:40Yeah, because I'm the one with the issues.
16:45Fuck, so Shirley was right then.
16:47I thought she was losing her mind.
16:49I get why you wouldn't believe her.
16:51Yeah, well, she's not going to see it like that.
16:54If she's losing it, you're not the only one making bad judgments.
16:58There's nothing wrong with my judgment.
16:59Targeting.
17:00Kurt September.
17:01Well, why don't you wait to tell her?
18:33Can we get this over with?
18:39There's something I'm sure you've heard often from ladies at this time of night.
18:43I'm here out of service to my country.
18:44Oh.
18:45No little respect wouldn't go, miss.
18:46You're here to serve yourself.
18:48I can help you trace the weapon used in the Abbotsfield massacre.
18:51It went missing from a consignment on display at the Security Equipment Arms Fair in Docklands last month.
18:58And you know this because?
19:00In my post-parliamentary life, I find myself working in public relations.
19:05You work for the arms company that lost the assault rifle that killed 11 of our citizens?
19:11Not work for.
19:12Advise.
19:13And in return for coming forward, I presume you want me to keep that company's name out of the press?
19:20Well, their internal investigation hit a dead end.
19:24But I can give you a list of the roving ordnance, provided you can guarantee my clients are protected from any accusations of negligence should one or more of their weapons turn out to be involved in this or any other unfortunate event.
19:37And they lost a crate of weapons.
19:39How is that not negligent?
19:40It went missing from a trade fair which brings in a lot of revenue to this country.
19:44I don't think you want to tarnish the industry over a stock-taking error.
19:51Publicly, your client will be protected.
19:54But privately, I will pass on my reservations to the Defence Secretary.
19:58I can handle him.
20:00Here's the list.
20:02While I'm here, if you don't mind, I'd like to raise some issues on behalf of other clients.
20:08I do mind.
20:10I should have to get back to the park.
20:12The Zimbabweans would rather we closed the books on the supposed murder of a British journalist.
20:17The Chechens would like some assets unfrozen.
20:19And there's a Libyan conglomerate who would like compensation for oil revenues lost due to the instability we unleashed when we foolishly removed their charming leader.
20:28And I would like you to leave my house.
20:33Diana, I know you've been putting out feelers for work in the private sector.
20:36There are bodies on the ground, Peter.
20:38I am not going anywhere.
20:39You've postponed your resignation three times.
20:41There's never a good moment to go, but when you finally make the leap, I can help you find an extremely soft landing.
20:48So do bear in mind those issues I raised.
20:51I can find my own landing.
20:52I can find my own landing.
21:22You're pushing me, Peter.
21:24You're putting me on the streets.
21:25You're doing a good job.
21:26You're doing it.
21:27You're working with an eye on my eyes.
21:29I saw a disguise in receiving my horse.
21:31And I'm just waiting for it.
21:34You're running loose.
21:35You're running late.
21:36You're running late.
21:37You're running.
21:37You're running.
21:38You're running late.
21:39There's no need to help.
21:40I'll give you something for you, I'll give you something for you.
21:49I'm going to go to the hospital, I'll bring you to the hospital.
21:52I'll get you to the hospital, and I'll get you to the hospital.
21:57Where are you?
21:58No!
21:59No!
22:00No!
22:01No!
22:02No!
22:10No!
22:27I'll get you to the hospital.
22:29I'll get you to the hospital.
22:34I was a hospital, I knew I was a hospital.
22:37If you want to be a hospital, I'll get you to the hospital.
22:59Yes, I can.
23:07For fuck's sake.
23:24Go back to bed.
23:26I'm outside Roddy's.
23:27Shirley told me she was keeping watch here.
23:29I've come down to take a shift, and there's police everywhere.
23:32They're saying it could be another attack, like at Abbotsfield.
23:35Yeah, well get the fuck out of there before the park's shut.
23:38What's happened?
23:40A gunman turned up, I dealt with it.
23:42Is Roddy okay?
23:45Physically, yes.
23:47Everything else is up for grabs.
23:49And Shirley, she with you too?
23:51Er, she went after the gunman.
23:53And you let her?
23:54Yeah, well there wasn't exactly time to stop her, but thanks for the feedback.
23:59Where are you?
24:00Debriefing Ho, away from unwanted interference, which includes you.
24:05Lamb.
24:06I mean.
24:15This is it.
24:16Thirty-four primary place.
24:18Come on.
24:19Come on.
24:20Well if it was a hit, and she was a honey trap, at least it means Roddy's still repulsive to women.
24:35Does he make you feel insecure?
24:39No.
24:40He's physically impressive.
24:41What?
24:42And I'm not.
24:48Yeah, let's just stick to what's relevant, shall we?
24:50What the fuck is that?
24:51Push knife.
24:52Why have you put it down?
24:53If she's in, she's innocent.
24:54She could have been coerced.
24:55She was dating Roddy Ho.
24:56Obviously it involves some kind of coercion.
24:57The rest of the hit squad might be here.
24:58Why?
24:59Why would they be here if they know that Roddy has the address?
25:00Maybe they're having a time to clear out.
25:01Maybe they're planning to kill anyone who shows up.
25:03Maybe they're planning to kill anyone who shows up.
25:04Maybe they're planning to kill anyone who shows up.
25:05Have you got another one in them then?
25:06No.
25:07Well what am I gonna do?
25:08I'm unarmed.
25:09Maybe they're planning to kill anyone who shows up.
25:10How many of them are going to kill anyone?
25:11I'm unarmed.
25:12I'm unarmed.
25:13I'm unarmed.
25:14I'm unarmed.
25:15I'm unarmed.
25:16But why have you put it down?
25:17If she's in, she's innocent.
25:18She could have been coerced.
25:19She was dating Roddy Ho.
25:20Obviously involved some kind of coercion.
25:21The rest of the hit squad might be here.
25:22Why?
25:23Why would they be here if they know that Roddy has the address?
25:26Maybe they're having a time to clear out.
25:27Have you got another one in him then?
25:29Nah.
25:30Well, what am I gonna do in my arm?
25:31Decoy.
25:32Fuck you, decoy, not your decoy.
25:34Fuck off, you bastards!
25:36Whoa, whoa, whoa, whoa!
25:37Fuck off!
25:38Fuck off!
25:39Where MI5?
25:40Okay, we just wanna ask you a few questions.
25:41MI what?
25:42MI5, the security surfaces.
25:43Can I ask you to put that down, please?
25:44Spice?
25:45What have I done?
25:46Nothing.
25:47You go to jail.
25:48Well, you are the one with a knife.
25:49He got knife?
25:50Yes, and he's putting his away now, isn't he?
25:52No, no!
25:53No, no!
25:54Take me, take me, take me the knife!
25:57I'll talk to them.
25:59Don't sleep.
26:01As I was just explaining, we're from MI5, okay?
26:04And we just wanted to ask a few questions.
26:06It's all right.
26:07Some kids have been knocking on the door, playing pranks.
26:10Okay, that's fine, but...
26:12She knows she can't just stab people for that, right?
26:14Last time they wrapped a dog shit in the newspaper.
26:17Said fight with playing the bell.
26:19She stamped on it to pull it out. Shit everywhere.
26:22Okay, fair enough.
26:23I'd want to stab people for that.
26:24But, um...
26:25We're looking for a woman in our 20s called Tara.
26:28And she gave this as her last address.
26:30It's just me and my mom.
26:32What do you want to this woman?
26:34Um...
26:38Uh, I'm afraid we can't really say any more than that.
26:40But, um, thank you.
26:41Thank you anyway.
26:45Let's go!
26:46Push knife.
26:55Push knife.
26:56Push knife.
26:57Push knife.
27:16Then spin.
27:17Push knife.
27:18Pull knife.
27:20Pull knife.
27:21Pull knife.
27:23Pull knife.
27:24Push knife.
27:25Push knife.
27:27Just ask me.
27:28Cookie mph.
27:29Which plate called?
27:33Spθ―₯ call?
27:35Check.
27:36So close my body,
27:37Ready to do this.
27:39Why are you asking?
27:40Because you will probably be arrested.
27:43You might go to jail.
27:44Yeah, well, it's worth it.
27:47Just keep us out of it, OK?
27:49I don't know enough about you guys to tell them anything.
27:51Good.
28:01Put this at the tanker, then hide out,
28:04and watch the news tomorrow.
28:06The city will be in chaos.
28:09Cool.
28:36What, the city will be in chaos.
28:40Oh.
28:42This is where you are.
29:44Because she insisted and she's part of Slough House.
29:47I'm a so-so shitter, but I don't want it following me around.
29:51Anyone at the flat?
29:53Just the mother and son. Nothing to do with Rory's girlfriend.
29:56She obviously gave him a false address.
29:58She must be involved.
29:59What do you want us to do, then?
30:03Tell Cote to get his arse here.
30:07What about me?
30:09Well, you can sit in the car or fuck off back to bed.
30:13Oh, so I'm on standby, then. Okay.
30:15If it makes you feel better.
30:18Is this because I left Shirley?
30:20Or because I told Catherine where you were?
30:23Either will do.
30:27The fine's are.
30:28What do you think?
30:31Shirley, are you okay?
30:32She's fine.
30:33She doesn't look it.
30:34It turns out she's my only functioning Joe, and I don't need her collapsing right now.
30:40Move to another table, yeah?
30:42Make some room.
30:43Or shift to the table in your flat.
30:48Seriously.
30:50I've had it with you people.
30:51Turning up like some kind of cavalry,
30:54rather than a flood of shit cresting a hill.
30:57What the fuck is that?
31:00Excuse me.
31:01Bring me some chips.
31:03Just chips.
31:07I lost him, obviously.
31:08Not before he stuck a used syringe in his thigh, though,
31:11so now he's got a limp in both legs.
31:14He's in his twenties, shaved head.
31:16Distinguishing marks include glass lacerations and blistering
31:19for whatever you threw in his face.
31:20Bleach.
31:22No, I do not have photos.
31:24I was going to say, how come she gets to speak,
31:26and I have to write everything down?
31:27Because she sticks to the salient points,
31:30whereas when you talk,
31:31I'm going to stick a pencil in my eye and head back to the table.
31:34He's a professional.
31:35He fights like an absolute bastard.
31:37Apology.
31:37You're the one who should be apologising.
31:40He got through your cordon.
31:45Here.
31:45Here's a list of weapons missing from the London Arms Fair.
32:02Both Abbotsfield rifles are on there,
32:03as are other rifles, pistols, hand grenades.
32:06Find them.
32:07Shots were fired from a high-powered rifle
32:09at an East London address earlier tonight.
32:10Now, it's not the address we have in the system for Roddy Ho,
32:13but...
32:13Roddy Ho?
32:14Yes.
32:14It was rented under the name Clint Wolf,
32:16which seems like a name that would only exist in Ho's head.
32:19Plus, someone had written Roddy and the food in the fridge.
32:22And why haven't you brought him in?
32:23We're in the process of locating him.
32:25Meaning you can't find him.
32:26She gave me a fake address so she was an asset, probably coerced.
32:56Are you just gonna blank me? I haven't done anything wrong.
33:03Give her time.
33:06Okay, I'm sorry I stood down when I did.
33:08That's all right.
33:09No, it's not all right. Someone tried to kill her.
33:12Twice. Still, yeah?
33:15Lamb.
33:18Okay, you know what? Can we just skip ahead here?
33:20Move past the bit where you ignore me, then you tell me I'm shit,
33:24and we just jumped straight to you telling me what it is that you want me to do,
33:27because, to be honest, we know that you're gonna get there eventually,
33:30and the preamble thing that you keep doing is getting really, really fucking tedious.
33:34You're no good to me fighting the last war.
33:37What's that supposed to mean?
33:39Look what I've got to work with. A crack-up, a drunk psychopath,
33:43and whatever the fuck that is, all of them more functional than you.
33:47I'm here. I'm ready.
33:49Your world stopped when your grandpa went gaga and your dad tried to blow you up.
33:54Deal with it or fuck off.
33:56You got any capacity for human sympathy?
33:59Yeah, the person I got my sympathy for is me for having to put up with you.
34:02Pay the bill.
34:03I'm out of cash and my cards will be traced.
34:05Use your card and turn your fucking phone on.
34:08About 20 minutes after this payment goes through,
34:14some muscly men in suits and a hot blonde are gonna come looking for us.
34:18Do them a favor, tell them we've gone back to the office.
34:25Why are we throwing Roddy to the park?
34:27Because they need to know what he's done.
34:29And while they're getting up to speed,
34:31you gotta give me time to work out what the fuck is going on.
34:34What has he done?
34:35Nothing.
34:36And resident Pillock has been compromised.
34:39Destabilization strategy.
34:41Cold War.
34:42Compromising an agent is not limited to the Cold War.
34:45Put it together with Abbotsfield.
34:47And it's what we used to do to countries that opposed our interests.
34:51One, compromise an enemy agent.
34:54Two, attack the village.
34:56I've not been compromised.
34:58I have a girlfriend.
34:59Sure, just say that.
35:00That'll buy me a shitload of time.
35:02Look, we've always had a mutual respect, you and I.
35:05But this is where we diverge.
35:07In my professional opinion, as an agent,
35:09you're barking up the wrong tree.
35:11Tara's innocent and so am I.
35:13Okay, then what do you think's going on?
35:15In your opinion, as an agent?
35:17I think you're jealous that I'm hanging out the back of an angel
35:21while you rub yourself raw in the dark.
35:23I don't want to talk.
35:25Right.
35:26Mm-hmm.
35:42Mr. Dillali.
35:45How do you do it?
35:46Do you want to run out the way?
35:47Do you want to run out the way we have?
35:48I don't want to really do it.
35:49Go!
35:51You're not sure what's going on.
35:52I want to run out of time.
35:54See what's going on?
35:55Do you want to run out of time?
35:56It's not ok.
35:57I want to get to know you.
35:58I want to get out of time.
36:00No.
36:16And he's not going to be like, it's happening everywhere, right?
36:43And they don't want Gimbal to win, right? So they smear him.
36:47Sorry, who's they?
36:48The media and the deep...
36:50Oh, you mean me?
36:51Yeah, absolutely.
36:52Right, sorry, Pete. You're now smearing me.
36:55More calls, hopefully less conspiratorial.
36:57After the...
36:58Morning, clothes.
37:13Do we know each other?
37:17Sorry, it feels like I know you because I see you in the papers.
37:20I'm usually up here at the same time as you.
37:22Although, I stroll and you run.
37:25It's cold.
37:28How do you do, Carl? How do you do?
37:32Yeah, spoilt for green space in this city, aren't we?
37:37Yes, yes, indeed we are.
37:38Not like some European capitals?
37:44No, I suppose.
37:47Like Copenhagen?
37:53Well, you were there.
37:55At a security conference.
37:57In March.
37:58Must have worked up quite the appetite.
38:00Seeing as you ordered room service for two.
38:04It's true you quashed a caution for curb crawling.
38:06I thought that would keep you at home with your wife.
38:10You've got a comment for any of that.
38:12But don't do Gimble's column.
38:18Fuck.
38:19Fuck.
38:24I jumped in.
38:26Asked him for a comment.
38:27How did he react?
38:29Terrified.
38:29I'm filing the column now.
38:34Once the editorial approve it, which they will,
38:36he'll have an official chance to respond.
38:38I'm not likely to get near him again.
38:42Can you get his number?
38:44Head of MI5?
38:46Yeah.
38:47Of course.
38:48Won't be cheap, though.
38:50Do it.
38:50All okay, sir?
39:03Yeah, just, uh...
39:05Just a member of the public.
39:07Heartless.
39:07Are you sure they're still in there?
39:19As far as we can tell, it's sitting there waiting for us.
39:23Go in, weapons drawn.
39:26Eleven people were killed yesterday morning.
39:29Poe had something to do with it.
39:30I want Lamb to know just how serious this is.
39:33Then perhaps for once, he'll cooperate.
39:35All right.
39:35All right.
40:05All right.
40:34Move.
40:57Move.
41:03Kitchen.
41:03Ah.
41:20Yeah, easy.
41:30I'm just showing you where it is.
41:39Not in there.
41:41Oh, definitely not in there.
41:44Oh, there it is.
41:51Your flights, mate.
41:53Yeah?
41:54From the Met.
41:55You must be more used to plonking guns than picking them up.
42:00Clear.
42:04Mum.
42:30No, thanks.
42:44Yeah, wait outside.
42:45If this isn't on a spot performance review, I have to tell you, I am absolutely killing it right now.
42:51There was an attempted hit on Roderick Ho last night.
42:55Oh, don't play dumb.
42:57I'm not sure you can say dumb anymore.
42:59I think it offends the vocally impaired or idiots.
43:02I can't remember which.
43:03No, I'm not in the mood.
43:04Yeah, I'm getting that vibe.
43:06Service standing order.
43:08Whatever the hell it is.
43:1027-3.
43:11If you say so.
43:11Yeah.
43:12The three's in brackets.
43:13I don't care if it's in Sanskrit.
43:15It is there for a reason.
43:16If there's a hit on one of your team, you report it upwards, in this case, to me.
43:20Well, ordinarily, I would have done, but there were special circumstances.
43:23Which were?
43:25I couldn't be arsed.
43:26That's not a special circumstance, Jackson.
43:29That was your prevailing condition, and this time it might just prove terminal.
43:32Oh, you want to go to the mads, Diana?
43:34Just let me know.
43:35I've got so much dirt on you, I could start an allotment.
43:38Well, I'm sure that will keep you busy and you're forced to retirement, but it certainly won't save you.
43:42Not this time.
43:43Whelan is itching to shut down Slough House, and now he has a reason.
43:46The bullets we found at Ho's flat came from the same gun used to execute the Abbotsfield shooter.
43:52The park.
43:58Yeah.
43:59Well, at least we're on the same page.
44:02I'm taking Ho into the park.
44:04Yeah, fair enough.
44:05And I'm putting Slough House in lockdown.
44:07No phones, no internet, no one leaves.
44:11I will not allow you to run around muddying the waters just to save your man's skin.
44:22Don't move.
44:28Okay.
44:28Okay.
44:28Okay.
44:59Come on.
45:09Upstairs.
45:29Come on.
45:59It's a strange, strange game
46:12Strange, strange game
46:17You don't even know my real name
46:21It's a strange game
46:25You've got to carry the plane
46:30And it's a strange, strange game
46:34You're out on a limb
46:38Trying to get in
46:40It's a strange game
46:55You're out on a limb
47:00You're out on a limb
47:01You're out on a limb
47:02You're out on a limb
47:03You're out on a limb
47:04You're out on a limb
47:05You're out on a limb
47:06You're out on a limb
47:07You're out on a limb
47:08You're out on a limb
47:09You're out on a limb
47:10You're out on a limb
47:11You're out on a limb
47:12You're out on a limb
47:13You're out on a limb
47:14You're out on a limb
47:15You're out on a limb
47:16You're out on a limb
47:17You're out on a limb
47:18You're out on a limb
47:19You're out on a limb
47:20You're out on a limb
47:21You're out on a limb
47:22You're out on a limb
47:23You're out on a limb
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