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00:00Calm down, doctor. Don't worry, everything will be fine.
00:07Oh yes, again, a thousand thanks for everything.
00:11Well, see you later.
00:15Idiot.
00:17How are you?
00:18He is terrified.
00:20Do you think that because I acted so badly during the exams, you're going to get into trouble?
00:25Yes, there are definitely people who worry about stupid things.
00:30Of course the little man was going overboard with the diagnosis, wasn't he?
00:32According to this, you have six months to live.
00:35Well, that was the idea, wasn't it?
00:37The idea is to get it to your husband's ears.
00:39It has already passed through the hands of Ana Bolina.
00:41So it's just a matter of minutes before everyone knows.
00:45And Ana Bolina will understand the seriousness of this.
00:48What if I think it's nonsense too?
00:50No, don't worry, you don't know her.
00:53Yes, that woman makes up what she doesn't know.
01:00Yes, indeed, I've already spoken to all the hotel employees, explained what happened to them, and believe me, they understand.
01:06Of course, they understand it perfectly.
01:08You don't have to worry about them.
01:12Well, the idea would be to return to work at the hotel tomorrow.
01:16Okay, tell me then, right?
01:21And again I am very sorry for what happened.
01:24And when we tell him we really want him back, we mean it with all our hearts.
01:29It has been a pleasure for me to work with such a cool and disciplined person like you.
01:35Well, that's how it is.
01:37Bye.
01:38She is super prepared.
01:42Because of course, she says, if they did this to me once, they'll suddenly do it again, they'll try to damage my reputation again, and she doesn't want it.
01:49Oh, it seems to me that you are exaggerating.
01:51What the old woman wants is for us to beg her to return to the castle.
01:54Andrea, what happened was very serious.
01:57Yes, yes, I know it was very serious, but apologies have already been offered, Cecilia, what else can we do?
02:02If he doesn't want to come to work, he should say it straight out, I don't want to work.
02:05Besides, I don't understand what the scandal is, she's not the most important employee in this hotel, she's just an assistant.
02:11Yes, yes, a position you've held several times, you've been behind it, right?
02:18That you wanted to occupy.
02:19Well, the fact is that what happened was very serious and we have to investigate who was behind it and make them pay.
02:27What do you think about calling Silvia to coordinate all this?
02:30No, I didn't even try, Eduardo.
02:32She's still in my sister's room and seems to be feeling very ill.
02:35Don't delay in getting to the room, sir, I've already sent it to you, really.
02:43With great pleasure.
02:44Chucho, what are you doing there?
02:47Pati, that's what I'm asking you, what are you doing here and shouldn't you be working?
02:51I don't know.
02:52But, Pati, why? What's the deal?
02:53Oh, my dog, don't be like that, listen to me.
02:55You realized that I put every effort into working there, but...
02:59AND?
03:00Well, I wasn't going to put up with that old Bérdima, nor Largo, no, neither.
03:03And did he do something to me? He touched me, he abused me, Pati, tell me.
03:06No, what happens is that I was tired of him looking at me as if he wanted to get me into his bed all the time, you know?
03:10It's time.
03:11Chucho, I may be very needy, but neither am I.
03:13No, no, you're perfectly right, no, no, you bastard, how could you think of that?
03:16I'm sure he didn't do anything to him because if he did I'd go and smash his face in.
03:18Calm down.
03:20At least he put it in its place, I imagine.
03:22Well, yes, but at least the wife knew and that's enough, right?
03:26Look, I'm very tired.
03:30Chucho, what are you seriously doing there?
03:33I'm replacing Nabolena.
03:35And the other receptionist?
03:36It seems like he got a job somewhere else, something better, and so he left.
03:40Come on, Pati, I know that maybe it's not the time, right?
03:45But I saw Andredita there, wandering around the bar as if she were trying to get a drink.
03:49And you know what happens when Andredita takes a drink, right?
03:53Why don't I check it out?
04:05What, what? What are you doing?
04:07Let me see if I understood.
04:08Did you open the email that was sent to Mrs. Silvia?
04:11So, so much so that I opened it?
04:13I don't know, yes, what happens is that at the time when I took it to the office,
04:16it fell and it opened.
04:17Oh, look, Anne Boleyn, of all the things you've done, this seems to me the worst.
04:21Absolute shamelessness.
04:22Doña Silvia has a tumor.
04:26Oh, yes, I know, yes.
04:28That's what I'm here to tell you, that's precisely what they say in those exams.
04:33What are you trying to tell me, Anne Boleyn?
04:35Well, an uncle of mine died of a stomach tumor and it was terrible, the pain was...
04:39Anne Boleyn, first of all, Silvia is not going to die.
04:44Second, I'm very sorry about what happened to your uncle.
04:47And finally, please tell me you haven't told this to anyone else, it's just going to stay between us.
04:52Oh, I know, yes, it surprises me because I'm not a gossip.
04:56Well, changing the subject, have you thought about the new receptionist yet?
05:00Oh no, I know, yes, because the work is really slow.
05:02No, Ana, I didn't have a minute to think about that, and with this news, even less.
05:07No, so I had to go to work and answer all the calls by myself because no one in this hotel does any favors and I have to do everything by myself.
05:14And then Silvia came looking for Maritza?
05:23Yes, yes, he came to tell you that they hired an expert, right?
05:26And what did the expert say? He said the photos they took of you were staged, so don't worry, they've already figured out it wasn't you.
05:34Oh, and then since he can't communicate with her, he came looking for her.
05:37Yes, yes, that's more or less how it was.
05:39And you spoke to her?
05:41No, that was one way in and one way out, she didn't even go in.
05:44We can change you. Happy, aren't they? It shows. They're overjoyed, aren't they? Married, all told.
05:51We have eight days left.
05:53Three hours, twenty-five minutes, thirty seconds, twenty-nine, twenty-eight.
06:00Oh, how nice to be in love, isn't it?
06:02Well, how's the party going?
06:04Well, a party as such, no, let's see, no.
06:06Well, we've decided that we're definitely not going to do it at the castle, because it makes us feel bad and we don't have any favors to show someone.
06:16I think it's a very good decision, very good.
06:18Well, but I hope to be on the guest list.
06:20It's obvious, if she's my sister-in-law, how could she not?
06:22And there will be cake, wedding dress, a while.
06:24I love everything, everything, everything.
06:27I want to earn it.
06:28I want to earn it.
06:29That.
06:34I hope that tomorrow we'll find out who was behind that crude setup they pulled on Marietza.
06:46In any case, Juan Antonio has orders not to contract anything with the advertising agency, because I think it comes from there.
06:55Yes, it could be.
06:57What's up? Aren't you going to eat?
07:01No, I have no appetite.
07:04You never have an appetite lately.
07:06Are you OK?
07:08What happened to the exam results?
07:10Have you arrived?
07:11No, I think they'll arrive tomorrow.
07:14But I'm sure I'm fine.
07:18You know that bad news is the first to be known.
07:21One million.
07:44Ten million.
07:55What do you think? That I don't have anything to answer you with or something?
07:59See.
08:01I'm going to the car.
08:02There it is.
08:06I'm going all out.
08:06Don Alejandro should come here more often.
08:20Hello, baby.
08:22This night is not happening.
08:24Oh, Alcide, it's not like you'd rather go and sleep on the platform.
08:29Oh, but no way, don't be like that.
08:32Not even Costa Rican is anything anymore, Alcide.
08:34What is it?
08:36Go to bed instead.
08:37Look, I've even read the novel.
08:42Well, that's fine.
08:44So, our friend Zafra, his boyfriend, is going to be called.
08:49No, but yes, but yes.
08:51And I'm not going to do anything different that isn't true.
08:54I'm going to tell you the truth.
08:55You and I have nothing like that.
08:57Yes or no?
08:58I knew.
08:59I knew I couldn't trust you.
09:02Yes, Alcide.
09:02No, no, I didn't get it wrong.
09:04But what do I do now as Costa Ricans?
09:06Yeah.
09:07I am a human being, I feel too.
09:11Let's go here, let's go here.
09:13Throw it here.
09:14Come on.
09:15Here.
09:15Here.
09:15As of today, Maritza returned to the hotel.
09:43Ah, how good, how good.
09:45That girl seems like a very good worker and a good human being, right?
09:50Yes, we agree on that.
09:52Okay, but we have to continue the investigation to find out who was behind that clumsy setup, right?
09:57Of course, we're all in that boat.
10:01Don Eduardo, if I'm here it's also because I want to talk to you about Silvia.
10:07What's wrong with her?
10:09Well, I don't know if you know.
10:11As far as I can see, no, but that's why I dare to tell you that Silvia is very sick.
10:22Ana Bolina, stop making up gossip.
10:24It's not gossip, Tulita, do me a favor and respect me.
10:26I think it's important that you know.
10:28Patricia?
10:32That's what I was going to tell you.
10:35And what are you doing with those clothes?
10:37Well, there was a receptionist position vacant, I went to talk to Cecilia and they gave me the position.
10:41So apart from everything else, we're going to be coworkers.
10:44Apart from everything, what do you think?
10:45Hey, amazing, Miss Patricia, huh?
10:51Because before, you weren't walking at that reception, you were levitating, you were looking at us as if together.
10:55Yeah.
10:57No, but cool, cool, good change. Congratulations.
11:01Thank you.
11:03Patricia.
11:05Can you explain to me what this means?
11:07Well, I know that he had some tests done a few days ago, but he didn't tell me anything after that.
11:16What do you know?
11:17Yes, well yesterday the results of those tests arrived here at the hotel and due to a confusion
11:22They came to my office, to my hands.
11:26AND?
11:29And Silvia is very seriously ill, she has a malignant tumor.
11:32Forgive me, yes, for being the one who has to give you this news and in this way.
11:42No, she wasn't going to tell me.
11:46Last night I asked him what was wrong, because the note was barred and he told me nothing, nothing, that I shouldn't worry.
11:56Do you know who her doctor is?
11:58I imagine that Dr. Salinas is the same as always.
12:02Would you like to explain to me what you're doing dressed up for the receptionist?
12:08Plus, it looks filthy.
12:10Look, Andrea, I don't care what you say.
12:13This is my new job, Mom. Period.
12:15Oh yeah?
12:15And you forget that you are a shareholder in this hotel?
12:18Oh, Mom, like that's any good.
12:20Look, just because I start doing one thing doesn't mean I'll stop doing the other.
12:23Unless you...
12:24No, no, not you.
12:26Your husband.
12:27I don't agree.
12:28Of course, since he is now the one in charge here.
12:31Eduardo Sainz, the almighty.
12:33Well, I think he does agree.
12:35Because he supports people who work, who strive.
12:37Unless it's a con man's speech.
12:39Oh, Doña Silvita, drink this water.
12:41Hey, calm down, take a deep breath if you want because you can't feel it.
12:45And if you want some practical advice, don't worry.
12:47That receptionist isn't that bad.
12:49If not, look at me.
12:50What I'm looking at her is that I'm saying it.
12:52And if you want to keep your position, it's in my favor and you can leave immediately.
12:54Ah, well, yes, ma'am.
12:56Then I drink the water.
12:57But take a deep breath, don't let it fester, don't worry.
13:00Laudina, now.
13:07What's wrong with this old lady?
13:10I think I know what it is.
13:11Well, my son.
13:18Speaking of that crush and his marriage,
13:21I wanted to ask you,
13:23Is this girl going to go to that meeting, the look-alike, the...?
13:26Marisa.
13:28Yes, yes, the same.
13:29Is she going?
13:30Of course, mom.
13:31She's invited, why not?
13:35Well, I'm going to take this opportunity to tell you that...
13:39that if that girl ever goes to that wedding.
13:41Don't count on me.
13:44No, Mom, please.
13:46Mia, please, now about Costa Ricans.
13:49Leave Tirer with that poor girl who has done nothing to him, my dear.
13:53Rather, why don't we go up there to the ales together?
13:55and we get together to discuss the matter?
13:58Rather, why don't we eat?
14:01Yes, that's what I say.
14:03Let's eat?
14:07And what do you want me to do?
14:09Let's see, Silvia.
14:10The thing is, right now my finances are really weird, right?
14:14They are not having a good time.
14:17And whose fault is it?
14:19I told him a long time ago that betting and gambling weren't going to get him anywhere.
14:25Hey, are you scolding me or what?
14:28No.
14:29I'm simply telling you that I'm not going to give you any more money because I've already given you what I had to give you.
14:33Now, the only thing left for him is to marry Cecilia.
14:36Or are you having doubts?
14:40Not me, Silvia.
14:41She.
14:42He has done the impossible and has not failed.
14:45How do you know that time is not passing in vain?
14:47Of that charming man whom all women wanted.
14:50There's nothing left, right?
14:51It's not my fault that Cecilia has bad taste and that her fantasy is with little ones and babies.
14:58Shame on you for ruining your day.
15:01By now, my dear husband must already be aware of my terrible illness.
15:05So, the only thing he's going to worry about is fulfilling my slightest whim.
15:09I won't take up any more of your time.
15:31My secretary told me it was urgent.
15:33Please sit down.
15:34Thank you.
15:36So?
15:36What is the reason for your inquiry?
15:40I came to inquire about my wife's health.
15:44Mrs. Silvia Ortiz.
15:50Hotel El Castillo, good afternoon.
15:52Good afternoon.
15:53Good afternoon, sir. May I help you?
15:55Yes, Anne Boleyn, how are you?
15:59Mr. Gonzalez.
16:00Oh, how he distinguished me.
16:01Hey, that's because I made it difficult for him because I put an English, English, English accent on England.
16:06Yes, sure.
16:08What else? What things? What's being said over there?
16:11Well, many things.
16:13What do you think about Miss Patricia being kicked out of there where she was selling humaniza and all that other stuff and being sent here to be a receptionist next to me, huh?
16:21How will it be?
16:22Yeah.
16:23And about Mrs. Silvia, you should already know.
16:26No, no, no. What do I need to know? What happened?
16:29What do you mean, nothing? You're not a close friend of Don Eduardo, then?
16:33No, no, but what do I need to know? What don't I know? What happened to her? What happened to Doña Silvia?
16:37Well, what does Don Roberto think about the fact that Doña Silvia is extremely ill and has very few days, or even months, left to live?
16:48What?
16:48Well, but I can take her to the best hospital in the world, anywhere.
16:53The treatment is the same everywhere.
16:56It's a universal protocol established for this type of illness like the one Ms. Silvia suffers from, isn't it?
17:03Initially, you should take the medication judiciously, and then we wait for the right moment to operate.
17:12And until that moment arrives, what?
17:13She must be very calm, continue with her normal life and, above all, remain in a good mood.
17:24That means zero stress, zero arguments, zero fights. That's it.
17:29It's ideal.
17:35Isn't that a lie?
17:36What no? What could be a lie?
17:37Haven't you told me that this old woman is like a gossip, like a liar?
17:39She's a gossip, she makes up a lot of things, but, well, she can't say, no, the lady is going to be a smart one, no.
17:45Oh, what a pity for that lady, cousin, so pretty, listen, so full of life, so young.
17:50No, what about what, young man.
17:52Not anymore.
17:52But it is true.
17:54He has messed me up with Eduardo.
17:56Me too, poor thing, he's devastated, I would have done nothing for him.
17:59Have you already spoken to him?
18:00No, I haven't been able to, I haven't been able to.
18:03Widowed for the second time.
18:05That's it, kill her, kill her, make her suck radium, put her in formaldehyde.
18:09Oh, and stop talking so much nonsense, weren't you telling me that lady was sick?
18:12Yes, well, yes, she's sick, but she's not dead, she's not dead, now, he can't be widowed all at once.
18:17Besides, that lady scrubs and scrubs so much that she's one of those who dies and comes back to life to pull the poor guy's legs, right?
18:23Because that lady does the washing up for three.
18:25Yo, do you know who I consider?
18:27Do you know who?
18:28Goodbye, because you don't know what he's going to get.
18:29That's the division, my love.
18:30No, that's why he's interested, do you see that poor woman coming over there to fix him up?
18:35What should heaven be like?
18:37That one goes as far as to say to him, do you know that heaven has to be like this?
18:39He does me the favor and cleanses my purgatory.
18:41No, poor God, why does he wait for him?
18:49What happened?
18:50You have no idea who just left my office.
18:54I'm not in the mood for riddles right now, doctor.
18:56Well, her husband, Mr. Eduardo Sáenz.
19:00And what did you say to him?
19:02Well, what we agreed on.
19:04He was very worried, it seems like he loves her a lot, right?
19:07You see, my plan was working.
19:10We need to get this straight to you as soon as possible.
19:14For this kind of games, you know I'm not up for it.
19:18Just a little bit more.
19:19Look, my husband is finally putting stress on me.
19:21Is there anything wrong with that?
19:26Mother!
19:26We'll talk later.
19:29Yes, I can't, I can't.
19:33I was looking for you.
19:34Yes, I realize.
19:36So that?
19:37Do you know what the investigation into the photo montage is about?
19:39Mom, don't make that face at me, I'm serious.
19:43Look, my neck is at stake.
19:47He definitely didn't want to be without me.
19:49Have you taken care of it yet?
19:51What I took care of is that Eduardo and everyone in this hotel
19:55very soon they will be more concerned about something more important
19:58who was the idiot who tried to discredit that village girl.
20:03What are you taking about?
20:04You'll know.
20:05In this hotel, everyone knows everything.
20:21The doctor says he can live 50 years in a couple of weeks.
20:24Oh, God forbid.
20:25What thing?
20:26Let him live only a few weeks.
20:28She deserves to live much longer.
20:29Yes, God forbid.
20:31Sorry for coming to give you such news.
20:33Ah, no, well the news...
20:34What? You already knew?
20:35No, how could you think of that?
20:36No, you just told me and it stayed that way.
20:39And how is she?
20:42If I didn't know what was going on inside him,
20:45I would tell you that better than ever.
20:47Yeah, like he doesn't have a toothache or anything, right?
20:50Exactly.
20:51What courage, what interest, what a woman, what strength, right?
20:55She is a unique woman.
20:57Because doing what you're doing so that I don't find out anything,
20:59so that I don't suffer.
21:01That is priceless.
21:02No, it's priceless, doctor.
21:04It's priceless.
21:05And I was treating her so badly.
21:09But you know what?
21:09From now on I'm going to...
21:11I'm going to live for her.
21:14I'm going to give him the pleasure of whatever he wants, I'm going to indulge him.
21:16I'm going to be with her all the time.
21:18Because I want to...
21:20whether the last days are many or few.
21:23I want her to be very happy, you know?
21:25Very well, doctor.
21:26That's the attitude.
21:27That's the real positive attitude, I think it's very good.
21:29And if I can help you with anything, just let me know, I'll be happy to help.
21:34I know.
21:36I know, my little girl, that's why they called me.
21:39Very well, doctor.
21:42Hey, I want you to pay me for another hour.
21:45Shall we start with the favor?
21:46No, it's a lie, it's a joke, doctor, it's just a warning, you know?
21:49I tell you a little sad.
21:50Just say, my sister will be happy to help you.
21:52What will it be?
21:53I want you to tell him that...
21:55that I won't be able to be the father of the wedding.
21:58Well, Silvia doesn't like the idea.
21:59Because she'll say more to the godmother, how do you understand that?
22:01Yes, I knew the return was going that way.
22:03No, but my sister is a lady and she'll understand first things first, second things second.
22:05Although I wish he didn't know the truth, the reason, about Silvia's illness.
22:11Not because of distrust, but simply because I think the fewer people who know, the better.
22:16And in the hotel?
22:18At the hotel, what?
22:19Are they going to find out or...?
22:20No, no, no, we are handling it with absolute discretion.
22:24Just Cecilia, me and now you.
22:26Yes, but...
22:26Don't worry me.
22:27I mean like this.
22:29Perfect, doctor, calm down.
22:31What do you think about... that Mrs. Silvia...
22:34Oh, he's going to die!
22:37Yeah!
22:43For sure.
22:47Oh, my you, my you!
22:51Chucho, help me.
22:54I ground you to my face.
22:56Careful.
22:56That's why they are things of immense poetry, things that we carry in the middle of our soul.
23:16Bravo, my son, my son!
23:21Bravo, my son, my son!
23:24Yeah, I'm coming.
23:28And you, what about you?
23:30What's so bad about that face?
23:32What, what, what?
23:33Is it like this?
23:33Why, what?
23:34Did I marry his sister or what?
23:35What's up, man?
23:36What about you?
23:37It's that my friend and stabbing me in the back, like this, next to the fool.
23:41Stab of what?
23:42What's wrong with him?
23:42What's that guy inviting you to, brother?
23:43What are you inviting that CJ to my house for?
23:46To my house!
23:47I mean, all the problems I've had with that son of a bitch.
23:49And he comes and rubs it in my face here.
23:50Ah, but he works at the hotel.
23:52Well, yes.
23:52I know you're right there clinging to your ex-girlfriend, but calm down, calm down, yes, calm down.
23:57And watch out for those eyes that you know, right?
23:59Oh, what happened there at Cecilia's birthday?
24:01Well, nothing.
24:02You know I want to beat him up, right?
24:04To catch his silks and say he came to steal.
24:06I mean, I'm at home, what are you doing to me?
24:08No, sir.
24:08Yes, I'm going to throw the party.
24:11Well, calm down.
24:13My love.
24:14Yeah.
24:14Come on, we'll leave you a photo with the musicians.
24:16Yes, I'll be back with you for another photo.
24:18Come on, my love.
24:19Come on, with your brother.
24:20You tell me.
24:23Yes, yes, yes, just like the stamp.
24:26How are you doing?
24:28Calm down, calm down.
24:29I'm not going to hit myself, am I?
24:30What's going to hit him?
24:31I'm going to get my hands dirty with you.
24:32I do it like this, I destroy it, son.
24:35Hey, your sister is very cool, isn't she?
24:37They look nothing alike.
24:38Half-siblings, right?
24:39You know what?
24:40He has been shameless, he has been shameless.
24:43What are you doing in my house?
24:44Why are you coming to my house?
24:45Yes, yes, Arturo invited me.
24:47Besides, you have nothing to do with this party.
24:49And most importantly,
24:51Ceci begged me to accompany her.
24:53and well, since I don't give her pleasure.
24:56Permission.
25:01Oops, oops, oops, oops.
25:03I was waiting for him to kill me.
25:04And now, I'm going to grab the knife and everything,
25:07and I'm going to do it like this, a tina on the eyebrow.
25:08No, but cousin, what's wrong with you?
25:10I thought you had changed.
25:12Well, let's see, the singles, please.
25:14Let's throw the bouquet, shall we?
25:17You know, it's not fair to push or give cover.
25:20Ready, my love, yes in the eyes.
25:21At one, at two,
25:23there are no forty-five,
25:25and at three.
25:25Bravo!
25:32Applause!
25:40Well, I know this thing about the branch always works.
25:43So, I want to congratulate Juan Antonio and Cecilia
25:45because they're probably going to get married, don't you think?
25:47Applause!
25:48Well, now I want to dedicate a song to Miriam.
26:03Excuse my voice?
26:05Well.
26:08Teachers, please.
26:10Come on, kid, get down, get down.
26:12Sorry if you didn't like Silvia's comment.
26:14because she is sometimes a little reckless.
26:17Oh no, don't worry, I'm used to it.
26:19I know several like that.
26:21Of course I was crossing my fingers.
26:23so that you could win the bouquet.
26:24We have to be the ones who are there
26:26next time.
26:28Bye!
26:28I will never be able to live
26:32And to think that never again
26:37You will be with me
26:41Without you
26:46What do I care about anymore?
26:52If what makes me cry
26:56It's far from here
27:00Without you
27:05If you're going to have a drink
27:27we go immediately to the party.
27:29But it's the first, Mom.
27:31It can be whatever it is
27:31But I have enough
27:34with having to come here
27:35to this mediocre party
27:36as if you have to put up with me too
27:37in one of your shows, did you understand me?
27:48Bye!
27:49Mass!
27:50Very good with Marisa
27:51Very good, very good
27:51Very well, son.
27:53There is another pharmacy, another pharmacy
27:54Well, but talking about everything a little bit
27:57The only one missing
27:59she is the groom's mother
28:00What would that be, Milton?
28:02Oh, Tulia
28:03You know very well why
28:05Sin is cowardly
28:06She doesn't want to face me.
28:08And see the irony
28:09I have to be putting up with it
28:10the presence
28:11of the cave pygmy of himself
28:13Come on, look at me.
28:14Yeah
28:14That dress of your grace
28:15it is very beautiful
28:16Come on, I need to tell you something.
28:18Allow me a few words
28:19Are we coming there yet?
28:20Well, puppet
28:21Now, who was he to you?
28:22What are you going to laugh about with the death?
28:25Pure yellow, right?
28:27Darling
28:28Mister
28:28What happens is that it is already netic
28:30you could come
28:30Ah, yes
28:31Yes I noticed
28:32No, but don't think things, my daughter.
28:34What happens is that
28:35Your Grace already knows
28:36what the legs are like
28:37and then he doesn't want to
28:38does not want to meet
28:39with Marisa, my daughter
28:40the seismic waves that are put
28:42and not
28:42But that's it
28:43I send you a greeting
28:44And what a welcome!
28:45to the family, my daughter
28:46Thank you so much
28:46But really
28:47What a shame that you have
28:48so many problems with her
28:49cares about us
28:50My daughter, no
28:51These are not penalties
28:52Calm down
28:53Don't worry
28:54My daughter, with respect
28:55to the little gift, my daughter
28:56I was thinking
28:57Why don't they come over?
28:58to live in one of my houses?
29:00Yes indeed
29:00I'll give you a discount.
29:02substantial good
29:02in the arrangement
29:03Look, thank you very much.
29:04with all my heart
29:05But we already decided
29:06stay here
29:07Oh ok
29:08That's right, his things
29:09But that is right.
29:10He who has a shop
29:11What store?
29:11Well yes, of course, my daughter.
29:13But it's up to you.
29:14You young people
29:15they are given suchness
29:16And what are you doing here?
29:17Oh, but what exuberance!
29:18Mrs. Yarina
29:19I leave them
29:21Well, my daughter, so I love
29:22Well, sir.
29:22Thank you so much
29:23Oh well
29:24My God I paid him
29:25anyway
29:25Thank you, my daughter.
29:26Oh, friend
29:27She is so divine
29:28She looks like a little angel
29:29Oh, thank you.
29:30Arturo, you are very lucky.
29:31Everything is going well
29:34People have indeed received
29:35all good
29:35The food
29:36If you liked it
29:36the drink
29:37Divine, Miriam
29:38Everything is perfect
29:39Of course it would have been
29:40more perfect
29:41Yes, Eduardo and I
29:41we would have gone
29:42to the godparents
29:42Oh, so corrupted
29:44with cousin
29:45Oh no
29:45You know that I
29:46I love the black boy
29:47and all
29:47But then
29:48maybe you had to have
29:50consideration for the dying
29:51No?
29:51Cheetah
29:51Nobody heard him say it
29:53That's a secret
29:54Of course it's a secret.
29:55But what is listening to us?
29:56But I still don't eat you
29:57it is reckless
29:57Hey, what's this?
30:00Ernesto
30:00Jaren
30:01Come on, come on
30:02Come on, friend
30:03Let's see, photographer.
30:05Come on
30:06That here
30:07Like my Chinese carder
30:08It must be very hard, right?
30:14That?
30:15Let your sister get married
30:16I understand that
30:18because they are very close
30:19Well yes, the truth
30:21is the only family
30:22that I have, right?
30:23And now,
30:24practically married
30:25It's going to be a little lonely
30:26Well, because my parents
30:28they are deceased
30:28Yeah
30:30Well, that's why I'm telling you.
30:31I'm still calm.
30:33Know?
30:34I remain very calm
30:34because deep down
30:36she married a good boy
30:39a cool boy
30:40He is a boy who
30:41It's going to make her happy, isn't it?
30:42Above all
30:43and that is the most important thing
30:44people's happiness
30:45and of the couples
30:46Like happiness
30:47that I can give you
30:48That?
30:51Cousin, it's that
30:52it doesn't fit me
30:54the slightest doubt
30:54that my happiness
30:55is by your side
30:56That?
30:59Because I don't have it anymore
30:59than to look for her anymore
31:00because I already found it
31:02and it is with you
31:03Have your drink
31:07Thank you very much, Eika
31:08what a funny pair
31:10Karin who doesn't do
31:11but to criticize the king
31:11that can't stand it
31:12that you can't see it
31:13not even in painting
31:13but it is nothing but
31:14give him a drink
31:14and look
31:14It's nonsense
31:16compared to gossip
31:16that has him
31:17What happened?
31:18What happened?
31:19Don't make that face
31:20that you will like
31:21Imagine that Maritza
31:22and Cousin
31:22They have their story
31:24Well, how does it do?
31:25that your story?
31:25That's how you hear it
31:26I just heard you
31:28that she said
31:29Listen, I have no doubts.
31:30definitely
31:31you congratulated me
31:32so he told him
31:33so, so cool
31:34How are you?
31:38No no
31:41How can you say that?
31:43But it's the truth
31:44I'm telling you
31:44what I feel
31:45Yes, no, well I understand it.
31:46But how does it occur to him?
31:47No, no, it's that
31:48why do we get confused?
31:49Don't be confused
31:50Well, well
31:51Let's see, attention
31:51everyone
31:52come
31:52everyone suck
31:53Come on, come on
31:53let's see what we're going to toast
31:54the tribute
31:55to the bride and groom
31:56But which ones?
31:58What do you mean, which ones?
31:59Well, my son Arturito
32:00and his wife
32:00Miss Miriam
32:01Ah, no
32:02because there are others
32:03Cousin and Maritza
32:04Let's take advantage
32:06and we toast
32:06for them too
32:07TRUE?
32:07Cheers, cheers, cheetah!
32:22And what is this thing?
32:25Oh?
32:26No, how so?
32:27No, they have it for me.
32:28to shuffle more slowly
32:29Cousin
32:30I don't know
32:31Stab me, friend
32:33Stab me
32:34Had
32:34Take out my eyes
32:35Oh?
32:36What is this?
32:37Oh?
32:37What are you talking about?
32:38is he my daughter's boyfriend?
32:39On what account?
32:40You may not like them
32:41the traditions
32:42but I am a man
32:43plated
32:43the old Primo
32:44Ah, yes I wanted to have
32:46something with my girl
32:46I must tell myself
32:47me first
32:48Have my approval
32:49What is my dad?
32:50What is my dad?
32:51No, ma'am
32:51That?
32:52No, ma'am
32:52That?
32:53This man?
32:54This man is missing
32:55lots of hair for Moña
32:56man
32:56He is not the man
32:57indicated for my girl
32:58And you know why?
33:00Let's see, Rosario, what's going on?
33:01No, no, no, just a moment.
33:01I'm speaking
33:02because you believed
33:03what what?
33:03That I was going to stay
33:04with arms crossed
33:05No, the guacas, sir
33:06The guacas
33:07Dad what?
33:08Dad, my underwear
33:09No, sir
33:10She has someone to defend her
33:11and I'm going to calm him down
33:12No, sir
33:13In that way?
33:14Let me...
33:14What if he sees what happens to him?
33:17for being a gossip?
33:18But what gossip?
33:19if it wasn't gossip?
33:20I listened with those own
33:21ears that she was telling him
33:22that was his happiness
33:23Yes of course
33:24but they will see
33:25if they say so
33:25if they don't say it
33:26if they save it
33:26They don't do whatever they want
33:27but it is that you
33:28he had no reason to interfere
33:29you'll say
33:29Oh, Miriam, how muddy
33:30but I thought
33:30that was giving
33:31good news
33:32Very good
33:34Were you the one who came up with it?
33:35tell this gossip
33:36that you and I are boyfriend and girlfriend?
33:37Of course not
33:38I thought it was you
33:39How does it occur to you?
33:39that I have been?
33:40But we are not boyfriends
33:41How am I going to put it to say?
33:41I who are boyfriends
33:42if you and I are nothing?
33:43Well, congratulations
33:44they make a nice couple
33:45No, no, no
33:45No, no, no
33:47No, no, no
33:48Congratulations
33:50Congratulations
33:51Congratulations
33:53Congratulations
33:53Congratulations
33:54Congratulations
33:54Who is my boyfriend?
33:55Hope no one
33:56no one is going to talk to me
33:57The musicians
33:58please
33:59No, no, no
34:00No no
34:02No no
34:04The trio started
34:05The trio started
34:06I started the trio
34:07No, let's see, teacher.
34:09No, no, no
34:10Health
34:13Can we leave it there?
34:14Thank you
34:14Ah, where are you going?
34:16Things like you
34:17Things like you
34:18Me, things like you
34:20No, what cookies do I have?
34:23nor what nothing
34:23Bring the chunchuñita
34:24and the wind bursts
34:25Saw?
34:25Hurry, hurry to see, brother
34:27Nice to meet you
34:32Juan Antonio Durán
34:34Market Manager
34:34from the Castillo Hotel
34:35We had seen each other
34:36several times
34:37but we had not been introduced
34:38How are you doing?
34:40Very good
34:41I heard that you
34:42He is a great businessman
34:44No?
34:45And that to you?
34:45what does it matter to you?
34:47Yes, I am
34:48I am
34:48Excuse me
34:49Yes, I am
34:49If I'm not mistaken
34:50Do you have a restaurant?
34:52Yes, ma'am
34:53Of course
34:53How could it not?
34:55Look
34:55That's right, fellowship
34:56The king of blood sausage
34:57The sausage
34:58Owner Manager
34:59of the Social Club
35:00and Gourmet Recreational
35:01The Portals
35:03Also, this is a site
35:04where you can
35:05in addition to tasting
35:07of good cuisine
35:07I think it's already Colombian
35:08typical, right?
35:10And have a good time
35:11with the family
35:11You can crack him
35:12to the games
35:13that the frog
35:13that rises
35:13by mirror
35:14mini-yew
35:14all variety
35:15of games
35:15of everything you
35:16want
35:16over there in that
35:16Hello, Sarita
35:18What else?
35:19I almost didn't notice myself
35:20I'm here waiting
35:20mine
35:21Come in, you know.
35:22That's very good, isn't it?
35:23Excellent
35:24Very good
35:25Besides
35:25Let's see, here
35:26where I gave myself
35:27I am the owner
35:27of an amount
35:28of pikes here
35:29of some small houses
35:29including this one, right?
35:31But that's how it is
35:31a very important guy
35:32you, don't you?
35:34And?
35:35What is done to him?
35:36when there is marmaja?
35:38Well, these days
35:39I'm going to stop by the club
35:40He told me he had games
35:41Does that mean
35:42little casino too
35:44by chance?
35:46Casino?
35:47Yes, what happens
35:47is that here among us
35:48I like to play
35:49blackjack, roulette
35:50and all that
35:51Oh, man.
35:53Hey, since you say so.
35:54He knows that I
35:55Yes, I'm dying to
35:57to know many
35:57I don't say
35:58anymore
35:58of desire
35:59Really?
36:00Really, man.
36:00That is nothing but
36:01that says
36:01I'll take it
36:02with great pleasure
36:02Oh, right?
36:05Of course, the only thing
36:06that you have to carry
36:07are desires
36:07and a little ticket
36:09to play
36:09No, because he got up
36:11he with a pinche
36:12precise, isn't it?
36:13Of course, because
36:13Look, I
36:14I have the desire
36:15and marmaja
36:16that's what there is
36:17to pass
36:18Don Alcides
36:18I'm going to give you my card
36:19so that we are
36:20in touch, right?
36:21Juan Antonio Durán
36:24Mmm, distinguished name
36:26All good?
36:35Yeah?
36:37My love
36:37Don't you want to?
36:38get into bed
36:39better?
36:41Yeah
36:41Now, now
36:42what's wrong with me
36:42the discomfort
36:43What happens is that I'm worried?
36:46that you have become ill
36:47for, well
36:48for having gone
36:48to the meeting?
36:49No, no, no
36:50I wanted to accompany you
36:52Also, I had a good time.
36:53What's happening?
36:59Silvia, I know that
37:00Why didn't you tell me?
37:04Why didn't you tell me?
37:04that you are so sick?
37:07I don't understand
37:07I know you're in serious condition, Silvia.
37:10Please don't lie to me anymore.
37:11What happens is that
37:14I didn't want to tell you
37:15so as not to bother you
37:16I don't want you to feel
37:17pity me
37:18But pity?
37:19And why?
37:19If I am your husband
37:20I know, but it's that
37:22This took me
37:23by surprise
37:24and I thought I could
37:26spend it alone
37:26Alone?
37:28Am I interested?
37:32I know, but
37:33it's not fair to you
37:34I like to seem fair
37:35that you have to face
37:36This very difficult situation
37:37alone
37:38Hey?
37:39Without support
37:40of your loved ones
37:41Because?
37:42Oh, please, Eduardo.
37:43you're not going to tell him
37:44nothing to the girls
37:45Alright
37:47I'm not going to do it
37:48No, it's just that I'm sure.
37:50that with the treatment
37:50what am I going to do
37:51I'm going to get ahead
37:52Well?
37:54Yes, but please
37:55don't take me away from your life
37:56No
37:57But I ask you a favor
37:59Whatever you want
38:00Let me continue to be useful
38:02I
38:04I love myself
38:04feel as if nothing
38:06was happening
38:07Well?
38:08No
38:08don't pity me
38:09Alright
38:11This is how it's going to be
38:12It's true that everything turns out very nice.
38:21Well, thank you very much for everything.
38:23that they are very well
38:23Bye, Juanjo
38:24See you later
38:24How was the party?
38:27Did you like it?
38:27How about the song?
38:28I have it
38:29To me really
38:30you know what?
38:31It seemed to me that
38:33there was something ugly there
38:34that I really didn't like
38:35and it's a black mole
38:36that ruined the party
38:37and the party was cool
38:38we were having a great time
38:39TRUE?
38:39But really
38:40That mole is called Yadira
38:42Yadira
38:42the party was thrown
38:44and I was very happy
38:45I was very happy
38:46because then
38:46one doesn't get married every day
38:47but to this lady
38:48How does it occur to you to start saying
38:49what is that
38:50Are this girl and I dating?
38:51No
38:51Ah, that's not true.
38:54Aren't you two boyfriends?
38:55How does it occur to you?
38:56What are we going to do?
38:56I would have told you
38:57Do you think that
38:57This girl is going to be living in the house
38:59and I'm going to be her boyfriend
39:00and you are not going to enter?
39:00No, it's that those things
39:01You know I'm a gentleman.
39:03If I don't like her
39:04she is very pretty
39:05but I don't like her
39:06You know what?
39:08What a shame to have damaged him at the moment
39:10for a simple comment
39:11It's not a comment.
39:12Understand me
39:13There they made a fool of you.
39:14Now, we are a couple of penguins.
39:15and everyone laughing at us
39:16I have nothing against you
39:17I don't want to have anything to do with you.
39:19I have my heart elsewhere
39:21Why do you want it?
39:22Everyone to put me through the eyes
39:23I don't want to
39:24I didn't think it hurt so much.
39:25that they would relate it to me
39:26Excuse me
39:28With permission
39:30Marisa
39:32Did I think it or did I say it?
39:34He said it
39:35Oh, my doctor Galán
39:42But what wonderful silks
39:44What wonderful fabrics
39:46What a titino place this is!
39:49Oh, excuse me.
39:50If I called Laura
39:51that I called him
39:52but I held on
39:53with the cuichimbariza
39:54With who?
39:56With the tatacón
39:57And the last thing I wanted
39:59was to stay there
40:00to chew my fleas
40:01That's right, right?
40:01Sure, right?
40:02You did very well to come
40:03But sure, my doctor?
40:04Am I not wasting your time?
40:05Man, how could he think of that?
40:06No, of course not
40:07Well, that's with me.
40:09it's going to be your turn
40:09go eating and feeling, right?
40:11Because I'm for these things
40:12about betting and all that
40:13I am a donkey
40:15He has to go teach me
40:16Oh, we're well staffed.
40:17How are you doing, doll?
40:19What has he done?
40:20Go on, go on, go on
40:22So don't worry.
40:23I teach him to play
40:24whatever you want, you hear?
40:26And?
40:26And are you going to teach me too?
40:27of damsels or what?
40:28Don't you have it around here?
40:29a couple of calves
40:30tied up there for both of them?
40:32No, it's a lie.
40:32don't pay attention to me
40:33Oh, what a talk!
40:34with a gentleman
40:35is that you are seen
40:36to the church
40:36who is my total gentleman
40:37I say the same to you, sir.
40:39Very good
40:39Follow this way, I'll show you
40:41This way, ready
40:42Who is it?
40:55What are you doing here?
40:58Is this where I sleep?
41:00And why isn't it?
41:00at the wedding party
41:01fighting over a cousin?
41:03Sorry?
41:04Who is going to leave?
41:05remove the cousin
41:06of that stupidity
41:07Maritza's?
41:10Andrea, to start with
41:11Nobody is looking after me
41:13taking nothing away
41:13because it turns out that
41:14the cousin is not mine
41:16You are in love
41:18his
41:18Look, he has his life
41:23I have mine
41:24and he has the right
41:25to fall in love
41:26of whoever chooses
41:26and dating
41:28with whoever you want
41:28Don't deny it, Ceci.
41:31I know that you
41:32still feels things
41:33for him
41:33I'm not going to deny it
41:35that at some point
41:36Well, I thought
41:39in being able to give myself
41:40an opportunity
41:40with the
41:41but after knowing
41:43that you and he
41:44they had
41:45they had something
41:46well
41:46I realized
41:47that there was no case
41:48and I decided to retire
41:49tell me
41:51because it is that
41:52he doesn't notice
41:53in me
41:53tell me
41:54what do you have?
41:55What does Maritza have?
41:56that I don't have?
41:58Nothing, Andrea
41:59there is nothing wrong
42:00with you
42:00what happens is that
42:01Well, sometimes
42:02people
42:03they are not for one
42:04the thing is
42:06the thing is
42:07not even
42:08is fixed
42:08in me
42:09not even
42:09he looks at me
42:10I want it
42:11I don't know anymore
42:12what are you going to do
42:13Ceci
42:13Help me
42:14come
42:15I do it
42:16calm down
42:17Andrea
42:18come
42:18that you are not well
42:19if you continue
42:20come
42:20peaceful
42:21peaceful
42:22carefully
42:22come
42:23very boring
42:26I know
42:27but everything will be okay
42:28come
42:28lie down here
42:29a little while
42:30wait a second
42:31wait
42:31wait
42:32wait
42:32you are going to help me
42:33Yeah
42:34I'm going to help you
42:34come
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