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00:00It's not just how it looks,
00:05That hurts too, don't you think?
00:08But it was worth it.
00:10It's obvious you're not supposed to do the dirty work, right?
00:13Oh, don't complain so much.
00:15Look, you're going to receive a good reward.
00:18And Cecilia already called him?
00:21Yes, he called to see how things had turned out.
00:24She is worried.
00:26And you happy?
00:28And you jealous?
00:30I just want you to know that my husband is coming to visit you later.
00:35He wants to know your version of the fight.
00:37How so? Aren't there enough reasons?
00:39Didn't you realize that your pupil is a dangerous brother?
00:41Yes, but it's not that easy.
00:43Above all, for him, cousin González is very important.
00:46No, no, no, yes, there's nothing there.
00:47That man has to leave the hotel.
00:50Can you imagine what if he suddenly decides to kill me here?
00:53Oh no, poor thing.
00:55Please, that's what you have to make very clear to my husband.
01:00Look, it's not about talking too much.
01:06Oh, Ana Bolina, how could you say that?
01:09Whether you are incapable or not, boy.
01:12Okay, tell me, tell me, what's going on?
01:15Mr. Gonzalez is going to be kicked out of the hotel.
01:17Will it be?
01:19Of course, if it were seen, Chucho.
01:21That suited Mr. Durán like a borrowed violin.
01:24It was terrible.
01:25In fact, if they don't take it away, I'll even destroy it.
01:28Hey, Chucho, let me tell you a little bit about everything.
01:30Where were you?
01:30That?
01:31What a thing with you that you don't learn.
01:32One tells him and tells him...
01:34Look, one of the things, Ana Bolina.
01:37In that hotel and any other, gossips are also thrown out.
01:41Oh, Tulita, look, I can do whatever you want, but not anymore.
01:44Bad, that's the thing, man!
01:46What happened to you?
01:48To be precise, the security cameras were not working last night.
01:51And that is a tragedy for what reason?
01:54What do you mean, why, Chucho?
01:56Because we will be left without knowing the truth behind all the events.
02:01Another hello?
02:02Other than?
02:03Another gossip.
02:04What gossip, Tulia?
02:06I'm saying it.
02:07It's because we're going to run out of evidence to prosecute all those involved in what is called sabotage.
02:16Yeah?
02:16Because not only the cousin had something to do with it, but there were also other criminal hands that intervened palanquinly in the event.
02:25Oh?
02:26Oh?
02:27Oh?
02:27Gossip, then.
02:34Did the gentleman miss something?
02:35But it's been a while.
02:38Oh no, he's such a clown.
02:40Oh, but look how we get, right?
02:42That?
02:43Did we wake up stung by scorpions or do I think so?
02:46Or maybe it was just that last night he didn't do very well in the foforro, right?
02:49Arturito told me something about them leaving Rome and the fact that they kept me up all night, my love.
02:55That doesn't matter to you.
02:58Good, good, good.
02:59Oh, good.
03:00Don Eduardo, I think it's best to leave things as they are.
03:05But, Juan Antonio, what are you saying?
03:08Didn't you see how his eye turned out?
03:10Yes, I know.
03:10I know it was hitting me hard.
03:12Hard?
03:13If you don't separate it, it kills you.
03:15I've never seen Primo like this.
03:17It must be said that Mr. González hit me from behind, right?
03:20He did it by betrayal.
03:22Well, all the more reason.
03:24In any case, I think that this is a matter between him and me and that cannot be made public.
03:29Also, the man was jealous.
03:31Well, man, that doesn't justify it, Juan Antonio.
03:33You can't do such a thing.
03:35With all the pain in the world, Primo González deserves an exemplary punishment.
03:39What a shame about Eduardo, really.
03:47I have no face to put on for the rest of my life.
03:50It's just that I felt so stupid and was laughing like an idiot.
03:53I couldn't stop.
03:54I don't know how hard it is, you'll say.
03:57No, well, how could it not hit me hard if it's the truth?
03:59What is that man thinking?
04:01That I'm probably on drugs or that I'm so old and so stupid.
04:05What happened to him?
04:06Oh, I don't know, look, because it was so horrible, so horrible, so horrible.
04:10Was it because I was in a fancy place or something that made me nervous?
04:12Did you get it with Espejo del Monte?
04:14No.
04:15So, a focused woman who...
04:17No, you know what?
04:18Soon he went there.
04:19It's just that you're not that focused.
04:20Soon another screw was loose.
04:21Miriam, you know what?
04:22Don't help me.
04:23Peaceful.
04:23No, no, no.
04:24Shut up right there.
04:24You must be René and Karen.
04:26I'm going to university right now.
04:26I'll entrust the workshop to you, right?
04:27So do it.
04:28Good luck to you.
04:29Hello, Miriam.
04:31What, Karen?
04:31Thank goodness I found her.
04:33No, well, I'm leaving now.
04:33No, no, it's just that you can't leave.
04:35Or well, no, at least not until I tell him what I came to tell him.
04:39What happened to him?
04:41Miriam, I need you to...
04:42That?
04:43Let you choose between René and me.
04:46Choose?
04:48Choose from what?
04:49It's just that I can't continue working with a person...
04:52No, what person?
04:53That's saying a lot.
04:55With a disgusting guy who took advantage of me.
04:58That he took advantage of you?
05:00As?
05:00Yes, René abused me.
05:07And then, well, I want to take advantage, right?
05:09To apologize, Miss Cecilia, Doctor.
05:12TRUE?
05:12Because, well, my birthday is going to blow up in such an ugly way.
05:15So please excuse me.
05:17Don't you think those excuses should also be made to the rest of the hotel?
05:21Yes, I was thinking something like that.
05:24Especially to Juan Antonio.
05:26I had warned you, cousin, to be very careful.
05:30But since you didn't listen to me...
05:32Are you going to kick me out?
05:35That decision will be made by our manager.
05:37I?
05:38Yeah.
05:39The decision that Cecilia makes,
05:41whatever it is,
05:42I will support you
05:43to dress well.
05:51Well, I didn't realize it.
05:52but until this morning
05:53when I woke up
05:55and I opened my eyes
05:56and that I find myself.
05:58Not only
05:58Arnei by my side
05:59naked
06:00but in a motel.
06:03Yeah, Cala.
06:04It's true.
06:05Yes, yes, Karen.
06:06What you are saying
06:07it is very serious
06:07because that sounds like rape.
06:09That's rape, right?
06:11There is no other name for that.
06:12And responsibility?
06:14Oh yeah, that too.
06:16But yours, Karen.
06:17Don't you remember?
06:18from all that drink
06:19what did you take last night?
06:20No.
06:21No.
06:22So now it turns out
06:22that I am the guilty one.
06:24Well, a little bit, Karen, yes.
06:25also.
06:26He started drinking more than he should.
06:28and have something to carry.
06:29He started doing things
06:29that I shouldn't have.
06:31No, it's that if at least
06:32would have been things
06:32that I shouldn't have.
06:33What I did with Arnei
06:34I shouldn't have done it
06:35to be drunk
06:36but crazy, insane.
06:38That's not what's done.
06:39Well, it seems that she is crazy.
06:40is not there,
06:40but just drunk.
06:41With that he had.
06:42He started doing things
06:44and then he doesn't remember.
06:45As he says,
06:46that lagoon.
06:46No, well, a lagoon.
06:48and very black, listen.
06:50But, Karen,
06:52don't worry.
06:53It's not the first time
06:53not even the last one
06:54what's going to happen to him.
06:55Oh, it can't be.
06:57I came here
06:57It is so that my friends
06:58will you help me
06:59and they will advise me
07:00and see.
07:01That's why he is helped
07:02to tell him the truth.
07:03Well, I'd be you.
07:04I expect anything,
07:05Yadira, yes?
07:06Don't worry about it.
07:07But you, Miriamcita,
07:09Is it true that you
07:09he was going to say goodbye
07:10to that wretch?
07:11No, ma'am,
07:11I'm not going to kick him out.
07:13That's not a work issue.
07:14Ah, ah.
07:15Ah, okay, I understand.
07:17Friends, right?
07:19So what?
07:19What are you going to do?
07:21Well, even though you
07:21don't believe it,
07:22I have dignity.
07:23And from today, Miriam,
07:24I resign.
07:25And thanks for the friendship.
07:26Oh, Karen,
07:27come on, let's talk,
07:27don't put it.
07:29Oh.
07:31How hungry are you?
07:32to the tantrum?
07:33Who knows?
07:34But don't worry,
07:35that will pass.
07:36It's not the first time
07:37what happens to the last one.
07:38If you know something,
07:39He calls me, ready?
07:40Menucho.
07:49Well, it doesn't seem like it to me.
07:50that there is nothing to think about.
07:51Besides,
07:52for less serious things
07:53he had to go
07:54people of this hotel.
07:55Besides,
07:55you always
07:56has fought for justice.
07:58How does it look on you?
07:58now contradict themselves?
07:59Don't you think so?
08:01There has to be
08:02a lesson.
08:03Because tomorrow
08:04that gentleman,
08:04someone looks at him badly
08:05and is capable
08:06who takes out a rifle.
08:07Silvia,
08:08I feel very sorry
08:09with you,
08:10but cousin
08:11it is not like that.
08:13Well,
08:13Alright.
08:15I was putting
08:15only my son,
08:16but it seems to me
08:17that violence
08:17you have to cut it
08:18from the root,
08:19wherever it comes from.
08:20Can I ask him?
08:21a favor?
08:23Yes of course,
08:23Do you want me to help you?
08:24with the lawyers,
08:25the papers or what?
08:26Leave me alone.
08:27I have to be able to
08:28finish reading
08:28this cut
08:29and not like that.
08:31Very good.
08:34And don't worry
08:35what am I going to have
08:36very much in mind
08:37his words.
08:48Believe me, it wasn't like that.
08:49What's more,
08:49I didn't even think
08:50let's see that motel.
08:51I don't even
08:52I proposed it to him.
08:53I simply
08:53I was a poor victim
08:54of the situation.
08:55Oh yes.
08:56So,
08:56How do we tell him now?
08:57Saint Innocence or what?
08:58Oh, Arne.
08:59Let's see, pretend with me.
09:00that I know perfectly well
09:01that you had
09:02a little desire for Karen
09:03for a while.
09:04Well yes,
09:05I did throw it at him
09:05a flea or two.
09:06Well, seeing that she
09:07I was already so excited,
09:08Well, I started
09:09to follow the rope.
09:10Well, I wouldn't have thought it would be, right?
09:11But you can't even imagine
09:12when we got there
09:13we're just getting started.
09:15You know what, Arne?
09:16Keep your mouth shut.
09:17Borrow the details
09:17that I don't want to know them.
09:18Thank you so much.
09:19Anyway,
09:20come to us
09:20his kingdom, my God.
09:21Thanks, know your dude.
09:22No, anyway
09:23the street with furious Karen
09:24to tell Miren
09:25that please throw him out.
09:26That because you had abused
09:27about her and she didn't remember
09:28you are welcome.
09:29That?
09:30Oh no, on top of that he laughs.
09:32No, it doesn't say that.
09:33Only that,
09:34Well, I do remember
09:35in detail, detail,
09:35little thing, little thing
09:36of what happened last night.
09:37And believe me, Yadirita,
09:38that what happened last night
09:39It has been the best
09:40what happened to me
09:41in all life.
09:46Of course,
09:48your little daughter, as if not,
09:50but it must be closed.
09:50Yes, they go on and on
09:51and they keep giving it to him
09:52spinning tops, huh?
09:54Look, that doesn't have
09:55more than thinking.
09:57Cecilia is going to say goodbye
09:58to Primo and unfortunately
10:00I would even bet on it.
10:03I even signed it for him.
10:03guaranteed.
10:06Believe me.
10:15That?
10:16Mr. Gonzalez?
10:22Oh, but with that face
10:23that brings,
10:24are you going to Pomberorio?
10:25Are they going to say
10:25What are you going to throw at me?
10:26He's going to kick me out!
10:29Yeah?
10:30I've already made a decision.
10:32And could you tell me?
10:33what is the...?
10:33No, I'm just asking him.
10:35what was the decision
10:35that he took.
10:36I can imagine.
10:36what is the decision
10:37that you...
10:37Lately,
10:38since he doesn't like me so much,
10:39If you can't even stand me...
10:39What have you failed?
10:40of his office
10:40for 15 days?
10:43And how are you going to take that?
10:44As you wish.
10:45The point is that
10:45during that time
10:46is not going to take
10:46and should not be presented
10:47at the hotel.
10:48It is suspended
10:48of all its functions.
10:50Since when?
10:52From this very moment.
10:56Come on, come in, come in.
10:57Come in, come in.
10:58Yes, yes.
10:59They honor us with their visit.
11:01Please continue this way.
11:02No, for us
11:03it's a pleasure
11:03have them around here.
11:04Look, today's dish
11:06It's fried catfish,
11:07but if you want
11:08we can invite her
11:08to a tongue in sauce.
11:11Thanks a lot,
11:11yes, but I think
11:12that we are like confused
11:13here.
11:14We did not come
11:14to eat,
11:15we came, went to talk.
11:16Oh, but how so?
11:17Yes, she is not the girl
11:18of the castle
11:19and we want
11:20take care of her.
11:21Yes, yes, she is,
11:23But the truth is,
11:24As I tell you,
11:24we came to talk
11:25with the owner of the site.
11:27Ah, perfect, perfect,
11:29of course.
11:29Well actually
11:30I am more the owner
11:31from the site that the gentleman.
11:32and they come out with some...
11:34No, let's talk.
11:36business,
11:36then, ready,
11:38let's talk business.
11:39Okay, that's it,
11:39Well, the truth is,
11:41Pati.
11:43Well, I don't know.
11:44where to start.
11:45Oh, my love,
11:46Well, like the good ones
11:47electric shocks
11:47from the beginning.
11:49Oh?
11:50Oh, sure,
11:50is that since you are going to give
11:51of electric shock.
11:53Marita,
11:54I'll start at the beginning.
11:56Well,
11:57I know your son,
11:58No?
11:58He is very loved,
11:59very good person.
12:00Yes, he is the best son
12:01worthy of his father.
12:03Yes, well,
12:03and he works at the hotel
12:05and the truth is that
12:06he, therefore,
12:07He told us that...
12:07What happens is that
12:08we were
12:09talking to Arturo,
12:10Yeah?
12:10And he told us
12:10that here in the restaurant
12:11there is a stall,
12:12so...
12:13Ah, I know where now.
12:15the water goes to the mill,
12:16man,
12:16having said it before.
12:17It makes me very sad
12:18I call them to come,
12:19but I think they lost
12:20your time.
12:20Greetings around the house,
12:21Miss.
12:22And was it that
12:22They were already grabbing the camel
12:23or what?
12:24No, of course not,
12:25man,
12:25the camel is there,
12:26but it's for a girl,
12:27for a female staff.
12:29It is precisely that
12:29work is not for me,
12:30the job is for her.
12:35Oh!
12:36Oh yes!
12:37I almost didn't get it,
12:38I almost...
12:39I almost didn't get it.
12:41I already know it,
12:41I do it to her
12:42that takes a while.
12:43No, what lady,
12:44which is the same.
12:44No, it's not true.
12:45How is this girl?
12:46working with those hands,
12:47little hands,
12:47and has the hands of a queen?
12:48Let's see, look at that.
12:50This girl who is
12:50erased in weights,
12:51on the banknotes,
12:52that could buy us
12:53this spell.
12:54Now I'm doing a spell, right?
12:57Well, but it's true.
12:58No, just a moment,
12:59she can say chuzo,
13:00me too,
13:00but you don't.
13:02No, no, no, no,
13:02no, no, no, no.
13:04With all due respect,
13:05with all due respect.
13:06Sorry,
13:06I didn't mean to say
13:07that this is a pike,
13:08what a shame on you.
13:09Me really
13:10I want the job.
13:18Well, 15 days
13:19suspension
13:19they put him in
13:20to Primo González.
13:21So they didn't kick him out?
13:23No,
13:23how has it happened to you,
13:24Milton?
13:24they didn't throw him out.
13:25Ah, well, he got off cheap, didn't he?
13:27Well, not so much, because they are not going to pay him.
13:29for two weeks and apart from that,
13:31wherever they get it, sweep it, that's where they throw it.
13:34Well, then I wasn't so wrong.
13:37What's that, Milton? Don't you mind?
13:40Of course I'm going to regret it,
13:41but at least he didn't lose his job.
13:44But, but, but, it's that...
13:46There is something else that I have to do with these adventures.
13:48I still can't explain life.
13:52That?
13:52How do you do it?
13:56He loosens his tongue and the gossip starts to stick to him.
13:59like anthills.
14:00Or he does the toad thing that...
14:02he catches us in the air.
14:04He doesn't even move anymore, he finds out everything there, yes or no?
14:10And you guys are staying here?
14:11Back to work, damn it,
14:13but don't make any more herds of reborn
14:15They are the ones who bring her gossip, right?
14:20And does it seem unfair to you?
14:22No, because if Miss Cecilia decided
14:25that it will be the provincial time to punish me,
14:29So you, what?
14:30He must have his reasons, right?
14:31And several.
14:32And very good reasons,
14:33because if I were you, I would have fired you.
14:35Yes, no, that's exactly me, because that's why I came here.
14:37I want to apologize,
14:39because I, the person that I am,
14:42At this moment in my life it is thanks to you,
14:43because you are a person who has given me the opportunity
14:45and has shaped me not only as a person,
14:48but also as a human being.
14:49Look, cousin, please don't make me talk,
14:52because at this moment I think I could say things
14:54that I would later regret.
14:56No?
14:57Yeah.
14:59And I'm the one who's disreputable, right?
15:01Exactly.
15:04Well, go and take advantage of these two weeks.
15:06to reflect a little, right?
15:08And now that I'm banned from the hotel,
15:10TRUE?
15:11Because I can't set foot here.
15:13Are you going to stop by the house soon?
15:15Say hello?
15:15I'm going to miss your advice.
15:21For what they have served you.
15:24But yes, yes, of course, of course.
15:26One of these days I'll pass by there, of course.
15:29Anything else?
15:31Can I have a hug?
15:32Anything else?
16:02How did I look?
16:09Very cheesy.
16:12That's how it is.
16:13Oh, chusqui.
16:14Ah, yes, now she really looks like the queen of cholesterol.
16:17Oh, but I don't know.
16:19It lacks like...
16:20It's missing...
16:21Now it's as if for...
16:23It's missing one little thing.
16:24That?
16:25That?
16:28It happened, my queen.
16:30You are officially crowned.
16:31Now she is the real worker of the Sports, Recreation and Social Club.
16:37The portals.
16:37Now she is the owner and the todera.
16:40and in charge of neighborhood services.
16:45Just a moment, just a moment.
16:48Staff!
16:49Hurry and see, hurry and see.
16:51Toñita, Panchita,
16:52Don Pedrito, move that stretcher, won't you?
16:53But what are we going to do with you?
16:55Let's see, move and see.
16:56Do you want to, Luis?
16:56I present to you Miss Patricia Ortiz,
17:01the new person in charge of neighborhood trades.
17:04His new partner.
17:07Pretty that's how it is.
17:14Well, as you may already know, right?
17:17And I imagine that Anabalena already told you,
17:19I was suspended, right?
17:20That's like a pitch,
17:21but without giving me two weeks,
17:23they're not going to pay me.
17:24So, well, nothing,
17:25I came to say goodbye,
17:27to tell them nothing,
17:29See you in two weeks
17:30God willing, right?
17:31Oh, don't worry, God does want it.
17:35We'll wait for him here.
17:37Oh, we're going to miss you a lot, cousin.
17:40Yes, yes.
17:41Well, uh, you guys too.
17:44I miss you guys too.
17:45Thank you so much.
17:45Anabalena, don't start screaming, hello.
17:49I, I do congratulate him.
17:51Me, anyway,
17:52I know it's going to be great.
17:54It's going to calm down
17:54and he's going to rest a little, right?
17:56Yes, yes.
17:56I was really thinking
17:57How am I going to be here for two weeks, right?
17:59I'm going to perfect
18:00and why not?
18:01Learn English.
18:03Oh, it looks very good to me.
18:04Yeah.
18:05When I get here
18:05I really want to be
18:06flying in English, right?
18:08And be, uh, trilingual.
18:10It could be, right?
18:11Yeah.
18:15Nothing, mixed, quiet.
18:16Don't worry.
18:18Am I calm?
18:19No, no, and it shows.
18:20Don't worry.
18:20Me, with a positive attitude, right?
18:23It's the first time.
18:23Well, well, I ask for your permission.
18:24to you.
18:25No, see you later.
18:27Thank you so much.
18:28I wish you all the best.
18:29Thank you so much.
18:30Thank you so much.
18:30Well, yes, it seems like an exaggeration to me.
18:36And what a shame on you,
18:36but it is that 15 days of suspension,
18:38Well, that's why they should have fired him immediately.
18:42Well, the man was jealous.
18:44Anyone in their place
18:45would have done the same.
18:47Well, some more violent than others, right?
18:49Yes indeed.
18:50Any?
18:50Yes, anyone.
18:52Yes, anyone.
18:53What happens is that he realized
18:54that he was losing a wonderful woman, Cecilia.
18:58A beautiful woman.
18:59I, for example,
19:01I would be willing to kill for you.
19:04Did I say something you didn't like?
19:09No.
19:10What happens is that at this point
19:11I should have understood by now
19:13that you are a very good person, Juan Antonio.
19:18Thank you.
19:19Thank you.
19:34Thank you.
19:35Thank you.
20:04Oh, thank you so much, young man.
20:20Very kind, very friendly.
20:22Greetings to your home, you see?
20:31At your service?
20:32Did you lose something or something?
20:32Oh, Milton, tell me what's not going to happen.
20:43Ana, Molina.
20:45These are the first papers
20:48that come to me for my future happiness.
20:51These are the documents of the premarital course.
20:55No, I really can't understand.
20:57why all men
20:58they think with anything else
20:59less with the head.
21:01In that way?
21:01Look, what a shame that I got involved.
21:03I know I shouldn't,
21:04but it's up to me to put in my two cents.
21:06They are a couple of blows.
21:09They both know perfectly well
21:10what they do.
21:10They are already quite grown up.
21:11I don't think it's fault
21:12of one or the other.
21:13It's both of their faults.
21:14Well, it was her fault.
21:15But anyway, yes, thank you, Adirita.
21:17And I shouldn't get involved either.
21:18But do you know why I get involved?
21:19Because this is my workshop
21:19and they got into me.
21:21Karen doesn't want to come back anymore.
21:22No, sir.
21:23Let me finish.
21:23Karen doesn't want to go back.
21:25But there is guilt there.
21:26So, I have to see it.
21:27And what's your fault?
21:27Stop being so cheeky.
21:29Do me a favor and fix it
21:30all the problems with her
21:31or else they won't come back.
21:32You'll see.
21:34You know what?
21:35What are you doing here?
21:36I live here.
21:37What are you doing at this time?
21:39and with that box?
21:41I suspended myself in front of the office.
21:44No, I didn't wait.
21:45Thanks, Mom.
21:49Oh, my little girl, I don't know,
21:51but it did make us very sad
21:52when he left.
21:53It's only 15 days, I know,
21:55but we are already starting to need it
21:58and especially at the reception.
22:00It's that definitely
22:01That boy has made himself loved.
22:03Yes, ma'am,
22:03for some more than for others,
22:04Of course.
22:05But it did go very badly.
22:06and that seemed...
22:07Oh, he looked like a beaten puppy.
22:09Oh no.
22:09Look, you know what, Tulita?
22:11After reading the text messages
22:14that Andrea sent him,
22:15even when we were in Villa de Leyva
22:17and we were supposedly reconciling
22:18and at our best,
22:20I to this cousin González
22:21I don't even believe what he says.
22:23Well, if there is so much hate involved
22:25because he didn't take advantage of the opportunity
22:26and fired him.
22:28That's what Juan Antonio told me.
22:30Oh, yeah?
22:31That would be one of the first
22:32in being happy that that happened.
22:34You know what?
22:35You know what?
22:36Look at Juan Antonio
22:37I am pleasantly surprised.
22:39In that way?
22:41Just a moment, miss.
22:42Wait a minute, wait a minute.
22:44How should I take that?
22:45Let's see, look.
22:46Ceci.
22:48Hmm?
22:48No, I'm seriously thinking about it.
22:53in giving me a chance with him.
22:55Oh, well, I already said it.
22:56Already.
22:56That?
22:58No, ma'am.
22:59Ceci.
23:00Well, you can't complain, can you?
23:01Things couldn't be going better.
23:04It will be for you.
23:05I have to go and redouble my efforts.
23:07to cousin's house.
23:08Oh yeah?
23:09Why's that?
23:09Well, because of Maritza's resemblance.
23:11The old lady is old until it gets into her eyes.
23:14If not, it's because he already did.
23:15And what can I do there?
23:17That's what I want.
23:18I want you to help me.
23:19Let any of those ideas occur to you
23:20so Machiavellian they have.
23:22I'm not going to deny that they always work for him.
23:24Well yes, yes.
23:25For an idea like that
23:26It was that Ceci sent cousin to hell, right?
23:28That's why.
23:29That's what I want.
23:32I'll think.
23:32I'm not saying that it's your fault
23:39of that gentleman, Juan Antonio.
23:41Yeah.
23:42But cousin is having a very bad time.
23:44Very badly.
23:46Well, let's hope the sanction helps him.
23:47so that he stops being so impulsive.
23:49No, that's not going to help you, Don Eduardo.
23:51I've known my cousin since we were both little.
23:53That one has always been impulsive, reckless.
23:55He's not going to change.
23:56He is already like that.
23:57Well, but I didn't come to talk to you about cousin.
24:00That is, what was, was with him.
24:01And then?
24:03I'm getting married.
24:05No, really?
24:07Nothing, you don't know how happy I am.
24:08that you've fixed things with Miriam.
24:10I imagine you're going to marry Miriam, right?
24:12Yes, sir, with Miriam.
24:13I think these days
24:14the invitation must be arriving.
24:16Congratulations.
24:24Hello good.
24:25Hello.
24:27Am I missing something?
24:28Are you celebrating something?
24:30Yeah.
24:30Tell him, tell him, tell him.
24:31Yes, yes, ma'am.
24:32I was telling Don Eduardo that I'm getting married.
24:35I'm marrying Miriam, my cousin's sister.
24:38How wonderful.
24:40Yeah.
24:40So, these days, God willing,
24:44They must be receiving invitations
24:46so that they go to the marriage
24:48and honor us with their presence.
24:49What a shame, I don't think we'll be able to go.
24:53Silvia.
24:55What, did you say something wrong?
24:56All.
24:58The thing is, Silvia is joking.
24:59Always like this.
25:00Look, this situation is like this,
25:01but no, don't worry.
25:02We are more than honored
25:03that they invited us
25:04and of course we are going to go
25:06and we're going to be in the front row.
25:08Hey?
25:08No?
25:14Maritza.
25:17Maritza.
25:19Tell me, doctor.
25:20Were you...?
25:23What's wrong with you?
25:24Because something's wrong with him, right?
25:28Can I be honest with you?
25:30As usual?
25:32I'm so angry about what happened with Primo.
25:35And it's not with you, doctor.
25:36It's with everything.
25:38It's just so unfair.
25:39He is very ill.
25:40He is very ill, doctor.
25:43I'm going to look for the waste.
25:50Today's menu is tongue in sauce.
26:16Oh, mine, I'm already more provoked.
26:20Miss Patricia?
26:25In that way?
26:26Oh no, Tulita has me more worried, Milton.
26:29But why?
26:30Do you remember that lady?
26:30that he introduced us to last night
26:31who was supposedly the girlfriend?
26:33What supposedly?
26:34Well, do you remember, yes or no,
26:35of that lady who is Arturo's mother?
26:37Yes of course.
26:38Oh, what happens is that Milton dreams
26:41and he swears that he will marry her.
26:44And not?
26:46Let's see, Tulita.
26:48That lady has a face of everything
26:49less than wanting to marry him.
26:51Oh, hello, is that true?
26:52I am sure
26:54They're going to leave it stuck in you
26:55with the curls done, Tulita,
26:57and poor thing.
27:03And right away he made her mop?
27:05And attend to the months
27:06and help in the kitchen?
27:07I can't believe it.
27:10What thing?
27:11Oh, Miss Patricia,
27:12if her dad saw her,
27:13he would be turning in his grave.
27:15Well, I don't think the same.
27:16My dad always wanted
27:16that we worked.
27:18Please, Don Abelardo,
27:20never thought they would get
27:21to wait tables
27:22and to be mopping the floor.
27:23Oh, what a shame on you, Milton,
27:25but this work
27:25is equally worthy of anyone.
27:28No, well, what a beauty.
27:30The young lady sitting there,
27:31very comfortable,
27:32I'm waiting for people
27:32to help me
27:33to wait on tables.
27:35Yes, ma'am.
27:36Later he goes through the kitchen
27:37to help me
27:37to express some chickens
27:38and peel some potatoes.
27:39Yes, ma'am.
27:42Oh, one more thing!
27:45No one comes here
27:46to sit with the customers
27:47with many little trusts,
27:48No, ma'am.
27:48Respect is given here.
27:51In any case,
27:51It has been a pleasure
27:52see you, Miss Patricia.
28:00Have you ordered anything yet, Milton?
28:01Yes, ma'am, thank you.
28:03Gosh, gosh, gosh.
28:06I stand firm
28:07before my general.
28:09He set it in motion
28:10soft and firm, right?
28:13What did I do for her?
28:15Well, of course.
28:16Look, Yané,
28:17if you had known her
28:18at the hotel...
28:19Oh my God,
28:20the queen was wanted
28:22of the currucutú.
28:23And if it didn't arrive
28:24to treat equally,
28:24equal,
28:25one looked at it
28:25like a bacterioloma.
28:27I don't doubt it.
28:28The fact is that she herself
28:29came of his own free will.
28:30But it is a marvel.
28:31He made her express chickens,
28:33to mop the floor.
28:34No, no, no, no.
28:35I'm already seeing
28:36what is coming to me
28:37leg up.
28:38And I with pleasure
28:40I take the risk,
28:41since very soon
28:41you and I...
28:44What is this?
28:45The papers
28:45of the premarital course.
28:47There you have it.
28:48Just one signature is enough
28:49and we are now very close
28:51from our initial struggles.
28:59Permission.
29:01Oh, he's not going to overact.
29:02just say that it brings me
29:02eaten again,
29:03man,
29:03I am not anorexic.
29:04No,
29:05there is someone
29:06who came to visit him.
29:08Don't tell me what it is.
29:09Hello.
29:10Oh, hello.
29:12I brought you some things.
29:15Little things?
29:16Yeah,
29:16there is nothing better
29:17for depression
29:18to go shopping.
29:20But the one who is depressed
29:21It's me, not you.
29:22That's why I already did it
29:23shopping
29:23and get ready for tonight.
29:26We are going to eat
29:27to a restaurant
29:29and I would like to invite
29:31to Miriam,
29:32obviously you
29:32and then everyone in the workshop
29:33because I like them so much
29:35that I would love.
29:36What do you think?
29:41Here I am.
29:42Sit down.
29:43I earned the sortid, didn't I?
29:46Doctor Heart.
29:47What am I good at?
29:48What happened this time?
29:49No.
29:50The same thing that has happened
29:51since I got married
29:52with that idiot
29:53who claims to be my husband.
29:55It seems that the grab
29:56It was serious, wasn't it?
29:57It's not that even
29:58there was that.
29:59I'm already used to it.
30:00to treat me
30:00as he pleases.
30:02It is that for Mr. Sainz
30:03I am no longer
30:04than a zero on the left.
30:05Let's see,
30:06let's take it one step at a time.
30:07It doesn't seem that difficult to me.
30:08There doesn't have to be
30:09a solution.
30:11Oh yeah?
30:12Like what?
30:14It must be done
30:15that your husband
30:15notice you.
30:17But how?
30:17That's the question.
30:18Of course, it has to...
30:18Oh, please.
30:19Juan Antonio
30:20I'm not going to get it
30:20with another of his nonsense.
30:21No, no, no, Silvia.
30:23What better way
30:24that you act sick?
30:27That?
30:28Clear.
30:29There is no better way
30:30to generate compassion
30:31in a person
30:31than a disease.
30:33But it can't be
30:34a little flu here and there.
30:35It has to be something serious.
30:39This one's for you.
30:40Since I didn't bring him
30:41nothing a day
30:42on your birthday,
30:42I wanted to bring you a little gift.
30:43It's nonsense.
30:44Oh no.
30:45That he started to get upset.
30:47No, thank you very much.
30:48anyway.
30:49Isn't it bothersome?
30:49Do you like them?
30:50Yes, yes, yes.
30:51Wow, divine.
30:53And do you like yours?
30:55Andrea,
30:56you know what?
30:56I can't receive them.
30:57Because?
30:58Because you don't have
30:59no good excuse
31:00to give them to me
31:00and I don't have either
31:01a good excuse
31:01to receive them.
31:02I don't know what the best thing is
31:03is that I take them.
31:04But these are details
31:05that are born to me
31:06from the heart
31:06and I think that's why
31:07not needed
31:08no excuse.
31:10Because we better not think
31:11at food.
31:12Where do they want to go?
31:13Nowhere.
31:16No, I just don't think so.
31:17that we can because
31:18We are very busy right now
31:19because cousin is helping me
31:21with all the preparations
31:22of my marriage.
31:23TRUE?
31:23Are you getting married?
31:24Oh no.
31:27Why do you?
31:28hadn't you told me?
31:29How envious.
31:30Yes or what?
31:32Let's do one thing.
31:33Do you want me to help you?
31:34I can move
31:34my influences at the hotel
31:35to have the party
31:36in one of the rooms.
31:37No, thank you very much.
31:38No, very kind.
31:39No, because with everyone
31:40the problems he had
31:40my brother there at the hotel
31:41I don't think it's very convenient.
31:43So we already chose
31:44another place.
31:44Thank you so much.
31:45Ah, I see.
31:49Well yes.
31:49Well then,
31:50since there is nothing more,
31:51I'll walk you to the door
31:52because you have to go, right?
31:53No, I have no desire.
31:54He has no desire.
31:55No.
31:56And do you know what I would like?
31:57much to help you, Miriam?
31:58Can?
31:59Well I say it because
32:00an extra hand
32:00never too much.
32:02I don't think it's necessary,
32:04peaceful.
32:04It is completely necessary,
32:06don't worry,
32:07suddenly you feel sorry.
32:08But let's do one thing,
32:09so that he doesn't feel ashamed,
32:10so that you don't feel
32:11that they are abusing
32:11of my trust,
32:12Well then I'll leave
32:13invite to lunch.
32:14What do you think?
32:15I'll stay and help him.
32:15and you give me a little soup
32:17or whatever you have,
32:18It doesn't matter,
32:18You know I'm not picky.
32:20It isn't true?
32:21But why not?
32:22Why not, Juan Antonio,
32:23simply for that reason,
32:24because I wouldn't know
32:25to do,
32:25I have no idea
32:26how to act sick.
32:27Besides,
32:28I wouldn't know how to behave,
32:29to do,
32:30I wouldn't have a clue about anything.
32:32I will be by your side,
32:33I will support you all the time,
32:34what's the problem?
32:35Forget it.
32:36Silvia, please.
32:38Let's see, Juan Antonio,
32:39here the only one
32:39that has to be sick
32:41It's Eduardo
32:41and that's what we have
32:43that you order,
32:44because for that
32:45that's why I brought it.
32:47Silvia,
32:48I promise you
32:48that this time
32:49I won't let you down.
32:50As soon as I married Cecilia,
32:52your husband is going to have
32:52the days are numbered.
32:54The only thing you have to do
32:55is to reconcile yourself with him,
32:57that seem
32:58a happy couple,
32:59a happy marriage,
33:00but think about it carefully,
33:03if your husband is going to disappear,
33:04at least
33:04has to disappear
33:05thinking about what
33:06you are an excellent wife.
33:08I'm not going to do it
33:10so don't insist on that.
33:13Ok,
33:14then don't do it,
33:16but so far
33:16things have not gone well for us
33:18and reconcile with your husband
33:19It's the only thing
33:20that we are left with.
33:29Let's see, Milton,
33:31Milton, how do I explain this to you?
33:32The thing is,
33:32It's that Alcides and I
33:33we are married in the church.
33:35Ah, Faina,
33:37and by the church
33:38one cannot marry twice.
33:39Exactly.
33:40Ah, thing.
33:42And I had told him
33:42to the priest who wanted
33:43a wedding in style.
33:46Well,
33:46I talk to him,
33:47I cancel the premarital course
33:48and well,
33:49I'm going to a notary's office.
33:50A notary?
33:52Of course,
33:53if we can't get married
33:53for the Catholic
33:54we got married in a civil ceremony.
33:55Oh, Milton,
33:56Why don't you want to understand?
33:57that I need...
33:58Permission.
34:00But, my dear,
34:01that if this way
34:01to be vile
34:02It is with a glass
34:02is that he didn't learn in the other one...
34:05Well,
34:06we must do ecology,
34:07we must save water
34:08and not pollute
34:09with the jaú, right?
34:11Thank you,
34:11in any case.
34:14My lalá flower
34:15And why do I make that face?
34:17Let's see, Milton,
34:18How do I do it?
34:18to explain to you?
34:20I need you
34:20know and understand...
34:22One moment.
34:24Oh,
34:24Ana Morena,
34:25he's calling me,
34:26is that I told him
34:26that you marked me
34:27if they needed me
34:27at the hotel.
34:28Well,
34:29my lalá flower,
34:30don't worry,
34:30make sure that the dress
34:32It's time for a bride
34:32to live a princess
34:34and I'll take care of it
34:35absolutely
34:35from everything else,
34:36ok?
34:36Well,
34:37in any case
34:38I am taken care of
34:38until the hour
34:39of the hymenorium.
34:41Milton,
34:41Milton.
34:41I need to talk
34:48with you.
34:49Oh,
34:49Miss Patricia,
34:50Excuse me,
34:51but they are asking me
34:51waiting at the hotel,
34:52I am eager.
34:53Look,
34:53please,
34:54don't tell him
34:55to no one what I see here,
34:56don't tell him
34:56to no one that I am
34:57working in this place.
35:00Please.
35:06If you see,
35:07if you see triple garu,
35:08You are already more of a liar
35:09than a bra,
35:10faker than a coin
35:10leather,
35:11Huh?
35:11It's not that he was dying
35:12for my daughter
35:12that was all fascinated
35:13that Tales and Pascuals,
35:15Judas.
35:16Oh,
35:16but that's it
35:17It is very different,
35:17Mr. Arci.
35:18That's why I say
35:19that is different.
35:19How so different?
35:20Because?
35:21Well, because what I
35:21felt for Marichita
35:22Well, it wasn't that bad,
35:23Well, as such,
35:25do you understand me?
35:25As pure as it is,
35:26so,
35:26so special,
35:28so,
35:28because look,
35:29Marichita is like
35:30one more thing of pleasure,
35:31do you understand me?
35:31Because you look Marichita
35:32and Marichita what is
35:33she is very pretty,
35:35do you understand me?
35:36So,
35:36Well, for the same reason,
35:37any man,
35:38well in its five senses
35:38would like to be
35:39next to her,
35:39Yeah?
35:40But what happens
35:40is what I feel
35:41for Karen it is different,
35:42if you understand me,
35:42something deeper
35:43like that goes in and out
35:44and how it looks.
35:45Look,
35:46Garu,
35:46already,
35:47I'm going to give you some advice
35:47and I'm not going to charge you for it.
35:49Let it be.
35:49For Gulas,
35:50don't be a fool,
35:51don't be a jerk,
35:52don't be an idiot,
35:53don't be jealous,
35:53such,
35:54man,
35:54because that's where he dies.
35:56That little girl
35:56he's going to get it
35:57of a car,
35:57of pig,
35:58like me,
35:59Look.
35:59Ah,
36:00No,
36:00Too bad,
36:00Mr. Marrano,
36:01but the only thing is
36:01that I want
36:02is that she loves me.
36:03Come on,
36:03I'm going to tell you a secret
36:04because no one can open it.
36:05Come on,
36:06come on,
36:06I.
36:06Come on,
36:07I.
36:07That?
36:08Tighten the girth,
36:10darling,
36:10twist his neck
36:11like a loop of fifty
36:12and you will see that less
36:13a rooster crows
36:14you will see the results,
36:15uncle,
36:16This is how they should be treated
36:17so that they love it
36:18to one.
36:19Yeah?
36:24You are taking me
36:25of the hair,
36:25Milton.
36:26I'm going to invent
36:27one of those things,
36:28well.
36:28Oh,
36:28but Miss Patricia
36:29that is going to be put in that
36:30if he was not able
36:31to be a receptionist
36:31when they gave it to him
36:32the opportunity here.
36:33Much less
36:34she's going to be a waitress,
36:34that is impossible.
36:36Impossible?
36:37Precisely
36:37that is possible.
36:38What's more,
36:39It's Patricia
36:40because it served me
36:41a soda
36:41and not even
36:42brought the glass,
36:43it was my turn
36:43call his attention
36:44and if you want more evidence
36:45to Anne Boleyn
36:46So I take pictures of him
36:47and I bring them to you.
36:49Oh,
36:49oh,
36:50oh,
36:50Anne Boleyn,
36:51that language is dead.
36:53For nothing in the world
36:54start counting
36:55that gossip
36:55because if not
36:56gets into trouble
36:57as usual
36:57and by the way
36:58puts me in
36:58in a father's mess,
36:59my lord.
37:01But how do they work?
37:03Anne Boleyn
37:04I need a copy
37:04of the 304
37:05because the judges
37:06they lost the key
37:07and they are waiting for me
37:08to open them.
37:11And how about you?
37:12why are you looking at me like that?
37:15As well as?
37:18So what,
37:19like every day,
37:20well.
37:21Oh,
37:21I wouldn't even want to bathe,
37:22hey.
37:22How are you?
37:23How are you?
37:23How are you?
37:28Well,
37:32at the beginning
37:33yes it was a little bit
37:34complicated
37:34convince Arturo,
37:35but we made it.
37:37As much as
37:37convince me,
37:39convince me,
37:39my love,
37:40You know that I
37:41still the idea
37:41to leave the house
37:42It's ringing a bell.
37:44Another thing
37:44is that it has already convinced me.
37:47Well,
37:47Well, in the end
37:48each
37:48here is your workshop.
37:50Yes, you see?
37:50Finally someone
37:51who understands me.
37:52High five.
37:53Super good idea,
37:54It seems to me too
37:54very good idea
37:55stay here.
37:56Pity you.
37:57Well I say it
37:59because if Arturo
38:00he comes here,
38:01It's going to be your turn
38:02look for another place,
38:03ma.
38:03No,
38:04How am I going to get out?
38:04to the sister-in-law
38:05of the house?
38:05No,
38:06I'm going to install it
38:06a small room
38:07that we have above
38:08with boxes,
38:08Well, if you want.
38:09Does this sound familiar?
38:10No,
38:10Well, imagine,
38:11I am delighted
38:12live with my brother,
38:13my sister-in-law
38:14and with cousin.
38:15How are you?
38:15How are you?
38:15How are you?
38:15How are you?
38:27Now I understand
38:46why it is so rigged
38:47at the hotel,
38:47No?
38:48I could too
38:48get used to it,
38:49you know?
38:50Miriam,
38:55thank you so much
38:56throughout.
38:57I'll come later
38:57and I help him with the rest,
38:58I had a great time.
39:00Ready!
39:00Bless her!
39:01What a dear woman!
39:04I feel so much like it
39:05to come tomorrow
39:06is that I have to help him
39:06with the flowers,
39:07the arrangements,
39:08a lot of things.
39:09No,
39:09it won't be possible,
39:09it won't be possible
39:10because it is that,
39:10it won't be possible
39:11because it is already occupied,
39:12TRUE?
39:12In that way?
39:13Because?
39:13Because she works,
39:14works very hard,
39:15lot,
39:15lot,
39:15then it won't be possible.
39:16Well,
39:17but in that case
39:17Well, I can come.
39:18to pay you a visit
39:19and with that we move on
39:20a little time alone.
39:20No,
39:21It won't be possible either,
39:21It won't be possible either
39:22because tomorrow
39:24I have my English classes
39:25then I'm going to be
39:25very busy
39:26with English.
39:28Well,
39:28I can help you.
39:29No,
39:30I love you,
39:31man,
39:31No,
39:31come on,
39:32oh really,
39:32go away quickly,
39:33the Transmilenio
39:34passes three blocks away,
39:35have the wet one,
39:35thank you,
39:36bye,
39:36Thank you for coming.
39:37What intensity there was,
39:38son of a mother,
39:38to what is big
39:39has it,
39:39what is laughter?
39:41Smile.
39:41Small,
39:42small,
39:42rather.
39:43Ready,
39:43when it reaches you
39:44to happen other things,
39:45I'm going to laugh too,
39:45ready?
39:46Ask for support,
39:47rather tell me
39:47what happened,
39:48what they said there
39:48in the office.
39:50How lucky he is
39:51the fool,
39:51No?
39:52Because?
39:52What do you mean, why?
39:54Well, they could have done it.
39:54throw you out,
39:55clear,
39:55with what he did.
39:57It wasn't that bad either.
39:58No?
39:59He deserved it a lot,
40:00that son of a bitch
40:01of those of dog,
40:02they don't know the amount
40:03of things that reached me
40:03of seat,
40:04clear,
40:04I filled myself
40:04from a pain
40:05and tim!
40:06Take yours,
40:07but...
40:08What do you talk about?
40:09That I am very stupid
40:10and I didn't stop to think
40:11things are going well
40:11and so everything will end
40:12bad for me
40:13because I left him
40:14the open road,
40:14clear,
40:15now I'm going to be
40:16suspended
40:16and this son of a mother
40:17who invites you to your appointment
40:18and look,
40:19I am the eyebrow
40:20who listens,
40:20is going to say.
40:21No,
40:22Well, I doubt it.
40:23Oh,
40:23I doubt it,
40:24I doubt it,
40:24you don't know,
40:25That man is a rat,
40:26That guy is a danger,
40:27you don't know about the class
40:27and as I always say,
40:29No,
40:29that guy is dangerous,
40:29but nobody believes me.
40:30Yeah,
40:30but I know Cecilia,
40:32Yeah?
40:32And she is not an uncle,
40:33they threw him,
40:33they threw at him,
40:34then she took
40:34the first fish
40:35that was found
40:36and then he opened it
40:36the mouth to...
40:37No, sir,
40:37No, sir,
40:38she is not like that.
40:39No,
40:39she is not like that,
40:40and less after
40:41of what happened today.
40:42That?
40:43What do you mean what?
40:44She had the opportunity
40:45to throw you out,
40:46to send him to hell
40:46and he didn't.
40:47Because?
40:48Because she has
40:48your little heart
40:49still thinking of you,
40:51has it throbbing
40:52and that is very nice.
40:57I had thought
40:58go to his party
40:58but I couldn't,
40:59Well, I had other plans.
41:00I imagined.
41:01Yeah,
41:02I was at Primo's.
41:03Where?
41:04Where Primo González is.
41:05Well,
41:05is that the sister
41:06It was my birthday
41:06and they invited me.
41:07They didn't invite me,
41:08They invited me to Chucho
41:09and well, like Chucho
41:10and I are lately
41:11together, then...
41:13Clear,
41:13obvious.
41:14Yeah,
41:15You know what?
41:15I had a great time.
41:17Yeah,
41:17They are very loved people.
41:19Well, all people
41:20who live in that neighborhood
41:21They are good people.
41:23Oh, Cecilia,
41:24don't look at me like that,
41:25I'm serious.
41:26I had a great time,
41:27It was very cool.
41:28And well,
41:28and I realized
41:29that I was a fool
41:30for being so prepared
41:31with all of them.
41:32The fact that they don't have money
41:33does not mean
41:34that they are bad people
41:35and I don't have either
41:36So then,
41:36that the winds are
41:37with the same eyes
41:38my mom's
41:38and my sister's.
41:40No?
41:40It was fun.
41:42Clear.
41:45No,
41:45It's not that I don't want to
41:46that you go to that marriage,
41:47It is simply that
41:48It seems to me
41:48evil
41:50that you have relations
41:51with those people.
41:52it's just an opinion
41:58of the matter.
42:00You're not going to get angry.
42:03No.
42:05But,
42:05can I ask you a question?
42:11In all sincerity,
42:14Don't you think so?
42:14that we were wrong
42:15when we get married?
42:16I say it
42:18because from what I see
42:19we have ways
42:20very different
42:21to see the world.
42:24I mean,
42:24that for you
42:25our marriage
42:26It was a mistake.
42:27Let's say I'm not
42:28feeling good, Silvia,
42:30what do I think
42:31that we are much better
42:31when we were dating.
42:33I don't want you to offer yourself,
42:35but
42:35not a single trace remains
42:37of what we felt
42:38when I was a waiter
42:39and not Eduardo Sáenz.
42:45I'll be downstairs.