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00:00Little brother, you can't imagine how much I want to go to the casino.
00:05It's been a while since we've been going to take the money from him, right?
00:08So what? See you there?
00:10Well, bring a little bill so he can lend me some.
00:14Ok. Bye.
00:15And I hadn't even finished telling Eduardo about the marriage when he gave us such a gift, huh?
00:33Seriously? So we can go to any hotel in any country?
00:37Are you sure? Ask Karina and Yadira, they were there.
00:40Oh, my love, it's just that when you have money you become very generous.
00:43You can imagine us in Mexico.
00:46Oh, yes. In Los Angeles.
00:48Oh no, how delicious.
00:53No, but you know what, Miguel?
00:56As for me, hotels and all that, well, I don't really care.
01:00Because I would be able to live with you even under the rocks.
01:04I am very much in love.
01:11Has the cousin fallen asleep yet?
01:13No, no, no, he's studying English.
01:15No, well, fortunately.
01:17What? Like a crazy person or not?
01:19Oh well, I'd rather he go crazy studying English and not hang around with that guy who can't even give him the time of day.
01:24We have to come up with something to get Ceci out of her head.
01:26And I thought that Maritza could soon be there for us.
01:31Maritza?
01:33Ah, well, then yes, like the son of the blind man.
01:36How do you see that I?
01:37At dawn we'll see.
01:39No, sir.
01:40Because I have a proposal for you.
01:42We take him out of the house here and the four of us go and make a really cool plan.
01:45Did I have?
01:52Do you know where else we can go?
01:54I'll tell you right now.
01:54Mom, cousin's replacement at the bar is a dud.
02:03It doesn't even hit one.
02:05Oh, well, Andrea, as long as Primo González doesn't show up here, I have no problem.
02:09Well, it will be for you.
02:10Because for me the suffering continues.
02:12That stupid Maritza look-alike doesn't see him at the hotel, but she does see him at home all the time.
02:16How lazy!
02:17Oh, please, Andrea, are you going to let that little girl win?
02:19No, well, obviously not, but you don't think it's that easy either.
02:22No, no, no, I imagine it's not going to be easy at all.
02:24But you have to get your claws out, I don't know, do something.
02:27That's what I'm doing.
02:31Hello?
02:34Patricia brought us China Bañese, yes, it smells like butter and stew.
02:38Oh, that's what it's all about.
02:39Oh, how disgusting.
02:41I'm leaving.
02:41Well, what about you?
02:46Have you already taken away my last name or am I still your daughter?
02:52And that's all he said?
02:54Yes, that's what I asked him, just like that, the contract and so on.
02:59Look, what were her words? What did she say?
03:02Well, he told me that I deserved it, that I had proven to be a great assistant and that I was very happy.
03:09Oh, that Cecil is the best.
03:11And you too, you too.
03:16Of course, you too, you deserve it, because you haven't stolen anything from anyone here.
03:19You did it out of sheer determination, right?
03:21He's pulled through, which makes me very proud, right?
03:24Well, until he compared us.
03:26You're your mommy's, right?
03:28Come here, come here.
03:29His hug.
03:31Congratulations.
03:32You really are tough.
03:35Rich.
03:36Yes, I say the same.
03:37It's hot today, isn't it?
03:46This city, how has it changed?
03:50Her name is Maritza with Barisa.
03:53The photos were taken because she is now the image of the castle.
03:56And I don't know what you have to do.
03:58But whatever it is, I want that little woman to show up with a beautiful past as a porn actress.
04:04We are?
04:09What thing?
04:10The whole day passed and the girl had nothing to do with Don Juan Antonio.
04:15And according to the lady, what is it that I have to specify?
04:18Well, saying yes seems like too little to him.
04:20No, Tulita.
04:22Look, it was because I was so busy that what happened to me with Mr. González happened to me.
04:25No, ma'am.
04:26I would say because I'm in love.
04:28Well, for whatever reason, this time it's not going to happen to me.
04:31Let him work hard.
04:34I told him or I didn't tell him.
04:35That Miriam came this afternoon.
04:37And from what I could find out, I took him out as a girlfriend with Maritza.
04:41With Maritza or with Andrea?
04:43With Maritza.
04:44Just a moment.
04:45According to you, Don Primo was after Doña Andrea and they had their thing and I don't know what else.
04:49Oh no, Tulita.
04:51No, don't get me any more tangled up in it, okay?
04:52No, you don't need my help for that, my love.
04:55Come on, you're so late, you're so tired.
04:58Yes, you know what?
04:59Yes, I'm wasting my time here like a fool.
05:01But I do tell you one thing, my little girl.
05:02If that turns out to be true, then they do seem like a nice couple to me.
05:07Tulia.
05:07That of Miss Maritza and Don Primo.
05:09Well, here it is said that I said nothing.
05:10I'm leaving now.
05:10But be brave, me, my little girl?
05:13Bye.
05:16I stopped you.
05:16Doll, how are you?
05:29How are we doing here?
05:34Okay, okay?
05:35Gonzalo, how have you been doing?
05:37Does that say how are you doing?
05:39Let's see how it goes today.
05:40How is the man?
05:43Good luck or not.
05:47You like me?
05:49Very good, it turned out very well, very delicious.
05:52I made it especially for you.
05:55Oh, thank you, my love.
05:55It wouldn't have bothered you.
05:57You are sick.
05:59Yes, that keeps me from thinking about you.
06:04My love, I was thinking about Patricia's work.
06:07What's up with that?
06:08Well, she's a person who can't stay still.
06:17And I understand that she wants to work in anything,
06:19but the truth is that it seems to me that such a prepared person
06:22and as smart as she is, she shouldn't be in a place like she says.
06:26My love, look, there are jobs that don't require intelligence,
06:29of preparation.
06:30For example, in my case, with my job as a waiter,
06:32I had to do things that they don't teach me at university.
06:35Yes, I understand perfectly,
06:37But I think the hotel needs people like her.
06:41I think we should reconsider rehiring her.
06:44Don't you think so?
06:48Do you know that Miriam named me godfather at her wedding?
06:53And I imagine you accepted.
06:55Yes, of course, it will be an honor for me.
06:56And don't I suppose I'm the godmother?
07:01No, the godmother is going to be Yadira.
07:09Well, they're going to be a beautiful couple.
07:11As a godfather, I tell you.
07:13Yes, yes, yes, yes, I agree.
07:19Love, what's wrong?
07:19It's like a colic and dizziness.
07:24Hey, hey, what's water?
07:27Nelly, Nelly.
07:30Mister.
07:30Can I have more of your water, please?
07:31Yes sir.
07:34Breathe, breathe.
07:35Breathe.
07:37I'm coming.
07:38Here it is.
07:50Here, here.
07:51Thank you.
07:53Thank you.
07:56Don Alejandro should come here more often.
08:00Look how you get, my daughter.
08:02Are you sure you don't want to go up there to the meeting places?
08:05Oh, Alcides, for God's sake.
08:08Ah, Alcides, now.
08:13Forgive me, Yanetica, but I am positioned in my role.
08:15I'm doing my thing.
08:16Yes, yes, of course, but that's in front of Milton, not here.
08:19Oh, Alcides, Alcides, now.
08:22Alcides, now.
08:23Finish eating, finish eating.
08:25Oh, it can't be.
08:27Again, Milton.
08:29Come on, come on, come on, I'll get you out of that.
08:30No, no, no, no, no, no, no, no, no, no, no, no, no, Alcides.
08:33Shalom, me here, who there?
08:36What do you mean, what?
08:38Well, answering my wife's cell phone, or what?
08:40Oh, don't tell me what the beans were missing, right?
08:42He grabs her.
08:44No, how come I can't pass it to you?
08:46Well, what do you mean, why?
08:48Well, we're busy.
08:49No, if you want I'll tell you, but I won't answer, right?
08:54Do you have heart insurance?
08:57Pay attention, son.
08:59At that moment, Mrs. Yanéticas is preparing to take off her clothes.
09:05Because he's going to get in the tub and take a bath.
09:07And I, at that moment, am getting ready to take off my clothes too.
09:10Because I'm going to take a bath with her.
09:13Yes, of course, you still have to save water, bathe in joints, but you'll see.
09:17And with whom, right?
09:18It will be your turn with the hotel bellboys.
09:2025 too.
09:24Good luck.
09:32Ready, 18.
09:33Come on, come on.
09:48Luck.
09:50Oh, Alcides, you scared me.
09:59Oh, but what do you want me to help you with?
10:01I mean, what?
10:02Well, let's get our act together.
10:03Oh, no, no, no, Alcides.
10:05Do you see me as sick?
10:06Oh no, what I see is that she is very encouraging.
10:09You don't change, do you?
10:11The older, the more crafty.
10:13Come on, Yanéticas, get going over there.
10:15Don't cower, don't cower to you.
10:18Do you really want to cuddle with me?
10:21Aren't you lazy?
10:24Are you serious?
10:25If it is?
10:28Well, then wait for me.
10:30Wait a few seconds, okay?
10:31Oh, yeah, Yanéticas.
10:40No, no, no, no.
10:41Come on, no, over here!
10:43I don't care if it's a point.
10:44Let's see, what did he say to you?
10:45No, but with the time I'm helping him.
10:47Am I helping you?
10:48No, sir.
10:48You?
10:48He's not going to get away with it...
10:50Yes, sir.
10:50Yanéticas, please.
10:52How are you?
10:52This one said, right?
10:53Jose and threw it at me.
10:55How are you?
10:56What else was missing?
10:59Although it would have been a good idea.
11:02No, no, no.
11:03Come on, Yanét, Yanét, behave yourself.
11:04No, no, no.
11:35Let's go here, let's go here, let's go here.
11:37Let's go here.
11:43Bye, Arthur!
11:45Oh no, how tired.
11:48I really don't know how to repay you for everything you've done for me.
11:51There wasn't a single device you didn't want to ride, right?
11:54Teenagers.
11:56Come on, I know how you're going to pay us.
11:58I know how he's going to pay us.
11:59And he's going to pay us, for example, credit cards we receive, right?
12:02Oh no, lies, how could you think of that?
12:03Oh, well, that's not what I meant.
12:05You guys are really like angels to me.
12:07Thank you.
12:08No, no, we don't know how to thank you because you've become like the light of this house, right?
12:13As if filling this with joy.
12:16When had we gone to play that?
12:17When?
12:18Never.
12:18Never.
12:18We don't have the money, Capu.
12:21Yes, really, we had a great time.
12:24Well, I'm going to rest.
12:25Oh ok.
12:26Rest easy.
12:27Thank you.
12:27Let him sleep.
12:28Well then, have a great time.
12:30Rest easy.
12:33I'm telling you.
12:35Very good.
12:38Bye.
12:38Oh, that girl seems so special to me.
12:47Maritza.
12:47Ah, yes.
12:48She's like the woman every mother would want for her son, right?
12:54Or what every sister who thinks she's a mother would want for her sister.
12:57Bye.
12:58I love you very much.
12:59Bye.
12:59Janeth.
13:25Hey, Milton, how's it going?
13:27Very badly.
13:29Hey, Milton, I have an urgent appointment.
13:33Can we talk about this?
13:35Forgive me, forgive me, Janeth.
13:37But you and I have to talk.
13:40The thing is...
13:41It's nothing!
13:42Let's talk now.
13:44And we are going to speak the whole truth.
13:51Where is your assistant?
13:53Maritza?
13:54Yes, he has another one.
13:56I need to talk to her.
13:57He's not here. He went out to run a errand to a notary's office, but why? Did something happen?
14:01Yes, something happened, something very serious.
14:04And what happened?
14:05Ah, now you're going to tell me that you don't know anything.
14:07No, I'm sorry, Silvia, I don't know what happened.
14:09Well, it turns out that his brand new assistant, the face of the El Castillo hotel, is an absolutely undesirable person.
14:17But why? What did he do?
14:21She's a porn actress, what do you think?
14:26Do you think it's her?
14:27No, I don't think so. I'm sure.
14:29Don't you see it? Don't you see it?
14:31No, no, I'm watching it, I'm watching it and what I see seems to me...
14:34Hey, Chicho, I'm going to turn off the computer because I'm not going to allow you to continue to make her horny here, in front of me, respect me.
14:38No, no, no, no, no, no, no, no. Rather, uh, uh, post another photo so we can get a better look at your...
14:45Good morning.
14:50What's happening?
14:55That?
14:56No, just one of those terrible emails they sent me, eh, but no more...
15:01This is for Ceci.
15:05Thanks. See you soon.
15:07Hello.
15:08Of course I was here, I was looking for her, I met Comariza, she's even been calling me and that she's been there and she answered me last time.
15:23Don't tell me you didn't tell him.
15:25Well no, Alcides didn't tell me anything.
15:28I'm not surprised, given how cunning he is, but well, well, Janet, I need, you know the truth?
15:35What's wrong with that guy?
15:39What's wrong with you, saying that you and he are back together?
15:43Because it's true, Milton.
15:47Yeah.
15:48Just as you hear it.
15:51He and I have been together for many years and they are very hard to ignore.
15:54And apart from that, we have a son.
15:57But, Janet, please, it's not as if you weren't a baby.
16:01Well, for me it is.
16:03Even if he's very big, he's still my baby.
16:05And he still needs our support and all the love I give him.
16:09But please, Janet, you're not going to tell me that's your excuse.
16:15Who knows why he committed such an atrocity and returned with that guache?
16:22Well, in part yes.
16:25But, Milton, I can't deny that I still have feelings for Alcides.
16:30Chacar, people.
16:32I didn't believe that the first time he told me.
16:35And I refuse to believe it now.
16:37How is this possible?
16:40And the bad luck he's done to you?
16:42The disrespect?
16:44Where is all that?
16:45Is that why she's going back to that creep?
16:47Where is all that?
16:49Well, I forgave him.
16:51Yes, I forgave him.
16:53That's what it says in the Bible and that's what God wants us all to do.
16:57You were playing with me.
16:59You were taking the piss out of him.
17:01You were playing with me.
17:02Of course not, Milton.
17:05Of course.
17:07Why do I ask?
17:10I ask you, Janet.
17:12Where are our plans?
17:15Where is all that heart that I put at your feet?
17:18With honesty, with integrity, with respect.
17:21Why am I a man who would respect her?
17:25Where does all that fit in, Janet?
17:29Milton.
17:31That, that ours unfortunately never existed.
17:35That's an idea you put in your head and no matter how hard I tried, I couldn't get it out of you.
17:42Look, Milton.
17:43Milton, I really appreciate it.
17:45I, I appreciate it.
17:47But, but I'll never be able to see him as my husband.
17:52No, understand me.
17:55Milton.
17:57Milton, forgive me, yes.
18:00Please forgive me.
18:03I'm sorry.
18:04Janet.
18:07Janet.
18:09Janet.
18:09Janet.
18:10What else do you want me to tell you? I'm telling you, that's not me.
18:21Please.
18:22How are you going to tell us that's not you if we're looking at you?
18:25Isn't that his face?
18:26Yes, it may be my face, but that's not my body, seriously, believe me.
18:31Oh, please.
18:34I'm telling you the truth, Dr. Ceci.
18:37No, you know what? I think it's the last straw that you're so shameless as to come and tell us lies.
18:43I don't want to know any more about this topic.
18:45I leave in your hands what happens from now on with this little girl.
18:48And if you need me, I'm in Patricia's room.
18:51Permission.
18:56I'm telling you the truth.
18:58Doctor, I'm telling you the truth.
19:02What do we do, Cecilia?
19:04Well, Don Eduardo, the truth is, I don't know why.
19:06This is the first time I have encountered a situation of this kind.
19:12See.
19:14If you don't believe me that you are the people I value most, then I'm not doing anything here.
19:18I'd better go.
19:19Maritza, come on, calm down.
19:20It's worth it.
19:20Come on, calm down.
19:21Wait, let's do this right.
19:23Ana Bolena, yes with Ceci, do me a favor, put me through to Camilo, the systems manager,
19:33and tell him that we need to meet with him at Don Eduardo's office immediately.
19:37Thank you.
19:40What are you going to do?
19:42Clarify what is happening, because if Maritza says that she is not the one in those photos,
19:47Well, I believe him.
19:48Alright?
19:56Oops.
19:56No, but you have to admit that China has its thing.
19:59Hey, what if it's her?
20:01It's obvious, don't you see the photo?
20:03Well yes, but...
20:04Well...
20:04No.
20:05Oh, you're into that?
20:06No, I, honestly, no, no, no, oh, I don't think so, because that's how he does all that there.
20:13Well, obviously.
20:14What do you want, then?
20:15Should I send you a video, give you a personal demonstration?
20:17No, no, no.
20:19So...
20:19No, the Chinese one turns out to be more bee than we think, that's a fact.
20:22All I'm saying is that when Don Alcides sees this, he'll see, he'll get it up.
20:26That?
20:27Well, your heart is going to give you something.
20:28No, we don't even think about what's going to happen to Arturo.
20:30Oh no, it definitely takes a lot of guts to see something like that, to do something like that.
20:35Tinker Bell, no guts, what you need is a badass body.
20:39To go out like that in a berengar?
20:40No, mommy, I wish I had one.
20:43Well, the truth is, the truth is, the lady doesn't really bother me that much, you know?
20:46No?
20:46No, well...
20:48No, before what happens is that recently there was a nicer little body.
20:51Cooler.
20:53More beautiful.
20:53Sure, less, yes.
20:54But...
20:58Milton, I don't know where he was, I was looking for him everywhere.
21:01I have the mega gossip, the bomb that is circling this hotel.
21:07Milton.
21:09Milton, what's wrong?
21:09Chucho, what happens to Milton Zafra, nobody cares.
21:18It's none of your business, or anyone else's.
21:21Ana Olena, I need to send these documents to the DIAN.
21:32Do you know where the messenger is?
21:36That?
21:37Why are you looking at me like that?
21:40Arthur,
21:42You don't know what's happening to your sister, do you?
21:43To my sister?
21:47No, he doesn't know.
21:49Obviously not.
21:53How did you see her?
21:55I saw her in very bad shape, she's back to nothing.
21:58Poor thing.
21:59Hey, how did you find out about the photos?
22:01No, it's just that some photos arrived in Miriancita's email, so we saw them, right?
22:05But what it doesn't have is that sender to know who my girlfriend's son sent them.
22:09That's all a setup, right?
22:10What are they doing to Marixa to make her look bad?
22:13Of course, obviously, that was the intention.
22:15It's up to you to figure out exactly what the return is like.
22:18Come on, you have to help me, okay?
22:20To find out who is behind all this.
22:22Well, it's going to be your turn, I already told you.
22:24Be alert, get your batteries charged
22:26and start doing your own research.
22:28So what now? Are you going to leave me hanging?
22:31Oh no, slaps, how could you think I'm going to leave him alone?
22:33What happens is that you start thinking,
22:34I'm suspended, do you understand?
22:36I can't go to the Castle Hotel
22:37because wherever I put it there I'll get into trouble.
22:40The only thing I tell you is to investigate,
22:41do your research well,
22:42because the person who wanted to hurt his sister
22:44It is inside the Hotel del Castillo.
22:47Trust no one, brother.
22:48What's more, look to the side, look to the side.
22:50Ah, well, he's alone.
22:57No, no, that's not it.
22:58It must be a similar one,
23:00an actress who possibly resembles her.
23:02One has the right to everything in life, Tulita,
23:04less to be blind.
23:05Look carefully.
23:06Well, if I'm looking at you, you'll see, look.
23:08Well, that's not it, that's not it.
23:10No, sir.
23:10What's more,
23:11Do you think that if she were,
23:13would I be crying up there like a baby?
23:15That little girl is really broken.
23:17It's very bad, look.
23:18No, Mom, it's going to be bad.
23:19This is what it is.
23:21Good, good.
23:22Let's see, let's see, let's see.
23:23Shut your mouth, your mouth will leak out.
23:25Stop looking at the boazos, you.
23:26And to work, hello?
23:27Look, but they don't let you see one,
23:28I expect nothing, nothing, nothing.
23:29You don't have to be looking at any of that.
23:31And you do me a favor, miss,
23:33turn that off, if you have nothing else to do.
23:34Or take up a job, hello?
23:36Oh, my girl,
23:38They skin everyone here, huh?
23:42Well, I thought you were pulling my leg, Chucho.
23:45And why did you end up seeing these photos?
23:48Because I knew they were there.
23:49Ah, yes, of course, no, do it.
23:51You know what?
23:52We'll talk later and we'll work that out between you and me.
23:55How about this shameless one?
23:57Daughter of Alcides, it had to be.
23:59But everyone at the hotel is freaking out about these photos.
24:01But of course, it's the minimum.
24:03No, no, no, calm down, calm down.
24:04Hello, what do you say?
24:05No, here watching the beautiful things your daughter does.
24:08Come on, come on, buy it for yourself, come on.
24:10Come, sit down, make yourself comfortable.
24:17Rapier?
24:18How about the cutie?
24:20A lot of gems, isn't it?
24:22Where did they get this from?
24:24They sent it to me from the hotel.
24:26Oh yeah?
24:28And what is this going to do?
24:29I knew that taking my daughter to that hotel was not a good idea.
24:35But in a brothel it was a place of perdition where they would teach me tricks.
24:40But they're going to know what Alcides is like with Marisa.
24:42You'll know, excuse me, excuse me.
24:44No, no, no, leave it.
24:47Let him go.
24:54Have you seen Milton?
24:55Milton.
24:57Thank you.
25:03When a man has that face it is because he has serious and grave problems.
25:08Chucho already told me that he felt very bad when he arrived, that he didn't want to stay to hear about the gossip about Anne Boleyn and that he came here.
25:18Milton, what happened?
25:23Can I sit down?
25:27Look, Milton, if you think I can help you in any way, let me know because I'll be happy to do it.
25:34You know more than anyone that the people at the hotel are like family to me, especially you, and that I'm very worried about what might happen to all of you.
25:41Tell me, okay?
25:43Why are women so weird, Nuria?
25:45I don't understand them.
25:46Why do they always play with one, huh?
25:52I know that when I was courting Doña Silvia, well, that was an illusion, it was hard for me to understand.
26:01But when I met Janet, well, she was very different, wild, yes, but, but simple.
26:09And well, since I was having problems with my husband, they told me they were going to get a divorce and all that, so I got excited.
26:14Once again this cursed heart comes and becomes enthusiastic, offering friendship, affection, companionship, solidarity, respect.
26:25And what did he do with all that?
26:27He rejected it.
26:28And to stay with that bad kind of husband she has, I don't understand that, Tulia.
26:35I'm getting rejected again.
26:38One for being of high birth and this one.
26:43Tulia, I'm so ugly.
26:46I'm so repellent.
26:47I am so little.
26:53Oh, God.
26:55How unfair life is, Tulia.
26:59To guys like that, like with Marisa, who are rude, stupid, morbid.
27:05They do love those, special women.
27:08Instead, to guys like me.
27:09All we want is to give a little bit of love.
27:17Tulia, I have never had love.
27:21And what do I get out of it? Women don't take me seriously, they manipulate me, they play with my feelings.
27:35And once again my heart turns to Wednesday, Tulia.
27:42I'm scared, Tulia.
27:45I'm afraid of being alone.
27:48I'm afraid of dying alone and bitter, Tulia.
28:02I called him today because I already managed to speak with Camilo, the hotel's systems manager.
28:08Who after making his inquiries, was able to determine
28:11that the page we thought belonged to Maritza with Barisa is a fraud.
28:18That page was created just this morning.
28:22He already has an assistant who's figuring out who was in charge of setting it up, right?
28:27Regarding the photos, it is perfectly clear, according to the information I have just given you,
28:32that it is a photomontage.
28:35He explained something about pixels to me and, well, I would prefer that you personally speak to him.
28:39because I can't explain it to them.
28:40What did leave me very uneasy is that he tells me that the photographs used for the photomontage
28:45They are the same ones that were made for the campaign proposed by Juan Antonio,
28:50for the hotel campaign.
28:51So I don't understand who had access to those photos,
28:54how they came into whose hands.
28:57Juan Antonio, do you have any explanation for that?
29:00Do you know what happened?
29:01I don't want to imagine the face my dad will make when he sees those photos.
29:12No, it's just that your daddy doesn't have to see those photos.
29:15Oh, yeah? How do you know?
29:16Oh, what a shame to say this, but besides being small, your daddy is even more brutal,
29:20will know how to turn on a computer and access the Internet.
29:22Texting is too much for me.
29:24He won't be able to, believe me.
29:25Oh yeah, sure, and if someone shows it to you.
29:27You know what damaged people are like, don't you?
29:28So he talks to him, he gets a positive attitude and says, you know what?
29:31These photos are not mine, it's a montage.
29:34What are you going to believe?
29:34Well, have faith.
29:36Well, I have faith in myself.
29:37You don't say he's a blockage for computers,
29:40Well, he's going to believe that it's a setup,
29:42that it is not my body, but it is my face.
29:43It's very easy, look, so there are crayons, right?
29:46Tempera paints, drawings, cut out drawings, right?
29:48And he explains to him.
29:49And what a shame that I also tell you what I am going to tell you,
29:51But his daddy has been so damaged in life that he has no clue whatsoever,
29:53so you can't tell him anything at all.
29:55Yes, of course, but he's my dad.
29:57Yes, he is her dad, but that is not her fault, it is her mommy's fault and my God's.
30:00Hey, listen, is that serious what I'm telling you?
30:02And you never took anything.
30:03Who knows what karma is paying for his mercy?
30:05Suddenly you were a regicide, you understand?
30:06And killed a king.
30:07So, of course, my little God said, I'm sending her to Colombia with an Alcides,
30:10so that he may know what suffering is,
30:12Because he was also my father, I know what it is like to live with that man,
30:15That's terrible, everything is so tiny there, too,
30:18With that cat on one's head, one says,
30:20Oh, son of a bitch, son of a bitch, son of a bitch, at any moment,
30:21This thing is eating me up!
30:27You, why are you so cute, go?
30:29I don't know, that's not a fault, my God too,
30:31He sent me all this, God gave it to me,
30:33What do I do?
30:34I get on this recorder and I can't, that's who I am.
30:36Yes, of course, don't be so silly,
30:38I mean why is it so special,
30:43such a gentleman,
30:45any woman with her five senses,
30:48I really wouldn't miss the opportunity
30:50to be with a man like you.
30:53Ah, well I already know one that does.
30:57Well that's because he doesn't know him well,
31:00because you don't know that beautiful part of you that I already knew.
31:07And then I was thinking too, right?
31:09As with everything that is happening to you,
31:11What you need is a bacho,
31:14get down, come on, get down.
31:15Don Eduardo, it is very complicated because many people had access
31:26to all this kind of information, to photography,
31:28then anyone can pick them up and do the assembly.
31:32What I need is the name of that person.
31:34Yes, yes, but there are several possibilities.
31:37There is, for example, the photographer, his assistant,
31:40Well, the publicist who did this,
31:42the person who brought the photographs, the messenger.
31:45Now, I do want to take this opportunity to say that I am responsible.
31:48of that material, of those photographs,
31:50So I put my position at your disposal
31:52and I assume any consequences of that.
31:55No, but that wouldn't solve anything that's happening,
31:59especially because we do not distrust you, Don Antonio.
32:02Rather what it can do is help us find
32:04the person responsible for all this.
32:06Of course, Don Eduardo, with pleasure.
32:08Yes, now the most urgent thing is to talk to each one
32:10of the employees of this hotel, clarify what happened
32:13and do everything possible to clear Maritza's name.
32:17Well, Antonio, why don't you come with me and we'll talk to the employees?
32:20Of course.
32:22Permission.
32:22Yes, go ahead.
32:24Keep going.
32:25What was the last straw?
32:29I completely agree with you, Eduardo.
32:31It's the last straw.
32:32However, since this woman left on her own,
32:36Well, because nobody kicked her out.
32:37Why don't we give things to each other like this?
32:39I understand what worries you and if you want,
32:41I am willing to leave my position right now
32:44and start working as a management assistant with Cecilia.
32:47No, Andrea, I'm not going to let that girl leave the hotel.
32:50And less so for an injustice like this.
32:52Much less.
32:54Of course.
32:55Oh, Tulita, thank goodness this didn't get any worse.
33:02Can you imagine where we'll end up throwing her out?
33:05Or rather, where we would not have bothered to investigate.
33:08Oh yes, mine.
33:09But thank goodness for that Camilo.
33:10He's a tough one, isn't he?
33:11A tempering for computers.
33:13Well yes, actually, the best.
33:16And will it be that good with phones?
33:19Yes, because I start to think.
33:21If they could do that with some photos,
33:23Why can't they do it with text messages?
33:26Let's see, tell me.
33:27Think about it, my little girl, and...
33:29Let's see, I still have doubts.
33:31that because of those text messages
33:35It was that things ended so badly between you and cousin.
33:37Think about it, won't you?
33:44A blunder, Andrea.
33:45What you did was a mistake.
33:48Who understands you, mom?
33:49Just a little while ago you were congratulating me and now look at you.
33:52Because I thought you were doing things right,
33:54but it turns out not.
33:55And I hope Eduardo doesn't find out about you,
33:57because if you do, things will go very badly for you.
33:59No, but you have to help me.
34:01No, I don't have to do absolutely anything.
34:03Because by helping Patricia I got into trouble.
34:05So see what you do.
34:07Hello.
34:11Yes, one minute.
34:13Go to work.
34:15Oh, what a pain, I don't want to do anything.
34:17I don't care if you want to or not.
34:20Go do something,
34:21because Eduardo is filling up with reasons
34:22to kick you out of the hotel.
34:24So see what you do.
34:26Oh no, ma'am!
34:27Wait.
34:31Tell me.
34:32We have problems, Silvia.
34:34Eduardo is behind your daughter.
34:35And if we don't do something, she's going to get her.
34:37We are going to have problems and we cannot avoid them.
34:40And what does he propose?
34:42We need to divert their attention elsewhere.
34:44I mean...
34:46What I mean is that we have to go one step further
34:48with your illness.
34:49It's the only thing we can do, what do you say?
34:51That has...
34:52About your illness.
34:54There is a slaña.
34:54That has problems.
34:55What you have to say is that it is very important.
34:56About your illness.
34:56About your illness.
34:58About your illness.
35:00About your illness.
35:01About your illness.
35:02About your illness.
35:04No, no, no, no, no.
35:34No, no, no, no, no, no, no.
36:04Yes, thanks.
36:06Rouen? How are you? Silvia.
36:10Hi, Ruben, I'm calling because I have a problem.
36:14Yes, I'm going to need the test results as soon as possible.
36:18Yes, Ruben, I know.
36:22No, calm down.
36:24No, no, no, don't worry.
36:25I know you're taking a risk, but I'm still going to pay you very well.
36:29Please let it go!
36:36Please let it go!
36:36Please let it go!
36:43Let it go!
36:44No more, sir!
36:46Call the police!
36:47Yes, call me!
36:48It's not going to be a criminal, please.
36:51This man was banned from this hotel!
36:55Well, fine, let him stick to both accounts.
36:58I can come into this hotel when I have a long time, Ana, because my children work here.
37:02This is neither here nor there for me.
37:04Milton!
37:05Go talk to your daughter immediately.
37:07But now!
37:09Yes, mate, they're going to congratulate me for keeping my children like you from entering this hotel.
37:15Let me go, die!
37:16Let me go, die!
37:17Let me go, die!
37:18Let me go, die!
37:20Let me go, die!
37:21Blood is going to flow here, the bastard!
37:25All!
37:26They're going to their jobs right away!
37:28I said, everyone!
37:29And you too, love?
37:30Get away from me, let's see!
37:32I told him what happened!
37:33No!
37:34Chucho, thank you.
37:37I'll take care of it.
37:42Dad!
37:43Dad!
37:43Sit here, yes!
37:44Sit here!
37:45A glass of water, my friend.
37:47What a glass of water!
37:48How exquisite!
37:48What's happening to you, Dad?
37:50What are you doing here?
37:51What are you playing?
37:52Big man!
37:53Give him a bloody!
37:54What, Diego?
37:55Don't be like that.
37:56It's not like he was defending his sister's honor, buddy.
38:00I wanted to get her out of this den of perdition.
38:02This dive.
38:03I'm not going to let the earth guide me.
38:06Terrorists!
38:08Go home!
38:09Corrupt!
38:10Oh, you keep shouting, then!
38:12Corrupt, damaged!
38:14Satyrs and shame!
38:16Go home, yes, dad!
38:18Here everything has already been resolved with malice!
38:19No, Florín, I'm going home now, yes!
38:21Too bad!
38:24No, what a shame!
38:24Go away, dad!
38:26Take it, take it, take it!
38:27Go away, go away!
38:28Yes, yes, yes, yes!
38:29The blessing!
38:29Go home!
38:30No, there's no juice, but I can heat one up for Itamar if he wants.
38:46No, no, no way.
38:48Thank you.
38:48And will Maritza take a long time?
38:51I don't know.
38:53Well, I came to explain to you that everything has been resolved.
38:57Everything on the page and the photos.
39:00Oh yeah?
39:01Well yes, the hotel's systems engineer, after investigating, came to the conclusion that it was a photomontage.
39:07Someone set that up to damage Maritza's image.
39:10We don't know who he is, unfortunately.
39:12Come on, and to realize that, did they have to call an expert, an appraiser?
39:15Wasn't it enough for them to believe Marixita's word?
39:19We believed him.
39:20Oh, sure.
39:21Since you believed me, just like me, right?
39:24Come on, it's incredible that you didn't believe a woman like that, so honest, so beautiful, so poised, so much like a queen.
39:30And you didn't, no, you didn't believe him.
39:31How was the way they treated you?
39:32Worse than a dog.
39:34Hey, come on, a question, Dr. Cecilia.
39:36That expert you hired, that investigator, can he take on my case?
39:41Well, to see if he suddenly finds the real culprit.
39:45What are you implying?
39:47No, I'm not implying anything at all.
39:49I'm telling the truth that behind everything of mine there are dark hands.
39:52In this case, dark, hairy black eyebrows.
39:55Juan Antonio, even if you don't want to believe it, he is behind my case.
39:59And it wouldn't be strange to me if that guy, who was a mother, had messed up poor Marixa because she's so angry with the world.
40:04Let's see, let's see, what evidence do you have to support what you're saying, or are you judging based on your condition?
40:09Don't be a jerk, Mr. Gonzalez.
40:11After what you did, you're the least likely person to involve anyone in anything.
40:16Do me a favor.
40:16When Marixa returns, tell her you've come to apologize and that she should post them at the hotel early tomorrow morning.
40:21You know what?
40:22Better not say anything to her, I'll call her later.
40:24Oh, but how do we feel when it's our special friend's turn, right?
40:27Oh, how can you tell you're still the same immature guy who agreed to become a hotel manager on a whim?
40:35Immature, immature.
40:39To me to call me immature.
40:42Immature to you, immature to you.
40:47Oh, yes, cousin, I know I told you I was going to accompany you, but it's not like the boss told me to stay here because there's a receptionist vacancy.
40:54And my love, boss, kills, cousin and with nothing to do.
40:59It was my turn, and with this terrible situation like this one.
41:01Come on, give me a second, it's time for work.
41:04Mister.
41:04Good afternoon.
41:05Good afternoon.
41:06Do me a favor, Mrs. Silvia Ortiz.
41:08Yeah.
41:09That's for her.
41:11Ah, I'll give it to you.
41:12Please.
41:12Oh, do me a favor, what a shame.
41:14Could you please sign here?
41:17Thank you so much.
41:18Well.
41:19See you later, have a great time.
41:20Good afternoon.
41:22Bye, cousin, we'll talk later.
41:24Santa Isabel Clinic.
41:28Oh, take it easy, mommy, that meat's going to burn.
41:49That, that, like that, that.
41:51So, now it looks better, right?
41:53Well, Don Alcides, was it possible to speak with your daughter?
41:55No, I was going to talk to her, my little girl, if that's the case, when...
41:58No, come on, leave it there, mommy.
41:59When I arrived, then, she had already left because a very noble little girl, the bald girl,
42:04very noble, that, like that.
42:06She saw such a mess, such a mess, and between the monchita, well, she went home, right?
42:10And they make up such a story about her, poor thing, my nothing.
42:13No, dude, no, that's so you realize what happens to people who go to the hotel.
42:17Yeah.
42:17They always come out damaged from any side.
42:19Yes, yes.
42:20Instead, you, look, yes, you see?
42:22When you left that hotel so, so humiliated, being so degraded, thank goodness that everything changed.
42:28because you have arrived at a place where you are truly loved.
42:31Oh, he liked it!
42:32She liked it, yes, mom.
42:34You were warned, wasn't I?
42:36Oh yes!
42:38Oh yes!
42:38Oh yes!
42:39Oh yes!
42:39Oh yes!
42:39Oh yes!
42:40Oh yes!
42:40Oh yes!
42:40Oh yes!
42:40Oh yes!
42:40Oh yes!
42:40Oh yes!
42:40Oh yes!
42:41Oh yes!
42:41Oh yes!
42:42Oh yes!
42:42Oh yes!
42:43Oh yes!
42:44Oh yes!
42:45What's going on here?
42:52No, no, no!
42:52Dad!
42:53I don't!
42:53And you are shameless!
42:55I!
42:55And what a shame on you, Mrs. Janet!
42:56But I'm going to tell you one thing.
42:57Shh!
42:58You have to take this guy, tie his hands, tie his mouth and teach him to respect women.
43:02What is it?
43:03No!
43:03The worst thing I could have done was come to work here.
43:06Stop giving it to him!
43:07Oh no!
43:07Shh!
43:07Shh!
43:09Shh!
43:09Shh!
43:11Oh!
43:12Oh, oh, oh!
43:13Go on, my girl.
43:14Are you still following how things are?
43:15Go on?
43:16Shh!
43:17Shh!
43:17Oops!
43:19But so what?
43:20Why does he get like this?
43:21Why are you looking at me like that?
43:22No, Janet!
43:23Rather, I'm already tired.
43:24I'm trying to be seen here as irresistible.
43:27I'm not just horn.
43:28I told him so.
43:28I'm tired of being the dark breastplate of desire.
43:32Janet, Janet, Janet.
43:33Janet, calm down.
43:34No, what are you going to do?
43:35Careful.
43:35It is...
43:36I sue her.
43:36I assure you that I will return and...
43:38Oh!
43:38Stop singing and you'll see what he'll say!
43:41It's not going to be!
43:42It's not going to be!
43:47It's not going to be!
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