Riot Women Season 1 Episode 5

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Transcript

00:01The 1980s heroin epidemic that seized Leeds and Bradford catapulted Keith Eckersley to the top of the criminal underworld.

00:08Bound by blood and fuelled by violence, Eckersley and his four sons built an illicit empire that would give the Eckersley name

00:15a currency all of its own in the shadow economy of West Yorkshire.

00:19Tales of murder, extortion, international drug trafficking and the disappearance of two serving police officers

00:25sealed Eckersley's formidable reputation far beyond the city in which he operated and a dark secret was rumoured to lurk inside the walls of the Eckersley family home.

00:34In 1990, Eckersley's wife of 18 years, Janet, disappeared without trace, leaving behind her four adult sons and her nine-year-old daughter.

00:44Excuse me. Hey, can I see something about my hand please? Can you tell me what's happened?

00:50I've, erm, hit something, somebody. It happened about two, three hours ago.

00:55Can I take your name and date, Bert?

00:56Yeah, it's Catherine Eckersley, 16th of February, 1984.

01:00Alright.

01:05Address?

01:07It's Upper Crofting Hall Green Lane, Rippenden, HX690i.

01:12Okay, thank you. Take a seat please.

01:21Is Nisha gonna be alright?

01:23What have you done?

01:24Oh, I put a bus on me under.

01:26How?

01:27I hit someone.

01:29What for?

01:32Alright?

01:38What were you doing?

01:39Is Nisha gonna be alright?

01:41Well, she's still in resource, but still don't know anything.

01:46What happened?

01:47You know I've got a criminal record, don't you? Because you told Jess...

01:50If she was giving you a job, I thought she should know.

01:52So what happens if I just smack this fella in the mouth?

01:55I'm sorry.

01:56I'm sorry.

01:57I'm sorry.

01:59I'm sorry.

02:00I'm sorry.

02:01I'm sorry.

02:02I'm sorry.

02:03I'm sorry.

02:04I'm sorry.

02:06I'm sorry.

02:07I'm sorry.

02:08I'm sorry.

02:09I'm sorry.

02:11So hang on.

02:13This is Tom's wife's dad?

02:14Yeah.

02:15I walked away once but you followed me.

02:18To presume to tell me?

02:20I hoped to tell Tom who his father is when he knows nothing about it like it's that simple.

02:25I was 12 years old, Holly.

02:39I was 12 years old and I was fucked repeatedly for months by three blocks, one of whom is Tom's dad.

02:48How could you tell someone that your father is one of three folks who would fuck a 12 year old?

02:56I haven't even told Beth.

02:59How could I tell her that?

03:01That's where this boy that she loves, that she spent years of life bringing up came from.

03:07I mean, it would break her heart, wouldn't it?

03:10And what would it do to him if he knew that?

03:14And then this fella just glimply says that like I haven't even thought about it.

03:20It's a sandwich between whether he would like to fuck me or not.

03:32So, do you want to talk about what happened when you were 12?

03:36No.

03:37OK.

03:39Well, I think it sounds like this Graham would be pretty stupid to report what's happened to the police because...

03:46Yeah, but if he does, I'm stuffed on her.

03:50Because I've got previous.

03:52Did anyone else hear what he said to you?

03:55No.

03:56Everyone's told me smacking one, though, but no.

03:58He said it so no one else would hear him.

04:01Oh, hey, my God.

04:03Do I look like someone who wants to get fucked by some slimy old shitbag?

04:08I must do.

04:09It's not about you, though, is it?

04:11When men say things like that, it's about whatever deluded crap goes on inside their tiny minds.

04:16What does he think happened to Exxar?

04:17He doesn't...

04:19He just thinks we're going to carry on being one big happy family.

04:21I'm tempted to say, I think you did the right thing.

04:24Except...

04:26What he did isn't a criminal offence, whereas what you did could be.

04:30It is. It's assault.

04:32But look, if it did go to court, the first thing they'd ask is, why did you hit him?

04:37And then you tell them, and then when he's challenged with it, he either says, yes, I did say it, makes himself look like a creepy old tosser, or he purges himself.

04:43And male class people don't like purging themselves, Kitty, because it frightens them.

04:50The whole thing reflects much worse on him than it does on you.

04:53That's all he'll care about.

04:55He's not going to report it to the police, Kitty.

04:58Oh, for fuck's sake.

05:00Go away, Rudy.

05:01Is that you?

05:08No.

05:10Oh, I think it is.

05:12Yeah, I think that is you.

05:15What's your name?

05:16Jesus Christ.

05:18Do you know her? Is she a friend of yours?

05:20I need a way.

05:22You're under arrest.

05:23What's her name?

05:26Kitty Eckersley.

05:27Oh, you're so funny, Holly.

05:31She is.

05:32She's Kitty Eckersley.

05:33Check on your briefing.

05:34The guy said it was a random attack.

05:36Said he didn't know who she was.

05:38So what is your name?

05:39I fucking well knows who I am.

05:41Right.

05:42You're under arrest.

05:43Do you understand?

05:44I'm arresting you on suspicion of criminal damage.

05:46You don't need to cuff her.

05:47You can see how badly hurt she is.

05:49Just shut out, Holly.

05:52You're not in the job anymore, okay?

05:54You're irrelevant.

05:57You do not have to say anything.

06:01But it may harm your defence if you do not mention one question something you lay to the line in court.

06:05And if you do say, it may be given an evidence.

06:079837, I've got a 1-1-2.

06:09I don't know how much crime is up there.

06:10I don't know how much crime is up there.

06:11I don't know how much crime is up there.

06:12I don't know how much crime is up there.

06:13I don't know how much crime is up there.

06:14I don't know how much crime has happened.

06:15I don't know how much crime is up there.

06:16I don't know how much crime is up there.

06:18It's not a riot.

06:20We won't be quiet.

06:22A riot we've been gonna set this blow to fire.

06:28And on that brutal day, police constable Powell was targeted.

06:32Beth, why is Kitty and Annie?

07:02She's my sub-Cavin's car.

07:22When?

07:23Weeks ago, just before you met, probably just before you heard her singing in that pub.

07:28I can't believe that Graham would say that to her.

07:31Oh, I think she could handle the lewd comments.

07:33It was more him telling her that she really ought to tell Tom who his father is.

07:38Got up her nose.

07:40Yeah.

07:42She's...

07:43She's never wanted to talk about that.

07:47I haven't wanted to push her.

07:50Well...

07:52I guess...

07:54You know, she was 12.

07:57That's rape, whichever way you look at it.

08:01So, er, she's just gone into triage.

08:04And, er, so that'll be another couple of hours until they sort her out.

08:07And then we'll be another, what, three hours at the police station.

08:10So I'll wait with her and then I'll drop her off when, er, when she's been processed, all right?

08:15Well, that's very kind of you, Holly.

08:17You know what's so fucking ironic?

08:20It's no, it was brilliant.

08:23Oh, my God, that song.

08:26And you wrote it.

08:28And the way she sings it, and us all managing to play together.

08:35And at that speed.

08:37And the audience, and it was all like...

08:41I don't know, it's...

08:43It's like a little bit of a magic.

08:50Holly's found her.

08:51Who's Holly?

08:53I'm...

08:54I'm gonna have to go, Holly.

08:56Yeah, sure, sure.

08:58Sorry.

08:59Go on, Nisha.

09:00Give her my love.

09:01Yeah, I will do.

09:02Yeah, if I get to see you.

09:03I mean, we still don't know what's going on, so...

09:04Well, let us know when you can.

09:06Yeah, I will. Bye.

09:07Bye.

09:08Bye, love.

09:09Bye-bye.

09:15She's in A&E.

09:17She...

09:18broke her hand when she hit him.

09:21And apparently what Graham said was...

09:25I'd really like to...

09:28fuck you.

09:30And when she made it clear that that wasn't on the cards, he said,

09:33I...

09:34I wouldn't fuck you anyway, darling.

09:36Not for any amount of money.

09:37With his wife...

09:40And his daughter...

09:42And you.

09:43Standing, what?

09:44Two feet away?

09:47Graham wouldn't say that.

09:49Why would she lie?

09:50Did you listen to that podcast?

09:51She's nothing like them.

09:52She...

09:53She was mentioned in passing.

09:54She's barely a footnote, if that.

09:56Yeah, but she is like them.

09:58You can see that she's like them for the second she opens her...

10:00Before she opens her mouth.

10:03I don't believe for a second that Graham would say anything like that to anyone.

10:06Well, I know she's not perfect.

10:09But she wouldn't hit someone.

10:11Not without some provocation.

10:13Do you think that you see too much in her?

10:16Do you think that you see things that aren't really there?

10:18No.

10:19I don't.

10:20I couldn't say the same about you.

10:22You're Graham.

10:23Graham and Trisha are good people.

10:25They're kind.

10:26They're interesting.

10:27They engage with the world.

10:28She...

10:29Oh, my God.

10:30It is like she's brainwashed you.

10:32Like she's inveigled away into your life, into your house.

10:35She'll have you changing your will next.

10:37For God's sake.

10:38Do not tell Fern that she said that about her dad.

10:41Of course I am not going to.

10:43What a disgusting thing to say.

10:45Making out like he's some kind of creep.

10:48Seriously, Mum.

10:49I don't think this woman should be in our house.

10:52This woman?

10:53This woman is your mother.

10:58No.

10:59You're my mother.

11:00Yes.

11:01And I appreciate you saying that.

11:03It feels like at no point have you actually stopped and thought about what any of this is like for me.

11:07I think about nothing but what is best for you.

11:10That's not true.

11:12You've been that obsessed with this talent contest.

11:14Do you know, finding out that someone like that gave birth to you is a shock.

11:18It's disturbing.

11:19And the way that you have just presented her...

11:22I tried to phone you the day before and you never answered any of my calls.

11:26Because you will never do.

11:27I should have been able to choose if and when and where I got to see her in.

11:31Instead it has just been like, oh, here she is.

11:34Your new best friend living in our house.

11:37And suddenly you are so...

11:40God, I don't even know who you are anymore.

11:42What, I'm so...what?

11:44N.F.Y.

11:45She's not your friend.

11:46Happy.

11:47But she's not.

11:48Why would you say that?

11:49She's nothing like you.

11:50Look at you.

11:52With your stupid tattoos.

11:53And this.

11:54Whatever this is.

11:56Oh, this is...

11:57For God's sake, it's just a bit of fun.

12:00We're on stage.

12:01So that clip's on.

12:03Oh, so is that not a proper tattoo?

12:05No, that is.

12:07I've always fancied a tattoo.

12:08No, you haven't!

12:09You haven't.

12:10Yes, I have.

12:11I was in a very dark place before we started this band.

12:15And I...

12:17And I won't say how dark, but...

12:21I was...

12:23I was pretty low.

12:26And...

12:28Now all that's gone.

12:29It's vanished and I do not want to go back there.

12:35Look.

12:38I know that it's been fun for you with the band and writing the songs and everything, but it's just far too complicated.

12:42Fun?

12:43It saved my life.

12:44It saved my life.

12:45It saved my life.

12:58Come on.

13:02You think...

13:08One day...

13:11You think you're going to find this person.

13:16Who has the key...

13:19To who you are.

13:22All these odd little things that you've never understood about yourself.

13:30And then you meet them.

13:37I don't like her.

13:40I can't cope with her.

13:43She makes me feel...

13:45Grubby and...

13:47Ridiculous and wrong.

13:50What's she even doing, Kia?

13:55I want you to be my mum.

13:57Not her.

14:00She doesn't belong here.

14:01Who wants her.

14:03She doesn't belong here.

14:04Who wants to be my mum?

14:05We have to be.

14:07I want you to be our mum in the room.

14:10Who wants me to be her?

14:11She's a boy.

14:12Don't be the mum.

14:14Is he very...

14:15Who wants you?

14:17She was...

14:19You're the mum.

14:21Who wants me to be my mum?

14:22She's a boy.

14:24Who wants me to be mine?

14:25Who wants you to be me?

14:26Who wants me to be my mum?

14:27Who wants me to be my mum?

14:28All done, Darren. Cheers.

14:49You can get up on your break.

14:51There you go. Check and sign.

14:52On the pad.

15:05What about the bus?

15:07It's Sunday. You couldn't.

15:09Not up to where you live.

15:12What are the duties list to send?

15:15Oh, it's just about making counter allegations against him.

15:19Gavin.

15:21For knocking me a bell.

15:22Good.

15:25See you, Arlie.

15:37Have you turned your phone on?

15:39No. Why?

15:40Oh, just there was a message from Cam a couple of hours ago.

15:43Nisha's fractured her pelvis and broken her collarbone,

15:46but they didn't need to take her to Leeds, so that's something.

15:48We'll give you a court date.

15:55Eight weeks.

15:56You all right?

16:08You all right?

16:09Yeah.

16:10Is anybody private?

16:21Is everything sacred?

16:27Is everybody out to show?

16:34Everyone wants to see me naked and everyone's out for dark and everyone's out for dark.

16:52You can drop me off at the top if you want.

16:56For sure?

16:58Yeah.

17:01I can't unfasten this.

17:06There you go, look.

17:07Did you say out to Beth about what I told you about when I was 12?

17:19No.

17:20No.

17:21Does she never been in prison?

17:22Not from me.

17:23Kitty.

17:24What?

17:25Look after yourself.

17:26You've failed once before fforn you you failed me once before

17:49You've failed me once before

17:51You failed me once before

17:58You failed me once

18:03Give it up, you don't have to play

18:10I tear into your face

18:14Give it up, give it up, everybody

18:23I tear into your face

18:27Give it up, give it up, everybody

18:35I tear into your face

18:39Give it up, Joy

18:45Give it up, guys

18:55Give it up, Joy

19:01I tear into your face

19:05Round one

19:08Oh.

19:15I forgot. She got around all OK.

19:25Hello.

19:29I shouldn't have hit you, Dad, Fern. I'm sorry.

19:32Why did you?

19:38I'm thinking I ought to get my stuff and find somewhere else to live.

19:44What did he say to you, Kitty?

19:49Do you want some tea?

19:52I think I ought to just go.

19:54What did he say to you, Kitty?

20:00I don't want to repeat it.

20:02You don't want to repeat it because it's not true.

20:08What?

20:09You don't want to repeat it because he didn't say it.

20:19What did he say?

20:20He didn't.

20:21OK, so what did he not say?

20:25Well, if that's what you want to believe, I've got other stuff to worry about now.

20:28Beth, can I get me things?

20:29I don't think you should leave.

20:30I think you should get some sleep.

20:32I think she should.

20:33She hasn't got anywhere else to go.

20:34What did he not say?

20:37Why won't one of you tell me?

20:40Well...

20:45According to Kitty,

20:46and I think it probably says more about her than it was about Graham,

20:49he intimated that...

20:55What?

20:57That he would like to have sex with her.

20:59Don't worry.

21:00We both know that your dad wouldn't say something like that to anyone.

21:10Least of all.

21:14Could you...

21:16Could you have...

21:18misheard him?

21:19Could you...

21:20Could you hear her with her?

21:33I don't get my things.

21:50Kitty, I don't think you should leave. Not like this.

21:57I think you should rest.

21:58You was right. You don't want me or I'm trouble.

22:00I've kept telling you don't know me. You've kept on not...

22:02Listen, I picked you up in a bar when you were three sheets to the wind

22:05and had nowhere to live. I knew you weren't Princess Diana.

22:08And I know all about your family.

22:10I've listened to a podcast about them last night

22:12and I also know you are not like them.

22:15Yeah, do you know? I've been in prison twice.

22:18What for?

22:19It was salt.

22:21You took like shit. I mean, it was a long time ago.

22:23I was a kid. I was an idiot, but...

22:24OK, well, that's... I don't care. I mean, I do care.

22:27I hope you didn't hurt anyone.

22:29Assault, I did.

22:30If it's a long time ago...

22:32Mitigating circumstances as well, but...

22:34Yeah, I was pissed, but...

22:36No, I'm not sure that that is...

22:38Anyway, you wouldn't do something like that now, would you?

22:41Yeah, Beth, I just did.

22:43No, he was provoking you.

22:45That is mitigating circumstances.

22:46Well, anyway, Tom's decided I'm lying

22:48and you'd think I might have misheard him,

22:50but the whole thing is a fucking big mess now, so...

22:52Kendra, I was...

22:53I was just asking the question for his sake.

22:56When I've been charged with criminal damage,

22:57I assume Holly's told.

22:58Just the chances I'll be back inside in two months' time

23:00so you won't need to worry about me anymore

23:01and you can all forget I was ever here.

23:03You can all forget I ever existed at all.

23:05I wish I could!

23:07Don't say that, Kitty.

23:11You know, I didn't see you people out.

23:14You saw me out.

23:15I had dealt with all this.

23:17I had forgotten about it, literally.

23:19It had gone.

23:20And then I kept that letter off the adoption service,

23:22just stirring it all back up again.

23:24That's what I was doing.

23:25Trashed in that pub when I met you.

23:27I picked a fight with Gavin about him

23:29leaving his wife, basically,

23:31because I was trying to bend my head around all that misery again.

23:35And you're right.

23:36I'm not like my family, just out of interest.

23:39I am a lot of useless, idiotic things, Beth.

23:44But I am not evil.

23:46I know what evil is.

23:47I have lived with it and I am not that.

23:50And I don't need you or anybody to tell me.

23:54And I'm not a liar either.

23:56I mean, I am.

23:58I can be.

24:00But not this.

24:01I said misheard.

24:03Dorky.

24:04Not lied.

24:06Kitty.

24:07Kitty, please.

24:10Kitty, where will you go?

24:12Who fucking cares?

24:13I don't.

24:18Tom.

24:19Is this really what you want?

24:21Kitty, come on.

24:22Let me help you.

24:23Come on.

24:25Kitty.

24:27Kitty.

24:28Kitty, Mom.

24:29What, we need now?

24:30Kitty.

24:31I don't fucking see anymore.

24:33Kitty.

24:34I tell you what.

24:35You leave me alone and I'll leave you people alone.

24:37All right?

24:38We need to think about going back to Sheffield.

25:02Let's go.

25:03I'll do it.

25:03We HEAD.

25:04I'll do it.

25:04All right.

25:05Say hi.

25:05I'll do it.

25:06Hey.

25:07I'll do it.

25:12Something else.

25:13I'll do it.

25:14Hey.

25:20Hi.

25:21Hola.

25:21Okay.

25:22Hey.

25:22Hi.

25:23Hi.

25:24Hi.

25:25Hi.

25:27Hi.

25:28Some people.

25:28Hey.

25:28Hi.

25:29Hi.

25:30Hi.

25:31Oh, my God.

25:33Morning.

25:39What time is it?

25:42Did you get Granny home properly last night?

25:45Don't ever ask me to do anything like that ever again.

25:47Why? Why?

25:49She didn't even know where we were, Mum.

25:51You do know it was an emergency.

25:53You do know Nisha got very badly beaten up last night.

25:56I think she thought we'd broken in or something.

25:58We kept saying, it's Carl and Adam,

26:00and she just kept going, where's Ollie?

26:02And we explained, but, you know, so we told to lock herself in

26:05and hopefully she managed to get herself to bed and everything.

26:07Well, she didn't try to ring me, so...

26:10Oh, my God.

26:11I hope she's wandered off again.

26:13I'll get round there.

26:15Oh, erm...

26:17What did you think about the band?

26:20What band?

26:21Our band.

26:22You're my band.

26:24Oh, yeah.

26:25Yeah, that was embarrassing, wasn't it?

26:28We thought it went quite well.

26:30Yeah?

26:30Yeah, well, they were all drunk, weren't they?

26:31They'd have clapped at anything.

26:32Somebody had come on and farted, they'd have clapped.

26:34We came third.

26:35Digustibus non, disputandum est.

26:38Sorry?

26:39Oh, what, er...

26:40Did you not like the song?

26:42What, a load of old women singing about periods, yeah?

26:44Fucking bought the vinyl.

26:45Well, it was the menopause, in fact.

26:49We were all right, weren't we?

26:51We held it together.

26:52We got to the end.

26:54People were happy.

26:55They joined in.

26:56They cheered.

26:57Oh, but they were just doing it because they were drunk, obviously.

27:00Dirt, silly mate.

27:01Can you get some more milk, if you're going out, please?

27:03Six weeks?

27:05We did that in six weeks?

27:06Yeah.

27:07Well, it showed.

27:11Don't forget the milk, Mum.

27:13Oh, fucking milk.

27:14Hello, love.

27:40Oh.

27:41Has Veronica been?

27:43I don't know.

27:44Has she?

27:44Probably.

27:46So was it everything all right last night?

27:48Last night?

27:49Yes, as far as I know.

27:53We were wondering about a little holiday.

27:55Who is?

27:56Me and your dad.

27:59Where were you thinking of going with Dad?

28:02I've always fancied the Caribbean.

28:06Mum, you've never wanted to fly.

28:09You haven't got a passport.

28:10Oh, it'll be your dad telling you that.

28:12You know, he's clipped my wings.

28:14I've often fancied a broad.

28:18Right, OK, so, it's you all all right?

28:20You don't need anything.

28:22Oh, you're not stopping?

28:25What are you dressed as?

28:27Who the hell is Jenny Lennox?

28:29Who's that texting you?

28:32Yvonne.

28:33Hi, Yvonne.

28:34Was she after money?

28:36I don't think so.

28:39Hiya, kid.

28:40Who's Jenny Lennox?

28:41Jenny Lennox?

28:43That's a fancy name.

28:45Is she talking rubbish?

28:46She will be.

28:47She's fluent at that.

28:48I don't know if she's a promoter.

28:50But she finds bands to fill local venues.

28:53Really?

28:54Yeah.

28:54And she loved us.

28:56She thought we were the real deal.

28:58Oh, wow.

28:59So, yeah.

29:00That sounds made up, that name.

29:02And she thinks people would definitely give us a shot.

29:04You kidding?

29:05Jenny bollocks.

29:09That sounds made up.

29:11She's really excited about us.

29:13And she thinks we could do proper gigs if we got enough material together.

29:17She's got a ton of ideas, like recording a track and sending it out to people.

29:20What are you laughing at?

29:21Like a calling card.

29:23And she wants to come and talk to us at our next rehearsal.

29:25I said, well, technically we haven't got the next rehearsal, so I'm thinking.

29:28Maybe we should try and get everybody together on Tuesday, as we have been doing.

29:32Or, if she's free this afternoon, maybe she'll try and get everybody together.

29:35Sure.

29:36Well, yeah, yeah, I'm free.

29:39You're laughing?

29:40What are you laughing at?

29:43You at my mother's?

29:46Yeah.

29:48So have you heard all that?

29:49Or are you just being a dickhead?

29:51Yeah, I got it.

29:53Right, well, I'll phone around everybody else.

29:57You don't have to do anything.

29:58You just sit on your hands and turn up when required.

30:01Okay?

30:02I'll keep you informed.

30:04Yeah, yeah.

30:05Yeah.

30:09I don't know why I bother with them, too.

30:11They're both twats.

30:17It's not bollocks, it's Lennox.

30:20What is?

30:21Jenny Lennox.

30:22The woman who Yvonne was on about.

30:25Well, who's Jenny bollocks, then?

30:26No, and you made her up.

30:28Oh, it was you that said it, wasn't it?

30:33That was the lady you said, wasn't it?

30:36No, I thought you said it to make me laugh.

30:41Said what?

30:44Jenny bollocks.

30:47I've missed something.

30:53No.

30:55Oh, okay.

30:58Oh, my God.

30:59I want to go and see how niche her is.

31:01She...

31:01I don't love you.

31:03Who?

31:06My colleague, you do it nowhere.

31:08Bye, love.

31:08Oh, my God.

31:32Hey! Jessie! Mum, come on!

31:38What fresh air is this?

31:40Open the door!

31:42Come on, Grunty needs a wave! Open the door!

31:47Mum, open the door!

31:49Jessie! Jessie! Jessie! Jessie! Jessie! Jessie!

31:54Come on, Mum! The door's locked!

31:57What have we got to go here to now?

32:02Oh!

32:04Oh!

32:26Hello.

32:28Holly.

32:30Just wanted to go and have a look at you.

32:34Do you want a few minutes?

32:36I could stretch my legs and get a cup of tea.

32:40Sure, if that's... Thank you, Grace.

32:42Bye.

32:44How are you feeling?

32:56You will get through this, Nisha.

33:10And when you do, you'll come out the other side and you'll be even stronger, as I know you.

33:16Remember me asking you not to go upstairs?

33:18Complaining to the boss about Rudy.

33:20Well...

33:22Obviously, he did his job properly last night for all his faults.

33:26No.

33:36No.

33:37No.

33:38No, you didn't, Holly.

33:40He took photos of me.

33:42You're what?

33:44I had my hands...

33:46Hang off the top of my head and I had my chalices around my ankles and I was...

33:50stirred six feet off the ground on top of this bin.

33:54And I had this...

33:56Aussie noise in my head, so I'll bite.

33:58I could hardly see straight.

34:00You've got yourself into a right pickle here, haven't you?

34:03Yeah.

34:04And he stops to take photos.

34:07And he goes...

34:08Telling fucking Holly to go upstairs and squeal to the boss.

34:11Smart man.

34:13No.

34:15And he unfastened me.

34:17And he let me fall.

34:19That's how I fractured my pelvis and that's how I'm a collar puncher.

34:24What?

34:25And that weren't them lads.

34:27That was him.

34:30I asked you not to say out.

34:32But you always know best, don't you?

34:37Did you tell that to them?

34:38Made you instantine?

34:39Oh, yeah. Make everything even worse.

34:41You'll get done.

34:43They'll just brush it onto the carpet.

34:45And someone upstairs, like you or Tony, will have a word with someone.

34:50You'll have a word with someone else.

34:51By the time it's got to the bottom of the food chain,

34:54that someone else will probably just be one of Rudy's mates.

34:58Like Sergeant Arsall.

35:02So it doesn't work, Holly.

35:05Going upstairs never works.

35:08And I knew that, even if you didn't.

35:10And whatever happens now,

35:14those photos of me will be out there.

35:22So no.

35:25I haven't all the murder incident, do you?

35:28Because do you really think I want anyone who cares about me knowing they exist?

35:34Oh, you can go now.

35:35I can't stand to look at you.

36:05I can't stand to look at you.

36:06Okay.

36:07I'll give up.

36:08You can't stand to look at me.

36:10OK, so the girl is pretty cool.

36:11Right now?

36:12I was so tired.

36:13I can't stand to look at you.

36:15You did the same thing.

36:17So that's the time we go.

36:18No, no, no, no, no.

36:19I can't stand to see you!

36:20And you can't stand to look at you.

36:21So I can't stand to see you.

36:23They're all the emphasis I can't tell.

36:24To the people who have been gone.

36:26I'm so tired.

36:28So I can't stand to see you.

36:29Would you like more tea, there?

36:51Would we like more tea, Mum?

36:56No, I think we're all right, thanks.

36:58She's tired herself out.

37:01She was up at three o'clock this morning singing.

37:04What was she singing?

37:05Oh.

37:06La, la, la, la, and a nightingale sang in Barclays Square.

37:16Yeah.

37:28The joke's on you, cause you never really knew her.

37:34A rebellious suburban badass bitch who never for a second would have taken your shit.

37:46Rebel with a Sparks card.

37:50She's the Countdown Queen.

37:54Gotta go.

37:57Don't wanna miss the Chelsea Flower Show.

38:00So, you met Jess last night?

38:02She did.

38:03I'm Mary.

38:05Oh yeah, she's not in the band, she just lives there.

38:09I just own the place.

38:11OK.

38:12And that's Holly.

38:13You play bass.

38:15So, can you drop this face business when you say my name?

38:19Cos I was not laughing at you, OK?

38:20It wasn't about you.

38:21Not everything is about you, Yvonne.

38:22It was about Jess.

38:23How did you do?

38:24The sisters.

38:25All my life I've had this.

38:26Oh.

38:27Ever since I was a kid.

38:28Your little sister and the woman who professes to be your mother taking the...

38:33My kid.

38:34Then people wonder why I're bad-tempered.

38:35Sorry.

38:36Shall we just listen to what Jenny's got to say?

38:38Yes.

38:39So, what?

38:40I'm a little sister and the woman who professes to be your mother taking the...

38:43My kid.

38:44Then people wonder why I'm bad-tempered.

38:45Sorry.

38:46Shall we just listen to what Jenny's got to say?

38:49Yes.

38:50Yes.

38:51And I was going to be a little sister.

38:54I was going to have a great day.

38:55Yes. Sorry, sorry, can I just say,

38:58Beth visits her mum on Sunday afternoons

39:01and Kitty has resurfaced, apparently,

39:04but we can't get hold of her just now because, well,

39:06I imagine she's asleep somewhere because she was in A&E all night

39:10with a fractured fifth metacarpal after she punched Fern's down.

39:13Cam's not here because, well, could you know about Nisha?

39:16I mean, things aren't usually this dramatic.

39:19OK.

39:20Well, moving forward, I needed support band

39:23for the Ogden Waterbabies at the Hebden Festival in two months' time.

39:28You think you possibly have enough material to do a 30-minute set, yes?

39:32Half your own material, half covers?

39:33Probably more original stuff than covers, I'd say, but...

39:37Yeah. Yeah.

39:38So, as well as making a recording of Seeing Red in the next few weeks,

39:42this gives you something else to aim for.

39:44Seriously? Perform, like...

39:47Are you serious? Yeah.

39:49It's a support band.

39:51So, in the eight weeks before the festival,

39:52it'll be down to you to keep the passion

39:54and the creativity and the hard work going, OK?

39:57Fire! Fire! Fire!

40:01Yeah?

40:02Yeah.

40:03Oh.

40:10Right, so...

40:11So, what she wants us to do, first of all,

40:13is a recording of Seeing Red.

40:15I mean, a proper recording...

40:18..in a studio.

40:21And she can set that up for us.

40:23I mean, we'll have to pay for it ourselves, obviously.

40:25And then...

40:26Oh, God.

40:27She wants us to support the Ogden Waterbabies

40:29at the Hebden Festival.

40:31The Ogden Waterbabies?!

40:34And she's so excited about us.

40:35I mean, she wants to come to the rehearsal next week

40:38and give us some hints and tips.

40:41What have we got to lose?

40:42A few quid.

40:43A few quid hiring a recording studio.

40:46Oh, God.

40:49You and me are 60 next year.

40:51And you know what comes after that, don't you?

40:5361.

40:5470.

40:55This is our time.

40:57This decade's going to go like that.

40:59We need to grasp it.

41:01Yeah, so we just need to get Nisha back on her feet again.

41:03And Holly thinks it's very unlikely that...

41:06..that Kitty will get a custodial sentence

41:09for that business of that Gavin's car.

41:12So, is she...

41:13..is she in bed?

41:15How is she?

41:17No.

41:20No, I'm afraid, um...

41:21..she's...

41:22..she's gone.

41:24Gone.

41:27Gone.

41:29Where?

41:30Well, I had hoped she might come to you.

41:31Or Holly.

41:33Clearly not.

41:35Oh, pass.

41:41Are you all right?

41:43Tom doesn't like her.

41:45And he doesn't believe that Graham would say something like that.

41:48And he hasn't been able to hide how he feels.

41:52So, she's gone.

41:54She was upset and...

41:55..she was angry.

41:57And I...

41:58..I don't know.

42:02He is so disdainful towards her.

42:06And it's heartbreaking because when I look at her, I just see him.

42:09..

42:21..

42:22..

42:24Trisha.

42:29Hello, Trisha.

42:31Hello.

42:32How's Graham?

42:33Are you busy?

42:36No.

42:37I, um...

42:40Fern rang me and told me that everything's a bit of a mess

42:45because Tom accused Kitty of lying

42:49because Graham would never say such a thing.

42:53Quite a big mess, actually.

42:55Well, I'm sorry to have to tell you

42:58that Graham would say such a thing

43:00because...

43:03He's done it before.

43:08On more than one occasion,

43:10and probably more times than I know about.

43:14He appears to make something of a habit of it.

43:18Um, I forgave him the first time

43:21it was drawn to my attention by a well-wisher.

43:24And I turned a blind eye on another occasion.

43:30You keep hoping it's happened for the last time.

43:35Of course, but now this.

43:39Tom's birth, Mum.

43:40I mean, you know...

43:42What the actual fuck?

43:45How is Kitty?

43:47What's she saying?

43:50I miss that song

43:55The one that hurts like something's wrong

44:03Cause even when I'm feeling fine

44:10It's always nice just to remind you

44:17So are we assuming that Kitty's not coming?

44:32Oh, she...

44:33She's...

44:34She's just not replied to any of our texts or messages.

44:38So...

44:38We can do it without her, can't we?

44:40Sorry, you can record seeing Red without Kitty.

44:43How?

44:44Can't we get someone else?

44:45Where?

44:47People who sing like Kitty don't grow on trees.

44:49Well, she'll turn up by next Thursday.

44:51I can't keep a studio and a sound engineer booked for a whole day

44:54on the understanding that she may or may not turn up.

44:57I only got this slot cause someone else had cancelled

44:58and then there's the two days mixing.

45:00And, you know, this is your money.

45:03Where does she live?

45:07Um, she...

45:08We don't actually know where she is at the moment.

45:14But we do know she's not dead

45:15because she has read our messages.

45:16Well, somebody's read our messages.

45:20Oh.

45:21So she...

45:22could be.

45:26Look, I don't want to be...

45:28I wanted to help you.

45:30I honestly thought you had something

45:31when I saw you on Saturday night

45:32but maybe I just got carried away.

45:35The thing is, you know, what you're doing is lovely

45:37but the truth is...

45:38And the song.

45:39The song is fantastic.

45:41You are definitely more than some sad dad band

45:43doing cheesy covers.

45:44But without Kitty,

45:47she really is your secret weapon.

45:51What I'm offering you is next level.

45:55And this, without her,

45:57this isn't enough.

45:58Twice now she's not shown up

46:00and clearly there are issues with her

46:02and if she wanted this, she'd be here.

46:05So,

46:06I'm sorry, but

46:07I'm afraid this isn't for me.

46:11Sorry, mate.

46:12Well, where have you been?

46:19I just said,

46:20I'm sorry I'm there.

46:22What have I missed?

46:24Well, nothing.

46:25Because we can't actually do much without you.

46:28It turns out.

46:30Well, I'm here now.

46:31So, Kitty,

46:32I'm Jenny Lennox.

46:34We met briefly on Saturday.

46:35So, what's happening?

46:38Well, I was just going to...

46:39You know what's happening?

46:40We've all been sending you texts and messages for two days

46:43telling you what's happening.

46:45So, I was just going to make a little recording of you

46:47singing Seeing Red on my phone

46:49so I could send it to the sound engineer

46:51at the recording studio I've got booked in Huddersfield next Thursday.

46:53So, he's got a rough idea of what the song is meant to sound like.

46:57OK.

46:58Cool.

46:59But, I guess,

47:00I need to know that you're committed.

47:04Because I'm sensing

47:05you're not as tight as you might be.

47:10Tight?

47:11Together.

47:13You're 40 minutes late.

47:14You've been ignoring everyone's messages for the last two days.

47:17So, yeah, I have to ask these questions

47:18if I'm putting my time into this.

47:20Not to mention all these other ladies' money.

47:22A day in a recording studio

47:24with a sound engineer

47:26then two days in the mix.

47:27That's £1,000.

47:29Yeah.

47:30So, we need to know you're not going AWOL

47:32every five minutes.

47:34Kitty.

47:35I'm here, aren't I?

47:38Who was that

47:39that dropped you off?

47:41Why?

47:47So, you're doing this or what?

47:49Well, you...

47:50you've not gone back to Gavin.

47:53Well, do you know what, Beth?

47:55I didn't have a fatal fucking choice, did I?

48:01So, excuse me for being thick,

48:03but that car that you just got dropped off in,

48:06is that the Jaguar you were up in court

48:09for having trashed?

48:10Well, yeah.

48:12Well, it's been fixed now, so...

48:13Sorry.

48:16This is the man who had his mates beat you up

48:18that day I arrested you

48:19and you were trying to kill yourself

48:20with vodka and painkillers

48:21and a carving knife.

48:22You've gone back

48:23to the man that did that to you?

48:25Like I said,

48:26it was either his place

48:27or the bus station,

48:29so go figure.

48:30You arrested her?

48:31Briefly, yes.

48:32For her own good,

48:33under the Mental Health Act.

48:35When?

48:35I told you.

48:36No, you didn't.

48:36You told me she'd been in prison twice.

48:38Well, it would have been the day before

48:39Beth picked her up

48:40in that karaoke pub.

48:42Yeah.

48:43That was the first of our

48:45memorable nights

48:47in A&E together,

48:48wasn't it?

48:49And, wow,

48:51you've gone back to him.

48:53So, but he's not still

48:53taking you to court then,

48:55I take it?

48:56I take it he's dropped now.

48:58Yeah.

48:59Yeah, he's going to drop it, yeah.

49:03Go into it.

49:03Oh, what is your problem?

49:05Yes.

49:06He's on his way

49:07to the police station right now

49:08for that purpose, OK?

49:11I'm here.

49:13Make the most of it.

49:17Shall we rewind

49:19half an hour,

49:20pretend you weren't late?

49:22Ladies?

49:26I've rigged it up for you earlier,

49:31kids.

49:31That's good.

49:33When you ready?

49:34You ready?

49:42You ready?

49:43I'm so depressed, I can't get dressed

50:10Having trouble hiding, my lack of interest

50:13But today it was pouring like rain

50:16But I hadn't even thought breathing all day

50:18My time's waning, feels like I'm fading

50:21Doctor taught me to stop complaining

50:24If it happened to flogs, God only knows

50:27We'll be getting HRT

50:29Am I invisible?

50:32Am I untouchable?

50:35Am I unlovable?

50:38Are you uncomfortable?

50:40And I'm seeing red, red, red, red, red

50:44Red, red, red, red, red, red

50:47Red, red, red, red, red, red, red

50:51I'm seeing red, red, red, red, red, red

50:55Red, red, red, red, red, red

50:59Red, red, red, red, red, red

51:03I'm angry, I'm nice

51:05Right, I'm off

51:08Right, I'm off.

51:09Are you not coming for a drink?

51:10I've got to get back.

51:12Oh, the bass is brilliant.

51:14What's up?

51:16See you, sweetie.

51:17Yeah.

51:19Kitty, what?

51:21Um, we need to have a think about how to work on new material

51:27for the festival.

51:29Come to the flat if you want to.

51:31Have you got a keyboard?

51:32No.

51:33Um, so it would make more sense if you came up to me, wouldn't it?

51:41One evening.

51:42Evening, yeah.

51:43During the day is better for me when he's at work.

51:46Um, I'm at work.

51:49During the day, as you know, so maybe just work on them separately then.

51:53We need, realistically, we need four more songs ready in eight weeks' time,

52:00and so that is quite a tall order.

52:07Shall we talk about this when you're sober?

52:08I know.

52:09I know.

52:14Did you get my text about Trisha phoning me up?

52:17Yeah.

52:18No, no, no.

52:20Olney, you didn't reply?

52:21I didn't need to.

52:23I know what that creepy old tosspot said to me,

52:25even if you didn't believe me.

52:27I didn't.

52:28I shouldn't.

52:29I shouldn't have said anything.

52:31This is great.

52:32I don't know.

52:33Well, I assume so.

52:35He's not texting me back either.

52:39Come on.

52:41You know it made sense for you to come to me to work on the songs.

52:46I'm not coming to your house, Beth, ever again.

52:50Can somebody help me get the keyboard into the car, please?

53:02Yeah, me.

53:03I will.

53:03I have red wine.

53:16I have red wine.

53:18Oh, here we go.

53:21John loves it.

53:22He's just listened to it through twice.

53:24He's got his thoughts.

53:25Singer amazing.

53:26Yep.

53:27Where is she?

53:40She left after we finished.

53:45It'll be that Gavin.

53:46He doesn't like a stopping outlet.

53:47Why has she gone back to him?

53:49He said nothing about the fabulous drummer and the sublime backing vocals.

53:53Yeah.

53:54Like I said, he's got a few thoughts.

53:56So, this is how it's going to work next week.

53:58Beth, John wants you and Kitty there from 8am, because you wrote the song.

54:02You know how you want it to sound.

54:03Jess, you need to be there then too, because he'll want to lay the drum track first.

54:07So, Holly and Yvonne, you don't need to be there till 10-11.

54:11You'll do keys and vocals last, but you and Kitty will both be there anyway, so...

54:13What about backing singers?

54:15Oh, I'd get there 2, 3, 4 o'clock.

54:18Whenever you feel like it, really.

54:20Vino?

54:21No.

54:22I'm going to love you and leave you.

54:23I'm up to here.

54:24It's the Slawak Music Festival next week.

54:26Exciting times.

54:27Yay.

54:28Well done, riot ladies.

54:30Oh, thank you.

54:31See you later.

54:32See you.

54:33Cheers, Mel.

54:35Is she a bit of a wanker?

54:38Did she just call us riot ladies?

54:40We're going to talk about the elephant in the room.

54:43What elephant?

54:44Kitty.

54:45We're putting all this money in, and if the wind's blowing in the wrong direction,

54:48she could just not bother turning up again next Thursday.

54:50I can't believe she's gone back to that man.

54:52Sounds like a right bastard.

54:53She's chaotic.

54:54She's flaky.

54:55And she's not putting any money in.

54:57Hang on.

54:58So, what are you saying?

54:59Look, it's been a blast.

55:00We've done what we set out to do.

55:02We did the talent contest, and we did it really well.

55:05We came third.

55:06But this, now, with her like that, I think we could be kidding ourselves.

55:11I'm reluctantly suggesting that we call it the day.

55:18The effect in the sky was made of amnesia.

55:24And all the stars were just like lava ships.

55:28You should learn when to go

55:32You should learn how to say no

55:38My last day

55:44Mine is forever

55:50My last day

55:54Two-faced, honey

56:01Why? What's happened?

56:02So I had to wait an hour before anyone came to speak to me

56:05I spent another God knows how long filling in some form

56:08Saying I was declining to prosecute you

56:10And then I find out that I'm being investigated

56:13Because of allegations of assault made by you

56:16Oh, yeah, no

56:17That was a duty solicitor, that was his idea

56:20I can drop all that if you've dropped that thing against me

56:22I haven't dropped the charges against you

56:24I was going to, but then this

56:26Did you think that I wouldn't find out?

56:27I forgot, it was him, it was that solicitor

56:30You forgot?

56:32I was exhausted, I'd been in a hospital

56:34I'd been arrested, I was in agony

56:37Do I look stupid?

56:38What?

56:38Do I look stupid to you?

56:40They both go back there together and tell them

56:42Neither of us want to prosecute the other one

56:44You think I'm going to go back there again now, tonight

56:46You don't just pop in and say, oh, by the way

56:49Especially not when you're off your tits on vodka

56:51Don't have to, because I need those charges dropped

56:53Oh, yeah, yeah, then what are you going to do, eh?

56:54Just disappear and have a big laugh when I get arrested

56:56You've got obviously your money doing it

56:58If you're dropping the charges against me

57:00No, no, no

57:00You are going to go and drop these allegations first

57:03I have got charges against me, pal

57:05I have got a court date

57:06I need to know you are going to do what you say you're going to do

57:08Why, why don't you, Splay?

57:11Well, I'd like to trust you, Gavin

57:13But you know, you're the fellow who told me he was divorcing his wife

57:15When, in fact, you were planning to jet off to paradise

57:17To do your marriage vows again, sir

57:19Just see

57:20Okay

57:31All right

57:33Get me back

57:38So, we're both, you know

57:42Yeah

57:43Yeah

57:46Yes

57:50Oh, my God

57:55I'm fucking dead

57:56I've had it

57:57I've had it up to fucking do it

57:59You fucking have it

58:03No, no, no

58:04Oh my, oh my.

58:34Oh my, oh my.

59:04Oh my, oh my.

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