Riot Women Season 1 Episode 3

Reality Insight Hub

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Transcript

00:00Satsang with Mooji

00:30Satsang with Mooji

01:00Satsang with Mooji

01:02Satsang with Mooji

01:04Satsang with Mooji

01:06Satsang with Mooji

01:08Satsang with Mooji

01:10Satsang with Mooji

01:12Satsang with Mooji

01:14I've got so much shit to deal with right now and it just seems a bit pathetic that all I'm doing about it

01:20is singing some old 70s pop song with a bunch of very nice, well, you anyway, people who I've never even met before.

01:30Well, you're going down to talk to Jess this morning, aren't you, about work?

01:34Then you'll have some money, at least.

01:37And we're not just singing some old 70s pop song, are we?

01:40I don't know if you can understand this, but, you know, I told you I've been low recently.

01:49Well, all this, the possibility of all this, it's just given me something to really think about.

01:59I'm probably not somebody you should put too much faith in.

02:02Some of the most talented people aren't always the most reliable.

02:07Yeah, but you don't know me.

02:10You know, oddly, I feel as if I do.

02:19I need to find somewhere else to live.

02:27Okay.

02:28Okay.

02:28Are you sure you're all right?

02:34Yeah.

02:37Just...

02:37Shirt swirling.

02:40Well, go down and see Jess.

02:42Do you know where the bus stop is?

02:43I'll find it.

02:50Look after yourself.

02:52Sure.

02:52Look after yourself.

03:00Yeah.

03:00Right.

03:01Yeah.

03:02Yes.

03:03No matter what else you have to do with an old car.

03:04I've got to see you, but I'm going to check it out.

03:10Yeah.

03:12Let's go.

03:13Bye.

03:14Bye.

03:15Bye.

03:16Bye.

03:17Bye.

03:18Bye.

03:19Bye.

03:20Bye.

03:21Bye.

05:22I'd drink a case of you, darling.

05:33And I would still be on my feet.

05:42I'd still be on my feet.

05:51I'd still be on my feet.

06:00I'd still be on my feet.

06:01I'd still be on my feet.

06:02I'd still be on my feet.

06:03I'd still be on my feet.

06:05I'd still be on my feet.

06:06I'd still be on my feet.

06:07I'd still be on my feet.

06:08I'd still be on my feet.

06:09I'd still be on my feet.

06:10I'd still be on my feet.

06:11I'd still be on my feet.

06:12I'd still be on my feet.

06:13I'd still be on my feet.

06:14I'd still be on my feet.

06:15I'd still be on my feet.

06:16I'd still be on my feet.

06:17I'd still be on my feet.

06:18I'd still be on my feet.

06:19I'd still be on my feet.

06:20Look at that.

06:21Jesus, you're not going to get much trade around here, love.

06:22This is at the owner's house.

06:23It's in his driveway, Upstead Lane, Up Worley, 25 Tuesday afternoon, a Mr Gavin Peachy.

06:29He happens to be at home with his wife and it's him that's taken this footage.

06:32He says he doesn't know this woman from Adam.

06:34His wife doesn't know her.

06:35He thinks it's a case of mistaken identity and that this is some sort of vendetta aimed at

06:39someone else.

06:40So, does anyone recognise her?

06:42Hey, Shrimp, isn't that your missus off her tits and making an arse of us?

06:46She looks like a woman scorned to me.

06:48How come we stopped filming her when she asks about his habits?

06:51Who knows?

06:52Well, maybe he knows her better than he's letting on.

06:53Yeah, well, we'll get her side up pantomime when we cop her, won't we?

06:56So, we need an appeal on social media along with all the other wanted.

06:59See if anybody can help identify a Mr Rudenko.

07:03Perhaps you could do that for me.

07:05Doesn't she fit the description of that woman at the supermarket the other day?

07:08Red hair, leopard print coat.

07:10Not sure that was you and Ollie.

07:15No.

07:16She was a different build.

07:17Younger.

07:18Right.

07:19That's everything, ladies and gentlemen.

07:20Off you pop.

07:32Hi, Selina.

07:33Is he in?

07:34Ollie, go through.

07:35He's expecting you.

07:36Thanks.

07:37All right, governor.

07:38Ollie, hello.

07:39I just popped in before I hang up my bits and pieces to let you know that misogyny is alive and well in your division right now as we speak alive and kicking just like in the 90s. Yay!

07:49Do you want some tea?

07:51Tea? No, I just want to know what you're going to do about the insidious toxic male culture that flourishes under your aegis.

07:57Who's retirement?

07:59So, two days ago, downstairs, here, one colleague comes up behind another colleague, sat at his desk and grabbed hold of his dick, seriously, and went ding ding.

08:10Seriously, sitting at his desk doing the callbacks, next thing he knows, this other fellow's fumbling around for his cock and ding ding.

08:16Ding ding.

08:17Are you winding me up?

08:19No.

08:20Has he put in a complaint?

08:22What, and get a reputation for being a wuss, for not taking a joke? Course not.

08:26He doesn't want his colleagues not turning up in an emergency, does he? Which we all know happens, to those who snitch.

08:32Well, how did he react?

08:33Well, he didn't. First off, he's on the phone, being polite to a victim of crime. And then in the moment, he was like, did that just happen?

08:43I mean, out there on the street, some nutter tries to stop like that, you're going to deck him, aren't you? You're going to rip the spleen out for him, but in the office, you don't expect it.

08:51Good God.

08:52It's repugnant. Who'd do that?

08:55What's his name?

08:56Alec Rudenko.

08:58Rudenko. Okay, well, I'm afraid to say I think I'd have lamped him one, had it have been me.

09:03Yeah, and he's a big fella. It did cross this colleague's mind to lamp him one, but he'd have denied it, obviously, his word against the other fellas.

09:11And then the other fella would have been the one in bother. No evidence of any ding-ding on the one hand, but plenty of evidence of a fractured jaw on the other.

09:20So, all these things went through his mind, and in the heat of the moment, yeah, he just froze.

09:26Well, we can't have that.

09:30So, sorry, I thought you said misogyny. So, is this fella, what, gay or...?

09:41I did. You're right. I did say misogyny. Damn, I'm sorry. I misremembered. It wasn't this bloke's dicky grab. That's right. It was this woman's tits. Yeah. Beep beep. Not ding ding.

09:56Oh. Okay.

09:59Yeah? Not so shocked after all. Only a woman, par for the course. You can brush it off now, can you? Sweep it under the carpet.

10:07She needs to put in a complaint.

10:09Yeah, she won't. For the same reason outlined earlier.

10:11Right, well, Holly, the truth is...

10:13You don't need to cross his name out. It did happen and it was Rodenko that did it.

10:17If I challenged every officer that I complained of inappropriate conduct levelled against him, I wouldn't have anyone left out there doing the job.

10:24I wonder why you reacted so differently when you thought it was a fella that had been assaulted. Don't you find that curious yourself?

10:32How's the boys?

10:39How dare anyone touch a man like that? In such an intimate place. So demeaning, so embarrassing, so humiliating, so fucking weird. But when a man does it to a woman?

10:50Meh. Cos, well, it's natural. Good-looking woman who wouldn't want to squeeze at it so I might have a crack at it myself.

10:57Carl says that you've taken up playing bass guitar.

11:01He did it to humiliate her. He did it because he's bigger than she is and because he knows she can do fuck all about it without repercussions and he thinks that's funny.

11:08He thinks it's funny to make people feel small and silly and helpless and a bit grubby because he's a deeply unpleasant human being who takes pleasure from it.

11:18And there shouldn't be room for people like that in the service.

11:20I was Nancy.

11:21Oh, Mum. Yes. So this same officer, Alec Rodenko, and I really would urge you not to cross it out, in it 40 quid out of her purse.

11:29Your ex-mother-in-law, he nicked 40 quid out of her purse.

11:32How? When?

11:34You don't need to worry about that. I'm going to deal with that myself. You just need to worry about this other thing, which was just as humiliating and chilling and compromising and disgusting for the officer involved as if she'd been a man having his wire pulled.

11:47I do hear what you're saying, Holly. I know there are problems and I know, despite efforts, it doesn't always look like things are getting any better.

11:53Tony, they're getting worse. I can't believe we still have these conversations. But the truth is, it's getting worse.

11:59Do you want the official response or the truth?

12:02Guess.

12:03There's nothing you don't know. We are dangerously understaffed. It's deplorable, it's miserable, but the truth is, it's a tough job and sometimes it's a dirty job and not unlike the church, it does have the unfortunate propensity now and again to be fatally attractive to the wrong sort.

12:20And with few resources, vetting the people coming into the job, yes, it's a problem that's been getting worse and not better.

12:27Now, I'm one of the good guys and I really do do what I can when I can, Holly, but it frightens me, who we put out there on the street sometimes, so I personally cannot wait to hang my lanyard up and for this to be someone else's problem.

12:41I'll ask someone to have a word with this fella. All right?

12:53No, he wants sacking.

13:01Where's the online dating going? Have you met any more weirdos?

13:11They're not all weirdos.

13:22They're more weird than that feckless non-interceded side to just un-shackled.

13:29Holly! Bloody hell!

13:32Could you not stay away? Who is your assignment so shit?

13:35How's your mum?

13:36Hiya.

13:37Rudy, my favourite human being.

13:39Oh, am I?

13:40Yeah, she's fine, thanks.

13:43She'd like that money back, though.

13:45What money?

13:46That money you swiped out of her purse.

13:52I'd swipe any money out of anybody's purse.

13:56I went down the railway station this morning and near my mate Hazan, the station master, had a quick jump backwards through yesterday's CCTV in that funny little room at the back.

14:07From the car park, not the platform. We all know that's bust. And, er, yeah. There you are. Helping yourself.

14:16CCTV in car park is bust. It's all bust. It has been for decades.

14:25Yeah, they fixed it. Last Monday.

14:26No, they didn't.

14:27You banged her right, sweetie. You're there in black and white, with your pants round your ankle, then your hand in the till.

14:36Now, tell you what, you give it back to me right now, and the matter will end. Okay? And it'll never get mentioned again.

14:42On the other hand, if you're gonna play silly bastards, I'll be off upstairs and I'll push the thing just as far as it'll go.

14:52Now, I've got nothing to lose now, have I? I'm out of here.

14:57I didn't make it. I'm giving you this to shut you up.

15:21All of it. That was all of it.

15:27Oh, as if I'd do anything like that.

15:30As if.

15:36Rudy, I lied. That CCTV is still bust. But I know you...

15:45Don't think I do.

15:53And the problem is, I don't know if I'm even eligible anymore to enter the contest.

15:57Now, the little ones aren't even living here.

16:00Yeah, but you're still their grandmother, aren't you, though? So, they probably want all the entries they can get, so...

16:04Oh, no, it's been really popular. Loads of people are signed up. They don't need us.

16:09Do you want to see me pay 45?

16:11Yeah, I can do.

16:12You see, this is the thing.

16:14They put information on the notice board in the foyer at school,

16:17and if I'm not popping in every day, I have no way of seeing it, have I?

16:20I mean, you know, they might change the date or cancel it. I've got no way of knowing.

16:25No. Yeah.

16:27I shouldn't let it bother me.

16:29I should just carry on regardless like everyone else.

16:32Not give them monkeys no-one else does.

16:35Do you not know if she was gay, then?

16:37She's not gay.

16:38She's no more gay than you and me.

16:40Chick, you might be in denial.

16:43That's Saturday, love.

16:45Have you worked behind a bar before?

16:47So, I was in Barcelona for five years, me like.

16:50In my 20s, I worked in a couple of bars then.

16:52Five years?

16:53Habalas Aspenal?

16:55See you in Poco.

16:59So, who was your last employer over here?

17:01So, I worked in this nail bar in Clack Eaton for a bit, but it winked up and I don't know where the woman went.

17:06I had a phone number for her, but last time I tried ringing it, it didn't work.

17:09I always thought it was a bit dodgy.

17:11I did wonder if it was a money laundering outfit for a boyfriend.

17:13I mean, I say boyfriend, I'm never sure what he was.

17:15Right, and before that?

17:16So, the thing is, I've not actually been working because I didn't need to.

17:18Because Gavin took care of everything and I thought that's how it was going to be, so, you know.

17:22Right, what about a character reference?

17:24Erm...

17:27Just trying to think.

17:30Does Beth know you've been in prison?

17:35Holly told me.

17:37Twice, apparently.

17:40That was a long time ago.

17:45Do you want me to leave?

17:46No.

17:47I promised Beth I'd give you a trial run and I will.

17:49Now, I've had ex-cons in here before and I'm all for giving people a fair chance, but I'm not a soft touch, okay?

17:55Does you know, Beth?

17:58No.

18:01I will tell her if you want me to.

18:05I'm going to leave that with you, love.

18:07Right, let's get your tax code sorted.

18:09Can you wait this weekend?

18:10I can do Saturday, tomorrow, but this Sunday...

18:15I've just got this thing at lunchtime, but normally I can do Sundays.

18:18Right, £12.50 an hour plus tips, how does that sound?

18:20Good.

18:23Good.

18:24Good.

18:54Good.

18:56Good.

19:24Have you been scrapping?

19:34How since?

19:35Yeah, good.

19:39So what are you after?

19:40Two ounces.

19:42Okay, well, it ain't got that much on me.

19:44It's in a car.

19:45Where are you going to sell it?

19:48Does it matter?

19:49No, just, uh, careful.

19:52What, please?

19:53No, you silly bitch.

19:54Or the dealers.

19:58Don't fancy giving me a f-back of what's hot.

20:01Tears are up and done, do you?

20:02Yeah, can do.

20:08You look nice.

20:10With your fucking chair.

20:12I hope you've got enough loli on you.

20:14You still owe me, you bastard.

20:15You can drop me off here.

20:25What?

20:25Drop me off.

20:26Drop me here.

20:27Here?

20:28Yeah.

20:28I was in the middle of fuckbook nowhere, man.

20:34It's fine.

20:35No, I can't leave you here.

20:36Listen, SpongeBob, there's something else you can do for me.

20:39What?

20:39I want to know where my dad is.

20:41I cannot get involved with your dad.

20:45I'm not asking you to get involved.

20:48Just ask around and see if anyone knows how I can get hold of him.

20:52Yeah, but, I mean, I don't know who.

20:56But, yeah, I can put out a few fearers.

20:59Thanks.

21:03Kitty, you're going to get mugged and raped and murdered up here.

21:07Who, by?

21:10By whom?

21:11Nervous for you.

21:12Less.

21:13On your head.

21:16Mind how you go.

21:37You could probably write a song about most kids, though, couldn't you?

21:59Well, I could about Tom.

22:03Well, I think you must be a saint for adopting someone else's unwanted journey.

22:06You don't know if he was unwanted.

22:09Sometimes people just cut calls.

22:11I think his mum was very young.

22:14You know, tragically too young.

22:16I mean, they're just what I seem to do.

22:25I think his mum就ви and強 Is...

22:28Say, say my name.

22:34I really need a little love to lose the pain.

22:39I need a little love to ease the pain

22:47It's easy to remember when I came

22:54Cause it feels like I've been, I've been here before

23:03You're not my savior, but I still don't go

23:10Feels like something that I've done before

23:33You're not my savior, but I still don't go

24:03You're not my savior

24:33You're not my savior

25:03You're not my savior

25:05I don't know.

25:35Oh, has it been raining?

25:49We're both in.

25:50No, she's at work.

25:52And you are?

25:54I'm standing here telling you that she's at work.

25:58I'm Margaret and Michael.

25:59We live at Lower Croft Inn just down there.

26:02We're neighbours and we just saw you limping down Beth's driver

26:06and we were just concerned.

26:08Oh, I fell over coming over that stile up there,

26:10you know, coming down from those massive rocks.

26:12Oh, yes, I know the one.

26:14It needs mending.

26:15I have spoken to the farmer about it.

26:17Does Beth know you're here?

26:18Where?

26:20Here, in her house.

26:21No.

26:27No.

26:29I've broken in.

26:31So we can steal our old copies of the Times

26:33literary supplements she leaves piled up everywhere.

26:37So you're saying you're a friend of hers?

26:38Is that a problem?

26:41You smell of alcohol.

26:42Shall I tell you what you smell of?

26:44Does Beth know you're here?

26:45Because I'm not sure that she does.

26:47Ring her.

26:47How do you know Beth?

26:51Can't you say I'm a rock band?

26:52Beth isn't in a rock band.

26:53Is she?

26:54What the fuck?

26:56Beth isn't in a rock band?

26:57Says who?

26:58I haven't heard anything about Beth being in a rock band.

27:00Oh, OK.

27:01Well, she mustn't be in a rock band

27:02if you don't know anything about it yet,

27:04because nothing exists unless you're in a rock band.

27:06Is that right?

27:08Oh, my God.

27:10Are you God?

27:11Who knew that God wore a cagoule

27:14in stupid little glasses?

27:16Is there somebody else in there besides you?

27:18You tell me, pal, you're all C and I.

27:21Is she really in a rock band?

27:24Yeah.

27:24I think we should call the police.

27:25I don't think they can arrest people for being a rock band.

27:27I think you might be on a sticky wicket, though.

27:29Why don't you try Beth again first?

27:30She'll be teaching.

27:31What time is it?

27:32Mm-hm.

27:33She finishes at three.

27:35You try them.

27:36Would you like a cup of tea, lady?

27:38Why are you waiting?

27:39I can put the kettle on.

27:40It's no trouble.

27:41You'll have to stand out here and drizzle,

27:43cos I find you offensive.

27:45No, no, I'm fine, honestly.

27:47Seriously, you're all wet, love.

27:49This misfit can dissolve.

27:52No, honestly, I'm fine.

27:54We just...

27:55You know, we just look out for each other round here,

27:58cos it's very remote.

27:59I say what.

28:01If you're so...

28:02bigly bothered about Beth's interest

28:05and you're such a massive great nortle,

28:07then you would know

28:08that she's been very low lately.

28:10Well, did you know that?

28:11Has she?

28:12Sorry, love, I'm talking to this fella now.

28:14Yeah, she...

28:15Well, how well do you know her?

28:18We've been neighbours for 20 years.

28:21And I do know, since Martin left,

28:23she's been...

28:24on her own.

28:26And then Tom.

28:28What about Tom?

28:30Oh, well, you know,

28:31it's always been a bit of a handful,

28:33one way or another.

28:35Have you met him?

28:36No.

28:37He's coming for his dinner on Sunday,

28:38I'm going to meet him then.

28:39Oh, well, that's nice

28:42that he's coming over nice for Beth.

28:43I'm sorry to hear she's been...

28:45How is he a handful?

28:46Well, when he was younger.

28:49I mean, he's a charming lad in many ways,

28:52don't misunderstand me,

28:53but, you know,

28:55a few incidents.

28:57But I think he's very different now.

29:01And, of course, he's married now to, um...

29:03Oh!

29:05What's she called, his wife?

29:07Er,

29:08oh, Fern.

29:10Fern.

29:11That's right.

29:14And what was your name?

29:17I'll text Beth,

29:17tell her to ring you as soon as she can, all right?

29:20Yeah, why don't you do that?

29:23Is that her, then?

29:23Oh, yes, bye.

29:26Bye, bye-bye.

29:29There's Kitty,

29:30by the way.

29:32Kitty?

29:33Bye-bye.

29:36Yeah, don't you forget it.

29:38Yeah, but you don't know me.

29:59You know, oddly,

30:00I feel as if I do.

30:02I feel as if I do.

30:32What are you writing?

30:34A song. Well, bits for a song, ingredients for a song, you know.

30:39Slapping it all down there, throwing it in the trolley.

30:42Is it an angry song you look angry?

30:44It's about Chloe.

30:46All the heartache and misery and one damn thing after another.

30:50Right from when she was six, five, four.

30:54And now this. Fucking Inez.

30:56You couldn't make it up. Inez!

30:59I think that bitch was sent to the planet for one thing and one thing only to torment me.

31:03You've been drinking?

31:05Yeah, I've had a beer.

31:06That's a short route to chaos.

31:08Don't fucking lecture me, Gerry. I'm really not in the mood for it.

31:10No, I'm just saying, it's Friday night, you're gonna be busy, someone might kick off.

31:13You need to be able to handle it.

31:15I don't need advice from the fellow who delivers the beer, all right?

31:23You got a plastic glass?

31:25Sure.

31:29Right.

31:34You good?

31:42See you next week.

31:43Bye.

31:44Where's he off?

31:48No idea.

31:49Come on, look lively.

31:50Yeah, erm, thing is, erm, I got this text earlier off Chloe asking me and Auntie Mary if we'd like to go round to her and Inez for tea on Sunday.

31:59Well, no, you don't tell her.

32:01Unless you do want to, in which case you knock yourself out.

32:04I don't want to, I just...

32:06Don't you think for the baby's sake it'd be good to have some contact?

32:10She made a choice.

32:11And she knew what the consequences would be when she made it, which is why she was so bloody secretive about it all.

32:16Right?

32:19Have you replied?

32:20No.

32:21I wouldn't go without talking to you.

32:22I was just...

32:24What?

32:25It was a long time ago what happened with Inez, and it wasn't...

32:28You know it wasn't her fault.

32:30What?

32:31Wasn't her fault?

32:32Telling the whole of Hebden Bridge that your daddy was having it off behind me back with anyone and everyone?

32:37Humiliating me in front of all them fucking sundry.

32:39I think you'll find it was her fault.

32:41Yeah, for your own sake, can't you just...

32:44Just let go.

32:46I bet you've got just as many punters in here tonight as she's got in over there, more probably.

32:49Whose side are you on?

32:52Fuck, Inez.

32:53What are you doing?

32:54I'm going to play with drums.

32:59Oh my God!

33:00Oh my God!

33:01It's fine, you're fine.

33:02This is nothing.

33:03Wait till they're fully dilated.

33:04What?

33:05The thing is, is, baby's heads are big.

33:07Bigger than the average vagina.

33:09Bigger than 79% of women's vaginas.

33:11It's a design flaw.

33:12No, but that's...

33:15No one told me it'd be like this!

33:16Yes, but if we told everybody everything, no one would get pregnant, would they?

33:19Then where would we be?

33:21Better off probably, as the world boils and drowns.

33:25Come and have a look down the business then, Daddy, before the fun really starts.

33:28I'm good, thanks.

33:29Oh my God!

33:30Fucking hell!

33:31Jesus Christ!

33:32Sit!

33:33Keep breathing.

33:34Oh, and you've got a little haemorrhoid popped out down there as well.

33:36A what?

33:37It's very common.

33:38Haemorrhoid, childbirth, they go hand in hand.

33:40You mean, I've got piles?

33:41Like his dad?

33:42I'll pop it back up there for you later.

33:44I can give you that little injection for the misery.

33:47Would you like that?

33:48Yes, yes, yes.

33:49Okay.

33:50Oh my God.

33:51I'm going to be ripped asunder.

33:52I'm going to be split in two.

33:54Jesus.

33:55I'm being ransacked and laid waste.

33:57This is crazy.

33:58Why can't we lay eggs?

33:59I mean, I bet that's painful enough, but this is medieval.

34:02Why have they not worked out something else before now?

34:04Can you imagine the legions of women doing this in times of yore without pain control?

34:09Can you imagine doing this in the Blitz?

34:11Bombs exploding all around you.

34:13Buildings crashing to the ground and you're doing this.

34:15How have we got onto the Blitz?

34:17It's the gas and air.

34:18They get giddy.

34:19You fucking breathe!

34:21What are you writing?

34:22I thought you were getting me an injection.

34:24I am.

34:25Just got to go and sign it out of the cupboard.

34:26Two ticks.

34:27You're in charge.

34:28You're in charge.

34:29Will you get out of the cupboard?

34:30You're in charge.

34:31You're in charge.

34:32You're in charge.

34:33You're in charge.

34:34You're in charge.

34:35Does it really not bother you that I'm, like, 324 years older than you?

34:39It's just a number.

34:40Look, I wouldn't have come and met you three times, would I?

34:45If it bothered me.

34:46Yeah, but...

34:47It's like...

34:48Your vibe.

34:50It's not like a woman in her 50s.

34:53And anyway, I, er...

34:56I like people with experience.

34:57My fucking sister.

34:58Hang on.

34:59How may I help you?

35:00What rhymes with hemorrhoids?

35:01Er...

35:02Er...

35:03Um...

35:04My fucking sister.

35:05Get rid of her.

35:06Hang on.

35:07How may I help you?

35:08What rhymes with hemorrhoids?

35:10Er...

35:11Er...

35:12L...

35:13Lemon...

35:14Voids.

35:15Well, voids is words in a New York accent.

35:18And...

35:19Er...

35:20Lemon is...

35:21Bitter.

35:22Bitter voids.

35:23Er...

35:24Like an argument.

35:25Bitter voids.

35:26Lemon voids.

35:27Rappy?

35:28What else?

35:29Er...

35:30Why?

35:31I'm writing a song about all the garbage women trot out when they're popping one out.

35:33I've got a particularly noisy one in at the moment and it's gun dust.

35:36Er...

35:37Well, have you got a...

35:38Er...

35:39A title or a...

35:40A refrain or a...

35:41Shitting pineapples.

35:42Oh, but we're liking that.

35:43Never been bettered.

35:44Yeah, that's landing.

35:45Oof.

35:46Oh, erm...

35:47Droids.

35:48Androids.

35:49Opioids.

35:50Opioids.

35:51Lemon voids.

35:52Hemorrhoids.

35:53Opioids.

35:54Thanks.

35:55See you.

35:56Bye.

35:57Bye, bye, bye, bye.

36:01She's writing a poem.

36:02Right.

36:06So...

36:07Want another drink?

36:09Or...

36:11Or?

36:12Or?

36:13I think, or.

36:15We'll have to be at your place.

36:17Come on.

36:26Come on.

36:56Good tea.

37:12Good tea.

37:20Good tea.

37:26Beth, I'm sorry. I was grumpy this morning.

37:32Well, I think you're allowed to be a bit grumpy.

37:35You've had things to deal with.

37:38So did you go and see Jess?

37:40Yeah, yeah, I did. Did you have a phone call at all this afternoon?

37:43About?

37:44Oh, it's just these people and cagulls knocking on the door.

37:46Who?

37:47Oh, did they phone you?

37:48So this is assumption from the middle classes that I've broken in

37:51and them are up to no good.

37:53And then the patriarchy starts having a go.

37:55Beth isn't in a rock band.

37:57And I was like, oh, my God.

37:58I had to stop myself garroting him.

38:01Why do men do that?

38:03Why do they always know better so categorically fucking better

38:06even when they just don't?

38:07So I may have said things in reply in the heater moment,

38:10so I hope I haven't, you know, bugged things up with the neighbours.

38:14So how did you get on with Jess?

38:16I just give me a three-month trial, see how we get on starting tomorrow.

38:19How do you feel about that?

38:21Oh, I started to...

38:23I'm trying to write some shit about Gavin hoping it would turn itself into a song,

38:26but when I re-read it, it's just a load of swear words.

38:36This is good stuff. I like it.

38:41Oh, surely you can do something exciting with this.

38:43Maybe.

38:44Oh, and I was thinking about you bleeding so heavily.

38:47Would you like me to make an appointment at my surgery?

38:49Getty dealt with.

38:50Do you want me to make the appointment?

38:52Maybe.

38:53Fuck you.

38:56What's this?

38:57The one that got away. The boy that got away.

39:08It's just another one.

39:15Are you hungry?

39:17I can't be bothered to cook.

39:18Shall we eat out?

39:19Sure.

39:21Can I just have a shower and get changed?

39:23Of course. Help yourself.

39:49I can't be bothered to cook.

39:50I can't be bothered to cook.

39:51I can't be bothered to cook.

40:10Wow.

40:22Tell me about Tom.

40:23Tom?

40:24Margaret said he was a handful.

40:26Oh, really?

40:28Yeah, well, I mean, when he was a teenager there were a few incidents.

40:31Like what?

40:32Oh, nothing that unusual, nothing that a lot of teenage boys don't get up to.

40:36Smoking, drinking, hanging out with the wrong sort.

40:39Drugs and, um, well, there was an incident with a stolen car.

40:46Police were involved.

40:48Thankfully, it was a bit of a wake-up call.

40:51He was cautioned.

40:52Nothing went on his permanent record, thank goodness.

40:54And after that, about one or two blips.

40:57He got his head down.

40:59He got his A-levels.

41:00He got into university.

41:01I just think he did it out of boredom.

41:03It was just the worry at the time that he had the incident.

41:08That he had the instinct to do those things.

41:13How do you feel about him trying to find his birth mother?

41:15You know, you're the first person to ask me that.

41:20You're not going to eat something?

41:22Do you know why he wants to find a life?

41:28Why now?

41:29Not really.

41:30So how do you feel about it?

41:32I worry that...

41:34I worry about what he wants.

41:36And what he expects.

41:38And how it's going to affect him if his mum isn't what he expects.

41:41I mean, he used to have a terrible temper on him.

41:43And he can still be a bit that way now.

41:45And I always thought that that was something to do with him being adopted.

41:48And I suppose, from my own point of view,

41:51if he did suddenly have another mum as well as me,

41:56well, I could feel even more redundant in his life than I do already.

42:00If I was being small-minded.

42:03Which I can be.

42:10You alright?

42:12Kitty?

42:13I'm going to tell you something.

42:22You're not going to believe.

42:23Well, I'm not going to tell you.

42:25Because you won't believe me.

42:26I didn't believe it myself.

42:29I'm just going to show you this.

42:43It came about a month ago and I...

42:56I didn't reply for a whole load of reasons.

42:58I didn't not reply as such.

42:59I just never found the right time to reply.

43:02And then...

43:03Last night when you said about Tom being a doctor

43:05and Cam asked about his birthday,

43:06I mean, it's...

43:08It's the same day.

43:11It's exactly the same day.

43:13And the right age.

43:14Same sex.

43:15Two days home.

43:16Same hospital you picked him up from.

43:18I mean, it's not definite.

43:20There could have been other babies that day

43:22that went up for adoption,

43:23but I doubt it not from the same hospital.

43:29The thing is...

43:33He looks like me.

43:36And I did think about just...

43:39disappearing today and...

43:40and not saying anything,

43:42but...

43:43you've been so kind to me,

43:44I could not tell you.

43:45And then I thought,

43:46well, maybe it's fate that we met,

43:48like we did.

43:49And...

43:53What are you thinking, Beth?

43:55Look, I didn't invent this.

43:56I'm just telling it to you.

43:57I'm just telling it to you.

44:08How old were you?

44:09How old were you?

44:2012.

44:23And I got pregnant.

44:25And 13.

44:27Went at him if it's...

44:28It's...

44:33What happened?

44:39I can't.

44:44I don't...

44:45I can't.

44:47I can't.

44:48Did someone hurt you?

44:49The boy that got away...

45:12Is...

45:13that him?

45:15Tom?

45:17Yeah.

45:27Of all the gin joints in all the towns in the world...

45:32I wonder what made me walk into yours.

45:37I don't know.

45:41You don't just look like him.

45:44You've got some of his mannerisms.

45:48Like what?

45:50Just the way you smile.

45:53Your eyes.

45:57The way your whole face lights up when you smile.

46:05That's him.

46:06There...

46:07There was something else.

46:10What?

46:16So...

46:18There was a letter...

46:20On the piano.

46:21And it wasn't sealed.

46:22And I shouldn't have...

46:24I don't know why I did.

46:25I was probably just bored, but I...

46:28I read it.

46:31A letter to Tom.

46:32A letter written by you to Tom.

46:34And I...

46:35I'm so glad...

46:36You have moved that rope up the hand.

46:37And I don't know where you've put it.

46:38But you...

46:39You shouldn't.

46:41You shouldn't think about doing something like that, Beth.

46:43Because you are too good for that.

46:50I shouldn't have read the letter.

46:51I'm sorry.

46:52I am sorry.

46:54I honestly don't know why I did.

46:56I did.

47:03Are you alright?

47:06Yes.

47:07I...

47:08I think...

47:09I think so.

47:10Yes.

47:14Are we alright?

47:17Yes.

47:20Are we?

47:26No.

47:29No.

47:30No.

47:40No.

47:42You hurt me, I think I don't.

47:44I hurt yourself.

47:46Were you?

47:50I was standing there.

47:56I'm ready to go.

47:59And Jess phoned and said you want to be in a rock band.

48:04So...

48:07Maybe you should go see a doctor too.

48:17Oh, Kitty.

48:27Sorry.

48:31Don't be sorry.

48:57Oh!

49:04Just give me some of our friends.

49:05Sure.

49:26Do you want to lick my arse?

49:32Do what?

49:33Lick my arse.

49:35Do what?

49:36Lick my arse.

49:37Do what?

49:38Do you want to lick my arse?

49:44Do what?

49:45Lick my arse.

49:47I'm really sorry but it's...

49:48It's not my thing.

49:49Is it?

49:50Yeah.

49:51Sorry.

49:52I'm sorry.

49:53I've...

49:54I'm really sorry, but it's not my thing.

50:03Is it?

50:03Yeah, sorry. I'm sorry.

50:06I thought we were doing, you know, straight, straight, straight.

50:12Wait, have I embarrassed her?

50:14No, no.

50:15I have, haven't I?

50:16Oh, no, no, I'm embarrassed as well.

50:18Oh, don't be. Honestly, it's fine.

50:20I'll, I'll see myself out.

50:23Right.

50:25Um, you've got a very nice bottom, but it's just not my thing.

50:33Thank you for the...

50:37Bye. Thanks. Sorry. See you around.

50:40No, probably not.

50:42But, uh...

50:44Could I just ask why you thought I would be in to...

50:52Was it something I exuded, or...?

50:57Uh, no, I just thought it was one of your texts.

51:00It just kind of implied that, you know, you were into that, so...

51:07No.

51:10No. Okay. Well, that is, uh, very good to know, so...

51:14Bye. Bye.

51:21Bye.

51:27Oh, my God.

51:28You know, who puts gravel on a fucking hill?

51:34You can lick my gravelly arse.

51:35I'll probably say a lot.

51:36I'll take my gravelly arse.

51:37I'll get it.

51:38And, uh...

51:39I'll take my gravelly arse.

51:43...

51:44Oh, my God.

51:45I'll take my gravelly arse.

51:46You're so sicker, too.

51:47I'll take my gravelly arse.

51:48You hurt you, man.

51:49I have my sentence now at last I know just how you felt

52:19I dig my fingers in expecting more than just the skin

52:28Cause we're loaded like in fever like a motorbike

52:33A sailor and a nightingale dancing in convertibles

52:38And you can hold me like he held her

52:42And I will fuck you like nothing matters

52:47Do you want to get off on your break, love?

52:50After you serve this fella?

52:52Yeah, I can do. Look, sir.

52:54Evening.

52:58Can I, er...

52:59Yeah.

53:00Do you want to go and make yourself a cup of tea, love?

53:02Well, go for it.

53:04I think an apology mightn't go on, miss.

53:07Me apologise?

53:09Well, if that's what you think, me and you have reached the end of the road.

53:12I love what you having, sweetheart.

53:14Usual.

53:15Good on you.

53:16Here we go.

53:18Right.

53:19Pint for you.

53:21Hi.

53:22This is Tom.

53:23Please leave a message.

53:24Hi.

53:25This is Tom.

53:26Please leave a message.

53:27Hi.

53:28This is Tom.

53:29Please leave a message.

53:30And I'll fuck you like nothing matters

53:35And you can hold me like he held her

53:39Hi.

53:40This is Tom.

53:41Please leave a message.

53:42And I'll fuck you like nothing matters

53:44Even when the court comes crashing through

53:46I'm putting all my bets on you

53:48I hope they never understand us

53:54What I'm thinking is you don't have to tell him now

53:56You could tell him after, later, after he's gone, after today, or...

53:59I can't believe he didn't phone me back.

54:01Well, except I can, because he never does.

54:03Because if it's me, it's not important, by definition.

54:06Did you hear what I said, though?

54:09Why don't we play it by ear?

54:11Shit.

54:12Oh, fuck.

54:13I should zip out of the door.

54:14Don't.

54:15I'm frightened.

54:16Don't be.

54:21Hello.

54:22Hello.

54:23Hello.

54:24Oh.

54:25Oh, hiya.

54:26I haven't seen you for ages.

54:27Oh, fine.

54:28No, well...

54:29It's so nice, wasn't it?

54:30So sorry we're late.

54:31Oh, Tom.

54:32Yeah.

54:33My mum rang and his dad rang.

54:35The next door came round about the fence.

54:36Again.

54:37Oh, and we have to be back by 4.30.

54:39My friend's coming round to measure me up.

54:41She's getting married.

54:42Don't do it.

54:43Ha-ha.

54:44Maid of honour.

54:45Nightmare.

54:46What was dad ringing you about?

54:47We might be going on holiday with him.

54:49And this new woman he's started seeing, what is she called?

54:52Bonnie.

54:53Bonnie, yeah.

54:54Where's she come from?

54:55What did she do?

54:56Where's he found her?

54:57I don't know.

54:58I didn't ask, but...

54:59Yeah, he's asked her on this holiday that we only agreed to go on,

55:01because we thought he was going to be lovely, so...

55:03Bonnie.

55:05Isn't that like a dog's name?

55:11This is Kitty.

55:12I've invited her to stay and have lunch with us.

55:15Hi.

55:16Hi.

55:17Hello.

55:20How do you two know each other?

55:22Did you not get my message?

55:23No.

55:24I left a voice message.

55:25Did you?

55:26Several.

55:27And two texts.

55:28Oh.

55:29Asking you to phone me back.

55:30Saying it was important.

55:31Oh, sorry.

55:32Are you seriously telling me you don't look at your texts and your messages?

55:36He's useless.

55:37You answer the phone when your dad rings.

55:39Well, we were in when he rang.

55:41We weren't in last night.

55:42Oh.

55:43We were...

55:44out.

55:45Hmm.

55:46You can tell me now if it's so important.

55:49Yeah.

55:50I'm going to.

55:52Do you want to sit down?

55:54Sure.

55:58Right.

55:59So.

56:00Help yourselves.

56:06So.

56:07Kitty is...

56:08Oh.

56:09Sorry.

56:10I spoke to Uncle Nick last week.

56:12He wanted me to talk to you about Granny's care home.

56:14Yeah, but he just wanted me to make...

56:15Yeah, I know what he wants.

56:16Trying to get you on side.

56:17To keep pushing it.

56:18Well, he's gone even further down in my estimation than before.

56:19If such a thing was possible.

56:20So, no.

56:21I have been through this with him several times.

56:22We really don't need to talk about it.

56:23You're paying for things that she doesn't need.

56:24I'm not.

56:25But apparently there's a bar.

56:26And a library.

56:27And a swimming pool.

56:28And a bowling green.

56:29So, to me, they are...

56:30It's a retirement village.

56:31Catering for people of all different stages.

56:32You're paying for things that she doesn't need.

56:34I'm not.

56:35Apparently there's a bar.

56:36And a library.

56:37And a swimming pool.

56:38And a bowling green.

56:39And a bowling green.

56:40So, to me, they are...

56:41It's a retirement village.

56:42Catering for people of all different stages of their declining years.

56:45Now, she doesn't need a bar.

56:47And a library.

56:48And a swimming pool.

56:49And a bowling green.

56:50But she does need 24-hour dementia care.

56:52The point is, she could get the same level of specific care that she needs elsewhere.

56:56Yeah, like those things.

56:57You pay for what you get.

56:58And this is her money.

56:59Money that she's been so careful with all her life.

57:02So, I'm not going to dump her in the cheapest place I can possibly find.

57:05So that he can line his pockets when she dies.

57:08End of.

57:09Okay.

57:10That's what I'm saying.

57:12I'm not cross with you.

57:13But I'm going to phone him later.

57:15And tell him what a rancid pile of shit he is.

57:19Fair enough.

57:25So, you going to tell us what this important thing is then?

57:30Yes, hi Anne.

57:31So, um, Kitty, Kitty and I, we, um, we've got some news for you.

57:40And it's come as much of a surprise to us as to anyone.

57:43Um, and it's important that you know that we've talked about it.

57:47A lot.

57:49And that we're both actually very comfortable with it.

57:53And with each other, weirdly, in fact.

57:56And it's important, Tom, that you understand.

58:01That we met by a complete fluke.

58:04Honestly.

58:05Beth, Beth, Beth, Beth.

58:09We've always thought you were a bit gay.

58:12Well, that's very sweet, Fern.

58:15But I'm not gay.

58:17Kitty, I'm your birth mother.

58:19And the sky was all violent.

58:25I want to get more violent, more violent.

58:31And I'm the one with no soul.

58:36Whatever I want to live.

58:40My hands are all violent.

58:41My last day, yeah.

58:42Mine is forever.

58:43My last day, yeah, mine is forever.

58:53Mine is forever, yeah.

58:55Mine is forever.

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