- 2 days ago
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00:01You?
00:04You?
00:30You?
01:00Stay back.
01:17Stay back.
01:22Stay back.
01:26Please, please, I beg you, leave me.
01:28Leave me.
01:30Leave me alone.
01:32Leave me alone.
02:00Oh, Frank, please, can you turn it down?
02:02I can't hear myself think.
02:03This is research for our next client.
02:14Her father is a very famous film director.
02:17Reynard Lennox.
02:19Well, surely even you've heard of the death bill.
02:22Ah, is it a rom-com?
02:24Well, it's a horror.
02:25Well, then, no.
02:27Reynard Lennox, famous film director, and nobody told me.
02:30Well, I don't get too excited.
02:31He's retired.
02:32Bit like you.
02:33I think you'll find I'm resting.
02:36Oh, is that what you call it?
02:38Excuse me.
02:39Sorry, the door was open.
02:40Oh, there's Lennox.
02:41Oh, no.
02:42Regan Curnow.
02:43I'm here about the receptionist job.
02:44Oh.
02:45Oh, lovely.
02:46Oh, great.
02:47Well, come in.
02:48I mean, you have.
02:49Finally.
02:50Oh, no, no, no.
02:51I'm sorry.
02:52It is.
02:53We've had two no-shows already, so it's really lovely to meet you.
02:55I'm Luella Shakespeare.
02:56And I'm Frank Hathaway.
02:58I'm the senior partner.
03:00Oh.
03:01It's debatable.
03:02And this is Sebastian, our investigative assistant.
03:05Executive investigative assistant.
03:07Hi.
03:08Well, sorry I'm so late.
03:10I missed three buses.
03:11Well, drove straight past me.
03:12They were full of people in horror costumes.
03:14Some big convention in town, apparently.
03:16Well, don't worry.
03:17You're here now, aren't you?
03:18Do you want to have a seat, have a tea or a coffee?
03:20Oh, could I get a coffee, please, milk with no sugar?
03:22Yes.
03:23Oh, thank you.
03:24And I hope it's not really cringe, but I bought these.
03:27I do a bit of baking in my spare times.
03:29How lovely.
03:32Bait the hook well.
03:33This fish will bite.
03:34Yeah.
03:35Do you want to go and put them on a plate, and maybe we'll, maybe we'll eat them.
03:45The interview.
03:46Should we do the interview?
03:47Yes.
03:48Great.
03:51Oh, me.
03:53So, Miss Colonel, what first attracted you to working at a detective agency?
03:59I found what you do so fascinating.
04:01It must be so exciting.
04:02You know, catching criminals and finding missing people.
04:05You must be so clever.
04:07I have my moments.
04:09I have more.
04:10The thing is, your role would actually be more admin-based.
04:14I know that.
04:15I mean, I've got lots of office experience, and I'm very computer literate.
04:18That's great.
04:19That is great.
04:22Do you bake much?
04:23Hmm?
04:24Is that a requirement?
04:25Absolutely.
04:26Yeah.
04:27I mean, it actually might be, you know, if we were going undercover as chefs.
04:31Yes.
04:32Or, like in a bakery.
04:33Or bellagerie.
04:34Okay.
04:35Imogen and Annotes to see you both.
04:36Oh!
04:37Okay.
04:39Quick, quick.
04:40Frank.
04:41Hey.
04:42Hey.
04:43Hey.
04:44Shh.
04:45Shh.
04:49I know it sounds extraordinary, but I'm convinced someone's literally trying to scare him to death.
04:53Wow.
04:54And do all these visions have, like, references to his films?
04:57Yes.
04:58And there were no other witnesses apart from Reynard?
05:01Yes.
05:02But it's not dementia.
05:04He's sharp as a pin.
05:06And when did he have his first, erm, encounter?
05:10About three weeks ago.
05:11Could it be someone with a grudge?
05:13Well, there'd be no shortage of candidates.
05:15The father made a lot of enemies back in the day.
05:18He had a reputation for bullying actors.
05:22Crew.
05:23Er, Parsha Frost.
05:25Oh, she's on at the RSC now.
05:27It's his ex-wife.
05:28She wrote a memoir, er, wasn't very nice.
05:31You read a book?
05:33No, it was in the tabloids.
05:35She made her name in Reynard's non-sploitation movies back in the 80s.
05:40I read it.
05:41She was traumatised by working with him, especially on that last film they did together.
05:44Oh, the death veil.
05:46Apparently the horror scenes were highly disturbing to film.
05:51But you know what actors are like.
05:53She was probably just being dramatic.
05:55Well, I'm sure he was no angel, but other directors have been accused of far worse.
06:00Sorry, is Portia your step-mum?
06:02Never even met her.
06:03She was father's second wife and my mother was number three.
06:06So why do you think this has all started now after all these years?
06:09I wonder if it's because of the convention.
06:12Father's coming out of retirement for a retrospective of his work starting today.
06:16Yeah, I know.
06:17Sold out.
06:18Well, anyway, listen, we can put some spy cameras up at your house.
06:23Yeah, and where do you think your dad will be right now?
06:25Because we need to speak to him.
06:26He's at the convention.
06:27Would you like to meet him there or back at your house?
06:29Oh, at the convention, definitely.
06:30Yeah, the convention, because it's for research purposes, obviously.
06:35OK.
06:36Well, I'll see you there.
06:37OK.
06:39Oh, thank you.
06:40Take care.
06:42Thanks.
06:43Did you see that?
06:44For research purposes.
06:49What?
06:50You are such a geek.
06:52Hey, I am not a geek.
06:57Reynard Lennox's movies are cult classics.
07:00Oh, hey, Regan.
07:02Sorry.
07:03We're just about to dash out, but...
07:05We'd like to offer you a week's trial.
07:07Yes.
07:08Under my expert tutelate.
07:09How does that sound?
07:10That'd be amazing.
07:12Great.
07:13Lesson one.
07:14Telephonic diction.
07:15Have you ever been to a horror convention?
07:18Er, let me think.
07:19No.
07:20Why would I?
07:21Oh, you're gonna love it.
07:22Mwahaha!
07:23Ow!
07:24Ow!
07:25Ow!
07:26Ooh!
07:27Ooh!
07:28Ooh!
07:29Ooh!
07:30What was that?
07:31It's...
07:32It's...
07:33Meh.
07:43I've always said that horror is in the blood.
07:56Even my ancestral home was the site of one of the bloodiest battles in the English Civil War. Coincidence?
08:13Well, let you be the judge of that.
08:14Ha, ha, ha.
08:15Ha, ha.
08:16Ha, ha.
08:17Ha, ha.
08:18Ha, ha.
08:19Golewood.
08:20Where the death veil was filmed, of course.
08:21As it might be again soon.
08:22Oh, did I say that?
08:23No, I...
08:24I couldn't possibly comment.
08:25Although...
08:26If you're all still here on the final day, you may very well hear a very interesting piece
08:42of news.
08:43But as I was saying, it's in the blood.
08:47Even neurobiologists believe that psychopathy can be hereditary.
08:53Passed down from father to son.
08:57That's why I had a daughter.
09:02I strangled the boys.
09:06I'm not joking.
09:07It's a bit dark, isn't it?
09:09Yes.
09:10Well, unfortunately, we have run over our allotted time.
09:15For now.
09:16But Reynard will return tomorrow for the screening.
09:22And prior to that, we have an exciting monster-making demo from James Colvey.
09:30James, would you care to give us a preview?
09:37Thank you, man, dear.
09:39First, I'd like to say what a massive honour it is to be on the same stage as Reynard Lennox.
09:44And what can you tell us about the demo?
09:48Well, we will be looking at the evolution of effects all the way from back in the 80s
09:53to what we can achieve now in just a fraction of the time.
09:56And that's tomorrow at 12pm.
09:59Perhaps we can even entice Reynard to join.
10:03In the meantime, our thanks to the master.
10:12My pleasure, my pleasure.
10:19Long time?
10:21Yes.
10:22Not long enough.
10:24Still using my name to peddle your other lesser-known artists, I see.
10:30This whole event is about you.
10:32My God, you haven't changed at all, have you?
10:34And I won't be appearing on any panels with him.
10:36Father?
10:37The feeling is mutual.
10:38What's going on?
10:39Yeah.
10:40These are the people we discussed.
10:43Mr. Hathaway and Miss Shakespeare.
10:45I need a drink.
10:49Shall we go?
10:51It's a great pleasure to meet you.
10:52I'm a massive fan.
10:53No, he really is.
10:54He's not exaggerating.
10:55I love all your films.
10:57No, she'll wear.
10:58I love all your films.
10:59No, she'll wear.
11:00MUSIC CONTINUES
11:29MUSIC CONTINUES
11:59MUSIC CONTINUES
12:29when you saw the groceries didn't make a penny from that godforsaken movie it's a classic well
12:37well he's the bigger ticket whatever anyway I'm at the RSC now so I don't need these
12:47tawdry pantomimes anymore Portia wait perhaps we can work something out please this is what
12:57it was like every day on set ignore them this event is about you not them here here
13:03can I go now please um okay uh well so shall we see you at the house yeah
13:12we uh need to get sebastian to look into mandia
13:19Portia's a diva isn't she isn't she just I should be more like that no please don't
13:29nice and evenly okay um so Frank was in the police before setting up the agency right
13:38detective inspector was liver cop as well a hairdresser that's random they make a
13:45surprisingly effective team yeah just watch your lines of symmetry never a dull moment
13:50oh there's Lou her ears must be burning look into mandia chowdhury convention organizer this
13:58brings us very neatly to our next lesson background checks okay we'll let biscuit arranging bed in
14:05what are they like as bosses though they are fair and they reward hard work as I'm sure you will
14:13soon discover Frank's funny hmm don't be fooled he's a lot sharper than he looks
14:19Oh God see must cost you a fortune to run the play oh most of the rooms are empty I live here alone oh so you don't live here I did offer to move in temporarily I don't need babysitting I haven't lived at
14:43I haven't lived at goreward since I was a toddler packed off to boarding school and after that film school
14:48she's a decent filmmaker in her own right must be all that reflected glory and she teaches oh
14:57oh my magnum opus filmed here save us a pretty penny but if you'll excuse me I have a speech to prepare for the screening tomorrow Mr Hathaway you should be resting father
15:13hmm I better make tracks myself is there anything else you need I know just the list
15:21yeah and um thank you we both feel so much better having you around oh well we'll be in touch yeah
15:29won't we Frank
15:31lovely thanks
15:33ah
15:35there we go
15:37come on give us a hand
15:43come on pull
15:45oh well I am pulling
15:47oh
15:49have you finished hitting those cameras yet no just the last one to go okay well hurry up because this place gives me the creeps
15:57oh
15:59oh you scared easy
16:01stop it
16:03oh
16:05oh
16:07oh
16:09oh
16:11oh
16:13oh
16:15oh
16:17oh
16:19oh
16:20oh
16:21oh
16:22oh
16:23oh
16:24oh
16:25oh
16:26oh
16:28ah
16:30oh
16:34oh
16:35did you see your face?
16:36I nearly had a heart attack
16:37actually can we get out of here then
16:40I've had enough of this haunting animation for one day
16:43Oh, how's it going?
16:58Oh, we're working hard, but she's a quick learner.
17:01She's very bright.
17:03Regan, want to talk us through that background check you did on Mandir?
17:08Come in.
17:08Thanks.
17:12No, no, no.
17:13You do the honours.
17:14Okay, well, he's like the invisible man.
17:17No socials.
17:19But according to interviews with Portia,
17:21he was Raynard's scriptwriter and creative consultant.
17:23But when you go through the actual credits, it's like he's been erased.
17:27Plenty of reason for bad blood, then.
17:29So I joined a horror fan community,
17:32and they pointed me towards this interview that Mandir gave
17:34with a fanzine called Gorelore.
17:36He absolutely trashes Raynard.
17:38He claims that he stole his work, bullied him.
17:41And then recently, Raynard asked him to catalogue an archive of props from the films.
17:45They've become a goldmine, apparently.
17:47Highly collectible.
17:48Well, Raynard accused him of not returning some of them,
17:51so Mandir was livid.
17:52Really?
17:53Enough to want revenge?
17:55I'll try to find out more tomorrow.
17:57I was thinking I could go to the convention.
18:00It's a great idea, yeah.
18:06Well done.
18:08We'll make a detective of you yet.
18:09And now on to the first in our horror double bell,
18:30Raynard Lennox's acclaimed The Death Veil.
18:33The Death Veil.
19:03The Death Veil.
19:33I'm so sorry.
19:35Is there anything we can do?
19:37Just catch whoever did this.
19:38Well, that's down to the police now.
19:41But you've had a head start.
19:43I want every angle covered.
19:44Just do whatever you can to help them, okay?
19:47Of course.
19:47Of course.
19:49Was it you that found him?
19:51He was a groundsman.
19:52He spotted a break in first thing.
19:53I drove here.
19:55He was in bed.
19:57Stabbed through the heart.
19:58I have to call you back.
20:03What are you two doing here?
20:04This is a crime scene.
20:05You need to get back.
20:06He's our client.
20:07We've got every right to be here.
20:10That's a Baselard dagger.
20:12Like the one in The Death Veil.
20:13I don't believe this.
20:16But what are you waiting for?
20:17Preserve the scene.
20:21No press.
20:22No cameras.
20:23Back.
20:25Cameras.
20:26The spy cameras.
20:27We need to check the footage.
20:28I'll get Sebastian to start downloading it.
20:36Shakespeare and Hathaway private investigators.
20:39Hiya, Regan.
20:40It's Frank.
20:40Is Seb there?
20:41No, he's just nipped out to get some fangs.
20:44As you do.
20:45Well, you told me about Raynard.
20:47Poor guy.
20:48Yeah, that's why I'm calling.
20:49I've got a very important job for you.
20:58Yeah, I cannot wait to see Keela's face high
21:09when we stop this crime.
21:10I ain't going ballistic.
21:12Come on, Colonel.
21:13What have you got for us?
21:14I'm sorry.
21:14I don't know what happened.
21:16One minute it was downloading
21:17and then the computer crashed.
21:18I logged back onto the website
21:20but the footage wasn't there anymore.
21:21It's not in the cloud.
21:22We need that evidence.
21:23A man's dead.
21:24Right, Frank.
21:25Calm down.
21:26I'm sorry.
21:26I did exactly what you said.
21:27Don't worry.
21:29Honestly, Spyder will fix it.
21:31Frank?
21:31Frank?
21:34Do you want me to go?
21:35No.
21:36I'm not going to get the job now, am I?
21:43Come in.
21:52That was a nice nap
21:54but now
21:55I feel a little peckish.
21:58Fancy a quick bite?
22:03That's so good.
22:05Excuse me.
22:09Did I miss something?
22:10It's just Frank being Frank.
22:12You look amazing.
22:16Should you be out in the daylight?
22:18Oh, and we're in fact a 50.
22:19Oh.
22:28Are you OK?
22:34It's not your fault, you know.
22:35That laptop was ancient.
22:37If anyone can recover the footage,
22:38it's Spider.
22:40Who is this Spider-Man?
22:41Because if it's Tom Holland,
22:43I really want to meet him.
22:45Yeah, me too.
22:47No, he's not quite.
22:49He's our tech whiz.
22:50Lives on the web, hence the name.
22:52I hope he's as good as you say
22:54because I really like working here
22:56and now Frank hates me.
22:58No, he doesn't.
22:59He just flies off the handles sometimes.
23:03Yeah, we had a huge blowout, actually,
23:05a couple of years ago.
23:07Ended the partnership over it.
23:09Why?
23:09What happened?
23:10He, um...
23:14He lost some really expensive tech equipment
23:16and then he blames this...
23:19Someone who really didn't deserve it.
23:23And then it turned out he had it all along, so...
23:25Really?
23:26Yeah.
23:28Everyone can make mistakes,
23:29even Frank, who thinks he's perfect.
23:31I think I speak for all my fellow podcasters
23:50when I express my sincere condolences.
23:54He was a controversial figure, though, wasn't he?
23:57I mean, I read your Gawlor interview.
23:59Why couldn't he have just given you
24:01the credit you deserved?
24:03Because things were different then.
24:07I never even had a contract.
24:09But he was your friend.
24:11Wasn't he?
24:12So I thought.
24:14I idolised him.
24:16Assumed he'd look after me.
24:18He gets all the acclaim, all the money.
24:21But still, you went back and worked for him again.
24:25Why?
24:26I thought he was trying to rebuild the relationship.
24:30And then he goes and accuses you of stealing.
24:33A blow upon a bruise.
24:35Yes, you had a row yesterday, didn't you?
24:38After the panel.
24:39Yes.
24:40He's remaking the film without even consulting me.
24:44Well, no wonder you were furious.
24:46It's like history repeating.
24:48How do you know we'd had an argument?
24:53Oh, this isn't about any fun podcasts.
24:57You're a journalist.
24:59No, actually.
24:59I think you can make a fool out of me.
25:01Get out!
25:03Before I be thrown out!
25:04Ah, the Wanderer returns.
25:21Did you find Spider?
25:22Yeah, he's working on it.
25:23What?
25:28Listen, it wasn't your fault, Regan.
25:31I'm sorry.
25:33Any messages?
25:34We've got the email from Imogen.
25:36Obviously of Raynard's potential enemies.
25:39What about that fella?
25:41The one that Raynard was rude to on stage?
25:43James.
25:44Colby.
25:44James Colby.
25:45He's not in there.
25:45He's not, no.
25:47Do you want to look into him, see what you can find out?
25:49I think he's going to be at the convention.
25:51Thanks.
26:06No doubt.
26:07No voucher.
26:08No selfie.
26:10Capish?
26:10Capish.
26:13Oh.
26:15Suits you.
26:17I'm a huge fan.
26:20Especially of your earlier work.
26:24Raynard's death is such a great blow.
26:28How are you holding up?
26:30Words can't adequately express how I feel.
26:35I think you're a trooper, if I may say so, for even showing up today.
26:40Oh, well.
26:41Being with the general public brings me so much joy.
26:45I can tell.
26:47I wore this as a small personal tribute to him.
26:52Well, wherever he is now, I'm sure he'll be really thrilled.
26:59Next.
27:00Oh, no, sorry.
27:01Oh, wait.
27:02I have a horror podcast and I was wondering whether you might be available to me.
27:06I have a rate card for interviews.
27:11I don't think you could afford me.
27:14No, of course.
27:15It's only that this would be just for the fans.
27:18Those of us who have stood by you through all the years, the ups and the downs.
27:23Well, goodness knows there have been quite a lot of those.
27:29It would only take a minute.
27:32Oh, I'm sorry, darling.
27:34Not now.
27:35Oh, my God.
28:05Well, well, well.
28:14Hello?
28:15Yes.
28:16Oh, where are you?
28:19Look out.
28:22I will swoop down to you.
28:31That was quick.
28:32He flew.
28:33You, uh, bitten anyone nice lately?
28:37No, but I have caught a cougar.
28:41What spy camp has.
28:43That's James Colvey.
28:45It looked like they were having a lover's kiss.
28:47Really?
28:49Well, Regan found out that he served 18 months for theft.
28:53Where is he now?
28:54Could be anywhere.
28:55Let's split up and find him.
29:00Oh, found him.
29:03Oh.
29:04Well done.
29:05Er, Mr. Colby.
29:11Workshop starts at 12.
29:13Yeah, we know.
29:14We're, um, we're actually private investigators.
29:16We wondered if we could talk to you about the murder of Raynard Lennox.
29:20Really?
29:20I don't think I could be of much help.
29:24Er, is there anything you could tell us about your relationship with Raynard?
29:28I didn't have one.
29:29But your girlfriend did, didn't she?
29:32Portia Frost?
29:34What?
29:35Is that why he was having a go at you yesterday, hey?
29:38Did he find out?
29:39Mm?
29:39Mm?
29:40Portia's my mother.
29:41I only said it looked like they were together.
29:48Oh, sorry.
29:50So, does that mean Raynard's your dad?
29:53He's my ex-stepfather.
29:55Haven't seen him for decades until yesterday.
29:59Look, I was sorry to hear what happened, but we've never got on.
30:04Yeah, he also treated my mother very badly.
30:06Um, I read her memoir, and she never mentions a son.
30:12Thanks for reminding me.
30:16Sorry.
30:18Let's just say having an illegitimate child wasn't good for her image back then.
30:22It must have been very difficult for you.
30:26It's also not common knowledge, so I prefer to keep it that way.
30:32Look, I know Portia can be difficult.
30:35But she is my mother.
30:36And I love her.
30:41Now, if you don't mind.
30:57Well, that was unexpected.
30:59Yeah.
31:01Do you think Mandy and you, maybe that's why I got James up on stage,
31:04just to stir things up.
31:05There's only one way to find out.
31:07Plus, we need to ask him about that dagger,
31:09and if he's been stealing props.
31:11I tread carefully.
31:12Mandy has definite anger management issues.
31:15Really?
31:15Oh.
31:18Oh.
31:19Spider.
31:20Wait.
31:20Spider.
31:21No.
31:22Hello?
31:22Please tell me it's good news.
31:25You've got to be kidding me.
31:50Joe, I told you to back off.
31:52No, wait, please.
31:53You need to see this.
31:57Surveillance footage of Galwood House last night.
31:59That's Portia Frost.
32:08Scramble the team.
32:09Meet me at the RSC.
32:10No, she's not there.
32:11She's at the Horror Upon Even convention.
32:14Send me that footage.
32:15Thanks, guys.
32:18No, pleasure.
32:19Anytime.
32:20No, really, I couldn't do it without you.
32:24The actress Portia Frost has been arrested on suspicion of the murder of her former husband,
32:28the film director, Raynard Lennox.
32:30I'm innocent.
32:31See, she's made the news.
32:33Look at these earrings.
32:34Love them.
32:35I'll prove it.
32:35I'll sue the lot of you.
32:36Oh.
32:36He was arrested.
32:37Still looks great.
32:38Hardly her most convincing performance.
32:40Lyric Keeler.
32:40I'd have taken that down.
32:42Lyric Keeler's like a blood of wood.
32:43Keeler looks chuffed.
32:44Keeler's famous.
32:45Confirming the actress has now been formally charged.
32:48Fortunately, I was able to find new evidence, which led to the arrest.
32:54Um, Portia Frost will be remanded in custody pending a court hearing.
32:58Um, my thoughts and prayers are with the Lennox family.
33:02And, um, that's all for now.
33:04Yeah.
33:05Okay.
33:06Don't thank us for your new evidence, will you?
33:09Poor Imogen, though.
33:10Must be hard, isn't it?
33:11All over the media.
33:13I hope she's okay.
33:14They're holding a memorial for Raynard at the convention this afternoon.
33:17It was on their socials, but Imogen's saying a few words, apparently.
33:21We should go, shouldn't we?
33:22We could have lunch on the way, hmm?
33:26Frank?
33:28Do you hear that?
33:28Memorial?
33:29You all right?
33:30Sorry, you're just...
33:32Something doesn't feel right.
33:35Well, you can't argue with your own cameras, can you?
33:38Come on, let's go and get some lunch.
33:39We can celebrate you closing your first case.
33:48So, what's our next case, then?
33:50Um, well, we've got that workplace comp claim.
33:53Ooh.
33:55Your lunch is going to get cold, Frank.
33:57What are you watching?
33:58Uh, surveillance footage.
34:00Still?
34:00I think my eyes were bigger than my belly.
34:04Does anyone else want a bit of quiche?
34:06Oh, no, thank you.
34:09Oh, go on, then.
34:10Cut me a little slice.
34:11Just a little one.
34:13That's it.
34:14Look.
34:15The knife's in the wrong hand.
34:17In the film, Portia has the knife in the left hand.
34:19Probably because she's left-handed.
34:21Yeah.
34:21But in our footage,
34:23the killer has the knife in the right hand.
34:29It's not her.
34:39Thanks.
34:40Oh, I wasn't expecting to see you.
34:43We, uh, never picked up our cameras.
34:45Of course.
34:47Come in.
34:47Ooh.
34:54Having a bit of a sort-out, are we?
34:56Props we lent to the convention.
34:58Anything we don't need for filming can go back in the attic.
35:01Filming?
35:02Yes.
35:03The remake of the death fail that Father mentioned.
35:05It's going ahead.
35:06Oh, I thought you'd already remade that a couple of nights ago.
35:09When you murdered your dad.
35:12What?
35:13Yeah, we met Portia's son, James Colvey.
35:16Hey, you ring any bells?
35:19No.
35:20Ah, well, Raynard told us that you were a filmmaker and a teacher,
35:23and then we found out that you actually taught at the prison.
35:26HMP call us?
35:28That's where you met James.
35:30He did his time there.
35:32Did he?
35:33Do you have any idea how many prisoners I've taught?
35:36Let's see if I can jog your memory.
35:38It's amazing what you can find online.
35:41Ah, yeah, there we go.
35:42Your star pupil.
35:44He was a make-up and prosthetics artist.
35:50I found a plaster cast head and some special effects equipment here the other day.
35:58A latex mask for you to wear, so you could look like Portia.
36:02You used us to capture it on film, like the great director.
36:10You used us to capture it on film, like the great director.
36:10You made a little mistake, didn't you?
36:37Portia's left-handed, whereas you, if I'm not mistaken, are right-handed.
36:45You terrorised your dad.
36:48Just so you could bring us here and then frame Portia.
36:51It was no more than he deserved.
36:54He never loved me.
36:55He couldn't wait to send me off back to boarding school, get back to the two things he loved.
37:01Making films and chasing women.
37:03What's going on?
37:10They know.
37:13But why kill him?
37:15Why now?
37:16Because he betrayed me.
37:18He lied to me.
37:19I looked after him.
37:22When his health was declining, when he was alone.
37:26I'd almost started to forgive.
37:30And then he...
37:32He promised Imogen she could direct his new film.
37:36Then he changed his mind.
37:38He wasn't even going to tell me.
37:41I found an email to the backers.
37:42He was going to announce it on the last day of the convention.
37:44He promised me that film.
37:48And I deserved it.
37:50It was my birthright.
37:54That's when I knew what had to be done.
37:59And you never loved your mother, did you?
38:01She tried to erase me from her life.
38:05I mean nothing to her.
38:10And then when Imogen and I met, it was like the universe
38:13was showing us the way.
38:17Together, we could punish them both.
38:23And get everything.
38:28We've all played our part in this.
38:34Even you.
38:35And now it's such a terrible shame.
38:38But it seems that your time has come too.
38:43Run.
38:45Run.
38:49Let's finish this together.
38:52Coming.
38:53Ready or not.
39:04We should have gone up.
39:08What chance did we have?
39:09I can't find my torch.
39:18OK.
39:30Looked.
39:36What now?
39:37What now?
39:39I've got an idea.
39:40I've got an idea.
39:41I've got an idea.
40:04Please.
40:05You don't have to do this.
40:07We won't tell her.
40:07Please.
40:08Honest.
40:09We'll take these.
40:18Yes.
40:19Thank you very much.
40:25This is all your fault.
40:26Why didn't you tell me your mother was left-handed?
40:28You never asked.
40:29Just joking.
40:31So let me go this straight.
40:33You made a citizen's arrest with a baseball bat and a hammer.
40:37They were trying to kill us.
40:40And now you're telling me it was those two that murdered Lennox?
40:42Yes.
40:43I wouldn't like to be in your facial hair when you have to tell the super you've arrested
40:46the wrong person.
40:47Especially a big celebrity.
40:52Except that was your fault.
40:54Because you two gave me the evidence.
40:55I don't know.
40:59No, I don't think so.
41:00I don't remember you mentioning that on telly.
41:03No.
41:05Pub?
41:06Yeah.
41:07Not you, obviously.
41:08Yeah.
41:17What tripped them up, then?
41:19Ah.
41:20Watch and learn.
41:21Yeah, I scattered them on the floor.
41:26Oh, gross.
41:28Some Cupid kills with arrows, some with traps.
41:31Yes, darlings.
41:33Oh.
41:34Tis I.
41:38Fear not.
41:39The show will go on.
41:41As far as the Arden police go, I shall be suing them for wrongful arrest, defamation of character
41:47and emotional distress.
41:52As for that detective sing...
41:55Keeler.
41:55DS Keeler.
41:57Yeah.
41:57Joe.
41:58Big, duff, tash, tall.
41:59Lives on the Avesham Road.
42:00Keeler?
42:01By the time I finish with him, the only job he'll get is handing out parking tickets.
42:09Champagne for the company.
42:10And it's on me.
42:12What?
42:12I don't think she means us.
42:15Our evidence nearly put her in prison.
42:16Anyway, we've got more important news, haven't we?
42:19Indeed we do.
42:20We would love you to take the job.
42:24That's if Frank hasn't put you off.
42:25Oh, you didn't, and I'd love to accept.
42:28Don't let him boss you around.
42:29Oh, don't worry.
42:30I'll be keeping an eye on him.
42:32Oh, good idea.
42:34No need.
42:36She's been a star pupil.
42:40You're round, Mr. Executive.
42:43Me?
42:43Mm-hmm.
42:45Uneasy lies the head that wears the crown.
42:48Drink up.
42:49Drink up.
42:49Drink up.
42:49Drink up.
42:50Drink up.
42:50Ah!
42:52Gee, has that have been keeping an eye on you?
42:54I told you, never a dull moment.
42:59Say it again.
43:01I'll have the same.
43:02Oh!
43:04You guys.
43:05That's a good one.
43:06That's a good one.
43:08You never know.
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