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BRITCOM I
  • 21 hours ago

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00:00Oh, ma'am.
00:30Come on, get out.
00:36Okay, okay, okay.
00:37Hey!
00:42Wait here.
00:48So, what's your name?
00:55You want my home address too?
00:57No, I just wanted to...
01:00Be my friend.
01:01Make me think of you as a person, a fellow woman, so that if it ever came to it, I'd think
01:06twice.
01:07No.
01:08Not at all.
01:14Name's Sabine.
01:18From?
01:19Africa.
01:20France.
01:21Nowhere.
01:22Sabine!
01:23Come on.
01:24The boss wants to speak with you.
01:27The number you asked aren't attributed or not...
01:33The number you asked will not be attributed or not attributed...
01:44Adel et Caetani, welcome.
02:14You're not Adel et?
02:20No.
02:22You've brought me to my bad sister, imbecile.
02:28Well, I'm not the director of the hotel.
02:31It's just a poor kid.
02:33We won't know the security code, the camera, the room.
02:36We'll stop.
02:38No, we won't stop at all, Sabine.
02:41We'll adapt.
02:43She's the one who wanted the hotel of her father.
02:46It must be the black man of the family.
02:49And it's even better.
02:50It's even better?
02:51Yes.
02:52Super, the plan, guys.
02:55She's with the watch.
03:13Hey, Mom.
03:24Who took her, Bruno?
03:28Who took her?
03:30They will kill me.
03:31Okay.
03:32Okay.
03:49No.
03:50Oh, you're not that guy.
03:55Here's Carmela.
03:57She's called this in honor of my ex-wife.
04:01When she left me, she broke my heart.
04:05Tapered shape.
04:07Comfy handle.
04:09Slices and dices like nobody's business.
04:12Thank you, sir.
04:15Noncia.
04:16Mia ex-moglie numero 2.
04:19Japanese, I believe.
04:21Less knuckle clearance, but the tip pierces concrete.
04:25What are you doing, guys?
04:26Hilda.
04:27Teresca.
04:28Mia ex-moglie numero 3.
04:30Numero 3.
04:31Sexy man.
04:33Sexy liar.
04:34Guys.
04:35Guys, please.
04:36Please.
04:37Hilda truly shines in the heavy-duty tasks.
04:40She strips meat to the bone.
04:44Quick.
04:45Clean.
04:46But Hilda...
04:49Hilda is temperamental.
04:52Very.
04:54She needs frequent sharpening.
04:57All the time.
04:58Again, again, again.
05:00For these occasions,
05:04you usually use a knife with a long blade.
05:08The gunpowder is used to dissociate.
05:10But today, my friend, I chose this.
05:14It's perfect for cutting the filament.
05:17It's precise.
05:21No.
05:22No.
05:24French!
05:25French!
05:26French are Frenchese!
05:27French are Frenchese!
05:28They come down here every summer.
05:29They rob the tourist villas, okay?
05:32Names.
05:35Fuck you.
05:38Names.
05:42Okay.
05:43Okay.
05:44Okay.
05:45Okay.
05:46The boss is Laurent.
05:47Laurent.
05:48Sabine.
05:49Bastien.
05:50Le Brie.
05:51I don't know they're second names.
05:52Don't look at me.
05:53I don't know.
05:54I only know they're staying in a castle.
05:56Castle?
05:57Yeah, castle.
05:58A sort of castle.
05:59All the castles on the Costiera.
06:00Which castle?
06:01What the fuck?
06:02Do you care about the castle?
06:03It's a medieval castle, okay?
06:04I don't know.
06:05They're like squatting.
06:08I don't know what it is.
06:09Why take Alicia?
06:11She was angry with her father.
06:13She said that there were a lot of rich people in his hotel.
06:15She said we could rob them.
06:17She said or you said?
06:18She said.
06:19She said.
06:20Okay.
06:21Maybe it was me.
06:22I don't know.
06:23I don't remember.
06:24I told you.
06:25We were drunk.
06:26She was drunk.
06:27When she woke up, she didn't want to rob her daddy anymore.
06:29And by then it was too late because he'd already promised the Frenchies.
06:33That's why you pulled the gun.
06:36Laurent fucking hates Villa Costiera.
06:38Where is he?
06:39Where is he?
06:40I don't know.
06:41I only talked to Sabine.
06:42I've been more than patient with you Bruno.
06:44But that's the truth.
06:45That's the truth.
06:46Where is Laurent?
06:47I don't know.
06:48Where the fuck is Laurent?
06:49Tell me your shit.
06:50Tell me your fucking ass.
06:52That's enough.
06:54Stop.
06:55Stop.
06:56Get off me.
06:57Let me go.
06:58Get off me.
06:59I'll fucking finish.
07:00Where is Laurent?
07:01Where is Laurent?
07:02Where is he?
07:03Get off.
07:04He's finished.
07:06Get off me.
07:07Get off me.
07:08Get off me.
07:09Get off me.
07:10That went rather well.
07:11Get off me.
07:12Get off me.
07:13Get off me.
07:14Get off me.
07:15Get off me.
07:16Good.
07:17Tracker?
07:18Nice one, Jenny.
07:21Do you think he'll meet him?
07:24No, he delivered to Eiche.
07:27Bruno is not one to miss a payday.
07:29Run, rabbit, run.
07:36You are the best.
07:54The best.
08:06You have found the phone?
08:10No, you haven't tried it yet.
08:12It's spent.
08:13But for the rest of the Romani,
08:15I didn't have the pizza of that chef.
08:17Papa, why did you see my phone?
08:21He's called.
08:22My phone?
08:23No, Alice, I've talked about it.
08:25Alice?
08:26Come have you talked about it?
08:28When?
08:29Stamattina, it's fine.
08:30I'm going home.
08:32You see?
08:34I'm going home.
08:53Magnifique.
08:56Savoir.
08:59Perfection.
09:04Do you like the opera?
09:11No.
09:12You're too young.
09:16Do you play the pétanque?
09:18It's a very underappreciated game.
09:28Can't imagine why.
09:30It's like chess on gravel.
09:32So many tactical considerations.
09:35Amazing.
09:37What do you want?
09:43What do you think I want?
09:44I delivered the girl.
09:45I want my money.
09:46Money, money, money.
09:47I want my twenty plus two thousand.
09:51Call it commission.
09:52Let it go.
09:53Who is it?
09:56Bruno.
09:57Tell him we'll give him whatever he wants.
10:01Oh, is that the beef fromage?
10:04I'll text you where to meet.
10:06No, no, no.
10:07Text him.
10:08He said whenever I want.
10:09Tell him my price just went up.
10:10I want...
10:1230k.
10:13Listen.
10:14No, listen.
10:1530k.
10:16I want my money.
10:17How do you say?
10:18Au revoir, Sabine.
10:22It's all right.
10:24I'll go.
10:27Bruno knows me.
10:28He trusts me.
10:33Yo, what are you waiting for?
10:34Come on.
10:43Doesn't count.
10:44Your foot was outside the circle.
10:46What do you mean, was in?
10:47Le bruit.
10:48Out.
10:54That was a wicked performance back there.
11:01With Bruno.
11:02I almost believed you actually lost your shit.
11:06But then again, I've never seen you actually lose control.
11:11You know McKenzie said you didn't quit the marines.
11:13Said you got kicked out.
11:15What did you do?
11:19Hello?
11:20Did you know Alicia called my father?
11:21She said she's coming home.
11:23Is she?
11:24Things have gotten a little complicated since then.
11:26Daniel.
11:27Die.
11:29You don't have to protect me.
11:32Alicia's in trouble.
11:38When I was a child, my parents used to holiday in Positano.
11:46In a cheap hotel with no sea view.
11:50I was bored.
11:51They were boring.
11:52The world was black and white.
11:57So I would sneak into other hotels for fun.
12:01One day, at Villa Costiera, I saw a crowd.
12:07It was Maria Callas arriving.
12:10Around her neck, a necklace created by true masters of the form.
12:17Are you going to tell me why I'm here?
12:19Saturday night, that very necklace is to be auctioned at your hotel.
12:29And you're going to steal it?
12:31Maria Callas promised it to me with a smile.
12:34I tried to follow her into Villa Costiera, but your father got in the way.
12:44You're not going in there.
12:46Castor.
12:47And your grandfather threw me out of the hotel.
12:49Why don't you scram, you little prick?
12:52Fuck you, old man.
12:53Like I was dirt.
12:55I have nothing to do with the hotel.
12:57You are the black sheep of the family, aren't you?
13:03You must have sneaked into that hotel hundreds of times.
13:08Breaking curfew.
13:10Bringing boys in.
13:11Or girls.
13:12I don't judge.
13:13Point is, you know the security blind spots.
13:17You think I'm going to help you?
13:18I'm going to help you.
13:28Hi.
13:30I think a little encouragement is called for.
13:33From the auction house.
13:49Yes, Mr. Kaitani.
13:51We'd like to run through security for tomorrow night.
13:54That would be my general manager's purview.
13:56My firstborn.
13:58Adelia.
14:03Excuse me, the waiter said he wanted to make a complaint.
14:15May I ask you what the problem is?
14:17I'm lonely.
14:20I'm sorry, you what?
14:24Please, sit.
14:28I'm working.
14:30You don't need a break?
14:32I am the manager, no.
14:33I don't get a break.
14:34So you're the boss.
14:36So sit.
14:38You look like you're carrying the weight of the world.
14:41What harm can it do to sit in the sunshine just for a moment?
14:49You don't take no for an answer, do you?
14:51You.
15:00You know actually I'm working too.
15:02But you'll never guess what I do for a living.
15:07If it's what it looks like, I'd have to kick you out of the hotel.
15:11What do you think I do?
15:14Male escort.
15:15Male escort.
15:16Oh, okay.
15:18I see.
15:20Thanks.
15:21I think that is a compliment.
15:23It's not.
15:25No?
15:29So, what do you do?
15:31Not brain surgery, I'm guessing.
15:38Let's say I'm interested in beautiful things.
15:40I have to go.
15:56Excuse me.
15:59Maybe next time.
16:01If you're lucky.
16:02We're very excited.
16:08She is exciting.
16:10Excuse me.
16:14I have to do.
16:16Do you want to take care of the house?
16:18I'm going.
16:19I'll ask Daniel if you feel like this.
16:22Otherwise, I'll do it.
16:24Of course.
16:27What is it?
16:29I don't know.
16:32Good morning.
16:35The Lammermoor collection.
16:49Who's turning off?
16:51You think Leach might be her?
16:53Shut up.
16:55That's her.
16:57Bat girl in the car.
16:58She's one of them.
16:59No.
17:04Keep going, keep going.
17:10Let's fight a back group.
17:29Here comes the money.
17:43There is no money, you idiots.
17:45You got the wrong sister.
17:46Come, come, come, come.
17:48Fuck.
17:59This is the worst day of my life.
18:03Can I close my eyes?
18:11I'm going to go back now and tell the very obsessive man I work for that you're buried out here.
18:16What?
18:18Get in your car and go.
18:20If he ever finds out that's not true, we're both dead. Understand?
18:25Understand?
18:26Yes, understand.
18:28And for once keep your mouth shut.
18:30Yes. On my grandmother's life.
18:32Any sign of Alice?
18:46No.
18:47What happened?
18:48I'm not sure, honestly.
18:53There.
18:54You're not going to tell me, are you?
18:55Because it's not important.
18:56Drop it, please.
18:57It's not unimportant.
18:58I'm not chasing dog thieves.
19:00And I don't like guns.
19:02Why did you get kicked out?
19:03Why did you get kicked out?
19:04My last posting was in Yemeni, gathering intel on enemy targets.
19:06I befriended a Yemeni shepherd,
19:07no one of them.
19:08I'm not going to tell me, are you?
19:09I'm not going to tell you, are you?
19:10Because it's not important.
19:11Drop it, please.
19:12It's not unimportant.
19:14I'm not chasing dog thieves.
19:16And I don't like guns.
19:18Why did you get kicked out?
19:25My last posting was in Yemeni, gathering intel on enemy targets.
19:30I befriended a Yemeni shepherd, Nabil.
19:34Great guy.
19:36Developed him as a source.
19:37He knew all the al-Qaeda bed-down locations, the hideouts.
19:45He had a beautiful family, a wife, a young son.
19:52Ah, Shukra.
19:54Shukra.
19:57And we promised them that we would get him out of the country safely.
20:00And then Central Command jumped the gun on the intelligence and blew his cover.
20:11Rebels took the whole family.
20:14Nobody fucking told me.
20:15I didn't find out until I was back at base and I lost my shit.
20:19Got into it with a three-star general and then knocked him out.
20:22Fuck.
20:23Yeah.
20:25Dishonorable discharge.
20:26Nineteen years of service down the drain.
20:33Eyes on the road, Counselor.
20:34We'll get her back.
20:39We'll get her back.
20:40No.
20:42Elyce.
20:43You'll get her back.
20:46Yeah.
20:47You're in a hurry.
20:48You're in a hurry.
20:49You're in a hurry.
20:50You're not happy.
20:52I'm not happy with you.
21:03I'm not happy with you.
21:06I'm not happy with you.
21:14I'm not going to put your stupid collier.
21:16I don't have any info about your obsession.
21:18She's not a pro,
21:19but the type Sabine has seen on the beach
21:21and it's not a pro.
21:22You have to let her fall.
21:24You know what?
21:25You should be launching a bank
21:27or in the fashion.
21:28Dad.
21:29Sure.
21:30Sure.
21:31Come on.
21:39You love your sister.
21:43Just do what I ask.
21:44Or what?
21:46Something bad will happen to your sister.
21:50And her blood will be on your hands.
21:54Yes?
21:55Or no?
21:56If this is the main access way to the ballroom, you'll need to install additional cameras.
22:12Until the sale is made, the necklace remains under our own stewardship.
22:15Which means the secure perimeter around the hotel will be sealed.
22:22Locked down.
22:23We wouldn't want your father to get into trouble now, would we?
22:27What's that supposed to mean?
22:28Nothing.
22:29Let me know what you need done.
22:31I have business to attend to.
22:44Enjoy your drink.
22:45Thanks.
22:51Augusto?
22:52Have you heard from Alice?
22:55I have.
22:56She called me.
22:57She told me she was coming home.
23:00That was hours ago.
23:01Since then, nothing.
23:02Daniel?
23:03Daniel?
23:04Papa?
23:05Can I talk a little bit?
23:06No.
23:07I'm not with Daniel.
23:08I have nothing to do with you.
23:09Papa, please.
23:10I have to talk a little bit.
23:11Daniel?
23:13We're the last part.
23:14Alice tells us something to do.
23:15She tells us something to do.
23:16She tells us something to do.
23:17She tells us something to do.
23:18She tells us something to do.
23:19She tells us something to do.
23:20I'm trying to get back.
23:21But I'm going to do something.
23:22What's happened?
23:23Maybe we should call the police.
23:44We should do a lot of things.
23:49Tinkredi?
23:50You got any other good disguises?
23:52Get this freak away from me.
24:08Vas-y.
24:11You're giving orders now.
24:13Laurent said for me to watch her.
24:22You might be the flavor of them, aren't my sherry?
24:25But I've been working with the patron a long time.
24:28And I'll be here long after you go.
24:30I'll be here long after you go.
24:31I'll be here long after you go.
24:32I'll be here long after you go.
24:38...
24:48What the hell?
25:18You said disguise.
25:20As what?
25:21It was his Uncle George's shirt.
25:23Terrible quality.
25:24Zippo, we called him.
25:25Zippo.
25:26Trust me, Daniel.
25:27No one in their right mind would think this was me.
25:30Go on, then.
25:31What are we up against?
25:33What on the wall?
25:35Armed. Handcut.
25:36Girl's here, too.
25:37She's a crack shot with a semi.
25:39We got at least two or three inside.
25:40Got to assume they're all armed.
25:42Oh, fuck.
25:43Only but Luzella.
25:46Does that film still work?
25:47101, yes.
25:48In this case, no.
25:50No.
25:53Let's go fuck them up.
25:56Alright, I'm the only one going inside.
25:59We're not going in with you.
26:00What are we here for?
26:01Can I please have some food?
26:31And water, maybe?
26:33Just a cracker or something.
26:35Please.
26:35What in your name are you playing at?
26:47Get out.
26:47Come on.
26:48Out.
26:51You were on your phone.
26:52I'm sorry.
26:53Are you saying this is my fault?
26:54You're braked sadly.
26:56Because there was a cat.
26:58Do you think I could have run it over, smolded it down, splattered it across the tarmac?
27:03Hmm?
27:03Is that the kind of man you are?
27:05Is that who I'm dealing with here?
27:07Pookie, we're going to be late.
27:09This man is a brute.
27:12Master.
27:13Come on.
27:13Come on.
27:13What the hell are you doing?
27:14Don't stop here.
27:16Move.
27:17Go away.
27:18Oh, how dare you.
27:20Try the dog.
27:21You can't move before we get to the shoreline.
27:23I'll see you through it, fellas.
27:24I'll see you through it, too.
27:56Hey.
28:02Alicia, Alicia, I'm with you.
28:05Fuck!
28:09The sound.
28:11Patron.
28:13What's this shit?
28:19Look at him.
28:20He looks like the kind of man who drives without insurance.
28:24You know what?
28:24You two deserve each other.
28:28Where do you think you're going?
28:29Home.
28:29Where is that?
28:31Are you going to stand for that?
28:32How do you know?
28:33I am none other than Count Villanova Rochester.
28:38Oh, okay.
28:40In that case, we shall cast our food.
28:42Hit him, darling.
28:43Hit him.
28:43Hey.
28:44Knock it off.
28:47Now what?
28:50What?
28:51What?
28:54Go on your knees.
29:05On your knees!
29:06Hey, Cog.
29:07Cog, please.
29:08Who are you?
29:35What are you doing here?
29:36Monsieur?
29:41Monsieur Le Brie?
29:44How do you know my name?
29:45Damien?
29:50Damien?
30:09Hide.
30:11hey you okay how'd you find me are you okay you already asked you didn't answer
30:27i could do with a drink
30:29thank you for finding me save the thank you till i get you out of here
30:35you know what you're doing with that thing you point and shoot right
30:39i'm just gonna take that here you go just step over she's fine
30:44stay close to me is my dad all right he's holding it together your sister's helping
30:52she must hate me now your sister you'll figure it out
30:56this is all my fault that's almost never true
30:59you know what in fact i don't care what you're doing
31:06it's just a shit from here
31:10come on
31:16come on
31:18come on
31:20all right one of these windows sure
31:43what's wrong
31:50i can't
31:51you can't what
31:52they will kill a dealer
31:54you better start making sense please
31:57they're gonna wrap the hotel the gala if i don't help them they're not gonna do shit
32:02look we'll clear out of here call the cops they'll be behind bars all right
32:07they're not behind bars now they're here
32:10let me show you we gotta go we don't have time for this
32:12i'm sorry
32:25drop it
32:27or don't
32:48bloody guns
32:51oh
32:52oh
32:57Who are you?
33:03You're the guy from Marinella's.
33:05The guy's been shot.
33:06Detroit, Detroit.
33:10You work for her father?
33:17You fucking shot me.
33:19Should have shot you in the head.
33:21You seem capable.
33:27Do I?
33:30Maybe you are the solution to my problem.
33:34I doubt that.
33:39What problem?
33:40I need to switch this.
33:44For the real one at Villa Cossier.
33:47With the security around that necklace, you don't stand a chance.
33:51Exactly.
33:53That's why you will do it for me.
33:56No.
33:58Bring me that necklace.
34:00Or you'll never see her face again.
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