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BRITCOM I
  • 2 days ago

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00:00How did you find me?
00:04Fogarty's gonna bring you down.
00:06He's running this place like it's in our city Dublin.
00:08You can't do that.
00:09Getting rid of me was a mistake.
00:11The poolers, they don't play by the rules.
00:13It's a big ask.
00:14I'm gonna need something in return.
00:15Will McIntyre, no way.
00:16That's a list of four names.
00:18Maybe the people who are after us.
00:19Where did you get this?
00:20Ashley went back to the house where we delivered the death notice.
00:22She went to see John O'Boyle.
00:24Ashley, now I need you to come in.
00:25That's an order.
00:26I don't wanna lose you.
00:27You just have.
00:29These are the men from that list.
00:30They're part of a bigger dissident group coming out of Derry.
00:33They're guns for hire.
00:34They're working for somebody else.
00:35The Guinness.
00:36What about the app?
00:37We're still trying to find an open phone with access to it.
00:40You don't have a clue, Grace.
00:41Well, I do.
00:42I grew up in care.
00:43Yeah, so did I.
00:45I said it because that kid needed to hear it.
00:47And I didn't.
00:48His name was George.
00:50At one of the parties, he wanted me to say his name.
00:54Just tell me what happened.
00:56There's a threat.
00:56It's active.
00:57We need to get out of here.
00:58Sorry, Father.
01:19Your grant.
01:19Come on in.
01:20Oh, God.
01:24The maze.
01:26Occupational hazard.
01:28Not as bad as the ones you have.
01:30The mascots.
01:34Yeah.
01:39She had a lot of friends.
01:42Yeah.
01:43She did.
01:45I take it you're not supposed to be here.
01:47Sergeant McCluskey's outside.
01:50He said I had five minutes, so...
01:52You know, I was with her a few hours before she died.
02:14She's very proud of you, Arnie.
02:20Of what you're doing.
02:22Yeah.
02:25She told me.
02:33Listen, I, um...
02:34I need to tell you something.
02:37See, you're not the only one.
02:42What do you mean?
02:44Well, I'm across two parishes up here.
02:47And in the last two years, those three police officers had to leave.
02:52Same thing.
02:54A black wreath and a bullet.
02:55All delivered differently.
02:57I should have said it the other day, but everything happened so fast.
03:00They all wanted to keep quiet.
03:04You know, this area, it's...
03:07It's not known for that sort of thing.
03:12I just can't think of anyone around here who would go to those lengths.
03:18It doesn't make any sense.
03:22Listen to me.
03:25Someday.
03:27You need to come back here.
03:29Be part of this place again.
03:33Just a faith.
03:43Faith?
03:45Yeah.
03:46You know, the way I see it.
03:49This world is mainly faith versus shit.
03:54It's okay.
03:57He doesn't mind.
03:59Are you sure?
04:09Faith versus shit.
04:11You're not having any breakfast?
04:35I'm not hungry.
04:36Look, do you want to talk about this?
04:58Maybe you're right, Chris.
05:00You're right about what?
05:04About everything you said.
05:05Maybe it's all just too much.
05:10Like, maybe at our age, you only ask so much of someone, you know?
05:16And maybe sometimes it's too much.
05:18I've got to get to work.
05:28I've got to get to work.
05:28And maybe they're either.
05:44If you're after all, if you go back there, you'll always get to work.
05:44I'll be here.
05:44You're back with me.
05:46I'll be here with my Holly, till you 후 trial.
05:49Go back here.
05:53Once again, I'll take the rescue my dear light to me.
05:55And if you are 2000, I'm going away with you.
05:57Do you know where she's gone?
06:18It's a residential place.
06:20In Berkshire.
06:22Berkshire?
06:26They deal with PTSD.
06:28There's no phones, no contact with the outside world, not even a TV.
06:33Just a lot of talking.
06:34You go for a walk in the hills, read a book, think about things.
06:41It's not, like, a magical solution.
06:45It's just a place to start from.
06:50What I'm saying is, son, it takes time.
06:55How do you know?
06:58How do you think?
07:05You check your email?
07:08Ombudsman wants to see us after shift.
07:10In person.
07:11Good luck with that, lads.
07:19Not bad.
07:22No comment.
07:23I thought about what you said.
07:32I thought about what you said.
07:47The answer's no.
07:48You invited me here to tell me that?
07:50I invited you here to warn you off.
07:53For your own safety.
07:54I think the horse might have bolted on that one, don't you?
07:57You need me.
08:00I think you know that.
08:03This is way beyond your pay grade.
08:06I don't have a pay grade.
08:08Look, you don't get it.
08:09You've spent your life dealing in kilos, but I move tons.
08:13I represent very serious people.
08:18You don't work for the Gimlis, do you?
08:24They work for you.
08:26That's immaterial.
08:27Oh, I'd say it's very material.
08:29You need things to be quiet.
08:32Civilized.
08:33And they're doing the opposite.
08:36They're bringing the peelers right to your door.
08:40You're under pressure.
08:41I know that feeling.
08:43Kilos.
08:44Tons.
08:45Don't make a difference.
08:47You lose one, you're fucked.
08:54Don't presume you know me.
08:59Good luck.
09:02I just...
09:13You don't like it?
09:15I don't like it all the time.
09:17I mean, I get it.
09:18You're cool.
09:23This is called tossing a grenade.
09:26How do you mean?
09:27Uh-oh.
09:28We're basically about to blow a family apart.
09:32Ready?
09:34Yeah.
09:35Yeah, I'm ready.
09:58Search team, stand by.
09:59I'll give you the go-ahead.
10:13Hello?
10:14Mr. Maclellan?
10:15Yes?
10:16D.S. Sean Mulholland.
10:18This is my colleague Constable Ellis.
10:19Is your husband George Maclellan, then?
10:21George?
10:25Police are here.
10:27What?
10:28George?
10:29What's going on?
10:30It's all right, Orly.
10:31Go back upstairs.
10:31Mum!
10:32George?
10:33Say, can we speak somewhere in private, please?
10:35I don't know.
10:35Sorry.
10:36Sorry, what's going on?
10:36Would you just like to step through here for me, please?
10:38No, no, no.
10:39I need to know what's going on.
10:41They need to speak to him.
10:42Just...
10:42Then they can speak to me, too.
10:43763-3, send in the search team.
10:45Do you say search team?
10:51What the fuck is going on?
10:52We need to go somewhere more private.
10:53We have a warrant to seize all electronic devices.
10:56You can't just barge in here.
10:57Any firearms?
10:58No, of course not.
11:00Anybody else in the house, sir?
11:01No.
11:02Any drugs in the house?
11:03No.
11:03Do you want to need to leave?
11:05I think it's probably wise we go somewhere a bit more private.
11:07Can we go in there?
11:08Do you need to leave?
11:09What's going on?
11:10Okay, okay, okay.
11:12Yes, okay, okay.
11:13Yes.
11:14Yes.
11:14Come inside.
11:15It's all right.
11:16Annie.
11:21Forge, what is this?
11:23It's a business thing.
11:24It's no big deal.
11:26I'll handle it.
11:26George MacLellan, you're under arrest on suspicion of rape and making, distributing and possession of
11:31indecent images of children.
11:32You've got the wrong person and this is the wrong address.
11:34No, it's the right person.
11:35You do not have to say anything, but I must caution you, if you do not mention, when questioned,
11:39something which you later rely on in court.
11:40That's my phone.
11:41Stop, it's mine.
11:42I know, look, we have to take everything.
11:44I'm sorry.
11:45Orla.
11:46Daddy!
11:48Daddy, what happened?
11:49Darling, darling, come here.
11:50What did you do?
11:51No, no, no.
12:02Hi, Helen MacLellan, I'd like to see you.
12:07Helen.
12:25Helen.
12:29This is always kind of going to see four firearms and civilians.
12:32So we're expecting trouble.
12:34Given this new intelligence, what we know about these men, their experience, their expertise.
12:39Yes, Inspector.
12:41We're expecting trouble.
12:43These are the four men on the list you gave us.
12:45They received training in Eastern Europe, firearms, explosives.
12:49They're the real deal.
12:50And if our assumptions are correct and they're being paid large sums of money for random attacks
12:54on police officers, well, that is as bad as it gets.
12:58How so?
12:58Well, we've no start point for a surveillance operation, an individual, location.
13:04Right now, we have nothing.
13:06All we can do is react.
13:08And how will we do that?
13:11Let's model it.
13:14Folks, can we listen up?
13:16Need you to spin a model.
13:18Random gun attack in a police vehicle, no warning.
13:21Let's make it as tricky as we can.
13:22Busy street, no prior intel, and let's assume we're going barrel to barrel.
13:26I'm forward-based in two HMSU units at Blackthorn, for your protection.
13:32Make sure your people stay well away.
13:33They don't do chit-chat.
13:36Kenny, bring me up BT1.
13:38Let's make it a Saturday, 4pm, three vehicles.
13:41Let's make it a train.
13:58Ah, where are they taking him? For an interview at Blackthorn?
14:14He didn't do anything. He wouldn't do anything wrong.
14:17I'm sorry.
14:19Thank you, madam. Fuck off.
14:21You all good?
14:23What do you think?
14:25George McClelland has just been arrested on your watch. He made the transfer to the dissidents. Do you think he's going to talk?
14:43Maybe. Yeah.
14:46You've lost control.
14:48Well, I will get it back.
14:51In my experience, it's gone, it's gone.
14:58I will fix this.
15:04Fuck.
15:05They want to take him out. George and anyone who's with him. And they want me to tip them off.
15:22Fuck me. That ballsy.
15:24Tina, I can't have this in my conscience.
15:26Fuck Aidan, your conscience is like tits on a thong cat.
15:28Tina, please.
15:33What am I going to do?
15:41Nothing.
15:43Do your job. Then, do what Fogarty tells you to do.
15:48That's it.
15:50Well, you painted yourself in the corner here, Aidan, and you're wearing fucking clown shoes.
15:56Just do what you're told.
15:57Sandra?
16:10Yeah?
16:11Be careful out there today, yeah?
16:13Oh, you know me.
16:14Sandra, there's a court hearing today from Will McIntyre.
16:18Right.
16:21There's a possibility that we as an organization may withdraw our objection to his bail.
16:25What?
16:28Why?
16:31I can't...
16:32You can't what?
16:33I can't say.
16:34Helen, he was there when Gerry was killed.
16:37He's charged with joint Enterprise murder.
16:39I know.
16:40You know?
16:41You know?
16:43Why are we even considering this?
16:48I'm sorry.
16:52That's all I can say, isn't it?
16:58Who are they?
16:59Mobile Support Unit.
17:02What?
17:03HMSU.
17:05Let's just say it's not a good sign.
17:08Are you okay?
17:09Let's just go, yeah?
17:18Well done.
17:41It's just you here today, yeah?
17:42It's just you here today, yeah?
17:46today, yeah?
17:49You okay, ma'am?
17:51Yeah.
17:53I see we have some visitors in my car park.
17:57They can that never turn their engines off.
18:01What's going on?
18:05Just keep your wits about you today, okay?
18:16Take the ribbon from your hair Shake it loose and let it fall
18:25It's Jerry's favourite song, you know?
18:28I can turn it off? No.
18:31Keep it on.
18:34Like the shadow on the wall
18:37I get it now, I think.
18:40Come and lay down by my side
18:43How you're all feeling
18:46They ask you to put your faith in this
18:48whatever it is
18:51They ask us to risk our life for it and then
18:53they just
18:58You sure you're okay?
19:02Yeah.
19:03Sorry, I shouldn't be speaking like this
19:13Sarge, stop the car.
19:21What?
19:22Pull over.
19:32Hello, sir.
19:33Hi.
19:34You okay?
19:35I'm great, son.
19:36How are you?
19:37My name's Tommy.
19:39I'm Remy.
19:40Okay, Remy.
19:41Well, we just wanted to make sure everything's all right.
19:44Why?
19:45Yeah.
19:46Grant.
19:48And...
19:49Are you on your way somewhere?
19:51Oh, down to Broadway Street, son.
19:54Right.
19:55Where is that, Remy?
19:57I hope you don't care with.
20:03Remy, tell me this.
20:04What's your surname?
20:06Sir?
20:07I don't know.
20:10Do you mind if I had a wee look in your pockets?
20:15I don't smoke any more, son.
20:17I gave that stuff up years ago.
20:19No, I just want to check for ID.
20:21That's all.
20:22Oh.
20:23You're right, son.
20:24You're right, son.
20:25But...
20:34Raymond McEwan.
20:3512th to the 12th, 1955.
20:37Yeah.
20:38Uniform from 7-2.
20:39Do we have an active Herbert Protocol form for a Raymond McEwan?
20:42Right.
20:437-2 from uniform.
20:45Roger that.
20:46Missing from his daughter's house since this morning.
20:48Found him?
20:49Yeah, we did.
20:52How do you know?
20:53Look.
20:57Bloody hell, mate.
20:59Do you want a lift?
21:02Oh, there.
21:05Call Call Towns from uniform.
21:06Reminder that the terrorist threat level remains severe.
21:11I'm going to miss all those nice wee messages.
21:15Why?
21:17See what I'm going to do?
21:18If you get the...
21:19the sack?
21:21I don't know.
21:23Maybe go work behind the bar in a nice wee beach shack somewhere nice and warm or something, you know?
21:28You're not Tom Cruise, Ian.
21:29Do you mind if I tell you something?
21:42It's a secret?
21:46Yeah, sure.
21:47Well, you know all the music I play in the car, like the electronic stuff that drives you mad?
21:55Yes.
21:57That's not really me.
21:59You know, it's not what I'm into.
22:01It's just, I'm more into like...
22:02Well, it's one song in particular.
22:11Do you mind if I just play it for you?
22:14Yeah.
22:16Yeah, play away.
22:17Westlife?
22:18Westlife?
22:19Westlife.
22:20Like you said.
22:21I might be getting the sack tomorrow, so...
22:23Who cares?
22:24You're not joking, are you?
22:25I'm not joking.
22:26Listen to it.
22:27It's a stone-cold banger.
22:28They're wee angels.
22:29It is a banger, you know.
22:31Yes.
22:32Yes, it is.
22:33What am I doing without you?
22:34Oh!
22:35What am I doing without you?
22:36What am I doing without you?
22:37What am I doing without you?
22:38Listen to it.
22:39It's a stone-cold banger.
22:41They're wee angels.
22:43When I leave you behind...
22:44It is a banger, you know.
22:46Yes.
22:47Yes, it is.
22:48What am I doing without you?
22:49Oh!
22:50Put for granted everything we had
22:54And if I found someone who's just like you
22:59Oh!
23:00I've had a little word about love
23:02I'll tell you things that no one else knows
23:04I'll let you in my own ass bones
23:067-6 from Uniform.
23:07Reports of a disturbance at Beckett's Restaurant.
23:082-3.
23:09Over.
23:11Roger that, Barney.
23:12Uniform from 7-6 responding.
23:14Thank God for that.
23:15What?
23:16You love it.
23:17Aye.
23:18Ah.
23:25Like the shadows on the wall.
23:30Come and lay down by my side
23:37Till the early morning light
23:42Sounded good, Raymond.
23:43All I could do is do that.
23:44You like Chris Christopherson.
23:45Oh, I...
23:47You made a mind, didn't I?
23:48Help me make it through the night
23:51I don't care what's right along
23:58George, did you attend a party in Dublin last June?
24:04No comment.
24:08Did you have sexual intercourse at this party?
24:10No comment.
24:17Do you know I don't know Fogarty?
24:24No comment.
24:28George, these are incredibly serious allegations.
24:31No comment.
24:35We're going to deal with each of these in turn.
24:37Okay?
24:40No comment.
24:43George, we need you to understand that you have been named by the complainant.
24:46PHONE RINGS
24:56She then subsequently ID'd you using a recent photograph taken from your business website.
25:01Do you have anything to say about that?
25:04PHONE RINGS
25:05I need you to come down here.
25:06No comment.
25:08Yeah, no.
25:09George, were you aware at any time of the making, recording or distribution of images or video of you engaged in a sexual encounter with a child under the age of 18?
25:25No comment.
25:26PHONE RINGS
25:40What do you notice?
25:41Today, we seized your phone and laptop. Does any such material exist on those devices? Or any other devices that you own?
25:50No comment.
25:52McAllister, there's something off about him. Way off.
25:56Yep.
25:58Years ago.
26:00No comment.
26:01I touched you on the shoulder to get you to join C3.
26:05Why didn't you?
26:07No comment.
26:08Ordo ab cao.
26:10What?
26:12You took me in a tour of the offices and there was a poster there that said Ordo ab cao.
26:17Ord from chaos, yeah. So?
26:20I thought it sounded like you all wanted to play God.
26:23Ugh.
26:25Didn't like it.
26:27No comment.
26:29I still don't.
26:31Jesus, the service can't be that bad.
26:42She was doing drugs in the time.
26:44Okay, I'll take a look here, thank you.
26:45Can I move around there, Anna?
26:46Yep.
26:47Okay, guys, do you want to clear out for me, please?
26:48Just let back out, please. Thank you.
26:50One of the kids left the door open when they went to school.
26:54He just slipped out.
26:56Doctors say he needs to go into a home, but I just, I just can't, you know?
26:59He's still my dad.
27:01Do you want to see my lodgings?
27:02Your lodgings?
27:04Your lodgings?
27:05I'm sorry, he still thinks he lives in Nashville.
27:07No, Daddy, these people are very busy.
27:11Remy, I'd love to see your lodgings.
27:13Ha, ha, ha.
27:24Oh, my goodness.
27:26The Grand Old Opry.
27:27June 1983.
27:29That's me.
27:30Wheel on.
27:32There's Chris there.
27:33You lived over there for years, didn't you, Daddy?
27:35Yeah, sit down.
27:37Oh, no, no, Daddy, no.
27:39These people have to go.
27:41No, this one.
27:43Take the ribbon from your hair
27:50Shake it loose and let it fall
27:55Laying soft upon my skin
27:59Like the shadows on the wall
28:04Come and lay down by my side
28:09Till the early morning light
28:13All I'm taking is your time
28:17Help me make it through the night
28:21That song, it means a lot to both of us.
28:22Sometimes you need a song.
28:38Yeah.
28:39Sometimes you need a song.
28:40Yeah.
28:41Sometimes you need a song.
28:42Yeah.
28:43Sometimes you do.
28:45Yeah.
28:46Yeah.
28:47Yeah.
28:48Yeah.
28:49Yeah.
28:50Hang on.
28:51I don't want you to ever give up.
28:52All right.
28:53Like, promise me you won't ever get bitter or cynical or tired.
28:56Because he didn't.
28:57No.
28:58No.
28:59He never did.
29:007-2 from uniform.
29:01We're going to need a bit of crowd control at Beckett's restaurant.
29:037-6 already in attendance, over.
29:04Uniform from 7-2.
29:05Received.
29:06Move back please.
29:07Move back please.
29:08Move back.
29:09We have it.
29:11Stay on.
29:12Yeah.
29:13Dead on.
29:14Yeah.
29:15Dead on.
29:16You're all right.
29:18See you.
29:19All good.
29:20No, no, no, no, no.
29:21Okay.
29:22Okay.
29:23We're gonna need a bit of crowd control at Beckett's Restaurant at 7-6, already in attendance, over.
29:28Uniform from 7-2, received.
29:30Move back, please. Move back. We have it. Thank you.
29:33All right. You're all right.
29:34Stay out.
29:35Dead on.
29:36Okay. You're all right. You're all right.
29:37See you.
29:39All good. All good.
29:40No, no, no, no, no.
29:40Okay?
29:41No, you're a demon.
29:43I know what you are.
29:45I can see it in your face.
29:48You're a demon.
29:49I know what you are. You get back.
29:50It's okay. Easy, easy.
29:52Get away from me, you fucking bitch.
29:53I'm standing here. Yep.
29:55It's okay. It's okay. All right?
29:57Okay. It's okay.
29:58Sheehan back. It's on the way.
29:59We don't need backup planning. We're fine.
30:01We're fine, aren't we?
30:02Do you want to tell me your name? I'm Sheehan. What's your name?
30:04You get back. Get back.
30:06Cecilia.
30:07Cecilia.
30:08Cecilia.
30:08I'm standing here.
30:09Listen to me. Listen to me. Talk to me. Do you want to sit down?
30:11You can talk. All right? All right?
30:13Look at me.
30:14Easy, easy.
30:15Cecilia.
30:16Easy, easy.
30:17Look at me.
30:17Easy.
30:18Settle down now.
30:19Easy, easy.
30:20Settle down.
30:21Look at me.
30:21It's okay.
30:22Just calm down.
30:23Calm down.
30:24Okay?
30:25Easy.
30:25Look at me.
30:27You're all right.
30:27We're going to be okay.
30:28All right?
30:28I just need you to calm down and everything will be coming.
30:30Step right back.
30:31Right back behind the table.
30:32Cecilia.
30:32I'm going to take a wee step forward now.
30:34Okay?
30:34I'm going to take a wee step forward.
30:36And then we're just going to take a wee beat here.
30:37Okay?
30:38It's going to be fine.
30:39All right?
30:41Put that down!
30:42Get back!
30:43Put it down!
30:44You're fucking evil!
30:46Get up.
30:47Get up.
30:48Stop resisting.
30:49Hold the door.
30:49You're burning me!
30:50Hold behind your back!
30:51Stop moving!
30:52Stop moving!
30:53Stop moving!
30:53Stop moving!
30:53Stop moving!
30:54Stop moving!
30:55Stop moving!
30:57You're all evil!
30:58Cecilia?
30:59Cecilia?
30:59Is it?
31:00Be quiet.
31:01Be quiet.
31:02Just relax, okay?
31:03Oh, thank you, dear.
31:04It's me!
31:05Tommy, give me an ambulance.
31:07Fuck!
31:07Oh, fuck!
31:07Oh, fuck!
31:08Oh, fuck!
31:08Give me an ambulance!
31:09Stop it!
31:10Fuck me!
31:10You're having anything in your brain!
31:11Uniform is at the two.
31:13She has been stabbed.
31:14Top of the leg was glass.
31:16There's a lot of blood.
31:17We need an ambulance at this location immediately.
31:19Oh, fuck!
31:20Oh, fuck!
31:21Sit, sit, sit, sit!
31:22Call him!
31:23Paramedic, four minutes, dog.
31:25We have four minutes, Farley!
31:26Parade, please!
31:27PSNI priority, life at risk.
31:45I need the duty manager of the ambulance call centre, please.
31:48Ambulance control?
31:49Sergeant Neil here at PSNI Blackthorn.
31:51I have an emergency situation with one of my officers, and I need a paramedic qualified
31:55call operator with trauma experience to speak to her, and I need it in about five seconds.
32:00Aye, I can do that, but we're on different radio nets.
32:02Okay, hang on.
32:07Annie, listen to me.
32:08Do you have your headphones?
32:09No.
32:10What?
32:10Take out your phone, put in your headphones, and answer the next call.
32:13You get okay?
32:14Just do it.
32:15Tommy, hold this, hold this!
32:18Okay.
32:19You're all right, mate, you're all right.
32:25You're all right.
32:28It's 077-00-900-516.
32:32What's the injury?
32:32He's been stabbed at the top of his thigh.
32:36What's her name?
32:37Whitey.
32:38Annie.
32:38Her name's Annie.
32:41Annie?
32:41Yes?
32:42I'm Mary.
32:42Yes?
32:42I'm a paramedic, and I'm going to talk you through this until we get to you, okay?
32:46Annie.
32:47Okay, yeah, yeah.
32:49The wound is at the top of his thigh, yes?
32:51Yes, yes.
32:52And you're applying the pressure?
32:53Yes, but it's not stopping.
32:54On the count of three, I need you to take your hand away from the wound and tell me what you see.
32:58What do you mean?
32:58I can't do that.
32:59What do you mean?
32:59I need you to do this, Annie.
33:01It's just for a few seconds.
33:02Okay.
33:02Three, two, one.
33:04Go.
33:05Fuck it.
33:06It's spurtin' out everywhere.
33:07Is the blood bright red?
33:08Yes.
33:08Okay, Annie.
33:10That's probably his femoral artery.
33:13Listen to me very carefully.
33:14I need you to get a cloth, a napkin, a towel, anything.
33:16Okay, Tommy, give me a cloth, a napkin, something.
33:18Just give me something.
33:20Roll the end up into a ball.
33:22I will into a ball, Tommy.
33:23Now, I need you to put it in the wound.
33:24One hand on top of the other, and push down as hard as you can with everything you've got.
33:29Both hands.
33:30Push it into the wound.
33:31Is it stopping?
33:36It's not stopping.
33:36It's not stopping.
33:40Tommy, give me a tourniquet.
33:42A tourniquet, Tommy.
33:43Annie, listen.
33:44If the wound is too high, a tourniquet is not going to work, okay?
33:47You just need to keep doing what I tell you.
33:49You need to push it in more.
33:50Right inside the wound.
33:51Okay.
33:52Okay.
33:55He's passing out.
33:57He's passing out.
34:00Just full pressure.
34:01Okay.
34:02You're doing great, Annie.
34:03The amulet is nearly with you.
34:12Hang in there, Shane.
34:13Hang in there.
34:14Hang in there.
34:25Come on.
34:26You're good to fucking chisel.
34:27Come on.
34:31Ambulance.
34:40What's your emergency?
34:41My child, please stop breathing.
34:43Okay.
34:44You listen to me very carefully.
34:45I need you to keep doing that.
34:47Can you come with us?
34:48Yeah.
34:49Yeah.
34:49Sandra?
34:50Yeah, yeah.
34:51Go, go.
34:51Let me go.
34:52I don't have anything wrong.
34:55His hand goes to Burnaby.
34:56Yeah.
34:57They're fucking burning.
34:58They're burning me.
35:00All right.
35:00You're fucking bitch.
35:02Enough.
35:02Enough.
35:02Enough.
35:02Enough.
35:02Enough.
35:02Enough.
35:03Enough.
35:03Enough.
35:03Enough.
35:03Enough.
35:04Enough.
35:04Enough.
35:04Enough.
35:05Enough.
35:05Enough.
35:06Enough.
35:07Enough.
35:07Sarge, I need a minute with her.
35:27What's wrong?
35:29I need to speak to her.
35:30Why?
35:33Sorry, Sarge.
35:34I just need a few minutes with her.
35:37Please.
35:54Sorry.
35:55You're sorry?
35:58You've just stabbed a police officer.
36:00You think sorry's going to make a difference here?
36:06I don't know how or what.
36:09It's called cocaine-induced psychosis.
36:12It happens to some people, out of the blue.
36:15Sometimes for ten minutes, sometimes for half an hour.
36:18You say it quite a lot.
36:20I don't...
36:22I've never been in trouble.
36:25You're in trouble now, Cecilia.
36:27What do you do?
36:30Property, yeah, ma'am.
36:34I'm in property.
36:36You got it on the app?
36:39That's where you got the cocaine?
36:44What's your passcode, Cecilia?
36:50Cecilia, please.
36:51The guy you stabbed, his name's Shane.
36:56He drives me mad, but...
36:58He's my friend.
36:59He's my friend.
37:13He's my friend.
37:14He's my friend.
37:19He's my friend.
37:20when was the last time he visited dublin no comment should i pitch him mcclelland mccallister
37:34you want to pitch a solicitor
37:39but when it comes to serious actions we have extra callie what do you know
37:51stevie
37:54hey what when and how is it no comment have you ever met this girl for the benefit of the recording
38:04iron nyshaw mr mcclelland a photograph of a young woman no comment george have you ever met i told
38:10you no comment i'd uh i'd like to take a break here i i need to consult my clan
38:28just keep the pressure on it keep pushing don't let up
38:30push harder
38:38just keep the pressure on it keep pushing don't let go
38:40stephan get fucking cacked
38:47jian jian help him i am okay i am
38:57crash team on arrival
39:00the
39:07broken glass went into his femoral artery
39:11jesus it's going to be okay
39:13right
39:20right
39:22Okay, here we go, here we go.
39:35Rotate.
39:36No worries, let's go.
39:37Okay, let's go.
39:38Come and move on.
39:39We have a meal in the stab room with a tough right leg.
39:43Aiden.
40:04Aiden, what happens now?
40:10They're going to bail you pending tests on your electronic devices.
40:14Right, okay, thank God for that.
40:18But you can't go home.
40:20What?
40:21Why not?
40:23There's a child in the house.
40:27She's my fucking daughter.
40:29No, no, it's just the way it is.
40:35Is there somewhere else you can go?
40:39Yeah, I've a rental apartment on Sunderland Road.
40:44It's empty.
40:46Number?
40:4967.
40:50Aiden, are they going to come after me?
40:52Who?
40:53You know who?
40:54I mean, are they going to think that I talked?
40:58George, George, listen to me.
41:01Number one, you haven't talked, and you're not going to.
41:05Number two, you're a prominent accountant, not some low-level drug dealer.
41:12You're okay.
41:14Okay, yeah, okay, so I just have to get through this somehow, and then, yeah, okay.
41:25Yeah, that's it, George.
41:26Just get through this, okay?
41:31Get through today.
41:33Thanks, Aiden.
41:34I mean, I, I don't know what I'd do, you know, without you, so, thanks.
41:46Well, if we're the results on electronics first thing tomorrow, we'll bring them back in then.
41:52I'll get George immediate reception.
41:54Yeah.
41:55You all right?
42:01You know, I make a living out of deciding how happy people are on a scale of one to ten.
42:10Right now, you're about a three.
42:12Yeah, that sounds about right, sir.
42:16Listen, we'll get there in the end.
42:19Now, if you excuse me, I'm going to say a wee one and a half.
42:31Hey.
42:34How's Jane?
42:36He's lost a lot of blood.
42:37Well, he's going to pull through, right?
42:40I don't know.
42:43Jesus Christ, Stevie.
42:45Grizz?
42:46Yeah.
42:48When you're back, we should talk, yeah?
42:51Yeah, okay.
42:54Okay.
42:55Okay.
43:25Come on.
43:27Oh, okay, I'll stick with him.
43:31You've got to call me.
43:32Bye.
43:34Oh.
43:36And it's just like a funeral to naj Organa.
43:38K'n digestion, the other love was perfect.
43:42K pruneing his Weise, and I will dare you with me to keep them up a bit.
43:45Do you think he died again?
43:48Yes, he died again.
43:49Yeah.
43:50I fell there.
43:51No.
43:52I fell there, Adam, to goal.
43:54Who are you?
44:02A friend?
44:06I can't believe this is happening to me.
44:11George.
44:15What?
44:16You know, this didn't happen to you.
44:20This is something you did.
44:24It wasn't anybody else, it was you.
44:27It was just you.
44:30And everything you've lost,
44:33everything you're about to lose,
44:37you deserve to lose it.
44:39You ever see three?
44:41Cully?
44:42Yeah.
44:43You ever see three?
44:44Cully?
44:45Yeah.
44:46Do you ever see three?
44:47Cully?
44:48Yeah.
44:49Do you want to talk to me?
44:51Mm-hmm.
44:52You ever see three?
44:53Cully?
44:54Yeah.
44:55Do you want to talk to me?
44:56Mm-hmm.
45:06Do you want to talk to me?
45:07Mm-hmm.
45:08Sorry.
45:09They told me to come in here.
45:11Yeah.
45:12Um...
45:13Are you...
45:14I'm Harry.
45:15Shane's dad.
45:16Annie.
45:17Annie.
45:18Annie.
45:19Annie.
45:20Annie.
45:22Thank you for what you did.
45:24Thank you for what you did.
45:26I'm sorry.
45:27They told me to come in here.
45:29Yeah, um...
45:31Are you...
45:32I'm Harry.
45:33Shane's dad.
45:38Annie.
45:49Thank you for what you did.
45:53Sorry to hear about your mother.
45:58Sorry, um...
46:03How did you know about that?
46:06Oh, Shane told me.
46:07For the life of me, I don't know why he did this job.
46:11I have a...
46:13Building Supply Company.
46:15We do all right, you know?
46:17I mean, we do well.
46:18There's a job waiting for him there.
46:21Good life.
46:22Plenty of money.
46:23But I just wouldn't listen.
46:26Stop her as a mule.
46:28Did he ever tell you...
46:42Why he wanted to do it?
46:44He just said it was important.
46:49Mr. Radley?
46:51He's out of surgery.
46:53Is he okay?
46:54He's in the ICU.
46:55Recovery.
46:56So he's okay?
46:57Shane lost half the blood in his body.
46:59I'm told it was difficult, but...
47:01He's stable.
47:02Mr. Radley, can I have a private word?
47:09No, no, hold on.
47:12She saved his life.
47:13In her stay.
47:15There was a complication.
47:17What?
47:18The surgeons did a procedure called a femoral graft,
47:21but the blood supply to his leg was cut off for a long time.
47:24We're not confident that Shane will regain the use of it.
47:29What?
47:32Ever?
47:43Things aren't what they used to be, that's for sure, eh?
47:46Like, when I joined up, people that we were after,
47:53they were fighting for a cause.
47:57They might not have agreed with it, but...
48:00in a strange way, we respected it.
48:06I remember one time having a...
48:08a three-hour conversation with an IRA gunman
48:12about the Catholic theology of the Just War.
48:16Smart fucker.
48:24But the one that really got me...
48:28was a fella from West Tyrone.
48:31Sniper.
48:34Seven bodies under his belt.
48:38All British soldiers.
48:40Everyone.
48:42Situation like that, you wanna know how you got there?
48:45So I asked him.
48:48When he was nine,
48:50him and his mother went into town for the Friday shop.
48:53British Army foot patrol there.
48:56Do you remember what the Brits were like in those days?
48:59Pointing their fucking rifles at everyone.
49:02Making wee snidey comments as you went past.
49:04I always thought they were their own worst enemy.
49:08So...
49:10She tries to get past him.
49:12One of the soldiers steps up to her and says,
49:15Nice tits, love.
49:16Gives a squeeze.
49:18And all his mates burst out laughing.
49:22Now that wee lad's mummy.
49:24She was a good Catholic woman.
49:26She was mortified.
49:27She took her son by the hand and walked straight back home.
49:31Crying all the way, trying not to.
49:33That wee boy's looking at his mummy.
49:37Even though he's only young.
49:41He was embarrassed for her.
49:45That deep burning shame.
49:47And in that moment that wee lad made himself a promise.
49:52He says,
49:54When I grow up,
49:56I'm gonna kill those bastards.
49:58And he did.
50:01He fucking came through on that promise, alright?
50:05Butterfly flapping its wings causes a hurricane 15 years later.
50:09Seven men dead.
50:11All because of the thin line between shame and rage.
50:14Chaos, Aidan.
50:18You're in the middle of the chaos, mate.
50:30So what was it in the beginning, Aidan?
50:32When did all this start?
50:35It started a long time ago.
50:40Yeah, that makes sense.
50:42I believe that.
50:45But there is a way out.
50:51Sorry.
50:55Aidan.
50:57Help me.
51:00Help me to help you.
51:02You don't know what you're up against.
51:04Well, at least I know that.
51:15They're gonna take him out.
51:20Who?
51:21Who are they gonna take out?
51:24Who?
51:30It's George.
51:31When?
51:33Aidan.
51:34When?
51:35Get my Louise Carrigan.
51:40Fuckin' nigh.
51:42Channel 3.
51:43Where's that car?
51:44What car?
51:45The one carrying George McClellan.
51:46Uh, Cabinnell Street.
51:47They're gonna hit them.
51:48What?
51:49They're gonna kill George.
51:50Tell them they're on Channel 3, Special Ops.
51:53What?
51:54What's that car?
51:55What car?
51:56The one carrying George McClellan.
51:57Uh, Cabinnell Street.
51:58They're gonna hit them.
51:59What?
52:00They're gonna kill George.
52:01Tell them they're on Channel 3, Special Ops.
52:02Uh, 165 from Blackphone.
52:03Grace, can you hear me?
52:05Theave A.
52:06Uh, Channel 3.
52:07Switch to Channel 3, Grace.
52:09Uh, Channel 3.
52:10I'm a big car.
52:12I'm a big car.
52:13As the way you're doing this, I'm not a big car.
52:15Yeah.
52:16No, I'm not a big car, it's a big car.
52:18Where's that car?
52:19What car?
52:20The one carrying George McClellan.
52:22Uh, Cabinnell Street.
52:23They're gonna hit them.
52:24What?
52:26They're gonna kill George.
52:27Tell them they're on Channel 3, Special Ops.
52:30Uh, 165 from Blackphone.
52:31Grace. Stevie. What the fuck? You can't broadcast on that channel. So we can't.
52:38165 from odd centre. Do you copy? Over. Who's that? Sorry, who's this?
52:43This is C4. Special operations. Your life and the lives of your passengers are in danger. There's an active threat.
52:49From this moment on, I need you to follow my instructions the second I give them.
52:54Do you understand? Yeah, yeah. Yeah, I understand.
52:58Is your vehicle armoured or soft-skinned?
53:05We're, um...
53:07We're soft-skinned. Soft-skinned.
53:10Shit.
53:12What?
53:13So, what's happening? I need the non-driving officer to draw the weapon.
53:18I... I don't carry.
53:21Fuck. Fuck.
53:25Right, Sean. Take that.
53:29Get the DP down.
53:30George, down. Get down.
53:32Okay, okay, okay.
53:33165, are there any vehicles behind you?
53:36Yeah. Yeah, we have a red BMW.
53:40V018 ODA.
53:49Ma'am, make a model checkout, but...
53:52But what?
53:53ANPR pinged the same car four minutes ago in Uri.
53:56Shit.
53:59Okay, that's our target.
54:02Target for what?
54:07I'm sorry, what's happening?
54:10HMSE Blackthorn forward base. Crash out.
54:13HMSE Blackthorn forward base.
54:17TACAD, what's your ETA?
54:19Hello, guys?
54:20Seven minutes.
54:22So what should we do?
54:24Who's behind us? Where should we go?
54:27What's happening?
54:30Will somebody tell me what I should do?
54:34What should I do?
54:35Will someone tell me what to do?
54:36Stevie?
54:37Stevie?
54:38Stevie?
54:39Stevie?
54:41Steve!
54:43Oh . . . .
54:47. . .
54:49. . .
54:51. . .
54:52一
54:57. . .
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