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BRITCOM I
  • 1 day ago

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00:00Hello, how are you?
00:05My feet are killing me.
00:07I ran solo do.
00:09And my cat ran away.
00:12Wow.
00:14I'm sorry.
00:15What can I get you?
00:17Just a beer, please.
00:18Yeah.
00:30Don't you hate it when people come to a bar and just stare at their phone?
00:48I know, so rude.
00:51Yeah.
00:52Have you seen her?
00:54Oh, no.
00:56I thought you were cute.
00:57But now you're just like a creep stalking his ex.
01:00That does sound creepy, doesn't it?
01:01I'm kidding.
01:02She's a lot like your cat.
01:04Incontinent.
01:06Missing.
01:07Oh.
01:08I'm trying to locate her for her father.
01:10That was taken here Tuesday.
01:12No, I'm sorry.
01:15Are these security cameras working?
01:18They've been down all week.
01:20But you should talk to Alessandro.
01:22He flirts with every pretty girl that walks through those doors.
01:25Okay, is he here?
01:26Uh, no.
01:27He's on the late shift.
01:28If he shows up at all.
01:30Okay.
01:31I guess I'll come by later then.
01:33So, you find things for a living?
01:36Sometimes.
01:37For now.
01:39Okay.
01:41Um, tell you what.
01:43You leave me your number.
01:45And I'll call you back when Alessandro comes in.
01:48You do that for me.
01:49Yeah.
01:50You agreed to find my cat.
01:51You could just ask me for my number next time.
01:58Ciao.
01:59Ciao.
02:00Ciao.
02:01Ciao.
02:02Ciao.
02:03Ciao.
02:04Ciao.
02:05Ciao.
02:06Ciao.
02:07Ciao.
02:08Ciao.
02:09Ciao.
02:10Ciao.
02:11Ciao.
02:12Ciao.
02:13Ciao.
02:14Ciao.
02:15Ciao.
02:16Ciao.
02:17Ciao.
02:18Ciao.
02:19Ciao.
02:20Ciao.
02:21Ciao.
02:22Ciao.
02:23Ciao.
02:24Ciao.
02:25Ciao.
02:26Mr. Bloom.
02:28Never missed it.
02:44Mr. Bloom.
02:48My name is Augusto. We spoke briefly on the phone.
02:51Yes, of course.
02:53And this is my daughter, Adele.
02:56Our general manager.
02:58Nice to meet you.
03:00Please.
03:01I'm so sorry for your loss.
03:03Your mother was a wonderful woman.
03:05A much valued regular guest.
03:08I'm sorry, regular guest?
03:11I thought this was her first visit.
03:13Excuse me?
03:14I was under the impression this was the first time she came here.
03:17To your hotel.
03:19To the Castiera.
03:23What's going on?
03:25Mr. Bloom, your mother came here every year.
03:28What do you mean every year?
03:30The same week.
03:32For the past ten years.
03:34I'm sorry, I don't quite...
03:38Are you sure?
03:40I personally attended to every detail of her stay.
03:44I didn't, um...
03:47She never mentioned it.
03:51Well, we all have secrets.
03:53I imagine there's some sort of paperwork I need to sign.
04:01Of course.
04:02This is the medical...
04:06...examiner's report.
04:07Seems it was a heart attack.
04:09Yes.
04:10She, uh...
04:11She had a heart on her.
04:14Oh, sorry.
04:18English translations.
04:19She was swimming?
04:25In the sea?
04:27I believe so.
04:28She was supposed to be taking it easy.
04:30Doctor's orders.
04:31Did...
04:32Did she not mention to you anything?
04:34I don't know what to say.
04:36Yeah, this is...
04:37This is...
04:38This is all really, uh...
04:40Mr. Bloom...
04:41You'll need to identify the body.
05:02I, uh...
05:03I need to be on the next flight back to New York.
05:05Tomorrow.
05:07In our, uh...
05:08Our tradition, Mr. Caetani,
05:10we bury our dead the same day.
05:12Unless there are, um...
05:14Exceptional circumstances,
05:16but even then,
05:17the sooner the better.
05:19You understand?
05:20I have to take my mother home.
05:21It has got to be tomorrow.
05:23Can you arrange this?
05:24Of course.
05:35What about you?
05:37Can you take me?
05:38I need you.
05:49Pronto.
05:50Where are you?
05:51On my way to the hotel now.
05:53Find anything?
05:54Maybe.
05:55I should know a little more later.
05:59Uh...
06:00Good orders then, Mia Dele.
06:01Everything okay?
06:02Nothing.
06:03It's just...
06:04My father's asking for you.
06:06We have a situation.
06:15So, for the international repatriation of the body,
06:17the airline requires a Ziegler casket,
06:19which every funeral director applied says they don't stock.
06:23It will take them at least three days to order it.
06:26And this needs to be signed by the registry office.
06:29I called them.
06:30They told me there's a backlog,
06:31and it will take a week.
06:32So, just offer them a bribe.
06:34That's with the bribe.
06:36Oh, so you need my help.
06:39My father wants your assistance, yes.
06:42You can't say it, can you?
06:43What?
06:44That you need my help.
06:46Oh, my God.
06:47What's up?
06:48If that will be all,
06:49I have a hotel to run.
06:52Love you.
06:56Dimi a mio, no lo so.
06:57I just know it's called a Ziegler casket,
06:59and we need it by the end of the day, alright?
07:02Alright, you got half an hour.
07:04Grazie, ciao, ciao.
07:16Shit.
07:30Hello?
07:31Joe.
07:34I hope I'm not disturbing you.
07:36Miss Caetani said that I could find you here.
07:38Mr. DeLuca.
07:39Daniel.
07:40Yeah, please.
07:41Come on in.
07:42My name is Richard Bloom.
07:43I'm sorry for your loss, Mr. Bloom.
07:45My job is to help get your mother home.
07:48You're an American.
07:49My mom's from South Georgia.
07:50My dad's Napolitano.
07:53Marine?
07:54Raider.
07:55Intel, 1st Battalion.
07:57Thank you for your service.
07:58Sure.
08:00Have a seat, please.
08:02Adele said that you were capable.
08:07Well, capable coming from Adele is high praise,
08:10so I'll take it.
08:11Good at finding solutions.
08:13I feel like there's something on your mind, Mr. Bloom.
08:16Last week, our family accountant told me that my mother had asked him to wire $300,000 to an account here in Positano.
08:28Three days later, she's dead.
08:30And you think those are connected?
08:32Look, my mother had a weak heart.
08:37Do I have any reason to suspect foul play?
08:41No.
08:42But all the same.
08:43You'd like to know.
08:44Sure.
08:45I'd make it worth your while.
08:47The recipient's account was in the name of Massimo Reggiani.
08:52Okay.
08:55Leave it with me.
08:57Appreciate it, sir.
09:02A little early for whiskey, no?
09:05Sorry, I don't understand the question.
09:07Do you know why Irish whiskey is spelt with an E and Scotch isn't?
09:11Hang on a minute.
09:12Yeah, no.
09:13Sorry, I really can't think of a reason to care.
09:15Well, in the mid-19th century, the British government passed the Spirits Act,
09:19which allowed Scottish whiskey makers to create blends for the first time.
09:22It's cheaper to make.
09:23Is he doing the whiskey today?
09:24Does he have an off button?
09:26So, they started spelling their whiskey with an E to differentiate themselves from their Scottish competitors.
09:32How much does this guy pay in?
09:34Well, enough to make it worth your while, I assure you.
09:38Always about the money.
09:39Says the aristocrat who lives in a palace.
09:42Hardly a palace.
09:43How many bedrooms do you have?
09:45Do you know, I've never actually counted.
09:47All right, cool story.
09:48Look, we're still on the clock, all right?
09:49First up, we need to track down someone named Massimo Reggiani.
09:52Ever heard of him?
09:53He's a con man.
09:55Muscalzone.
09:56Sells fake watches to Japanese tourists.
09:58All right, let's start there.
09:59Track him down, keep an eye on him, see if he's been throwing cash around.
10:02Next up, we need someone at the registrar's office.
10:04One of my exes used to play poker with Antonio Giraldi.
10:07He's some fancy lawyer, works for the registry.
10:09Has an eye for the ladies, apparently.
10:11Oh, perfect.
10:12Well, maybe you can get him to sign that.
10:16What, you think I'd just show some leg of magic happens?
10:19You lot are hideous human beings.
10:27It's the 21st century.
10:30What would I do?
10:33Uh, black market on Ziegler caskets, do we have any?
10:35Not a problem.
10:36What do you mean, sold?
10:37Perhaps I can interest you in something else.
10:38What do you mean, sold?
10:51What do you mean, sold?
10:52Perhaps I can interest you in something else, Mr.
10:54Pout.
10:55Villanova Rochester.
10:56It doesn't say sold on the website.
10:57Ah, yes.
10:58We need to update that.
10:59Hmm.
11:00Well, that's the plot of land I want.
11:01And that's the plot of land I intend to acquire.
11:02Who bought it?
11:03Who bought it?
11:04I want a name.
11:05Sir, we can't give out that kind of information.
11:07Now, listen here, my good man.
11:08Whatever they paid, I'll pay double.
11:09So, you tell me what the money is sold.
11:11Is sold.
11:12It's sold.
11:13Well, that's the plot of land I want.
11:15So, you know what the money is sold.
11:16It's sold.
11:17Ah, perhaps I can interest you in something else, Mr.
11:18Pout.
11:19Villanova Rochester.
11:20It doesn't say sold on the website.
11:22Ah, yes, we need to update that.
11:25Well, that's the plot of land I want.
11:26And that's the plot of land I intend to acquire.
11:27Who bought it?
11:28I want a name.
11:29Sir, we can't give out that kind of information.
11:30I'll pay double. So, you tell me who it is and I'll see to it you get a good commission.
11:44Jolly good.
12:00Let's get it on though. It doesn't connect back to us.
12:25For this century, you know we got to put an adult coffin on this.
12:28Come on, man. What are you doing?
12:44Sorry, you're not listening to me. I know him personally. We're good mates.
12:47Sorry. Antonio Giraldi is Annabelle Bowlen, so he's Francesca Rossi.
12:51I need a signature from the registry office. I was hoping Mr. Giraldi might be able to speed up the process.
12:56I'm busy. Tell her to leave it.
13:00She's busy. You have to leave it.
13:06Excuse me. You can't be in here.
13:10Look, my aunt just had a heart attack and I need to get her board back to-
13:13Back to America. Yes, I heard. Leave the file and we'll get to it.
13:16I need it done today.
13:17What? Did you think you were going to come in here, blink your pretty eyes and Giraldi will bump you to the top of the queue?
13:22Kinda. Yeah.
13:24But you found me. Sorry to disappoint.
13:34You did your thesis on Allenby versus Accrington.
13:36You know it?
13:37Landmark Rudin on equal pay.
13:39Of course I know it.
13:41Lord Justice Sedley, who referred the case back.
13:43It's a case from the UK Court of Appeal to the European Court.
13:47Alright. My fellow law nerd.
13:50Sedley was a guest lecturer my first year at UCL.
13:53Good school.
13:54So you're a lawyer.
13:55Nah. Nah, I could have been, but nah.
13:57Well, why not?
13:58I don't know. I just, I wasn't sure if working in an office was my thing.
14:04It's a year out. That was three years ago now.
14:07Still deciding.
14:09This place, the Costiera, it's like Neverland. You never want to leave.
14:16Where is the document?
14:17I can get this sign today?
14:28Really?
14:29Thank you. Thanks.
14:31I'm sorry about your answer.
14:47How do you know this guy again?
14:50A friend of a friend.
14:52Last minute.
15:03You're Bignet?
15:04No. I'm only one who is waiting for a bar on the street.
15:08A bar on the street, to be precise.
15:11But what's the difference?
15:12How?
15:13Just talk. Do you have it?
15:17What's happy?
15:20I've been really weak.
15:29That's it.
15:31Ow!
15:32Something is in there.
15:33Yeah, no shit.
15:38Do you think it's a body?
15:40Did you order a body?
15:41Do you think we should open it?
15:43Yes.
15:44I think we should open it.
15:45Actually, I'm kinda squeamish.
15:47You know, dead people sorry.
15:48I got it.
15:49No, no, no. I got it.
15:51Leave.
15:52I know that you're squeamish.
15:56Cazzo.
15:58We're called Salen.
15:59Make some money on the side.
16:00He said you turned your back on crime.
16:02More of a shoulder, really.
16:04I just found a shoulder.
16:06Pug-pug.
16:08Let's cover it up.
16:09Let's cover it up.
16:10You have a bad character, eh?
16:30What the hell are you doing?
16:31Hey!
16:32Hey!
16:33Hey, Mr. Vargin, all that stuff is Amane!
16:34I'mOoh, man!
16:35This is Amane!
16:36That's
16:53Oh, what are you doing?
17:04What are you doing?
17:07Oh, calm down, calm down.
17:13That's our stuff.
17:14Okay, let's go to the bar.
17:16We paid for that bar.
17:18Romolo, tell us what we paid for the bar.
17:20Romolo, is it true?
17:22How do you call it, Romolo?
17:25Listen, guys, if we do a clean job,
17:27I promise you that no one will do it.
17:29We paid for this bar.
17:31The problem is yours.
17:33No.
17:34The problem is yours.
17:36Because this bar really serves us.
17:39And for who?
17:41What the hell are you doing?
17:46Oh, you're in hell.
17:48Look, I'm the one with the pistol.
17:51Your safety's on.
17:56I said you're in hell.
17:57Oh, fuck.
17:58I'm not in the house.
17:59I'm not in the house.
18:00I'm not in the house.
18:01All right, I'm a reasonable man.
18:02Go get my fucking casket.
18:03You can keep the merchandise.
18:04Come on.
18:05Come on.
18:06Come on.
18:07Up it.
18:08Salta!
18:09It's high!
18:10What did you find?
18:26Massimo Reggiani lives in a rented one bedroom flat.
18:30But last week he bought a plot of land.
18:33Costing 299,000 euros.
18:37Really?
18:38You?
18:39Well done.
18:40Okay.
18:41You show any leg?
18:43Hideous, hideous human beings.
18:45One Ziegler casket.
19:00It's dented.
19:01Really?
19:02She wasn't an artist.
19:04She's dead.
19:05The paperwork?
19:06It'll be in your office by the end of the day.
19:07Okay.
19:08This is where you say thank you.
19:10You're gloating?
19:12All right.
19:13I gotta go see a man about a cat.
19:15But what are you talking about?
19:17I'm talking about you too.
19:18I'm talking about you too.
19:19I'm talking about you too.
19:20I'm talking about you too.
19:36I'm talking about you too.
19:37I'm talking about you too.
19:38I'm talking about you too.
19:39I'm talking about you too.
19:40Hi, Massimo.
19:45Okay, okay.
19:46Everything is fine.
19:47Everything is fine.
19:49Okay, breathe, breathe.
19:50Come here.
19:51Okay.
19:52I'll give you some water.
19:53I'll give you some water.
19:54Okay?
19:55Just breathe.
19:56Breathe.
19:57Okay.
19:58There it go.
20:00Here, here.
20:01Okay, have some water.
20:03Okay.
20:04Piano.
20:05Excuse me. Really.
20:12All right. Just tell him what you told me, okay?
20:26Richard, thanks for coming.
20:32I'll introduce you to Massimo Reggiani. He's got something to share with you.
20:41Me and your mother were friends.
20:43She never mentioned you.
20:45When did your father die, she...
20:47You know what? I don't need to hear this.
20:49He's got a letter from your mother. If it's real, it could explain a lot.
20:52Just take a second.
20:55Massimo.
20:57Just take a look.
21:02Is that her handwriting?
21:06It is. She was a big letter writer. Hated email.
21:13Okay.
21:17Gentlemen, please.
21:19So, this piece of land that my mother wanted to buy...
21:24She already bought it. It's a little way up the coast. That's why she sent me the money. So I could arrange it for her.
21:34For a fee. You are a con man, after all.
21:37Richard.
21:38Mr. Bloom, I didn't do this for the money.
21:43Yet, Massimo, the property is in your name.
21:46A practicality. Easy to arrange. Your mother came here this week to finalize everything. I was going to sign the deed over to her. But we never got a chance.
21:59You want the land, Mr. Bloom? It's yours. I don't want it. It was never for me. It was a dream of hers. She wanted to build something there. A little house. A final resting place.
22:15No. That is ridiculous. She wanted to be buried at home, beside my father. It's all in the letter.
22:28How long did you know her?
22:30Ten years.
22:32Ten years? Wait, so you met the year after my father died?
22:37She came here on holiday.
22:39She said she was in Rome. Florence. Art galleries, museums. That's what she said.
22:44She didn't think you'd approve. A woman her age. Alone in a place like this. A holiday romance, if you like. I mean, we weren't exactly teenagers. Yet we...
23:00Please, spare me the details.
23:02She came here, Mr. Bloom said. And she found life again.
23:08In you. No. In the way the light hits the water. At sunset. You either get this place, or you don't. And your mother did. I loved her. And I was fortunate enough to share part of her journey with her.
23:33I'm sorry she disappointed you. She would never have wanted that.
23:38Why did she lie to me?
23:42Did she? Mr. Bloom.
23:46Mr. Bloom.
23:49Let me know what you want to do about the land.
24:00You believe him?
24:03I don't know what's in it for him to lie at this stage. He's gonna give you the land.
24:06I'll say your repatriation paperwork did come back. And you should be fine to make your flight okay.
24:13Thank you, Mr. DeLuca.
24:16Froggy out.
24:17My pleasure.
24:18Take care, Richard.
24:19Take care, Richard.
24:28Hello?
24:29Hey.
24:47Did you find my cat?
24:50I'm working on that.
24:52Yeah, right.
24:54How long has he been missing?
24:55It's a he. One month.
24:56Okay.
24:59He's not coming back.
25:01Maybe.
25:03Yeah, not as much.
25:05It's all right.
25:08Is that him?
25:10Ale.
25:11Hey, what's up?
25:13Daniel.
25:14Yeah, what's up?
25:16This should be fun.
25:20Hey.
25:21Come on, pal. Chop, chop. I ain't got all day.
25:23Have you seen her?
25:27Oh, yeah.
25:29Yeah, I wouldn't forget that face in a hurry.
25:31Good. All right. So you spoke to her?
25:33Yeah.
25:34Last Tuesday?
25:36Nah.
25:37Nah?
25:39I mean, I spoke to her, but it wasn't last Tuesday.
25:42So she was in here before Tuesday?
25:43Yeah, some, like, Sunday.
25:44It was pretty quiet. Sunday, I think.
25:45All right. So you spoke to her. So what'd she say?
25:46She asked for a coffee.
25:47Alessandro is such a hit with the girls.
25:48I can see why.
25:49So, Alessandro, um, she was alone?
25:50Nah, she was with another girl.
25:51And that girl would be described with words like...
25:52I don't know.
25:53Oh, for Christ's sake.
25:54Um, tall, short, white, black, Asian, long hair, short hair?
25:55I don't know.
25:56She was normal.
25:57Very normal.
25:58Oh.
25:59Helpful.
26:00White, all right?
26:01She was white.
26:02Normal.
26:03Short hair, bod, kind of serious looking.
26:04Serious looking?
26:05What's that mean?
26:06Yeah, like she had a stick up her ass.
26:07I mean, they knew each other.
26:08They were friends or something.
26:09They knew each other.
26:10They were friends or something.
26:11Oh, she was with another girl.
26:13She was with another girl.
26:14And that girl would be described with words like...
26:16I don't know.
26:17Oh, for Christ's sake.
26:18Tall, short, white, black, Asian, long hair, short hair?
26:21I don't know.
26:22She was normal.
26:23Very normal.
26:24Oh.
26:25Helpful.
26:26White, all right?
26:27She was white.
26:28No.
26:29One second.
26:30Hold on.
26:31Not her.
26:36Yeah, that was her.
26:37That's the girl she was with.
26:38Are you sure?
26:39I'm positive.
26:40Is that it?
26:41I think it is.
26:43Thank you so much.
26:58Hey.
26:59When were you gonna tell me?
27:01Hello to you too.
27:03You hung out with your sister at the bar last Sunday?
27:05Are you fucking serious?
27:06Nine days ago?
27:07Two days ago?
27:16I'm over here.
27:18Start talking.
27:24It's nothing sinister, Daniel.
27:25I just matter to give her money.
27:27How much money?
27:28She asked for 10,000.
27:2910,000?
27:30I gave her 15.
27:31How did she contact you?
27:32What does that mean?
27:33What did she do?
27:34When?
27:35She called.
27:36When?
27:37I don't know when.
27:38Well, let's find out.
27:39Show me the call.
27:41Block number.
27:43What the hell did she need all this money for?
27:47Is she in trouble?
27:48She's okay.
27:49She's always fine.
27:50She's a few thousand short for some art school in London.
27:53St. Edward's super expensive.
27:56My dad wanted her to work for it, but she doesn't like working, so I just...
27:59So you gave her a bunch of money and then didn't tell any of the people looking for her.
28:02You see what that looks like, right?
28:03Seriously.
28:04Do I have to tell everyone if I help my little sister?
28:06You have to tell me so I can do my fucking job.
28:08Your father hasn't seen his daughter in two weeks.
28:10He's going crazy, the poor guy.
28:12My dad.
28:14Don't tell him, please.
28:16Why the big secret?
28:17What's going on?
28:23You don't know what he's like.
28:26Okay.
28:28When our mother walked out on my father, I wasn't allowed to cry.
28:33I was told I had to be strong for my sister.
28:36That's how it is around here.
28:38She does the drama and I have to be strong.
28:41So Alice was out there all alone doing God knows what.
28:45And I thought maybe if I help her do something with her life...
28:48Then she'd stay gone and you'd get your life back.
28:51You make me sound like such a shit.
28:53I'm trying to make you be honest.
28:55I'm sorry if I don't want everybody to know that my life is easier when she's not around.
29:00I'm not like Alice or you or my mother.
29:02I'm not at the center of attention all the time.
29:05I don't do drama, but I work fucking hard.
29:08And it'd be nice to get some attention every once in a while.
29:15Okay.
29:19I got this picture that has your sister and this guy in it.
29:26You recognize him?
29:27It's a little hard to make out.
29:30I know.
29:31Maybe he's an old friend of your sister's.
29:33You've seen him before.
29:34We have very different friends.
29:35I realize that.
29:36It's the only active lead I have.
29:37So just please.
29:39Daniel, are you in there?
29:42Yeah.
29:43Oh.
29:48Any news from the bar?
29:50No.
29:51Not yet.
29:52But I'll be sure to let you both know.
29:53In the moment I get some news.
29:55Of course.
29:56I will get out of your way.
30:01They've confirmed the seat for the column of the Callas.
30:03Good.
30:04They say that we have to work.
30:06Of course.
30:13Let's go.
30:28Oh, I'm sorry.
30:29Is this a bad time?
30:30No, no, it's fine.
30:31Wait.
30:32Didn't you miss your flight?
30:33Did you show me the land?
30:40You know what it is I do, Mr. DeLuca?
30:43I'm in real estate.
30:45Normally I'd look at a piece of land like this and I'd be thinking how many condos I can put on it.
30:50What my margins are going to be.
30:54Do you speak to your parents much?
30:56Sorry if that's...
30:57No, no, I was actually thinking maybe my mom's a lot like yours.
31:02Always hiding things that she's worried are going to disappoint me.
31:06From nature of her relationship with my father to getting cancer.
31:11I'm sorry.
31:12Thanks.
31:13Moms have their reasons, man.
31:16My father bounced on me when I was five and I haven't seen that guy since.
31:19But his mom?
31:20My Nona?
31:21She...
31:23She was amazing.
31:24And my mom didn't want to compromise that.
31:27She made some hard choices.
31:31I wasn't a very good son.
31:34I lost touch with my mother.
31:36I mean, she called from time to time.
31:38We talked, but I always had half my mind on my work.
31:42I wasn't really listening.
31:43You know?
31:45I've been thinking maybe this Massimo guy, maybe...
31:50Maybe he knew her better than I did.
31:53Knew what she wanted.
31:56Maybe he was there for her and I wasn't.
31:58We fell out lies with so many distractions.
32:03When did we stop paying attention?
32:06Sometimes we need distractions though, right?
32:09You know, when I came back here, it was supposed to be for a few days just to lick my wounds.
32:13Figure out my next move.
32:14That was seven months ago.
32:17And this place has a way of holding on to you.
32:20Sounds to me like your mom felt the same way.
32:22Gives you a place to stand still, to escape.
32:27Reflect, think about starting over.
32:30And admire the view.
32:33And admire the view.
32:36Thank you, Daniel.
32:38Thank you, Daniel.
33:08Thank you, Daniel.
33:38Are these security cameras working?
33:48They've been down a week.
33:58That should work, yeah?
34:00Ain't your brightest idea, but it is a cat.
34:03Why do I keep tracking down animals?
34:05Look who I've got.
34:11Hi.
34:14This isn't my cat.
34:16I mean, it's definitely a cat, right?
34:18Yeah.
34:20He's a cutie.
34:21Well, he's yours if you want him.
34:23Aw, thank you.
34:25You're welcome.
34:27So, Mia, I was wondering, these cameras in here, when did they go down?
34:31Cameras went on the blink last Monday.
34:35Okay, so they were working Sunday then, maybe?
34:38Uh, yeah.
34:39Ten days ago.
34:41Okay, great.
34:43I think they were working then.
34:45There she is, pushing on that.
34:47That's Adele right here.
34:49God, what are they?
34:51No sound?
34:52No sound.
34:56There.
34:57Uh, do you have cameras out front?
35:01Yeah.
35:03There.
35:04That looks like, um...
35:07Same guy?
35:10Yeah, same guy.
35:22No sound.
35:40Hachiyah.
35:41ativa.
35:53Sari, sali sulla macchina!
35:55Sari sulla macchina!
35:56Eh, che puoi fare?
35:57Mi puoi sparare?
35:58Zitta!
35:59Devi stare zitta!
36:01T'ho detto che non ci vengo con te!
36:02Non lo faccio!
36:03Mi?
36:04Io ho un accorto sto nella merda.
36:05Nella merda!
36:07Che vuol dire che hai preso accordi?
36:08Eh?
36:09What did you agree, Bruno?
36:11Who spoke to the hotel?
36:13Oh!
36:14What did you agree?
36:15Sarei su sta macchina!
36:16Sarei su sta macchina!
36:17Rispondimi!
36:18Basta!
36:24Sta a socco!
36:25Corri!
36:26Corri!
36:27Bravo!
36:28Fermo, polizia!
36:29Non muoverti!
36:31Le mani!
36:32Sì!
36:33Con le mani!
36:34Sì, sì, vabbè!
36:39Sì!
36:40Sì!
36:41Sì!
36:42Sì!
36:43Sì!
36:44Sì!
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