- hace 4 meses
Categoría
📺
TVTranscripción
00:00Oh, Andrea.
00:09Welcome home. How does it sound?
00:11Well, I imagined it better.
00:14Oh ok.
00:16I'm happy to hear you're well.
00:17Not so much.
00:19The doctor said that any relapse could be fatal.
00:22Well, that's not going to happen because we're going to take very good care of you here.
00:25Also, I'm going to show you your room.
00:27TRUE?
00:27TRUE?
00:29Did you bring the things I had in the other house?
00:31Eduardo, I need to talk to you.
00:34I know there's no problem with me not showing up at the hotel.
00:37It wouldn't even be the last straw for me to ask for permission, right?
00:39The thing is, I want to know if Chucho can take a few days off.
00:42Well, the thing is, we both want to go on a trip, I don't know, out of the city, like to get some fresh air, something like that.
00:47You know, right?
00:48Yes, yes, yes.
00:49The thing is that Cecilia handles that kind of permit for us.
00:52No, me.
00:57Oh, careful, it's going to cut you, husband.
01:07Did you do this?
01:09Because?
01:11Did it look really ugly on me?
01:12Oh, don't tell me it was damaging the paint.
01:14No, no, no, eh, no, no, no, eh.
01:16It turned out very nice.
01:21Congratulations.
01:22Well, if you say you're the one who knows, well, thank you very much.
01:25Are you sure you've never worked with stained glass before?
01:28No, never, I swear.
01:30Well, I saw you guys working and it didn't seem that difficult to me.
01:32Also, I learn quickly, yes or no?
01:35Oh yeah.
01:37I'm going to go make the bed then.
01:38Oh no.
01:39No, no, no.
01:40Look, I can stay there in the living room, there's no problem.
01:42Besides, how could it occur to him that I would host his brother, even though he is so nice?
01:46No, no, calm down.
01:47I can stay there, no problem, really.
01:49And the gentleman here takes a long time.
01:51That?
02:07Hello.
02:08What are you doing here?
02:12Now that's what I call a warm welcome.
02:17Cecilia, we need to talk.
02:18Talk? No, no, I don't think there's anything to talk about.
02:22What do you mean, Cecilia?
02:23Look how he has me, for God's sake.
02:26I need to know what's going on.
02:29Please, tell me what's going on.
02:35Andrea told me she wanted to make some changes to the room.
02:38I told him there was no problem.
02:40I hope you don't have any problems with that either.
02:44Or do they?
02:49Is something wrong?
02:51You haven't said a single word since Andrea arrived.
02:59Do you really want to know what's wrong with me?
03:01Otherwise, I wouldn't be asking you.
03:05Well, okay, I'll tell you.
03:07I can't stand the fact that your daughters are living here, in my house.
03:11That's what happens to me.
03:12Patricia, Patricia always with her same whims, trying to get everyone to serve her.
03:17And now, surely with what happened to Andrea, well, to take advantage of not having to work again.
03:21Hey?
03:21Because they are just as lazy.
03:23Forgive me, Eduardo.
03:24I'm not going to allow you to talk about my daughters like that.
03:27You are insulting me.
03:28I raised them.
03:29Ah, well, sorry.
03:29It's not recognizing that what I say about them is true, is it?
03:31Did you know?
03:36Bring me a whiskey, please.
03:38Do you want a whiskey?
03:40Go and get it.
03:41No.
03:43I want my wife to bring me the whiskey.
03:45Did you understand?
03:50I'll bring it to you.
03:51Do you know anything?
04:04I think that...
04:05I think it's best if we forget what happened.
04:09I completely agree.
04:11For a moment I thought that...
04:12Who knows what he was thinking?
04:14I'm referring to Villa de Leyva and, in general, to everything that has happened between us.
04:21Because?
04:22Because?
04:23Because?
04:26Because it doesn't make any sense.
04:29But how come it doesn't make any sense, Cecilia?
04:31For God's sake.
04:33Why don't you let me in and we'll talk and...?
04:35There's nothing to talk about, don't you understand?
04:38There's nothing to talk about between the two of you?
04:42Please tell me this isn't serious.
04:44Tell me this isn't happening.
04:47Tell me you're pulling my leg.
04:50I wish.
04:51So I repeat, why?
04:55Stop wondering why.
04:59But you know what?
05:02Basically, I couldn't take his lies anymore.
05:05Cecilia, I already explained what happened.
05:09I because I pretended to be Roberto, to help him get this hotel going, to do a favor to Dr. Eduardo,
05:14but the intention was never to hurt anyone.
05:16I swear I tried.
05:18I swear I tried.
05:19I tried sincerely, but...
05:22But I can't do this.
05:24Because there is no trust, because every time you tell me something I don't know if it's true.
05:28Because I don't know where I stand.
05:29Because I don't even know who I'm with.
05:31I don't want to end up hating him, because we'll have to keep working together.
05:39I think it's best if you forget about me and I forget about you.
05:43That easy?
05:44No.
05:46Nobody said it was going to be easy, but...
05:50Well, there is no other solution.
05:53Everything you told me, everything we talked about, you told me that you loved me, that you couldn't live without me.
06:03And did you think you were the only one who could tell lies?
06:08As?
06:08I'm really very tired, Mr. Gonzalez.
06:14I won't take up any more of your time.
06:16Excuse me.
06:16No.
06:38No.
06:39No.
06:39Thank you!
07:09Thank you!
07:39Thank you!
08:09Thank you!
08:13Mister
08:14It's with me
08:17This is yours, isn't it?
08:20It's complete
08:22The only thing I couldn't bring him was his clothes because they burned.
08:26That's what my dad told me.
08:28Well, you can tell your dad.
08:29I'm not going to tell him anything.
08:31Thank you, Milton, for bringing you the papers.
08:34Can you imagine yourself without papers?
08:37He gets into trouble
08:38Thank you very much, son.
08:40Sorry
08:41What does it mean?
08:42I'll give you one, sir.
08:44One thing, Milton
08:47It's better to stay away from my parents.
08:50That's not it.
08:51What if his dad tells me that?
08:53No, sir
08:54My dad doesn't tell him anything.
08:56I'm telling you
08:57Whatever, whatever
08:59Look, good Arthur
09:00With all due respect to you
09:03While his mother
09:05Keep receiving my visits
09:07And my attentions
09:08I'll be there
09:10Firm
09:11Miss Andrea!
09:14How did things go over there in the peanut?
09:16Miss Andrea!
09:20How wonderful!
09:21What an example of overcoming!
09:23Allow me to welcome you home.
09:27And tell him that we are all excited
09:30Very happy with how well it is
09:33And reiterate that we are always at your complete service.
09:37Right, comrades?
09:38Right, comrades?
09:44Let's see Yadira
09:45She stands there quietly
09:46And he tells me if what I am understanding is
09:47That's what you're telling me.
09:48In that way?
09:49So, that's it.
09:50What I'm telling you
09:51Look, if you did this to me
09:53Well, the charity of returning my work
09:55There in the workshop
09:56Why's that?
09:57What happened?
09:58Well, what was going to happen?
09:59That Mrs. Yane arrived this morning with the monkey on her shoulder
10:01And now he's like this
10:02As if a spider had bitten him
10:03Well, he kicked me out.
10:04And just like that
10:05That is, the fleas woke up badly
10:07And he kicked him out?
10:08No, no, no
10:09Just like that, right?
10:10What happens is that I
10:11Well, I did make a couple of comments, but
10:13Oh, sure.
10:14I did say
10:15What did he do?
10:16Count
10:17Nothing, then.
10:18Well, I started defending Maritza and
10:19Well, you shouldn't have put yourself in that position, Yadira.
10:23What a shame on you
10:24It's not a shame or anything.
10:26Peaceful
10:27It seems to me that what is happening to you is very unfair.
10:30But what did he get out of it?
10:31Look, he's out of work.
10:32Look, he didn't stay without a job.
10:34Because I don't know if I'm going to receive it in the workshop.
10:36No, it's a lie.
10:38Of course, this workshop is your home
10:39Welcome
10:40Oh yes, she is a noblewoman.
10:42Oh no
10:43How nice, thank you
10:44May God bless Miriam.
10:45Amen
10:48I'm asking you for a favor
10:49I am informing you that Chucho and I are going on vacation.
10:51I am so sorry, Patricia.
10:53But at this moment neither you nor Chucho can leave the hotel.
10:55And why?
10:56Well, because there are many things to do in this hotel.
10:58New reservations, a convention is coming
11:00Should I continue?
11:01I don't give a damn
11:02Listen, please respect me.
11:04Oh no
11:05What are we going to do with the doctor?
11:06Listen to me very carefully because it seems that you have not understood me.
11:09You are a ghost
11:11While I am the owner
11:13The owner
11:14And I hope that this is engraved very well in his little head.
11:17What's going on here?
11:19What's going on here?
11:20No, no, no, Eduardo, nothing is happening, don't worry, it's nonsense
11:25Let's go to the office
11:26But...
11:27To the office!
11:34You too to the office
11:42Can I continue?
11:43No, my son, well, it's already inside.
11:46I imagine you'll find it very strange to see me here, won't you?
11:48My son, nothing about you seems strange to me.
11:50Excuse me for a second, please.
11:52Hey, HR...
11:54I have CJ
11:55CJ
11:56Obtrusive
11:57Crack, crack
11:58So, uh, discretion
12:01What was it?
12:02Already?
12:03Yes, I came to talk to you about Cecilia.
12:05Look, son, Cecilia and I, right?
12:07No, I know, I know that Cecilia and you have nothing at the moment.
12:09But they had it because she told me
12:11So how are we working together at the hotel?
12:14I don't want us to continue having more problems than we already have.
12:17And I want you to know that...
12:18I'm interested in Cecilia
12:20Ah!
12:21There, what's new!
12:23No, the news is that Cecilia and I...
12:25We're going to be boyfriends
12:26Ah!
12:27She was like possessed and screamed so terribly that she even told Cecilia that she was going to die.
12:35I don't know for sure, that's what the witnesses of the fight told me.
12:39Which was almost the entire hotel because three people already came to tell me
12:42Fortunately, here at the reception, absolutely nothing was heard because I would have died of embarrassment with the guests.
12:47It's a shame you missed the fight live, isn't it?
12:52What really surprises me is Cecilia's reaction.
12:56This is how it would be so that she would not be left behind
13:00Oh!
13:01Milito, it takes two in a fight.
13:03Can you imagine what he must have told Miss Patricia to get the stone out of me like that?
13:09You know, Chucho?
13:11Do you know what little gems your mommy came out with right now?
13:13No, no, no, no, I have no idea.
13:19She's a complete mess, she's a shameless liar.
13:22Okay, Patricia, that's enough!
13:23What is this? I believe in Cecilia.
13:25There's a reason she's the manager of this hotel.
13:27Yes or no? She's the manager.
13:29And I told you last night, I warned you
13:31I had to give you permission, Cecilia.
13:33Oh, but she is intransigent, please.
13:35Well, since this situation is so difficult to handle,
13:37Because you are Silvia's daughter
13:39So I'm going to make the decision.
13:41That seems perfect to me
13:42There is no permission
13:45But...
13:46But nothing
13:47And from this moment on
13:49You are relieved of your duties.
13:54Are you kicking me out?
13:56Let's say you want to continue working on the castle
13:58It would have to be from...
14:00Receptionist
14:02Okay, I'm going to talk to Patricia.
14:19Mutt!
14:20Mutt!
14:28Pati, come on!
14:29For not listening to me
14:30I told him it was to ask permission to go on vacation.
14:32Seems!
14:33Chucho, shut up!
14:34Leave me alone!
14:35Mutt!
14:36Mutt!
14:37Mutt!
14:38Don't worry about her anymore
14:40Take care of yourself
14:41Man!
14:42After what happened
14:44Maybe you are the one who has to look for another job.
14:54Well, Mr. Primo González
14:55That's what I wanted you to know.
14:56That I am willing to fight for Cecilia
14:59What's up, son?
15:00She's not going to have anything to do with you.
15:02And why do you know?
15:03Because I do distinguish it
15:04Oh yeah?
15:05Suddenly you don't distinguish it enough, do you?
15:07What do you get?
15:08Coming here to tell me all those things, right?
15:09Do you feel happy?
15:10you said
15:11Oh!
15:12That evil will do, my son, it doesn't scare me.
15:13No, what happens is that I am a correct person
15:15He says things straight, that's it...
15:16And he says things upfront and I say things...
15:19Ah, what a shame
15:20I didn't know you guys were...
15:21No, don't worry.
15:22I'm already on my way out
15:23With permission
15:24Luck
15:25Nice to see you here again.
15:27Thank you
15:33I'm going to earn my keep for coming to greet you, I missed you so much.
15:35Who?
15:36You
15:37And you?
15:38That?
15:39Did I miss you?
15:40Oh, I'm so glad to know what you think of me.
15:42That makes me want to move forward and overcome my problems.
15:45What are your plans for today at noon?
15:47Eh, many
15:48No
15:49Well, no
15:50The thing is, you're my only friend and I think you should be by my side.
15:53Also, I have a super plan for you.
15:55Why don't we meet at the bar at twelve o'clock?
15:58Eh, no, it's not going to be possible, no.
16:00Since the body, look, we have to take advantage of the time we lost
16:02What's happening?
16:06Oh, my tone
16:11See you at twelve
16:12How crazy
16:19An injustice
16:20That's what you're doing to her.
16:22What did you want me to do to make her applaud?
16:24She had no right to treat people the way she is doing.
16:27To the people?
16:28Or to Cecilia
16:29Because that's what bothered you the most.
16:31And that's why you put her in that position
16:33Excuse me Silvia, but you know very well that I warned your daughter
16:36That if there was another problem, she would pay the consequences.
16:39Yes or no?
16:41Well, she doesn't deserve what you're doing to her.
16:43It seems to me so.
16:44Remember, I was a waiter
16:46I know how the hotel employees treat
16:48So it seems to me that he deserves it.
16:50But, Eduardo, I think that...
17:01Cecilia, I did what I had to do.
17:03Patricia left me no choice
17:08And when was that money supposed to be paid to him?
17:11Well, and if he asked for a term, mom, tell him that you are going to pay him interest.
17:14I don't know, he gave him some time and paid him double.
17:17Well, what else can we do, mommy?
17:20I mean, we're not going to steal to pay him that money.
17:24Look, old lady, go and tell him what I'm telling you.
17:27Tell him I'm in Bogotá, that I'm going to get a job.
17:29And as soon as we have that money, we will pay it.
17:33I don't know, old lady, I know that I should be here studying.
17:36But what can I do? I'm not going to leave her alone, no, sir.
17:39Listen to me, whatever it is, I'm going to help you.
17:43Yes, mommy
17:44Oh, that's it, I'll put your shit here so it doesn't look so ugly.
17:49But what?
17:53Aladdin's lamp was found and a bad genie came out, what?
17:56What are you playing at, sir?
17:58But what are you accusing me of now, Yane? What am I guilty of?
18:00Well, what he did to Milton yesterday!
18:02Ah!
18:03That is the worst ridiculous thing, the most schoolboy thing I have ever seen you do.
18:05Yeah, it was disgusting crap, but I had a lot of fun.
18:09Besides, whose fault is it?
18:10That's your fault, you were the one who put us in this confrontation, in that petty fight.
18:14To whom was it that a daughter appeared?
18:16Oh, all that trouble for a daughter there...
18:18What's my fault? Mistakes of youth
18:19Who was it that decided to be unfaithful to me?
18:22Oh, all that fuss over there for a big-legged old lady, there...
18:26Everyone has mistakes
18:28Who understands you, Yane?
18:30You're accusing me of being irresponsible, so I accept my guilt, so what?
18:33He hits me and keeps hitting me and keeps hitting me?
18:35No, no way, neither.
18:36Alcides, I need you to send that little girl immediately to the town where she came from.
18:41It's easier for the Virgin to let go of the child, isn't it? That's not possible.
18:44Why not?
18:46Well, because I'm already doing the paperwork to give him the last name.
18:49For that girl to come and settle here, well...
18:51After all, that girl is as much my daughter as Arturito is.
18:54Not even a joke says that.
18:56But what do you want me to do?
18:57That girl is body of my body, blood of my blood, intellect of my intellect
19:01What I do?
19:04Janet, please...
19:06Think about it, meditate on it, okay?
19:09If I could accept it, why can't you accept it?
19:12Give it a chance
19:14You'll see that they take lives, my Chinese life is good people, they look like me
19:17Physically he is very beautiful, he looks just like me.
19:20I have a chance
19:21Your days are numbered, Mr. Compariza.
19:24That's the only thing I can tell you.
19:26Janet, please, Janet, let's stop these fights like this.
19:31Come on, pretty, why don't we cuddle up and remember old times and play brother?
19:37No! Watch out!
19:38Little Brother, little brother his paws
19:40I hate you, Mr. Compariza!
19:42I hate him with all my soul for being so miserable, so little!
19:46Old fart
19:49I accept the small thing, but the small thing
19:53You didn't tell me that before.
19:55It is white and the hen lays it
19:57What does Cecilia do? She gets me off the bus.
19:59What does he do? He starts patching with this guy.
20:01Oh no! I'm stupid!
20:02Oh, please!
20:03Oh, please! What a slap!
20:04Oh, you're not going to think that Juan Antonio and Cecilia have something!
20:07Well then give me another theory, give me another explanation.
20:09Coincidence!
20:10Oops, coincidence!
20:11Well yes, both of them were worth the same thing at the same time.
20:13Yes, that's a coincidence.
20:14And my teeth are milk teeth, right, son?
20:16I've been eating salt for a while now.
20:18Who wants to say something?
20:20I'm dying
20:21I'm dying
20:22The day I see Juan Antonio and Cecilia together, not to mention the day I said, the world will end for me.
20:25No, well, that's it, I don't doubt it.
20:27Come on
20:29Yeah...
20:30If you are thinking
20:32Well, that's true and...
20:34What are you going to torture yourself for?
20:36Well, advice is to give up the castle
20:40Well yes
20:41If those threats are true and Juan Antonio suddenly wants to get back at Cecilia
20:45Well, consider the possibility
20:48Peaceful
20:52No, Tulita, no rumors.
20:54What I'm telling you is confirmed.
20:55Patricia is leaving
20:56After the tremendous fight he had with Cecilia
20:59From the stop that hit him in Eduardo, he resigned
21:01Oh no, poor thing.
21:03Where will Cano go to look for that poor woman?
21:05Ha, poor thing.
21:07Poor thing
21:08Poor thing, I can tell you that I've never seen her like that in my life.
21:10I had never seen her cry.
21:12Look, you know what?
21:14Someone had to put the points on that girl's chair.
21:18Tulita
21:19Lady, that little girl thinks she's the last soda in the desert.
21:22Why do we have to do everything she says and whatever she wants?
21:25And no, madam
21:26Someone had to stop her at last.
21:28And?
21:29Doña Silvia, what do you say about this?
21:30From being foliose, hysterical, right?
21:32Indeed
21:33And prepare some Tulita
21:34Because if Don Eduardo continues to implement his law
21:37This is going to get hot here.
21:39And very hot
21:40I'd better go to work.
21:42Yes, Teresa, in any case...
21:47Teresa, we'll talk later.
21:49I know it's important, but we'll talk later, Teresa.
21:51Thank you
21:52What happened?
21:54Well, we've been talking with Patricia
21:57And we came to a conclusion
21:59Which?
22:01Well, seeing as the relationship between you two isn't going well at all
22:04She's moving out of the house, she's not going to live with us.
22:07It seemed perfect to me
22:11However, and given that we sold the house and she has nowhere to live
22:17He will be living in the hotel, starting today.
22:22Patricia will occupy the suite that Cecilia was occupying.
22:30No, Maritza, she had to go to university because that can't be done online.
22:33Oh, don't tell me that.
22:34Well, if you want, I can accompany her.
22:37Well, since I'm free for lunch, then, well...
22:42Does this sound familiar?
22:46Well...
22:47Do you have money problems?
22:51Look, I don't have money for the bus or the form.
22:54Oh, I should have said it before.
22:55Look, I have a little chat here.
22:58He takes her away
22:59And that's why there's no problem.
23:00No, no, no, no, I feel so sorry for you.
23:01Good?
23:02No, ma'am, I already spoke to your dad.
23:04Don Alcides is going to give me a talk.
23:05And she gave me the go-ahead for the food and the sleeping arrangements.
23:08Oh really?
23:09Uh... yeah
23:10And when you get to college
23:12We put the nightstand, the bed, blankets, pillows
23:15No, well, you can't worry about that.
23:16Because I can stay there in the living room, really, I don't want to bother
23:19You're not bothering me, no, ma'am.
23:20Well, madam, you have to be so stubborn.
23:21It arrives, it is treated and that's it.
23:25I look as gorgeous as ever, don't I?
23:27He knows that when I get my job, I'm going to pay him back every last cent he lent me, really.
23:31Because I am not with Chuda
23:34Well, thank you.
23:35There are 150 thousand here, tell us
23:38No, I trust you.
23:39The beauty is that she needs me
23:41Are we going or what?
23:42Ah!
23:43Ney!
23:45Yeah
23:46Alright
23:51I don't see any need for Cecilia to leave there.
23:54You know very well that there are four suites exactly like those.
23:58No, but they are all busy.
24:01The last one was occupied at night, if you want we can call Anne Boleyn
24:04No, no, it's not necessary
24:05But it's a pity, then he'll have to occupy another room
24:10A standard room
24:12That?
24:13Yes, yes, that's it, if not, go to another hotel, whatever you want.
24:17Eduardo
24:18Mom, do you see?
24:19I told you, I told you that we couldn't count on this man at all.
24:22Of course, since Cecilia is above us, since she is untouchable
24:30Eduardo, I don't understand.
24:32Are you really going to put Cecilia above my daughter?
24:34Above my daughter?
24:35I'm not putting Cecilia above anyone.
24:39So what does all this mean?
24:41Look, Silvia, even though Patricia is your daughter, I'm not going to give in to a capricious and spoiled girl like her.
24:48The poor girl was about to cry.
24:55She left Eduardo's office completely empty, he treated her very badly, she told me so herself.
25:00The truth is that this man has a temper that no one can stand, he has a terrible character
25:05And the one who makes me feel the most sorry is my mother, because of the relationship she has with both of us, she is in the middle and always gets the worst part.
25:12If he defends Patricia, he's bad, and if he doesn't defend her, he's worse.
25:15Are you bored?
25:20That?
25:22Well, I see you yawning, I've been talking for a while and you don't even look at me.
25:25No, I wasn't yawning, I was wiping away my tears because what he told me moved me, look how it left me
25:32No, what happens is that I want to ask you a little question.
25:36You spoke to Cecilia, right? Right?
25:40And can you tell me what they talked about?
25:43Can't you?
25:46If I can, I can, what I don't know is if I should.
25:50Oh, please.
25:52Alright
25:55Cecilia told me that she wanted to give herself a chance with someone else.
26:02What he didn't tell me is with whom?
26:05Yes, how does that sound to you?
26:08Allow me
26:09Please
26:11Oh, ATMs
26:12Thank you
26:13Oh no, but this is already a battlefield and there are two fronts, on one side is his mother-in-law and his girlfriend and on the other side is Ceci and Don Eduardo
26:34Well, but you don't have to be a genius to know who's going to win.
26:38Don Eduardo?
26:39Obviously Anne Boleyn, he is the money man, the great capitalist partner
26:45On purpose
26:48Oh, if I see it badly parked, buddy, very bad.
26:52No, no, nothing bad, nothing bad, do me a favor and get me out of this mess.
26:55Because I want you to know that even though I am Patricia's boyfriend, that doesn't mean that I agree with everything she thinks or says.
27:01I don't know, I said to Patricia, how could she possibly go to Ceci and ask for permission to go on vacation, for God's sake?
27:06With so much work going on at the hotel right now, it's not a good time to leave work.
27:10Well, as long as Dr. Sánchez knows that
27:12Oh no, it's just that I went to talk to Ceci.
27:14I told her what I thought, she told me, calm down Chuchito, I know you are a responsible man
27:18And don't worry, neither I nor Don Eduardo have anything against you.
27:21Well, thank goodness, old man.
27:23Well, between us, I'll tell you something.
27:28That's not the only merenguenal walking around the hotel's halls.
27:33What happened?
27:34I tell you that in the bar things are burning hot, they are very, very hot
27:50Ceci, if you want we can go somewhere else
27:52No, not either.
27:54Sure?
27:58Yes, sure.
28:00Can I ask you a question?
28:01I know you want to get away from Primo, but why? What did he do to you?
28:05It's not obvious
28:09Do you think they two have something?
28:11I don't just believe it, I'm sure of it.
28:15In fact, I have proof and everything.
28:18I'm so sorry, really.
28:20I also want you to know that, as a favor, I've already spoken to Primo, haven't I?
28:24I expressed my intentions to stay with you, to conquer you
28:28Sit down
28:31What are you going to do?
28:33I know that what is happening between them is hitting him very hard.
28:36But you have to have pride
28:38Be patient
28:40Besides, that was already coming.
28:42Because since Juan Antonio arrived at the hotel they were very close together up and down
28:46It wouldn't be strange if she herself had asked him to come back.
28:50Calm down, okay?
28:51To the Quintanilla neighborhood?
28:57Yes, yes Milton, the thing is I don't want to go with my bodyguards.
29:01I want to make a quiet visit and with all those people behind me it would be impossible.
29:05I see
29:06I would take
29:08Doctor Sáenz, of course, it will be a pleasure for me.
29:11Are you going? What time are we leaving?
29:12See you in five minutes downstairs, I'll take it.
29:15Yes sir, excuse me.
29:17I give it like this now
29:19How are you doing?
29:20Okay, thank you very much, excuse me.
29:23Is something wrong?
29:25No, I just wanted to know if you were going to have lunch with me.
29:27I'd love to
29:30But no, no, I'm going out
29:32And so?
29:34Personal matters
29:36See you later
29:38And how about where is it?
29:49I say, out of curiosity, to know
29:52Out of curiosity, to know
29:53And above all, with how intense it has been with Eduardo, am I going to be so stupid as to tell him?
29:58He goes into one of those fits of madness and appears over there.
30:01Oh no, how could you think of that? No, no, my God.
30:04No, not that either, what if we didn't know her, right, Karen?
30:07Oh yeah
30:09And what was that sigh?
30:11Why is he like this? What happened to him?
30:13Oh no, it's just that I haven't been free for like two months.
30:16That is, without being able to look at the monster, without having to give explanations, without having to hide, without having to say that I was going somewhere else.
30:20And was it that boring, Ney, or what?
30:23Oh no, but the peak was boring.
30:25It's just that since I broke up with Arturo, there wasn't a minute that he left me alone and that boy seemed like a piece of chewing gum.
30:30I'm going to regret it with poor Maritza, my little girl, because if that fool gets bored with you, it's because he's behind your leg and long, grab your leg.
30:37Oh God, may God protect her and favor her, poor thing, poor thing, yes
30:40Look, listen to me, that takes a lot of time, getting a job is not that easy.
30:47I know, but you have to make the effort and have faith, right?
30:51But then what are you going to do in the meantime? Because so far, Don Ancilla is showing himself to be the generous father. I'm a good person, but look, I already know him.
30:57And when you get bored, what are you going to do? Are you going to run out to wherever they can and borrow money again?
31:01No, not even close, how could you think of it?
31:02Ah, well, then
31:03Well, I don't know, I'll make something up later.
31:06Yes? Look, I've come up with something like that. I want to have the solution to your problem.
31:11Which?
31:12Yes, what happens is that I heard that his mommy seems to have money problems.
31:15Yes, yes, some money he borrowed and hasn't been able to pay back, but so what? Let's see.
31:21No, what happens is that I have some little foxes stored away and well...
31:25Really? And can you lend it to me?
31:27Well, as much as lending, lending, well, it hadn't occurred to me, but I was thinking of something else...
31:33More intimate, more personal, you know what I mean?
31:37Ah, yes, I see.
31:38The thing is, you can't imagine how much of a jerk I've been with all my ex-girlfriends or all the women I've ever had. Look, I...
31:43I go out of my way for them
31:45Yeah?
31:45Yes, and then, well, I came to think that if you and I were to...
31:50Yes, yes, yes you and I, oh, so beautiful
31:53Come on, Ernie, this is the first and last time you're going to make me a proposal like that, okay?
32:00That's going to be quick, my son, I don't want us to be late to university because of this.
32:03How's it going, Ernie, what's up, babe?
32:12Come on
32:13And what time would I have to be there?
32:15Ah, well, perfect, see you then, thank you very much.
32:19Oh, Mom, I have two appointments this afternoon.
32:24Quotes from?
32:26Well, what else are they going to do for work?
32:27Because I'm going to show your husband, you and all the inept people who work at this hotel
32:31The business class they lost because of Cecilia's ineptitude
32:34Well, what about you? Weren't you going to have lunch with Eduardo?
32:39No, he stood me up.
32:41That?
32:42The truth is I don't know what's wrong with that man.
32:46I don't understand what you are believing
32:48Oh yes, Mom, you're absolutely right, I don't understand what he's believing either.
32:51Forward
32:58Excuse me, how are you?
33:02How was lunch?
33:04Good
33:05Long, isn't it?
33:06Let's see, I need to ask you for a favor. I'm here to get you to move me, right?
33:09From the labor section
33:10You might be wondering why, right?
33:12Because?
33:13Because it's very uncomfortable, right?
33:15This situation that is occurring after what happened, let us work together.
33:18Of course, that is a decision that the manager, that is, yourself, has to make.
33:21You yourself, to yourself, right?
33:23The question has to be asked
33:25I don't know what you think.
33:27What do I believe?
33:29That if you feel that your work performance is being affected
33:32For personal reasons, there is no other option
33:35No, no, no, wait a minute, I know the differences, right?
33:37One thing about one thing, another thing about another thing, don't you understand?
33:39I know what a bicycle is and I know what a monkey is.
33:41Me too
33:42Yeah?
33:43Oh ok
33:44No, besides, I say it because people in this hotel are very gossipy, right?
33:47Well, of course, they see us working together and they're going to start defaming
33:50No, they came back
33:52No, they finished.
33:53No, he takes four hours for lunch.
33:55I understand perfectly.
33:56So?
33:59I don't know if it occurs to me that we can relocate him to the vacancy that Patricia mentioned.
34:03I think it's perfect, I think it's great.
34:05The only thing, right?
34:06It's that I would have to make a splice
34:08Because that apartment was ruined with that girl, right?
34:10That has so many meat problems
34:12I will gladly give you an induction.
34:14But as you can see, I am very busy at the moment.
34:17Of course, it's stuck
34:17Three hours of lunch and I'm done?
34:19What did he say?
34:20I would love for you to introduce me, right?
34:23The department
34:24So you'll say, when can you introduce it to me?
34:27I will do the induction later and let you know.
34:30Okay, then I'll ask your permission, I'm going to take a break.
34:32Enjoy your meal
34:34Thank you very much, very kind
34:35Two hours of lunch
34:37Two hours
34:38Obviously he believed it.
34:45It's that Cecilia thinks there's something between you and Primo.
34:48You should have seen her poor face.
34:50Just like Primo
34:51Oh yeah?
34:52Yes, by telling him that if it hadn't been for me he would have even made the claim.
34:56You would have left it
34:58No
34:59Understand one thing
35:01The more Primo claims Cecilia
35:03It's going to bother her more
35:05Anyway, the way we're going, we're doing very well, aren't we?
35:11What we have to do is continue in the same vein.
35:13Take advantage of every space to unsettle them
35:15And be very careful
35:16You can't tell your mom anything.
35:18No one can know this
35:19Don't worry about that.
35:20Oh yeah? Why?
35:22Because she is dealing with a worse problem.
35:24He is aware of what is happening between my sister and her husband.
35:27It's not that they spend their time holding on
35:28Because of Patricia, they are constantly in a war of disbelief.
35:32I'm coming, but what a stalker, listen
35:39Also
35:39Eduardo
35:45Don Eduardo
35:46No, Eduardo, Eduardo
35:48What else? Follow
35:53And what are you doing here?
35:56I came to visit them
35:57How are you?
36:00Good
36:00Very well, yes, yes, sir
36:02And the patch? Where is it?
36:04The patch does not
36:05The patch is not
36:06Rather
36:07Miran is with Karen delivering an order
36:09Ernei is with the new tenant
36:11Me too
36:12Well, I'm here.
36:13And I'm going to make you a little coffee.
36:15Well, so that I don't miss the trip.
36:16Well, even if it's just that I drink coffee, yes
36:18I'm coming
36:19Yadira
36:19Could I work on the carving for a while?
36:28I mean, I'm a little stressed.
36:29And painting and making stained glass de-stresses me.
36:32Can?
36:35Yes of course
36:36All yours
36:36Good
36:37I'll make you the coffee then.
36:40Well
36:41And since I am the trusted man
36:51And practically Dr. Saenz's escort
36:54Well, he told me to accompany him to visit Primo's family.
36:57So I took advantage
36:59To tell you that I wanted to visit my flower of the, the, the
37:02The most beautiful flower in Quintanilla
37:04And well
37:06Tell me one thing
37:07How has life continued to treat me?
37:10Well then
37:10Good, good
37:11Although deep down I can't stop feeling
37:14Pity you
37:15And so?
37:17Well I feel bad
37:18For all the things you've had to go through
37:20Because of
37:21From that ridiculous Alcides
37:22So don't worry, ma'am.
37:25How can I not worry, Milton?
37:28No
37:29No
37:29He is a problem for me
37:31Minimum
37:32It's more
37:33They say my middle name is
37:35Mortal Argo
37:36And since we are talking about the incident
37:39Tell me something
37:42How is the divorce process going?
37:45Forgive me, yes.
37:46I am very imprudent to ask him.
37:49But
37:49It's a topic that interests me a lot.
37:52How is the divorce process going?
38:22Here you have it
38:32Oh, thank you very much.
38:33Loaded and sugar-free just the way you like it
38:34It's incredible that he still remembers that.
38:39One should not forget the important things, Eduardo
38:43Oh, too bad he missed the trip, huh?
38:49Well I say
38:50I imagine if he came here
38:51It was because I wanted to talk to Miriam
38:53And she is not exactly there
38:54No, no, no, no
38:55It wasn't that I wanted to talk to Miriam
38:57Of course I would have liked to see it.
38:58The truth is that
39:00I wanted to escape from the problems I have at the hotel
39:02And what better place to be than this?
39:06Yes, I completely agree.
39:08Well, I say because
39:10Me too sometimes when I get sad
39:13Because I don't believe
39:14I'm so agitated
39:16And every time I get crushed too
39:18And when I'm so crushed
39:19So I go into the workshop
39:21And I take a stained glass window
39:22And I take my colors
39:24And my brushes
39:25And I start to paint
39:26And I seem to be going over there to other worlds.
39:29As if time had stopped
39:32Do you understand me?
39:34Yes, it's true
39:35Although sometimes
39:37I don't know, just thinking about the problems.
39:40In one's bitterness
39:41It's not very good
39:43Sometimes it's good to share it with someone else.
39:44For that person to give you advice
39:47Or your opinion
39:49Of what's happening to you, right?
39:51Yes of course
39:52Nadira
39:54Have you ever been married?
39:57Did you live with someone else?
40:02Well, no matter how much he fought and fought
40:03Don Eduardo did not want to agree with him.
40:05He told her she was irresponsible.
40:07And
40:07It had been accessed in the way he treated me
40:10And for the same reason
40:11And since it wasn't the first time
40:12That caught his attention
40:13I had to accept the consequences.
40:14What are which?
40:16Go to the hotel
40:16Leave the castle for good?
40:19No, Tulita
40:19Don Eduardo did not want him to leave the hotel.
40:21And then?
40:23He suggested that she work as a receptionist.
40:25That?
40:27Yeah
40:28What he raised is that
40:30To teach Patricia how to treat people
40:32It must be put on equal footing
40:34With everyone else
40:35Take away any privileges
40:37That she had for being Silvia's daughter
40:38But I imagine the girl said no.
40:40Because she won't lower her head
40:42And accept that he made mistakes
40:43No, you prefer the hotel first, right?
40:46Exactly
40:47She's nothing but a coward, my little girl.
40:49And what a pity that it would have served as a lesson
40:51And not only her
40:52But to the little sister
40:53That is another pedant just like that
40:54Do you think so?
40:56Because I don't think everyone thinks like you.
40:58No?
40:59Why's that?
41:00Well...
41:01Because cousin is delighted with her.
41:04Just to tell you that I saw them having lunch together today.
41:07And that was just laughter
41:09Oh, but thank goodness
41:11And thank God we came up with the job change.
41:14Because in the peach shop they've been since she came back
41:17I don't tell you
41:17How come I change positions?
41:21Well yes, Tulita
41:21From now on Mr. Gonzalez
41:23He's not going to work with me anymore.
41:24Or rather, it's not going to be the...
41:26The management assistant
41:27Oh no?
41:29No
41:29From now on, she will occupy the position left vacant by Patricia.
41:33It will be dedicated to food and beverages
41:36And it seems perfect to me or not
41:38Because there he will be able to live comfortably.
41:40The idyll, the romance that he is experiencing with...
41:42With Andrea
41:43Especially such a lovely relationship, right?
41:45And so honest
41:46Busy?
41:55What do you need?
41:56Silvia, I'm very worried about you.
41:58Because I heard how bad things are going for you with your...
42:01New husband
42:02Look, Juan
42:03If you came to make fun of me
42:05He leaves the office immediately
42:07On the contrary, Silvia
42:09Vine
42:11So you realize how much I care about you
42:13And how much I would be willing to do for you
42:15If you want, right?
42:26Thank you!
42:27Thank you!
42:27Thank you!