- hace 3 meses
Categoría
📺
TVTranscripción
00:00And you're not going to work today either?
00:05Sorry?
00:07No, I say this because if they call him, what do I say?
00:10Where is it or what?
00:11Ana Bolana, as you know, I work at this hotel
00:13and I am also a friend of the family,
00:16then I'm going to the nursing home because right now
00:18I have to be close to them.
00:20Ah, yes, already.
00:22Anything else?
00:23No.
00:24Ok.
00:26Yes, of course.
00:28Come on, Tulita.
00:30How did Miss Andrea continue?
00:32I really don't know, all I know is that cousin and Cecilia are coming here.
00:36No, no, up to here.
00:41No, cousin, you can't imagine the atmosphere here at the El Castillo hotel.
00:45with that story of Andrea.
00:46No, yes, I imagine.
00:47I might be arriving soon.
00:48What about Congress?
00:50That talk was lost.
00:52I'm going to tell you something, but please take it easy, okay?
00:55What was it?
00:56What happened?
00:57Andrea called Antiera at home.
00:59Oh, life and cuemín, girl.
01:01And?
01:02Obviously they told him that I came to Villa de Leiva with Cecilia for the Congress
01:05and that girl went crazy and shot herself with a banana.
01:08No, it was Miriam who answered, right?
01:10But she didn't say anything to him at all.
01:12Oh, thank goodness.
01:14That doesn't mean she didn't find out from another source and get her wires crossed.
01:18Well, how long does it take to get here?
01:20Ah, well, done.
01:23See you here.
01:24Bye.
01:27Sir, how about the tremendous news we received this morning?
01:32Milton, tell me something, what's your problem with my mom?
01:37But I'm going to hit that jerk where it hurts the most: his pride.
01:45And how is he going to get pride?
01:47Well, by messing with Milton, so he knows what's good.
01:51Oh, no, yeah, yeah, not even there.
01:53It's a shame I'm getting involved, isn't it?
01:54I know I'm not who.
01:56You can do whatever you want, choose whoever you want,
01:58taking revenge on the CID is as you like it best,
02:00But messing with Milton is a problem.
02:02Well, I don't see the problem anywhere.
02:04No, well I do.
02:05It's just that, look, if you mess with Milton for wanting to get revenge on the CID,
02:08What's going to happen is that Milton is going to bear the brunt and that doesn't seem fair to me.
02:11Look, he's going to think you really want to have something with him.
02:14when in real life there are no cockroaches.
02:15No, well, that doesn't matter to me.
02:17If they did it to me, those who have to pay should pay.
02:19Oh, but how did he do it even with the innocent?
02:21If I remember correctly, when you broke up with Alcides I was innocent.
02:25And that didn't matter to you, or am I wrong?
02:28Yes, but that's precisely why I'm telling you.
02:30Because when someone gets involved and hurts innocent people,
02:32because one feels bad and one's conscience weighs on one's heart.
02:35and he has that remorse in his heart there for a little while.
02:37And no, I know why I'm telling you, Mrs. Ayanea, what's the point?
02:41Well, I congratulate you for all the lessons you have learned.
02:44But you are not the right person to give me advice, Maria.
02:46In any case, I did my part by telling him, didn't I?
02:48Well, don't say I didn't let you.
02:52The truth is that what I feel for her mother is admiration and respect.
02:58Far be it from me to want to do him any harm.
03:01I hope so, Milton.
03:02Because remember my mom is a married woman, right?
03:05No matter how many problems I have with my dad right now,
03:08You cannot take advantage of that situation.
03:10Take advantage of me?
03:10I will never have such an intention.
03:15She's not alone, Milton.
03:17I'm there.
03:18And if not, he'll have to deal with my mom.
03:20Look, Arthur.
03:21No, Arturo, Mr. Arturo.
03:23Don Arturo.
03:25You don't have to be like that.
03:27The only thing that unites her mother and me is a very, very nice friendship.
03:32Nothing else.
03:32I hope so, Mr. Zafra.
03:36But,
03:38face the consequences.
03:48What about the one that got lost, hey?
03:49Oh yes, little girl.
03:50Look, that reached her yesterday and a tremendous mess broke out.
03:54For Maritza?
03:55Well, of course, it was such a great idea to rent a balcony, you know.
03:58Imagine that Mrs. Janet came to offer money to Maritza.
04:00What is it that made the people return, ah?
04:01And she obviously didn't accept it.
04:03And that's when all that trouble started, but...
04:05Oh yes, my God.
04:06Mrs. Janet screamed.
04:07And that's what Maritza was shouting?
04:09Don Alcides shouted.
04:10And Yaira screams, ah, no, while she was gone.
04:11Don Alcides and Don Alcides, why?
04:13Well, because when they were fighting like that in the middle of the uproar,
04:16Don Alcides arrived and that...
04:17You lifted my tongue, Mrs. Janet!
04:19What way? You should have seen if even I was scared.
04:21Oh my God, what is this?
04:23Cannibals!
04:23Hello, guys.
04:27What's up, Maritza?
04:28Hello, how was college?
04:30Uh, good, good, thanks.
04:33Well, I brought you some juices.
04:35Oh, so pretty, thank you.
04:37The first thing is that Maritza is good at comedy and making them.
04:40Thank you.
04:42Well, when am I going to have the pleasure of meeting your sister?
04:47Uh, today.
04:48I think today.
04:51That's lovely.
04:51I spoke with Ceci and Don Primo, they had already set off on their journey and they told me that, well, they were going around Tocancipá.
05:00That is, they are already close to arriving.
05:01Well, and he didn't say anything else?
05:03No, sir.
05:04Well, thank you, Tulita.
05:05Excuse me.
05:08I find it very strange that Andrea wants to talk to Cecilia.
05:11To me it seems the last straw that my sister has secrets from us.
05:13It's very strange, very strange.
05:14Well, don't worry, we'll be scheduled to arrive and we'll know what it's all about, right?
05:22Very well, Andreita, you did everything I told you to the letter.
05:26And now not only is everyone at the hotel talking about you, but we've got Cecilia and Primo back.
05:32So Primo is already on his way.
05:35Yes, very soon you will have Cecilia in front of you.
05:38Well, that's good, I'm dying to smash that ridiculous girl's face in.
05:42No, you can't imagine the face he's going to make when he sees this.
05:48Because?
05:50This is a new cell phone with the same number that some friends of mine fixed.
05:54Here you'll find some messages that Cecilia probably won't like at all.
06:01So, Andreita, very soon you'll have Primo at your feet for whatever you want.
06:07To see.
06:12And where is Maritza? I haven't heard from her in a while.
06:20He should have gone to bed.
06:22If you want, I'll go look.
06:22Oh no, miss!
06:24I'm staying here, help Karen.
06:25Of course, and then they say no, they don't cooperate, no, they don't take any action.
06:27Oh!
06:28Shh!
06:37Maritza.
06:39What did you do to make you feel like this?
06:41Son of Mary, what happened?
06:43Well, nothing is going to happen.
06:45Are you going out today?
06:46No, ma'am.
06:48So why did it get so messed up?
06:49Do you know if Primo is delayed?
06:59What a shame to have sent her from Villa de Leyva.
07:02Don't worry.
07:04But I ruined all his plans.
07:06Andrea, the only important plan I have right now is to come see you and be with you.
07:11Oh, so pretty.
07:13How does it feel?
07:15Well, sad, very sad.
07:17These events are more frequent, more common than one thinks.
07:24It's just that I'm not crazy.
07:25No, no, nobody is saying that.
07:27Oh, look, I know they have me here because they think I've got a screw loose, but that's not it.
07:32My heart and gun are broken.
07:35And believe me, it's not exactly because Primo doesn't pay attention to me, but quite the opposite.
07:44What's it like? Yeah, I don't understand.
07:47Primo is cheating on both of us.
07:52I've been playing with us, Cecilia.
07:54He mocks our feelings.
07:57Cousin, what you've done all this time is make us believe that each one is his only woman.
08:05Andrea.
08:05Look, what's happened hasn't been easy for you.
08:12They are also giving him a lot of medication.
08:14If you don't believe me, although it pains me greatly to have to tell you this, I have proof.
08:19I have proof that everything I'm telling you is true.
08:22Cousin, calm down, stop walking, you're going to make a groove in the floor, sit down for a second.
08:31Ask me, my son, girls, we shouldn't have left her alone with Andrea, we shouldn't have, she's going to do something to her.
08:37She's not going to do anything to him, she might be a little crazy, but she's not going to do anything to him.
08:39A little crazy, a little crazy, imagine them sitting down to eat something, right?
08:43And there's my Ceci with her tiny little hands.
08:45And the other one sees him like this and takes out the fork and ting!
08:47Fork, tin, tin, tin, tin, tin!
08:48Oh? And, oh, even better, Cecilia is left, oh, oh, oh, my hand!
08:50And I'm going to take a knife and you in the eye, he takes it out, he leaves me blind.
08:53Oh, please!
08:55No!
08:57It is a possibility, it is a possibility.
09:00No, no, but how do you think such a thing?
09:02No no.
09:03Do you want me to say something, doctor? Do you want me to say something?
09:05A person who has thought about committing suicide is capable of killing another person.
09:09If he's going to kill himself, he's going to kill someone else.
09:11She's not going to kill anyone, she's not going to be capable of doing something like that.
09:14I'll just tell you one thing, doctor.
09:15Something happens to my Cecilia, God forbid, I die.
09:18Nothing's going to happen to you, cousin, don't worry.
09:20Life isn't perfect, doctor.
09:22Me, perfect, there, I called her, now, snuggled up with her.
09:25We were talking, delicious.
09:26Look, no, excuse me, yes, you're absolutely right.
09:28Boom! The call comes in.
09:29It's time to run away because the crazy thing is generated.
09:31Let's see, let's see, what did you say for a little bit?
09:33So, it's getting dark, yes, and you.
09:37Oh, doctor, haven't you told him?
09:38No.
09:39Yes, doctor.
09:40Yes, doctor, Cecilia and I were together again, right?
09:44We spent the night together.
09:46And it was a wonderful night, I can't even tell you that, doctor.
09:51Cecilia, why don't we sit down?
09:54Look, how could you possibly think I'd start making up lies for you at this point in the game?
09:58After everything I've done and how far I've come, what's happening now.
10:03I have a relationship with Prima.
10:08No, Andrea.
10:10Do you think that if he and I didn't have a relationship, he would be like this with me, so special, that he would always be by my side?
10:16That would have taken me, for example, to Alcoholics Anonymous.
10:19That.
10:19Well, I understand now.
10:21I'll explain it.
10:21Look, that's a small sample of things, Cecilia.
10:25You can't imagine what he was like with me in therapy.
10:27Everything is nice, the things he has always told me.
10:30He has been very special to me all this time.
10:32In fact, the day I fought with my mom and my sister, he was the one who took me to live in his house.
10:38A normal friend doesn't do that, Cecilia.
10:40A person like Primo, yes.
10:44Yes, Andrea, because, you see, he has such a big heart, such beautiful feelings, that people even take advantage of that.
10:53You are very blind.
10:55No, not blind, I would say more like safe.
10:58Well, it shouldn't be.
11:00Seriously, listen to me.
11:01When he realizes it will be too late.
11:02So, according to you, Primo is playing with both of them.
11:09No, he's not playing.
11:11He is with both because he is confused, because he has not been able to decide on either.
11:15But that's not his fault, that's life's fault, that puts us in situations like that.
11:20Andrea, I think I'm going to go because, well, you must be tired and I think that's enough for today.
11:27Sorry.
11:27No, you don't believe me.
11:29I'm not crazy, Cecilia.
11:31Nobody is saying I'm crazy.
11:33But, well, I do think she's a little confused.
11:39You know what?
11:40Honestly, I didn't want it to come to this, but I have no other choice.
11:43What is he talking about?
11:44Look.
11:46Check it out for yourself.
11:48On my cell phone are all the messages that Primo has sent me for a long time.
11:58It's just details, doctor.
11:59It's not that I don't think I should give you details, gentlemen.
12:02I'm going to be jealous, aren't I?
12:04No, he'll be jealous.
12:05So, you are very happy.
12:06Does it seem like a pig ruining the lasso?
12:07Too bad.
12:08Did I think it or did I say it?
12:09No, he said it, yes.
12:10And it came out?
12:10Hey, as always it comes out.
12:12Oh, what a shame.
12:12As usual.
12:13Well, what are you going to do?
12:14Are you going to keep it a secret?
12:15Are you going to make it known?
12:16No, I think it's best not yet, right?
12:19Given what's happening with Andrea, I don't think it's convenient.
12:22No, that's true, yes.
12:23Oh, but I'm happier, doctor.
12:25You don't have to tell me, it's obvious.
12:26And I'm very glad.
12:27Oh, thank you very much, thank you very much.
12:28And besides, life is crazy, isn't it?
12:30Life is a carnival thing, as the singer Celia said.
12:33The singer, yes.
12:34Yeah.
12:34Life, life.
12:35Of course, of course, doctor, because start thinking.
12:37I was already lying down, right?
12:38To the flasks and I said, no, this is not happening anymore.
12:40My Cecilia already hates me, right?
12:42When suddenly, by fate, you appear to me, the invitation to Villa de Leiva.
12:46That is, destiny takes me to Villa de Leiva.
12:49What's going on now?
12:50Love returns and is reborn.
12:51My God, destiny is a tough thing.
12:54Yes, destiny.
12:57He's already convinced.
12:59Which one are you reading?
13:01Oh, that's very dissenting.
13:03There are prettier ones.
13:04Well, look, is this one from I miss you?
13:06No, you don't understand me, it's very simple.
13:09I want you.
13:11Too bad.
13:12I shouldn't show you something so intimate, but I can show you that one.
13:14Look, look.
13:15Look.
13:16How I wish I could end this confusion that drives me crazy, but I can't.
13:20What's more, yesterday he sent me one from Villa de Leiva.
13:24Look, look.
13:25I'm counting the hours until I can be by your side again.
13:28I'm barely leaving when I'm already getting off the pavement.
13:32He sent this to me.
13:33In the afternoon.
13:35It seemed to me as if you were fighting.
13:42Andrea, tell me something.
13:44Did you do what you did for this?
13:48Let's say that the only thing I have clear
13:50It's that if you didn't exist, I would be with Primo.
13:53If I'm not with him, then what's the point of all this?
13:59I'm leaving now.
14:01Ceci.
14:02Please don't tell him anything.
14:05Look, he's been very honest.
14:06With you?
14:08Yes, well, but that's only because he trusts me more,
14:10but he is not bad.
14:12Don't tell him anything.
14:13She will feel so betrayed.
14:15Let's see, from one to ten, twelve, dad, twelve.
14:32Ah, as they say, it went well for him.
14:33No, well, no.
14:34The thing is, she's a...
14:35a goddess, she is an angel.
14:38You're not exaggerating that percentage a little, are you?
14:40Look, I'm not even exaggerating about this, I swear.
14:42Well, I didn't come here for that either,
14:45I wasn't even expecting him to do that.
14:47Hasn't your brother told you anything?
14:49My sister?
14:50No.
14:51About what?
14:51Oh, what a shame.
14:53How are you doing?
14:55Before or after you saw it?
14:56Cousin.
14:57No, calm down, calm down,
14:58I already know your friend's sense of humor.
15:02Did I need to talk to you?
15:03Did you need or do you need?
15:05Need.
15:06Ah, then, in bad luck because I'm in a meeting,
15:08then it can happen later.
15:09Thank you so much.
15:10Next one is knock, knock, knock, right?
15:12It hits.
15:13I'll be back in five minutes.
15:14Let there be ten, the meeting here is going to be too long.
15:17Oh, yeah.
15:18Come on, you sometimes get a little carried away with that man, don't you?
15:23Mister?
15:24Mr. Eduardo, sir, even you, my son,
15:26but the man is a puppet.
15:28Well, thanks for what's due to me, right?
15:30No, but I'm talking about Enduro,
15:31That guy comes and ruins my day.
15:33just as it came in, right?
15:33The man, did he go into the bathroom?
15:35Well, no, one hits by hand.
15:37Yeah.
15:39Well, uh...
15:40That?
15:40That?
15:41Sorry, sorry, excuse me.
15:42No, I haven't spoken to my sister.
15:43What happened?
15:44Well, that...
15:46That I also got a sister.
15:49No, I didn't say, my dad had a daughter.
15:53Of months?
15:54Yeah.
15:56264 months,
15:57is roughly equivalent to a percentage of 22 years.
16:00Big, yes.
16:05It must be very difficult, right?
16:10Paint on those little windows.
16:11This, this is called stained glass, right?
16:15And that's also called stained glass.
16:18Oh, that's a shame.
16:19Stained glass.
16:21So, what do I say to him?
16:23If it is...
16:23It is to be dedicated,
16:25to have patience,
16:28to have time.
16:30I, for example,
16:31to get to do what you see,
16:33It took me approximately...
16:35A week?
16:36No, it took me three months.
16:41Yes, it's not that easy.
16:45And do you know if cousin is delayed?
16:48Hello, hello, hello.
16:50Marlene, my daughter.
16:53Dad, Maritza!
16:54That's why I say Maritza, my daughter.
16:56I just made a decision
16:57that will change your life from now on, my little girl.
17:00What would that be, daddy?
17:01Daddy, daddy...
17:02Ah, yes, yes.
17:03Forgive me, my daughter.
17:04The thing is, I'm still not used to it.
17:06You can call me that whenever you want, okay?
17:08Careful, breasts, it is noco.
17:10My little daughter, starting tomorrow
17:11let's start doing the paperwork
17:13so that you can carry the surname with Marisa
17:15somewhere, as it deserves.
17:17Really?
17:18But of course?
17:18Oh, but what will his wife say?
17:20Oh no, Dad.
17:21It makes me very sad.
17:22What do you say?
17:23Let her scramble, my little girl.
17:24How great that you do what you read
17:25in the recent galaxy
17:26in the rage of envy.
17:28Because he no longer has the notes
17:29to join if you have.
17:32Hey, booth, my girl.
17:34Let's talk somewhere else
17:35because here there are sometimes very bad omens.
17:37Oh yes, daddy.
17:38Come on, I'll get some fresh air right away.
17:41What happened?
17:41A little breeze, my little girl?
17:43But if what you have is done to me
17:45It's a funeral loincloth, my little girl.
17:47Oh?
17:47That's going to get all over the place.
17:49No, no, no, no, my little girl.
17:50Let's get it changed
17:51and then we'll go and buy him a ruana
17:52and ten-pointed, my little daughter.
17:56What a view, huh?
17:59That's why he gets sick.
18:02I just found out
18:06about what happened to her sister, Patti.
18:08Very sorry.
18:09Yes, it was very hard.
18:10I thought I was going to stay
18:11as an only child.
18:13Well, come to think of it.
18:16No.
18:18Yes, it is that we
18:19We've been very salty, Chucho.
18:20I don't know how I hold on
18:21so many blows.
18:22Well, lie,
18:23Yes, I know how I put up with them.
18:24and that's because you
18:25he's with me again.
18:26Yeah.
18:27It's the best thing Chucho could have done.
18:28was to have finished
18:29with that ridiculous
18:30by Miriam González.
18:32Well, I'm going back to reception.
18:34to work, anything.
18:35No, no, no.
18:35Wait a moment, Chucho.
18:36It's that I wanted
18:37that we were going on a trip.
18:39Where to?
18:40I don't know, a town nearby,
18:42something, at least to change the weather.
18:44No, Patti, I can't.
18:44I would love to, I would love to,
18:46but I can't, I can't.
18:46And why not?
18:48Yes Cecilia and Primo
18:48they went on a trip,
18:49that supposedly for a congress,
18:51No?
18:51Because that was the excuse.
18:53If they left,
18:53we can go too
18:54to our congress, right?
18:56Patti, the thing is that
18:57I don't command myself,
18:58I have to go to university,
19:00I have to work.
19:01Oh, what's the problem, Chucho?
19:02He's missing a few days at the university,
19:04They're not going to kick him out either.
19:05And for the work that I ask for,
19:07permission for you.
19:08Do you think your mom
19:09Are you going to let us go just like that?
19:10Patti.
19:11Oh, who's talking?
19:12that he's going to ask my mom?
19:14So who is it, Ceci?
19:15No, Patti,
19:15Ceci may be...
19:16Look, that similar one,
19:18less.
19:19I am speaking
19:19from the hotel owner,
19:21from my new daddy.
19:22Don't you see that now you please me in everything?
19:24He even has me living in his house.
19:26So what?
19:28Are we going to the conference?
19:37Oh, that's very nice, Dad.
19:39Thank you, my daughter,
19:40That's what they tell me everywhere.
19:41Oh, Don Alcides,
19:42It's very nice.
19:43Well, but I meant
19:44to the restaurant.
19:45And what do you think I mean?
19:46Me, my girl, to the restaurant?
19:48This is a family business, my girl.
19:50And it has cost us a job
19:51keep it up, pick it up, my daughter.
19:54No, this is family.
19:56Ah, yes, my daughter,
19:57But this only leads to losses, my daughter.
19:59Over time
20:00we are going to have to sell it.
20:01They are falling
20:02the little angels of heaven.
20:04Hello, dude, what?
20:05Oh, but dad, now.
20:06No, usually.
20:07That?
20:08That?
20:08Now, this is caviar
20:09for the pigs, you hear?
20:10Be very careful
20:11by messing with the boss's daughter,
20:12me too...
20:12I love
20:13that you have enjoyed
20:14the movie,
20:15although I have
20:15to be frank with you.
20:16Enjoy much more
20:17of your company.
20:19And the popcorn, Milton,
20:20They were delicious.
20:22And the popcorn.
20:24Well, but my flower
20:25of the la-la-la,
20:26I haven't called her
20:27for that.
20:28Oh, no?
20:29And then?
20:30It's been a few days since
20:31it came back to me again
20:33that pain in the back
20:34that lifts me up and down me.
20:35Oh, don't tell me,
20:37you're going to have to go to the doctor.
20:38Yes, I even made the appointment,
20:41but you know,
20:43with that EPS thing
20:44and the POS,
20:45the patient is bedridden
20:46until they give it to you.
20:48That's why I thought
20:48in putting myself back on
20:50in their sweets
20:51and winning hands.
20:53The thing is...
20:54It's that they have in me
20:55a miraculous effect.
20:58You know what, Milton?
21:09It wouldn't even be a bad idea.
21:10that you would pass by
21:11this afternoon in the massage parlor
21:12that I have learned
21:12some techniques
21:13and I can do it
21:14a good massage
21:16with that pain
21:17let's see if I can take it off.
21:18Of course, like that,
21:19something like that, well...
21:23That is property of buying.
21:24That is also part of it
21:25of the movements.
21:25Yes, yes, it went well for me.
21:33It went well for me.
21:33Sure?
21:34No, I say it because
21:35with the face
21:36that the little face remained, right?
21:39It must be because
21:40I didn't see Andrea
21:41a long time ago.
21:43We had a lot
21:43of things to talk about,
21:45catch up
21:46and all that
21:46and it surely ends
21:48one getting affected, right?
21:50Especially because
21:51we had each other when we were little
21:52a lot of confidence
21:53to do that.
21:54Not so much,
21:55to tell the truth.
21:56Come on,
21:57And what did he say to you for?
21:59needed it so urgently?
22:00No, and I say this because
22:01suddenly you would have
22:02stayed a little longer,
22:03two more days,
22:04three more days.
22:05He needed to let off steam.
22:06Sure, yes.
22:08In any case,
22:09Andrea is still very depressed.
22:11Well, I hope so.
22:11the conversation with you
22:12has served any purpose.
22:14Yes, I think so.
22:16Well, for me,
22:16at least,
22:17Yes, it helped me a lot.
22:18And what to talk about?
22:19Well, if you can leave
22:20because it remained true,
22:21as with a charge of energy.
22:22I ask you for permission
22:24because really
22:25I feel very tired
22:26if it were for the trip
22:27and for everything else.
22:28At least go
22:29and change.
22:31No, because later
22:31from that trip
22:32from Villa de Leyva
22:33this...
22:33It's smelling like Ugly.
22:37It's a joke.
22:38So bad?
22:39So bad?
22:41Should I go with her?
22:42No.
22:43No.
22:44Don Eduardo,
22:45excuse me
22:45for not staying
22:46at the meeting.
22:47Permission.
22:47No, he worries.
22:57Well,
22:58shall we continue?
23:01I haven't been able to find out anything
23:02because he entered straight
23:03to the meeting
23:04where everyone is.
23:05Brave,
23:06I have to admit that.
23:07Well, but what?
23:08Did you tell him?
23:09what we had talked about?
23:10Just like that.
23:11And he believed it?
23:12After an attempt
23:13suicidal
23:14of the samples
23:14so forceful
23:15that I told him,
23:16I am sure
23:17that he must be hating
23:18with the soul
23:18to Primo González.
23:19As who says
23:20we have to get ready
23:21to celebrate or what?
23:22And more so with everything
23:23of what I believe.
23:25My guides in this place
23:26are coming to an end.
23:37Who?
23:39What happened?
23:40Oh, that little face.
23:42Of course, you should
23:42be tired,
23:43you must be more sucked,
23:44TRUE?
23:44I suck on freninate.
23:47I told them
23:47that I needed to rest.
23:49Yes, precisely
23:49that's why I came,
23:50that's why I came.
23:51Because I come
23:51to pamper her,
23:52to bring you a little juice
23:52If you want, I'll make you one...
23:53Please leave.
23:54Yeah?
23:56Cecilia,
23:57why is it like this?
23:58What's wrong with him?
24:00You say I came
24:01to talk to Andrea,
24:02he put himself in that plan
24:03and well, it's...
24:03That's why?
24:05Tell me,
24:05it is very difficult to understand
24:06that I need to be alone,
24:08that I need to rest.
24:09No, no, no.
24:10You can't tell me
24:11because.
24:12See you tomorrow.
24:13It makes me very sad
24:14with you, Cecilia,
24:15but I'm from here
24:15doesn't show me
24:16that you explain to me
24:16what is happening.
24:17I mean, it's not fair.
24:18Aren't you going to leave?
24:19No, ma'am.
24:19Aren't you going to leave?
24:20No, ma'am.
24:24Perfect.
24:24That?
24:25Very good.
24:26So you know what?
24:26No, no, no, calm down.
24:28No, no, sorry.
24:29We don't have to get to that point.
24:31Peaceful.
24:33Let's talk tomorrow?
24:36Yes, we'll talk tomorrow.
24:37Same as anything
24:38if you need anything, call me.
24:39But it is the...
24:49piles of junk.
24:53Come on, dude,
24:53tell you something very important.
24:55Oh, but what?
24:56Anyone would say
24:56who knows
24:57what proposal do you bring me?
24:59A very dirty one,
25:00very disgusting,
25:00very dirty,
25:01just as he liked you.
25:03Besides, I'm already tired.
25:04that they make me
25:04the idiot face.
25:06Oh, well then.
25:07yes it will touch you
25:07have plastic surgery
25:08to one of the cinemas.
25:10Oh yeah, there isn't that.
25:11Why doesn't he talk?
25:15harder, garucha?
25:16No, he finds out.
25:17all for a radio spot.
25:18Oh, no, no, no, no.
25:20Well, rather,
25:20tell me what I'm good at.
25:21Yeah, not at all, my son,
25:23but you can help me.
25:24Oh ok,
25:25Well, he's going to start getting offended.
25:25Too bad,
25:26but I have
25:26much to do.
25:27Permission.
25:28There is a long bill.
25:31That was started
25:31from the beginning,
25:32no, God.
25:32What do you play?
25:34It is that praise
25:35this is better,
25:36a delicacy for pigs.
25:37No, no, no,
25:38that can be done.
25:42Nothing.
25:43Well, and why?
25:44you don't call her
25:44to the nursing home?
25:45Oh, because I think
25:46What if Andrea doesn't answer?
25:47It's because he doesn't want to talk.
25:48So we're leaving?
25:49to be left with doubt
25:50of what he could
25:50have told Cecilia?
25:51Well, it seems so.
25:52Oh, Mom.
25:53Oh, Mom, what, Patricia?
25:55I'm dying too
25:56out of curiosity.
25:57Especially because Cecilia
25:58She looked very affected, didn't she?
25:59Well, for that very reason,
26:00so that he has not come
26:01to a meeting with Eduardo
26:02or with what is responsible
26:03that claims to be.
26:04But I believe
26:05that there is something worse.
26:06That?
26:07It's that I think
26:08that anger
26:08It was against Primo González
26:09because every time
26:10that he spoke to her
26:11she answered him
26:12with three stones in his hand.
26:14Didn't you notice?
26:14For that very reason
26:15we have to know
26:16what is happening.
26:17Cousin, what?
26:34Should I carry your suitcase for you, doctor?
26:37Oh, what a shame.
26:41Listen,
26:43because I had become
26:44the promise of...
26:45Well, if I don't ask you
26:47Hey, Cousin,
26:49What's happening to you?
26:51It's that I see it as bad.
26:52So, then,
26:54Hey, Cousin,
26:55What's happening to you?
26:56Do you have problems?
26:57over there with the hotel people,
26:59with those witches or what?
27:01With Cecilia.
27:02In that way?
27:04You didn't tell me
27:04that with Cecilia
27:05he looked great
27:06in Villa de Leyva,
27:06that even a little kiss and everything.
27:08No, yes, I had left.
27:10And we arrived in Bogotá
27:11and it was very strange
27:12because I had a meeting
27:13with Andrea, right?
27:14and then when I arrive
27:15a cobra died on me.
27:17That's what I approached her with.
27:18and threw the fang at me.
27:21So, well, I don't know,
27:22who knows what happened.
27:24Come on, I'll carry your suitcase.
27:26Thank you so much.
27:27Okay, there you are.
27:28Ah, well, yes, sir.
27:29Thank you.
27:32Thank you.
27:33Look, look,
27:50what they are doing to me
27:51it's not fair.
27:52I deserve that.
27:59I deserve that.
28:15I deserve that.
28:16Tulita tricked me.
28:19I was carrying a lot
28:20of time deceiving me.
28:23Oh, my little girl, I...
28:25I the truth
28:26I can't believe that.
28:28Well, if I had seen
28:29the evidence he showed me
28:32Andrea wouldn't fit her
28:33the slightest doubt.
28:35But also,
28:36well,
28:38I don't have
28:38God's forgiveness.
28:40It happens to me
28:41silly,
28:42for being an idiot.
28:43don't punish yourself like that.
28:46No, yes.
28:47Yes, because it's that...
28:49Do you know anything, Tulita?
28:51If it were
28:51the first time
28:52that makes me,
28:53come and go.
28:55But it is that
28:55he had already cheated on me.
28:57And in what way?
28:59Saying he was Panamanian,
29:01that was coming
29:01On behalf of Don Eduardo,
29:03that this,
29:04than the other.
29:07What happened to me?
29:08in the head
29:09so that at that moment
29:10I have not left
29:10things like that?
29:11Why did I forgive him?
29:13Why did I go back to him?
29:15Because,
29:16because that is very difficult,
29:17my little daughter,
29:18because in matters of love
29:19no one is in charge.
29:21Well, yes,
29:21one way or the other,
29:21the point is that
29:22it happened to me
29:23and take it so that it can be carried.
29:26Because I'm stupid.
29:30Darling,
29:31you have not put yourself
29:31to think
29:32that suddenly
29:33This is another trap
29:35that he is understanding you
29:36because remember
29:37that this little girl
29:37there is no nun
29:39or is it now
29:40it worked out for us
29:40Saint Andrea,
29:41Huh?
29:42No,
29:43and if you're right.
29:44If Andrea showed me
29:45your messages
29:45It is because surely
29:46has its seconds
29:47intentions.
29:48Exactly,
29:49darling.
29:51And?
29:53How have you been doing?
29:53with the daughter
29:54of the loose-knit
29:55that of the gentleman
29:56Alcides?
30:00Is that where it hurts?
30:02Yeah.
30:03Oh,
30:04very same.
30:05The young woman
30:06has the same last name
30:07with Barisa.
30:10Janet,
30:11Forgive me for saying so
30:12but can it be?
30:13make it softer?
30:15And will we be able to?
30:16talk about something else
30:17that it is not the same topic
30:18that one who has to suck me?
30:20Yes, ma'am,
30:21of course.
30:23And tell me
30:23where he learned
30:25These techniques
30:25so relaxing.
30:28On television
30:29some things
30:30and I took some courses
30:31there under the rope.
30:32What if he knows?
30:33Japanese massage?
30:34He who is not
30:35with little hands
30:36but with the feet.
30:38Until now
30:38I haven't arrived yet
30:39but I think that
30:40later
30:41in other courses
30:43They're going to teach me.
30:43Well no, no,
30:44we both can
30:45experiment.
30:46If you want right now
30:47we can start.
30:49Listen,
30:49you have a knot
30:50very terrible here.
30:51Oh,
30:52Yeah.
30:53batteries,
30:57batteries,
30:57batteries,
30:57batteries,
30:57let's see,
30:58let's see.
31:00But what?
31:00Have you not been able to?
31:01to open it?
31:01Was it too big for you or what?
31:02Who do you believe in?
31:03what are you talking about?
31:03Oh,
31:04Mr. Gansúa,
31:05you come and push me
31:06and you continue
31:06with the operation
31:07after me.
31:07Go for it, go for it, go for it.
31:10Let's see,
31:11but what?
31:11My bed is a sock,
31:12go for it.
31:13Let's see,
31:14brother,
31:14but,
31:15but,
31:15What's up with this physique?
31:17Go for it.
31:18No,
31:19but,
31:19No,
31:20but he's not going to dance like that
31:20to no pereira,
31:21a lot.
31:22I mean,
31:22not sucked,
31:23let's go,
31:23let's go,
31:24let's go,
31:25let's go.
31:25Let's go.
31:25Let's go.
31:27But why don't we leave?
31:28to deceive us now,
31:29Tulita?
31:30Or more specifically,
31:32why didn't he leave already
31:33to hurt me?
31:36Those messages were
31:37very explicit,
31:40very clear.
31:42At no time,
31:43besides,
31:43he said,
31:45He said he didn't love me,
31:46No?
31:46quite the opposite.
31:49What happens is that also
31:50the knight explained
31:51as,
31:52as I had
31:53like a confusion,
31:54Yeah?
31:55I mean,
31:55No,
31:55No,
31:56he doesn't know which one
31:58of the two to stay.
32:04Do you know what is the most
32:05it hurts me?
32:09That while we were together,
32:12when I really
32:13I was feeling
32:14who was the man
32:15of my life,
32:16he meanwhile
32:18was him
32:18was in charge
32:19messages to Andrea,
32:21talking to him about it,
32:22from his confusion.
32:23Oh no, well,
32:24so honest
32:24the knight,
32:25No?
32:27Well,
32:27and what do you plan to do?
32:31What am I going to do?
32:34Dispel your doubt
32:35To Mr. González,
32:37Yeah?
32:37That.
32:38I'm going to help you
32:39to fix
32:40that tangle
32:40that is in your head,
32:41because it is that,
32:42oh really,
32:42I put myself
32:43in their shoes
32:44and, well,
32:44poor,
32:45No?
32:47I the only one
32:47what do I tell him
32:48is that I'm not going to do
32:50some of which
32:50you may regret it later.
32:52Further?
32:54More is impossible.
32:57But don't worry,
32:58Tulita,
32:58that this time
32:59I'm not going to drive
32:59things as usual,
33:01no, ma'am?
33:01With a tantrum
33:02and with a napkin,
33:03no no,
33:03I don't even
33:04I'm going to talk to him.
33:05I'm just going to drive
33:06with height,
33:08with maturity.
33:09I'm going to give it to you
33:10to understand
33:10that between the two
33:11there can be nothing
33:12and what if ever
33:14there was something,
33:15he simply died.
33:18It's that simple.
33:26What magical hands,
33:28Diana.
33:30Oh,
33:30Yanet,
33:31it is possible
33:31to answer.
33:33Yes of course.
33:34No no,
33:36No,
33:36look that
33:36this is our moment.
33:38Hello?
33:39Hello?
33:40Mrs. Yanet?
33:41Yes, yes,
33:41Who is talking to her?
33:43With a neighbor,
33:44It doesn't matter.
33:45Look,
33:45what happens
33:45I just passed by
33:46on the side of your house
33:48and it's like smoke.
33:50In that way?
33:51What what?
33:51Yeah,
33:52you surely
33:53left something on
33:54and that's on fire.
33:56It's on fire,
33:57Mrs. Yanet.
33:58Oh,
33:58it just can't be.
33:59I'm going there immediately.
34:01In that way?
34:04Janet?
34:06Janet?
34:09Janet?
34:10Yeah,
34:12now we talk,
34:13that?
34:14I have to leave you to God.
34:16Follow.
34:19How nice to have you here.
34:21Go on,
34:21please.
34:25Juan Antonio,
34:26I was coming
34:26to ask him for a favor.
34:28Clear,
34:28sit down.
34:29And by the face you have,
34:31as if it is delicate,
34:32or not?
34:32As?
34:35Well,
34:35Yeah,
34:37quite.
34:38And if,
34:39If I didn't trust him,
34:41would not have come.
34:45Well,
34:45You know what I can help you with
34:47with great pleasure
34:47and in what is not,
34:49also.
34:50Do you want us to talk here?
34:51or somewhere else?
34:52No,
34:53No,
34:53here is fine.
34:55Yeah.
34:55Juan Antonio,
34:58I need
34:58that you help me
34:59to keep me away
35:00by Primo González.
35:04Really you?
35:05No,
35:05No,
35:05No,
35:05No,
35:05No,
35:06No,
35:06No.
35:06Can you imagine?
35:07the place is so beautiful
35:08Villa de Leyva,
35:09the streets,
35:11Villa's,
35:11No,
35:12No,
35:12No,
35:12the convent,
35:13No,
35:13No,
35:13No,
35:14No,
35:14No,
35:14No,
35:14No.
35:15Yeah,
35:15No,
35:16No,
35:16No,
35:16No,
35:16No,
35:16and then,
35:17that?
35:18He can't see me calm,
35:19right you?
35:19He always wants to hurt me
35:20any good moment
35:21that I have.
35:22I fight with Ceci
35:22because for it to have arrived
35:23so fast.
35:24No,
35:25I didn't fight with anyone,
35:26is that Andrea
35:28tried to take his own life
35:31herself.
35:32Did you try to commit suicide?
35:33Yeah.
35:36Well,
35:36for me there is no problem
35:37because I don't know
35:38Who is Andrea?
35:39nor who Cecilia is.
35:42Ah,
35:42Those are Primo's women.
35:43Oh,
35:43which?
35:44Oh,
35:44which?
35:45Andrea is crazy.
35:46Andrea,
35:46For example,
35:47she's crazy.
35:47The one who tried to commit suicide.
35:49Yeah.
35:49She chases him,
35:50he looks for it,
35:51harasses him,
35:52calls him.
35:53No,
35:53more intense.
35:54And Cecilia
35:55is the love of his life.
35:58Which is also here,
35:59Fla.
35:59Arthur.
36:00Oh,
36:01yes or no,
36:02is rarer than a plaid dog.
36:08You know what?
36:08I didn't pay attention,
36:09pretend I never entered
36:10through that door,
36:11that I didn't tell him anything,
36:11that I'm not here.
36:12Ceci,
36:12Ceci,
36:13wait for it.
36:14You just didn't let me talk.
36:15Have you been talking the whole time?
36:17Yeah,
36:17I hear it.
36:20Let's see if I understood.
36:21What you want is for us to make Mr. Gonzalez believe
36:24that things are happening between you and me,
36:26TRUE?
36:28Yeah,
36:29well something like that.
36:30That we are giving ourselves a chance.
36:33I know that would be lying.
36:35No,
36:36not for me,
36:38because I've always wanted to have a chance with you,
36:40Ceci.
36:40This was a terrible idea,
36:43terrible.
36:43No,
36:43No,
36:44No,
36:44No,
36:44It seems like a perfect idea to me
36:45Because that way you get rid of Mr. Gonzalez.
36:47and you could work with him.
36:50Hmm,
36:51Yeah,
36:52Well, that would actually be it,
36:53that would be great.
36:57Complicated,
36:58No?
36:59But,
37:01let's do it.
37:03Yeah?
37:05Ready.
37:06Well,
37:06I'm going now.
37:07Thank you so much.
37:08Cecilia,
37:08wait for it.
37:12So I guess I can kiss the bride now.
37:17Juan Antonio,
37:18No,
37:19the thing is,
37:20come.
37:26Bye.
37:26Hello good,
37:38Mrs. Janet,
37:39What's happening is that they're stealing a car downstairs.
37:42My car?
37:42Is it yours?
37:44My car.
37:45Are they taking him away?
37:46My car.
37:49My clothes.
37:51My car.
37:51My clothes.
37:52My car.
37:54My clothes.
37:55My car.
37:55My car.
37:57My car.
37:59Through the park,
37:59through the park.
38:00I am for the park.
38:01Through the other park,
38:02through the other park.
38:03Oh,
38:03Oh,
38:04Oh.
38:18There it is.
38:19king.
38:20King.
38:20King.
38:22King.
38:24King.
38:36Sirs,
38:37thank goodness I found them.
38:39It turns out that I have been made to see this.
38:42It's a grace.
38:42You don't think I'm an exhibitionist, do you?
38:51No,
38:52we're thinking that he and I are Batman and Ro.
38:54No, no, no.
38:55I'm going to feel a mood.
38:57Colleagues,
38:58listen carefully.
38:59Colleagues,
39:00allow me,
39:02let me introduce myself.
39:03I am Milton Alfredo Safra,
39:05Leguizamón,
39:06official.
39:08Well,
39:09your officer,
39:10the use of good retreat.
39:12And if I am in this state,
39:13Here is the gentleman...
39:15What was done?
39:21Mister,
39:21You will have to accompany us to the station,
39:23please.
39:24Wait,
39:25Allow me,
39:26I'll explain to you.
39:26I was at the masseuses'.
39:28Come on,
39:29No,
39:29No,
39:29but not the masseuses you are thinking of.
39:32Sirs,
39:32please.
39:34That,
39:35what do I think?
39:35Sirs,
39:36talking to each other we understand each other.
39:38Look at my face.
39:39Look at me.
39:40I am your colleague.
39:41Please.
39:45Sirs,
39:45I don't thank myself.
39:51Sirs,
39:52please.
40:03I told them I was going to take a break.
40:06Yeah,
40:06That's precisely why I came,
40:07that's why I came,
40:08because I come to pamper you,
40:09to bring you a little bit,
40:10so make me...
40:10Go away,
40:10please,
40:11Yeah?
40:12Cecilia,
40:13why is it like this?
40:14What's wrong with him?
40:16You since I came to talk to Andrea
40:17he got into that plan and...
40:19That's why?
40:20Tell me,
40:21it is very difficult to understand
40:22that I need to be alone,
40:23that I need to rest.
40:25No,
40:25No,
40:26but you can't tell me why.
40:27See you tomorrow.
40:28What did I do,
40:32My God?
40:34Who else is going to have to do with all this?
40:36Well, the beauty of his father,
40:37that monster.
40:38Who else?
40:40Oh,
40:40mother,
40:41already,
40:41stop it,
40:41Yeah?
40:42Yeah,
40:43clear,
40:43stop it.
40:44Since you weren't the one who had to go see the ranch burning
40:47and that poor man running through all the streets in a group
40:50to be taken to the police station.
40:52Poor that man,
40:53TRUE?
40:54Clear,
40:54poor.
40:56Besides,
40:56they messed up his papers
40:57and now it's time to go out and do laps.
41:01Mother,
41:01Tell me one thing,
41:03Do you have something with that gentleman?
41:06Something?
41:06Something like what?
41:08The mother does not do it.
41:10Yeah,
41:10You know what I'm talking about,
41:11that if you have something more serious with that gentleman.
41:14See,
41:14young lady,
41:15you respect me.
41:17I have nothing to do with that man,
41:18how does it occur to you?
41:21Well,
41:21and if I had it, what?
41:22Why do I have to cover your dad's back?
41:24With all the shit he's done to me,
41:26well,
41:26That would be the least he deserves.
41:28Look at the last little gem,
41:30that was the cover.
41:31Marixa comes from behind,
41:32mother.
41:33Oh,
41:33No,
41:33his mouth is full saying Marixa.
41:35Oh,
41:35My dad had that delusion in the past.
41:37Besides,
41:38It's not her fault.
41:39Well, what I was missing,
41:40that my only son would come out to defend her.
41:43She is a good girl,
41:44mother.
41:45No more,
41:46Arthur,
41:47no more.
41:47I don't want to hear that name here in this house.
41:49If she is so good and if she is so holy,
41:51So go live with her like twins,
41:52like 100 months.
41:53Go away.
41:54And leave me here alone,
41:55that one is also born here alone.
41:56And everything that is happening to me
41:57It's because I deserve it
41:58because I have been so bad like this,
42:00clear.
42:04Are you going out?
42:05No,
42:05I'm going to hit myself against the door.
42:06Where are you going at this time?
42:08Let's see,
42:08I thank you,
42:09TRUE?
42:09That you want
42:10take my mother's place,
42:11but not,
42:12you are not my mom.
42:13Do you want to know where I'm going?
42:14I'm going to,
42:15for Cecilia's house.
42:17And why don't you wait until tomorrow?
42:19I'm not going to wait until tomorrow
42:20because I want to know
42:21from now on
42:22what happened.
42:22Villadella was going to be
42:23the ilium of love,
42:24TRUE?
42:25And here in Bogotá
42:26now he hates me.
42:27Already.
42:28And what makes you think?
42:29that she,
42:29already,
42:30changed your mind?
42:30He's not going to risk it.
42:31Oh ok.
42:33Are you going to go out alone?
42:35Well, if you want.
42:35I put on a jacket
42:36and accompanies her.