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Agatha Christie's Poirot 40 - 4 Dead Man's Mirror, 名探偵ポワロ 第40話 死人の鏡 日本語字幕 アガサ・クリスティ 英語学習にも
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Category
🎥
Short film
Transcript
Display full video transcript
00:00
and i was terrified of being late
00:06
you see i thought i'd already heard the first gong
00:09
yes i thought i heard it too
00:11
exactly hastings
00:12
and yet i heard you poirot
00:15
did not hear
00:18
did you not hear the testimony of mademoiselle cardwell
00:26
and do you not recollect the bottle of champagne
00:28
it's going to take more than mademoiselle cardwell
00:30
and do you not recollect the bottle of champagne
00:32
it's going to take more than champagne to solve this case poirot
00:35
what about the bullet for instance
00:37
you shall have the bullet chief inspector
00:39
soon you shall have everything
00:43
he is not dead
00:50
he is not dead
00:53
madame
00:55
in a different spiritual plane that's all
00:59
first we must accept the fact that this was no suicide
01:05
monsieur gervais nix did not kill himself
01:08
no
01:08
he was killed
01:11
and by someone
01:13
in this very room
01:15
it's not possible
01:16
there was no one in here when we broke in
01:18
and all was locked from the inside
01:20
gervais had the key
01:21
and the windows were fastened
01:23
anyway no one would have wanted to kill him
01:26
indeed
01:27
and yet it was you mademoiselle cardwell
01:30
you yourself who told to me that you hated him
01:32
and that you would let nothing stand in between you
01:35
and monsieur hugo trent
01:36
that's not fair
01:37
and you monsieur trent
01:39
you were desperate to see your business succeed
01:42
it's true i i needed money
01:45
money which you now have monsieur
01:47
money which you would never have received without the death of your uncle
01:51
monsieur lake
01:59
oh yeah
02:00
oh yes
02:01
you are afraid from the moment you set eyes on poirot
02:05
you have not only committed arson
02:08
you also persuaded monsieur chevenix to part with a sum of ten thousand pounds
02:13
that wasn't my fault
02:14
no
02:15
i think monsieur chevenix might have disagreed
02:19
and you also
02:21
you had ever done lake
02:24
anyway even if it was murder it could
02:27
anyway even if it was murder it couldn't have been me
02:30
no
02:30
it was murder it couldn't have been me
02:31
no
02:32
i told you mr poirot
02:33
miss woof was in the living room with me when mr chevenix was killed
02:36
at what time was that
02:38
ma'am was her lingard
02:39
and at what time did monsieur chevenix die
02:41
we know what time he died
02:42
we heard the shot
02:43
no no no
02:44
at eight o'clock
02:48
at eight o'clock
02:50
monsieur chevenix was indeed in his study working at his desk
02:54
that he was not alone in the room
02:57
was silenced
03:00
no one
03:02
heard the shot
03:04
no one
03:06
heard the shot
03:08
of the bullet
03:12
he didn't split
03:15
he didn't split the sin
03:19
he was discovered in the left hand of the hand of monsieur chevenix
03:29
good
03:30
my car
03:31
and yet from our very first meeting i knew that monsieur chevenix was right handed
03:36
but if the bullet was fired from behind
03:39
hastings
03:41
come sa
03:43
which is to the side
03:45
well he couldn't have
03:49
no
03:49
so now let us suppose that the door to the study was open
03:52
if you please monsieur sneer
03:54
and again hastings
04:01
the gun
04:03
the gun comes
04:05
the gun comes
04:05
so
04:06
so that was the gong i heard
04:10
well then how did the mirror get
04:11
that was the gong i heard
04:13
well then how did the mirror get broken
04:14
the murderer wanted to make an appearance of suicide
04:18
but what if the sound of the gong has been heard
04:21
then it would be known that the door to the study was open and not closed
04:24
quickly
04:26
the door is closed
04:28
and locked
04:30
the gun is placed into the left hand of the dead man
04:33
i know that one word is easily forged
04:37
and the mirror
04:39
is easily forged
04:40
and the mirror deliberately smashed
04:44
the base of which was also slightly damaged
04:51
the base of which was also slightly damaged
04:54
it was then that was also slightly damaged
04:58
it was then that i saw the light
05:01
so what happened then
05:04
how did the killer leave
05:05
the killer left through the window
05:08
cleverly closing the latch from the outside
05:12
voila
05:14
so who was it
05:16
who was the murderer
05:17
house that night from the garden
05:23
the garden
05:24
if monsieur chevonix had lived
05:29
if monsieur chevonix had lived
05:30
to sign his new will
05:32
what new will
05:34
the will that disinherited you completely
05:37
if you did not marry monsieur hugo trent
05:39
but it was too late madame lake
05:41
for you were already married
05:43
no
05:44
you're wrong
05:45
stop him
05:46
no monsieur poirot
05:47
he's never wrong
05:48
the will it was left in this room
05:50
you could have seen it at any time
05:51
but it was too late to undo what you had already done
05:53
oh yes you were married
05:54
but to the man
05:55
your guardian most disliked
05:56
i was going to tell him
05:58
i hated lying
05:59
i planned to tell him that very night
06:01
no not to tell him madame
06:02
to kill him
06:03
you're wrong
06:04
there's not a word of truth in your story
06:06
it's a lie from start to finish
06:07
that is for a jury to decide
06:12
goodnight hugo
06:24
goodnight mrs chevonix
06:26
go
06:27
goodnight mrs chevonix
06:30
goodnight mrs chevonix
06:50
WANDA WAKE
07:20
up
07:27
Who is it?
07:30
It's Saffa Wanda
07:34
Come downstairs
07:50
It was you Wanda
08:05
You killed him
08:07
No
08:08
You know it was
08:11
You killed Gervais
08:14
Come down
08:18
Come down
08:22
You killed him
08:28
Because you hate
08:30
Because you hated him
08:32
Now you must make amends
08:36
I didn't
08:38
Have you hidden
08:40
In your locket
08:42
Wanda
08:43
The bullet
08:46
That killed your husband
08:48
No
08:50
No
08:56
You must write a note
08:58
Admitting it
09:00
No
09:07
No
09:08
No
09:09
But
09:20
But this
09:22
That's diabolics
09:24
That's diabolical
09:26
I had to save her
09:28
I had to save Ruth
09:31
Yes I know
09:32
And in order to save her
09:35
You killed Monsieur Gervais Chevenix
09:37
And you are the real mother of Ruth Chevenix are you not?
09:42
The typist with whom the brother of Monsieur Gervais Chevenix fell in love
09:46
How did you know?
09:48
There could be no other explanation
09:51
And in the museum that was when I saw
09:55
But it's such a beautiful painting
09:58
It's so sad
10:01
Painting of a mother who loses her child
10:07
And it was then that I saw that you were also a mother who had lost her child
10:14
And you came to this house I think to check up on the daughter that you had lost
10:19
So you took up the position of a researcher
10:22
Yes
10:24
And while you were working you stumbled across the new well
10:29
He was going to ruin her life with his pride and his snobbery
10:37
And so you decided to take matters into your own hand
10:41
You killed Monsieur Gervais Chevenix exactly as I described
10:45
You then left the study
10:48
Taking care to leave no footprints in the soil
10:52
The brooch which he had lost
11:00
She found it
11:04
She found it
11:09
She found it
11:10
But in doing so left behind her own footprints
11:14
It was then necessary to continue the illusion of suicide
11:17
And to establish a false time of death
11:20
It was very clever that idea of yours
11:23
To imitate a gun
11:25
She went into the living room
11:28
Went into the living room
11:29
To the living room
11:30
And were there when Ruth Chevenix came in
11:32
What?
11:33
I found it more significant that you did not tell to me that Ruth Chevenix entered the living room from the garden
11:40
Significant that you did not tell to me that Ruth Chevenix entered the living room from the garden
11:44
Well how could I?
11:47
The bullet
11:55
I found it by the gong when you were breaking
11:58
I found it by the gong when you were breaking it from the door
12:02
I wanted to drop it inside the study
12:06
But I didn't get the chance
12:09
And the cufflink of Monsieur Trent?
12:14
It's seen me picking up the bullet
12:17
So I had to have something to show you
12:19
Bullet
12:20
So I had to have something to show you
12:23
Yes
12:24
You
12:25
You
12:37
Don't want Ruth to see me
12:39
I don't care what happens to me
12:41
Don't want Ruth to see me
12:44
I don't care what happens to me
12:46
To see me
12:47
I don't care what happens to me
12:50
But please
12:55
You
13:25
You
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