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Agatha Christie's Poirot 40 - 1 Dead Man's Mirror, 名探偵ポワロ 第40話 死人の鏡 日本語字幕 アガサ・クリスティ 英語学習にも
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Category
🎥
Short film
Transcript
Display full video transcript
00:00
Rought-iron wall mirror and console table.
00:09
I shall open the bidding at £30.
00:14
Do I see £30?
00:17
Is this what you came for, Morrow?
00:19
Yes, it is, Hastings. I thought for the vestibule, you know, by the door.
00:22
£40.
00:23
£40? Thank you.
00:26
£60.
00:27
£60.
00:31
And £70.
00:35
Thank you, Madam.
00:38
£90.
00:42
At £90, then.
00:46
At £90, any more?
00:50
£100.
00:50
£100.
00:51
£50.
00:52
£50.
00:53
£50.
00:54
£50.
00:55
£50.
00:57
With you, sir.
01:03
£50.
01:05
£50.
01:06
£50.
01:07
£50.
01:09
£50.
01:10
£50.
01:11
£50.
01:12
£50.
01:13
£50.
01:14
£50.
01:15
£50.
01:16
£50.
01:17
£50.
01:18
£50.
01:19
£50.
01:20
£50.
01:21
£50.
01:22
£50.
01:23
£50.
01:24
£50.
01:25
£50.
01:26
£50.
01:27
£50.
01:28
but you had it there. Sir Hastings did I. Mr. Poirot? Did I? Mr. Poirot? You are Hercule Poirot, are you not? The detective?
01:38
Yes. No hard feelings, I hope? No. Good. My card.
01:45
Tell me, what do you know about modern art, Mr. Poirot? I'm a collector. Also, I deal in paintings and sculptures. That's my business.
01:53
And I have to tell you, I'm not a man who's easily fooled. That is self-evident, Monsieur.
01:59
So it may surprise you to learn that I believe I'm being defrauded. I want you to look into it.
02:04
The services of Hercule Poirot are not inexpensive. I'll give you the mirror, what do you say?
02:09
You say? I've got a place, Hamburger Close, near Wimberley. How about tomorrow?
02:14
That is out of the question. The day after, then. Let me know.
02:19
Well, that was a bit of it. This...
02:23
The Gervaise Chevenix.
02:26
The Gervaise Chevenix.
02:29
It does not occur to him that Poirot is also a man of importance.
02:32
A man of affairs.
02:34
And yet he summons me like a mere nobody, an obedient dog.
02:38
I take it you'll refuse?
02:40
To refuse? Yes, it is my first instinct.
02:42
But you know, Hastings, a man with so much arrogance as this, even he may be vulnerable in ways he cannot see.
02:51
And he did offer you that mirror.
02:55
That too.
02:57
I'll get the tickets tomorrow.
03:00
And do you take this man to be your lawfully wedded husband?
03:06
I do.
03:08
Well, there we are then.
03:10
Now, let me see.
03:13
Do you have a ring?
03:15
Yes.
03:17
That's right.
03:19
The Gervaise Chevenix.
03:22
I am pleased to declare you...
03:24
I am pleased to declare you man and wife.
03:31
I wish it didn't have to be like this.
03:34
It didn't have to be like this.
03:36
I do love you.
04:07
My name's Susan Cardwell. Do you mind if I join you?
04:16
Father, too, mademoiselle.
04:17
Do you mind if I join you?
04:20
Father, too, mademoiselle.
04:22
This is my associate, Captain Hastings.
04:31
My fiancé Hugo told me to look out for you.
04:34
My fiancé Hugo told me to look out for you.
04:37
Actually, he's not my fiancé. Not officially, anyway.
04:40
Hugo?
04:41
Oh, Hugo Trent. Gervaise's nephew.
04:44
He's meeting you at the station, so he suggested I come on the same train.
04:47
Are you staying with Monsieur Chevenix?
04:49
Unfortunately, yes.
04:52
Well, I've only met him once, and he was absolutely horrible to me.
04:57
He doesn't approve of you?
04:59
It's not that. It's just...
05:01
Well, it's Hugo and me.
05:04
You see, Gervaise has always had his heart set on Hugo marrying his daughter, Ruth.
05:08
But he's not inclined to do that.
05:10
No.
05:12
You see, Ruth was adopted.
05:14
I suppose Gervaise thinks marrying her to his nephew will...
05:17
will make her more completely his.
05:19
But he can't force them to marry, can he?
05:23
He can try.
05:24
He will try.
05:26
I think he enjoys it, manipulating other people.
05:32
My life.
05:33
The Hastings.
05:52
Hugo Trent.
05:53
Look, Hastings.
05:55
Hugo Trent.
05:55
Look, I'm supposed to be driving you to Hambra close, but I've got to say, Trent.
06:00
Look, I'm supposed to be driving you to Hambra close, but I've got to stop off at my studio.
06:05
Do you mind terribly?
06:06
Not at all.
06:06
It's on the way.
06:07
Look.
06:12
All of them.
06:14
What we're doing here...
06:15
What we're doing here is revolutionary, Mr. Porra.
06:19
What do you think?
06:21
I think it is most remarkable.
06:24
Is it all metal?
06:26
Tubular steel.
06:27
You see, who needs wood, Captain Hastings?
06:29
Wood expands, it perishes, it dries out, but metal, metal is perfect.
06:35
You see, triangulated joinery.
06:37
There's no fuss.
06:38
Oh, yes, I see.
06:40
Hugo.
06:40
Give me a minute, Lawrence.
06:44
Sit down.
06:46
What?
06:47
What?
06:50
That it is perfectly conceived.
07:02
This is the future.
07:03
Perfectly conceived.
07:05
This is the future, Mr. Poirot.
07:08
And I could sell thousands, if only.
07:10
Uncle Gervais.
07:12
He does not support this enterprise.
07:14
Just getting this far has been a struggle.
07:16
Now the banks are closing in, and I may have to sell my designs just to pay them off.
07:21
Hugo.
07:22
They telephoned while you're out.
07:24
They won't give you any more time.
07:26
I'll have to speak to them.
07:28
Excuse me, Mr. Poirot.
07:31
Lawrence will have to drive you.
07:33
Damn it to hell.
07:34
Thank you, Mr. Poirot.
08:03
Enter!
08:08
Enter!
08:12
Mr. Poirot, sir.
08:14
Oh, Mr. Poirot.
08:16
Good of you to come.
08:18
You brought your secretary.
08:21
Yes?
08:21
Captain Hastings.
08:23
Hastings.
08:24
Oh, yes.
08:25
I saw him at the auction.
08:26
Well, what do you think?
08:29
Hung it this morning.
08:30
Looks good, doesn't it?
08:32
Yes.
08:33
Indeed.
08:34
Shall I come back later, Mr. Chavonix?
08:36
Eh, yes.
08:37
You can sort out that stuff on Matisse.
08:40
This is Miss Lingard, my research assistant.
08:43
How do you do?
08:44
Mademoiselle Lingard.
08:46
We're working on a study of fauvism for the British Museum of Modern Art.
08:49
Oh, Miss Lingard.
08:53
Is that architect here?
08:55
I believe so, Mr. Chavonix.
08:57
Have him come in, will you?
09:01
The ocean.
09:02
That's how much I paid him.
09:04
John Lake.
09:05
And this is the...
09:06
That's how much I paid him.
09:08
John Lake.
09:09
And this is the fraud you wish me to investigate?
09:12
Yes.
09:13
For what purpose did you give him the money?
09:14
A big development in London.
09:17
Shops, offices, apartments.
09:19
He's building it and he's got me to invest.
09:22
So far he hasn't even laid a brick.
09:25
And I'm beginning to wonder if he ever will.
09:30
Come in, Lake.
09:32
There's someone I want you to...
09:33
There's someone I want you to meet.
09:35
This is Hercule Poirot.
09:40
Yes, yes.
09:41
Why don't you take Mr. Poirot into the garden
09:45
and get him some tea?
09:47
I'll see you at dinner.
09:48
We'll meet in the hall, quarter past eight.
09:50
Do try not to be late.
09:52
Snell rings the first gong at eight minutes past the hour
09:55
and the second at 8.15.
09:56
I'll see you then.
09:59
Gentlemen.
10:09
I, uh...
10:10
I don't suppose.
10:13
You're not here on business, Mr. Poirot.
10:14
That is precisely why I am here, Monsieur Lake.
10:17
Oh.
10:18
That's typical of Gervais.
10:20
He likes to spring his surprises.
10:28
Mrs. van der Chevenix.
10:30
Hercule Poirot.
10:32
Hercule Poirot.
10:33
Captain Hastings.
10:33
Madame.
10:34
How do you do?
10:35
And her daughter, Miss Chevenix.
10:37
Booth.
10:40
Mademoiselle.
10:41
Hello.
10:42
Hello.
10:44
Back for your father.
10:47
For Gervais.
10:48
For Gervais.
10:49
Really?
10:50
Oui.
10:50
It is about the death.
10:56
Safra warned me there would be a death.
11:01
She told me not to be afraid.
11:04
Ah, who Safra?
11:06
She was a servant of a menhotep.
11:09
She is my spiritual guide.
11:11
Oh, come on, van der.
11:12
Oh, come on, van der.
11:13
Oh, come on, van der.
11:13
Oh, come on, van der.
11:14
Oh, come on, van der.
11:14
Oh, come on, van der.
11:15
Oh, come on, van der.
11:15
Oh, come on, van der.
11:16
Oh, come on, van der.
11:17
Oh, come on, van der.
11:17
Oh, come on, van der.
11:17
Oh, come on, van der.
11:17
Oh, come on, van der.
11:18
Oh, come on, van der.
11:18
Oh, come on, van der.
11:19
Oh, come on, van der.
11:19
Oh, come on, van der.
11:20
Oh, come on, van der.
11:20
Oh, come on, van der.
11:21
Oh, come on, van der.
11:21
Oh, come on, van der.
11:22
Oh, come on, van der.
11:23
Oh, come on, van der.
11:23
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