00:14For the cup of cocoa that she takes each night, it has been drunk.
00:21And now at last, poor Renault puts into action his plan, repeating the events of ten years before.
00:30The ropes, they cut into the wrists of his wife, for this time there must be no mistake.
00:44And not two o'clock as you later tell me madame, for poor Renault intends to leave on the last train from Deauville, which leaves at seven minutes past twelve.
00:56He slips on an overcoat, for it is his intention to make his escape dressed in the clothes of the tramp.
01:08And poor Renault will once again no longer exist.
01:13Poor Renault plans to bury the tramp where he is bound to be discovered.
01:19The new bunker, it is ideal.
01:22He also has with him the pipe made of lead, with which he intends to disfigure the face of the dead man.
01:27Only then, the justice, which he has for so long eluded, overtakes him.
01:34Fantasy is made reality.
01:37An unknown hand stabs him in the back.
01:40And of the plan to fake his death and used it to kill his death and used it to kill him.
02:01Yes, madame.
02:02If I may say so, madame, if I may say so, madame, when you heard of his death from Monsieur Beck's, your performance, it was superb.
02:12No.
02:15No.
02:17But then when you saw his body in the mortuary.
02:21But it was horrible.
02:24Horrible.
02:26Horrible.
02:29It shouldn't have been, Paul.
02:32It shouldn't.
02:37Salute your courage.
02:39My God.
02:42My God.
02:45You knew nothing of this, Monsieur Schuster?
02:48No, of course not. Nothing at all.
02:51You never even suspected that your employer, he was in hiding from the British authorities.
02:57No, why should I have?
03:00Dear Poirot, I don't care what happens to me.
03:07Help, Jack.
03:14That for tomorrow, is it not?
03:17Yes.
03:18Giro not?
03:19Yes.
03:21Giro is certain that he'll be committed for full trial.
03:25Know that Jack had nothing to do with his, nothing to do with his stepfather's death.
03:29How can you prove that Jack didn't murder Paul Renner?
03:30Viviendati Simpleman and me.
03:31On that night there was a witness, a witness who has yet to come forward.
03:32Who?
03:33Ah, Hastings, it is for you a dilemma, is it not?
03:34You search for the truth and yet of it you are always afraid.
03:36What do you mean?
03:37I speak of Monselle Belle Duveen, mon ami.
03:38No longer.
03:39I don't care, I don't care.
03:40I would.
03:42You're doing it.
03:43You see, I don't care.
03:44I don't care.
03:45I don't care.
03:46I'm not really sure.
03:47I don't care.
03:48I know.
03:49I don't care.
03:50I don't care.
03:51I don't care.
03:52who has yet to come forward.
03:54Who?
03:54Ah, Hastings, it is for you a dilemma, is it not?
03:58You search for the truth,
03:59and yet of it you are always afraid.
04:01What do you mean?
04:03Speak of Mlle Bella DuVine, mon ami.
04:06No longer.
04:07I must speak with her.
04:08I must speak with her at once.
04:11To Jacques Renault.
04:13Remember the B.D. that we found in the letter?
04:15That letter was written to Paul Renault.
04:17Remember the B.D. that we found in the letter?
04:20That letter was written to Paul Renault.
04:22No, no, no, Hastings.
04:22It was addressed to my dearest one.
04:24Why do you assume it was his?
04:26It was in his coat pocket.
04:27It was in the pocket of the coat he was wearing,
04:29but that coat, it was not his.
04:33Do you not see, Hastings?
04:34When Jacques Renault, he left for Cherbourg,
04:36by accident he took the coat of his stepfather.
04:38And so that night...
04:40Exactement.
04:41Paul Renault, he was wearing the coat of his stepson.
04:45So Isabel was in love with Jacques Renault.
04:48Oui.
04:49I have a sort of one of me.
04:58Photograph you have not seen,
04:59the name you do not know.
05:01Why must you protect this girl?
05:07Ah.
05:08I am most sad.
05:11Ah.
05:12I am most sad.
05:20Bonjour, madame.
05:22Ma Moselle Bella Dubin, s'il vous plaît.
05:24Yes.
05:24Why do you want her?
05:25She is required most urgently in a coat of law, madame.
05:31It is her testimony that it would establish the innocence of a young man.
05:34Well, I'm sorry.
05:35She's not here.
05:36What?
05:37She went out yesterday and did not return.
05:40Oh.
05:40Ah, Poirot.
05:55The game is not over yet, monsieur Giraud.
05:58The game is not over yet, monsieur Giraud.
06:00No?
06:03No.
06:04The judge has still to make his recommendations.
06:06Hanging on to the bitter end, eh, Poirot?
06:09Well.
06:11I can wait.
06:12La cour, la cour.
06:17Premier audience sur l'affaire Jacques Renaud.
06:28Papers set before me by lawyers for the prosecution and defense.
06:34And I have just a few questions I wish to ask.
06:37Monsieur Renaud, do you deny that you were in Deauville on the night of the crime?
06:42And did you say to your stepfather that same day,
06:51I wish you were dead, then I could do as I pleased?
06:54Your Honour, my client has been under considerable nervous strain.
06:58I wish to place it on record, but...
07:00Yes, yes, Mr. Giraud.
07:02Do you understand, monsieur Renaud,
07:04that on the answers you have given me,
07:07I have no alternative but to commit you for trial?
07:09Yes, sir.
07:27Bella Duveen,
07:29I wish to...
07:29I wish to give myself up for the murder of Paul Renaud.
07:40You tricked me!
07:42You tricked me!
07:43We meet at last.
08:13I think it was because you were in love with his stepson, I think it was because you
08:24were in love with his stepson, were in love with his stepson, Jacques Renault.
08:29Yes.
08:30But he had left you for Martha Dobre, and it was Jacques Renault that you threatened to
08:36kill in your letter.
08:37You got the wrong man.
08:40You thought Paul Renault was his stepson.
08:42It was dark, and he was wearing the wrong coat.
08:45I don't want to talk about it.
08:58And this knife, it was yours.
09:01And this knife, it was yours.
09:03Thank you, Mrs. Duvin.
09:04Thank you, Mrs. Duvin.
09:05Thank you, Mrs. Duvin.
09:10Thank you, Mrs. Duvin.
09:11Thank you, Mrs. Duvin.
09:12Thank you, Mrs. Duvin.
09:13Thank you, Mrs. Duvin.
09:14For her.
09:15Thank you, Mrs. Duvin.
09:16Thank you, Mrs. Duvin.
09:17Thank you, Mrs. Duvin.
09:18Thank you, Mrs. Duvin.
09:19For her.
09:20Thank you, Mrs. Duvin.
09:21Thank you, Mrs. Duvin.
09:22Yes.
09:23Or her...
09:32you an apology no no yes i saw you at your hotel
09:59you recognize partner yes it's when i decided to use you to find out what you knew but that
10:13arthur i wasn't just pretending i was once i know once i know
10:29just forget about me arthur you're a kind man arthur you're a kind man
10:39if any we had met people
10:43toast to to freedom freedom
11:03freedom
11:10to a new life together new life together
11:13oh yes oh yes i want to put this very much behind us start again
11:29bella i treated her shamefully mr poirot at least that awful giro lost his wager with you
11:36as you were
11:43how can you jack how can you jack how can you celebrate
11:49mother you may be free but paul's death is on your hands that's not fair sit down mother
11:57no jack you never understood him you defied him mistrusted him and by your heartless treatment
12:04of another woman you killed him i didn't
12:08well you'll never have his money tomorrow i intend to take steps to disinherit you
12:15and that girl
12:17mother
12:18you're no son of mine
12:23are you
12:24you're a great man
12:24mhm
12:25am Versailles
12:26mmhm
12:27yeah
12:28yeah
12:29take me home
12:30leon
12:31yeah
12:32yeah
12:33yeah
12:34well
12:35yeah
12:36yeah
12:38yeah
12:39yeah
12:40yeah
12:41Yeah
12:42Yeah
12:43yeah
12:44yeah
12:45yeah
12:46yeah
12:47yeah
12:48yeah
12:49You can stay with us tonight.
12:51Yes, I think that would be best.
13:06Well, I know that.
13:07But why?
13:07There's only Madame Renault in there.
13:11Why?
13:11There's only Madame Renault in there.
13:19What was that?
13:20It was the true killer of Monsieur Paul Renault.
13:22What's that?
13:22It was the true killer of Monsieur Paul Renault.
13:25What?
13:26What is about?
13:27No, no, no, Hastings.
13:28Bella Devine was not the killer of Paul Renault.
Be the first to comment