Esto si se hace 1987 HD 1080 Completa Antonio Ozores, Fedra Lorente

Destape Movies

Reparto: Antonio Ozores, Fedra Lorente, Juanito Navarro, Adriana Vega, Rafaela Aparicio  Director: Mariano Ozores

Transcript

00:02:00And how are we going to get in?

00:02:01With this key.

00:02:02The doorman gave it to me in exchange for a thousand duros.

00:02:03You'll see how we find nothing and make fools of ourselves.

00:02:05I would be happy, but I don't think so.

00:02:06Come on, honey, it's for today.

00:02:11I'm going, I'm putting on perfume.

00:02:13Come as you are.

00:02:14Yes, I like my meat almost raw and without spices.

00:02:18Here I am.

00:02:20You like me?

00:02:21Every day more.

00:02:23Come on, silly.

00:02:24Come to bed.

00:02:25Come to bed here with the chache.

00:02:27Here, here.

00:02:30Here I am so that you can love me once, twice, three times, four times.

00:02:34Stop, stop, stop.

00:02:36It gives me these things.

00:02:37They must be done methodically.

00:02:38No rush.

00:02:40You have to get the most out of it.

00:02:41Because you never know when it will be the last.

00:02:44What if this is it?

00:02:46Who's to say that this afternoon isn't the last time I squeeze grapefruit juice?

00:02:51And do you squeeze your wife too?

00:02:53No.

00:02:54My wife is squeezed by her mother.

00:02:56Come on, give me a kiss for him...

00:02:57You make me ribs.

00:03:03Because I get nervous without patience.

00:03:06Do you see it?

00:03:07He's your husband.

00:03:08I'm not sure, Martirio.

00:03:09What do you mean no?

00:03:10Now you'll see.

00:03:14Here it is.

00:03:14Is he your husband or not your husband?

00:03:16What's happening?

00:03:17My God.

00:03:18Fabian.

00:03:19How could you do this?

00:03:20But, but, what is this?

00:03:22What are you doing here?

00:03:25May I know who you are?

00:03:26Your wife and her best friend.

00:03:28It's just not noticeable.

00:03:29You forgive me.

00:03:30But I think you're confusing me with my brother Fabián.

00:03:34I am...

00:03:35Rodolfo.

00:03:37We are twin brothers.

00:03:38It will be cynical.

00:03:40But do you think we're idiots?

00:03:41You idiot no.

00:03:42But are you in a bad mood?

00:03:45Let's go.

00:03:46I don't want to see any more.

00:03:47Adela.

00:03:48Adela, wait a moment.

00:03:49Wait, honey.

00:03:50Wait.

00:03:50Adela.

00:03:51My Adela.

00:03:52Wait.

00:03:53I'll explain everything to you.

00:03:55Because even if you don't believe it, there is an explanation for this.

00:03:59Sure?

00:04:00Of course.

00:04:01But what explanation will there be?

00:04:03Just one.

00:04:03What are you, a scoundrel?

00:04:04Be silent, Martyrdom.

00:04:05Fabian is going to explain everything to me.

00:04:07TRUE?

00:04:07Of course, of course, my life.

00:04:09Sit down.

00:04:10Sit down, my love.

00:04:11Don't trust him, he's a crook.

00:04:13That is left-wing.

00:04:14Don't prick, bug.

00:04:15Don't prick.

00:04:16I'll explain it to you, darling.

00:04:18You won't believe what I'm going to tell you.

00:04:20I know you won't believe it.

00:04:22Adela is stupid.

00:04:23He believes everything.

00:04:24Ah, well then I'll tell him.

00:04:25You see, that girl you see, well, that you don't see because she's in bed, that girl is an orphan.

00:04:31And a slut.

00:04:32Also.

00:04:33I say no, just an orphan.

00:04:34There where you see her, I met her on the street.

00:04:37I was driving my car and stopped at a traffic light, when suddenly he came over to clean my windshield.

00:04:42Look at the windshield.

00:04:43And what else could cleanse you?

00:04:44Man, I could have cleaned out my wallet, but no.

00:04:47He came up to me and said, I'll clean it for you, man.

00:04:50Look, man, it's a family thing.

00:04:52And there was mine.

00:04:55I felt sorry.

00:04:56Because she has chest pain.

00:04:59He has some lumps here.

00:05:01Poor thing.

00:05:02No father, no home, no uncles.

00:05:05And I thought, well, she could be my niece.

00:05:07Or my daughter.

00:05:09And since she's very industrious, she got into the car to clean the inside of the window.

00:05:15Little angel.

00:05:16And I felt sorry for him.

00:05:17The poor thing.

00:05:19Ugly as she is.

00:05:20Because, of course, you haven't had time to see it.

00:05:23But it's Vizca.

00:05:24Biscay.

00:05:25What is it like with Vizca that when he cries, tears fall down his back?

00:05:29And it gave me...

00:05:30You felt sorry, now.

00:05:31No.

00:05:31I felt like protecting her.

00:05:33And do you know why?

00:05:34No.

00:05:34Why did I feel sorry for him?

00:05:37It's disgusting.

00:05:38But how could I notice her?

00:05:41If you have one leg longer than the other, one ear higher than the other, and one nose lower than the other.

00:05:47Well, let's look at that calamity.

00:05:49Come out, young man.

00:05:50No, don't let it come out, don't let it come out.

00:05:51Yes, yes, let it come out.

00:05:52Don't let it come out.

00:05:52Come out, miss.

00:05:54Don't let it come out.

00:05:54Listen to me.

00:05:55Yes, yes.

00:05:56You're going to feel sorry for it.

00:05:57If they hit me, I'll call my lawyer.

00:05:59Martyrdom.

00:06:00She's so cute.

00:06:01But, Fabián, aren't you ashamed?

00:06:04No, what I feel is pity.

00:06:05Because it seems to me that this girl is a real slut.

00:06:07Hey, handsome.

00:06:08Do you see it?

00:06:09He calls me handsome.

00:06:10Also blind.

00:06:11Well, it's a beauty.

00:06:12And why was he in bed with you?

00:06:13Ah, but I haven't explained it yet.

00:06:15No.

00:06:15Well, you see, I had thought, since the girl is an orphan and we haven't had children, we're going to adopt her.

00:06:21And that's why you get into bed with her.

00:06:22Of course, to know if he pees and doesn't, or poops either.

00:06:26Well, that's enough of this nonsense.

00:06:27Come on, Adela.

00:06:28This is a joke.

00:06:29And since I'm not willing to let my best friend be fooled, you've tricked her, haven't you?

00:06:34Well, she's going to cheat on you.

00:06:36But, I had no intention of giving that girl any more than a hand.

00:06:40Where?

00:06:41Wherever it was left.

00:06:42Hey?

00:06:42Well, I mean, stop this nonsense.

00:06:44Stop messing around.

00:06:45You have no shame.

00:06:46What I have is too much endurance.

00:06:48Fabian, Fabian, what are you doing?

00:06:50But, man, she is a witch.

00:06:52I am here like Don Juan Tenorio on my knees at your feet, asking for forgiveness.

00:06:55And she comes to prick, comes to prick.

00:06:57And she comes out with that she's going to cheat on me.

00:06:59And not even my father cheats on me.

00:07:02And you, do you?

00:07:03It's different.

00:07:04She is a woman and I am a man.

00:07:06And how are you different?

00:07:07If you want, I'll take off my pajamas and you can check it out.

00:07:09How rude!

00:07:10Anyway, even if you are different in something.

00:07:12Yes, we are.

00:07:13In rights we are all equal.

00:07:15Aren't you left-wing?

00:07:16One of the most left-wing.

00:07:17And don't you on the left say that we are all equal?

00:07:20Equals.

00:07:20And that we have the same rights?

00:07:22Yes, ma'am.

00:07:22Those of us on the left have the same rights.

00:07:25The women of the left do not.

00:07:27And why?

00:07:28Because we don't like the left.

00:07:30I can't stand any more humiliation.

00:07:31Come on, Adela!

00:07:32He called me an old man.

00:07:34And be prepared, because your wife is going to cheat on you.

00:07:36And also, with your best friend.

00:07:37I don't have any friends.

00:07:38I don't get along with everyone very well.

00:07:40Some will tolerate you more than others.

00:07:41With that one.

00:07:42Adela, darling, don't pay attention to that crazy woman.

00:07:44She hates men.

00:07:45Since her husband sent her after a bingo hall employee.

00:07:48Of course I'll listen to him.

00:07:51You deserve it.

00:07:52Bye bye.

00:07:53Adela, Adela, don't pay attention to him.

00:07:54Adela, Adela.

00:07:57Damn my image.

00:07:59But how did they find out?

00:08:01And what do I do now?

00:08:03What I do?

00:08:07Look, since we're here, let's make the most of the afternoon.

00:08:11He has no shame, but he's going to pay for it.

00:08:16But you didn't mean to say that I was going to cheat on you.

00:08:18Of course I meant it.

00:08:19About me?

00:08:20Well, about me and my best friend.

00:08:21Nobody laughs.

00:08:23Portress.

00:08:24Bale to serve the lady.

00:08:26Well here you go, Paca.

00:08:27Very good, very good.

00:08:27The key that got me.

00:08:29And thank you very much.

00:08:30I hope Mr. Mazorla doesn't know that I gave him the key.

00:08:33Don't worry.

00:08:34Come on, Adela.

00:08:35Bye bye.

00:08:35Don Casimiro, are you coming or not?

00:08:41I'm going, no.

00:08:42I'm waiting for the ice to soften because it's very hard.

00:08:46What are you taking?

00:08:46Are you sick?

00:08:47No no.

00:08:48They are pills because I have low blood pressure.

00:08:52And that's enough to raise your blood pressure?

00:08:55Well, to go up, yes, yes.

00:08:57Come on, but to upload it.

00:08:59No, no, the tension precisely.

00:09:04Come on, come on, come on.

00:09:05Well, you'll see how much fun we're going to have.

00:09:07I'll listen to you, curricachi!

00:09:09We're going to have a fantastic afternoon.

00:09:10We can put on some music.

00:09:11Do you have Pink Floyd?

00:09:12Floyd, that's for aftershave, right?

00:09:14No, silly.

00:09:15That's a group.

00:09:16Ah, well no, no.

00:09:18I have Jorge Sepúlveda, Machín and, already going crazy with modernity, Rafael.

00:09:24Well that's a drag.

00:09:25We turn on the TV.

00:09:26Do you want us to go to sleep?

00:09:28Don't have a video?

00:09:29Yeah.

00:09:30We can put on a dirty movie.

00:09:33I used to have two.

00:09:34But when I brought girls here and put them in, they came out tall, blond, powerful boys.

00:09:40And of course, they made comparisons and one looked ridiculous, of course.

00:09:45I'm going to put on Snow White and the Seven Goats.

00:09:49Take off your clothes now, come on.

00:09:50It's just that I have a cold.

00:09:51Also, it makes me feel embarrassed.

00:09:52No, if we're alone, to mine.

00:09:54What if someone comes?

00:09:55But who's going to come here at this hour?

00:09:58No, only the doorman has the key, and she's too nosy to let the housekeeper in.

00:10:01But at this hour I don't think he'll come here, no.

00:10:03Mine is one of them, take this off.

00:10:06Look, who suits him?

00:10:07Look, you could see the darkness there, you could see the dark thing.

00:10:10What creeps did it give me?

00:10:11Look at all the buttonholes, take off, take off that button, take off, take off, take off, take off.

00:10:16Oh!

00:10:18All right, all right, let's go.

00:10:20In the store it didn't look like you had that much.

00:10:23And I said, no way, you should take things so seriously.

00:10:26Do you think I have a lot?

00:10:27No, no, enough, enough.

00:10:29One goes on each side, one on each side.

00:10:31It's funny, it's a joke I told him.

00:10:34Come on, take off your skirt, come on.

00:10:35The little skirt too?

00:10:36Well, go on.

00:10:37The little skirt?

00:10:38Chis!

00:10:38Jesus, but why do you want her when she's so small?

00:10:42It's the same.

00:10:42Man, it's a bit of a cover-up.

00:10:44That's it, child, that's how you look better with your skirt on, my daughter.

00:10:47Thus, the...

00:10:48Oh, yeah, yeah!

00:10:50Oh, I was going!

00:10:51She's not wearing a girdle!

00:10:52Girdle at my age?

00:10:54I bet it doesn't go well.

00:10:55No.

00:10:55Well, what do we do now?

00:10:59Wait for the pill to take effect.

00:11:02It's just that I'm cold.

00:11:04I will warm you with my Herculean arms.

00:11:07Don Casimiro, how few muscles do you have?

00:11:11Hey?

00:11:12You search, compare, and if you find something better, buy it!

00:11:18Oh my life!

00:11:19Where will our waiter be?

00:11:25What will Don Casimiro do?

00:11:29Don Casimiro...

00:11:31Achis!

00:11:34Hey?

00:11:35I must have caught the flu.

00:11:38Please excuse me, Don Casimiro.

00:11:40I thought there was no one home.

00:11:42No, so I'm just lying there.

00:11:44Ah, well, like that.

00:11:45I'll give you the email personally.

00:11:48Achis!

00:11:50Achis!

00:11:51Achis!

00:11:51There's a lot of flu out there.

00:11:53Yes, yes, yes.

00:11:55Well, there you have your cards.

00:11:56Thank you.

00:11:58Achis!

00:12:01Who sneezed over there?

00:12:04Well it is...

00:12:04Jesus, thank you.

00:12:11Forgive me, Don Casimiro, but the truth is I didn't know you had a visitor.

00:12:16No, yes, yes.

00:12:18I'm sorry, but I didn't mean to bother you.

00:12:22I know how to take charge.

00:12:23No, no, no, go away, don't go away.

00:12:25I have to explain to him that...

00:12:27You don't have to explain anything to me, man.

00:12:29No, yes, I have to explain, because if not you go around gossiping and it could reach my wife's ears.

00:12:34I?

00:12:35Should I say anything about what's going on in this house?

00:12:38Come on, Don Casimiro.

00:12:39Well, just in case, just in case.

00:12:40You see.

00:12:42I was in the office this morning.

00:12:43When Rebici dredges come out, I hadn't come to use them, because as I had...

00:12:47The machine had been purchased, but it had no instructions.

00:12:49And when we bought exercises from them, it fell out the bottom.

00:12:52And then onions had gone up in price, as was logical.

00:12:55And it's not all there.

00:12:56Because of course, when he bought exercises from them, he bought the earring, which messed up his whole head.

00:13:02He didn't sell it.

00:13:03No, he didn't sell it.

00:13:04And of course, I stayed...

00:13:07As you have stayed now, I will stay the same.

00:13:08I just don't understand it, Don Casimiro.

00:13:11I don't think I can speak any clearer than I do.

00:13:13Let's go.

00:13:14Look, this young lady over there, look at her.

00:13:16Well, she hadn't brought the living room before, because she had brought it to him before.

00:13:20But since the car's side skirts always come from the right side and don't come from the back...

00:13:24They are left where they are.

00:13:26Clear.

00:13:26And that's why you're as short as you are.

00:13:28Yeah.

00:13:28Of course, that's no different, because if it goes...

00:13:31You can go battery-powered and in which case, well...

00:13:33I just don't understand.

00:13:35And I haven't even told you the half of it.

00:13:36Look.

00:13:37Anyway, I shouldn't care if a tenant receives a visit in his house.

00:13:43Well, yes, but it refers to this...

00:13:45Come on, come here, come here.

00:13:48Take a good look at her, okay?

00:13:50Look.

00:13:51Yes, yes.

00:13:52I look, I look.

00:13:54It's just that where you see her, she's not a lady.

00:13:57Ah, she's a married lady.

00:14:00Ah, but what do I care if you bring a married woman in her underwear.

00:14:06She is not a married woman.

00:14:08Widow.

00:14:09Not divorced or anything.

00:14:12Where you see her, she is simply not a woman.

00:14:14No, well, what is it?

00:14:16A blow-up doll?

00:14:18For me, as if it were.

00:14:21Ah, but you don't know about me.

00:14:23What's your thing?

00:14:24About my accident.

00:14:25But you had an accident, huh?

00:14:27No, not now.

00:14:28Many years ago.

00:14:30A skid, I went off the road, rolled over three times...

00:14:34Chas, arregas, bluscas, trabazas!

00:14:37I came to in the sanatorium.

00:14:40And there a doctor tells me this very delicately.

00:14:42Now, do you remember when you had all the pieces complete?

00:14:47Well now, he's missing one.

00:14:50And what was missing?

00:14:52What's it going to be, woman?

00:14:54The tripe?

00:14:56The...

00:14:57Everyone, everyone.

00:14:59That's why I have nothing to do in that area.

00:15:02They put a woman in front of me as if I were a jug.

00:15:05A jug without a spout, of course, because not.

00:15:10Poor man.

00:15:14Now I was with this friend.

00:15:15We are going to start a women's underwear business.

00:15:18I was trying on some wands and a bra.

00:15:20Let's see if the wand pulls him from there and grabs him here.

00:15:23Wow, man.

00:15:24Well, I feel sorry for you.

00:15:26I feel more sorry for it, because look, right?

00:15:28Well, go now because I think the... is having an effect on me.

00:15:31The pill.

00:15:34What pill?

00:15:34In the pill.

00:15:35Who said pill?

00:15:36No, it's just that this pill bothers me.

00:15:38Since it's mine, I do what I want with it.

00:15:39Now, go now.

00:15:40And please, yes, I beg you not to tell anyone what I have told you.

00:15:43Oh, I can't tell anything.

00:15:45You already know, Don Casimiro.

00:15:47Man.

00:15:49That a neighbor brings a girl.

00:15:51It's up to him.

00:15:51It's up to him, he's too good.

00:15:53He brings a girl to try on his panties.

00:15:55Yes, I'll try the panties again.

00:15:58Goodbye, Don Casimiro.

00:15:59Yes, nothing, goodbye.

00:16:00Goodbye to ricotilla, aunt.

00:16:02Those pills are great!

00:16:06He swallowed it, he swallowed it.

00:16:08But, Don Casimiro, what's all this farce about?

00:16:10No, this protea is a droplet.

00:16:12But she will have left convinced that nothing sinful will ever happen in this house.

00:16:15Let's get on with it, let's get on with it.

00:16:17Over there, I'm going, over there.

00:16:17Don Casimiro, what if his wife finds out about this?

00:16:19Don't talk to me about her, or I'll get loose from the pill, my daughter.

00:16:23What a golden doll of mine!

00:16:29Come on, lazybones, you've slept in!

00:16:36Come on!

00:16:36The sheets? What sheets?

00:16:39Damn!

00:16:40But they didn't put sheets on you, poor thing.

00:16:43Poor shameless adulterer, they didn't put any sheets on the sofa for him.

00:16:47They haven't put them on me, and you know it very well.

00:16:49Because the fact that Adela didn't let me into the marital bedroom last night and locked it was definitely your idea.

00:16:55Sure, because Adela is a saint without malice.

00:16:57And you don't think that after finding you in bed with another woman, I'm going to allow you to sleep with her.

00:17:02Martirio, you have bad temper.

00:17:04What I have is shame, not like you.

00:17:07Good morning.

00:17:08Well, it will be for you who have slept comfortably.

00:17:12My whole body hurts.

00:17:14Come on Adela, get ready.

00:17:15We're going to buy you some new nightgowns so you can wear them when you cheat on this guy.

00:17:20Wow! That's how I like things.

00:17:22Said with dissimulation.

00:17:24The same dissimulation you used to cheat on your wife.

00:17:26It will be possible.

00:17:27And we also have to talk, because the chosen one has to be your best friend.

00:17:31But he must be handsome.

00:17:32That's the least of it.

00:17:33Come on, let's go! I'll help you put on your makeup so you look pretty.

00:17:35Adela, I guess I can get into our bathroom.

00:17:40Go to the bathroom.

00:17:42To the service?

00:17:43No, I'll have to shower with household cleaner and rub myself with scorbite on the green part.

00:17:50I must be such an idiot that I left my slippers in the bedroom.

00:17:53I'm going to catch a cold.

00:17:55Well, I'll give myself some rosemary alcohol.

00:17:57Yes, ma'am.

00:17:58We have all kinds of sacred images for all possible requests.

00:18:02For example, we have Saint Pascual Bailón, who is the patron saint of nightclubs.

00:18:05The patron saint of football referees, Saint Agapitus, who is the patron saint of Icona, is Saint Serenín del Monte, who is already...

00:18:12Well, I wanted a Saint Anthony, to see if I could get a boyfriend.

00:18:17You need Saint Anthony in person and working overtime.

00:18:21As?

00:18:21No, no, nothing, this is extraordinary, what I am going to show you, a magnificent Saint Anthony.

00:18:27But this Saint Roch, doesn't the dog see him?

00:18:30No, no, it's Saint Anthony who needs a police dog to find you a boyfriend.

00:18:34His name is Sultan, call him, call him.

00:18:37Sultan?

00:18:38The guy is very cold, he doesn't answer, no.

00:18:40He's vaccinated against rabies in case you bite him.

00:18:43What would you like, madam?

00:18:44A Saint Anthony, but this man wants to give me a Saint Roch.

00:18:47I'm not surprised, go on, let me take care of the lady.

00:18:50No, I was there to sell mamón and drops of this.

00:18:52Leave it, leave it, if you collaborate you'll ruin me.

00:18:55Forgive him, madam, he is my husband.

00:18:57And since the business is mine, I inherited it from my father, so try to help me.

00:19:02It is certainly more imposed on dogs than on saints.

00:19:05Well, it's very cold, don't believe it.

00:19:10I'm going to stuff myself with baby eels.

00:19:13My life, my life!

00:19:14Don Casimiro, what's there? Is it your wife?

00:19:15What do we know, silly?

00:19:17But yesterday's performance wasn't enough for him.

00:19:18It was crazy.

00:19:19Hey, what pills are those?

00:19:21The pills are the least of it, I'm just tremendous.

00:19:24You caught me on a slow day, you know how things are.

00:19:27Give me a kiss on the corner of my mouth, stop messing around.

00:19:30No, no, no, Saint Boniface is with an H, that is, the way he shaves.

00:19:35Saint Boniface, this is clear.

00:19:37Come on, be here.

00:19:38Pepita, have you already brought the order from San Antonio? Is it pocket-sized?

00:19:40Yes, Mrs. Carlota.

00:19:41It's in the warehouse, I'll bring one up for you.

00:19:43Thank you, daughter, what would I be without you?

00:19:46How many times do I have to tell you not to serve customers?

00:19:48You scare me away.

00:19:50I do what I can, I have a complex.

00:19:52All the money that comes into our house is because of you.

00:19:54I am a person, a lot of people.

00:19:56And this makes me angry.

00:19:57Yes, but if you keep giving San Roques instead of San Antonio,

00:20:01we will end up in ruin.

00:20:03I'm worthless, I'm worthless.

00:20:04Don't worry, you'll find out little by little.

00:20:08I'm not worth it.

00:20:11Hello, Paca, nice to see you.

00:20:17Do you have the key to my apartment?

00:20:19Of course, Don Fabián.

00:20:20Here with a few others, look.

00:20:23Haven't you left it with anyone?

00:20:24Oh, I won't let go, even if it drives me crazy.

00:20:26Look, don't I open the door for the cleaning lady?

00:20:30Well, since they entered without ringing the bell.

00:20:32The fact that?

00:20:33No, no, just my own business, nothing.

00:20:35This is a madhouse.

00:20:37Do you want to believe that there is an old lady in the attic?

00:20:40who has a small crocodile in the bathtub?

00:20:46Well, come on, the serious man who instead of bringing girls

00:20:50To distract himself, he brings them to try on his underwear.

00:20:55Could it be fetishistic?

00:20:57No, sir, it's something else.

00:21:00You put a girl in front of him and teach him how to cross-stitch.

00:21:05Likely.

00:21:06Well, I'm going upstairs to sleep for a while.

00:21:08Ah, you had a bad night.

00:21:09Terrible.

00:21:10See you later.

00:21:10Bye bye.

00:21:13Paca, just a moment.

00:21:15Don Fabián, I haven't given the key to anyone.

00:21:18No, that's not it.

00:21:19But, you say there is a neighbor who is...

00:21:22Come on, it's...

00:21:23Yes, Don Casimiro Gacha.

00:21:26A very serious gentleman.

00:21:27The woman has an imagery.

00:21:29I find out everything.

00:21:30Yes, but you told me...

00:21:32They put a girl in front of him.

00:21:34And how else.

00:21:36Because it seems he had an accident.

00:21:39And they cut off everything below.

00:21:42The feet?

00:21:43No, higher up.

00:21:45The arms?

00:21:46Below.

00:21:48There.

00:21:49There.

00:21:50Well, don't go thinking that I'm a gossip.

00:21:53Well, you, out of the question, I wouldn't even think about it.

00:21:58Does that gentleman have a telephone?

00:22:00Yes sir.

00:22:01But it's not in the guide.

00:22:02Well, then write down the name and number there.

00:22:07And keep this little bill.

00:22:10Me, for doing your favor.

00:22:12Maybe it can be a very big favor.

00:22:17Hey, Mr. Casimiro Gacha, please.

00:22:39I say, Don Casimiro Gacha.

00:22:42Yes sir.

00:22:42On whose behalf?

00:22:43This one, from the archpriest of Ita.

00:22:46Just a moment, Archpriest.

00:22:49Don Casimiro calls the archpriest of Ita.

00:22:51Come on, what do you want?

00:22:52Talk to you.

00:22:53You will need candles.

00:22:56Hail Mary Most Pure.

00:22:58Whoa!

00:22:58What a whiplash he has given me.

00:23:00What do you say?

00:23:01I am at your divine service, Archpriest.

00:23:03Well, you see, Don Casiveo.

00:23:04What do you say?

00:23:05No, no, no.

00:23:06Casiveo?

00:23:06I say, Casimiro.

00:23:08Casimiro Porridge.

00:23:09Ah, it's because Casiveo had understood him.

00:23:11And I am Casimiro.

00:23:12That?

00:23:14Hey, hey.

00:23:16It sounds bad.

00:23:17There must be a crossing.

00:23:18No, I'm at a traffic light.

00:23:19Well play, because I'm talking to someone else.

00:23:21But you are alone.

00:23:22No, I'm with this one.

00:23:23Oh, right.

00:23:24How he hit the cut.

00:23:25But who is this?

00:23:26I don't know, I'm talking to the archpriest.

00:23:28Oh well.

00:23:29Who are you?

00:23:30I am the archpriest of Ita.

00:23:31No, man.

00:23:32That's me.

00:23:34What diocese is it from?

00:23:35No no.

00:23:36I'm over sixteen.

00:23:37No, no, no.

00:23:38Clear.

00:23:38And I'm thirty-one and even.

00:23:40Well, let's clear them up.

00:23:42I am Porridge.

00:23:43Who are you?

00:23:43The archpriest of always.

00:23:45Oh.

00:23:45Thank goodness those two annoying guys from the crossing are gone.

00:23:48Well, you say, Archpriest.

00:23:49Do you need candles?

00:23:50No.

00:23:51What I need is to talk to you in a private place.

00:23:53Where no one bothers us.

00:23:55Ah, so you don't need candles, tapers, or night lights...

00:23:58No, man, no.

00:23:59What I need is discretion.

00:24:01Don't talk to anyone about this matter.

00:24:02Where could we meet?

00:24:04Well, I don't know, let's go.

00:24:05Do you know a housing development near Las Carrerillos?

00:24:08And when one hears before that they are already selling canned sardines,

00:24:11many more cans than there are on the market,

00:24:12You go there and I told them because if not they have come.

00:24:16Man!

00:24:16I prefer it decaf.

00:24:18Daisy Avenue, 110.

00:24:20Ask for me.

00:24:21Yeah.

00:24:22Yes, yes, yes, yes, yes, ma'am, yes.

00:24:24We have everything from one and a half meter candles to birthday cake candles.

00:24:28Yes, ma'am.

00:24:28Goodbye to your feet, ma'am.

00:24:29Bye bye.

00:24:30It's a lady who says she was two candles or that she needs two candles.

00:24:35I don't know, because people are crazy.

00:24:38What a cross!

00:24:39What a cross!

00:24:40Well, I'll have no choice but to buy him a dozen candles.

00:24:43No, I'm not going to teach karate class today because I feel...

00:24:50I want to go with the camera!

00:24:52I'm in very good shape, though.

00:24:53But the other day at home, while doing the crazy bird forward test,

00:24:56I broke the underwear part, my whole buttock came out on the outside.

00:25:00And this, whether you like it or not, is embarrassing.

00:25:01As you say, Don Casimiro.

00:25:03Has anyone come asking for me?

00:25:05Yes, a gentleman who is in the locker room.

00:25:06Who says he's an archpriest of I don't know what.

00:25:08Ah, that's the one.

00:25:10Well, you have it in the locker room.

00:25:11It seems he's coming.

00:25:12I regret it.

00:25:14Ah, thanks, Alejandro.

00:25:15Goodbye, Mr. Gachos.

00:25:18Well, and why wasn't this one in mourning?

00:25:20Is Kung Fu dead?

00:25:24Lip!

00:25:25Archpriest, your feet...

00:25:28Who?

00:25:28Don Casimiro.

00:25:31It looks like Miraflores cottage cheese.

00:25:34He's whiter than a swallow.

00:25:35Honestly, you've summoned me to a very strange place.

00:25:38But discreet.

00:25:40Come, come and sit down, please.

00:25:41Thank you.

00:25:42No, sit down first, sit down.

00:25:45Yes, you're welcome.

00:25:47You see, I told him about the archpriest.

00:25:49Yes, because you don't know how happy I was when my typist told me that she loved me.

00:25:52see an archpriest.

00:25:53So I thought, man, this guy is going to clear up a bit of my doubts.

00:25:56Man, if it's in my hands.

00:25:58It is, it is.

00:25:58I brought you a little gift.

00:26:00I brought you a little gift.

00:26:01It's nothing, it's nothing.

00:26:03A sausage?

00:26:04No, they are candles for Saint Carmel to put on him to see if his hair grows.

00:26:08Some candles?

00:26:10Well, I'll keep them in case my power goes out one day.

00:26:12Well, it's not that it's a confession, but I want to tell you something that happened to me a long time ago and that

00:26:19I don't even know if it's a sin.

00:26:21Well, look, I don't confess what I call confessing...

00:26:24No, no, you wait and listen to me now...

00:26:26Well, you see, monsignor.

00:26:30It was several years ago in the elevator of a skyscraper, when suddenly the light went out.

00:26:35Well, but now we have daylight here.

00:26:37No, if I don't say anything, I'll say it now, then.

00:26:39Oh, excuse me, yes, yes, go on, go on with the spiel.

00:26:42Well, the power went out, the elevator stopped.

00:26:45There were few people in the elevator, it created a lot of confusion, everyone wanted to get out.

00:26:49There in the middle of the darkness, he pointed at my hands, they touched something hard.

00:26:53Listen, it was a woman's breast.

00:26:55Congratulations, since you said something harsh, I thought about the mechanic's wrench.

00:26:59She was a scared woman.

00:27:00I never saw her face because before the lights went out, she was behind me.

00:27:04And I took her to the shops with the elevator operator and there...

00:27:09I made her mine.

00:27:12To the elevator operator?

00:27:13To the elevator operator.

00:27:14No, no, to the elevator operator, no, to the scared woman.

00:27:17Well, well, but that was many years ago, because according to my news, you now

00:27:21women no longer because...

00:27:23No, huh?

00:27:24And you say good or bad, but what would you have done in my place?

00:27:28Well, given my character and being in the dark, I would have even brushed off the elevator operator.

00:27:33Ah, what do you mean?

00:27:34That is not a sin.

00:27:35Well, let's leave that and get on with it.

00:27:38I have summoned you here because I need you to do me a favor.

00:27:41I am at your sacred service.

00:27:43I would like him to sleep with my wife.

00:27:47How funny!

00:27:51If Your Grace only knew the nonsense I just understood...

00:27:54He's insisted on cheating on me.

00:27:56And do you know who's doing the poking?

00:27:58Cardinal Tarancón?

00:27:59No, a friend.

00:28:00Well, what a friend.

00:28:03Listen, but come on, as far as I know, priests can't get married.

00:28:05And what do priests have to do with this?

00:28:06Ah, well of course, of course, I understand now.

00:28:10Priests cannot marry, but archpriests can.

00:28:13Ah, but archpriests can now get married.

00:28:16Wow!

00:28:16It's clear that we are now European.

00:28:20Hey, do you know that for an archpriest you're pretty weird, huh?

00:28:23Well, I'm not an archpriest, I'm a cardinal.

00:28:27I say cardinal, be clear, countryman, countryman, come on.

00:28:31Countryman.

00:28:32So why did you call me?

00:28:34If I'm not going to practice, I'm going to have to use them with the mortadella sandwich,

00:28:38It doesn't have enough because it grabs the shoe part.

00:28:40No, don't be a fool.

00:28:42So that you would attend to me quickly, I said that the archpriest of Ita was calling you.

00:28:47So if you are not an archpriest, what are you?

00:28:50Red, one of the most left-wing.

00:28:52Nice change, yes sir.

00:28:54I belong to the PCA-LII, which means a party positioned to the left of the left.

00:29:00That is, one of the most left-wing.

00:29:01We are already out of Spain.

00:29:04So, what did you want to tell me?

00:29:08Come, come so I can listen.

00:29:11My wife and her friend caught me, as I would say, they caught me with a young woman in bed.

00:29:17How outrageous, in bed with a young woman! That's shameful!

00:29:20Hey, stop, stop, your doorman caught you trying on some girl's panties.

00:29:25And that's worse.

00:29:26Come on, I say.

00:29:27No, no, panties, no, no.

00:29:29And she carried some castanets and a comb made of lupins, which in some places, as you know, are called chochos.

00:29:37A comb made of pussy?

00:29:38Of chochos, yes.

00:29:39Cooked or raw?

00:29:40Overcooked, because if not, you can't make a comb.

00:29:42Ah, cooked chickpeas!

00:29:43Take the ear off, of course.

00:29:45No, if not, listen.

00:29:46Take a container and put it in the María Jiménez bath.

00:29:48The bald pussy is thrown.

00:29:50The anchovy doesn't get through because the nets are thick.

00:29:52The anchovy?

00:29:53What anchovy?

00:29:53An anchovy that I have in the soap dish.

00:29:55You have a big anchovy in the soap dish.

00:29:56Yes, a big anchovy because as I don't have a plug at the bottom of the drain, I tell him,

00:30:00anchovy, anchovy, become a stopper.

00:30:02It pops up, screws onto the bottom, and the tub can be filled.

00:30:05Shepherds are shepherds...

00:30:12Come on, man!

00:30:13I suppose you've already made everything clear with this explanation I just gave you.

00:30:17Well, look, before I go crazy, let's get down to business.

00:30:21My wife wants to cheat on me with my best friend.

00:30:24That's why I'm looking for you.

00:30:26But you and I are not friends.

00:30:28Well, from now on, yes.

00:30:30And why did you choose me?

00:30:31You see, why did Paca, our doorman, tell me that you, come on, that you don't have a piringuito?

00:30:38Listen.

00:30:39Of course, that way I can leave him alone with my wife without any danger.

00:30:44Let's see, so since I don't have a penis, what you want is for me to sleep with your wife.

00:30:50Of course, man! So they can talk about their own things, about the stews, about how bad the service is.

00:30:54Understand, man. This way, my wife and my wife's friend will think they've gotten revenge and be satisfied.

00:31:00Of course, his wife is older than him, of course.

00:31:03No, sir. Twenty-five years.

00:31:05Then it will be vizca and zamba.

00:31:08She enters Miss Universe and wins.

00:31:12And with that you want me to lock myself in a bedroom?

00:31:16Yeah, man.

00:31:16You know what I'm saying, huh?

00:31:18I will do it to please him.

00:31:21Women no longer matter to me...

00:31:23As I am a piece of furniture down there.

00:31:25Hey, hey, you're touching my butt.

00:31:27Ah, she wants me to be mine, all right.

00:31:29Yes, since they are both so close, let's say, it's mine.

00:31:32Well, I say, when can your wife and I...?

00:31:36Come on, you understand how much I love you.

00:31:37Oh, right away!

00:31:39You see, now the important thing is that I introduce you to my wife and her friend, who is quite a lot of work,

00:31:44and tell him that we are childhood friends.

00:31:46Yes, we had the same pacifier.

00:31:48Well, I come here to get strong, very strong.

00:31:50Look, look, what do I do?

00:31:51Oh, what am I saying, there it is!

00:31:52Damn, what a bad scare.

00:31:53Come with me, I'm going to surprise you.

00:31:54I work a lot with bricks, eh?

00:31:59As a bricklayer?

00:32:00No, no, no.

00:32:01I hit it with the edge of my grinder's hand and break the brick.

00:32:05Yeah.

00:32:05Apart from that it does not splash on you.

00:32:07Of blood?

00:32:07No, no, pieces of brick.

00:32:09Come on.

00:32:10Stay, I concentrated.

00:32:12Help, vanilla!

00:32:16What happened to him?

00:32:18No, my finger has always fallen like this...

00:32:20They're going to dig my fingers out and I have to give them this.

00:32:24Of course, man, of course.

00:32:25When I do this, instead of a brick, I put in an ice cream chocolate.

00:32:29He took it off the stick.

00:32:30No, vanilla, how soft.

00:32:31No, compromise.

00:32:32With all due respect.

00:32:34What do you think?

00:32:37They're pretty, aren't they?

00:32:38Yes, Martyrdom.

00:32:39But I've been thinking...

00:32:41It's good that he sleeps on the couch.

00:32:42Okay, don't let him get close to me.

00:32:44But you have to go so far as to deceive him.

00:32:46And what did he do to you?

00:32:47Have you already forgotten?

00:32:49How could I forget?

00:32:50I close my eyes and see him in bed with that cute girl.

00:32:52So slutty, you'll say.

00:32:53Worthy of your husband's shame.

00:32:55Martyrdom.

00:32:56You hate men.

00:32:57To everyone.

00:32:58Well, not everyone.

00:33:00There is one of which I have fond memories.

00:33:01Do I know him?

00:33:03No, I don't think so.

00:33:04He was a gentleman.

00:33:06And the funny thing is that I never saw his face.

00:33:08How is that possible?

00:33:09Did you write letters or was it by phone?

00:33:11No.

00:33:12He went up in an elevator.

00:33:14Suddenly the power went out.

00:33:16The elevator stopped.

00:33:18I got scared and bumped into someone who...

00:33:20By the way, he hit me here.

00:33:22And what happened?

00:33:23He was a tall man who put me at ease.

00:33:26He comforted me with his beautiful voice.

00:33:28He led me to a corner next to the elevator operator.

00:33:31And there...

00:33:32And what about there?

00:33:33Over there.

00:33:34Martyrdom, what happened?

00:33:38Nothing.

00:33:39Nothing there.

00:33:40Go on, try these things on.

00:33:41Your husband said he was coming here to introduce us to a childhood friend.

00:33:49Hey, how well do you live?

00:33:50Does it surprise you?

00:33:52Well, since you are on the left, I say...

00:33:54And what happens?

00:33:54Can't we on the left live well?

00:33:56Yes of course.

00:33:56Come in, come in.

00:33:56It's not that, dear.

00:33:57Come this way.

00:33:59Now you will meet my wife and her famous friend.

00:34:02Ah, does the friend bite?

00:34:03If you don't put your hand in his mouth, no.

00:34:05Well yes, yes, yes.

00:34:06I'm just getting really nervous.

00:34:07Note that...

00:34:08Well, you know we're childhood friends.

00:34:10Intimate.

00:34:10Yes, yes.

00:34:10But don't forget that they don't have to know that your life was cut off because of that accident...

00:34:15No, that's going to be hard for me to hide.

00:34:18Because those things are not forgotten.

00:34:19And every now and then I look at the lot and I get a nostalgia that...

00:34:22Well, forget about the lot.

00:34:23Hey?

00:34:24Padela, Martyrdom.

00:34:25Please come.

00:34:27Smile.

00:34:28Ah.

00:34:30Have you come yet?

00:34:31Yes, I am very happy.

00:34:32Because I've found that you don't know who.

00:34:35With an old friend, you told me on the phone.

00:34:37Exactly.

00:34:37There you have it.

00:34:38Casibiro, cockroaches.

00:34:40Gruel.

00:34:41Casimiro Porridge.

00:34:42Yes, yes, yes.

00:34:42That's it, yes.

00:34:43At school we used to call him Casimiro Gachas, he's from the cockroaches.

00:34:47A lifelong friend.

00:34:49And of all the cockroaches.

00:34:51Well, here where you see him, he is an expert...

00:34:53German Shepherd Expert.

00:34:55Indeed.

00:34:56German Shepherd Expert.

00:34:57Martirio Gómez, stray dog.

00:35:00Very funny.

00:35:01How are you?

00:35:02Nice to meet you.

00:35:03So that...

00:35:04Friends?

00:35:06Yes, yes, ma'am, from school, yes.

00:35:07Here is Fabián Mazorla, who as a child we called Mazorla, the one with the tassels hanging from him.

00:35:13Man!

00:35:14Well yes, no, it's just that he was a trumpet player on the youth front.

00:35:16And he had some tassels hanging from here that he thought was very characteristic of him and he was very happy about them.

00:35:19But hey, sit down, Casimirín, sit down.

00:35:22Please, ma'am.

00:35:23Mr. Porridge, well, it's not a very common surname.

00:35:25Yes, well, look, a cousin of mine wanted to marry a guy named Torreznos and...

00:35:29No, no, come on, wait a minute, you'll see that this is over.

00:35:32No, they couldn't do it because they would have finished their ants.

00:35:36Do you want a drink?

00:35:37And don't let it be too strong.

00:35:38If you want, I'll give you some water.

00:35:39No, thanks, I have it at home.

00:35:41Well, here Casimiro is my best friend.

00:35:43Your best friend?

00:35:44Of course, schoolmates.

00:35:46No, and older ones too.

00:35:47Of course, we went to university together.

00:35:50No, no, no.

00:35:51Ah, no, no, no, no.

00:35:53Well, together, let's go, what is said together.

00:35:55I studied law and he studied sciences...

00:35:58In science, in science...

00:35:59No, no, no either.

00:36:01No, no, no, science, no, no.

00:36:02What did he tell me? Science.

00:36:03And he doesn't, no, no, I...

00:36:05He threw it in the...

00:36:07Well, it's the same, I know.

00:36:07Fabian didn't go to college.

00:36:09He is a scrap metal dealer.

00:36:10Of course, man!

00:36:11Well, I mean to the university of life.

00:36:13To the hard daily work.

00:36:14In this treacherous world nothing is true nor is it a lie.

00:36:17Everything depends on the color of the woman who looks at it, as the saying goes.

00:36:21The thing is that the cockroach has always been a great poet.

00:36:24I remember when we did military service together.

00:36:27Yes, yes, the university militia.

00:36:28No, man, no.

00:36:30Well, almost together.

00:36:31Because he did it in the militia on the Alpérez farm.

00:36:35And I was a fifth-year boy in Segovia.

00:36:37Almost together?

00:36:37Almost together, yes.

00:36:38I was a cavalryman in the Navy.

00:36:40What are you saying?

00:36:41No, man, no.

00:36:42Mountain cavalry, I was wrong.

00:36:45I laughed so hard in that barracks.

00:36:47Well.

00:36:47Do you remember the company captain named Evaristo Sifón?

00:36:51Well, I'm not going to remember.

00:36:53Evaristo Sifon.

00:36:54This, the one who married Pepita Bermud.

00:36:57That.

00:36:58Did you have three little ones?

00:36:59Two, two.

00:37:00Two Cinzanos and a Martini.

00:37:03And do you remember that corporal who always had a cold?

00:37:05Cape Sueps.

00:37:07Jesus.

00:37:08Have you remembered?

00:37:09You guys are so funny.

00:37:10And do you have anything to do with the scrap metal business?

00:37:14Well yes, yes, yes.

00:37:15No no.

00:37:16Well no.

00:37:17It has nothing to do with junk.

00:37:20Casimiro will not try to drink.

00:37:24You should have told me before, he'll drink.

00:37:29How good we are!

00:37:31The thing is, Mr. Porridge is your best friend, right?

00:37:34The best?

00:37:34Clear.

00:37:35And Fabian, his best friend.

00:37:37Is that so?

00:37:38Well, I don't give him kisses for him.

00:37:39What will they say?

00:37:40Well then, don't move from here, I'm going to introduce you to Fabián's wife.

00:37:44But you still have that obsession.

00:37:46I have that taste.

00:37:48She'll be back soon because she was trying on some clothes.

00:37:50We didn't take long.

00:37:51It's been bitten! It's been bitten! It's your march!

00:37:55Hey, how have you been?

00:37:57I think I've nailed it.

00:37:59No, man, no.

00:38:00You look awful.

00:38:01Oh yeah?

00:38:02How could I have gone to college as a junkyard man?

00:38:05I didn't know you were practically illiterate.

00:38:08And fortunately.

00:38:09Because if I had gone to university, I would now be unemployed like all university students.

00:38:13Wow!

00:38:14And now get ready because you're going to be introduced to my wife.

00:38:17He says, dress me up, huh?

00:38:18Come on.

00:38:18Wait a moment.

00:38:20What's happening?

00:38:20Are you sick?

00:38:20No, they're vitamins to lift my spirits...

00:38:24Get up...

00:38:25There it is.

00:38:25The...

00:38:25Morality.

00:38:26Come on.

00:38:27Well, don't forget that they shouldn't suspect that you are...

00:38:31You know what I mean.

00:38:32They won't suspect it.

00:38:34Okay.

00:38:34Shut up, they're coming!

00:38:37Here is this beauty.

00:38:39Come on, Adela, come out.

00:38:40Don't be silly.

00:38:42She was trying on a little nightgown.

00:38:45Come out, girl.

00:38:45If he's your husband, he's his best friend.

00:38:47It's just that I have a feeling of something.

00:38:50He doesn't have to give you anything.

00:38:52Listen.

00:38:53Is this your wife?

00:38:55This.

00:38:56The one I have to go with.

00:38:59That.

00:39:01Well then, look.

00:39:02Look, all of it, I feel it more...

00:39:06I'm going to turn purple.

00:39:09Mr. Porridge, I am pleased to introduce you to Fabian's wife.

00:39:12Nice to have sex with her, I mean to meet her.

00:39:14Oh, but without so much ceremony.

00:39:15That he is your husband's best friend.

00:39:17Oh yeah?

00:39:17Yeah.

00:39:18Is this man your best friend?

00:39:19From childhood.

00:39:20Ah, well, nice to meet you.

00:39:22But let's sit down, let's go.

00:39:25What a pretty nightgown and what a light fabric, huh?

00:39:27Well, if you like it, my wife will let you sleep in it.

00:39:30No, it's not necessary, no.

00:39:31Well, I'm going to see if there's anyone in there looking out, see if he...

00:39:34Casimiro, are you going to sleep now?

00:39:36No, no, no.

00:39:37I was looking at the lace, since it has two, one here and one here, so I was looking at it.

00:39:40And I say that this meeting will have to be held.

00:39:43Man, of course.

00:39:45For now, Casimiro is staying here for dinner.

00:39:47Well.

00:39:48And if you want, go to sleep.

00:39:49Yes indeed.

00:39:50Of course, we're going to be cramped on this sofa.

00:39:52We'll find him a more comfortable place to sleep.

00:39:55Well, I can't have dinner, and I can't stay overnight either, because I have a prior commitment that...

00:40:01It's outrageous, this can't be tolerated.

00:40:03I might have a heart attack right now.

00:40:04This, how hot his wife is.

00:40:06What do you say?

00:40:07No, no, nothing.

00:40:08No, I was saying that if you see it, you take notes.

00:40:10Yes, and he doesn't have love handles.

00:40:13Aren't you going to have it?

00:40:13No, touch, touch, you'll see.

00:40:15I'm going to play, I'm going to play.

00:40:17Yes, it has no fat at all.

00:40:19The aunt is there, right?

00:40:20The pills are going to kick in and we're going to have a big mess.

00:40:24Well, and then funny herde.

00:40:26Well, since you're a childhood friend, I can tell you.

00:40:29In the privacy of the bedroom he says and does some things.

00:40:33He'll do it for me, he'll do it for me, what a joy.

00:40:35Well, I think this meeting needs to be planned.

00:40:38I'll think of something and we'll get in touch.

00:40:40Now let's choose those nightgowns.

00:40:42Come on, baby.

00:40:44Wow, a lot of English without knowing her, lady.

00:40:47Nice to meet you, Don Casimiro.

00:40:48At your feet, my lady.

00:40:50What sir?

00:40:52It's going well, it's going well.

00:40:53Nice to meet you, Mr. Gacha.

00:40:54Nice to meet you.

00:40:55And see you soon.

00:40:56Always at your service, madam.

00:40:58Well now I tell you, Hammer, that I told you, that you were going to like it, of course.

00:41:02Very good, very good!

00:41:03How happy I am!

00:41:05Well, go on, I...

00:41:06It turned out just as I imagined.

00:41:08Now they think you're my best friend.

00:41:11And they also thought you were a macho guy.

00:41:14Clear.

00:41:14When in reality you are a eunuch like a house.

00:41:18You age, eunuch, the surprise that is going to hit you.

00:41:21What do you have to say?

00:41:23Well, since I'm a bit of a poet, I'm going to tell you in verse.

00:41:25If your wife, who is a real sweetheart, gives a rather plump man her tender eyes,

00:41:29Even if you don't have a staff, a corncob, a heart, there's no one who can take your horns away, son.

00:41:36Excellent!

00:41:37Bye bye!

00:41:39Well, it is true that he is a poet.

00:41:42The end of the verse is what I didn't understand well.

00:41:45What could he have meant?

00:41:47The archpriest of Ita.

00:41:48But it will be a writer named Juan Ruiz.

00:41:50No, this one is called Fabian, yes.

00:41:52But the archpriest of Ita died centuries ago.

00:41:55No, this one is old, as much as dead, he will not be his heir.

00:41:59The thing is, he called me, we had an interview,

00:42:01and has placed an order for 1,800 long candles,

00:42:05900 medium-sized candles and 6,000 procession candles.

00:42:10What a barbarity!

00:42:11Will you want to light up the Santiago Bernabéu?

00:42:13Yes, it's very fast, yes.

00:42:14But I have to go with him to Ita for a few days to formalize the order.

00:42:19Wouldn't it be better if it were me?

00:42:21You know you're not very used to it.

00:42:22See? You're back to normal now.

00:42:25I'm good for nothing.

00:42:27According to you, I'm a nonentity or a burden on the family.

00:42:30For once I could personally carry a good order.

00:42:33What if it was with you?

00:42:34You're humiliating me.

00:42:35You don't trust me.

00:42:38Go alone and get a good order.

00:42:42I will stay home alone,

00:42:44cleaning the dust,

00:42:45scrubbing the floors

00:42:46and doing the cotton test.

00:42:48Well, honey, don't be like that.

00:42:50Go to that request yourself.

00:42:52I won't let you down.

00:42:57You are very good

00:42:57and I thank you for trusting me.

00:43:01You've moved me.

00:43:03By the way, you'll have to give me 20,000 euros.

00:43:05because Ita has become very expensive.

00:43:07You don't know how he's become.

00:43:09You've moved me.

00:43:11But maybe you have to go to the most.

00:43:13You have to go to the larger guide.

00:43:13What a good person you are.

00:43:17Well, this place is very nice.

00:43:18I didn't know him.

00:43:19Of course, they don't let bugs in here.

00:43:22Yes, yes, you insult me,

00:43:23You'll soon see the days you're going to give.

00:43:25Look, look.

00:43:28Oh, I've kissed my hand so much.

00:43:31Look, I'm going to tell you a joke.

00:43:33Yes, I see.

00:43:34They will be counting

00:43:35what color thong each one is wearing.

00:43:37What are you saying?

00:43:39Nothing, nothing.

00:43:40That I'm sure

00:43:41that the porridge is incapable of deceiving me.

00:43:43Unable?

00:43:44In time.

00:43:45Don't you see he's a man?

00:43:46Look, he's going for firewood,

00:43:47he goes for squid

00:43:48and that one cut a fat, fat, fat one

00:43:49and brushed it.

00:43:51Oh, that's funny.

00:43:54Oh, let's get to a joke.

00:43:54What a great thigh.

00:43:55No, no, no.

00:43:56No, no, no.

00:43:58This already.

00:43:58A man?

00:43:59Well, well.

00:44:01Well, I'm happy.

00:44:02You see?

00:44:02Oh, that's good.

00:44:04What a funny nonsense.

00:44:06Look what your wife tells me

00:44:07that when you both lie down in bed together

00:44:09goes to bed with a repeating shotgun

00:44:11in case you have a misfire.

00:44:12I didn't understand anything you said.

00:44:15But what can be funny

00:44:16It's what happens when you both get into bed.

00:44:20And that can be enough to make you laugh.

00:44:22Well, who's asking me to dance?

00:44:23I feel like it.

00:44:23Oh no, let him take Casimiro out for you.

00:44:25Because I'm not good at dancing.

00:44:28No, I'm going.

00:44:29Well, let's go.

00:44:29Yes, the only thing I dance to is Swan Lake.

00:44:33You're naked.

00:44:34I'm tremendous.

00:44:36There.

00:44:38I am modern.

00:44:40What a good couple they make.

00:44:41Yes, a beauty.

00:44:43Well, I was looking for a guy who is a beast.

00:44:44and that never fails him.

00:44:46He has more problems than the government.

00:44:47Hey, but you didn't say it had to be with my best friend.

00:44:50Yes, yes.

00:44:51The truth is that I prefer this one.

00:44:53I like it better.

00:44:54But since these things have to be done while hot,

00:44:56If this gachas doesn't decide,

00:44:58I'll call the other one.

00:44:58But what are you saying?

00:44:59if the porridge is a beast.

00:45:00What is needed is for Adela to make things easier.

00:45:03I have already advised him to make a shameless advance.

00:45:05And so that we don't have problems,

00:45:07I thought we'd go spend this weekend at my chalet in the mountains.

00:45:10Very good idea.

00:45:11Because fewer people know us there.

00:45:13Clear.

00:45:14Well, you dance very well.

00:45:15He only stepped on me three times in two minutes.

00:45:17I like you so much that it makes me nervous.

00:45:20Well, that doesn't happen to my husband.

00:45:21No matter how much I stick to him,

00:45:23does not react.

00:45:23Ah, he doesn't react to these thigh slaps.

00:45:25No.

00:45:25And when we are alone, it is worse.

00:45:27Ah, he doesn't react on his own.

00:45:28That.

00:45:29No.

00:45:30And I am very abandoned.

00:45:32I need affection,

00:45:33keen,

00:45:34delicacy.

00:45:35No, well, I'm very delicate, okay?

00:45:37Health?

00:45:37No, I'm as strong as an oak tree in that regard.

00:45:39And if affection must be given,

00:45:40I am affectionate like a beast.

00:45:41Ah.

00:45:42Martirio wants us to spend this weekend in the mountains.

00:45:44Are you coming?

00:45:45I wouldn't miss it for anything in the world.

00:45:48Oops.

00:45:49No, this is quick.

00:45:49I don't dance it because I lose my mind.

00:45:51As you wish, Casimiro.

00:45:52They're coming.

00:45:53Adela must have made a move on me because I told her so.

00:45:55As if he were making a pass at his piluca cousin.

00:45:58That?

00:45:58That you buy a hearing aid.

00:46:00AND?

00:46:01Martirio, I've already told Casimiro about the weekend.

00:46:04And will he come with us?

00:46:05These are the signs of the mountain range.

00:46:06Very kind, thank you very much, madam.

00:46:08Well, I think we should toast to the weekend ahead.

00:46:12Yes, yes, let's toast.

00:46:13As the saying goes

00:46:14an eye for an eye and a horn for a horn.

00:46:17Better for him who says

00:46:18he is not macho

00:46:19the one who lacks the pivot.

00:46:22No, this one is better.

00:46:23That's how they put it to Fernando Rey.

00:46:25Yes, yes, yes.

00:46:26Oh, what a future it will be, my friend!

00:46:32Hey, man, what a nice house you have.

00:46:34No, you're a friend's, but we spent our holidays here.

00:46:36Will I be able to swim in Toblés?

00:46:37You are crazy.

00:46:38You come here in secret, I've already told you.

00:46:40But you're not going to keep me locked up.

00:46:41Not locked up, but hidden, yes.

00:46:43Look, here comes Bartolo, the guard.

00:46:44Don Fabián, what are you doing here?

00:46:51We came to spend a few days.

00:46:53They have not been warned.

00:46:54No, sir, they hadn't told us anything.

00:46:57What a mess!

00:46:58No, man, no.

00:46:59If you don't have the house ready,

00:47:01we will take care of it.

00:47:02Yes, if the house is ready.

00:47:05So don't worry,

00:47:06take the luggage out of the car.

00:47:08The lady is my...

00:47:11my secretary.

00:47:13Already.

00:47:14Prepare the bedroom for the mess.

00:47:18Up there?

00:47:19Up there!

00:47:20Come on, let's go, I'm going to end up with pharyngitis.

00:47:22See you later, Bartolo!

00:47:24Goodbye, Don Fabian!

00:47:25Oh my goodness, what a mess!

00:47:27What a mess!

00:47:28Aurelia!

00:47:29Aurelia!

00:47:33What's happening?

00:47:34Don't shout, you're the deaf one.

00:47:36Ah, Don Fabian!

00:47:37What's up, Don Fabián?

00:47:38Here, now?

00:47:39Are you staying tonight?

00:47:41Yes, and it comes with a secretary.

00:47:44My God!

00:47:45We must notify Don Leopoldo

00:47:47so they don't come tonight.

00:47:48Yes, you go and call

00:47:49to the roadside booth,

00:47:51that I have to enter the luggage.

00:47:53What a mess, mother!

00:47:54What a mess!

00:47:55I already told you that we shouldn't

00:47:56rent the house to anyone.

00:47:58That one day they would show up unannounced

00:48:00and the mess would be made.

00:48:01Oh, don't protest!

00:48:02How well you keep quiet!

00:48:03when we get paid the rent!

00:48:05I'm going to call

00:48:07Let's see if I can still catch Don Leopoldo

00:48:08at the town hall.

00:48:10Oh, what a mess, what a mess!

00:48:13And in such a nice place

00:48:15I'm going to be locked up all day?

00:48:16The important thing here is the night.

00:48:19Come on, Julian, speak clearly.

00:48:21What have you brought me for?

00:48:22Let's have a good time, you and me.

00:48:24And by the way, I bring you as insurance.

00:48:27Because there is a guy who says

00:48:28that doesn't work

00:48:29and I don't trust it completely.

00:48:31You wait for me up there.

00:48:34I escape, I go up

00:48:35and we had a great time.

00:48:37Ah, I have a whim.

00:48:41I want tonight

00:48:42you put on this nightgown

00:48:43that I bought you.

00:48:45You have never been capricious

00:48:46for these things.

00:48:47But now yes.

00:48:48Come on, let's go

00:48:49that I'm going to take you

00:48:50to your room.

00:48:51Ah, this thing of always being

00:48:53the other is a can.

00:48:54You have to do everything.

00:48:55Wow!

00:48:56That I'll give you later

00:48:57with dengue in the meringue.

00:49:15Don Leopoldo,

00:49:17I wasn't at the town hall.

00:49:18Have you called?

00:49:19to your private home?

00:49:21But how am I going?

00:49:22to call his wife

00:49:23to tell him?

00:49:25Lady,

00:49:25tell your husband

00:49:26to Mr. Mayor

00:49:27don't go tonight

00:49:29with his lover

00:49:30to the chalet

00:49:31that is rented

00:49:32to get along.

00:49:34AND...

00:49:35And the worst thing is

00:49:36gets angry.

00:49:38And what do we do?

00:49:39Be aware

00:49:40and catch them in the garden

00:49:42before they enter.

00:49:43I'll be on guard.

00:49:44And that the battery

00:49:45there is even low

00:49:46and it's failing me

00:49:47the sonotone.

00:49:48Well, open your eyes wide!

00:49:50What eyes?

00:49:51The sonotone!

00:49:52Ha ha ha!

00:49:53That deaf one is gone.

00:49:54He gave nothing.

00:49:54Cadeo I've already done it!

00:49:55Come on, people!

00:50:03Doña Carlota,

00:50:04Do you know where he was cited?

00:50:05her husband?

00:50:06I don't know,

00:50:07but it was with a client

00:50:08important.

00:50:09And the truth is,

00:50:09I am very sorry

00:50:10of having let him go alone.

00:50:12He has no habit

00:50:13and you may lose the order

00:50:14that apparently

00:50:15It's going to be interesting.

00:50:17Well, I think so.

00:50:17I know where it is.

00:50:18I found this

00:50:19on the desk.

00:50:20Oh, how well he lives!

00:50:22This archpriest

00:50:23in the mountains!

00:50:25I already know what I'm going to do.

00:50:27Take the car

00:50:27and I'll give him a surprise.

00:50:30This way we will secure the order

00:50:31and then we'll move on

00:50:32a few days of vacation

00:50:33over there.

00:50:35What joy I will give him!

00:50:36Good night,

00:50:50Mrs. Martirio.

00:50:53Good night,

00:50:54Bartolo.

00:50:55Has a gentleman come?

00:50:55that we have a guest?

00:50:56What do you say, huh?

00:50:58Bartolo,

00:50:58every time you are

00:50:59worse hearing.

00:51:00Well...

00:51:00That he has come

00:51:01a gentleman we were expecting.

00:51:02Oh no!

00:51:03The one who has come

00:51:04It was Don Fabián.

00:51:05Well, be aware

00:51:06that will not be long in coming.

00:51:07He is a tall man

00:51:08who sometimes says nonsense.

00:51:09Okay, I'll pack my luggage.

00:51:11and then I'll wait

00:51:12to the lord of nonsense.

00:51:13Very good!

00:51:14Here,

00:51:15come over there.

00:51:18What a mess, mother!

00:51:19What a mess!

00:51:26You look gorgeous.

00:51:28If it were not

00:51:28because they have already arrived,

00:51:29I stayed with you

00:51:30to break it in.

00:51:31And I have to stay here?

00:51:32Of course, woman!

00:51:34You trust me.

00:51:35I'll bring you something

00:51:36to eat

00:51:36and tonight

00:51:37we are going to have fun.

00:51:39Ah!

00:51:40I'm going to lock you up,

00:51:42but it is so that no one

00:51:43bother you.

00:51:43Yeah,

00:51:44like a prey.

00:51:45Come on, shut up, you fool!

00:51:47That later

00:51:47we're going to have a great time.

00:51:49You'll see.

00:51:51See you later!

00:51:52Mu, mu, mu, mu, mu, mu, mu!

00:51:54Ha ha ha!

00:51:56Ha ha ha ha ha ha ha!

00:51:56Ha ha ha!

00:51:58This girl is amazing.

00:52:01Now let's get everything ready.

00:52:03Revenge must be carried out

00:52:04in your bedroom

00:52:05for more without laughter.

00:52:06The truth, Martyrdom,

00:52:07It's that I at first

00:52:07I didn't agree

00:52:08with this idea.

00:52:09But after knowing

00:52:10to Casimiro

00:52:10and since Fabian

00:52:11is satisfied...

00:52:12No way!

00:52:13I am not satisfied.

00:52:15But if there is no other option

00:52:16let it be with a man

00:52:17trustworthy.

00:52:18The truth is that

00:52:19there's no way to catch you

00:52:20because it is logical

00:52:21is that you opposed

00:52:22with all your might.

00:52:23Look,

00:52:23I have lived a lot

00:52:24and I know that when a woman

00:52:25wants to cheat on her husband

00:52:26sooner or later

00:52:27deceives him.

00:52:29So everything is under control

00:52:30it happens this weekend

00:52:32and forget this matter.

00:52:34If you don't come back

00:52:34to the old ways.

00:52:35I?

00:52:36If I haven't returned

00:52:37to see that girl.

00:52:40Come on,

00:52:40I don't even know

00:52:41what's it called.

00:52:42Lady,

00:52:43I'm glad to see you.

00:52:44And to the gentlemen too.

00:52:46Thank you, Aurelia.

00:52:47Are you OK?

00:52:48We have already seen her husband.

00:52:49How come they didn't warn me?

00:52:51the gentlemen?

00:52:51Would you have prepared them?

00:52:53some dinner?

00:52:53It's the same.

00:52:54Prepare something light

00:52:55to snack on.

00:52:56Today we are going to get into

00:52:57in bed

00:52:57all very soon.

00:52:59Do you want me to reserve for you?

00:53:00table in any restaurant?

00:53:02If you go now,

00:53:03They would be back by two.

00:53:05No,

00:53:05it is not necessary.

00:53:06Do what I tell you.

00:53:07As the lady wishes.

00:53:09Lady,

00:53:10just arrived

00:53:11the gentleman they were waiting for.

00:53:12Let it happen,

00:53:12let it happen.

00:53:14Good afternoon,

00:53:14sirs.

00:53:15Hello,

00:53:15Casibiro.

00:53:16Very good.

00:53:17How was the trip?

00:53:18Good,

00:53:18but it took me a while

00:53:19because I couldn't find this site.

00:53:21Which room to go to?

00:53:21I carry the gentleman's suitcase?

00:53:23It doesn't matter,

00:53:23to the attic.

00:53:24No,

00:53:25not that one.

00:53:26No.

00:53:27Why not that one?

00:53:28Clear,

00:53:28what you are going to use it for.

00:53:30Well,

00:53:30anyway,

00:53:32Casibiro is my best friend.

00:53:34Take him

00:53:34to which the mountain overlooks.

00:53:35Yes sir.

00:53:36They are very kind,

00:53:36me with the submunicial

00:53:37I get ready.

00:53:38Would you like something to drink?

00:53:40Well no,

00:53:40thank you so much.

00:53:42Man,

00:53:42Don Casimiro,

00:53:43You who are a man of taste,

00:53:44give me your opinion.

00:53:46Let's see,

00:53:47What do you think?

00:53:47is this cute?

00:53:48Well, what will it be like?

00:53:49to you very well.

00:53:50No,

00:53:50it's not for me.

00:53:51Oh,

00:53:52No?

00:53:52He's going to wear it tonight.

00:53:53Adela.

00:53:54Ah,

00:53:55Yeah,

00:53:55Alright.

00:53:57Where have I put it?

00:53:57me my pills?

00:53:59It cost me a fortune.

00:54:00Apparently,

00:54:01It is a unique model.

00:54:02Only?

00:54:04Why are you laughing, Fabián?

00:54:05No,

00:54:05It's that I occasionally

00:54:06I tell myself jokes

00:54:07and I have told myself one

00:54:08that I didn't know.

00:54:10Laugh,

00:54:11laugh,

00:54:11that you will cry.

00:54:12Well,

00:54:13I'm going to see what's in the kitchen

00:54:14to give them dinner.

00:54:16Until now.

00:54:17Lady.

00:54:18Bye bye.

00:54:20Sit down,

00:54:20Don Casimiro,

00:54:21that you and I

00:54:22we have to talk.

00:54:23Yeah,

00:54:23tell him how you do it

00:54:24cross stitch

00:54:25that Casimiro nails it.

00:54:27Oh?

00:54:28Do you do chores?

00:54:29Well yes, ma'am,

00:54:29Yeah,

00:54:30board,

00:54:30arena,

00:54:30I iron,

00:54:31spike,

00:54:31witchcraft.

00:54:33I do what they let me.

00:54:34I am very skilled

00:54:35with your hands.

00:54:36Excellent.

00:54:37Will you teach me something?

00:54:38That,

00:54:39you will be taught,

00:54:40lady,

00:54:40you will be taught,

00:54:41come on.

00:54:42Well, I'm glad.

00:54:42that you also take

00:54:43my wife

00:54:44and my best friend.

00:54:45It's that Mr. Porridge

00:54:46is one of those people

00:54:47that inspire confidence.

00:54:48Come on, come on, come on.

00:54:48Does it make me want to?

00:54:49to teach him

00:54:49where I had surgery

00:54:50from the appendix?

00:54:51There I do have interest,

00:54:52look.

00:54:53Where did you have surgery?

00:54:54In a clinic there is

00:54:56on the other side

00:54:57from the road.

00:54:58Don't overdo it, Porridge.

00:55:00Come on,

00:55:00come with me

00:55:01what am I going to teach you

00:55:02your room.

00:55:03Leave it, Fabian,

00:55:04that is so nice

00:55:05talk to your friend.

00:55:06Thank you very much, madam,

00:55:07talk to you

00:55:07it's a joy.

00:55:09I would be there all night

00:55:10chatting with you.

00:55:11That,

00:55:12of chatter,

00:55:13because something else,

00:55:14TRUE?

00:55:15And whatever else is needed, ma'am.

00:55:17Oh,

00:55:17I'm getting pissed off.

00:55:19Aren't you going to be jealous?

00:55:20now from your best friend?

00:55:21Let's see,

00:55:21jealous of me...

00:55:23What nonsense!

00:55:24Clear!

00:55:25No,

00:55:25jealousy no.

00:55:28I know Casimiro well,

00:55:29but come on.

00:55:31Well,

00:55:32I'm going to see if Martin

00:55:33needs my help

00:55:33in the kitchen.

00:55:34You take the Lord

00:55:35Porridge to its habitat.

00:55:36Careful,

00:55:36that is very stressful!

00:55:37And I have to take it

00:55:38wherever I can.

00:55:39See you later.

00:55:40Thank you.

00:55:44Listen,

00:55:45you have me

00:55:45concerned.

00:55:47Yeah,

00:55:48and why,

00:55:49good man?

00:55:49Well, I don't know,

00:55:50There are things that...

00:55:52Because you really

00:55:53this...

00:55:56Yeah,

00:55:57unfortunately.

00:55:58Well, I don't know,

00:55:59but sometimes you look

00:56:00to my wife

00:56:01as if he wanted to eat it.

00:56:03I?

00:56:04Should I eat his wife?

00:56:06Don't even think about it.

00:56:07The thing is, I'm pretending.

00:56:08be a tough guy

00:56:09as you told me.

00:56:11Now,

00:56:12If you think I'm doing it wrong,

00:56:13I take the car

00:56:14and I'm going back to Madrid.

00:56:15Don't be offended,

00:56:16don't be offended.

00:56:17Understand

00:56:18that as it approaches

00:56:19the moment,

00:56:20I am every time

00:56:21more worried.

00:56:22Don't worry

00:56:23you are welcome,

00:56:24man.

00:56:25Tomorrow this

00:56:25will be over

00:56:26and we will all be there

00:56:26so happy,

00:56:27clear,

00:56:28especially me.

00:56:29Why you?

00:56:30That's the...

00:56:31No,

00:56:31nothing,

00:56:31for doing a favor

00:56:32to a friend.

00:56:33About that you

00:56:34very distrustful,

00:56:34Hey?

00:56:35Is it this way?

00:56:35Yeah,

00:56:36come this way,

00:56:36towards the mountain.

00:56:40Oh!

00:56:41What a scare!

00:56:43Why do you disconnect?

00:56:44the sonotone?

00:56:45What do you want?

00:56:46Why?

00:56:47do you take that off?

00:56:48Because it is

00:56:49down batteries.

00:56:50What's happening?

00:56:51He hasn't come

00:56:52the mayor,

00:56:52TRUE?

00:56:53Not yet.

00:56:54Have you slept together?

00:56:54Already ladies?

00:56:55Not yet.

00:56:56But they won't be long.

00:56:57They are eating

00:56:58something on the porch.

00:56:59Oh!

00:56:59I am dead

00:57:00from hunger.

00:57:01Well then you pass

00:57:02and I will give you

00:57:03a sandwich.

00:57:04What a mess,

00:57:04mother,

00:57:05what a mess!

00:57:05Leave,

00:57:06lest they call me.

00:57:07Yeah,

00:57:07go now,

00:57:08what kind of wound are they?

00:57:10and this mayor

00:57:11without coming.

00:57:13They have already

00:57:13a long time

00:57:15over there

00:57:15those two.

00:57:17They have to talk,

00:57:18man.

00:57:18They're not going to bed like that,

00:57:19right off the bat.

00:57:20No no,

00:57:21if I understand it.

00:57:22The truth,

00:57:23I miss you

00:57:24so much understanding

00:57:25on your part,

00:57:25knowing as I know

00:57:26how stupid you are.

00:57:28I've already told you

00:57:28many times.

00:57:30Both you

00:57:30like my wife

00:57:31you have insisted

00:57:32in cheating on me.

00:57:33Well, better than the thing

00:57:34be under my control

00:57:35and does not leave us.

00:57:37No scandals.

00:57:38I see you very civilized.

00:57:40It's that we've already been

00:57:41more than a year

00:57:41in the common market

00:57:42and whether you like it or not,

00:57:44it is for all of us

00:57:45civilizing a little.

00:57:46That's why every time

00:57:47there are more strikes

00:57:48and demonstrations.

00:57:50Glad to hear it

00:57:50that you take it like that.

00:57:51Now,

00:57:52yes indeed.

00:57:53I have collaborated

00:57:54in everything I could.

00:57:55I have brought you

00:57:56to my friend.

00:57:58I have lent myself

00:57:58to everything.

00:58:00If this opportunity

00:58:01goes wrong

00:58:01it won't be my fault

00:58:03and it is the only one

00:58:04possibility

00:58:05that I accept.

00:58:07Another attempt

00:58:07more than deceiving me

00:58:08after this

00:58:09and I get confused

00:58:10with gunshots

00:58:11with you

00:58:11and with my wife.

00:58:13Okay, okay,

00:58:14understood.

00:58:15Well, that's it.

00:58:17To a honeycomb

00:58:18of rich honey

00:58:18ten thousand flies

00:58:19they came

00:58:20that because they are greedy

00:58:21prisoners died

00:58:21with legs in it.

00:58:22What a beautiful poem.

00:58:24Is it yours too?

00:58:24Yeah,

00:58:25it occurred to me

00:58:25the day they expropriated

00:58:26to Rumasa

00:58:27and about the bee

00:58:28and honey

00:58:29you already know that.

00:58:30Well, he didn't tell me.

00:58:30my husband

00:58:31who were you

00:58:31such a great poet.

00:58:32No,

00:58:33it doesn't matter.

00:58:34Last week

00:58:35I wrote a very nice one

00:58:36what does it say

00:58:36that I took her

00:58:37to the river

00:58:38believing

00:58:38that she was a young girl

00:58:39but I had mario.

00:58:41I'm doing well,

00:58:42that's my thing.

00:58:43Did you write it?

00:58:44you thinking of me?

00:58:46Well yes,

00:58:47the truth.

00:58:48I didn't want to tell him,

00:58:49Yeah.

00:58:50I was thinking of titling it

00:58:52The unfaithful wife.

00:58:55Indirect take.

00:58:56Go there.

00:58:56What an original title?

00:58:58Although I am married

00:58:59but I have never been unfaithful to him

00:59:01to my husband.

00:59:02And you don't plan on being unfaithful to him?

00:59:03this ever?

00:59:05Depends.

00:59:05About what?

00:59:06Of the circumstances

00:59:07and of man

00:59:08that I proposed it.

00:59:09What if I propose it to him?

00:59:10squinting?

00:59:12Propose it to me,

00:59:13but poetically.

00:59:15Well,

00:59:15I'm going to improvise.

00:59:16Because without being your husband

00:59:18not even your boyfriend

00:59:19nor your lover

00:59:20I am the one who has loved you the most.

00:59:22With this

00:59:23I have enough.

00:59:25I almost looked.

00:59:26There is no such woman

00:59:26that it snows.

00:59:27What happened to me?

00:59:27I surrender.

00:59:28I've already fallen.

00:59:30You won't regret it.

00:59:31What is your bedroom?

00:59:33The last door

00:59:34to the right

00:59:34from the upstairs hallway.

00:59:36Well, let's go,

00:59:37let's go there.

00:59:37And why in the bedroom?

00:59:38Doesn't it seem more romantic to you?

00:59:40here in the garden?

00:59:41It's that without my pills

00:59:43and with the humidity

00:59:44of the grass

00:59:45and my osteoarthritis

00:59:46better on the other side.

00:59:48Recite something to me.

00:59:50Last month

00:59:51I made a very original one too.

00:59:53The dark ones will return

00:59:54swallows from your balcony

00:59:55their nests to hang

00:59:56and when I take myself

00:59:57the pills

00:59:58you will see it well

00:59:59that we are going to pass it.

01:00:01Oh, how good.

01:00:02They take a long time.

01:00:03Probably

01:00:04They have already consummated their revenge.

01:00:05Bah, I don't think so.

01:00:08Although I don't know what to say.

01:00:09The patio of my house

01:00:10it seems that over there

01:00:11they can be heard.

01:00:12When it rains

01:00:13gets wet

01:00:14like everyone else.

01:00:16You don't know

01:00:16the big surprise.

01:00:18Mr. Porridge

01:00:18He is a great poet.

01:00:19Oh yeah?

01:00:20I believe it.

01:00:21He recited to me

01:00:21some of his poems

01:00:22beautiful.

01:00:23Well, I didn't know that.

01:00:25Nothing,

01:00:25real quintuplets.

01:00:26Don't believe him.

01:00:27Some beauties.

01:00:28Well, look,

01:00:29I'm sorry.

01:00:30I would stay

01:00:31a while to listen to them

01:00:32but I have caught

01:00:33a cold on the trip.

01:00:36Look, darling,

01:00:37I will sleep alone

01:00:38so you don't get infected.

01:00:40I will sleep

01:00:41in the attic.

01:00:43Whatever you want.

01:00:45Well then

01:00:45let's all go to bed.

01:00:47Let you guys come in

01:00:48a good night.

01:00:49We will try

01:00:50but not...

01:00:51Probably

01:00:51no one slept a wink.

01:00:53I do,

01:00:54I am going to sleep

01:00:54like a dormouse.

01:00:55Like a dormouse,

01:00:56like a cow will be.

01:00:58Bye bye.

01:00:59Bye bye.

01:00:59What have you done?

01:01:00so long

01:01:01alone in the garden?

01:01:02Well, strengthen ties

01:01:03and stay tonight

01:01:04with his wife

01:01:05in the bedroom.

01:01:05By the way,

01:01:06that his wife is stupid,

01:01:07Hey?

01:01:08I have recited it

01:01:09to the thousand best poems

01:01:10of the Castilian language

01:01:10saying that they are mine

01:01:11and he believed it.

01:01:12Well,

01:01:13I don't understand poetry.

01:01:14By the way,

01:01:15there's something I haven't told you.

01:01:17My wife is incapable

01:01:18of making love

01:01:18light.

01:01:19It has to be

01:01:20in the dark,

01:01:21to...

01:01:22and in total silence.

01:01:24In the dark and in silence?

01:01:25How strange, isn't it?

01:01:27I tell you

01:01:27so that the light does not turn on

01:01:29nor open your mouth.

01:01:30Well, well.

01:01:31But to you?

01:01:32how bad it is for him

01:01:32if you're not going to do anything?

01:01:34Well, that's why,

01:01:35since we can't

01:01:36make love

01:01:36because I can't,

01:01:38at least

01:01:38we could chat.

01:01:39I was thinking of reciting to him

01:01:40the express train

01:01:41saying that he finished it

01:01:42to write.

01:01:43Well, now you know.

01:01:44No light,

01:01:45not a word.

01:01:46Yes, mute and blind.

01:01:47A long time

01:01:48you have spent alone

01:01:49in the garden.

01:01:50Have you overstepped your bounds?

01:01:50Mr. Porridge?

01:01:51Of course not,

01:01:52but we have stayed.

01:01:53It will come until it is not

01:01:53my room.

01:01:54By the way,

01:01:55it's been a while

01:01:55reciting classical poetry to me

01:01:57and telling me they were his.

01:01:59Men are very strange.

01:02:01I don't know why they pay bills.

01:02:02There would be no one who could stand them.

01:02:04Come on, Adela,

01:02:04you are left alone.

01:02:05Let's see how you behave.

01:02:06I'm very nervous, Martirio.

01:02:08I have no temperament

01:02:08of a whore.

01:02:09Remember the show

01:02:10of your husband in bed

01:02:11with that slut.

01:02:12Yes, yes, yes, I remember.

01:02:13Don't get soft.

01:02:14Oh, and put on your new nightgown.

01:02:15You see that he liked it.

01:02:16Well, let's see what happens.

01:02:31But again, woman.

01:02:39And what do you want me to do?

01:02:40if you take off the invention?

01:02:42Have the gentlemen gone to bed yet?

01:02:44Yes, all of them.

01:02:46Take,

01:02:47you be attentive

01:02:48upon the arrival of Don Leopoldo.

01:02:50Take,

01:02:52and don't move from here

01:02:53until you catch the mayor.

01:02:55Okay, okay!

01:03:16She's asleep!

01:03:16I was afraid you wouldn't come, Casimiro.

01:03:26Come on, get into bed.

01:03:27and recite something to me.

01:03:29Through some bushes

01:03:30followed by dogs

01:03:31I am not Casimiro,

01:03:32dear idiot.

01:03:33Fabian,

01:03:33What are you doing here?

01:03:35For now,

01:03:35with having the desire

01:03:36from stepping on your neck, beautiful.

01:03:38And then,

01:03:39do you a favor.

01:03:39Come on, let's go.

01:03:40Where to?

01:03:41To another room.

01:03:42I've spoken to Gachas

01:03:43and says he can't make love

01:03:45if the bed is not oriented.

01:03:46North.

01:03:48And where is this facing?

01:03:49At 50 degrees west latitude

01:03:51and 15 south longitude.

01:03:53And how do you know?

01:03:54I know everything.

01:03:56Come on, hurry up

01:03:57that I have agreed that you would see each other

01:03:58in the room at the end of the hall.

01:04:00Ah!

01:04:01And with the light off

01:04:02and in silence.

01:04:03He says that if it is not so

01:04:04does not concentrate

01:04:06and it doesn't work.

01:04:07In the dark and in silence.

01:04:09I'll keep that in mind.

01:04:10Come on, let's go.

01:04:10And this mess

01:04:11because of your little friend Martirio

01:04:13who hates all men

01:04:14and me more?

01:04:15No, not everyone.

01:04:16It seems like years ago

01:04:17I met a guy in an elevator.

01:04:19In an elevator?

01:04:19That's what he told me.

01:04:21One day the power went out.

01:04:23And how do you know?

01:04:24A man took her

01:04:25and took her along

01:04:26to the elevator operator.

01:04:27Yeah.

01:04:27And there...

01:04:28Nyaca, nyaca, nyaca!

01:04:29You knew the story.

01:04:30Oh, what a record!

01:04:32Well, we'll fix that.

01:04:34Come on, if not

01:04:35we will be late.

01:04:36Carefully.

01:04:37Shut up!

01:04:39Come here.

01:04:40Shut up!

01:04:41Shut up!

01:04:42Shut up!

01:04:45Get in there!

01:04:48How small the world is!

01:04:50The Porridge and the Martyrdom.

01:04:52Who's out there?

01:04:56It's me, Martirio.

01:04:57Haven't you fallen asleep yet?

01:04:58No.

01:04:58I was listening carefully

01:04:59to know when Gachas was coming.

01:05:00Where are you going?

01:05:01To this room.

01:05:02It seems that Casimiro

01:05:03not working

01:05:04if the bed

01:05:05is not oriented

01:05:06north.

01:05:07What a maniac!

01:05:07But in this bedroom

01:05:08the bed is in place

01:05:09like in yours.

01:05:10And what do we do?

01:05:11Look, you lie down here.

01:05:13I'm going to that one.

01:05:14I don't know where to

01:05:15my bed will be oriented,

01:05:16but of course

01:05:16is in a different position

01:05:17that one.

01:05:18How difficult this is!

01:05:19of cheating on her husband!

01:05:20And you can say it like that.

01:05:20To women

01:05:21it costs us a lot.

01:05:22Instead,

01:05:22they do it

01:05:23with ease...

01:05:30But...

01:05:30Shut up!

01:05:31Shut up!

01:05:32Shut up!

01:05:33Shut up!

01:05:34Shut up!

01:05:35Shut up!

01:05:36Here it is.

01:05:41You won't complain.

01:05:42The best room

01:05:43of the house.

01:05:44Thank goodness,

01:05:45because in that attic

01:05:46I was getting a complex.

01:05:47And the others?

01:05:48Nothing!

01:05:49Two friends

01:05:50who have come with me.

01:05:51Nothing!

01:05:51They are already sleeping,

01:05:52Yeah?

01:05:52Hey,

01:05:53I'm hungry.

01:05:54Well,

01:05:54I'll look for something for you now.

01:05:56Ah!

01:05:56I forgot.

01:05:57Today we are going to make love

01:05:58in a new way.

01:06:00I have read a book

01:06:01of psychiatry

01:06:02what does it say

01:06:03which is how best

01:06:04is enjoyed.

01:06:05New positions?

01:06:07No!

01:06:07What's up!

01:06:08Look at this nonsense!

01:06:10It has to be

01:06:10in the dark

01:06:11and without saying a word.

01:06:13Well,

01:06:13I think so

01:06:14the pleasure

01:06:15reaches the limits of madness.

01:06:16You're so weird, Fabian!

01:06:18Not a word.

01:06:19You do what I tell you.

01:06:20Wow!

01:06:21Lie down.

01:06:22And you know,

01:06:23in the dark.

01:06:24Wow!

01:06:26And from now on

01:06:28you

01:06:28change.

01:06:32Have you hurt yourself?

01:06:34No,

01:06:34nothing.

01:06:35I'm screwed

01:06:37one knee.

01:06:38And remember,

01:06:40silence.

01:06:41Okay,

01:06:42Okay.

01:06:43I've given myself an egg.

01:06:45He is the guard,

01:06:59but he is completely deaf,

01:07:00Don't worry.

01:07:01There lights something,

01:07:14we are going to kill each other.

01:07:15No,

01:07:16that is not convenient

01:07:16let the light be seen

01:07:17from outside.

01:07:18Where are we going?

01:07:18To the master bedroom,

01:07:20I know this very well,

01:07:20you'll see.

01:07:21How many girls

01:07:21have you brought here?

01:07:22Oh no,

01:07:22don't believe,

01:07:23This chalet

01:07:24can only use it

01:07:24when the Urdoños

01:07:25They are in Madrid.

01:07:26The guards rent it to you,

01:07:27You know?

01:07:27Come on,

01:07:27happens,

01:07:28happens with the fact

01:07:29What am I going to do to you?

01:07:29That?

01:07:33We are still in the dark.

01:07:34And what do you need it for?

01:07:35the light,

01:07:35silly?

01:07:36Come on,

01:07:36undress.

01:07:37What are you like,

01:07:38uncle?

01:07:42You,

01:07:42don't worry,

01:07:44is waiting for you

01:07:45perfumed

01:07:46and loving.

01:07:48Thank you so much.

01:07:49I have put myself

01:07:49until peusec

01:07:50because they sing to me

01:07:51a little feet.

01:07:52What bothers me is

01:07:53It's not being able to speak.

01:07:54The thing about being in the dark,

01:07:55well, one manages

01:07:56to the touch,

01:07:57No?

01:07:57And not being able to say that about

01:07:58that you are happy,

01:07:59dear.

01:08:00It's just that no.

01:08:00And so.

01:08:02I once told him

01:08:03give me a kiss,

01:08:05I punched myself

01:08:06in one eye.

01:08:07Well,

01:08:07it's going to be a night

01:08:08how stupid this is

01:08:09that I am going to have.

01:08:10Nothing,

01:08:10you enter,

01:08:11goes to bed,

01:08:12goes to bed,

01:08:13does what he can

01:08:13and leaves.

01:08:15And so we will end

01:08:15with this revenge.

01:08:16OK?

01:08:17OK.

01:08:19Well, here we go.

01:08:20But first

01:08:21I'll take a little pill.

01:08:22For the stomach,

01:08:23No?

01:08:23Not for the small intestine

01:08:24so that I get fat.

01:08:25Yeah.

01:08:26Anico!

01:08:27They make some noises at me

01:08:27the guts that don't...

01:08:28Come on!

01:08:29Come on!

01:08:30Come on!

01:08:30Until now.

01:08:31Come on!

01:08:31I'll take more

01:08:32for the sweetness of this.

01:08:32And now I,

01:08:47go to bed in the dark

01:08:48and in silence

01:08:49with my wife.

01:08:51The embargo

01:08:51I wrote it yesterday.

01:08:52With a hundred cannons

01:08:53by wind band

01:08:54full sail aft

01:08:55I don't say...

01:08:56Hey,

01:08:56you are so good

01:08:57that you look like two.

01:08:59Naturally

01:08:59that we are two!

01:09:00Oh!

01:09:01Give me a kiss,

01:09:12heart,

01:09:12I'm coming

01:09:12and tonight

01:09:13What am I going to give you...

01:09:14He is ashamed!

01:09:15That's it!

01:09:15But myself!

01:09:16But, but, but,

01:09:16who are you?

01:09:18But I, I,

01:09:18you too,

01:09:19why he came here

01:09:20that you have

01:09:20Japanese face with salmonella.

01:09:22When I had had...

01:09:23And I'll take out his liver!

01:09:25Oh, bachelor's degree, sent!

01:09:26Oh, colpo!

01:09:27But it's you!

01:09:28Warrior!

01:09:28What are you doing?

01:09:29You wicked, disgusting entity!

01:09:31Warrior!

01:09:32Let me!

01:09:32What I could least expect!

01:09:34I haven't met him!

01:09:35I'll pay for it!

01:09:35But, it wasn't necessary to do it.

01:09:37all in silence.

01:09:38But where did it come from?

01:09:38that savage?

01:09:39It must be the lame one

01:09:40of the demonstrations.

01:09:41How do they let you sleep?

01:09:42to mules in beds?

01:09:43I'm going to blow you up

01:09:44one eye, mind you.

01:09:45Let's see, it will be on the left

01:09:46because the right

01:09:47they left it to me

01:09:48like a fried egg.

01:09:49Well, they left me.

01:09:49the eye like a poached egg.

01:09:51And I say,

01:09:51What did martyrdom do?

01:09:52in that bedroom?

01:09:53But saying to the light

01:09:54I don't see anything

01:09:55he has given me a cookie.

01:09:56What are you stealing now?

01:09:57I don't see anything,

01:09:57I don't see anything.

01:09:58And thank goodness I got rid of it.

01:09:59the glasses

01:09:59because if not, it will get me

01:10:00a glass through the neck.

01:10:01But how could he have gotten out?

01:10:02everything so bad?

01:10:03That's my concern.

01:10:04Leo, wait, wait.

01:10:05Don't be a beast, wait.

01:10:06Where are you going?

01:10:07Don't be a beast,

01:10:08you're missing out, Leo.

01:10:09That you are lost,

01:10:10regardless.

01:10:10What morals!

01:10:11Hey, what wild pajamas, huh?

01:10:13De genera!

01:10:14Listen!

01:10:15Unfortunate!

01:10:16Pochito!

01:10:17Forgive me, butter,

01:10:18is buttered.

01:10:19The one who got into his bed

01:10:19It was me.

01:10:20You.

01:10:20Nice to meet you.

01:10:21This was the one who hit him

01:10:22a punch in the eye.

01:10:23No, this one hit him.

01:10:24a punch,

01:10:24but on the other hand.

01:10:24Well now I'm hunting you.

01:10:26You don't hunt anyone, damn it!

01:10:29But who are you, animal?

01:10:30The mayor!

01:10:31Well, not even if it were

01:10:32the one from Zalamea.

01:10:33And what do you do?

01:10:34in this house?

01:10:36But are they the owners?

01:10:36of this house?

01:10:37Judging by how it sticks,

01:10:38It seems that you are the owner.

01:10:40Where is?

01:10:41Where is that immoral person?

01:10:42Oh, Martirio, don't go blind!

01:10:44What do you mean no?

01:10:44There it is!

01:10:45Shameless swine!

01:10:46What did you intend to sleep with me?

01:10:48But he wanted to rape her,

01:10:49But how filthy you are.

01:10:49But I'm going to want to rape her!

01:10:51It's already been a confusion.

01:10:51I'm going to want to rape.

01:10:52to this.

01:10:53Well, you will have

01:10:54to fight over their things.

01:10:55We are leaving.

01:10:57And who is this idiot?

01:10:58Nobody knows,

01:10:58I was in Adela's bed.

01:11:00And that she intended to rape her?

01:11:01I?

01:11:02No, she was brought home raped.

01:11:04He says he is the mayor of the town.

01:11:06And what did he do with Furcia?

01:11:07and everything in Adela's bed?

01:11:08I had the chalet

01:11:09rented for one night.

01:11:10And who had rented it to him?

01:11:11Well, well...

01:11:12I'm going to call the police!

01:11:14No, no, no, please.

01:11:15No!

01:11:16No to the police!

01:11:17No, no, scandals,

01:11:17no scandals, Martirio.

01:11:19No.

01:11:20Listen to him, bug.

01:11:21That this one you see here

01:11:23is the love of your life.

01:11:25Casimir?

01:11:25Yeah.

01:11:26Do you remember the elevator,

01:11:28from the blackout,

01:11:29of the elevator operator

01:11:30and the ñacañaca there?

01:11:32Yeah.

01:11:33Well, the one with the ñacañaca

01:11:34this is it.

01:11:37You, Porridge?

01:11:38And you, the woman that I am?

01:11:40I already said she was hot, huh?

01:11:42And when did that happen?

01:11:43It was a little earlier

01:11:44that my husband would leave me.

01:11:46And before you bend down,

01:11:47they castrated him like a cat.

01:11:49Meow!

01:11:50Well, that's enough.

01:11:51I'm not a castrate at all.

01:11:52Oh no?

01:11:53No, man, what am I going to be?

01:11:55How you performed

01:11:55in handing me his wife on a silver platter,

01:11:57clear.

01:11:57I don't care about that.

01:11:59But what does it say?

01:11:59That I was already mad

01:12:00and I had already taken care of myself

01:12:02to give him the switch.

01:12:04This for this

01:12:04and this one for this one.

01:12:06And it has been brought

01:12:07to his carindonga

01:12:07from Madrid.

01:12:08Well,

01:12:09I'm leaving.

01:12:10I can't tolerate

01:12:11so much immorality

01:12:12as it has been arranged

01:12:14tonight

01:12:14in this house.

01:12:16I am an honest man

01:12:17and I'm getting stained

01:12:19alternating with you.

01:12:20Why are you staining yourself?

01:12:22Because under this roof

01:12:24there is nothing but the...

01:12:25Wow, Pedrín!

01:12:28Charlotte, daughter!

01:12:30Well, you see,

01:12:30I will explain to you.

01:12:31When there was

01:12:31let's dine with them

01:12:32he had dined them

01:12:33because the hen

01:12:34I didn't have my contact lens on

01:12:35and then

01:12:35he saw the chicks

01:12:36and said,

01:12:36they are not mine

01:12:37because he had given them dinner

01:12:38he had dined them

01:12:38and it stung him

01:12:39and when giving me the sandwich

01:12:40I didn't have mortadella

01:12:41and I just preferred to give back

01:12:42when they came.

01:12:43I don't understand anything, Casimiro.

01:12:45But you hadn't come

01:12:46to see the archpriest of Ita.

01:12:47Yes, of course, yes.

01:12:48That's it.

01:12:49Yes of course.

01:12:49Hi there.

01:12:51Hello good.

01:12:52No, exactly.

01:12:53we were talking

01:12:54of the order you made me, right?

01:12:56That is one thousand five hundred candles

01:12:58and two thousand candles,

01:13:00right, archpriest?

01:13:01Yeah, man.

01:13:02And a hundred thousand candles

01:13:03birthday.

01:13:05But you can know

01:13:06Who is this Aunt Curzi?

01:13:08She's my wife.

01:13:09Oh, sorry.

01:13:11But you are married.

01:13:12And for the church.

01:13:13And who is this other gentleman?

01:13:15Ah, well this is this one.

01:13:17He is the bishop of Astorga,

01:13:18who has come here

01:13:20to sell us some mantecadas

01:13:22past their due date, yes.

01:13:23Well, that's enough.

01:13:24You have no shame.

01:13:26You wanted to place us

01:13:26to an impotent person

01:13:27for it to fail

01:13:28our attempt.

01:13:29What a shame!

01:13:30Late!

01:13:31Again!

01:13:32Do you see what was going to happen to me?

01:13:33And you for having disappeared

01:13:35after the elevator incident.

01:13:36My nose!

01:13:37Oh!

01:13:38I was willing

01:13:38to get into bed

01:13:39with an impotent person.

01:13:40I wouldn't believe it!

01:13:43For making me believe

01:13:44that the unfaithful wife

01:13:45was his.

01:13:46And you renting

01:13:49to my house

01:13:50in my absence!

01:13:51I can't hear you, ma'am!

01:13:52I don't have a hearing aid!

01:13:53And he really needs it!

01:13:55Poor dwarf!

01:13:56What a slap!

01:13:57I hear!

01:13:58I hear!

01:13:59Aurelia!

01:14:00What do I hear!

01:14:01What do I hear, Aurelia!

01:14:02Look, see if any of them move.

01:14:03You wanted to use me as bait.

01:14:05to get rid of your wife!

01:14:06Come!

01:14:07Second out!

01:14:08But, but, but, but,

01:14:09why do you consent

01:14:09that they give me so many blows

01:14:10on the face?

01:14:11Clear!

01:14:11And I'm going to help out too.

01:14:13Andor!

01:14:16No, no, I'm not happy at all.

01:14:18and I don't fly either

01:14:19because they have given me

01:14:19a good tie on the nose.

01:14:20Well, we're leaving.

01:14:21and don't escape

01:14:22some for each that...

01:14:23Wait, this is it

01:14:24very funny.

01:14:26Don't give me anything

01:14:27My nose is numb!

01:14:28Wait, wait.

01:14:34You can close me

01:14:35which makes me excited already.

01:14:37You didn't know

01:14:37that you were hitting those slaps?

01:14:39That's so you're informed.

01:14:40I've lost count

01:14:41of the cakes

01:14:41They've hit me, huh?

01:14:43Oh, oh!

01:14:44Never in my life

01:14:45they had given me

01:14:46so many knitted gloves.

01:14:48This seems to be

01:14:49to the house of San Juan.

01:14:50I say it

01:14:51for the cakes.

01:14:53Well, I have an idea.

01:14:55To annoy Martirio

01:14:57you are going to pass yourself off

01:14:58by an executive agent.

01:15:00Shit!

01:15:01That?

01:15:02What a shit!

01:15:03Mazorra, leave me

01:15:04tell him a little verse

01:15:05that just occurred to me.

01:15:07Say, say, say!

01:15:08That.

01:15:09They have inflated us

01:15:10in a huff.

01:15:11I haven't eaten

01:15:12a thread.

01:15:13And since you've got me upset,

01:15:16Fabian,

01:15:17go to hell!

01:15:28Gregory!

01:15:29Thank you!

01:15:30Thank you, beautiful!

01:15:32700.

01:15:32Thanks from nghi

01:15:38to быстрos!

01:15:42Thanks for watching the video.

Categoría

Transcripción

Sé la primera persona en añadir un comentario

Recomendada