La chica de Tahiti 1990 HD 1080 Completa Vaitiare Hirshon, Antonio Ozores

Destape Movies

Reparto: Vaitiare Hirshon, Antonio Ozores, Jesús Guzmán, Jesús Guzmán, Loreto Valverde  Director: Mariano Ozores

Transcript

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00:08:07There's no such thing as a navy blue Nubian left. His nephew has no idea about music. And he's never composed

00:08:13Nothing. Because he hasn't finished any song yet. He started one that said. But then it was stolen

00:08:25The Reds. Well, when he decides to compose, Alejandro will die of hunger.

00:08:30Magno. No, no, no, no. Manuel Alejandro, that's it. Well, what do I say? To Manuel Alejandro.

00:08:36You're going to see him, but what a joy! Ask him for a photo for me. But let him eat, silly.

00:08:40No, no, thank you very much. What do I say to the new owner?

00:08:43Ah, well, it's a pleasure and we're not moving from here.

00:08:47Well, the judge will be thrown out.

00:08:50Well then, it's time to talk, because with the work the judges have now...

00:08:53That is, they are not leaving.

00:08:55No, no, sir. We're not moving.

00:08:58He is just now finishing a song that says.

00:09:00No, they won't move us.

00:09:02Well, then, it's up to you. I've warned you.

00:09:04This afternoon I'll go to the airport to greet the new owner. I don't know him.

00:09:09And how are you going to meet him?

00:09:10Well, because of the well-known trick of the flower in the buttonhole.

00:09:13He will carry another flower.

00:09:16May I?

00:09:16Yes, but let him eat more, silly, eat more.

00:09:18It's not going to leave me almost, but oh well.

00:09:20It's not bad, but it lacks paprika.

00:09:22Well, I've already put a kilo on it, right?

00:09:24Next time I'll put more.

00:09:27Well, goodbye.

00:09:28Bye bye.

00:09:29We'll see you again.

00:09:30You can tell us that we didn't come to this world to have a good time.

00:09:32Very funny.

00:09:33Yeah, yeah, yeah.

00:09:37Paprika, paprika.

00:09:40Ah, no, but it is missing.

00:09:42I'll add a kilo more.

00:09:43No, no, but it is missing.

00:10:13What is your suitcase?

00:10:25Because?

00:10:26Are you trying to steal her from me?

00:10:27No, miss.

00:10:28I got a cart and I can bring it to the taxi.

00:10:31That red one.

00:10:32Ah.

00:10:36Ah, but what are you carrying here?

00:10:37Tin soldiers?

00:10:38Stones.

00:10:39How stones?

00:10:40For what it weighs it seems so.

00:10:41They are stones.

00:10:43Damn!

00:10:44But treat them with care, they are worth a lot.

00:10:46What are they, precious stones?

00:10:47Almost.

00:10:48One is over a thousand years old.

00:10:50I am an anthropologist and I bring a Polynesian idol.

00:10:52Polynesian?

00:10:53So, where do you come from?

00:10:54From Tahiti.

00:10:55Ah, beautiful place.

00:10:57Do you have a car?

00:10:58Can I take her?

00:10:59No, they're coming to pick me up.

00:11:00But what about your suitcases?

00:11:02No, I always travel with what I'm wearing.

00:11:04It's more comfortable.

00:11:07Yes of course.

00:11:09Who's coming to pick her up?

00:11:10Any relatives?

00:11:10No, a lawyer.

00:11:12But I don't know him.

00:11:13I only know he's an old-timer because he said he'd wear a flower in his lapel to recognize him.

00:11:18Well, I'll leave her.

00:11:21Are you staying in a hotel or do you have a house in Madrid?

00:11:23How can I have a home if I have one?

00:11:25But I can't use it at the moment.

00:11:26How strange, isn't it?

00:11:28If we had more time I would explain it to you.

00:11:30Can we meet tomorrow?

00:11:31Can.

00:11:32Where and at what time can I call her?

00:11:34The truth is, I don't know where I'll sleep tonight.

00:11:37I have a double bed.

00:11:39No, thanks.

00:11:40I like single beds better.

00:11:42If you want, I'll change mine for a smaller one.

00:11:44We'll be a little more cramped, but maybe that's better.

00:11:46Give me your phone number.

00:11:47I'll call him.

00:11:47Did he point it at you?

00:11:49Very good.

00:12:04Listen.

00:12:06Do you know that you are very pretty?

00:12:08Yeah.

00:12:09Oh, you know?

00:12:10Sure, I look in the mirror from time to time.

00:12:12Dressed?

00:12:13Also.

00:12:16Well.

00:12:17Don't forget to call me.

00:12:19My name is Miguel.

00:12:20I will not forget.

00:12:21My name is Baiteare.

00:12:22As?

00:12:24Baiteare.

00:12:24In my language it means garlic flower.

00:12:27Bye bye.

00:12:28Bye bye.

00:12:28Mr. Luis Garcés?

00:12:37No.

00:12:41Mr. Luis Garcés?

00:12:43No.

00:12:43Neither.

00:12:46Mr. Luis Garcés.

00:12:48Go ahead, miss, I'm waiting for someone.

00:12:51He's waiting for me.

00:12:52Hey?

00:12:53You?

00:12:54Are you Luis Garcés?

00:12:56Ah, it's your dad.

00:12:58Okay, where is it?

00:12:59There is no father worth it.

00:13:00I am Baiteare, a lawyer.

00:13:01Will you dance?

00:13:02Will you dance?

00:13:03I thought it was Luis Garcés.

00:13:05A man, come on.

00:13:06No, a woman.

00:13:07I see it, I see it.

00:13:08My secretary is crazy.

00:13:10I take the name over the phone and...

00:13:11Well, come on, I have my car outside.

00:13:14Hey, hey.

00:13:15What do you bring here?

00:13:17A stone?

00:13:17Yes, exactly that.

00:13:20A stone.

00:13:21A stone.

00:13:22Like a stone?

00:13:23A real stone?

00:13:24An archaeological piece.

00:13:26Ah, you are an archaeologist.

00:13:28Anthropologist.

00:13:28If it weren't so, why would I carry a stone in my suitcase?

00:13:31Yes, yes, of course.

00:13:32Well, we'll take the little car to the car.

00:13:34I have booked a room for you in a hotel.

00:13:36And to think that tonight he had invited two accommodating girls to dinner,

00:13:39Of course, as I thought you were a gentleman,

00:13:41but I see that it is not.

00:13:44Yes, sir, the big room, don't worry.

00:13:53Should I bring you a small bottle of champagne and some canapés as usual?

00:13:56Yes, agreed.

00:13:58You could also give him some Castilian crumbs loaded with paprika.

00:14:02No, no, of course, you're right.

00:14:04For these matters, something light is better.

00:14:06Nothing, I don't give any way out for the crumbs.

00:14:08No, nothing, senator, nothing.

00:14:09And many greetings to Mrs. Elena Boina.

00:14:12At your feet.

00:14:14Man, how are you? Everything's okay, Miguel, huh?

00:14:17No, everything is weird.

00:14:18I went to the airport.

00:14:19Yeah.

00:14:20You're crazy, man. You're completely crazy.

00:14:22Like you told me, I was looking for a guy with a flower.

00:14:24Clear.

00:14:25That was already a sissy thing to do.

00:14:26Yes a bit.

00:14:26But there were no guys with flowers.

00:14:28And then I started to think.

00:14:30Dangerous, at your age you scare me very dangerous.

00:14:32I said to myself, let's approach everyone who has a flower.

00:14:35And I found it.

00:14:36But it's not a boy, it's a girl.

00:14:38A girl? Are you sure?

00:14:40In the end she went with the lawyer, who was there with a flower in his lapel.

00:14:43An older woman?

00:14:44No, young man.

00:14:46You know I'm not an expert.

00:14:48But you would say it's great.

00:14:50A young girl?

00:14:51Better.

00:14:52You will have no experience.

00:14:53How are you going to get us out of here?

00:14:54If I were you, I wouldn't be worried.

00:14:56She doesn't look stupid.

00:14:57Look, a woman is easily confused, you'll see.

00:15:00Well, you met her, huh?

00:15:01No.

00:15:02I didn't know where he was staying, so I gave him this phone number.

00:15:05But he won't call.

00:15:06I'm sure.

00:15:08Be careful, be careful, what goes in your suitcase is very valuable.

00:15:10I didn't know cobblestones were so expensive now.

00:15:14Well yes, they are stones.

00:15:15But important stones.

00:15:16I think he brought the Bulgos cathedral in pieces.

00:15:20That's it.

00:15:23Here you go.

00:15:24I always give five duros, but today I'll give you...

00:15:26Ten.

00:15:27No, two.

00:15:28For having had the honor of carrying so much glory of anthropology.

00:15:31Well, I don't know what to do with this.

00:15:33Whether to buy an apartment or invest in the stock market.

00:15:36Very funny.

00:15:37Well, I'm leaving.

00:15:40Along the way, I have already informed you about the situation of the house that they have bought for you.

00:15:43The thing is, this piece I brought is just a sample.

00:15:46They will send me the rest of the material later.

00:15:49But we won't be able to get rid of them by fair means.

00:15:52Well, I mean, if you're going to give me your confidence in this matter,

00:15:54as did the company that sold them the farm.

00:15:56In principle, of course.

00:15:58You know this matter better than anyone.

00:16:03Here is my travel companion.

00:16:05Beautiful.

00:16:07Precious.

00:16:08He has style.

00:16:08You can see what he means.

00:16:10What does it mean?

00:16:11He is a god of fertility.

00:16:13Oh, yeah, sure.

00:16:14It shows, it shows.

00:16:17It's called Taputúa.

00:16:19Apparently they say it cures impotence in men.

00:16:22and the inability to have children in women.

00:16:25What cures impotence?

00:16:27Yeah.

00:16:29The priest of the tribe had it in custody.

00:16:32And whoever needed it, he would let him sleep with him for a night.

00:16:36And the next day you had to beat the girls off, right?

00:16:40Don't make fun of these things, there's always a grain of truth in them.

00:16:43Hey, why don't you let me have it for a couple of nights and see if I...

00:16:46It was a joke.

00:16:49Well, I'll come pick her up tomorrow so she can meet her house.

00:16:52Unless you want to see something of the city at night.

00:16:54No, I'm tired tonight.

00:16:56I prefer not to go out.

00:16:57See you tomorrow.

00:16:58At nine?

00:16:59Let's say eleven, in case it takes you a while to get me to sleep.

00:17:02Of course, the new bed is natural.

00:17:05Well, see you tomorrow.

00:17:07Hey, did you talk to Adolfo?

00:17:24Yes, who is it?

00:17:25Who gave you this phone?

00:17:27A Los Angeles airport police officer.

00:17:30We look forward to your call.

00:17:32We've already been warned about California.

00:17:34Who is that?

00:17:34Yes, and I can't wait to get rid of it.

00:17:38Don't do this, put it where you can't find it and leave the room.

00:17:42And where do I go?

00:17:43Wherever.

00:17:44Go out to dinner.

00:17:45She has no one to accompany her.

00:17:47No.

00:17:49Well, I think so.

00:17:51Then get out.

00:17:52You have to let them act.

00:17:53We have to allow them to discover themselves.

00:17:55If you need me, call me.

00:18:04Tell me.

00:18:11Yes, this is it.

00:18:12Yeah.

00:18:12Miguel, we have a Miguel here, yes.

00:18:15On whose behalf?

00:18:16From Baite.

00:18:18Ah, Baiteare.

00:18:20I don't know why he's writing "Paris is burning" right now and I don't know if he'll call the fire department.

00:18:25Okay, okay, yeah, I'll tell him.

00:18:26Hey?

00:18:27Okay, okay, okay.

00:18:28Miguel, on the phone.

00:18:32Who is it?

00:18:33Well, a certain Baiteare.

00:18:35It's her, man, it's her.

00:18:36She is the lady of this house.

00:18:38The lady.

00:18:39Please take care of her, Miguel, for whatever you want.

00:18:41For your mother, who was my sister.

00:18:42You must be very handsome.

00:18:44She's going to go crazy for you.

00:18:45Come on, look.

00:18:47Yes, tell me.

00:18:49Do you remember me?

00:18:51Naturally.

00:18:51How could I forget you?

00:18:52Well, I was thinking about going out tonight.

00:18:55And I figured you'd like it.

00:18:58Honestly, that would be great.

00:18:59Uh, but...

00:19:01Do you want to go out?

00:19:02I don't have a penny.

00:19:03Ah, I finance the strike.

00:19:04Take this credit card, it says expired, but don't pay attention.

00:19:07Don't be silly, pay with it.

00:19:08Okay, where do I pick you up?

00:19:11Okay, what time?

00:19:12Well, I don't know, we can have dinner together.

00:19:15Dinner included?

00:19:16Sure, yes, don't worry.

00:19:17I'm going to give you another card that's also expired.

00:19:19And if they arrest you, you call me from Carabanchel and everyone is happy.

00:19:22Okay, we had dinner.

00:19:23OK.

00:19:24Does nine o'clock sound good to you?

00:19:26I'll wait for you at the hotel door.

00:19:27See you later.

00:19:33Contact, Miguelito, with sweetness.

00:19:35You need to make friends with that Batyare.

00:19:38Because that doesn't give you the courage to look like we're from here.

00:19:40Take off those glasses they make you look very old.

00:19:42And if you get him to fall in love with you, well, he didn't give you anything.

00:19:44Place.

00:19:44Because you are handsome, Miguelito.

00:19:46And any girl can learn from your virtues, aesthetic virtues.

00:19:49Uncle, I also have other virtues.

00:19:52Yes of course.

00:19:52But don't forget that at fairs, pigs are sold based on their appearance.

00:19:55Okay, fine.

00:19:56Now it turns out I'm a shiny, well-fed pig.

00:19:59Yes of course.

00:20:00But of the highest quality.

00:20:01You already understand me.

00:20:02You yourself don't know what else.

00:20:03Then I have to hook up with the girl.

00:20:05You have to get her.

00:20:05You yourself do not know your own beauty, my son.

00:20:08But I'm not good at that.

00:20:10I'm shy.

00:20:11Women scare me.

00:20:13Do it for us.

00:20:14If they kick us out of here, where are you going to compose?

00:20:17Who knows.

00:20:17You can become a Mozart, a Beethoven.

00:20:20And I won't say anything if you end up becoming a Ramoncín.

00:20:23Look, you make money with rubble.

00:20:25Alright.

00:20:26I'm going to dress up as a pig to see that Batyare.

00:20:29I'm afraid it's not going to turn out well, but...

00:20:32God will reward you.

00:20:33Filming.

00:20:34It's just that it's nice.

00:20:36It's from this intimate exodorant Alaponte, son.

00:20:58Good night.

00:20:59Good night.

00:21:01What do you prefer?

00:21:01Italian, French, German, Spanish, or can you get by with a burger with mustard?

00:21:05If you had your choice, what would you do?

00:21:08The cheapest.

00:21:09I'm a little short on funds...

00:21:10Weak?

00:21:12Dying.

00:21:13Well, we'll go wherever you want.

00:21:14I'm not hungry at all.

00:21:16I bought some sandwiches.

00:21:17If you want, we can eat them in the car.

00:21:19And thank goodness you have a car.

00:21:21Yes, but I'm running out of gas, so I see you pushing.

00:21:24I think I'm in for an unforgettable night.

00:21:29Is that a Mercedes?

00:21:30No, men, no.

00:21:31Does that two horses have the dust that's there?

00:21:32Go ahead, senator, go ahead.

00:21:51Good night, Ramon.

00:21:52Good night.

00:21:52Look, I'm going to introduce you to Lulu, who is a friend of mine.

00:21:55Look, at your feet, miss.

00:21:57What a correct gentleman.

00:21:59You could learn from him, Ernesto.

00:22:01It's just that he doesn't know you like I do.

00:22:02Oh, how ordinary.

00:22:04Is the big room ready?

00:22:06Reserved for your lordship.

00:22:08But follow me, please, follow me.

00:22:10Well, this is a bit of a chore.

00:22:11How strange that I didn't know him.

00:22:13You see.

00:22:13This house is very special.

00:22:15And they only receive important agents like me.

00:22:18The senator is our most distinguished client.

00:22:21Come in, come in gentlemen, come in.

00:22:23Oh, how nice.

00:22:24You know, Smurfette?

00:22:25I've never done it in such a fancy place.

00:22:27I told you it was worth it.

00:22:30There's your champagne and canapés.

00:22:31Very well, Ramón.

00:22:32French champagne, right?

00:22:34Naturally, as always.

00:22:36I know the senator only drinks French champagne, which is more expensive.

00:22:39Do you see it?

00:22:40I used to always have these parties with red wine, soda, and panchitos.

00:22:44But since I became a senator, I can't function without French champagne.

00:22:49With your permission, gentlemen, I'm leaving because...

00:22:53You will have something to do.

00:22:58This day is ordinary.

00:22:59Goodbye, Ramón.

00:23:00Goodbye, Santa, come on.

00:23:01Goodbye, goodbye, goodbye, enjoy your meal.

00:23:03And now, to the attack.

00:23:06Come on, Smurfette, wait until I take off my clothes.

00:23:10This guy makes my mouth water.

00:23:14And do you come here often?

00:23:20No, sometimes.

00:23:22Do you have many friends?

00:23:23Few.

00:23:24I have more fun at home, composing.

00:23:26Music?

00:23:27Yes, but I haven't recorded anything yet.

00:23:29I'm in talks now.

00:23:31I'd like to hear something from you.

00:23:33Yes, you will hear it.

00:23:34You're going to take me to your house.

00:23:36My house?

00:23:38Well, my house is yours.

00:23:40You're very kind.

00:23:41No, no, I'm serious.

00:23:42Do you have a girlfriend?

00:23:44No.

00:23:45And you?

00:23:46Neither.

00:23:47Shall we dance?

00:23:48It's just that I'm not very good at it.

00:23:50Boy, it's one thing to be shy and another to live in an oyster.

00:23:53Come on, let's go.

00:23:57What I'm best at is the pasodoble.

00:23:59If you put cañí in Spain.

00:24:00Hello.

00:24:04Hello.

00:24:05You've taken a long time.

00:24:06It's not easy to walk into a hotel and check into a room.

00:24:09Where did you leave it?

00:24:10I haven't found anything.

00:24:11He must have kept it in the hotel safe.

00:24:13Don't talk nonsense, man.

00:24:15How do you keep a stone in a safe?

00:24:17Well, he wasn't in the room and I searched it thoroughly.

00:24:20We will have to act more decisively.

00:24:21Don't rush it.

00:24:24We have to think about what we're going to do from now on, but without losing our temper.

00:24:30And them?

00:24:30Are they here?

00:24:31There they are dancing.

00:24:34Well, you don't dance that badly.

00:24:35You are a saint.

00:24:37I'm terrible at it.

00:24:39You have rhythm.

00:24:40There's a reason you're a composer.

00:24:41I sing a little.

00:24:42Do you sing?

00:24:43Yeah.

00:24:44An anthropologist?

00:24:45How strange, isn't it?

00:24:47What does it have to do with it?

00:24:48In my country, we dance and sing as soon as we are born.

00:24:51Well, you'll see how much they'll cry here when we pay for an expired credit card.

00:24:54I!

00:25:03I had a wonderful time.

00:25:05I haven't had this much fun in a long time.

00:25:10Will you accompany me to the room?

00:25:13I didn't dare propose it to you.

00:25:15Just up to the door.

00:25:16Okay.

00:25:23See you tomorrow.

00:25:25Ah, but are we saying goodbye now?

00:25:27When do you want to say goodbye?

00:25:30Tomorrow morning after breakfast.

00:25:32I take cheers.

00:25:33Are you ready?

00:25:34You leave the room a bit messy, don't you?

00:25:40But what happened here?

00:25:44Oh, didn't you leave it like that?

00:25:45Of course not.

00:25:46What a mess!

00:25:48So who could it have been?

00:25:49I have no idea.

00:25:51Ah.

00:25:52He hasn't respected anything, has he?

00:25:54Leave that.

00:25:55This means you have been robbed.

00:25:57We'll have to notify the police.

00:25:58Leave it.

00:25:58Nothing has been taken from me and I don't want the caretaker to see you here.

00:26:03You're right.

00:26:05Well, then what do we do?

00:26:06Go away.

00:26:08Aren't you afraid of being alone?

00:26:09No, those who did this are already gone.

00:26:11They must be common hotel thieves.

00:26:14Finding nothing of value, they fled.

00:26:16Well, whatever you want.

00:26:17I'm very sorry that some common thieves ruined them last night.

00:26:20Me too, but later on.

00:26:22See you tomorrow?

00:26:26Call me in the morning.

00:26:29What if I kiss you?

00:26:31Try it.

00:26:38Do you think I should go now?

00:26:41Yes please.

00:26:45Well.

00:26:46Well, see you tomorrow.

00:26:48See you tomorrow.

00:26:52What bad luck!

00:26:53Thank you.

00:27:23It's this way.

00:27:29Do you think he carries it in his bag?

00:27:32Well, I don't know.

00:27:33But if he's wearing it, why does this house bring it?

00:27:36We'll have to keep an eye on her on the way out.

00:27:38And you know, get tough, get energetic.

00:27:40We have done everything possible to get them out and we have achieved nothing.

00:27:42Okay, energetic and tough.

00:27:44Don't forget that the law is on our side, because you bought the house.

00:27:52There's that witch.

00:27:53It costs nothing to be a witch.

00:27:55Well, you hide, it's not good for him to know it's you.

00:27:58Come on, out, come on, come on.

00:28:01Bad, man, this is going to end badly.

00:28:06Man!

00:28:07Come in, come in, please, come in.

00:28:09Thank you so much.

00:28:10Very kind, Don Ramón.

00:28:12I will have the pleasure of introducing you.

00:28:14Don Ramón Cazorla, Mrs. Veitiare.

00:28:17At your feet, madam.

00:28:19Miss.

00:28:20It will be because you want it, because you are so hot.

00:28:22No, no, no, I meant, come in, come into the living room, yes.

00:28:25The house is a bit messy, but what can you expect from a man who lives alone.

00:28:30Well, call a cleaning crew from time to time.

00:28:33Yes, of course, but if you knew that this house wasn't worth a maid on Thursday mornings,

00:28:38why not, just look, I would die, just look.

00:28:40This young lady is the owner of the farm.

00:28:42Yes, yes, I know, yes.

00:28:43Well, I don't know what he paid for it, but it's a wreck, huh?

00:28:46Pipes burst, power lines catch fire, when it rains there are leaks,

00:28:51rats laugh at me, cockroaches play poker.

00:28:54But come on, as I understand it, you intend to settle here.

00:28:57Well yes, the young lady wants to establish her residence here.

00:29:01She is an anthropologist and intends to set up a kind of museum.

00:29:05Well, I don't recommend it, because there is a lot of humidity here that drips, drips.

00:29:09Does it drip?

00:29:10It drips, it drips, come on, it certainly drips, waterfalls of water falling, which is something that is not.

00:29:15And by the way, do you live alone?

00:29:18Yes, yes, I know it's a lot of house for me alone, but from time to time I hide and never find myself.

00:29:24Since this house is so big, of course.

00:29:25And do you play the bass drum?

00:29:26This? The hype?

00:29:29Ah, you mean these instruments and this nonsense, no, they belong to my nephew who composes music.

00:29:35And is he at home?

00:29:36He's always walking around here making noise with these things.

00:29:39Yes, yes, yes, yes, but he's not here now, no, he's in Switzerland.

00:29:42He went to get his glass eye replaced because I yellowed it a bit and he looks like a Chinese.

00:29:47Oh yeah?

00:29:47Yes, yes, and he also has one ear bigger than the other, and a nose that's fatter than the other.

00:29:52Well, I hadn't noticed that.

00:29:54He seems like a nice guy to me.

00:29:56Ah, why are you a bit of a sissy?

00:29:59Well, since I see you don't want to see the house, take a taxi and go to the door.

00:30:03Goodbye, come on.

00:30:04Yes, yes, let's see it.

00:30:06Here on the ground floor is the kitchen, which I won't show you because it's falling apart.

00:30:11And I haven't been going lately because I think he's not there.

00:30:13And bedrooms, where are the bedrooms?

00:30:16There are at least three above, you have two left.

00:30:19He won't sleep here, you'll see.

00:30:20There are also leaks in the bedrooms.

00:30:21Well, if it were only that, I could sleep well on rainy days.

00:30:24So what's wrong with it?

00:30:24Drafts?

00:30:26Worse.

00:30:26Well, I don't know if I should tell you because you're going to think I want to discourage you from staying here, of course.

00:30:32Don't go on, there are ghosts.

00:30:33Well, don't laugh, no ghosts, ghosts, there's only one.

00:30:37But follow me, the poor thing is a poor ghost, he doesn't drag chains or do that uuuh, uuuh, uuuh, uuuh thing.

00:30:43But sometimes you hear him cry because something hurts, he must have a kidney stone, and that bothers him for a while.

00:30:50No, no, no, it's just that this house has a tradition.

00:30:56Come in, come on, come in, come in.

00:30:59It was built for a newly married couple.

00:31:01And it seems that on their wedding night, the bride died of a heart attack, just as the young husband was about to...

00:31:10That?

00:31:11Come on, when he was going to make love to his wife.

00:31:15Oh, yeah.

00:31:16Since then the ghost has been searching for his wife.

00:31:18And whenever a woman sleeps here, the ghost tries to rape her.

00:31:23No, yes.

00:31:24Ah, well if that's the case, I'm going to bed right now.

00:31:28But what sense of humor do you have?

00:31:30No, no, I'm serious.

00:31:31Well, I think we should talk about what matters.

00:31:34When do you want to come live here?

00:31:36Well, I'm really sorry, I'm waiting for a saucepan from El Corte Inglés, I don't know when they're going to bring it to me, I can't go.

00:31:40Oh yeah?

00:31:41Well, they will be evicted by law.

00:31:43Well, we'll talk about it later.

00:31:45I'm not going to settle here for the time being.

00:31:47Of course, this girl is smart.

00:31:49I'm not going to settle in.

00:31:51Well, if it doesn't suit you.

00:31:51Because there is a lot of dust here.

00:31:55And I'm allergic.

00:31:57Do you see it?

00:31:58These cushions.

00:31:59This quilt.

00:32:05These curtains.

00:32:06Have you heard anything?

00:32:09No, no, not me.

00:32:10You haven't heard anything either.

00:32:11I do.

00:32:12A kind of moan.

00:32:14It must be the ghost who wants to rape me.

00:32:16Well, I think that judging by where he got hit, the poor guy is not going to rape much.

00:32:22Well, let's go.

00:32:23Oh, I forgot.

00:32:24Since this is my house and I have some rights, I'm going to leave this here.

00:32:30And what is it?

00:32:32For a jug, it has a very thick spout, eh?

00:32:35It is an idol of ancient Polynesian civilizations.

00:32:39It is used to cure impotence.

00:32:40Ah, well leave it here, yes.

00:32:42And how, how, how do you use it?

00:32:44Just rub it on the affected area.

00:32:46Ah, it will be rubbed, it will be rubbed.

00:32:48Okay, let's go, Mr. Lawyer.

00:32:50I, I'll go with them, yes.

00:32:51Please come in.

00:32:53Come on, come on.

00:32:54It has made me unhappy.

00:32:57Oh, what a blow he gave me!

00:33:00Well, now you know, miss.

00:33:01He has taken possession of his house.

00:33:03Never better said.

00:33:04Goodbye, you'll hear from me.

00:33:05Goodbye, goodbye, goodbye, goodbye.

00:33:08I think you're being very soft.

00:33:09These guys need to be dealt with harshly.

00:33:11Look, I just had an idea.

00:33:13But what happened?

00:33:14Did he hurt you?

00:33:15Where did it hit you?

00:33:16In the lower parts.

00:33:17Something has burst in me.

00:33:19No, no, don't worry, this will cure you.

00:33:21Yes, you'll see.

00:33:22What are you going to do?

00:33:23The anthropologist says that rubbing erogenous zones cures this.

00:33:28Take that away, man!

00:33:29Take off your pants and I'll rub your balls and you'll see how good you'll feel.

00:33:32Move away, move away!

00:33:33Keep going with the bag.

00:33:35Yes, but it seems to weigh less.

00:33:38He must have left the idol at home.

00:33:41We have to get in there somehow.

00:33:42I think the tenant rents rooms to couples.

00:33:46Well, we'll organize something to go in like a couple of lovebirds.

00:33:50Tell me.

00:34:05It's you.

00:34:06No, no, no.

00:34:07I didn't expect anyone to call me.

00:34:09I have a surprise for you.

00:34:10They called from the record company.

00:34:12They've recorded the music for one of my songs and they need someone to sing it.

00:34:16I told them I already have the girl.

00:34:18What do you think?

00:34:19You mean it.

00:34:20I would be very excited.

00:34:22But maybe it's not convenient for you to have a stranger provide the voice.

00:34:26It's better not to do it.

00:34:28He doesn't want to.

00:34:30Insist.

00:34:30You have to stop messing things up.

00:34:33Don't be silly.

00:34:34You're doing me a favor.

00:34:35I am not known as a composer and no famous person will record for me.

00:34:39OK.

00:34:40I'll sing it.

00:34:41By the way, how are you?

00:34:44Very good.

00:34:45Why do you ask me?

00:34:46No no.

00:34:47No reason.

00:34:48Haven't you been hit lately?

00:34:50Who?

00:34:50I?

00:34:51A blow?

00:34:52No.

00:34:53Well, he'll pick you up in an hour, okay?

00:34:56See you later.

00:34:58You know it, man.

00:35:00Do you know?

00:35:02What do you know what?

00:35:03I was here the other day.

00:35:05And I think he gave it to me on purpose.

00:35:07And what interest would she have in throwing you out alive?

00:35:09Nothing.

00:35:10It's an accident.

00:35:11Nothing.

00:35:12Go on, go with her and let her put voice to that song I bought for you.

00:35:15I don't know what it is.

00:35:17That song is not mine.

00:35:18Clear.

00:35:19It's from a friend of mine.

00:35:20I bought it with an expired credit card.

00:35:23But that song is already done.

00:35:24Go ahead and meet her.

00:35:26Nothing.

00:35:26In this country, about one hundred thousand songs will be recorded every day.

00:35:29Isn't it a huge coincidence that that's precisely the one she knows?

00:35:33No, nothing.

00:35:33Look, you get intimate, you record the song and what if a kiss here, what if take off your skirt

00:35:40Silly, if I catch you here and kill you here, you'll make her a mother and let's see how she'll complain.

00:35:45Here is the father of her twins.

00:35:47Go on, do what I tell you and you'll see how well it will go for you.

00:35:50Come on, son, you're more boring than I know what.

00:35:51Here is the song.

00:35:55The girl is an expert, she knows music.

00:35:57Well, I don't know, she says she can sing, but I don't think she has much experience.

00:36:01Is that it?

00:36:02Yes, that's it.

00:36:03It's great.

00:36:05Well, I mean, it's pretty good.

00:36:07Come on.

00:36:14Look, this is the technician.

00:36:15My name is Manolo, how are you?

00:36:17Nice to meet you.

00:36:18Her name is Baichare, she's a little nervous.

00:36:20It's very simple.

00:36:22Look, here's a piano copy of the song and here are the lyrics.

00:36:26Listen to it as many times as you want and when you have it, let us know, okay?

00:36:28Okay.

00:36:30Luck.

00:36:37But how do you learn a song in such a short time?

00:36:39He'll learn it, he looks smart.

00:36:41Also, that song has already been recorded by other groups and you will have heard it more than once.

00:36:45Ah, that song has already been recorded by other groups.

00:36:47I told your uncle.

00:36:50For the two thousand duros he paid, we weren't going to get a premiere.

00:36:53I told that girl that the song was mine.

00:36:55It's too late to turn back.

00:36:56Look.

00:37:00That girl has something.

00:37:02I believe he has it.

00:37:04Yes, he sings as he moves.

00:37:06Even if it's a little bit worse.

00:37:08He dances well, huh?

00:37:09She is Haitian.

00:37:10And how do you also speak Spanish?

00:37:12Yes, do you need anything?

00:37:18I already know it.

00:37:20Ask my friend Manolo how you also speak Spanish.

00:37:23I met a Spanish guy in Miami who taught me everything.

00:37:27Well, get behind that mic and put on the headphones on the lectern.

00:37:32He learned the song too soon.

00:37:36It's clear I met her there.

00:37:38Let's see how I tell her she's mine later.

00:37:41You'll think of something.

00:37:43Yeah, yeah.

00:37:45On the first pass, don't worry too much.

00:37:46It is to adjust levels.

00:37:48OK.

00:37:49Let's get started.

00:37:49Don't worry about the first pass.

00:38:19Don't worry about the first pass.

00:38:49Don't worry about the first pass.

00:39:19Don't worry about the first pass.

00:39:24If you stay with me, ring me up and sing me a song

00:39:31Think of me even when I'm gone

00:39:35Dance with me, take me to your heart

00:39:39Love is you if you really want

00:39:43Boy, you've got me down in a dream

00:39:46In your arms I'll be like a fool

00:39:50Call me anytime you want

00:39:54I love you, baby, can't you see?

00:40:00Give me feelings tonight

00:40:02Give me feelings tonight

00:40:04With the beat of your heart

00:40:06Feet of your heart

00:40:08Love is true, can't you see?

00:40:10You're the one that I need

00:40:11Say that sweet love for me

00:40:14Give me feelings tonight

00:40:17Feelings tonight

00:40:19With the beat of your heart

00:40:21Feet of your heart

00:40:23Love is true, can't you see?

00:40:25Love is true, can't you see?

00:40:25You're the one that I need

00:40:26Say that sweet love for me

00:40:29Oh, oh, oh, oh, oh

00:40:34Oh, oh, oh

00:40:35Oh, oh, oh, oh

00:40:41Oh, oh, oh

00:40:45Give me feelings tonight

00:40:47Why do I need you tonight

00:40:49Well, very good. Too good. Now let's do it, but this time for real.

00:41:08Do you want something?

00:41:09Do you need anything? Water or a drink?

00:41:11No, no, nothing.

00:41:12Well, here we go.

00:41:17All right, I'll bait.

00:41:19The sound technician was thrilled. He said the studio itself was going to offer you the chance to record a single.

00:41:24With your songs?

00:41:27If you like them, but first I have to finish some.

00:41:32But wasn't this one I recorded yours?

00:41:35Well, yes. It's just that it was from my early days.

00:41:39Of course, I was saying it.

00:41:42What were you saying?

00:41:44I already knew that song, so I learned it right away.

00:41:47Oh, you knew her. Um, if you want, we can go do it together somewhere.

00:41:53I feel like drinking. I'd have a nice glass of wine with some snacks.

00:41:59Ah, very well. Whatever you want. We can find a place.

00:42:02I know the ideal place.

00:42:07Drive, I'll show you the way.

00:42:08But, miss, how do I get around here at this hour?

00:42:19I'm coming with a friend.

00:42:21Come in, come in.

00:42:22Your friends are always my friends.

00:42:24Notice that when he gives it...

00:42:26But how will it be if this same...

00:42:28I don't know who this is and this is your house.

00:42:31Miguel, this is my tenant. His name is Ramón.

00:42:34Ramón Cete here for you. How are you?

00:42:37Nice to meet you, Ramón Cete.

00:42:39Nice to meet you. How may I help you?

00:42:41We want the big room upstairs.

00:42:45Oh, I just don't understand. The room upstairs? What for, right?

00:42:49To spend the night there?

00:42:51Well, you see, Don Ramón Cete. Actually, I...

00:42:53Well, there must be some confusion here.

00:42:56I don't rent rooms, do I?

00:42:59Clear.

00:42:59Well, my lawyer told me that you rent the rooms to couples for one night.

00:43:04But for one night? What a slander!

00:43:07Does that little lawyer know that I can sue him for that?

00:43:09He has damaged my honor, he has damaged my honor, he has damaged my good name, he has damaged...

00:43:13Ramon!

00:43:13Mila, this...

00:43:14Go on!

00:43:16Ramon!

00:43:17Bring us another bottle of champagne!

00:43:19This girl I brought today thinks she's soda and drinks it straight.

00:43:24Yes, Senator. I'll take it right away, Senator.

00:43:26Please don't be long!

00:43:27What a night I'm having!

00:43:29This is the... What were we talking about that I can't remember?

00:43:34Of his good name.

00:43:36Come on, which room is free?

00:43:38Upstairs in the hallway, on the right, huh?

00:43:40Come on, Miguel.

00:43:41Will you explain to me?

00:43:42But, woman...

00:43:44Come on, sir, you won't be able to contradict such an attractive girl.

00:43:48Unless you don't want to come up because you have something to tell me.

00:43:51Tell you, tell you, what do you want me to tell you?

00:43:53There are situations in which words are unnecessary and only the facts count.

00:43:59Get in, boy.

00:43:59If you don't have anything to say to me, let's go to the room.

00:44:02Come on, woman.

00:44:03Come on up at once.

00:44:04But get up now, you're a big dick, a big dick that...

00:44:06Don't rush things, woman.

00:44:15Because?

00:44:16Do you have something to tell me?

00:44:18Well, tell you, tell you...

00:44:20Then come here.

00:44:22But don't take so many things off, it's just that...

00:44:24Because?

00:44:24Do you mind?

00:44:28Well, I'm supposed to be the one who's supposed to ask you to get naked.

00:44:32I want to save you trouble.

00:44:35Come on, take off your clothes and come here.

00:44:37What's happening?

00:44:37Didn't you like it?

00:44:39How could I not like you?

00:44:40Am I missing something?

00:44:41Do I have anything left?

00:44:42If anything, you have some extra clothes.

00:44:44And you have nothing to tell me?

00:44:45And here we go.

00:44:46What do you want me to say?

00:44:48That you look very pretty, that I love you very much.

00:44:51I don't want you to tell me that you have no shame, that you have hidden from me that you live here and that

00:44:56That Ramoncet is your uncle.

00:44:57Who told you?

00:44:58Nobody.

00:44:59Do you think I'm stupid?

00:45:00I understood it immediately.

00:45:02And what did you and your immoral uncle intend?

00:45:04That I fell in love with you so I couldn't kick you out of this house?

00:45:08That's what the uncle said.

00:45:09Well, you've done it.

00:45:11I've fallen in love with you, you idiot.

00:45:13Well, then there are no problems.

00:45:15If there are problems, one and a very big one.

00:45:17You were willing to sleep with me without telling me the whole truth.

00:45:21But you don't let anyone speak.

00:45:23You say it all.

00:45:24You take me, you bring me, you undress and you dress whenever you want.

00:45:27I don't know what I'm doing here.

00:45:29Nothing.

00:45:29Because you're a brat who only does what his uncle Ramoncete tells him to.

00:45:33Well, there you are.

00:45:34And I'm going to tell my lawyer that I'm going to move here next week.

00:45:38Therefore, the judge will be dismissed.

00:45:40Bye bye.

00:45:40What are you doing here?

00:45:56How did he get in?

00:45:57The hotel security chief opened the door for me.

00:46:00Nice to see you.

00:46:01When are we going to end all this?

00:46:03I'm fed up and I'm scared.

00:46:05You have nothing to fear.

00:46:06Until they recover the original of this idol, they will do nothing to it.

00:46:10What does it mean?

00:46:11When they get it back they'll turn me into mush?

00:46:13No.

00:46:13He doesn't understand that they have nothing to gain by hurting him.

00:46:16You have only been a courier for this.

00:46:18But we have to hunt down the mastermind behind this affair.

00:46:21I know I'll end up regretting it.

00:46:23But anyway, what do I have to do now?

00:46:25Where do you keep the authentic idol?

00:46:26At my place.

00:46:28Well, it's too long to explain.

00:46:30But I have a house here with two tenants that no one can kick out.

00:46:33I left it there.

00:46:35I thought no one would suspect that house of thieves.

00:46:38Who knew you had a house in Madrid?

00:46:40My lawyer knew it.

00:46:42If your lawyer knew that you had a house in Madrid,

00:46:45He may be the mastermind who asked his cronies in Los Angeles

00:46:48that they exchanged the authentic idol for the fake one filled with cocaine

00:46:51so that you could bring it into Spain as an archaeological piece.

00:46:56Now he should keep an eye on that lawyer.

00:46:57One moment.

00:46:59They also knew that I was going to take care of the house for the tenants.

00:47:03Uncle and nephew.

00:47:04Do you suspect them?

00:47:05The nephew is capable of anything if his uncle asks him to.

00:47:08And the guy is a moral?

00:47:10If it's them and the idol is there, action must be taken immediately.

00:47:14How can we get into that house without attracting attention?

00:47:16The guy rents rooms for...

00:47:19So that?

00:47:20For...

00:47:21For some couples to hang out.

00:47:24Well, we'll come up with something.

00:47:27Tomorrow night we will meet there.

00:47:29Yes, you carry one of these false idols.

00:47:34We will place these two.

00:47:37This will create enough confusion for the traffickers, whoever they may be.

00:47:43You know.

00:47:43Tomorrow night.

00:47:45Alright.

00:47:45I'll see how I can manage to get back there.

00:47:48Thank you.

00:47:48I'm leaving now.

00:47:49Tell me.

00:47:59Just a moment, just a moment.

00:48:01It's her, what is she?

00:48:03What is she?

00:48:04But our landlady wants to talk to you.

00:48:06Come on, get up, come on, come on, come on.

00:48:07Here, come.

00:48:09No, I'm not going to.

00:48:10I'm ashamed.

00:48:11But what a shame, what the hell.

00:48:13Well, get on with it or I'll strangle you with the phone cord.

00:48:16Come on, come on, come on.

00:48:17Who is it?

00:48:19It's me, Baiteare.

00:48:23No, no, sorry, no.

00:48:24I'd rather not talk about the past.

00:48:26I forgot.

00:48:27She's not angry.

00:48:29She will be a masochist.

00:48:31I've forgotten it too.

00:48:33It will be expensive.

00:48:36No, I was saying I'm glad.

00:48:37Can we meet tonight?

00:48:39Okay, nice to meet you.

00:48:40He has no shame.

00:48:41So tonight, around eleven, I'll come see you.

00:48:46Tell your uncle to reserve the big room for us, at eleven.

00:48:50Do you want to meet here tonight?

00:48:51He says to prepare the big room for us.

00:48:53Great!

00:48:54Come on, the big room.

00:48:56And the senator is coming.

00:48:57Well, it doesn't matter, I'll put him in another one.

00:48:59And I have a new client.

00:49:00Well, we'll sort ourselves out.

00:49:01The important thing is that you look good, shave, put on cologne.

00:49:04And please don't let me down, I can see myself selling paper napkins at traffic lights.

00:49:09I'll do what I can, man.

00:49:11Do you know what happens?

00:49:12That I'm in love with that anthropologist.

00:49:15And even better, this way you won't have any trouble hooking up with her.

00:49:18That's the landlady again asking you to put on the new laundry.

00:49:21Uncle!

00:49:23Ah, yes, nothing.

00:49:23Put on one of mine, the one from Flores himself.

00:49:27Tell me.

00:49:27Excuse me, but I am a friend of Senator Menéndez and he recommended that house to me.

00:49:32Uncle, wait a minute.

00:49:33It's not the landlady, it's for me.

00:49:35Come on, come on, come on, come on, come on, come on.

00:49:39The senator's friends are well looked after.

00:49:41What do you want?

00:49:43A room for tonight.

00:49:44Oh, I'm going to have more cardio!

00:49:46But no matter how busy you are, something will remain.

00:49:49Oh, look, it's the gnome!

00:49:51Well, trust yourself.

00:49:54Well, reserve it in my name.

00:49:57Adolfo, it's me.

00:49:58Relative of Suárez.

00:50:00Well, thank you very much.

00:50:01See you later.

00:50:02Make money, eh!

00:50:04That's it.

00:50:06Tonight, Sergeant, at nine o'clock you will be here in civilian clothes.

00:50:11You and I will go.

00:50:12Yes, inspector.

00:50:13And I don't tell her anything about how she should dress.

00:50:14How, inspector?

00:50:15How a woman of easy virtue would dress.

00:50:17Ah, yes, yes, don't worry.

00:50:19We are prepared.

00:50:21You will go with six men and two cars ready to enter when I call you.

00:50:25Understood?

00:50:25Yes, inspector.

00:50:26Well, let's walk.

00:50:29Ah, sergeant.

00:50:30Please know that the department is very grateful for your cooperation.

00:50:34At your service, inspector.

00:50:36Oh, Inspector, excuse me, what should I bring?

00:50:38Eskijama or transparent nightie?

00:50:41I don't know, whatever you consider appropriate.

00:50:44Ah, so transparent lingerie.

00:50:46Oh, and what do you prefer?

00:50:47Garter belt or pantyhose?

00:50:48You proceed.

00:50:49At your service.

00:50:50At your service.

00:51:19Go ahead, miss.

00:51:25Come in, come in.

00:51:27Good night.

00:51:28My nephew is coming soon, because he is my nephew, as you will have very intelligently understood.

00:51:33At first we wanted to hide it from you to play a joke on you.

00:51:38An innocent joke, of course.

00:51:40I already imagined that something like this would happen.

00:51:42I suppose you're not upset with us.

00:51:44No, well, I'll wait there.

00:51:46I'll tell Miguel right away.

00:51:48Sit over there.

00:51:49Yes, I'll let you know.

00:51:55Miguel, Miguel, he's here.

00:51:57Good night.

00:52:19Hello.

00:52:21Do you know how to read a score?

00:52:23I know how to do many things.

00:52:25To the point of believing that you came to meet me because you are interested.

00:52:28It was my uncle's fault.

00:52:30Well, it was my fault for listening to him.

00:52:33And I for listening to you.

00:52:36Is this really yours or is it the Beatles'?

00:52:38And you're going to tell me it's yours?

00:52:40No, this one is mine, you can't tell.

00:52:42No, because it's good.

00:52:44Oh.

00:52:44Do you have it recorded?

00:52:45Uh, yeah, a model that some friends and I made here.

00:52:48Play it, I'd like to sing it.

00:52:54Oh, I have to apologize.

00:52:57I have behaved badly.

00:52:58Shut up, don't screw it up any further.

00:53:01You've been pulling my leg ever since I met you at the airport.

00:53:05But you forgive me, right?

00:53:07If not, you wouldn't have come.

00:53:09Get that going and it falls.

00:53:33That?

00:53:34Very good.

00:53:54Goes!

00:53:55Goes!

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00:57:48Well, what do we do now?

00:57:50Well, the first thing is to undress so that when this guy comes up he thinks we are two lovers.

00:57:54And then we'll deal with the idol.

00:57:57What's wrong with you? Who are you spying on?

00:57:59A very strange couple has come

00:58:00The couples who come here are always weird.

00:58:02What's more, they haven't even touched hands, nor have they smiled behind your uncle's back, nor anything.

00:58:08Well, she's weird, what do we care?

00:58:12Tell me the truth, Miguel, are you interested, Tierto?

00:58:15It's horrible, but what happens is that it makes me envious.

00:58:18I'm not talking about the idol, I'm talking about what's inside.

00:58:21Confess, are you the mastermind?

00:58:23What brain? I don't know what you mean.

00:58:25Your uncle will be the brain

00:58:26But what brain aren't you talking about?

00:58:28It's the same, even if it was you, wouldn't you tell me?

00:58:30Come on, what do we do? Should I kiss you or keep talking nonsense?

00:58:34Neither, let's get naked, in case someone comes in and gets suspicious.

00:58:38What do you suspect? And who's going to come in here?

00:58:40Don't ask, and take things off, boy

00:58:45The truth is that this night starts very strangely.

00:58:47What night am I going to have to put bunk beds in the kitchen?

00:58:50What business am I doing?

00:58:51Good night

00:58:52Good night

00:58:53Hello, Chato

00:58:57It's a great night, huh?

00:59:00Well, in this day and age it's natural, Mother Moses

00:59:02I think I spoke to you on the phone.

00:59:03Ah, you are Don Adolfo, come on, I imagine, right?

00:59:06Imagine well

00:59:07Yes, well you come from a client to whom I cannot deny anything.

00:59:11I have prepared a room for you with a bed of still mineral water.

00:59:15That is an erotic thing, it cannot be

00:59:17Look, what we need is for you to have a good bed, right, little pigeon?

00:59:22No, it hurts, right?

00:59:24The little pigeon wants me to bring him something to drink, huh?

00:59:27Oh, but we can't drink

00:59:28Look, we are on duty.

00:59:30Ah, good thing you call this being on duty

00:59:33A bottle of house wine and a little bit of cheap cheese

00:59:37Ah, very good.

00:59:39I have a cold diamond carafe that goes in by itself

00:59:41And a Cabrales cheese that smells more than my own feet

00:59:43And be careful, they smell.

00:59:44Well I'm getting very nervous.

00:59:47I am already

00:59:49Hey, how wonderful!

00:59:56You look gorgeous

00:59:58You think?

00:59:59Of course I believe it.

01:00:01Long live Polynesia!

01:00:08Wait

01:00:09What's happening?

01:00:11Shut up!

01:00:15This girl is crazy

01:00:16I will turn on the light because the key is bad

01:00:19And sometimes he makes some very big farts and of course

01:00:21Inspector!

01:00:24Bring the idols

01:00:25Here it is

01:00:26Who is it, inspector?

01:00:28Street and between

01:00:30Little Pigeon

01:00:31But you can know what's wrong with you.

01:00:36Nothing, but I'm very nervous

01:00:37Come on, come here and I'll calm you down.

01:00:41Miguel, even if it costs you an effort, tell me the truth.

01:00:43Now she asks me if I love her.

01:00:45Well, I've been to Los Angeles once.

01:00:49Huh? Have I ever been to Los Angeles?

01:00:54It's enough to make you cry

01:00:55But why do you ask me that, daughter?

01:00:57Because I wouldn't like it to be you

01:00:59Look, let's not talk anymore and let's give each other some preparatory kisses.

01:01:04They are now alone

01:01:07The one who is left alone is me

01:01:12I'll bring the wine and cheese up to the gentlemen right away.

01:01:15I'll upload that rotten cheese to see if I can get rid of it.

01:01:20But where are you going?

01:01:25To greet a friend

01:01:26Wait for me and take off your pants.

01:01:28Do they rarely make love in Taipei?

01:01:32In my town we do it better

01:01:33Someone's coming!

01:01:35Let's pretend

01:01:36Yes, let them believe that we are a loving couple

01:01:40What a thigh this sergeant has!

01:01:47Come on!

01:01:49Yes, yes

01:01:49With your permission, Inspector.

01:01:53Come over there

01:01:54Go on!

01:01:58Happens!

01:02:00What are they doing? Making the most of their time?

01:02:02I introduce you to Sergeant Rodriguez who is collaborating with us on this case.

01:02:05Nice to meet you, Sergeant.

01:02:07At your service!

01:02:08Rest, Sergeant

01:02:09Thank you

01:02:10Have you heard anything?

01:02:11Before you came a very strange couple who are standing next to you.

01:02:14And I don't think the nephew has anything to do with this.

01:02:16Because he has not paid the slightest attention to the idol

01:02:18Don't trust him, he may be pretending

01:02:20What have you done with the copy of the idol I gave you?

01:02:23I put it in a room that is empty

01:02:25We have to place these two that I bring

01:02:28We can put them in the hallway

01:02:29Well, let's go.

01:02:30Come on

01:02:31I just messed up my knee with this exotic idol

01:02:37We'll leave one right here.

01:02:40Right here

01:02:40Don't pick it up by its parts

01:02:41Take the other one on that little table

01:02:43The little table, at your service

01:02:44Who are you?

01:02:54Sergeant Rodriguez, 1st Company, 2nd Platoon

01:02:57Sergeant what?

01:02:59More come so they don't see us

01:03:00What to do for reviving the body

01:03:01I circled that we are at a zebra crossing

01:03:03Come this way

01:03:03What do you understand me?

01:03:04Is she crazy?

01:03:05Shut up and come to bed

01:03:07In case anyone surprises us

01:03:08Come, obey or I'll call a tow truck.

01:03:10Guys, without understanding anything

01:03:14Good night, Ramoncete

01:03:17Forward, Senator and company

01:03:19This is Violeta

01:03:21Violeta, the owner of the house

01:03:23At your feet, madam

01:03:25It's a pleasure, mate.

01:03:26Hey, what a shack!

01:03:28What you deserve, Morina

01:03:29That?

01:03:31The same room as always?

01:03:32No, no, another better one

01:03:33Yes, it is the one you always occupy

01:03:35We just disinfected it

01:03:36And it smells a little like bleach.

01:03:38Yes, this way, please.

01:03:39French champagne

01:03:40As he said

01:03:40Hey, dude.

01:03:42French champagne

01:03:42Oh, that's what I always drink.

01:03:44Oh, what a fucking month!

01:03:45Right, Ramóncete?

01:03:46Yes, yes, yes

01:03:46It has been scratched

01:03:47But come on, the most expensive

01:03:48This is what the senator drinks.

01:03:49I told you or I didn't tell you

01:03:50Come with me

01:03:51That you're going to have a good time

01:03:52Pipe

01:03:53How thick?

01:03:55Ramón

01:03:55What is this?

01:03:57Where did it come from?

01:03:59Ah, it's an idol that a friend of mine brought from home.

01:04:01I was in the room

01:04:02But someone has taken it out here

01:04:03And what is it?

01:04:04Well, the image of a fertility god

01:04:06What cures impotence?

01:04:08If you want

01:04:08I take it to the room

01:04:09To get in shape

01:04:11Who me?

01:04:13I don't need strange idols brought from Tahiti

01:04:15To spend a crazy night

01:04:17Of course not

01:04:17Because my senator is very macho

01:04:19This girl seems to be more like me than this hick.

01:04:21Ramón

01:04:23What does this mean?

01:04:26Ah, it's an idol that a friend brought from home

01:04:29Hey?

01:04:31Other?

01:04:32Well, if there are two

01:04:33This girl must buy them at El Corte Inglés

01:04:35And how come there are two?

01:04:38No, maybe it's because he's a fertility idol.

01:04:40It multiplies itself

01:04:42Well, what do we care?

01:04:43They are dirty little figures

01:04:44Come on, let's go, I can't wait to try French champagne.

01:04:47Come in, come in

01:04:48I told you, go

01:04:50A cute room

01:04:51Most of my clients prefer it to another

01:04:54Ramón, look

01:04:55Ah, so in the end you brought the one from the hallway

01:04:59But if you don't need those things

01:05:02If you're a piece of shit, son

01:05:03No, come on, a lad

01:05:05No, I didn't bring it.

01:05:07I was here

01:05:07Three

01:05:11There are at least three

01:05:12And I wouldn't be surprised to find another one in the fridge.

01:05:15Well, leave it

01:05:15Bring us those things

01:05:16Yes, Senator, I'm going for them.

01:05:18But why did he tell us it was a unique archaeological piece?

01:05:22Oh, I'm going to kiss you to open your mouth.

01:05:24Leave me, I'm not here for food.

01:05:26Come on, let's get naked so no one suspects.

01:05:28Okay, okay

01:05:28There's no one, let's go.

01:05:30You have to come wheat by the legs

01:05:31And to think that I don't know where I put the pants that Barranco gave me.

01:05:34Miguel, what are you doing in bed with a sergeant?

01:05:38What do I know, she got into me?

01:05:40That's crazy

01:05:41A crazy woman, but you gladly accept her.

01:05:43Well, that's enough.

01:05:44Let's see, tell me what's going on here.

01:05:45We'll tell you about it

01:05:46Are you sure this isn't the brain?

01:05:49He is very handsome and I love him, but he has no brains at all.

01:05:52Woman, thank you very much.

01:05:54Look at this

01:05:55I brought it from Tahiti

01:05:58It is not an archaeological piece

01:05:59It was recently made

01:06:01It's worthless

01:06:02The young lady realized

01:06:03But who had changed the idol in Los Angeles?

01:06:06And why?

01:06:07That

01:06:07Who? And why?

01:06:09We don't know

01:06:10I reported the case to our consul.

01:06:12Investigations were carried out

01:06:13And it was discovered that it was full of cocaine

01:06:16They contacted me at the anti-drug squad

01:06:18And we decided that the lady would bring the idol to Madrid

01:06:21In order to hunt down the traffickers and their organizer

01:06:24And the inspector thinks that those who changed the idol

01:06:27They had to know that I was coming to this house

01:06:29And that I had to bring the figurine in my luggage.

01:06:32Therefore, a plan has been set up

01:06:34To uncover drug traffickers

01:06:36And you and your uncle were suspected

01:06:38Oh, what a mess

01:06:40I certainly have nothing to do with all this.

01:06:43And the uncle?

01:06:44The guy has no shame

01:06:45It has little

01:06:46But enough to get into drug trafficking

01:06:48At all

01:06:50Look elsewhere

01:06:51Well, let's continue with our plan.

01:06:53What do we do now?

01:06:55Wait

01:06:55This has to burst somewhere.

01:06:57Inspector!

01:06:58Someone is walking down the hall!

01:07:00Let's look closely

01:07:06They're broken but I don't think they notice.

01:07:09Kiss me!

01:07:14That?

01:07:14Kiss me, you idiot!

01:07:16For me

01:07:17Forward!

01:07:20Well, here's the snack I brought you.

01:07:23For the thing of...

01:07:24Oops, sorry!

01:07:24What a bag!

01:07:25Leave it there!

01:07:26Yes, yes

01:07:27No, no, keep going.

01:07:28I'm used to it now.

01:07:30I'm going to see this one because it's very good.

01:07:32I'm going to see her

01:07:32Well, there's the drink for this.

01:07:35And I, with your permission, I'll put a door on myself and...

01:07:38Look, he has a pig's eye, huh?

01:07:40This, can I leave it?

01:07:42No, I won't leave it.

01:07:44Well, nothing to be done

01:07:45The aunt is creaking

01:07:47If I could

01:07:48What a beast you are!

01:07:51You've given me a big one, man.

01:07:52Of course, because I've seen the idol full of cocaine

01:07:54What are you saying?

01:07:55Out there

01:07:56In the hallway

01:07:58Where?

01:07:59Look

01:08:00Runs!

01:08:02Take it!

01:08:02He has taken the idol, that is the trafficker

01:08:08Yes, but it's not the brain

01:08:10An intelligent man doesn't just walk out into a hallway to grab the bait.

01:08:14So what do we do?

01:08:15That's it? What do we do?

01:08:16They have to meet the brain

01:08:18Let's watch the hallway

01:08:19Get in there, sergeant.

01:08:20You with her, Miguel

01:08:21You and I over here, Inspector.

01:08:22Now we just need to deliver it and collect the two and a half million.

01:08:31Well, let's dress him up.

01:08:33No need

01:08:34The brain will come here

01:08:35Come, let's celebrate!

01:08:37They don't come to be rancid, but they won't even notice.

01:08:44This is really bad, huh?

01:08:46It's the cheese I had for the mice and they got sick

01:08:48Either they are so deaf or so excited that they don't even hear me.

01:08:57What do we do? Do we open or not?

01:09:00It will be better

01:09:01With permission

01:09:04Here is your little venito

01:09:06I brought you a little bit of pata blanca ham

01:09:08Because the pig was not a pata negra pig.

01:09:10It's a pig that was in mourning

01:09:12Let's see, yes, the...

01:09:13Hello, hello, hello

01:09:17That the fattest gilio has changed my sabino

01:09:19Well, disgusting with that face like a pot

01:09:21It's just that you have to...

01:09:21No, it's not what you think.

01:09:23Tell him the truth, Inspector.

01:09:25He's going to think I'm a nobody.

01:09:26No, sir

01:09:28The lady is not just anyone

01:09:30No, of course not.

01:09:31It is very special

01:09:33I love your nephew despite what he has done to me

01:09:35And because she loves him, she cheats on him on their wedding night.

01:09:38Well, better said, his night of ñascañascas

01:09:40Inspector, tell him the truth.

01:09:41What if this is the brain?

01:09:43This one has less brains than a hammer

01:09:45I will lack brain

01:09:46But you have something else that I know.

01:09:48Rude

01:09:50No, woman, no, no

01:09:50What I'm telling you is that you have plenty of nerve, woman.

01:09:53Hey?

01:09:54What do we do, inspector?

01:09:58Come on, brunette, but he really is an inspector.

01:09:59Yes, and the lady is a sergeant.

01:10:02Well, if all sergeants were like that

01:10:05The honey was going to be full of volunteers

01:10:07That's right, man, there's a tomato here, huh?

01:10:10Well, that's what I want you to explain to me, let's see.

01:10:12I am an anthropologist

01:10:14Well, I already know that, so no...

01:10:15And when he arrived from Tahiti, he brought an idol

01:10:18Yes, yes, the one who brought here

01:10:19And it looks like a sculpture of me naked.

01:10:21That's why women fall in love with me

01:10:23Look, but I've seen several today, huh?

01:10:25But they were not ancient

01:10:26Ah, no, no, which one?

01:10:28The authentic one, the others are copies

01:10:30And he reported the incident to the consul on the day of the incident.

01:10:34A consul who came by car

01:10:35And then the inspector appears

01:10:37Nice to meet you

01:10:38But the consul, who is he?

01:10:40Oh, forget about him.

01:10:41But if I forget what they tell me, how will I find out?

01:10:44The consul contacted us

01:10:46Because he had drugs

01:10:48The consul, what a scoundrel of Mexican beings

01:10:50And I say to myself, I am right now

01:10:52No, the idol

01:10:53Whose idol?

01:10:55You are making him more confused.

01:10:56I already said that I had little brain

01:10:58But if I have it clear, let's go

01:10:59You found an idol that belonged to the inspector

01:11:02And the consul called the mother who gave birth to him

01:11:05That she was a drug addict

01:11:06Come on, I understood it.

01:11:07I don't know about you.

01:11:08No, man, no.

01:11:09You're confused, it's crystal clear.

01:11:10Well, let's leave this

01:11:12You do what the sergeant tells you.

01:11:15Hey? Sergeant, stick to him and don't move an inch away.

01:11:18No, okay, okay

01:11:19I stick to the sergeant as if he were his own father.

01:11:22That

01:11:22Now watch

01:11:24Who is in the other rooms?

01:11:26In a couple who kiss for 15 minutes

01:11:30And in the other a client

01:11:32That I have no reason to say now

01:11:33Who is that client?

01:11:35Well, man, a person of respect

01:11:37A senator

01:11:39Well, a senator is beyond suspicion.

01:11:41Clear

01:11:42Not even the cat is spared here

01:11:43Ah, man, but a cat has also gotten into the mess.

01:11:45What brand is it? Is it Angora or...

01:11:46That's the consul

01:11:49It must be the consul.

01:11:50Angora

01:11:51And it must be capao

01:11:52We shouldn't have said anything to this man.

01:11:54It's silly

01:11:55My uncle?

01:11:57Anyone can have a stupid guy.

01:11:59Man, Don Ramón de Nialba

01:12:03You don't know how happy I am to see you.

01:12:05Well, not me, mind you.

01:12:07You will see me

01:12:09It's that this girl and I

01:12:11I have convinced her

01:12:12It has cost me, don't believe it.

01:12:14But she is very shy, very shy

01:12:15And I didn't want to take her anywhere.

01:12:17Then I said to myself

01:12:19Don Ramón will be so kind

01:12:20Since he rents rooms to others

01:12:23Why not for me?

01:12:24Hey?

01:12:25But you didn't say I was immoral.

01:12:27For renting rooms to couples

01:12:29Yes, yes, yes, yes

01:12:30But I rectify

01:12:31And as rectifying is wise

01:12:33Aren't you going to give this wise man a hand?

01:12:35It's all full

01:12:36Even in the bathtub I have a couple of cats

01:12:38Oh my God!

01:12:39Come, Jacinta, beautiful.

01:12:40No, I don't want to

01:12:41But hey, Angel

01:12:42What will this man think of me?

01:12:43She is the secretary of an important businessman

01:12:46But you really have to know him.

01:12:48The secretary?

01:12:49No, to the businessman

01:12:51Of course, maybe you don't know him.

01:12:54Yeah, I think I know who this is.

01:12:55I have already married him

01:12:56Raise the colors

01:12:59Don't worry, baby.

01:13:00I'll bring you whatever you need.

01:13:01No, I have married him.

01:13:02Yes, I already know who you are.

01:13:03Already

01:13:03Quiet, that is, nobody moves

01:13:04I just discovered it all right now.

01:13:06This is the brain

01:13:07My God, but how many people?

01:13:09Well, it's true that he has everything busy.

01:13:10He puts them in four by four

01:13:12Don Ángel, I am not with another couple.

01:13:14But let's see

01:13:15Who are these?

01:13:16He is my lawyer

01:13:17And this is the one the lawyer wants to kill.

01:13:20Did you know that the young lady was coming to Madrid?

01:13:22I don't know what it means

01:13:23Answer what he asks you

01:13:24He is a police inspector

01:13:26But don't tell him, man.

01:13:28Oh, is it a secret?

01:13:29The, the, the, the police

01:13:31But well, but, but

01:13:32What is the police doing here?

01:13:33But Don Ángel

01:13:34Is the police going to find out too?

01:13:36No, and soon

01:13:37The news boys will appear here.

01:13:39And you told me you would take me to a discreet place

01:13:41That daughter has chosen a day that...

01:13:43Okay, that's enough.

01:13:44As a lawyer I have my rights

01:13:45And in this the dirty old man is right.

01:13:47We are on the trail of some drug traffickers

01:13:50Me drugs?

01:13:52No, no, no, no, no

01:13:53He doesn't, no

01:13:54By the way, you have to tell me where you bought this jacket.

01:13:56So I don't go to that store.

01:13:57Yes, well, look

01:13:58Shut up everyone!

01:14:01In my life I have intervened

01:14:02In such a complicated investigation, listen.

01:14:04No, no, no, no

01:14:05I'll explain it, right?

01:14:07The lady is a drug addict

01:14:09No, no, no

01:14:10Anthropologist

01:14:11The one that eats people

01:14:12And since the consul has his car full of drugs

01:14:14I had not lost anymore

01:14:15Because he had lost his mother

01:14:18And as from that moment on it gets tighter

01:14:19And the peas fall out of the sandwich

01:14:21As he had not received an Oscar

01:14:23He had accelerated the rants

01:14:24And that's why they have acetone

01:14:26The people from the next room are coming here.

01:14:29Don't let them see you.

01:14:30Come on, everyone hide.

01:14:31Come here, come here

01:14:32This is getting complicated

01:14:33Come on, get in here.

01:14:34Be careful

01:14:34Come on, it's here

01:14:35But who left the parakeet here?

01:14:40What else smells?

01:14:41Sergeant

01:14:42Proceed

01:14:44At your service, Mr. Inspector.

01:14:45What do you want?

01:14:51You, forgive me

01:14:52We are looking for someone else

01:14:54Don't they think it's under the bed?

01:14:56Unclear

01:14:57Forgive me

01:14:59Bye

01:15:01You can leave now.

01:15:03They carried an idol in their hand

01:15:04Mrs. Sergeant

01:15:06That the idols are in the other rooms

01:15:08Of course, since there is so much

01:15:10Well, there is no clue.

01:15:11Well

01:15:12Here drastic decisions must be made

01:15:14Attention everyone

01:15:16Ready to act

01:15:18They will enter through a ground floor window and service door.

01:15:20We attacked the lair of the vicious senator

01:15:24But what's going on?

01:15:25Am I not your type?

01:15:26Shut up, woman, shut up

01:15:27Phew, thank goodness, boss.

01:15:32We thought he hadn't come as we agreed.

01:15:34And I think I shouldn't have come.

01:15:36Why, boss?

01:15:37Everything went ok

01:15:38Yes sir

01:15:39We have the idol

01:15:40Right?

01:15:42Where did they get it?

01:15:43In the hallway?

01:15:43Yes, it was there and we took it.

01:15:45Very good

01:15:46Which of the two?

01:15:47Because in the hallway there are two

01:15:48Ernesto, who are these guys?

01:15:50Shut up, girl, shut up

01:15:51And here's another one

01:15:53Three?

01:15:56Are there three?

01:15:57Well, that I have seen

01:15:58Because there may be dozens

01:15:59But what does this mean?

01:16:01Which one is the good one?

01:16:02Don't know?

01:16:02I don't know, nor do I intend to find out.

01:16:03Go away

01:16:04We have never met

01:16:06Leave that where it was

01:16:08And forget this matter

01:16:09Go away

01:16:10Let us forget

01:16:11And our money?

01:16:12They have lost it

01:16:13But I have lost more

01:16:14One moment

01:16:15Our part

01:16:16We love her

01:16:17There are two and a half million

01:16:18There are two and a half million noses

01:16:20We are risking jail

01:16:22But they don't understand it.

01:16:23Come on, get out of here.

01:16:25What's happening?

01:16:27It seems they were arguing

01:16:28No, it's that these gentlemen

01:16:30They had gone to the wrong room

01:16:31But they were already leaving

01:16:32Yes, two million

01:16:34Us

01:16:35Wow, so many people!

01:16:38This is getting good

01:16:38Hey, we can do

01:16:39A big round bed, isn't it?

01:16:41Ramón, how can you allow this scandal?

01:16:43Well, that's it, everyone in their underwear.

01:16:44Down the zipper

01:16:45Take off that blue thing, go on

01:16:47Go on

01:16:47Does the senator know him?

01:16:49You are welcome

01:16:49As?

01:16:50Don't you remember me?

01:16:52I am Miss Baiteare's lawyer.

01:16:53To whom you sold this house

01:16:55Is this it?

01:16:57He's crazy

01:16:57But if it is the thigh

01:16:59I say, if it is the senator

01:17:00Yes, and the president too.

01:17:02From the board of directors

01:17:03From the owner company

01:17:05From this building

01:17:06Here is this young lady as a witness

01:17:07Is she your secretary?

01:17:09This young lady, my secretary?

01:17:11I don't know her at all

01:17:12Am I right or not?

01:17:13Whatever you say, boss

01:17:14Oh

01:17:15So, if this gentleman knew

01:17:17That I was going to come to this house

01:17:18He may be the brains

01:17:19Come on, Ramón

01:17:20Get this whole rabble out of here.

01:17:22Oh, and these could be your accomplices.

01:17:25Because they came recommended by him

01:17:27See how I find out everything, Inspector.

01:17:30Here you have already fallen in love with me

01:17:31Accomplices

01:17:33What nonsense!

01:17:34I don't know these individuals at all.

01:17:36But he will be a scoundrel

01:17:37And explain if you can.

01:17:38Why they wanted to take the idol

01:17:40So wanting to put the blame on us

01:17:43And the pasta?

01:17:44What about the pasta?

01:17:45I brush my teeth with baking soda

01:17:47But, well, Don Ramón

01:17:48You who are in charge of this dump

01:17:51I say, from this house

01:17:52Why is everyone so angry?

01:17:54Man, I'll explain it to you.

01:17:55I always have to explain everything

01:17:56When there was Ardenium to take you out

01:17:57I had on top

01:18:01The croquettes were like caught

01:18:02But since the mother had not come

01:18:04He took it and said

01:18:05Well, I'm going to remove the plug.

01:18:06He took it off

01:18:06And from that moment on he never left.

01:18:08And now everything is calm.

01:18:09I arrive at your house

01:18:10No

01:18:10Sure?

01:18:11The light

01:18:12Well, that's it.

01:18:13Come all with me to the brigade

01:18:15One moment

01:18:16I am a senator

01:18:17And I have parliamentary immunity

01:18:19We'll clarify it there.

01:18:20Sergeant

01:18:21At your service, inspector.

01:18:22Take everyone into custody

01:18:24Yes, inspector.

01:18:25Everyone occupy the house

01:18:28Alright

01:18:30But I will enter through a door

01:18:32And I'll go out the other way

01:18:33We'll see.

01:18:34Come on, everyone out

01:18:36Out

01:18:36Come on

01:18:37You

01:18:38And you too

01:18:38Come on

01:18:40Don Ángel, come with me

01:18:41And what do I do?

01:18:43You wait here

01:18:44That when everyone leaves

01:18:45I'll come up and give you some kisses.

01:18:47I don't know what I have

01:18:48That everyone falls in love with me

01:18:49Well, yes I know I have

01:18:52Yeah

01:18:53Inspector

01:18:54Think that you are playing for your position

01:18:56In this profession

01:18:57I'm playing it every day

01:18:58I had never seen it in my house

01:19:00So many people naked

01:19:01Take these three away

01:19:03They must be given a statement.

01:19:04And pass them on to the judge

01:19:06Sergeant

01:19:09Proceed with the accused

01:19:11At your service, inspector.

01:19:12And to you three

01:19:16Tomorrow they will be summoned to testify.

01:19:18How comfortable the authority is

01:19:21When dictatorship is preserved

01:19:24Good night

01:19:26But where did I leave my pants?

01:19:31What did Barranco give me?

01:19:35Well, we stayed

01:19:37Right, pretty?

01:19:38No way

01:19:40After this mess

01:19:42I wasn't even crazy

01:19:43Wow, man.

01:19:44For once I hook up with a girl

01:19:45What mess am I getting into?

01:19:47Jacinta, pretty

01:19:48Come here

01:19:48Cuchicuchi

01:19:49Then we can continue together

01:19:51Whatever you want at night

01:19:52No

01:19:53And once the drug mess was discovered

01:19:55Leave

01:19:55I'm going back to Tahiti

01:19:56I will submit my resignation

01:19:58And here they will send a man with a mustache

01:20:00So that they throw you out

01:20:02And your damn uncle to the street

01:20:03And set up the exhibition space

01:20:06Of the wonders of my country

01:20:08Bye

01:20:09But how are you going to leave like that in a mess?

01:20:13I'll take a taxi

01:20:14How happy the taxi driver will be

01:20:15Water Tor!

01:20:16Let me explain to you

01:20:17It's too late

01:20:18I thought you were going to be able to

01:20:20To confess everything to me

01:20:21But I see that you were only interested in the house.

01:20:24Dude, I love the girl.

01:20:27Leave it to me

01:20:29I'll think of something.

01:20:30By the way

01:20:31That the senator has left without paying

01:20:32But it's the same

01:20:34Because I have your credit card here.

01:20:36On the date

01:20:37It is also expired

01:20:40How clever the guy is!

01:20:42That's why they made him a senator.

01:20:43Unfortunate this one

01:21:01EITHER

01:21:19Come on!

01:21:49I should have come alone.

01:21:50Ah, you'd be capable of ruining everything.

01:21:52The idea came to me.

01:21:53You'll see, when we propose it to him, he'll be happy with it.

01:21:56You think?

01:21:57Of course, man.

01:21:58We leave the bottom part to her.

01:22:00And there you can put sculptures of idols and whatever you want.

01:22:02And we dedicate the top part to our own thing, to our business.

01:22:06I've already thought about it.

01:22:06It will be called the South Seas Pleasure House.

01:22:09What do you think?

01:22:10As long as I can see again, I don't care about anything.

01:22:13Ah, don't worry.

01:22:13Taxi!

01:22:15Which limousine is prettier.

01:22:17Yes, how do we pay for the taxi?

01:22:18Because I don't know the currency here.

01:22:19Have you removed one of your expired cards?

01:22:21But I only have one from El Corte Inglés.

01:22:23Let's see if this Chinese guy swallows this.

01:22:36Yes, Nas!

01:22:37Merci beaucoup, we're out!

01:22:41Nothing.

01:22:42Nothing, they don't know her here either.

01:22:44Ah, we believed that papetes like Soria, that everyone knows each other, of course.

01:22:48Well, what do you think of how I've dressed?

01:22:51It's just that it bothers me to dress like a tourist.

01:22:53He is very handsome.

01:22:55Where could we look for her?

01:22:57Ah, well that's very easy, you see.

01:22:59What are these people talking about here?

01:23:01French, right?

01:23:02French.

01:23:03Okay, I'm pretty good at that, so no...

01:23:07Look, look.

01:23:10Come on, see.

01:23:12Sorry, I taught myself.

01:23:13Sorry.

01:23:14We are Spaniards, Spaniards.

01:23:16Well, no, this one is from Murcia.

01:23:18I'm from Egin.

01:23:19Egin, Egin yo, eh?

01:23:20Dude, he doesn't even know where Spain is.

01:23:22How will you know where Spain is?

01:23:23How beautiful Spain is and with the torrents of Spain.

01:23:26But no, no, no, no, he's waiting for me.

01:23:27No, no, looking for one, one, Mother Moses and she, very pretty, with the, with the, she goes, she goes and I'll make you.

01:23:34What does water flower mean, huh?

01:23:36Shut up, I'll tell you in French.

01:23:37It means water flower, huh?

01:23:39Eh, sorry, I don't understand pas.

01:23:42No, je ne comprends pas.

01:23:45No, he says he's going to buy bread because he's closing.

01:23:47Nothing, man, the thing here is that nobody speaks French.

01:23:51Hey, she's an anthropologist and works for an official agency.

01:23:55Why don't we ask at the town hall?

01:23:56Well, let's ask at the town hall, but you'll see that no one there knows French either.

01:24:02Let's see, let's see, let's see, taxi, taxi.

01:24:10Come on, come in.

01:24:11To the town hall, huh?

01:24:12To the town hall.

01:24:14Lower the flag.

01:24:15Bigger taxi, it's going to cost you a fortune.

01:24:17It has to be this way.

01:24:37No, it won't be this way if there's no house, if there's nothing but water, look at it.

01:24:40Look, it could be there.

01:24:42This house is prettier, I must say.

01:24:48Wow, what a beautiful house, it just needs a few more plants to make it look like me.

01:24:51For water, I will bait.

01:24:54Miguel!

01:24:59Come on, come on, give each other some kisses and go to sea. Come on, go to sea.

01:25:03But what are you doing here? Why have you come?

01:25:06To ask for your forgiveness.

01:25:08Almost 30,000 kilometers of forgiveness and more than a million pesetas in plane tickets.

01:25:12I'll introduce you to my aunt. Aunt, these are some friends of mine from Europe.

01:25:15Maeva.

01:25:17Oh, what's wrong! She's got a bit of a belly.

01:25:19Here the...

01:25:19Maeva means welcome.

01:25:20Ah, yes.

01:25:23Well, I'll leave you two alone and I'll say hello to the whale for a moment.

01:25:27Water flower, I love you and I have come for you.

01:25:29It turns out that the tape you recorded in Spain was liked and they're going to make an album.

01:25:32I don't know if I should believe what you're telling me.

01:25:35Oh no! I wasn't going to make such a long trip to lie to you again.

01:25:38You're right about that.

01:25:40Clear.

01:25:40Miguel, this fat girl has fallen in love with me.

01:25:43Which doesn't surprise me because I'm so attractive.

01:25:45He's throwing a party in my honor.

01:25:49I invite you.

01:25:49No, no, I don't know how to dance this weird thing.

01:26:13Look, whale, what I want to put in are four bedrooms with a bathroom.

01:26:18Do you understand?

01:26:18Dude, dude, come dance, you're better at being a fool.

01:26:21No, I'm proposing a business to Baiziares's aunt.

01:26:24I'll explain it to you.

01:26:25But she doesn't understand your French.

01:26:26Look, I'm speaking in Polynesian, which is easier.

01:26:29You're stupid.

01:26:33The dancing whale.

01:26:37And what business are you going to start together?

01:26:40Well, the same thing we had in Madrid, but here.

01:26:42At his house, tourists will pay whatever is asked of them to bring a date there.

01:26:45And they're also going to pay in dollars.

01:26:47Thank you!

01:26:48Thank you!

01:26:48the

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