- 4 months ago
A young couple decide to marry under the condition that they agree never to disagree. That agreement is soon put to the test when the husband finds himself attracted to a beautiful young woman.
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Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:02:37A boy and a girl in a boat.
00:03:03Romance.
00:03:04And she sings.
00:03:05This is what you have done to me.
00:03:12What I've done.
00:03:13What do you mean when I love you?
00:03:15I told you so.
00:03:16That's all.
00:03:17Help her.
00:03:18That's all.
00:03:19Oh, dear.
00:03:20Please.
00:03:21Let's just sing.
00:03:22Who told you you could sing?
00:03:24Oh, dear.
00:03:25Oh, dear.
00:03:26Oh, dear.
00:03:27Don't sing.
00:03:28Make me capitulate.
00:03:29Capitulate.
00:03:30Capitulate.
00:03:31I'm not familiar with that.
00:03:33It sounds very peculiar.
00:03:34Oh, dear.
00:03:35Oh, dear.
00:03:36Oh, dear.
00:03:37Oh, dear.
00:03:38Oh, dear.
00:03:39Oh, dear.
00:03:40Oh, dear.
00:03:41Oh, dear.
00:03:42Oh, dear.
00:03:43Oh, dear.
00:03:44Oh, dear.
00:03:45Oh, dear.
00:03:46Oh, dear.
00:03:47Oh.
00:03:48How can I, from behind,
00:03:52then save you
00:03:56when I love you
00:04:00so much that
00:04:04I hate you.
00:04:08Shut up!
00:04:12Oh, Nick. Oh, look what you've done.
00:04:16My sympathy is with the fishes.
00:04:32Nick, stop it.
00:04:34I won't stop it. Oh, please, come on.
00:04:36We have to go back to the house.
00:04:38Look, this is what you
00:04:40have done to me.
00:04:42Be quiet. We've been down here.
00:04:44My dear, if every little frog
00:04:46and every little worm
00:04:48twenty miles around
00:04:50doesn't know you've been down here.
00:04:52I'll follow the gramophone.
00:04:54All right, follow.
00:04:56There.
00:04:58Mind the mushrooms, dear.
00:05:00No spin shoes.
00:05:02No.
00:05:04No.
00:05:06No.
00:05:08No.
00:05:10No.
00:05:12No.
00:05:14No.
00:05:16No.
00:05:18No.
00:05:20No.
00:05:22No.
00:05:24No.
00:05:26No.
00:05:28No, no, no.
00:05:32No, no, no, no, no.
00:05:34You know that stuff's poison for you, if you won't take any exercise.
00:05:37Hang it all, Graham.
00:05:38I didn't ask you down here as my doctor, but as one of my oldest friends.
00:05:41Come on, here's the fort.
00:05:42Just one cup.
00:05:43Poison's poison.
00:05:44One cup of fifty, if you won't take exercise.
00:05:46Exercise be had.
00:05:47Oh, I'm a bully.
00:05:48A man can't poison himself in his own house.
00:05:50Oh, Dr. Graham's bullying your poor uncle again.
00:05:52Come on, let's cheer him up.
00:05:53You go.
00:05:54The sight of me never helps him.
00:05:56I'm a bully.
00:05:57A man can't poison himself in his own house.
00:05:59Oh, Dr. Graham's bullying your poor uncle again.
00:06:01Come on, let's cheer him up.
00:06:02You go.
00:06:03I shouldn't have married you, George.
00:06:04I should have adopted you.
00:06:05I'm being very unfair, Kitty.
00:06:06I thought you should be the first to know.
00:06:07But I don't want to know.
00:06:08Would you like me to deceive you?
00:06:09You couldn't deceive a waxwork.
00:06:10You'd only exasperate it.
00:06:11You know you're going to ruin our vacation in Europe.
00:06:12Now then, you two are going to ruin the weekend down here if you go on like this.
00:06:28What is the matter?
00:06:29Oh, nothing.
00:06:30Well, Judy, you were on the boat with this coming over.
00:06:32And you know how much I saw of my devoted husband.
00:06:35Well, he's just told me that that blonde who got off at Cherbourg has a successor.
00:06:39Oh, well, that isn't his fault.
00:06:41I'll bet she's running after him.
00:06:47Who was that?
00:06:48Young Randall.
00:06:49Hanging about waiting for you.
00:06:50Look here, Stefana.
00:06:51I didn't want to come to this place at all.
00:06:52You could have stayed at home.
00:06:53And did you come here alone?
00:06:54Oh, thank you.
00:06:55Good evening, Jackson.
00:06:56Good evening, lady.
00:06:57Good evening, Sir John.
00:06:58Evening, Jackson.
00:06:59Scandell!
00:07:00That must be the Fitzmorris woman.
00:07:02Hello.
00:07:03Oh, hello, Nick.
00:07:04Hello, Fitz.
00:07:05How are you?
00:07:06May I introduce Miss Judith Rogers.
00:07:07Colonel Sir John Fitzmorris.
00:07:08Lady Stefana Fitzmorris.
00:07:09I've heard a great deal about you, Miss Rogers.
00:07:10And I have you.
00:07:11Is this your first visit to Stonehenge?
00:07:12Yes.
00:07:13And I love the place already.
00:07:14Mr. and Mrs. Drayton.
00:07:15Colonel Sir John Fitzmorris.
00:07:16How do you do?
00:07:17That's a great deal.
00:07:18I hope she wasn't coming.
00:07:19I understand, Sir John.
00:07:20You're in the garden.
00:07:21Oh, yes.
00:07:22Scandell.
00:07:23That must be the Fitzmorris woman.
00:07:24Oh, hello, Nick.
00:07:25Hello, Fitz.
00:07:26How are you?
00:07:27May I introduce Miss Judith Rogers.
00:07:28Colonel Sir John Fitzmorris.
00:07:29Colonel Sir John Fitzmorris.
00:07:30Lady Stefana Fitzmorris.
00:07:31I've heard a great deal about you, Miss Rogers.
00:07:32And I have you.
00:07:33Is this your first visit to Stonehenge?
00:07:34Yes.
00:07:35And I love the place already.
00:07:37Mr. and Mrs. Drayton.
00:07:38Colonel Sir John Fitzmorris.
00:07:39How do you do?
00:07:40This woman, I hoped she wasn't coming.
00:07:41I understand, Sir John.
00:07:42You're in the garden.
00:07:46Must be thrilling guarding the palace day and night.
00:07:49Now, look here, young man.
00:07:50None of your monkey tricks tonight.
00:07:52When the guards go to the top,
00:07:53do they really wear those tall, hungry helmets?
00:07:55Good evening, Mrs. Graham.
00:07:57Careful, Doctor.
00:07:58You might win.
00:07:59Then you'll have nothing to do all the evening.
00:08:03Oh, by the way, Stefanie.
00:08:04You don't know Ronson, do you?
00:08:05Not the Ronson.
00:08:06Ivan Ronson, the explorer.
00:08:07Yes.
00:08:08Lady Stefanie Fitzmorris.
00:08:09How do you do?
00:08:10How do you do?
00:08:11Oh, it was frozen.
00:08:13I thought you spent your life among the Islers.
00:08:16Sometimes society's thin ice is a pleasant change.
00:08:28Oh, and why are you so scared?
00:08:29Upset?
00:08:30She's the most shameless hussy I've ever met.
00:08:32I met a few in my time.
00:08:34Snatched him away under your very nerve.
00:08:36Oh, she's known him longer than I have.
00:08:38And I can't blame Nick for admiring her.
00:08:40Admiring her?
00:08:41She's clever, unscrupulous, and dangerous.
00:08:43Dangerous?
00:08:44Oh, the boy's not made of stone.
00:08:46He's my nephew.
00:08:47She'll have him in the divorce court before he knows where he is.
00:08:50Unless he gets himself safely married first.
00:08:53Oh, is marriage so safe?
00:08:55Oh, cynic.
00:08:57Oh, no.
00:08:58I was only wondering.
00:08:59A young woman of your age has got no business to wonder.
00:09:07Here.
00:09:09That'll do.
00:09:11Stop this hanging about.
00:09:13Hop in.
00:09:27More coffee for his lordship.
00:09:36Strong.
00:09:47Where are you going?
00:09:48That's my business.
00:09:49Yeah, and a dirty rotten business too.
00:09:51I know where you're going.
00:09:52Oh, what do you want to ask me for?
00:09:54Sure.
00:09:55Look here.
00:09:56I've stood about another desire.
00:09:57Oh, stop your nagging, can't you?
00:09:59You're driving me silly.
00:10:00Driving you silly?
00:10:01Well, you're driving me mad, this is what you're doing.
00:10:04I'll tell you straight.
00:10:05Somebody's going to get more than nagging.
00:10:07Next time I catch you.
00:10:11You know, I did not know Miss Rogers was your niece.
00:10:14She isn't.
00:10:15She's no relation.
00:10:16But I knew her father very well.
00:10:17And she takes advantage of it to call me uncle.
00:10:19Uncle Portly.
00:10:20Last impertinence.
00:10:22Well, she's a clever girl.
00:10:23Her father, splendid chap, but no head for business.
00:10:26Left her nothing.
00:10:27And she's owned her own living ever since, hasn't she?
00:10:29Indeed, and how?
00:10:30Interior decorating.
00:10:31Oh, very interesting.
00:10:32Yes.
00:10:33I've had five years very hard work.
00:10:35Now I'm over here with the drapies on a vacation.
00:10:38Will you excuse me, please?
00:10:39I must find my wife.
00:10:40Oh, quite.
00:10:44Hello, Fitz.
00:10:45Lost your wife?
00:10:46Yes.
00:10:47You'll find her in the garden.
00:10:49You're in love with her?
00:10:50Yes.
00:10:51You're going to marry her?
00:10:52If she'll have me?
00:10:53She'll have you all right.
00:10:54We'll just have to focus.
00:10:55That's the one thing I can never do.
00:10:56Never.
00:10:57I love you, Nick.
00:10:58It's the only thing I'm aware of in my life.
00:10:59Nothing you do can alter this.
00:11:00I'm awfully sorry.
00:11:01It's better.
00:11:02Perhaps I ought to be glad you're getting married.
00:11:03Why?
00:11:04Oh, my dear.
00:11:05No marriage is ever what you think it's going to be.
00:11:06Difficulties crop up.
00:11:07I don't know.
00:11:08No marriage is ever what you think it's going to be.
00:11:09Difficulties crop up.
00:11:10No marriage is ever what you think it's going to be.
00:11:12Difficulties crop up.
00:11:13It's rather like a steeplechase.
00:11:15Everybody gets over the honeymoon hurdle.
00:11:16There are others to come and people fall.
00:11:18You may.
00:11:19But when you do, you will need someone to pick you up.
00:11:21I'm sorry.
00:11:22I'm sorry.
00:11:23I'm sorry.
00:11:24I'm sorry.
00:11:25I'm sorry.
00:11:26What you think is going to be?
00:11:27I'm sorry.
00:11:28I'm sorry.
00:11:29Let's get it.
00:11:30Perhaps I ought to be glad you're getting married.
00:11:31Why?
00:11:32Oh, my dear.
00:11:33No marriage is ever what you think it's going to be.
00:11:34Difficulties crop up.
00:11:35It's rather like a steeplechase.
00:11:36Everybody gets over the honeymoon hurdle.
00:11:37There are others to come and people fall.
00:11:40You may.
00:11:41I hope you're not having a dull weekend.
00:12:09You seem to be just looking on.
00:12:10You have in English a saying, the one who looks on sees most, no?
00:12:15You saw me send Sir John after his wife and she's off to Nick.
00:12:18She'll catch it.
00:12:19Or Nick.
00:12:20Nick.
00:12:30Perhaps I shouldn't have sent Sir John after...
00:12:40What's happened?
00:12:53Stabbed.
00:12:54Who by?
00:12:55The cook.
00:12:56The butler had hold of me.
00:12:57Badly hurt?
00:12:58I don't know yet.
00:12:59What is it?
00:13:00The cook stabbed a maid?
00:13:01A thing like that happened at Stoney.
00:13:02There's a certain problem with a vengeance.
00:13:04Oh my dear, be yourself.
00:13:05We're all sisters under the skin.
00:13:07Put her in one of the spare rooms.
00:13:08You want me here?
00:13:09No, no, no.
00:13:10We don't have any of it.
00:13:11Oh my dear, be yourself.
00:13:12Oh my dear.
00:13:13Oh my dear.
00:13:14Oh my dear.
00:13:15Oh my dear.
00:13:16Oh my dear.
00:13:17Oh my dear.
00:13:18Oh my dear.
00:13:19Put her in one of the spare rooms.
00:13:23You won't leave yet.
00:13:25No, no, no, we don't leave.
00:13:35Is everything going to be all right?
00:13:37I think so. It was a narrow escape.
00:13:40You were not so anxious to see as the others.
00:13:43No, you have not the morbid curiosity of the crowd.
00:13:47No, because I always think there but for the grace of God goes duty.
00:13:50Why do you suppose it happened?
00:13:52Jealousy.
00:13:53Jealousy? As frantic as that.
00:13:55What's beyond me?
00:13:57Jealousy is a wild beast.
00:14:00I thought this place was peaceful.
00:14:03Here it is still peaceful.
00:14:05This primitive passion, it causes this habit.
00:14:08I don't understand it.
00:14:10That's just the trouble.
00:14:12You don't.
00:14:17Not all marriages are like these.
00:14:20How did you know what I was thinking?
00:14:22I have been alone so much.
00:14:24I have found words are not so necessary.
00:14:27Except sometimes to hide one's thoughts.
00:14:30I wouldn't try to hide any from you.
00:14:32I couldn't.
00:14:33I hope she's not badly hurt, poor little maid.
00:14:36Poor little maid.
00:14:37You mean that poor little wife.
00:14:40The maid will get over it.
00:14:42The wife may carry the scar all her life.
00:14:44Isn't some perfect understanding possible?
00:14:46Isn't there any way to make sure that a marriage will last?
00:14:49I mean happy and fine.
00:14:51No.
00:14:52There is no one way for everybody.
00:14:54I hope I can find the answer for myself.
00:14:57Oh, you will.
00:14:58I have been very happy watching your happiness in love.
00:15:04You know?
00:15:05Yes, I know.
00:15:09Do you know that I love him so desperately that I'm afraid?
00:15:13You are too courageous to be afraid for long.
00:15:17I hope that's true.
00:15:19I know it is.
00:15:22Will she be all right, Doctor?
00:15:23All right, there's no need for anxiety.
00:15:27Good night, Doctor.
00:15:29Doctor?
00:15:30Yes.
00:15:31You help me too.
00:15:33Good night.
00:15:34Good night.
00:15:35Good night.
00:15:36Good night, Doctor.
00:15:37Good night.
00:15:44Happy dreams, Uncle dear.
00:15:45Thank you, my dear.
00:15:46Good night, dear.
00:15:47Don't give that to Nick.
00:15:49Be a good boy, Georgie Cody.
00:15:51Good night.
00:15:52Good night.
00:15:53Good night, dear.
00:15:54That turning in would be better.
00:15:55Good night.
00:15:56Good night.
00:15:57Good night.
00:15:58Good night.
00:15:59Good night.
00:16:00Sonia in bed, Doctor.
00:16:01Ah!
00:16:02Nick!
00:16:03You're a little wreck.
00:16:04What do you mean by trying to sneak off to bed without saying good night?
00:16:06Oh.
00:16:07Yes.
00:16:08Good night.
00:16:09Oh, no, Judy, that's not enough.
00:16:10Quiet.
00:16:11I won't be quiet until you've answered my question.
00:16:12What question?
00:16:13What question?
00:16:14You don't know what.
00:16:15I've only asked you 99 times, that's all.
00:16:17Shh.
00:16:18It's still beyond that.
00:16:20When Mr. Robinson goes back to his icebergs, why don't you go with him?
00:16:25I wonder when and how Sir John asked her that question.
00:16:28What her dreams of the future were when she said yes.
00:16:31Well, never mind about them, dear.
00:16:32Just you, Sylvia.
00:16:33The place is creeping with people.
00:16:35A graceful affair.
00:16:36A pretty girl?
00:16:37That's no excuse.
00:16:38She can't help being pretty.
00:16:39The cook might have killed her.
00:16:41The cook and her husband must have been in love once.
00:16:44And now look at the tragedy they've come to.
00:16:47I'm sorry about the way I could tonight, George.
00:16:49Still, I don't blame you for falling for Judy.
00:16:51Well, you women, you certainly amaze me.
00:16:59I wouldn't mind if you and I could take things as lightly as Kitty and George.
00:17:02Then I shouldn't be afraid.
00:17:04But what have you and I got to be afraid of?
00:17:07You look into yourself too much, Judy, darling.
00:17:10Listen, I'm going to be here for a whole week.
00:17:12And I'm not going to let you go with the others, whatever you say tomorrow.
00:17:16You'd better lucky escape all of you.
00:17:18You and your wife had better come and see me in the morning.
00:17:20Yes, my lord.
00:17:21Judy, say you'll stay.
00:17:23I told you I'd think about it.
00:17:24But I can't face a night of suspense.
00:17:25Oh, Nick.
00:17:26Exercise, confounded nonsense, touching my toes of my time of life.
00:17:30I don't know.
00:17:31I thought you'd gone to bed.
00:17:33I was held up.
00:17:34Do you know it's safer in America?
00:17:35Uncle, I asked Judy to stay on this week.
00:17:37I have asked her and she said she would.
00:17:39Oh, one day I'll wring your neck.
00:17:42Uncle, isn't it about time you were in bed?
00:17:44I'm going.
00:17:45Leave the young people about at this hour of the night.
00:17:48They didn't do it when I was a boy.
00:17:50You were stuck.
00:17:52Oh, Judy.
00:17:53My sweet, I love you so terribly.
00:17:58And I love you terribly.
00:17:59Well then, say yes.
00:18:01Nick, suppose you and I came to hurt one another like these people tonight.
00:18:05And others I know.
00:18:06Well, we shall.
00:18:07It seems the ones who love terribly, hate terribly.
00:18:12Let's be sensible and wait.
00:18:14Oh, who wants to be sensible?
00:18:16I do.
00:18:17We're going to be down here for a week, a heavenly week.
00:18:20But you must promise me one thing.
00:18:22You won't ask me again.
00:18:23Not yet.
00:18:24Well, I shan't have anything else to say.
00:18:26But I'll go back with the Drayton's unless you promise me.
00:18:29I mean it.
00:18:30Promise.
00:18:31All right.
00:18:36Good night.
00:18:37Oh, darling, there's just one more thing.
00:18:41Will you marry me?
00:18:42Oh, Nick.
00:18:56Good afternoon, my lady.
00:19:12Good afternoon, Briggs.
00:19:13Is Mr. Randall in?
00:19:14Yes, my lady, I think he is.
00:19:16No, my lady, I think he's not.
00:19:18Well, could you find out?
00:19:20Yes, my lady, I could.
00:19:22No, my lady, I'm afraid I couldn't.
00:19:24He's gone away and he won't be back for a month.
00:19:27He's gone away, my lady, and he won't be back for a month.
00:19:29And you don't know where he's gone to.
00:19:30And I don't know where he's gone to.
00:19:32Does Lord Portly know?
00:19:34Let it know.
00:19:35Let it know.
00:19:37I beg your pardon, my lady.
00:19:48Oh, these are lovely.
00:19:50Well, if you want a special kind of marriage,
00:19:52how do you propose to set about it?
00:19:54Well, I don't think people ought to marry just because they're in love.
00:19:57You know, these have been repaired, but they're very good.
00:19:59It ought to be based on something so much more stable,
00:20:03like friendship, companionship.
00:20:05Sort of perfect understanding.
00:20:07Are these on the list?
00:20:08Yes.
00:20:09Yes.
00:20:10And then there'd be harmonies on the word go.
00:20:12No.
00:20:13People must differ.
00:20:14Harmony would be deadly without discord.
00:20:16What's this?
00:20:20You know, Nick, the essential part of anybody is individual.
00:20:23We can only grow up out of our own experience.
00:20:25That's why marriage shouldn't stop experience.
00:20:28Funny thing, what is it?
00:20:29That's an old scold bridal, dear.
00:20:31It's what they used to fix on their women when they talked too much.
00:20:34We'll take that.
00:20:36Oh, no, we won't.
00:20:37Yes, we will.
00:20:38Yes, yes, yes!
00:20:40Yes!
00:20:44We'll take it.
00:20:47Oh, and it's full of old clothes.
00:20:50Yes, I've been there since the house was built.
00:20:52Grandmothers and her grandmothers and her grandmothers.
00:20:55Oh, it's lovely.
00:20:57Judy, in your marriage ideas, how about jealousy?
00:21:00Oh, there oughtn't to be any.
00:21:02Well, wouldn't you ever be jealous?
00:21:04I don't know under the tribe, and I know one short thing.
00:21:07I'd be ashamed if I were.
00:21:09Selfish and petty.
00:21:10That's the trouble.
00:21:11The married people think they own one another.
00:21:13Nobody can own anyone else.
00:21:14Why, Judith.
00:21:18Is it Judith Rogers saying these outrageous things,
00:21:20or is it my great-grandma?
00:21:22Maybe both.
00:21:23Maybe I'm seeing for the girl who wore this.
00:21:25She wouldn't have dared to have said it
00:21:26because she'd have had her head cut off.
00:21:28But you're not going to cut my head off
00:21:29because I'll go right on saying it.
00:21:36Have I got it right?
00:21:37Well, what on earth does this mean?
00:21:40Marriage contract.
00:21:42Never to be husband and wife, but lover and mistress.
00:21:45And above everything else, to remain individual.
00:21:48All right?
00:21:49I think so.
00:21:50Ah, I'll sign it.
00:21:51No, those are my ideas.
00:21:52All right, dear, you sign it.
00:21:54As a matter of fact, you've converted me, you know.
00:21:57Converted you?
00:21:58Yes.
00:21:59Converted me.
00:22:00Now I call that a most original contract of marriage.
00:22:02See that?
00:22:04That's us.
00:22:08Us?
00:22:09Yes.
00:22:10Nicholas Randall, party of the first party.
00:22:11And Judith Rogers, party of the second party.
00:22:13Oh, well, dear.
00:22:14I suppose somebody will have to murmur a few words over it.
00:22:16But in the holy presence of your own ideals,
00:22:19you're my wife.
00:22:20Ah.
00:22:37Bless my soul.
00:22:38Here they come.
00:22:39Where are those pits?
00:22:40Hear me, Lord.
00:22:41Hear me, Lord.
00:22:42What the deuce are you doing?
00:22:43I'm not surprised.
00:22:44Give me the pit.
00:22:45Give me the pit.
00:22:46Give me the pit.
00:22:53Don't go.
00:23:05All right, darling, hurry up, will you?
00:23:07Nick, you're a mighty lucky man.
00:23:09Come on.
00:23:10Thanks, Johnny.
00:23:11Ah.
00:23:14It was awfully nice of you to come with all the worries of your expedition.
00:23:18I had to come just to wish you good luck.
00:23:20Oh, thank you.
00:23:21You know, I think I feel as you do when you strike out into the unknown.
00:23:24Come on, Judy.
00:23:25Yes, darling.
00:23:26Goodbye and good luck.
00:23:34Judy!
00:23:35Goodbye, darling.
00:23:37Goodbye, darling.
00:23:38I wish you were marrying George and we could all be together.
00:23:40Goodbye, George.
00:23:41All right.
00:23:42John, now.
00:23:43No course matter.
00:23:44Goodbye, darling.
00:23:45Look off to that horse, this young scant.
00:23:46And remember, it's up to you now.
00:23:48Now, both of us.
00:23:49Oh, no, no, no.
00:23:50None of that.
00:23:51I'm sorry.
00:23:52I'm sorry.
00:23:53Let's describe this horse.
00:23:58There is a horse.
00:23:59There's still a lot of horse.
00:24:01I will tell you.
00:24:02Now, the horse has saved me.
00:24:04Suddenly, the horse has saved me.
00:24:06I will tell you my son of a horse.
00:24:07There is a horse.
00:24:08There is no horse.
00:24:09There is a horse.
00:24:10Come on.
00:24:11We can't do it.
00:24:12We can't do it.
00:24:13There is a horse.
00:24:14Where are you?
00:24:15There is a horse.
00:24:16THE END
00:24:46THE END
00:25:16THE END
00:25:46THE END
00:25:51THE END
00:25:56THE END
00:26:01THE END
00:26:06THE END
00:26:11THE END
00:26:16THE END
00:26:21THE END
00:26:26THE END
00:26:31THE END
00:26:36THE END
00:26:41THE END
00:26:46THE END
00:26:48THE END
00:26:53THE END
00:26:57THE END
00:27:02THE END
00:27:04THE END
00:27:06THE END
00:27:07THE END
00:27:12THE END
00:27:14THE END
00:27:16THE END
00:27:17THE END
00:27:18THE END
00:27:23THE END
00:27:24THE END
00:27:25THE END
00:27:26THE END
00:27:27THE END
00:27:32THE END
00:27:34THE END
00:27:36THE END
00:27:37Eternal sunshine.
00:27:51For darling?
00:27:53No, darling. Of course I'm not.
00:27:55I must say, I would like to feel a little English rain on my face again.
00:27:58Oh, that's a poor excuse.
00:28:01I'm glad we haven't let the play all our lives.
00:28:03It has been wonderful.
00:28:05And now it's like the end of the first chapter.
00:28:08First hurdle.
00:28:09What's that?
00:28:11Nothing, darling.
00:28:13First hurdle?
00:28:14Mm-hmm.
00:28:19Oh, I'm back in London.
00:28:20Yes, I noticed he was.
00:28:22They say his next trip is going to be the most important of his life.
00:28:30Wee, wee.
00:28:31I'm sorry, old man, but you should look where you're going.
00:28:35What's your name, eh?
00:28:37Another foreign problem.
00:28:39We've been going around so much, I'm always the language or two behind.
00:28:42Come and see Alma.
00:28:44Pedro.
00:28:47Yes, well, I knew we'd get at it.
00:28:49Now listen, Pedro.
00:28:51If ever I have a little boy like you,
00:28:54as I was saying, if ever we have a little boy like you,
00:28:58he won't have quite the same eyes.
00:29:00No, there'll be gray and deep with things going on behind him all the time.
00:29:03And his nose?
00:29:04No, his nose won't look quite like that either.
00:29:08It'll be just tilted up a little as if he wished the mouth wasn't quite so attractive.
00:29:13And his ears?
00:29:15Well, maybe they'll be a little cleaner.
00:29:18Maybe he won't look like his mother at all.
00:29:21Maybe he'll just look intelligent and interesting.
00:29:24Like his father.
00:29:25Yes, like his father.
00:29:27Gracias, senor.
00:29:34Ah, the mail.
00:29:35One for you, none for me, and none for Cousin Nanny.
00:29:49Some kitty.
00:29:50Can postmark.
00:29:51Can?
00:29:52Mm.
00:29:56Oh, they want us to go down there.
00:29:58Oh, listen.
00:29:59You two bells have honeymooned far too long.
00:30:02Why don't you come down here for a holiday?
00:30:04Yes, Jim.
00:30:04You ask about George.
00:30:06Well, at last I realized that what was wrong with him was his curiosity.
00:30:10These sunbathing beauties on the beach leave nothing to his imagination.
00:30:14So now he's turned to speedboat.
00:30:15He and Nick would have a lot of fun together.
00:30:17Oh, Judy, let's go.
00:30:21Oh, I thought you were tired of the sunshine.
00:30:24Oh, well, darling, it's different down there.
00:30:28Come on, just one more fling before we settle down.
00:30:31Settle down?
00:30:33Yes, dear.
00:30:33Yes, to work.
00:30:37All right, say, boy.
00:30:39You get it all out of your system.
00:30:42But let me go back to London to get the flat ready.
00:30:45Oh, darling, that's a perfectly horrible idea.
00:30:47Oh, Nick, listen.
00:30:48Without you to distract me, I'll get done every so much quicker.
00:30:51And then if I'm through in time, I'll join you.
00:30:54Would you do that?
00:30:55Mm-hmm.
00:30:55If I can, if I can't.
00:30:57Well, you just have to come back to your little domestic wife in your brand new home.
00:31:02And I don't want to be away from you, darling.
00:31:06Nick, what about the contract?
00:31:09The contract?
00:31:10The contract?
00:31:10The contract?
00:31:10Oh, yes, I've forgotten it.
00:31:12Does Kitty say anything about the cocktail regatta?
00:31:16I've won it the last two years.
00:31:17Yes, I know you have.
00:31:18But you mustn't go in for suicidal things now.
00:31:20I think I heard mention of a little word, contract.
00:31:25I don't ask you to go in for it with me, you know.
00:31:28Oh, but I'd rather.
00:31:29Then we'd both be killed together.
00:31:31But you being killed without me is that I object to.
00:31:34All right, darling, I won't.
00:31:36You win.
00:31:37You always do.
00:31:38Oh, then it's decided.
00:31:39You're going to Cannes, and I'm going to London.
00:31:42Well, I'll think about it.
00:31:46Oh, here's a post-script.
00:31:49There's a grand scandal abroad.
00:31:50And by abroad, I mean both.
00:31:52In the form of our lady, Stephanie.
00:31:56Who was fretting about your Stan's husband.
00:31:59Gee, how I love that dame.
00:32:00Maybe she'll bump into her.
00:32:02But it won't be your palsy-wellsy kitty that takes the bump.
00:32:11Ready, Blanche?
00:32:12Well, let's go.
00:32:13Have a good one.
00:32:17It was very nice.
00:32:18Sit down.
00:32:19Well, that's good.
00:32:20Good job.
00:32:21Good job.
00:32:21Good job.
00:32:23Good job.
00:32:23The End
00:32:53Hey, don't be afraid.
00:33:03Well?
00:33:05You can have your laugh, Kitty. You're right.
00:33:07I'm hopeless. Lovesick.
00:33:09I just want Judy to come.
00:33:11Alas, Nicholas Randall, the great lover,
00:33:13has dwindled into a mere husband.
00:33:15Well, can't the washout without Judy. Anyplace would be...
00:33:19Scandal!
00:33:23Look what I found.
00:33:25What a delightful surprise.
00:33:27When did you arrive?
00:33:28This morning.
00:33:29Hello, Nick.
00:33:30Hello, Stephanie.
00:33:31She made the trip over the mountains from Samaritz all by herself.
00:33:34Drove all night. It's pretty good, eh?
00:33:36I suppose her John is coming along with the rest of the baggage?
00:33:39No. He's still in London, as far as I know.
00:33:42Old Mama and Papa Drayton are going to take good care
00:33:45of all these lonely little husbands and wives.
00:33:48Now let's all have dinner together.
00:33:50But, George, darling, tonight is our dinner with Aunt Agatha.
00:33:52She'll be terribly hurt if Nick doesn't come.
00:33:54And you know how Aunt Agatha is.
00:33:56Who on earth is Aunt...
00:33:58Oh, Aunt Agatha. Of course.
00:34:01Well, in that trip...
00:34:05Been down here long?
00:34:06A few days.
00:34:07Enjoying it?
00:34:08Yes.
00:34:10George tells me your wife isn't ready to go.
00:34:12No, but she's coming.
00:34:13Oh?
00:34:14George didn't tell me?
00:34:15No, I didn't tell George.
00:34:23Thanks.
00:34:25Okay.
00:34:40Okay.
00:34:53George.
00:35:06George.
00:35:10George.
00:35:36George.
00:35:39My dear Nick, you don't suppose any grown woman ever meant those ideas?
00:35:44Yes, I do.
00:35:47How nice and boyish.
00:35:51They're very clever ideas.
00:35:54Clever?
00:35:55They got you.
00:36:04No, you're wrong Stephanie.
00:36:07Judy's the most sincere person I've ever met.
00:36:10In that case, you're as free as the air.
00:36:14Must be very nice to realize you won't be letting Judy down.
00:36:18Whatever you do.
00:36:19I can't understand Nick.
00:36:20Why won't you enter for the race?
00:36:21I promised Judy I wouldn't.
00:36:22Hello.
00:36:23Oh hello.
00:36:24Oh hello.
00:36:25I hope we're not intruding.
00:36:26Hello George.
00:36:27There's a telegram that came early this morning.
00:36:28Oh thank you George.
00:36:29Would you excuse me?
00:36:30Of course you're coming to watch your husband.
00:36:31But my cocktail regatta this afternoon.
00:36:32Oh how lovely.
00:36:33I didn't know I was invited.
00:36:34Well suddenly you must come.
00:36:35Judy is not coming.
00:36:36No.
00:36:37Why?
00:36:38She's doing the flash.
00:36:39Must be nice to have such a domestic little wife.
00:36:41I'm sure she's not coming.
00:36:42You're coming.
00:36:43I'm not going to go.
00:36:44You're coming to watch your husband.
00:36:45I'm not going to go.
00:36:46She's coming to watch my wedding.
00:36:47Oh how lovely.
00:36:48I didn't know I was invited.
00:36:50Well certainly you must come.
00:36:55Judy's not coming.
00:36:56No.
00:36:58Why?
00:36:59She's doing the flash.
00:37:00Why?
00:37:02She's doing the flash.
00:37:04Must be nice to have such a domestic little wife.
00:37:06Only you can't be sure.
00:37:10What do you mean?
00:37:12Well, with her ideas and sincerity.
00:37:17Just among friends, I'll tell you who's going to win the race this afternoon.
00:37:20Who?
00:37:20I am. I've been practicing it.
00:37:21Yes, the cocktail pot.
00:37:24If you want to make some money, take a tip.
00:37:26Straight from the shaker's mouth.
00:37:28Well, you stand a sporting chance.
00:37:30Now that the great Nick's a non-starter.
00:37:32Who says I am?
00:37:33George, you'll need all the practice you can get because you're going to get some real competition.
00:37:37Nick, you're not entering.
00:37:39Watch me.
00:37:40That's a challenge.
00:37:40I love challenges.
00:37:41Come on.
00:37:42Let's get to work with Nick.
00:38:00Ladies and gentlemen, you're about to witness the most astounding display of violence known as a cocktail regatta.
00:38:17Hooray!
00:38:18Hooray!
00:38:19Now the object of this race is suicide.
00:38:22Hooray!
00:38:23Hooray!
00:38:24The competitors line up here at the bar.
00:38:28They swallow their cocktails, but not the glasses.
00:38:31Hooray!
00:38:32They swim out to their boats, and they start up the motors with that.
00:38:38Then they make for Jean-le-Pin.
00:38:40At the raft there, they pick up more cocktails.
00:38:43Hooray!
00:38:44Yes, they do.
00:38:45Then they head across to the islands, where, if still conscious, they have yet more cocktails.
00:38:52Hooray!
00:38:53And from there, they head back to the finish here, if there is any.
00:38:58Hooray!
00:38:59And let there be no moaning at the bar when they put out to sea.
00:39:04Hooray!
00:39:05Hooray!
00:39:06Hooray!
00:39:07Thank you very much.
00:39:08Come along, you maniac.
00:39:09Hooray!
00:39:10Hooray!
00:39:11Hooray!
00:39:12Good luck.
00:39:13Mind you, we're Nick.
00:39:14What are your cocktails?
00:39:16Hello, hello, hello.
00:39:18Yes, there's one more thing.
00:39:20Owing to the fact that Mr. Nicholas Randall has won this race so easily for the last two seasons,
00:39:26this time he's going to be specially handicapped with four cocktails.
00:39:31Hooray!
00:39:33Hooray!
00:39:34Mr. Barretti has two, and the rest, one.
00:39:38Hooray!
00:39:39And quite enough, too.
00:39:40Hooray!
00:39:41More drinks for me, too.
00:39:42I'm as good a man as he is.
00:39:43All right, all right, all right.
00:39:45Four cocktails for Mr. Drayton.
00:39:47Hooray!
00:39:48Hooray!
00:39:49Hooray!
00:39:50And may he keep his handicap down.
00:39:52Hooray!
00:39:54Now, come on.
00:39:55I shall count three.
00:39:57Are you ready?
00:39:58One.
00:39:59Two.
00:40:00Three.
00:40:01Go!
00:40:02Two.
00:40:03Three.
00:40:05Three.
00:40:05More dogs!
00:40:08Two.
00:40:09Two.
00:40:10One.
00:40:11Two.
00:40:13Two.
00:40:14Four.
00:40:15Two.
00:40:16Two.
00:40:17Two.
00:40:18Two.
00:40:20Four.
00:40:21Three.
00:40:22Two.
00:40:23Three.
00:40:24Two.
00:40:25Five.
00:40:26Two.
00:40:27Two.
00:42:08George!
00:42:22Where is George? Where is he?
00:42:30Oh, he got the raft already!
00:42:32Oh, no!
00:42:37Nick, you're up now!
00:42:57Come on, George!
00:42:59Goodbye, Nick!
00:43:03Goodbye, George!
00:43:04Give him this!
00:43:14Come on, George!
00:43:15Come on, George!
00:43:16Come on!
00:43:23Come on, George!
00:43:25Come on!
00:43:27Come on!
00:43:32Let's go.
00:44:02George.
00:44:18To the villa, quick.
00:44:25Oh, please, take us to the hotel, quickly.
00:44:31Oh, George, dearest.
00:44:33Are you hurt?
00:44:34I'm all right, Kitty.
00:44:36Well, a fine mess you made of things, didn't you?
00:44:40Ah, Kitty.
00:44:41I told you you shouldn't drink all those cocktails.
00:44:43I suppose you think you're a hero, just because you weren't killed.
00:44:46I suppose you weren't killed.
00:44:53Oh, George.
00:44:54George, come here.
00:44:55George, come here.
00:45:00George, come here.
00:45:01George, come here.
00:45:02George, come here.
00:45:07What's all the pennies?
00:45:08Judy's calling Nick from London.
00:45:10Well?
00:45:11Well, they told her Nick was out and she wants to talk to me.
00:45:14Why don't you?
00:45:15Well, I can't tell her that.
00:45:16Tell Mrs. Randall that we're out and you've left a message for me to call her.
00:45:21Oh, George.
00:45:22Oh, George.
00:45:23George, come here.
00:45:24George, come here.
00:45:25George, come here.
00:45:26George, come here.
00:45:27George, come here.
00:45:28George, come here.
00:45:29George, come here.
00:45:30George, come here.
00:45:31George, come here.
00:45:32He's not going to be moved.
00:45:33I mean, it's the penics.
00:45:34Judy's calling Nick from London.
00:45:35Well.
00:45:36Well, they told her Nick was out and she wants to talk to me.
00:45:37Why don't you?
00:45:38Well, I can't tell her that.
00:45:40Tell Mrs. Randall that we're out and you've left a message for me to call her.
00:45:43Oui, madame.
00:45:45What in the world am I going to tell her?
00:45:48I can't tell her that Nick was at Stephanie Villa all night.
00:45:50What's wrong with that?
00:45:51Anyway, the doctor said he shouldn't be moved.
00:45:53No.
00:45:54Don't you drag the doctor into this.
00:45:56Well, the doctor did say it.
00:45:59Anyway, it's a large villa.
00:46:01Oh, you men, you certainly amazed me.
00:46:14Here the expedition lost its way and stopped to procure a guidebook.
00:46:17Yes, Frank Buck, go on.
00:46:19But had to retire quickly before the dangerous advances of the inhabitants.
00:46:23Under the shelter of a heathen obelisk.
00:46:26Heathen?
00:46:27Where we took refuge disguised as a zebra.
00:46:30Oh, Nick, you're crazy.
00:46:33Among the petrified mermaids we found a fresh one.
00:46:36That awful. What do you mean fresh?
00:46:39Imagine our horror when we found the streets of this town flooded with water.
00:46:43Oh, Venice, what a divine place.
00:46:46An oasis after an interminable half hour of drought.
00:46:50This is where we very nearly didn't bring you back alive.
00:46:53How many of those did you have?
00:46:54Oh, about eight.
00:46:56Oh, what's happened?
00:46:58This treacherous beast uses a strange mode of transportation, most puzzling to those in pursuit.
00:47:02He put it upside down.
00:47:03Wrong.
00:47:09No, thank you, we don't want a guide.
00:47:10No, thank you.
00:47:11We don't want a guide.
00:47:13Don Pedro.
00:47:14In Spain.
00:47:15Who taught me a thing or two.
00:47:16Here I left my courageous little wife and went on alone.
00:47:20Can.
00:47:21Can.
00:47:22Oh, what's this?
00:47:23The can DT's, dear.
00:47:24Why, George has got them.
00:47:26And how?
00:47:27What is he?
00:47:28Oh, what a fool.
00:47:29Oh, what is that?
00:47:30Oh, really?
00:47:31I'm for training.
00:47:32Is that you, Nick?
00:47:33Yes, I think it is, dear.
00:47:34Who's the girl?
00:47:36Um, what'd you say, DT?
00:47:37Who's the girl?
00:47:39Uh, what'd you say, DT?
00:47:42Who's the girl?
00:47:45Oh, Uncle.
00:47:46Yes, I think it is, dear.
00:47:48Who's the girl?
00:47:50Um...
00:47:52What, you say, dear?
00:47:53Who's the girl?
00:47:55Oh, Uncle.
00:47:57Marth! Marth!
00:47:59You didn't see a bit of it.
00:48:01Sorry, my dear, but whenever I sit down nowadays, I drop off.
00:48:05It's all this exercise.
00:48:07I've noticed what a lot you're thinking.
00:48:09I don't celebrate my first visit to your new home every day.
00:48:14My own business, anyhow.
00:48:16Oh, to heaven's the time.
00:48:18Goodbye, my dear.
00:48:20Sorry to have to take Nick away tomorrow,
00:48:23but I'm off for a month's holiday,
00:48:25and I always leave everything to him.
00:48:27Mm-hmm. You're quite right.
00:48:29Have a granddad.
00:48:31Why don't you come to Stony Hatch with me, Julie?
00:48:33I'd love to, but I can't.
00:48:35Why not? It's only just for one night.
00:48:37Mm-mm.
00:48:38What's all the mystery?
00:48:39Ask me no questions.
00:48:41Get down tomorrow as early as you can.
00:48:43I'll be up at the crack of dawn.
00:48:49Well, goodbye, my dear.
00:48:51Goodbye.
00:48:52Yes, and by the way, a darn good dinner.
00:48:54Darned well served.
00:48:56Put it a bit heavy, though.
00:49:04How about showing me the rest of the pictures?
00:49:06Oh, darling, there aren't very, very many more.
00:49:08I think I ought to go to bed now, don't you?
00:49:10I've got to get up soon.
00:49:11All right.
00:49:12Come in.
00:49:13In a minute.
00:49:14Mary.
00:49:15Mary.
00:49:16Yes, ma'am.
00:49:17I want you to telephone Mr. Plance boy early in the morning.
00:49:20You can tell him I'll give him two extra hours if he promises to finish the portrait.
00:49:23Yes, ma'am.
00:49:24And there'll only be one for lunch and dinner.
00:49:25Yes, ma'am.
00:49:26Yes, ma'am.
00:49:31Darling!
00:49:32There was nothing to stand with a lovely surprise.
00:49:35I'm awfully glad you weren't there, that you had such a marvelous time.
00:49:39Yes.
00:49:40Oh!
00:49:41Can't tell me half enough about it.
00:49:42Who is there?
00:49:43I mean, does that see in yours?
00:49:45Judy, Judy, I've got something to tell you.
00:49:57There was somebody else there.
00:49:59I didn't know she was going to be there or I shouldn't have gone.
00:50:01I swear I couldn't.
00:50:02Wait a minute.
00:50:03I can't hear a single word.
00:50:07What's the girl out about?
00:50:11It wasn't anything, dear.
00:50:13Wait, I'll be out in a minute.
00:50:43Isn't it wonderful to have such a vivid reminder of our honeymoon?
00:50:48You know, I can almost hear the same sounds and catch the same sense.
00:50:53If ever we feel romance, this thing away from us.
00:50:58I mean, in a thousand years from now.
00:51:00We can always run them again.
00:51:02Judy, you do know I love you, don't you?
00:51:06Why, of course I do, silly.
00:51:09Bless you.
00:51:22Bless you.
00:51:39I was awfully pleased you wanted me with you in Cannes.
00:51:42I would have loved to have seen the boat race.
00:51:49But it did seem important to get the flat ready.
00:51:55It is nice, isn't it?
00:51:58Yes.
00:51:59Grand, darling.
00:52:00Still now, I almost feel as if I had been with you.
00:52:05Oh, I wish the heaven you had been.
00:52:07What did?
00:52:11Judy.
00:52:12It's no good, Judy.
00:52:13I can't rest till I've told you.
00:52:14It's been terrible for me.
00:52:15But, Nick, darling, why?
00:52:16Judy.
00:52:29It's no good, Judy. I can't rest till I've told you.
00:52:32It's been terrible for me.
00:52:33But Nick, darling, why?
00:52:36Down at Cannes, Stephanie was there.
00:52:39I don't want to make excuses, but I was also disappointed that you didn't come
00:52:43when I went into that Ritchie cocktail race.
00:52:44And I had a heap of cocktails.
00:52:47And then the crash.
00:52:50And she was there.
00:52:54Stephanie, I mean.
00:52:57And they took me out to her villa.
00:52:59It was the last night.
00:53:02And I stayed there.
00:53:12Judy, say something.
00:53:14What do you expect me to say?
00:53:18Do you expect me to cry?
00:53:21Or scold?
00:53:23Or make a scene?
00:53:28Well, I didn't know what to expect.
00:53:32I just have to tell you.
00:53:38Judy, say you'll forgive me.
00:53:40I do.
00:53:40I do.
00:53:45I forgive you.
00:53:48Judy.
00:53:52Judy, my dear.
00:53:56Darling, it doesn't make me love you any the less.
00:54:00In fact, I love you more.
00:54:01I'd give anything in the world for it not to have happened.
00:54:06And I'm, I'm dreadfully sorry.
00:54:09And what more can I say?
00:54:14I want you to say no more.
00:54:17It was nice of you to have told me.
00:54:20Let's forget.
00:54:22Let's not remember that it ever happened.
00:54:25It's past.
00:54:26Judy, you do know I love you, don't you?
00:54:31Well, it's because.
00:54:32I love you.
00:54:59Judy?
00:55:03Judy, what is it?
00:55:06What are you thinking?
00:55:09About the things that happened while you were away.
00:55:14Mr. Ronson wanted us to dine with him.
00:55:18Did you go?
00:55:20No.
00:55:21I was too busy with the slats.
00:55:25The slats finished, now.
00:55:29I have been talking and talking to you, Judy, trying to get your mind off your troubles
00:55:58when you have not heard a word.
00:56:02I've been here, and here, and here.
00:56:10And about all the rest of it, I know practically nothing.
00:56:13But I know more about that than I do about what's in here.
00:56:16I know.
00:56:31Judy?
00:56:32Darling, you're behind your husband.
00:56:36Good evening, sir.
00:56:38Mrs. Ramos is out.
00:56:39She wasn't expecting you back until tomorrow.
00:56:41Oh, she's out. Any idea where she is?
00:56:46Yes, sir. She's down here with a Mr. Ronson.
00:56:55All right, Mary, thank you.
00:56:56Have you had any dinner?
00:56:58No, I don't want to, thank you.
00:57:11Do you remember saying jealousy is a wild beast?
00:57:14Yes.
00:57:15I hope you've forgotten that I said it would be on me because it isn't.
00:57:18My heart's mad with jealousy and my head says it oughtn't to be.
00:57:21And I'm being torn to pieces between the two.
00:57:24You mean you want to hurt Nick as much as he has hurt you?
00:57:27Oh, I don't want to hurt Nick. What good would that do?
00:57:31Well, an eye for an eye and a tooth for a tooth is what most people believe.
00:57:35I know it was the first thing I felt, but I hope I've got beyond that.
00:57:41I want to know myself and how to face this.
00:57:49Nick says it hasn't changed him, that he even loves me more.
00:57:54Can that be true? How can I know?
00:58:00If I were to do what Nick has done and still love him, then I could believe him.
00:58:04And if I came to love someone else, then he wouldn't have the power to hurt me like this.
00:58:09But where would be my marriage and everything that I've planned for?
00:58:24Oh, but it is easy enough to give advice when one's own heart is not involved.
00:58:28I am sorry I said that. I meant never to say it.
00:58:32Tomorrow I shall be gone.
00:58:34I meant that you should never know.
00:58:36I'm glad you said it.
00:58:38My ship sails in the morning.
00:58:39If you want me to stay, it sails without me.
00:58:40My days of searching are over.
00:58:41My ship sails in the morning.
00:58:42If you want me to stay, it sails without me.
00:58:43My days of searching are over.
00:58:44My days of searching are over.
00:58:45I am sorry I said that.
00:58:46I am sorry I said that.
00:58:47I meant never to say it.
00:58:48I am sorry I said that.
00:58:49I meant never to say it.
00:58:50Tomorrow I shall be gone.
00:58:51I meant that you should never know.
00:58:52I am glad you said it.
00:58:53My ship sails in the morning.
00:58:54If you want me to stay, it sails without me.
00:58:55My days of searching are over.
00:58:57I must be alone for a little.
00:59:22I must be alone for a little.
00:59:26I'll go home for a little.
00:59:36Perhaps I'll come back and...
00:59:38If you don't come back, then, my dear, I must know you are happy.
00:59:43You can. Whatever my decision.
00:59:56The Lady may return. I am not at home to anybody else.
01:00:14Jawohl.
01:00:19Number 10, Palm Street, Governor?
01:00:21Yes, it'll do.
01:00:22Wait.
01:00:23Hold on.
01:00:26Mr. Ronson, please?
01:00:37Mr. Ronson is not in, sir.
01:00:38But he is in.
01:00:39No, sir.
01:00:41But I know he's in. There's a lady dining with him.
01:00:43There's no one in, sir.
01:00:56Come here.
01:00:57No.
01:01:09No.
01:01:11No.
01:01:12No.
01:02:21Well, we've had a nice quiet evening, Governor.
01:03:51Oh, Nick, you frightened me.
01:03:56I didn't expect you back to lunch.
01:04:01Came back last night.
01:04:05Oh, Nick, you frightened me.
01:04:08I didn't expect you back to lunch.
01:04:12Came back last night.
01:04:15Yeah, you didn't expect me to go back.
01:04:18Last night? When?
01:04:22Before dinner.
01:04:23Before dinner?
01:04:25Good morning now. Why are you up?
01:04:27I haven't been to bed.
01:04:28Why not me?
01:04:30You were with Ronson.
01:04:32I had dinner with him.
01:04:34But you've only just got back from Ronson.
01:04:36I haven't. I left him before midnight.
01:04:39That's not true.
01:04:41It is true.
01:04:43Then what have you been doing?
01:04:45Walking and riding around.
01:04:46That's a very good story, dear.
01:04:48You might have thought of something a little bit better than that.
01:04:50But you must believe there are things I wanted to think about
01:04:52and make up my mind about, and I have.
01:04:54Then why did you go to Ronson?
01:04:55Oh.
01:04:56I suppose he didn't make love to you by any chance.
01:04:58Did he?
01:05:00Will you swear he didn't?
01:05:01You wouldn't come to Stony Hedge.
01:05:02There was all that mystery.
01:05:03I suppose you thought I was out of the way.
01:05:04Nick, you're not being fair.
01:05:05When you told me about Stephanie, I didn't make a scene.
01:05:06I tried to understand.
01:05:07I'm trying to live up now to the things we agreed on.
01:05:08And I want to go on doing that.
01:05:09Now we're getting at it.
01:05:10Now we're letting you talk about Ronson.
01:05:11You've had your revenge.
01:05:12All right, I see.
01:05:13Unless it wasn't for the first time.
01:05:14You will not have your revenge.
01:05:16Anh you...
01:05:17Sorry.
01:05:18Well you're...
01:05:19Why do you甚麼よ?
01:05:20Ah, could you make it?
01:05:21There wasn't one.
01:05:22Birthday.
01:05:23Follow me.
01:05:24Well you say...
01:05:25Suddenly, dear.
01:05:26The 000 kyyo...
01:05:27What you think?
01:05:28Yes, didn't you?
01:05:29What you think?
01:05:30What happened to you?
01:05:31What happened to you?
01:05:32A Yokai.
01:05:33Well you have someone at questions?
01:05:35I didn't...
01:05:36Get 45 minutes.
01:05:37Well, dear...
01:05:38time. Maybe that's why you wouldn't come to Cannes. Oh, you have no right to speak to me like that.
01:05:44No right. And even if it were true, it's only what you did. I hate you.
01:06:08Did I tell you, Herr Ronson is not here, sir. Well, I'm going to wait till he gets back.
01:06:22When do you expect him? In about two years. He's sailing this morning for the Arctic.
01:06:31Are you sure the boat sailed yet? Can you find out, please? I will try.
01:07:03The boat has sailed.
01:07:08Oh, Judy. Isn't it grand? I'll bet Nick just loves it. He hasn't seen it.
01:07:23Hasn't seen it? Well, he's been back a month. He hasn't been here since the night he came back from Cannes.
01:07:29Oh, then I was right. How did you find out? He told me. He told you? A fool. Are all men as dumb as George? Oh, but Judy, I haven't broken for good, have you?
01:07:42No, no. He's coming here this afternoon. As a matter of fact, I thought it was Nick when you came. Tell me all about it.
01:07:46Well, I'd rather not talk about it. Oh, don't be mean. Judy, that's Nick. Now, Judy. Come and see me soon, Judy.
01:07:57Now, remember, injured wife, not doormat. Don't let him off too easily. Make him suffer. Make him give till it hurts.
01:08:02Goodbye. Bye. Oh, Lord Portland. Why, Uncle. Oh, this is a surprise. How do you do, and goodbye?
01:08:08It's all right, Judy. I can find my way out. Oh, but I'd give my shirt if I could stay.
01:08:16Uncle. Judy, what on earth happened between you and Nick?
01:08:19I got back to Stony Hedge last night and found the whole place upside down.
01:08:24Jackson tells me that Nick's been there alone for a month acting like a maniac.
01:08:29Car wrecked, aeroplane smashed, lame two of me best hunters. The whole county's talking about it.
01:08:35Why, the boy's off his head. What on earth's happened, eh? Hmm? Shall I come back later?
01:08:42Nick, how on earth did you get here? That's just Stony Hedge two hours ago.
01:08:46I drove up. It's just a hundred miles. Anyway, here I am.
01:08:51Well, I don't know why. What do you mean, don't know why?
01:08:53A letter from Judy asking me to come and see her. Perhaps she'll explain.
01:08:58Yes, I'll explain. But it isn't easy. I... I'd rehearse the little speech. But it was to Nick alone.
01:09:04Like me to go? No, I'd rather you stayed. It'd be easier.
01:09:10Nick, I want you to congratulate Uncle. He's going to be a granduncle.
01:09:14Of course he's a granduncle to anybody, but now he's going to be a real granduncle to somebody.
01:09:21Me? A granduncle? To a child of yours? Three of them. Four of us. Champagne. Got any?
01:09:32Yes, I have some... Yeah, Mary! Jane! Herriot! What's your name?
01:09:37All right, Father Gill. Never can find a minute of them.
01:09:40All right, Father Gill.
01:09:56As if I drink the health of a new portly in anything but the 21.
01:10:00Here, come on, you two.
01:10:02There. Now to my heir, the future master of Stony Hedge. Judy, it's a boy.
01:10:12I hope so, and I hope it'll look just like Nick.
01:10:14The very image of his father.
01:10:17Nick, don't look like that. I know what you're thinking.
01:10:20Put it out of your mind. Please put it out of your mind.
01:10:23Nick! Judy! What's the matter with you two?
01:10:26Here, Nick! What is it?
01:10:32It's been my fault.
01:10:33No!
01:10:34Will you please let me tell this my own way?
01:10:36Tell it how you like, only tell it.
01:10:38I went to Cannes.
01:10:39Well?
01:10:40Well, Stephanie was there.
01:10:41Stephanie? You and Stephanie?
01:10:45Yes.
01:10:46Upon my soul, Nick. Now I understand why you were alone at Stony Hedge.
01:10:51Good heavens, boy!
01:10:53No. I'm too old to preach.
01:10:57You sent for him. And you'll forgive him.
01:11:00I have forgiven him.
01:11:02Forgiven? She's done the same.
01:11:12Nick, will you never believe me?
01:11:15How can I?
01:11:16Then I shan't ask you again.
01:11:21If you'll never believe it's your child, then I don't want it to be.
01:11:23It's mine. That's all I care about now.
01:11:26It's hopeless.
01:11:27You're right. It is hopeless.
01:11:28I thought this would bring us closer together.
01:11:30It hasn't. It's taken us further apart.
01:11:32Out of reach. Out of reach.
01:11:34Out of reach.
01:11:41If only I didn't love her so much.
01:11:53Judy. Come in.
01:11:54Hello, George.
01:11:56Why, what's wrong?
01:11:58You look terrible. Where's Kitty?
01:11:59Oh, I thought she'd be here.
01:12:02But she was going to see you.
01:12:04She left me over an hour ago.
01:12:13Judy.
01:12:14What are you doing here?
01:12:16Not come to you and George.
01:12:18Did anything go wrong?
01:12:20Everything.
01:12:21Oh, my dear.
01:12:22No, please don't sympathize with me.
01:12:23I couldn't bear it.
01:12:32Only I didn't love him so much.
01:12:36Oh, good heaven.
01:12:37What's the matter?
01:12:38I forgot all about it.
01:12:42Hello?
01:12:43Yes, this is Kitty.
01:12:45Yes, we're here, but...
01:12:48She hung up.
01:12:49Who is it?
01:12:50Well, I met her down in the lounge just now
01:12:51and she said she wanted to see us.
01:12:53So I said, come up.
01:12:54Then seeing Judy and hearing what you had to say
01:12:56put her completely out of my mind.
01:12:58Who's her?
01:12:59Stephanie.
01:13:00Stephanie?
01:13:01She mustn't come up here.
01:13:02That's what I'm saying, but she's coming.
01:13:04We have to get Judy away.
01:13:05It's too late.
01:13:06You go out in the hall and stop her.
01:13:07What am I going to do with her?
01:13:08Anything you like.
01:13:09What I don't like.
01:13:10What am I going to say?
01:13:11Now, George, Drayton,
01:13:12any time you don't know what to say.
01:13:16Come in.
01:13:19I hope I'm not in, Judy.
01:13:21Certainly not.
01:13:22Hello, George.
01:13:23How are you?
01:13:24Fine, thanks.
01:13:26I wanted to see you both particularly.
01:13:28It's about what happened in Cannes.
01:13:30You remember?
01:13:31The cocktail regatta.
01:13:32The accident.
01:13:34Well, Nick was brought up to my villa.
01:13:37George, the way you keep looking at that door,
01:13:38anyone would think you'd nick himself in there.
01:13:41No, it isn't Nick.
01:13:43Who is it then?
01:13:45Well, Stephanie, you may as well know.
01:13:46It's Judy.
01:13:48Splendid.
01:13:50I wanted to see her, too.
01:13:52Now, look here, Stephanie.
01:13:53It's no good seeing Judy now.
01:13:54She and Nick are...
01:13:56Well, she's terribly upset.
01:13:58Don't you think you'd better go?
01:14:01Please.
01:14:02I'm sorry, but as I've got to see her,
01:14:05we may as well settle things now.
01:14:07I suppose I ought to apologize for intruding like this.
01:14:23But there's something important to be settled between us.
01:14:26It's about Nick.
01:14:27It's about Nick.
01:14:29Yes.
01:14:31My husband's consented to give me my divorce.
01:14:34Because of Nick.
01:14:36Will you do the same for him?
01:14:38So that Nick and I can be married?
01:14:41If I'd been free,
01:14:43I wish to have been married long before you ever arrived in England.
01:14:46So I'm the intruder.
01:14:48Why not?
01:14:49My happiness is just as important to me as yours is to you.
01:14:53I love Nick desperately.
01:14:56I was married.
01:14:57Why knew anything to a man who knows nothing of love?
01:14:59You mean go on.
01:15:00Why not?
01:15:01You're wasting your time.
01:15:02I beg your pardon?
01:15:04You're standing there begging for what I'll offer you with both hands.
01:15:11There's only one thing I want now, and that's to be done with the whole thing.
01:15:14To have finished with you all.
01:15:15To go back to America and my own life and work.
01:15:17Yes, I'll divorce, Nick.
01:15:20You're being very generous.
01:15:21No, you're giving me something I can wipe the slate clean with and forget.
01:15:26No, not forget.
01:15:29You've won.
01:15:31But I haven't lost.
01:15:33There'll be someone with me
01:15:35to remind me of all the happiness I've had with Nick.
01:15:40Nick's child.
01:15:47You must hate me.
01:15:57It's a temptation.
01:15:59I'm trying to resist it.
01:16:02But I've got to get rid of hate.
01:16:04I don't hate Nick.
01:16:06Someday I shan't hate you.
01:16:08No, I shan't hate you.
01:16:09No, I can't take you.
01:16:11No, I can't take you.
01:16:12Anything...
01:16:13No, I can't take you.
01:16:14The End
01:16:16THE END
01:16:46THE END
01:16:47THE END
01:16:48THE END
01:16:49THE END
01:16:50THE END
01:16:51THE END
01:16:52THE END
01:16:53THE END
01:16:54THE END
01:16:55IT'S HOPELESS
01:16:56I WARNED YOU IT WOULD BE
01:16:57SEEING IT AGAIN AFTER ALL THIS MOST IS UNBEARABLE
01:16:59IT WILL ALL BE OVER NOW IN A FEW MINUTES
01:17:01I CAN'T BEAR IT
01:17:03I GIVE ANYTHING IN THE WORLD NOT TO LOSE IT, DO YOU UNDERSTAND?
01:17:05YOU MUST DO SOMETHING, ANYTHING, I DON'T CARE, BUT STOP THIS DIVORCE
01:17:08YOU KNOW THERE IS ONLY ONE WAY
01:17:10IF THERE IS STILL TIME
01:17:12ALL RIGHT, SOMETHING, ANYTHING
01:17:14HOW CAN YOU STOP IT NOW?
01:17:17IN ENGLISH LAW
01:17:18WHERE BOTH PARTS HAVE BEEN UNFAITFUL
01:17:19A REVORCE IS EXTREMELY DOUBTFUL
01:17:21AND IN THIS CASE
01:17:22I FEEL SURE WOULD NEVER BE GLADFUL
01:17:23WHY?
01:17:25I UNDERSTAND, MR. BRADLEY, THAT LADY
01:17:29STEFANIE FITZ MORRIS IS NOT DEFENDING THESE PROCEDES
01:17:32FROM THE EVIDENCE OF MRS. RANDALL
01:17:35AND THE OTHER WITNESSES
01:17:36WHICH I HAVE HEARD SO FAR
01:17:38I AM SATISFIED THAT THE HUSBAND
01:17:40HAS BEEN GUILTY OF UNFAITHFULNESS
01:17:42OF COURSE, YOU CAN CROSS EXAMINE THE WITNESS
01:17:44IF YOU SO CHOOSE
01:17:46NO, MY LORD, UNDER THE CIRCUMSTANCES
01:17:48I HAVE NO FURTHER QUESTIONS
01:17:54THANK YOU, MR. RANDALL
01:17:55YOU CAN LEAVE THE BOX
01:17:57OH, ONE MINUTE
01:17:58YES, MR. BRADLEY
01:18:00MAY I HAVE A MOMENT, MY LORD
01:18:10MY LORD, I HAVE AN IMPORTANT PIECE OF EVIDENCE
01:18:12TO PUT TO THE PETITIONER
01:18:14MAY I HAVE LEAVE TO ASK HER ABOUT IT?
01:18:16VERY WELL
01:18:17WILL YOU PLEASE REMAIN
01:18:23I TAKE IT, MRS. RANDALL
01:18:24YOU ARE ABSOLUTELY DETERMINED
01:18:25TO GO FORWARD WITH THESE PROCEEDINGS?
01:18:27YES
01:18:29VERY WELL
01:18:32CAN YOU CARRY YOUR MIND BACK
01:18:33TO THE EVENING OF MAY THE 15TH?
01:18:37MAY THE 15TH?
01:18:39DID YOU SPEND THAT EVENING
01:18:40IN THE ROOMS OF MR. IVAN RONSON?
01:18:46YES
01:18:47YOU DID?
01:18:51DID YOU ON THAT EVENING
01:18:52DRIVE YOUR CAR THERE YOURSELF
01:18:54AND LEAVE IT OUTSIDE THE HOUSE?
01:18:56YES
01:18:58WHAT TIME DID YOU ARRIVE THERE?
01:19:01ABOUT 8 O'CLOCK
01:19:02IN THE EVENING?
01:19:04YES
01:19:05WHAT TIME DID YOU DRIVE YOUR CAR AWAY?
01:19:08YES
01:19:10BUT I LEAVE...
01:19:11ANSWER MY QUESTION PLEASE
01:19:12WHAT TIME DID YOU DRIVE YOUR CAR AWAY?
01:19:18WOULD IT SURPRISE YOU TO LEARN
01:19:19THAT YOUR HUSBAND SAW YOUR CAR
01:19:21OUTSIDE MR. RONSON'S HOUSE
01:19:22AT 3 O'CLOCK ON THAT MORNING?
01:19:27IT OBVIOUSLY DOES SURPRISE YOU
01:19:28WOULD IT SURPRISE YOU?
01:19:30WOULD IT SURPRISE YOU FATHER TO LEARN
01:19:31THAT EARLIER THAT EVENING
01:19:32ABOUT 12 O'CLOCK
01:19:33YOUR HUSBAND RANG THE BELL
01:19:35OF THIS HOUSE
01:19:36AND WAS INFORMED BY A SERVANT
01:19:38THAT NOBODY WAS IN
01:19:39AND THE DOOR WAS SLAMMED IN HIS FACE
01:19:42NOW MR. RONSON
01:19:43WHAT TIME DID YOU DRIVE YOUR CAR AWAY?
01:19:46ABOUT 7 O'CLOCK
01:19:47ON THE FOLLOWING MORNING?
01:19:49YES
01:19:50YES
01:19:53WOULD YOU PLEASE HAND THIS LETTER
01:19:54TO THE WITNESS?
01:20:01IS THAT NOTE IN YOUR HANDWRITING?
01:20:04YES
01:20:07DID YOU WRITE IT TO MR. RONSON?
01:20:10YES
01:20:11WOULD YOU PLEASE READ THAT NOTE
01:20:12TO HIS LORDSHIP?
01:20:16MUST I?
01:20:18READ IT PLEASE
01:20:20READ IT
01:20:25GOODBYE IVAN
01:20:26I'M PROUD TO HAVE HAD YOUR LOVE
01:20:27I SHALL NEVER FORGET OUR LAST NIGHT TOGETHER
01:20:28JUDY
01:20:32MILORD
01:20:33I PROTEST
01:20:34I HAVEN'T EVEN SEEN A COPY OF THIS NOTE
01:20:36LET ME SEE IT PLEASE
01:20:37DO YOU ADMIT THIS IS WRITTEN BY YOU?
01:20:50YES
01:20:51WHEN?
01:20:53IN THAT MORNING
01:20:54AFTER YOU SPENT ALL THAT TIME IN THIS MAN'S ROOM?
01:20:56BUT I WASN'T THERE
01:20:58NOT THERE?
01:20:59NOT ALL THE TIME
01:21:01BUT YOU ADMIT THAT YOUR CAR WAS THERE ALL NIGHT?
01:21:02YES
01:21:04WHERE WERE YOU?
01:21:09WALKING ABOUT LONDON?
01:21:11I DON'T KNOW WHERE
01:21:12ALL NIGHT?
01:21:13NO, I TOOK A TAXI
01:21:16BUT YOUR CAR WAS THERE FOR YOU
01:21:18YES, BUT...
01:21:20IS THIS YOUR ONLY EXPLANATION?
01:21:26YOU MUST REALIZE, MRS. RANDALL
01:21:28THAT IF I FIND THAT YOU HAVE WITH HELD EVIDENCE OF YOUR OWN UNFAITHFULNESS
01:21:31WHICH YOU SHOULD HAVE VOLUNTARILY PUT BEFORE THE COURT
01:21:35IT MAY VERY LIKELY BE
01:21:36THAT I MUST WITHOLD MY DISCRETION TO GRANT YOU YOUR DIVORCE
01:21:46MY LORD
01:21:47I THINK I OUGHT TO MENTION
01:21:49THAT ALL THIS IS A COMPLETE SURPRISE TO ME
01:21:51AND TO THE SOLICITORS INSTRUCTING ME
01:21:53I QUITE APPRECIATE THAT
01:21:55IF YOU THINK IT WILL ASSIST MATTERS
01:21:57I'D BE PLEASED TO SEE YOU AND MR. BRADLEY IN MY PRIVATE ROOM
01:22:00IF YOU WILL MEET ME THERE AT ONCE
01:22:02I WILL ADJOURN THE COURT FOR A SHORT WHILE
01:22:04AS YOUR LORDSHIP PLEASES
01:22:30I WOULD LIKE TO WANT TO SEE YOU
01:22:31I WOULD LIKE TO SEE YOU
01:22:32I WOULD LIKE TO SEE YOU
01:22:33JURY
01:22:34JURY DOWN
01:22:35YOU'VE GOT A LITTLE DEBATE
01:22:36DON'T HATE ME FOR WHAT I'VE JUST DONE
01:22:39I HAD TO DO IT DEAR
01:22:41I DIDN'T KNOW IT WAS GOING TO BE LIKE THAT
01:22:42I SWEAR I DIDN'T
01:22:43I WAS OUT OF MY MIND
01:22:44I HAD TO TRY TO KEEP YOU
01:22:45PLEASE UNDERSTAND
01:22:46I DIDN'T MEAN TO HURT YOU
01:22:48I didn't mean to hurt you.
01:22:49We can't hurt one another any more than we have.
01:22:52Oh, Judy, I can't go on without you.
01:22:55I love you so.
01:22:58We hoped our marriage would be different.
01:23:00It would be a perfect understanding.
01:23:03Oh, Nick, what have we done to one another?
01:23:08Judy,
01:23:10you said we should grow up out of our own experience.
01:23:13Can't we do that?
01:23:18Our ideas were all right.
01:23:21We just failed.
01:23:24I should never have doubted you from the beginning.
01:23:27Never.
01:23:29It was I who started failing.
01:23:31No, I started it.
01:23:33No, darling, it was my fault.
01:23:34No, it was my fault.
01:23:42My lord, I must apologize.
01:23:44I am instructed that my client cannot be found.
01:23:47Perhaps I, uh...
01:23:49Lord, I'm in much the same difficulty as my learned friend.
01:23:52Mr. Randall cannot be found either.
01:23:55I cannot have the time in the court with you like this.
01:23:58I understood that you were ready to continue.
01:24:00Call their names to the corridor, please.
01:24:06Mr. Randall, Mrs. Randall.
01:24:09Mr. Randall, Mrs. Randall.
01:24:11Mr. Randall, Mrs. Randall.
01:24:12Mr. Randall, Mrs. Randall.
01:24:14Mr. Randall, Mrs. Randall.
01:24:16Mr. Randall, Mrs. Randall.
01:24:18Mr. Randall, Mrs. Randall.
01:24:20Mr. Randall, Mrs. Randall.
01:24:22Mr. Randall, Mrs. Randall.
01:24:25Mr. Randall, Mrs. Randall.
01:24:27Mr. Anderson, Mr. Anderson, Mr. Anderson, Mr. Anderson, Mr. Anderson, Mr. Anderson,
01:24:42This is what you have done to me,
01:24:48Take that love I want to meet,
01:24:54You turn my love to hate,
01:24:57And then,
01:25:00Make me cut it your day,
01:25:03Again,
01:25:05And for some of you,
01:25:07It's great that I let the peace of mind left to be,
01:25:12I've learned the hell of the peace and fair of the purity,
01:25:19How can I calmly calm and clean you,
01:25:27When I love you so much then,
01:25:34I hate you.
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