- 4 weeks ago
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00:03:54Oh boy, oh boy, oh boy.
00:03:56Jimmy!
00:03:57Huh?
00:03:58A complete overhaul, John.
00:03:59If it takes all night.
00:04:01At the ring, uh, blue rings.
00:04:04Down front.
00:04:06Pick up the bearing.
00:04:14Oh.
00:04:21Oh.
00:04:24Oh boy, we're late.
00:04:33You must be hungry, Mr. Malcolm.
00:04:34No eating this morning for me, Mrs. Jones.
00:04:36No sex, Mrs. Jones.
00:04:37I told my girl I'd call for her at 8 o'clock.
00:04:39Come on, Sam.
00:04:40Hurry up.
00:04:41Hurry up.
00:04:46Hey, fill her up quick, will ya?
00:04:48Haha.
00:04:49What's the big rush?
00:04:50Got a date with my girl at 8 o'clock.
00:04:52I didn't get to bend the floor over the slip.
00:04:54Yeah?
00:04:55Must have been out with another name, eh?
00:04:57Oh, overhauling job, too.
00:04:59Yeah?
00:05:00Well, they can't come too tough for you, Jimmy.
00:05:02Hey!
00:05:03Why don't you go on business for yourself?
00:05:05Ah, that'll come.
00:05:06What time is it?
00:05:07Time?
00:05:088.20.
00:05:09Oh, come on, come on, come on, come on.
00:05:11What's the matter?
00:05:12Won't she wait for ya?
00:05:13Yeah, but I told her 8 o'clock.
00:05:14Say, can you change a 10?
00:05:16No, but I can get it, Shane.
00:05:17Put it on the cuff, will ya?
00:05:18Every second counts.
00:05:19Sure.
00:05:20Okay, Jimmy.
00:05:26Hey!
00:05:27Where does that bird think he's going?
00:05:29He's in a bad way, Bill.
00:05:30Drunk, huh?
00:05:31Worse.
00:05:32He's in love.
00:05:33Oh, well, he'll cool down.
00:05:34Yeah, that's why it's worse.
00:05:47Hello, Jimmy.
00:05:48Where's Doris?
00:05:51To sleep!
00:05:52Oh.
00:05:53Come in.
00:05:56Here's Jimmy.
00:05:58Hello, Jimmy.
00:06:00Hello, Jimmy.
00:06:01Oh, here's Jimmy.
00:06:02Hello, Jimmy.
00:06:03you going out with Doris today yeah we were supposed to leave at 8 o'clock
00:06:10that's pretty early for Sunday we used to leave before that we was different
00:06:14how was we different well I was I didn't know what I know now she does no child
00:06:20should sleep late in the morning no matter if it is Sunday and I always need
00:06:26I know you did I'm bringing mine up different just a spoiled child oh yeah
00:06:31you're always siding with her that's what's wrong with her she'd better watch
00:06:35her step or nobody will be marrying her he'd be a fool if he did the way she's
00:06:38acting and why won't they because she's trying to step out of her class that's
00:06:42why and it can't be done no but in trying to make the grade she'll get sour and
00:06:46then guys like Jimmy won't have her and suppose he won't you think she'll need
00:06:50you to support her I hope she don't for her sake don't you worry if there's any
00:06:55supporting don't she'll be supporting you oh yeah I think you're making more
00:06:59money than you are right now close Marlon that's got a great future that has I
00:07:03see you'll be president of a bank someday mother what are you trying to do
00:07:08discourage him no you're still dumb to be discouraged do you think I'd have
00:07:12married him if he was dumb you're supposed to need to manage you if you
00:07:15wanted I won't live in this house and listen to your mother and talk me like that
00:07:19oh don't believe us I couldn't stand it shut up I I don't think that any girl
00:07:26can shh yes darling I'll have my breakfast now I'll bring it right up here she'll have
00:07:34her breakfast out here like decent people say if you want any breakfast you'll
00:07:38come out here and get it and be quick about it I'll teach you to have breakfast
00:07:42isn't that who does she think she is not a boy
00:07:44what's up
00:07:44hello Jimmy
00:07:47hello good ma I'll just have some toast and coffee mother
00:07:54if you'd stop coming in at two o'clock in the morning you could come out here and
00:07:58get your breakfast like other people won't you have an idea no thanks
00:08:01that's funny
00:08:03come on in here Jimmy
00:08:07she looks shorter sleepy well who wouldn't coming in at that hour
00:08:112 o'clock in the morning huh I was working we're rushed to death what's the
00:08:19use of telling him oh Jimmy when you're gonna get me out of this anytime you say
00:08:24let's get married right now hmm how well gosh how does anybody get married oh what
00:08:31do you say but Jimmy we can't get married the way you're fixed now you haven't
00:08:34anything but your job well that's all a lot of people had to start with and
00:08:38that's what they finish with look at them look at my family I'm not going out of
00:08:43this into something that's bad I'm not is that the way you feel about me you said
00:08:49you'd say twelve hundred dollars and go into business for yourself you haven't
00:08:53done it but I will you gotta give me time gosh I know a lot of rich guys who got
00:08:57married on nothing Carnegie look at Ford look at the Blake
00:09:00I thought we were going to Long Island Jimmy yeah we were going to Long Island you mean
00:09:07we're not going to Long Island now we were supposed to leave for Long Island at eight
00:09:11o'clock you're very cute all right now run along and I'll step on it get yourself
00:09:16something to read you can read huh well get yourself a book with pictures in it the
00:09:21funny as anything all right oh monsieur don't go in there it means death there are
00:09:31things worse than deputies hold the horses
00:09:36open that door open that door oh come back monsieur it means death open that door or I'll break it open
00:09:47leave that door now or you'll never leave it alive
00:09:51oh my father don't shoot I'll do anything you say I mean what I say Sergeant Grady and Steve Wilkins never made a
00:10:02sense he didn't see I'll give you just five seconds to get away from here one two three four
00:10:14this is the station WXY concluding today's episode of the Perils of Patsy the next installment will be presented at the same time next
00:10:22Sunday through the courtesy of Hartingville shoes makers of the world's finest footwear our slogan is
00:10:29shoes direct from factory to your feet
00:10:39Jimmy
00:10:39Jimmy
00:10:41Jimmy
00:10:42what's the matter
00:10:45we mustn't kiss like that
00:10:47why mustn't we
00:10:49please
00:10:50all right
00:10:52oh we ought to be married
00:10:55I wish we were
00:10:56honest
00:10:56honest
00:10:57let me your finger
00:10:59how that do for an engagement ring huh
00:11:04wait
00:11:04when did you buy it
00:11:06yesterday from a fellow at the garage
00:11:07it was his wife's
00:11:09she's sick and they had to raise some cash
00:11:10I didn't want to take it at first but he said I might as well have it as some hawk shop
00:11:15to Eve and Walter May 26 1927
00:11:19must have been her engagement ring
00:11:21yeah I guess so
00:11:23and they had to sell it
00:11:24oh it's a lucky thing they had it to sell
00:11:26she's in the hospital
00:11:28give it back to her
00:11:30I paid 50 bucks for it
00:11:32I know but let her have it
00:11:33and if he can't pay you back just figure it's a present from us to her
00:11:37all right
00:11:40I guess I made a mistake
00:11:42oh but I'll buy you a new one
00:11:44a better one
00:11:45no Jimmy
00:11:46what's the matter
00:11:48don't you see if we were married the way we are now
00:11:51someday you'd be selling my ring
00:11:53well that's the chances people have to take when they're in love with each other
00:11:56oh I do love you dear
00:11:57but I'm afraid
00:11:59afraid of poverty
00:12:00yeah you told me
00:12:02that sounds mean doesn't it
00:12:03no it sounds just like I said
00:12:04you don't love me
00:12:07Jimmy
00:12:07what's there to be afraid of
00:12:09I'm afraid because you're not afraid
00:12:11in other words you'd marry me if I owned a garage
00:12:14all you want is a rich guy
00:12:17oh you're wrong
00:12:18you've got to believe you're wrong
00:12:19I don't want a rich guy
00:12:21I want you
00:12:22I want our love to have a chance
00:12:24and it wouldn't have the way things are
00:12:26darling
00:12:27I want you to have ambition
00:12:29that means more than just money
00:12:30that means everything
00:12:32can I make you see
00:12:34yeah I see all right
00:12:35oh what's the use
00:12:38if I picked up a million dollars right here
00:12:40you'd marry me all right
00:12:41I mean you'd marry the million
00:12:44well Jimmy
00:12:46that's the way you feel about it
00:12:48yeah that's the way I feel about it
00:12:50then I guess we better talk about something else
00:12:52how'd you like to go home
00:12:54anything you say
00:12:58well it looks to me as if it'd be our last ride
00:13:05oh do you mean that
00:13:08I sure do
00:13:09this is getting neither of us nothing
00:13:11so let's stop kidding ourselves
00:13:14it just ain't in the cords
00:13:15all right
00:13:18I'm sorry it turned out so rotten
00:13:20well that's the way it is
00:13:23you ready
00:13:25all ready
00:13:26let's go
00:13:27oh Jimmy I
00:13:36oh no
00:13:37now don't weaken
00:13:39and listen get this
00:13:41I wouldn't have you if you didn't want me as much as I did you
00:13:44not a chance
00:13:46you dropped your handkerchief
00:13:48maybe I'll need it
00:13:51tears don't last
00:13:53the only important thing in life is money
00:13:55say I wonder if I know any rich girls
00:14:00because that's all there is to it
00:14:01say Doris
00:14:14why don't Jimmy Martin ever come around here anymore
00:14:16why don't you ask him
00:14:18he ain't been here for three weeks
00:14:21well it's not my funeral
00:14:24that's too bad
00:14:26Fred I tell you I ain't gonna stand for any more of this
00:14:28and sit down you look foolish
00:14:30that ain't the point
00:14:31why don't Jimmy Martin come around here anymore
00:14:35shut up can't you
00:14:36let her alone
00:14:37no but he's good enough for anybody
00:14:39oh lay off me can't you
00:14:41now do you see what you've done
00:14:44now Louis don't fail me
00:14:53be sure to remember the day
00:14:55it's two weeks from next Saturday
00:14:56and be sure to send your best model
00:14:59mais certainement Mrs. Nelson
00:15:01good afternoon Louis
00:15:02good afternoon
00:15:03hello Claire
00:15:05hi Florence
00:15:06well when did you get here
00:15:07last night
00:15:08and Europe
00:15:08terrible
00:15:09well it took you here to find out
00:15:11that's Claire Kincaid
00:15:13she's very rich isn't she
00:15:16very rich
00:15:17and very eccentric
00:15:18you never know what she's going to do next
00:15:22oh mademoiselle Kincaid
00:15:27hello Louis
00:15:28quelle bonne surprise
00:15:29comme je suis heureux de vous revoir
00:15:30toujours exquise
00:15:32et comment avez-vous trouvƩ Paris
00:15:33same as ever
00:15:34puis je vous
00:15:36non non non
00:15:36don't bother Louis
00:15:37I'll just look around
00:15:38trĆØs bien
00:15:39save the match
00:15:41thanks
00:15:45you're quite welcome
00:15:47I'm sure
00:15:47tell me
00:15:50do you like your job
00:15:51Josh
00:15:52oh Louis told us
00:15:55no
00:15:55oh I see
00:15:57just you
00:15:59I know that you're very pretty
00:16:01and wear clothes
00:16:02beautiful
00:16:03but you could tell they're not my clothes
00:16:04just in case
00:16:05you know me
00:16:06what's your name
00:16:08Doris Blake
00:16:09let's sit down
00:16:11thank you
00:16:18is it a nice job
00:16:19oh yes
00:16:21you're lucky
00:16:22you're luckier
00:16:23why
00:16:24because I can have everything I don't want
00:16:26don't you want what you have
00:16:28does anyone
00:16:29what do you want
00:16:32clothes
00:16:33jewels
00:16:34cars
00:16:35orchids
00:16:36furs
00:16:36cloths
00:16:37stockings
00:16:38dozens and dozens of them
00:16:39in Europe
00:16:40and ponds
00:16:40everything you can have and don't want
00:16:46isn't life funny
00:16:48have you a sweetheart
00:16:50no
00:16:52well I did have
00:16:54repotting
00:16:55there you see
00:16:56you have the only thing I want
00:16:58and evidently you don't care for
00:17:00but you could have anybody
00:17:01yes I know
00:17:03but if you don't mind
00:17:05I'd have to want him
00:17:06and can't you find someone
00:17:08not so far
00:17:09I'd give everything I have
00:17:11including my shirt
00:17:12and I suppose you'd be willing to live with him in a hut somewhere
00:17:15in a minute
00:17:16that's because you never lived in a hut
00:17:19well all right
00:17:20I'll beg your word for it
00:17:22everything's cockeyed
00:17:24I'm sure of that
00:17:25if my mother wishes something before we close
00:17:27oh is it that late
00:17:28well we settled that anyhow
00:17:31didn't we
00:17:32goodbye
00:17:33goodbye
00:17:34goodbye
00:17:35that's why we move to 180th street
00:17:46that's why we move to 180th street
00:18:00it's only a block from the subway
00:18:05sounds nice
00:18:06you must come up
00:18:09I'd love to
00:18:10goodnight
00:18:12see you tomorrow
00:18:12everything all right
00:18:26some car
00:18:37like it
00:18:38oh sure
00:18:39say that's uh that's a foreign motor ain't it
00:18:42I've never seen a supercharger like that
00:18:44no
00:18:45no
00:18:46I bet it can go some
00:18:48yes it's fast
00:18:49yeah I'll say
00:18:50someday I'd like to drive a car like that
00:18:53go ahead and drive it
00:18:54huh
00:18:55you mean it
00:18:58certainly get in
00:19:23I don't see him
00:19:28who the copper
00:19:29we lost him coming out of the port
00:19:31boy this has sure been a kick
00:19:36here too
00:19:37nothing I like better than a good motor
00:19:39well
00:19:42you certainly have what it takes to drive one
00:19:44oh that's my game
00:19:45I'm a mechanic
00:19:46well I have no game
00:19:49so now you know all about me
00:19:50where did you say
00:19:54Stavoy Tower
00:19:55I got you
00:19:57here are your keys and thanks
00:20:09well this must be fate
00:20:10I'm looking for a chauffeur
00:20:12oh I'm no chauffeur
00:20:13well that's the chauffeur I'm looking for
00:20:15I'm Claire Kincaid
00:20:17report here tomorrow morning
00:20:18and the job is yours
00:20:18well I'll see if I can find you somebody
00:20:21don't be later than 10 o'clock will you
00:20:23we're leaving for East Hampton
00:20:24and I want to be there by one
00:20:25Long Island huh
00:20:27I live there
00:20:28oh
00:20:29you'll like it out there
00:20:30and it'll be a nice soft job
00:20:32oh I don't care anything about that
00:20:34but uh
00:20:35yeah what
00:20:36I'd sort of like a change
00:20:38why would you
00:20:39oh I'd like to get away from the city
00:20:41and
00:20:41and things for a while
00:20:43a girl
00:20:44well maybe
00:20:47the losing lover
00:20:49yeah that's me
00:20:52oh that's the way to forget her
00:20:5310 o'clock then
00:20:54maybe
00:20:55what's your name
00:20:57Martin
00:20:58Jimmy Martin
00:20:59don't forget Martin
00:21:0110 o'clock
00:21:01maybe
00:21:06yeah
00:21:20yeah
00:21:26yeah
00:21:28yeah
00:21:32You might find a good place to park, Martin. I'll be leaving before the mall.
00:21:47Oh, girls. Look. Hold it. Hold it. Hold it. You. I'm so hot. I'm smoking.
00:22:04Excuse me. You're sitting on something I want. Please.
00:22:09All I want is love. And a little shack like this.
00:22:15Twenty-six rooms and thirteen vans. That's hard luck. Oh, Emma, how long before we start?
00:22:22In about a known. I think I'll get some air and take a look at the ocean.
00:22:25Oh, but listen, dearie, there'll be one. Imagine having your own ocean right in your backyard.
00:22:30Oh, I could go for a place like this. Yeah? And the question is, where? And who when?
00:22:45Oh, my God.
00:22:57and with them you tried to rob
00:23:01the response of a sleeper
00:23:07that you have no longer wanted
00:23:13tell me, what is the pain?
00:23:27Let her go.
00:23:31Come on, come on.
00:23:35Come on.
00:23:39Nice work.
00:23:41Don't lose it.
00:23:47You're going to be good.
00:24:03Right.
00:24:07Right.
00:24:17Not bad.
00:24:31Now I'll show you how it should be done.
00:24:47See?
00:24:55You can do anything, can't you?
00:24:57Practically.
00:24:59Who are you?
00:25:00Nobody.
00:25:01My name's Nelson.
00:25:02Oh, I heard.
00:25:03Who told you?
00:25:04When you were wrestling.
00:25:06Oh.
00:25:07You own all this place.
00:25:08Private beach, ocean, seaweed and everything.
00:25:11What's your name?
00:25:13Doris Lake.
00:25:15Lake?
00:25:16No, you've never heard of me.
00:25:18Yes, I have.
00:25:20I had a dream.
00:25:21In which you were counting sheep.
00:25:22All named Lake.
00:25:23No.
00:25:24No, I was shipwrecked on a lot of desert islands.
00:25:27And all I had was one book.
00:25:29Your little telephone book.
00:25:31That's it.
00:25:32And it had your number in it.
00:25:34No, it hasn't.
00:25:35I haven't got a telephone.
00:25:36You haven't?
00:25:37I never know which end to put to my ear
00:25:39and which to speak into.
00:25:43Tell me something.
00:25:44What?
00:25:45Are you able to throw that man so quickly?
00:25:47Ah.
00:25:48I'm a cunning wrestler.
00:25:49I am.
00:25:50I used to wrestle with my nurse as a child.
00:25:53If I won, she had to eat all my cereal.
00:25:56And in time, she got very fat.
00:26:00Let me show you one or two grips.
00:26:03First, the wrist lock.
00:26:05Then, the half Nelson.
00:26:07Named after me because I was so little at the time.
00:26:11What are you doing?
00:26:12And then we...
00:26:15Let me go.
00:26:17Let me...
00:26:18Don't struggle.
00:26:19You'll hurt yourself.
00:26:20Let me go.
00:26:23Now we're even.
00:26:24Oh no, we're not.
00:26:25We're not.
00:26:26Hey!
00:26:56I can't find her.
00:26:57What do we do?
00:26:58What do we do?
00:26:59That's the first number.
00:27:00You want to get a look at some swell rams?
00:27:21Uh...
00:27:23Models from Fifth Avenue.
00:27:25Models?
00:27:26Sure.
00:27:27Mannequins.
00:27:28Deer?
00:27:29Fashion show.
00:27:30Listen.
00:27:31Come on.
00:27:32I know a place we can see them from.
00:27:51There's a swell dish.
00:28:11They're all hot numbers.
00:28:12Yeah.
00:28:14But not for guys like us.
00:28:15Well, you've met him the fighting number.
00:28:20Oh, don't.
00:28:21Good heavens.
00:28:22Come.
00:28:38I've been looking about for you, I have.
00:28:40Miss Kincaid wants her cow.
00:28:42Oh.
00:28:45You've got to go.
00:28:46Oh, my dear.
00:28:49Give me love to Eric.
00:28:58Now I'm back to your show.
00:29:01Good bye, my dear.
00:29:02Give my love to Eric.
00:29:03Now I'm back to your show.
00:29:04Good bye.
00:29:05My pleasure.
00:29:06Yeah.
00:29:08My pleasure.
00:29:11Good bye my dear.
00:29:12Give my love to Eric.
00:29:13Now we're back to your show.
00:29:14Back there. I'm sorry you won't say
00:29:44You mean that was magnificent. Yeah, what's magnificent about it? Well, our necks are broken. Tires gone
00:30:05Does that mean more to you than our necks? Well, it means more than mine anyway
00:30:14Is it that girl you're trying to forget? Is that what's on your mind? Is it? No
00:30:35Hey, hey Jimmy. What? I want to tell you something. What? Now, don't be shocked at this. I like you
00:30:45In fact, I'm crazy about you
00:30:47What? Oh, my intentions are strictly honorable
00:30:52Will you marry me? I'll make you forget her. Hey listen
00:30:57I'm listening
00:30:59What are you trying to do kid me? I'm not kidding you
00:31:04For a long time now I've been sitting back of you
00:31:07Maybe it's the way you drive. Maybe it's the way you hold your neck. Why do I care what it is?
00:31:11It may be love for all I know or care
00:31:15Anyhow, hey, are you listening?
00:31:19Look at me
00:31:20We'll have fun this winter
00:31:33I've got a house in Palm Beach
00:31:36Fifty room
00:31:37Italian furniture you won't like it
00:31:40I don't think it's so hot either, but we'll go there
00:31:45Oh, I don't want to marry anybody
00:31:50All right, Jimmy forget it
00:31:52Well, let's go
00:32:09amen
00:32:11The End
00:32:41The End
00:33:11The End
00:33:41Yes, my dear
00:33:43Everybody's leaving, Eric
00:33:44All right
00:33:45Not that I care what you do
00:33:47She doesn't care either
00:33:51Any more than I do
00:33:51We're going to be divorced very soon
00:33:54Why tell me
00:33:56I don't care either
00:33:57Just a moment
00:34:00I want you to know how things stand
00:34:02And then you might
00:34:03Might what?
00:34:05Be my friend
00:34:05What kind of a friend?
00:34:07Any kind you say
00:34:08No
00:34:09Why not?
00:34:11Don't you like me?
00:34:12I think you're nice
00:34:13You don't know how nice I can be
00:34:16Are you going to wrestle again?
00:34:18Oh, that's the way you affect me
00:34:20Won't you let me take you out to dinner one night?
00:34:22How about Mrs. Nelson?
00:34:25You saw us together
00:34:25It won't be long now
00:34:27What do you say?
00:34:29I say no
00:34:30Oh, but please
00:34:31I'll see you again, won't I?
00:34:32I don't think so
00:34:33I'll see you
00:34:36Goodbye
00:34:36So long
00:34:37I'll call you up tomorrow
00:34:40I can't take this
00:34:46Why not?
00:34:48There are no strings to it
00:34:49Just the same
00:34:50I can't take it
00:34:51What time is it?
00:34:564.15 a.m.
00:34:58Oh, I'm bound to wake the family up some morning
00:35:00Well, the milk's here
00:35:03I don't want any milk
00:35:04Doris, I love you
00:35:05That's the fourth time you've told me that
00:35:07At 4.15 in this hallway
00:35:09Oh, I'm crazy about you
00:35:10Crazy
00:35:11What'll I do when I go home?
00:35:13Go to bed
00:35:14I'll say, Doris, I love you
00:35:16And you won't be there
00:35:17Just think of that
00:35:18You won't be there
00:35:19I'll say I won't
00:35:20Good night, Eric
00:35:21Say that again
00:35:22Good night
00:35:23No, Eric
00:35:24Good night
00:35:25Tomorrow night
00:35:26You mean tonight
00:35:27That's the night
00:35:28No, I've got to get to bed sometime
00:35:30Well, think of me
00:35:31No rest
00:35:32I'll go home and I'll say
00:35:33I know
00:35:34And I won't be there
00:35:35Good night, dear
00:35:37I had a wonderful time
00:35:38You called me dear, didn't you?
00:35:39I don't remember
00:35:40When?
00:35:41Call me up
00:35:41I'll call you up as soon as I get home
00:35:43Don't you dare
00:35:44Not do say good night
00:35:46Good night, Doris
00:35:48I love you
00:35:49Shh
00:35:49Doris
00:35:51Good night
00:35:53Hello
00:36:17What are you doing up?
00:36:19I'm waiting for you
00:36:25Get out
00:36:26Why?
00:36:28I haven't done anything
00:36:29I've warned you
00:36:30Spending your nights only you know where and how
00:36:33Sneaking into my house morning after morning
00:36:36Mother?
00:36:37Why, what is the matter?
00:36:38Let her alone
00:36:38You keep out of this
00:36:40What's all the fuss about?
00:36:41I was only out dancing in a public cafe
00:36:43I know all about that
00:36:44Carrying on with a married man
00:36:46No wonder an honest boy like Jimmy won't have anything to do with you anymore
00:36:50That's my affair
00:36:51Well, you can take yourself and your affairs out of my house right now
00:36:54Father
00:36:55Doris, don't listen to him
00:36:57He doesn't mean it
00:36:57Look here, Father
00:36:58I've done nothing I'm ashamed of
00:37:01You've no right to insinuate
00:37:02Shut your mouth
00:37:03I'm not insinuating, I know
00:37:05It's written all over your face
00:37:07That's a lie
00:37:08All right
00:37:13I'll go
00:37:14Doris, you don't realize what you're doing
00:37:18She didn't
00:37:19Let her go
00:37:19She's no good
00:37:21She's no good
00:37:25Any girl that will turn a man down
00:37:27Just because he ain't rich enough
00:37:29Oh, she didn't mean it that way at all
00:37:31She really loved me
00:37:33She told me so
00:37:33All she was trying to do
00:37:36Was to put a little ambition in me
00:37:37That's all
00:37:38And I took it the wrong way
00:37:40You asked my advice
00:37:41And now you're defending her
00:37:44Well, look
00:37:45I'm telling you
00:37:46If you call her up after all this time
00:37:49She'll have no respect for you
00:37:51A girl likes the man she loves to be strong
00:37:54Yeah, that's so
00:37:57Besides, in a case like this
00:37:58It's a woman's place to make the first move
00:38:00That's right
00:38:02Take it from me
00:38:05If she really loves you
00:38:07She'll find a way to let you know it
00:38:10And if she don't
00:38:12You're better off without her
00:38:14That's right
00:38:16Hello
00:38:18Is Doris' home place?
00:38:45No, she ain't
00:38:46I don't know where she is
00:38:48And I don't care
00:38:49She ain't living here anymore
00:38:51No, she's no good
00:38:53Running around with a married man
00:38:55How do I know?
00:39:00Well, I ain't gonna have one of her kind in my house
00:39:02Daughter and no daughter
00:39:04Could I talk to her mother, please?
00:39:08Yeah, she's right here
00:39:10Here
00:39:11Talk to Jimmy
00:39:14Jimmy?
00:39:19Yes, Jimmy
00:39:20We don't know where she is now
00:39:27No
00:39:30A man named Nelson
00:39:34I sure am sorry, Mrs. Blake
00:39:40Goodbye
00:39:43Martin
00:39:47Martin
00:39:48I warned you not to use that telephone for long distance
00:39:51Oh, I'll pay for the call
00:39:53That's not the point
00:39:54Miss Kincaid wants to see you at once
00:39:56Come in, Jimmy
00:40:04What have you been doing?
00:40:09Telephone
00:40:09Long distance
00:40:12Well
00:40:13That sounds interesting
00:40:15Don't you want to tell me about it?
00:40:20I'm quitting
00:40:21Quitting what?
00:40:23The job
00:40:24What for?
00:40:25Oh, I want to get away
00:40:26From me?
00:40:29No, no, no
00:40:29You're okay
00:40:30Thanks, Jimmy
00:40:32All right
00:40:32From the girl you can't forget?
00:40:36I can forget her, all right
00:40:37I'm no sap
00:40:39You're a great guy, Jimmy
00:40:41The most wonderful thing
00:40:43That ever blew into my life
00:40:45What blew in, huh?
00:40:47Well, that may be okay
00:40:49But I can blow right out again
00:40:51Where would you go, Jimmy?
00:40:54I don't know
00:40:55Detroit, maybe
00:40:56Need you go that far to forget her?
00:41:03Why don't you marry me, Jimmy?
00:41:09Well, why shouldn't I
00:41:10If you want me to?
00:41:11Sure you haven't forgotten
00:41:18I'm out here
00:41:19I won't be much longer, Eric
00:41:21Come as you are
00:41:22You don't know what you're saying
00:41:25Oh, yes, I do
00:41:26You look beautiful
00:41:28You can't see me
00:41:29No, but I can imagine
00:41:31Gentlemen, don't imagine such things
00:41:33But I'm no gentleman
00:41:34Is that a mole on your left side?
00:41:38Why, no, it's a birthmark
00:41:40Fresh?
00:41:41Years from now
00:41:42When all the world denies you
00:41:44I shall say
00:41:45Why?
00:41:47That's Doris Blake, the missing heiress
00:41:48I can tell her by the mark upon
00:41:51Will you kindly keep quiet?
00:41:53The whole house can hear you
00:41:54Well, let them hear me
00:41:56Let the whole world hear
00:41:58Let them hear how you spurn me
00:42:00Let them hear and pity me
00:42:03Didn't I tell you you were beautiful?
00:42:07Is there any insanity in your family?
00:42:09No, but there will be soon
00:42:11If you don't be good to me
00:42:11Honestly, Doris, I'm breaking up
00:42:13I'm going all to pieces
00:42:15There you are
00:42:17It's the knees that go first
00:42:18You scare me
00:42:19You don't know what's going on inside me
00:42:21I can't eat
00:42:22I can't sleep
00:42:23Can you ruffle?
00:42:24A child could throw me
00:42:25Do you want to try?
00:42:27You're breaking
00:42:28See how weak I am?
00:42:29Going to pieces
00:42:30What I want is a friend
00:42:32A friend
00:42:33Just one solitary friend
00:42:35Poor boy
00:42:36Somebody who could wear
00:42:38A string of fur the way you could
00:42:40Just one friend
00:42:43Somebody who could wear
00:42:44Sables the way you could
00:42:45What are you now?
00:42:46A jeweler or a furrier?
00:42:47Make up your mind
00:42:49Have me anywhere you want me
00:42:51Oh, do shut up
00:42:52Feel my pulse
00:42:54Feel it
00:42:55Where do you keep your pulse?
00:43:00I'm all pulse when you're around
00:43:01One friend, that's all I need
00:43:04I've never seen anybody as friendless as you are
00:43:07Honestly, I'll go all to pieces
00:43:09And then you'll be sorry
00:43:10Oh, Eric
00:43:10Get yourself a new line
00:43:12This is getting tiresome
00:43:13All right
00:43:15I'll read
00:43:16Oh
00:43:21Oh
00:43:33Oh
00:43:35Oh
00:43:36Oh
00:43:38Oh
00:43:38Oh
00:43:39Oh
00:43:40My
00:43:42Oh
00:43:43Oh
00:44:03You're sweet, Jimmy. I'd have done over just for you.
00:44:31Oh, it's great.
00:44:32Do you really like it?
00:44:34Oh, sure. Sure. I think it's swell.
00:44:45Take a look at these.
00:44:47I ought to wear them two at a time.
00:44:50What's in the boxes?
00:44:51Hats, you idiot.
00:44:52It's been taking an awful long time to break them in.
00:44:55You are fun, Jimmy.
00:44:56Yeah, I think so.
00:44:58Oh, you've been awful good to me, Claire.
00:45:00Hats in boxes and everything.
00:45:05Say, this is the life, ain't it?
00:45:06Uh-huh.
00:45:08Uh-huh.
00:45:18Doret.
00:45:19Oh, look Eric. Will you look, Eric? Look. I hope they're alright. Louis said you'd like
00:45:45them. Like them? Oh, Eric, I'm just beginning to live. Oh.
00:46:15And a repeater. Congratulations. I win again. Good. I'm so excited. I'd be excited, too,
00:46:35if I was lucky as that. I'm going to stop. Are you chasing him for me? Smart girl. Stop.
00:46:40While you're winning? That's the time to stop. Stop that. I'm tired. Aren't you ready
00:46:45to go, Eric? No. Here you are. Thank you. How about some breakfast? That's a grand idea.
00:46:50Come along, then. No. You'd better. You've lost enough. No. Okay. All down. You're quite
00:46:59lucky tonight. What will madam have? Just coffee. Champaines, chicken
00:47:09sandwiches. Very good, sir. What time is it? About half past six. You know, Doris, this
00:47:19is the first time you've ever been alone. Is it? Yes. I'd like it. Now, don't be that
00:47:26way. Well, can I help it if I'm mad about you? If I thought you meant one word of that, I'd
00:47:32go right back to the table. All right. Get this cash, please. Yes, madam. Eric, lend me three
00:47:40of your chips until my money comes. Sure. They affect it, you know. I know. Cold as your
00:47:46eyes, my dear. Not as cold as a man's heart when he's tired. What do you mean by that? You're tired of
00:47:54Lill and you've been showing it all evening. Well, I admit I like you better. Now? Mr.
00:48:01Leary would like you to endorse this check, sir. What check? Who? Oh. I'm sorry. Tell
00:48:07Mr. Leary to use his own judgment about cashing it. But credit has already been
00:48:11extended to this party, sir, as a courtesy to you. I'm sorry. More coffee? No, I'm going
00:48:17if I can get Eric away. Chuck Eric. Why should I? For me? Not a chance. Pardon me, will
00:48:30you? How did you come out? Oh, fine. I've even lost a couple of thousand I haven't got. Come
00:48:37on. Let's have a drink. You're crazy. You're not so smart yourself. Why do you say that? You're
00:48:46playing a fool game. And you're not a fool. I'm playing no game. If you think I'm
00:48:52interested in your friend, you're crazier than I thought. Ridgeway? No. I know it's
00:48:57not your fault. Younger and prettier girls happen to be his line. I suppose lots of men
00:49:02are like that. All of them. Have you thought of that? What can I do about it? Make Eric
00:49:09Nelson marry you. Or get a man who will. Then get off this crazy merry-go-round and get something
00:49:14out of life. That's my advice to a successful rival. Am I a good guy or not? You're a swell
00:49:20guy, Lil. I wish you'd take some of your own advice. Too late. My fine gentleman happens
00:49:27to be fed up with me. And I? That's the funny part of it. I don't happen to want any other
00:49:33man. Even if I had the whole rotten world to choose from. Which I haven't. You're in love
00:49:38with Ridgeway. That's the way it is. Let's have another drink. Ever loved anybody? Yes. Not
00:49:49Eric Nelson. No. That's something. Did you get over it? I never will. You and me both. Let's
00:50:01drink to that. To the rosy future. Maybe it's not as bad as you think. Maybe. At least
00:50:09there's one good thing about the future. It doesn't have to be any longer than you want
00:50:12it to be. That's true. Go home and get some sleep, Lil. That's what you need sleep. You're
00:50:18tired and so am I. Yeah. That's what I need. Sleep. I think I'll take a little pill now. So I'll be
00:50:30sure of it. I'm so tired. What's that? My pill box. I'll make you a present of it. And
00:50:43if you ever feel you've got to have a good long sleep. How beautiful. Oh no I couldn't
00:50:49keep it. You may want it some day.
00:51:00And now I'll get my coat. Good night kid. Good night little darling. Tell the love of my
00:51:10life. I went on. Tell him. Good night.
00:51:18Ready baby. Whatever you are. One more drink and we'll go. Haven't you had enough. Just lost my shirt so I've got to celebrate. I almost wish you had lost your shirt Eric.
00:51:28What do you mean. I don't know. Forget it. Say you're going morbid on me. Maybe it's the hour. Let's go home.
00:51:35Now don't go in there. Please don't go in.
00:51:50Please don't go in.
00:52:20How about death?
00:52:24I'm fine.
00:52:25This is why I need you.
00:52:31Good night.
00:52:45I'm sorry, dear.
00:52:46I've lost my little dignity.
00:52:47Sorry, dear.
00:52:48Maybe you forgot it.
00:52:49What good will that do be?
00:52:50Not at all, dear.
00:52:51I'll go upstairs and rummage.
00:52:52You ain't here.
00:52:53Yes, dear.
00:52:54Right where you are.
00:52:55Yes, dear.
00:52:56Wife of my bosom.
00:53:00I'll go upstairs and rummage.
00:53:03You ain't here.
00:53:04Yes, dear.
00:53:05Right where you are.
00:53:06Yes, dear.
00:53:07Wife of my bosom.
00:53:12Yes, dear.
00:53:13No, dear.
00:53:14Sorry, dear.
00:53:15Well, that's one way of earning a living.
00:53:17What do you say?
00:53:18I ain't saying nothing.
00:53:19I guess that about covers it.
00:53:20You're new at it.
00:53:21What do you mean?
00:53:22You haven't said yes, dear, as long as I have.
00:53:27Say, listen, you.
00:53:28I don't know what you're talking about.
00:53:30I'm sorry.
00:53:31I'm sorry, dear.
00:53:32I'm sorry, dear.
00:53:33Well, that's one way of earning a living.
00:53:35What do you say?
00:53:36I ain't saying nothing.
00:53:37I guess that about covers it.
00:53:40You're new at it.
00:53:41I don't know what you're talking about, but I think I'm gonna suck you all right
00:53:46But that won't change anything change what?
00:53:49You're Jimmy Martin aren't you well used to be your wife's chauffeur didn't you so what I used to be a shoe
00:53:57That's okay with me
00:53:59Yeah, I started with the young ones too
00:54:02Now I'd say yes dear to Cleopatra's mommy
00:54:05rather than go back to picking number two shoes number six feet and
00:54:12They call me a gigolo
00:54:15Sticks and stones may break my bones, but names can never hurt me
00:54:21That's true, isn't it?
00:54:24As you say
00:54:31He ain't gonna get away with that don't lose your head
00:54:35There you are
00:54:41Doesn't look much like a lady in distress. I ain't gonna stand for that
00:54:46Boop-boop-a-do
00:54:55In this racket broadly speaking you keep one eye on your beer and biffles and the other shut
00:55:00It's the shut-eye that wins
00:55:02It's a swell to you and they're playing isn't it?
00:55:07Foxtrot
00:55:09Yeah, I used to like to foxtrot
00:55:13You want to hear something funny?
00:55:15Don't spoil your act
00:55:17Very neat
00:55:19One of my patronesses
00:55:20This is
00:55:22A good word that
00:55:24Actually gave me a letter of recommendation for tech
00:55:27When she politely informed me that my shut-eye was no longer required
00:55:32Is that funny?
00:55:33Some party
00:55:41My bowling chain must be upstairs collecting lipsticks
00:55:50Kleptomania
00:55:51What do you say to a drink?
00:55:53Champagne cocktail?
00:55:54No, I don't want a drink
00:55:56Yes, I do too
00:55:58I'm gonna get cockeyed
00:55:59And then do you know what I'm gonna do?
00:56:00No
00:56:02Suck you right in the nose
00:56:04Good boy
00:56:05Coffee madame
00:56:15Maybe later
00:56:16Thank you madame
00:56:17Thank you madame
00:56:21Thank you
00:56:23How many sir?
00:56:24Just one please
00:56:25Too, too funny
00:56:26And I heard
00:56:29And there he sat
00:56:30Spearing his teeth
00:56:32You've never been to Atlantic City?
00:56:34Well, well, well
00:56:35Well
00:56:49This way sir
00:56:55Hello
00:56:58Hello
00:57:00Hello
00:57:02Funny seeing you here
00:57:04Well, I guess we had to meet sometime
00:57:11Happy?
00:57:13Yes
00:57:15Why?
00:57:17Are you?
00:57:18How about you?
00:57:19Oh, I'm alright
00:57:21Why are you looking at me like that?
00:57:23To see how much you've changed?
00:57:27Have I?
00:57:28You said we had to meet sometime
00:57:31What did you think I'd do?
00:57:32Cry?
00:57:34Did you think I'd cry?
00:57:35Come on, give me a load of it
00:57:37Did you think I'd fall on your neck?
00:57:39Did you see me looking at you thinking
00:57:42Gee, ain't she beautiful?
00:57:44Did you?
00:57:46Did you?
00:57:47Jimmy, what are you trying to do?
00:57:48No, you didn't think about it, did you?
00:57:51Too busy having a swell time
00:57:54But I thought about it
00:57:56Yeah, sure
00:57:57I thought about it
00:57:59I'll take one look
00:58:00Just one look
00:58:01And I'll say
00:58:03Well, if it ain't little Doris Blake
00:58:05That's gone into business for herself
00:58:09And then I'll put my fist in her face
00:58:11I'll tear the dress off her back
00:58:13That's what I thought
00:58:16Why ain't I doing it?
00:58:18Why ain't I?
00:58:19Go ahead and do it, it'll make you feel any better
00:58:23No
00:58:25No, I ain't gonna suck you
00:58:27Do you know why?
00:58:30Because you ain't worth it
00:58:32Because
00:58:34You know what you are, don't you?
00:58:35You know what you are, don't you?
00:59:05You know what you are, don't you?
00:59:06You know what you are, don't you?
00:59:07You know what you are, don't you?
00:59:08You know what you are, don't you?
00:59:09You know what you are, don't you?
00:59:10You know what you are, don't you?
00:59:11You know what you are, don't you?
00:59:12You know what you are, don't you?
00:59:13You know what you are, don't you?
00:59:14You know what you are, don't you?
00:59:16Can't you stop that hammering?
00:59:17that hemming? Yes, madam.
00:59:43Are you sure Mr. Nelson didn't fall? Not yet, madam.
00:59:48There he is now.
00:59:57Oh, hello. Oh, you.
01:00:01I haven't time for you now. I'm busy packing.
01:00:04You know, I often wonder that what I owe my great success with women.
01:00:09When are you leaving? Tonight.
01:00:12Well, I'm thinking of going to California myself.
01:00:15Are you?
01:00:17I'm thinking of going to California.
01:00:19I'm thinking of going to California.
01:00:23You don't think much of me, do you?
01:00:26I never think of you at all.
01:00:28Well, I think an awful lot about you.
01:00:30For instance, I know you've been pretty unhappy lately.
01:00:34And I know why.
01:00:35Well, I told Eric he wasn't treating you right.
01:00:39And he said that...
01:00:40Eric discussed me with you.
01:00:44Well, I shall have forced it on him.
01:00:46I told him a swell girl like you deserved the truth.
01:00:49And he said he didn't have the nerve to tell you.
01:00:50He thought he'd better write it.
01:00:51Tell me what?
01:00:53Write what?
01:00:55Well, I thought you knew.
01:00:57You see, Eric patched things up with Mrs. Nelson.
01:01:01Yes, they're going away to Europe together.
01:01:03Oh, you know how it is.
01:01:04Husband and wife, sooner or later, they always get together.
01:01:06Eric and Mrs. Nelson.
01:01:10Yes, he was pretty cut up about it.
01:01:13But he felt much better when I told him that I'd take care of you.
01:01:18Oh, so he passed me on to you.
01:01:21Oh, no, no.
01:01:22He was awfully concerned about you.
01:01:24He...
01:01:26He left you...
01:01:28this.
01:01:30Oh, no.
01:01:31No, no.
01:01:32No, no.
01:01:33No, no.
01:01:34No, no.
01:01:35No, no.
01:01:52Doris, don't take it like this.
01:01:55You know I'm crazy about you.
01:01:58Oh, you don't need Eric.
01:01:59There are others who'd be glad to.
01:02:00And then I'd have two strings of pearls instead of one.
01:02:03And two sablecoats.
01:02:04And then somebody else would come along and make it three.
01:02:07Oh, you're all wrought up, of course.
01:02:08It's to me wrought up.
01:02:10Eric had to go to Europe.
01:02:13And you're ready to move right in.
01:02:15Doris.
01:02:16Get out.
01:02:17Doris, listen to me.
01:02:18Get out.
01:02:22Just as you say.
01:02:23Yes.
01:02:41Yes.
01:02:43I know.
01:02:45I know.
01:02:47I know.
01:02:48And seeing her again, you know, just seeing her made me, made me realize a lot of things.
01:02:59What things, Jimmy?
01:03:01Oh, things about me and you.
01:03:05I don't know.
01:03:07Did you make it up with her?
01:03:09What?
01:03:10No.
01:03:12No, I called her names.
01:03:14I just called her names.
01:03:18And the funny part is, she ought to have called me the same things.
01:03:24Oh, you see what I mean, Claire?
01:03:27I think I see, Jimmy.
01:03:28A fella's gotta be able to look himself in the face, and I...
01:03:31And you can't.
01:03:33Since you've seen her again.
01:03:34Oh, no.
01:03:35No, it's got nothing to do with her.
01:03:36It's...
01:03:37It's just...
01:03:39I hate to be a quitter, but I...
01:03:43Oh, you know how it is.
01:03:48Don't feel badly about it, Jimmy.
01:03:49You know how it is, Claire.
01:03:50I did my best, didn't I?
01:03:51But...
01:03:53Well, I...
01:03:54I just can't go through with it.
01:03:56No.
01:03:57You couldn't.
01:03:58It ain't my fault.
01:04:01Oh, gee, everything's cockeyed.
01:04:03I'll say it is cockeyed.
01:04:08Yep.
01:04:09It sure is.
01:04:11It isn't your fault, Jimmy.
01:04:13You never loved me.
01:04:14I knew that.
01:04:15Oh, you're swell.
01:04:17Gee, I...
01:04:18I don't know why I ain't crazy about you.
01:04:21Must be something wrong with me, I guess.
01:04:24There's nothing wrong with you, Jimmy.
01:04:26Or you wouldn't be so honest about all this.
01:04:29Well, I did my best.
01:04:31It was too much.
01:04:34Don't feel sorry for me, Jimmy.
01:04:35Oh, cut it out, will you?
01:04:36You make me feel like...
01:04:37It would swell while it lasted.
01:04:39And now...
01:04:40It's over.
01:04:41We're none of us going to cry about it.
01:04:44I don't know what's the matter with me, but...
01:04:46But that's the way it is.
01:04:56Good luck, Jimmy.
01:05:03Good morning, sir.
01:05:04Good morning.
01:05:05Does a Miss Doris Blake work here?
01:05:06Oh, you want to see Miss Blake?
01:05:07Boyle.
01:05:09Oh, Doris?
01:05:10Yes?
01:05:11Somebody to see you.
01:05:12That's all right.
01:05:13I'll go in.
01:05:14Hello.
01:05:15Hello.
01:05:16Hello, Eric.
01:05:17I had a use of a time finding you.
01:05:18What did you want to find?
01:05:19Oh, you want to see Miss Blake?
01:05:20Oh, you want to see Miss Blake?
01:05:21Boyle.
01:05:25Oh, Doris?
01:05:26Yes?
01:05:27Somebody to see you.
01:05:28That's all right.
01:05:29I'll go in.
01:05:30Oh, it's all right.
01:05:31Well, we're over.
01:05:32Oh, we're over.
01:05:33Oh.
01:05:34Excuse me.
01:05:35Ooh.
01:05:36Oh, we're over.
01:05:37Oh, you're over.
01:05:38Oh, dear.
01:05:39You, poor boy.
01:05:40No, no, I'll go in.
01:05:41You, poor boy.
01:05:43And, please don't let me.
01:05:44I'll go in.
01:05:45Oh, yeah.
01:05:46Stop.
01:05:47All right.
01:05:48If there's something wrong, I'll go.
01:05:49But...
01:05:50I'll go out.
01:05:51Don't let me go.
01:05:52All right.
01:05:53Well, won't let me go.
01:05:54Ah, don't let me go.
01:05:55No.
01:05:56This...
01:05:57The...
01:05:58Nice...
01:05:59How do you want?
01:06:00we can talk in your lunchtime nothing to talk about now listen I didn't realize
01:06:07how much I cared the truth is that life without you're just dull and intolerable
01:06:12that's why I came back months sooner than I planned
01:06:15aren't you glad no now get it all in Paris I was divorced
01:06:23were you all daughters don't act so dull I'll marry you if you want me to I don't
01:06:30you mean to say you'd rather spend your days in a place like this than be yes I guess you can't
01:06:39forgive me for leaving you the way I did that's the nicest thing you ever did for me made me see
01:06:46what that life was worth I don't blame you I had it coming to me what I'm offering you now is quite
01:06:53different I love you Doris but I don't love you mr. Goodman yes sir what can I do with you I understand
01:07:06you're in the market for a used truck I got one downstairs I'll let you have cheap eight cylinder
01:07:1270 horsepower only gone 9,000 miles don't think I'm unbreakable Eric it's nice to have you ask me
01:07:18an area makes me cleaner somehow you see my overhead is so small I can afford to undersell
01:07:27what's the matter where are you going oh come on mr. Goodman let me give you a little ride into that
01:07:38you know hello hello how are you
01:08:08Oh, I'm all right.
01:08:11How are you?
01:08:13I'm all right.
01:08:14How are you?
01:08:15I'm all right.
01:08:16You're looking fine.
01:08:18Yeah, I feel fine.
01:08:19I figured if I was ever alone with you again, I'd have a million things I'd want to tell you.
01:08:45And now,
01:08:46all I can say is I love you.
01:08:53Say it a million times.
01:08:55I love you.
01:08:56I love you.
01:08:56I love.
01:09:16I love you.
01:09:23I love you.
01:09:25I love you.
01:09:34I love you.
01:09:34I love you.
01:09:41I love you.
01:09:42I love you.
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