- 5 weeks ago
Category
đ„
Short filmTranscript
00:00:00You
00:00:30Any mail for me I'll see Mr. Travis
00:00:48Not a thing sir
00:00:51If I get a telegram or a special
00:00:53Have me page
00:00:54Good evening
00:01:09You look most charming as usual
00:01:11Thank you
00:01:12I'm going to be quite impertinent and ask you if
00:01:15If I dye my hair or is it really red
00:01:18You guessed it
00:01:20Well
00:01:21Do you or is it
00:01:23I do not and it's really red
00:01:26Anything in perfumes this evening
00:01:27Why yes I believe so
00:01:30Have you Lorigan
00:01:32Yes what size
00:01:33What size would you suggest for a charming girl
00:01:36Well she'll probably take all she could get
00:01:38Most women will
00:01:39A philosopher and a cynic
00:01:45At least a cynic
00:01:47That's Lorigan do you like it
00:01:50Do you
00:01:50It's alluring
00:01:51I'll take it
00:01:53I hope she likes it
00:01:54I'm certain she will
00:01:55How late do you work
00:02:02Until twelve
00:02:04And then
00:02:05I go home
00:02:07And go to bed
00:02:08Will you go somewhere with me and have supper
00:02:10Now don't let that red hair burn you up
00:02:13Or I don't know
00:02:19What's open after twelve
00:02:21Oh some near beer garden
00:02:24No I mean something first class where respectable people go
00:02:26You think I'm a nice girl
00:02:28I don't know how nice you are but I know how careful I am
00:02:31Thank you
00:02:32I'll be waiting for you in the lobby at twelve
00:02:38Promise not to make me walk back home
00:02:41I don't enjoy that sort of thing
00:02:43Well
00:02:44All right I'll chance it
00:02:46Something for a charming girl
00:02:48Oh thank you
00:02:52I'll be waiting
00:02:54I'll be waiting for you
00:02:58All in turn
00:02:59Order
00:02:59Elevator going up
00:03:02All in turn
00:03:03Order
00:03:04Come on
00:03:06Bye
00:03:071, 2, 3, 4
00:03:13Ist das nicht ein Gartenhaus?
00:03:14Ja das ist ein Gartenhaus
00:03:16Ist das nicht ein Kopf vorlau'n
00:03:18Ja das ist ein Kopf vorlau'n
00:03:20Kopf vorlau'n
00:03:21Gartenhaus
00:03:21Auf die SchÀden
00:03:24Auf die SchÀden
00:03:28Auf die SchÀden
00:03:31Gartenhaus
00:03:34Ist das nicht ein Gartenkir
00:03:36Ja das ist ein Gartenkir
00:03:37Ist das nicht ein Hunderkir
00:03:39Ja das ist ein Manderkir
00:03:41Manderkir
00:03:42Gartenkir
00:03:43Kopf vorlau'n
00:03:44Gartenhaus
00:03:45Oh wie schönes
00:03:48Oh wie schönes
00:03:51Oh wie schönes
00:03:54Gartenhaus
00:03:57Ich will
00:03:57Ist das nicht ein Eisenbaum
00:03:59Ja das ist ein Eisenbaum
00:04:01Ist das nicht ein Hunderland
00:04:03Ja das ist ein Manderland
00:04:04Manderland
00:04:05Gartenkir
00:04:06Gartenkir
00:04:07Gartenkir
00:04:08Kopf vorlau'n
00:04:09Gartenhaus
00:04:09Oh wie schönes
00:04:11Oh wie schönes
00:04:13Oh wie schönes
00:04:15Oh wie schönes
00:04:17Oh wie schönes
00:04:19Oh wie schönes
00:04:21Gartenhaus
00:04:23Oh wie schönes
00:04:25Oh wie schönes
00:04:27Oh wie schönes
00:04:29Oh wie schönes
00:04:31Gartenhaus
00:04:32Gartenhaus
00:04:33Gartenhaus
00:04:34Gartenhaus
00:04:35Gartenhaus
00:04:36Gartenhaus
00:04:37Gartenhaus
00:04:38Gartenhaus
00:04:39Gartenhaus
00:04:40Gartenhaus
00:04:41Oh wie schönes
00:04:42Oh wie schönes
00:04:43Oh wie schönes
00:04:44Gartenhaus
00:04:45Gartenhaus
00:04:46Gartenhaus
00:04:47Gartenhaus
00:04:48Oh wie schönes
00:04:49Gartenhaus
00:04:50Gartenhaus
00:04:51Gartenhaus
00:04:52Gartenhaus
00:04:53Gartenhaus
00:04:54Gartenhaus
00:04:55Gartenhaus
00:04:56Gartenhaus
00:04:57Gartenhaus
00:04:58Gartenhaus
00:04:59Gartenhaus
00:05:00Gartenhaus
00:05:01Gartenhaus
00:05:02Gartenhaus
00:05:03Gartenhaus
00:05:04Gartenhaus
00:05:05Gartenhaus
00:05:06Gartenhaus
00:05:07Gartenhaus
00:05:08Gartenhaus
00:05:09Gartenhaus
00:05:10Gartenhaus
00:05:11Gartenhaus
00:05:12Gartenhaus
00:05:13Gartenhaus
00:05:14Gartenhaus
00:05:15Gartenhaus
00:05:16Gartenhaus
00:05:17Gartenhaus
00:05:18Gartenhaus
00:05:19Gartenhaus
00:05:20Gartenhaus
00:05:21Gartenhaus
00:05:22Gartenhaus
00:05:23Gartenhaus
00:05:24take good care of yourself don't you cigarette no thank you I don't use well now that we're
00:05:40acquainted what's your name Lynn Monat sounds like a nightclub hostess we'll be there as it
00:05:47may it's mine but I don't know yours oh just call me Jack but that isn't your real name of course not
00:05:56how long have you been around this town 23 years I was born here not married are you heaven no with
00:06:07your family no I have no family oh I like you you're different that's what they all say
00:06:19well don't worry I haven't any proposition I just wanted company are you sure that's all
00:06:27absolutely sure well that's fair enough where are you from New York I understand the hotel
00:06:39where you're working is going to be replaced by an office building yes guess I'll be looking for a
00:06:45job soon I could find something for you to do in New York if you wanted to leave here what I do in
00:06:52New York I'd find something for you well it sounds almost like a proposal is so sudden I don't like
00:07:00to make up my mind in a hurry though you see I like to know what I'm doing from what I know about
00:07:06women they never know what they're doing am I flattered women are too emotional you can't trust them
00:07:13you think you know women I know this a woman who is loyal and can keep her mouth shut
00:07:21is worth a lot of money to any man what do you mean maybe when we're better acquainted I'll explain it to you
00:07:51care of your trunk the boy come with my mr. 501
00:08:21courtland five seven two one nine yes
00:08:37this is mr. travers resident may I speak to mr. travers please does mr. travers know you miss
00:08:57mother I see mr. travers is out of the city present no I'm sorry I don't know when he expects to return
00:09:06Victoria Hotel yes I'll tell him you called all right thank you
00:09:27all right I beg your pardon yes I hope you don't think I was trying to flirt
00:09:56what would you call it then you're sitting on my head
00:09:59oh
00:10:01well I beg your pardon well it's my fault you see I uh I went to the telephone
00:10:08and when I came back well there you were sitting on my head
00:10:12yes so you said yes sitting on my head well I I'll have to be going now
00:10:18darn it all I want to talk to someone I'm lonesome and that privileges you to join me
00:10:30this is New York and that helps well it helps
00:10:34you're a stranger aren't you how do you know it
00:10:39oh I don't know there's something about out-of-towners that's different
00:10:43do I look like a hick home heaven say look here what I came down from white
00:10:51planes take my wife to the theater she walked out on me for a weekend party and
00:10:55here I am stranded can't trust me is that your philosophy are merely an
00:11:01assertion for conversation I'm quoting someone and I'll bet
00:11:07a man well I guess we can consider ourselves acquainted quite as well my name is Bob
00:11:14Shelton and mine's Lynn Moneth is your yes my hair is really red and I have tickets for
00:11:22the vanities what about it did I say I was lonesome now don't tell me you have a date
00:11:27should I or shouldn't please say yes all right suppose someone saw some told your wife you flatter me she
00:11:39wouldn't care can I depend on that absolutely all right we see the vanity I'll go upstairs and change
00:11:47and I won't be long great
00:12:17and I won't be long great
00:12:47hello yes this is Miss Moneth all right Miss Moneth thanks hello there how are you
00:13:03I'm sorry I wasn't here when you phoned I've been out to Chicago on business well where are you
00:13:11well that's rather an expensive hotel young lady well for a poor working girl who hasn't worked
00:13:20nearly a month it most certainly is oh New York's all right but I'd like it better if I had a job
00:13:27no I haven't forgotten you said you'd give me something to do
00:13:31oh splendid what time just a moment no is there anything on for this evening that I can't sidestep
00:13:42Harry said Morgan was around several times Morgan a well I'll drift down to the silver moon about
00:13:51midnight tell Harry hello we'll have dinner here at my apartment
00:14:00that is if you're not afraid afraid of what you oh heavens no then I'll expect the car at 7 30
00:14:13yes it's room 501 yes all right goodbye
00:14:20hello there how are you well
00:14:29you're even better looking than I thought you were easy for you to say nice things isn't it
00:14:34if I mean them
00:14:36gee this is a small place I'm glad you like it
00:14:42cocktail believe it or not I don't use them
00:14:45you don't smoke you don't drink what do you do
00:14:50eat sleep and work
00:14:51well that's not a bad routine
00:14:55sure you won't have one quite certain
00:15:00well I'll say one thing you know you're mine
00:15:04don't forget my red hair
00:15:06I didn't I haven't and I won't
00:15:10how long did you say you've been in town
00:15:12nearly a month
00:15:14you know you promised me a job
00:15:16and if you're handing them out you're the only one in New York who is
00:15:19what's the matter broke
00:15:21flat
00:15:22so you want a job eh
00:15:26well if you've changed your mind I can get one something else
00:15:29don't be silly
00:15:30I'm not
00:15:32redheaded spunk eh
00:15:35there are thousands of pretty girls in this town looking for jobs
00:15:40they end up on the streets
00:15:42or in the morgue
00:15:45well the morgue may get me
00:15:46but not the streets
00:15:49you've never been really hungry
00:15:52when you get really hungry
00:15:55you'll do almost anything
00:15:58and speaking of hunger
00:16:02there's dinner
00:16:04we eat
00:16:06well how do you feel now
00:16:14oh like a new person
00:16:15a full stomach certainly alters one's outlook on life
00:16:19rather
00:16:20all right Lynn
00:16:22you're working for me
00:16:24do you mean
00:16:25I never say things I don't mean
00:16:29you'll find that out
00:16:31well what am I to do
00:16:32first thing you're to do is to move into an apartment
00:16:35I selected one this afternoon
00:16:37on 87th Street
00:16:39yes
00:16:40I'll take care of the rent
00:16:41also any reasonable expense for clothes
00:16:44you're always to be well dressed
00:16:47I see
00:16:48I'll pay you
00:16:50$100 a week
00:16:51well what on earth can I do to earn all that money
00:16:55nothing very exciting
00:16:57nothing very hard
00:16:58but
00:16:59you'll be subject to my call
00:17:01night or day
00:17:02well that requires an explanation
00:17:05there's nothing to explain
00:17:09nothing to be afraid of
00:17:11I'm handling a deal
00:17:14which necessitates my being seen at times
00:17:16with an attractive girl
00:17:17who looks well-bred
00:17:18you look at me
00:17:21thanks
00:17:24you have brains
00:17:26I must have a girl with brains
00:17:28and most important of all
00:17:30you've got to keep your mouth shut
00:17:33meaning
00:17:35just exactly that
00:17:37when you can't remember anything else
00:17:40don't talk
00:17:42well I learned to keep my mouth shut a long time ago
00:17:45I assure you that everything is alright
00:17:48nothing will happen to you
00:17:50is it a bargain?
00:17:54yes
00:17:54here's $600
00:18:06five for clothes in advance
00:18:09Joe
00:18:12well I've never had so much money before
00:18:16in all my
00:18:16you'll probably have a lot more
00:18:19if you do as I tell you
00:18:19tell Al to bring the car around
00:18:21Miss Monika's leading
00:18:22Al has the key to your apartment
00:18:27and will help you if you need him
00:18:29I'll see you at 10 o'clock tomorrow night
00:18:3310 o'clock
00:18:34is that all you have to say?
00:18:37well you told me to keep my mouth shut
00:18:40you win
00:18:43say
00:18:54who's the redhead with Prattles?
00:18:58I've never seen her before
00:19:00I've got something very important
00:19:04and I want to tell him
00:19:05all right
00:19:06hello Travers
00:19:20hello Morgan
00:19:21sit down
00:19:22Miss Lee
00:19:23this is Mr. Traversby
00:19:25how do you do?
00:19:27I've heard about you
00:19:28this is Mrs. Travers
00:19:30oh so you're going to try it again
00:19:35eh
00:19:36after that last sellout
00:19:38meet Mrs. Travers
00:19:41how do you like the silver moon
00:19:45Mrs. Travers
00:19:46she loves it
00:19:51she raves about it
00:19:52you've got things
00:19:55pretty well sewed up
00:19:56in this part of town
00:19:57they're going to stay that way too
00:20:01maybe you're right
00:20:02but I wouldn't be too sure
00:20:05come up to my place
00:20:08I'm doing real well
00:20:11and spreading out a bit
00:20:13you'd be in a good spot
00:20:15if you'd stay up there
00:20:16maybe I'm ambitious
00:20:18like you
00:20:20really?
00:20:21yeah
00:20:21this is quite a place
00:20:25quite a place
00:20:27but you can never tell
00:20:29when a storm will come up
00:20:31no
00:20:32but I'm always prepared
00:20:34well V
00:20:39let's toddle along
00:20:41goodbye dear
00:20:44you've got a great line
00:20:46of conversation
00:20:47good night
00:20:49Mrs. Travers
00:20:51I thought you didn't smoke
00:21:01I don't
00:21:03you'll do
00:21:05you've got a dance
00:21:07alright
00:21:08you certainly know
00:21:28how to keep your mouth shut
00:21:29did I overdo it?
00:21:31no
00:21:31it's been interesting
00:21:34rather
00:21:36it's getting a bit
00:21:53stuffy in here
00:21:53Mr. Travis
00:21:54wouldn't you rather have
00:21:55dinner in the private
00:21:55dining room?
00:21:57that's a good idea
00:21:57what do you think?
00:22:00this way please
00:22:01Morgan just left
00:22:16is my car waiting?
00:22:18in the alley
00:22:19good
00:22:20and now Lynn
00:22:34lesson number two
00:22:35I'm going to leave you alone
00:22:37for exactly three minutes
00:22:38in just ten minutes
00:22:39supper will be served
00:22:40after the waiter has left the room
00:22:43close and lock the door
00:22:44then arrange the table
00:22:46as though we'd been eating
00:22:47if anyone should happen
00:22:49to drop in
00:22:50I've just
00:22:53stepped out to telephone
00:22:54understand?
00:22:57in the
00:22:57keep my mouth shut
00:22:59right
00:23:01hello
00:23:20hello
00:23:21chief
00:23:21Mr. Travis here
00:23:23in a private dining room
00:23:24with a redhead
00:23:25a redhead
00:23:26let's have a look
00:23:28let's have a look
00:23:29oh Harry
00:23:46is Travis here?
00:23:49is Travis expecting you?
00:23:50I don't know whether he's expecting me or not, but I want to see him and in the place
00:24:01The father's here
00:24:20What do I owe the pleasure of this visit a pineapple, a pineapple? I suppose you don't know anything about
00:24:36I haven't the slightest idea what you're talking about. No, I've been here all evening
00:24:43Have you been here all evening?
00:24:50Yes, Mr. Travers and I have been here since 10.30
00:24:57Dear, may I present my old friend, Mr. Regan
00:25:05Mrs. Travers
00:25:09Oh, Mrs. Travers, how do you do?
00:25:15How do you do?
00:25:16And now, gentlemen, may we be excused?
00:25:20Why, yes, of course
00:25:22Whoever planted that pineapple certainly didn't do Morgan's place any good
00:25:32No, yes
00:25:35Well, I'm happy to have met you, Mrs. Travers
00:25:39This is, uh, Travers
00:25:52Any questions?
00:25:53Yes
00:25:54What's the pineapple?
00:25:57Of fruit
00:26:00It grows in Hawaii
00:26:02Oh
00:26:04I'm as usual to be the dumb, Mrs. Travers
00:26:12Opposing as my wife has been rather embarrassing to you, hasn't it?
00:26:19Well, you are paying me a salary
00:26:21Oh, I'm sorry you feel that way about it
00:26:23Oh, I'm getting used to it
00:26:25You like it?
00:26:27Well, do you?
00:26:29Well, do you?
00:26:30Why don't you answer?
00:26:32You told me when I couldn't think of anything else to say
00:26:34To keep my mouth shut
00:26:38Well, that's encouraging
00:26:40Our host knows the Travers' peculiarities about separate rooms
00:26:44Yes
00:26:45And everybody thinks I'm crazy
00:26:47Well, maybe I am
00:26:50Oh, I don't think so
00:26:53I don't think so
00:27:07I don't think so
00:27:08You might be almost
00:27:10I look like this
00:27:13He's always trying to identify
00:27:16He's not an enemy
00:27:18Tired?
00:27:24Yes.
00:27:26Bored?
00:27:28To distraction.
00:27:32Why don't you go to your room, dear?
00:27:37Lynn?
00:27:41Well, I think I will. I'm awfully restless.
00:27:48Good night.
00:27:52Good night.
00:28:18Good night.
00:28:25Smoke?
00:28:29Traveler smokes only the best.
00:28:32Hear that?
00:28:34Ride in a motorboat.
00:28:37Different, don't you think?
00:28:39Neat.
00:28:39Shoot.
00:28:45That is not the voice.
00:28:48There are many certain clothes.
00:28:51What should I have to?
00:28:54Can just object to choose if they are parts of the bel perks of each other.
00:28:57The biggest mayor happens in this series.
00:28:59And many of them ride to see.
00:29:01stack up their units and row together.
00:29:06geben ever to help from each other.
00:29:08stubborn people and to not come to the pool.
00:29:09The man who fell for his hook, line and sinker.
00:29:34What a sucker that Morgan is.
00:29:36It worked, eh?
00:29:36His love for antiques.
00:29:39We'll make an antique out of him.
00:29:41Well, we'll get down there.
00:29:42He'll be there at 8.
00:29:44Wait a minute.
00:29:45There's to be no slip-up on this.
00:29:48I'll go myself.
00:29:49Wait a minute, boss.
00:29:50I'll go myself.
00:29:52Okay.
00:29:53Have a drink.
00:29:54All right.
00:29:56Have the car ready.
00:29:57I'll be right down.
00:29:58All right.
00:29:59Skylar 83527.
00:30:10Hello, Lynn.
00:30:12Oh, hello, dear.
00:30:15Yes, I'm ready.
00:30:16Oh.
00:30:22We're not going?
00:30:23No, we're going to the theater instead.
00:30:26Don't rest.
00:30:28I'll call for you in 20 minutes.
00:30:31They'll be ready.
00:30:32Oh, all right, dear.
00:30:33I'll hurry.
00:30:35Goodbye.
00:30:35Goodbye.
00:30:35Goodbye.
00:30:46We'll be back in a minute, honey.
00:31:00Goodbye.
00:31:24Goodbye.
00:31:28Bye.
00:31:28Bye.
00:31:28Bye.
00:31:29Bye.
00:31:30hey what's the big idea you think this is fourth of july what do you see officers the motor was
00:31:57clogged up and i was trying to fix it i'll cut it out i'll give you a ticket okay
00:32:09what happened shut up police police the man's been killed please
00:32:24hey you come down here
00:32:30follow that car
00:32:31and pull yourself together it's either morgan's life or mine
00:32:39you'll get away from me in the morning from cleveland i've been there since sunday night
00:32:46here ditch that when you get away from the car and remember keep your mouth shut goodbye
00:33:01so
00:33:10so
00:33:12so
00:33:14so
00:33:20so
00:33:26Just a minute, young lady.
00:33:44We want to talk to you.
00:33:45Who are you?
00:33:50Oh, I remember.
00:33:53Come in, Cockro.
00:33:54I am in.
00:33:56Take your hat off.
00:34:04I've seen you before, haven't I?
00:34:07Yes, Silver Moon.
00:34:08Are you Mrs. Travers?
00:34:11No, I'm not Mrs. Travers.
00:34:22You're his girl, eh?
00:34:25I was.
00:34:27Were you out with him last night?
00:34:32No.
00:34:35Morgan was knocked off last night, and we think that Travers knows who did the job.
00:34:42Where were you last night?
00:34:47Here.
00:34:47Oh, here?
00:34:49I didn't go out all evening.
00:34:54Where is Travers?
00:34:58He's in Cleveland.
00:34:59He's in Cleveland.
00:35:08I'm laughing myself to death.
00:35:10You don't look like the sort of a girl that would be mixed up with a man in Travers' business.
00:35:15I didn't know the business he was in until I read the newspapers this morning.
00:35:20How long have you been with Travers?
00:35:22Just a few months.
00:35:24I've been drawing a salary.
00:35:26A red-haired alibi.
00:35:29A red-haired alibi.
00:35:38You don't look dumb.
00:35:39Did Travers ever ask you to carry a gun?
00:35:44Ever shove a gun in your hand and ask you to duck with it and then chuck it?
00:35:50No.
00:35:51Why don't you go through her thing?
00:35:53Oh, shut up.
00:35:54Travers isn't leaving any tracks.
00:35:56And you couldn't make this girl talk even if you're third-degree to...
00:35:59Okay.
00:36:04You don't look like a bad girl.
00:36:09I'm not.
00:36:11He was going to marry you?
00:36:14Sure.
00:36:16He was going to marry me.
00:36:17And you didn't know he was a big shot?
00:36:19No, you see, I knew he had power.
00:36:22And I thought he was on the level.
00:36:24I...
00:36:24Oh, I don't know what I thought.
00:36:27He was just leading you on and you didn't get wise to his line, eh?
00:36:31Perhaps.
00:36:34Were you planning on sticking around until the fireworks popped?
00:36:42Until I read the paper.
00:36:43I didn't know what I'd let myself in for.
00:36:44Well, I might have guessed what Travers was if I'd have tried very hard, but...
00:36:51You see, I...
00:36:53I loved him.
00:36:56Well, I...
00:36:57I haven't been very bright, I guess.
00:37:00And perhaps I didn't want to know.
00:37:03Anyway...
00:37:04I made a mess of things and I'm...
00:37:06I'm going to walk out on him.
00:37:08Are you going to stop me?
00:37:16Does Travers know you're leaving?
00:37:18No.
00:37:19He's in Cleveland.
00:37:20Oh, shut up.
00:37:29Now listen.
00:37:31I'm being kind to you, and I'll give it to you straight.
00:37:35Land.
00:37:35And do it before Morgan's outfit goes into action.
00:37:39You know, taxes are high and it costs a lot of money to keep up the morn.
00:37:43Well, so long young lady
00:37:47And take a tip from an old copper
00:37:49Who's seen a lot of pretty girls who'll slap
00:37:51Pick yourself out a nice little date
00:37:54And lay
00:37:55Thanks
00:37:56Okay, Cochran
00:37:59Okay
00:38:00Okay
00:38:00It is very difficult to find a position for anyone
00:38:14Without references, Miss Mona
00:38:16Well, I explained that they were lost with my baggie
00:38:19I'm sorry
00:38:20But I can't do anything for you
00:38:22You mentioned a job as a nurse
00:38:25And I love children
00:38:27No, uh
00:38:30I don't think so
00:38:31My client is hard to please
00:38:34And very particular
00:38:36Any luck today, Mrs. Johnson?
00:38:46No, Mr. Sheldon
00:38:47Aren't you going to speak to me, Mr. Sheldon?
00:38:50Uh
00:38:50Lynn, for goodness sake
00:38:53Lynn Monest, how are you?
00:38:55Fine
00:38:55Well, I'm sick to death in New York
00:38:57And looking for a job in White Plains
00:38:59Is that right?
00:39:00Yes
00:39:00May we talk in here, Miss Johnson?
00:39:02Well, a strict minute ago
00:39:04Thank you
00:39:04Sit down
00:39:05You know, I've thought of you more than once
00:39:09Since the night we went to the vanities
00:39:11Oh, the roses you sent me were lovely
00:39:13I'm glad you liked them
00:39:14Did you tell your wife you took me?
00:39:17No
00:39:18She never came back
00:39:20Oh, I'm sorry
00:39:21Things often turn out that way
00:39:24You're a strange girl
00:39:26Why?
00:39:28Oh, I don't know
00:39:29You impress me as being quite sophisticated
00:39:32And at the same time, rather naive
00:39:34Well, I suppose I'm a little of both
00:39:38Life mixes up to two after
00:39:41You've waited through it a few years
00:39:44That's right, it does
00:39:45I want my daughter to grow up with the knowledge
00:39:49That everything in life isn't superficial
00:39:51How old is she?
00:39:54Nearly four years old now
00:39:55Were you serious about wanting a job?
00:39:59Oh, I'd love to take care of a little girl
00:40:01You would?
00:40:01Yes
00:40:02When can you start?
00:40:04Right now
00:40:05Fine
00:40:06Oh, it's lovely
00:40:17You like it?
00:40:19Wait a minute
00:40:19Margaret
00:40:20Margaret, bring Gloria down
00:40:24Hello, Daddy
00:40:30Hello, honey
00:40:31Any good girl?
00:40:36Hello, today
00:40:37Big surprise thing
00:40:40Now, Gloria
00:40:43This lady's come to take care of you
00:40:45I do
00:40:46How do you do?
00:40:49Is she gonna be my new mama?
00:40:51Well, no, no
00:40:52What's your name?
00:40:56Lynn
00:40:56Lynn what?
00:40:57Mona
00:40:58Are you gonna stay here?
00:41:00Yes
00:41:00Why don't you take off your hat?
00:41:06Now, does that suit you better?
00:41:11Yeah
00:41:12Oh, she's a little doll
00:41:14Well, you're gonna get along
00:41:17Why don't you come up?
00:41:21Doesn't see my toy?
00:41:22Oh, I'd love to
00:41:23Good night, darling
00:41:25Good night
00:41:26And will you go to bed and be a real good girl?
00:41:29Yeah
00:41:29You won't go away and leave me with you, Lynn
00:41:34Oh, no, darling
00:41:35I won't
00:41:36And will you stay here to my big girl?
00:41:42Oh, yes, precious
00:41:43I will, dear
00:41:44Now, give me a good kiss
00:41:46I'll see you in the morning
00:42:01All right, dear
00:42:03Good night, darling
00:42:07I'll see you in the morning
00:42:37Lynn, are you happy here?
00:42:43Yes
00:42:43You'll never know how happy I am
00:42:46I'm glad
00:42:48I don't know what we'd do without you
00:42:50Well, that's sweet of you to say that
00:42:53I mean it
00:42:55Gloria loves you, Lynn
00:42:57And so do I
00:43:01Will you marry me?
00:43:07But you don't know anything about me
00:43:16I don't want to
00:43:17I love you
00:43:19And I want you to be married
00:43:21I love you
00:43:23I love you
00:43:24Really
00:43:24Well, Lynn
00:43:42You realize this is the first time you've been in New York since we've been married
00:43:46It is, isn't it?
00:43:51New York
00:43:52I don't like it
00:43:55It's like some great machine
00:43:57Grinding, grinding
00:43:59Oh, it's
00:44:01It frightens me
00:44:02I hate to leave home
00:44:05Even for an hour
00:44:06Even to take you to the station
00:44:08It's so quiet and peaceful here
00:44:12You love our home, don't you?
00:44:15Wouldn't you?
00:44:17It was the first real home you'd ever known
00:44:19You bet I would
00:44:20Now, come on
00:44:22You wait here for Mr. Schell
00:44:38What is that?
00:44:49Yeah
00:44:50Drawing room 8, car 42
00:44:55Drawing room 8, car 42
00:44:56That's right
00:44:57Couldn't get a dime
00:45:08I've got to get out of town
00:45:11Trent
00:45:11They're gunning for you
00:45:13I know it
00:45:15Now listen
00:45:22Try Patterson
00:45:24And tell him I expect him to come through
00:45:26He's pretty tough
00:45:28Go on
00:45:38You hurry home
00:45:40And don't forget
00:45:41You promised Gloria a nice present
00:45:42Oh, and if I could
00:45:43Go on
00:45:44Bye
00:45:45Bye
00:45:45Bye
00:45:46Bye
00:45:47Bye
00:45:49Bye
00:45:59Bye
00:46:00Bye
00:46:01Bye
00:46:02Bye
00:46:03Bye
00:46:04Bye
00:46:05Bye
00:46:06Bye
00:46:07Bye
00:46:08Bye
00:46:35Bye
00:46:37It's all right here.
00:47:00Follow that limousine.
00:47:07Gohan, gohan, gohan!
00:47:32Get some shovels, please.
00:47:33Get some shovels next to back to you, sir.
00:47:35See you'll see me.
00:47:36Just a moment, please.
00:47:48It's all right, Barton.
00:47:49Yes.
00:47:54What do you want?
00:47:55Can we talk here?
00:47:57What do you want?
00:47:58Can we talk here?
00:48:00Yes.
00:48:01Well, all right.
00:48:02Now, listen, I'm in a jam, and you've got to help me.
00:48:06How did you find me?
00:48:07I saw you at the station in Trailer.
00:48:10New York is a small place.
00:48:12What is it you want?
00:48:14I've got to get out of the country.
00:48:16My life isn't worth a nickel.
00:48:19I'm broke.
00:48:20And you're going to lend me $10,000.
00:48:29Well, where on earth can I get it?
00:48:36You married a rich man, didn't you?
00:48:37You're a smart girl.
00:48:39Get it from him.
00:48:40I can't ask him.
00:48:41Now, listen.
00:48:42I'm cornered.
00:48:44You've got to help me.
00:48:45I'll meet you at 8.30 at Peacock Inn.
00:48:48I can't.
00:48:49You're going to.
00:48:51I'll be in a private room on the north side.
00:48:54Come through the windows off the veranda, and you won't be seen.
00:48:56No, I won't.
00:49:01Now, listen.
00:49:02This is a good time for you to do some fast thinking and keep your mouth shut.
00:49:06You always were a clam.
00:49:07Well, be one now.
00:49:10Come through for me, or I'll...
00:49:13You mean...
00:49:15You tell my husband...
00:49:16Just try me.
00:49:32Hello, Mommy.
00:49:34Hello, darling.
00:49:37Where's my present?
00:49:40Well, I'm going to get it tomorrow, dear.
00:49:42All right.
00:49:43I'm going to get it tomorrow.
00:50:13Lynn, you're more beautiful than ever.
00:50:30Take off your coat.
00:50:31I want to look at you.
00:50:33No, I can't say.
00:50:35You're going to do as I say.
00:50:38I can't have the way to see me.
00:50:40I've been here before with my husband.
00:50:41That door is locked.
00:50:49You can step out that window under the veranda if anyone comes.
00:50:55Come here.
00:51:01Now, take off the coat.
00:51:03No, I'd better leave it on if I'm going to step outside.
00:51:05Oh, well, all right.
00:51:08All right.
00:51:08May I have the order, sir?
00:51:36I'm not quite ready yet.
00:51:38Come back in a few minutes.
00:51:39Certainly, Chris.
00:51:46Lynn.
00:51:47He's gone.
00:51:47Come here.
00:51:47Come here.
00:51:47Come here.
00:51:48Come here.
00:51:48Come here.
00:51:49Come here.
00:51:50Come here.
00:51:51Come here.
00:51:52Come here.
00:51:53Come here.
00:51:54Come here.
00:51:55Come here.
00:51:56Well, where's the money?
00:52:00I didn't bring it.
00:52:03What?
00:52:05I couldn't.
00:52:08My husband is out of town.
00:52:10And besides, I, I won't ask you.
00:52:22Now, listen.
00:52:24You're a smart girl.
00:52:27Why let a little thing like a husband stand in the way?
00:52:31I told you I can't.
00:52:33You can't, eh?
00:52:33You mean you won't?
00:52:36Yes.
00:52:37Why, you little fool.
00:52:40Did it ever occur to you that the police might be interested in finding a certain red-haired
00:52:43girl known as Mrs. Robert Shelton, who handled the gun that killed Morgan?
00:52:48Oh, no.
00:52:49No, you wouldn't do that.
00:52:50I wouldn't, eh?
00:52:52All right, then.
00:52:52You're going to get me that money.
00:52:55I can.
00:52:55I can.
00:52:55I can.
00:53:03Operator, get in the police headquarters.
00:53:09What are you going to do?
00:53:11Tell the police where they can find a certain red-haired girl.
00:53:18Hello, police headquarters?
00:53:21Let me talk to the captain of detective.
00:53:32Always work.
00:53:33Come on, girl.
00:53:42Hello.
00:53:43Sure I heard a shot.
00:53:44Take that call, then.
00:54:03Who was it?
00:54:10Okay.
00:54:11Peacock in.
00:54:13There's something wrong, all right.
00:54:15We'd better investigate.
00:54:16Okay.
00:54:17What's the problem here?
00:54:42Well, I skidded and stalled my motor.
00:54:45Not out of gas, are you?
00:54:46No, I used to choke so much that I thought of the carburetor, I guess.
00:54:49Well, turn off your switch and close your throttle.
00:54:52Then step on your starter.
00:54:54Then turn on your switch and open your throttle.
00:54:56Maybe that'll help you.
00:54:57Well, I've been trying that for the last ten minutes.
00:54:58Well, come on.
00:54:59Do something.
00:54:59I'm in a hurry.
00:55:00Get out of here.
00:55:01Come on.
00:55:01Start it up.
00:55:02That's it.
00:55:05Come on, now.
00:55:06Bring that car on there.
00:55:08Come on.
00:55:08Bring that car.
00:55:09Come on.
00:55:09You didn't hear a shot, eh?
00:55:33Look at this.
00:55:34I only stopped the door.
00:55:36Good thing we came down.
00:55:40Sure.
00:55:44What do those doors open, Otto?
00:55:46A small terrace.
00:55:48You see, in summertime, we have the flowers and light.
00:55:51Never mind the decoration.
00:55:52Is that the back of the house?
00:55:54Yes.
00:55:55He asked me for a private dining room on the north side, the back of the house,
00:56:00with a window which opens until the balcony.
00:56:04What's his name?
00:56:05Smith.
00:56:06Uh, Mr. John Smith.
00:56:08Well, well, our old friend, Mr. John Smith, eh?
00:56:11Uh-huh.
00:56:13You ever see Mr. Smith before?
00:56:14No.
00:56:15Excuse me.
00:56:17But somewhere, someplace in New York, I have seen that man.
00:56:21Oh, I see him in New York.
00:56:23Yes, sir.
00:56:24Well, that helps.
00:56:25Only a few people live in New York.
00:56:27Now, let's have a look at him.
00:56:29Oh, this is terrible, terrible.
00:56:32So it is.
00:56:34Trent Travers, parading as John Smith.
00:56:39What?
00:56:40Trent Travers!
00:56:42What are you saying, Kent?
00:56:43You don't mean me, Trent Travers!
00:56:45Yeah.
00:56:45Oh, this will ruin me, it will ruin me!
00:56:48Who else is in the room?
00:56:49Well, the time I came in, he was alone.
00:56:52The door was locked.
00:56:53I knocked and he let me in.
00:56:55Do you hear any voices?
00:56:56Well, I...
00:56:58I listened when I came out.
00:57:02So!
00:57:03You are a snooper!
00:57:04Why do you listen when you're supposed not to, huh?
00:57:08Sometimes it is very interesting.
00:57:11Now you listen to me.
00:57:13You hardly...
00:57:13Cut it, Margoly.
00:57:14What did you hear?
00:57:15Well, I heard a woman's voice say,
00:57:18Oh, no!
00:57:19You wouldn't do that!
00:57:20What was he doing?
00:57:22Well, that, sir, I...
00:57:24I don't know.
00:57:27But just then, I heard a man say,
00:57:30Well, how about getting me that money?
00:57:33And then some people came along and spoiled everything.
00:57:37I know to find New York.
00:57:39They are looking for him.
00:57:41Now, get the coroner.
00:57:44Help!
00:57:45Help!
00:57:45Long distance.
00:57:46I never said this.
00:57:47This is Captain Kent speaking.
00:57:51They got him, eh?
00:57:54Morgan's gang put Travers on the spot.
00:57:59Okay.
00:58:00I'll be there in about an hour.
00:58:03A dame?
00:58:06There usually is.
00:58:12I'm going to White Plains, McCartney.
00:58:13I'll see you in the morning.
00:58:19Hello, Kent.
00:58:20Hello, Regan.
00:58:20Thanks very much for your cooperation in that Vanaghan chase.
00:58:24Always like to do what I can to help.
00:58:27Carter removed the body.
00:58:29You said there was a woman mixed up in this.
00:58:31What is she?
00:58:31That's what I'd like to know.
00:58:33Well, didn't anybody see her or get a description of her?
00:58:37You're a waiter served.
00:58:38I hear.
00:58:41Did you see the woman when you served them?
00:58:43Well, sir, I think she must have stepped out on the terrace when I came in the door.
00:58:48Oh, and you didn't get a good look at her, eh?
00:58:50No, sir.
00:58:50But he heard her voice.
00:58:51What did she say?
00:58:53She said, oh, no, no.
00:58:55You wouldn't do that.
00:58:58Do what?
00:59:00That, sir, I do not know.
00:59:02But then, then the man said, well, how about giving me that money?
00:59:11Oh, now calm yourself.
00:59:12Don't get excited.
00:59:13Well, I can't stop it sometimes, sir.
00:59:16I, I'm so emotional.
00:59:17Well, just then some people came along, and I had to leave.
00:59:23Oh, that's too bad.
00:59:25Oh, oh, but I came back.
00:59:27And, and then I heard me calling her by some funny name.
00:59:32Funny name, eh?
00:59:33What did it sound like?
00:59:35Lin, Lin, Lin.
00:59:39Lin.
00:59:43The red-haired alibi.
00:59:44Now that you mention this, I do remember that he said something about the police being interested
00:59:50in the red-haired woman that handled the gun in some murder case.
00:59:56But I don't remember the name.
00:59:58Was it Morgan?
01:00:00Morgan.
01:00:01That was it.
01:00:02Morgan.
01:00:03Morgan.
01:00:04You know her, Egan?
01:00:05Yes, that is, if it's the woman I think it is, she used to be Travers' girl.
01:00:09She walked out on him at the time that Morgan was killed and came up here to White Plain.
01:00:13And later, she married a man by the name of Shelton.
01:00:16She seemed to be a very nice girl, and I gave her a break.
01:00:20I hadn't quite cleaned up on the Morgan case at that time, and I kept track of her.
01:00:25You know where Shelton lives, don't you?
01:00:27Yes.
01:00:27Well, let's go up there.
01:00:28All right, but we'd better see the coroner first.
01:00:30Okay.
01:00:36Shelton, then?
01:00:36Well, is Mr. Shelton expecting you, sir?
01:00:39No, but I think she'll see us.
01:00:41Tell her Mr. Kent and Mr. Egan are here, and it's very important.
01:00:45Yes, sir.
01:00:46Just a minute, sir.
01:00:53She's done pretty well for her.
01:00:55They usually do.
01:00:57Mr. Kent and Mr. Egan to see you, madam.
01:01:00What do they want?
01:01:01Mr. Kent said it was quite important.
01:01:03Oh, well, all right, I'll see them.
01:01:06Very good, madam.
01:01:10She'll see you, gentlemen.
01:01:12Take your coat, sir.
01:01:33Oh.
01:01:54Do you wish to see me?
01:01:55Yes, Mr. Shelton.
01:01:57I'm Mr. Egan.
01:02:00Kent, Mr. Egan.
01:02:01You don't remember me?
01:02:05No.
01:02:06Although your voice sounds familiar.
01:02:09I talked to you earlier this evening on Lane Road.
01:02:13You remember.
01:02:15What is it?
01:02:17What do you want?
01:02:19Wouldn't you better sit down, Mr. Shelton?
01:02:21Haven't I seen you before?
01:02:32It's possible.
01:02:33I've been around New York for nearly 50 years.
01:02:36I think you'll remember.
01:02:38I remember you.
01:02:41Yes.
01:02:42I know.
01:02:43You know why we're here, of course.
01:02:46Yes.
01:02:48You're in a tough spot, Mrs. Shelton.
01:02:51I know.
01:02:55Do you think a person is ever justified in killing another?
01:03:00Well, there are a lot of people without whom the world would be better off.
01:03:04I'm glad to hear you say that.
01:03:08Why?
01:03:11Perhaps I can make you understand then why I killed Trent Travis.
01:03:17Anything you say may be used against you.
01:03:19Oh, I'm not worried about myself.
01:03:21About my husband and Gloria.
01:03:23Had I had less confidence in my ability to take care of myself and keep out of trouble,
01:03:32I probably wouldn't have had any beginning with Trent Travis.
01:03:37Eventually, I found out who he was and what he was.
01:03:42And then I realized what I had been.
01:03:46I hated myself.
01:03:47I hated New York.
01:03:48And I tried to put it all behind me and out of my mind as nearly as I could.
01:03:54And then I came here to White Plains and met and married Robert Shelton.
01:04:03Trent Travis came back into my life today.
01:04:06He threatened my happiness.
01:04:08It was to preserve it that I went to the Peacock Inn tonight.
01:04:11He demanded money.
01:04:13A loan, he called it.
01:04:14The sum of money I couldn't possibly get without revealing everything to my husband.
01:04:22That's why I killed him.
01:04:24Did you keep the gun or did you throw it away, Mr. Shelton?
01:04:27I had it.
01:04:28My husband.
01:04:30May I see it, please?
01:04:32Yes, I'll do it.
01:04:36That's all right.
01:04:37She'll be back.
01:04:42What do you think?
01:04:43As far as I'm concerned, it's a cut-and-dry case.
01:04:50Yes.
01:05:00Hello.
01:05:01Hello, baby.
01:05:06Where's my mama?
01:05:08Why, your mama just stepped out for a minute.
01:05:11What's your name, darling?
01:05:14Gloria Shelton.
01:05:16Gloria Shelton.
01:05:19Isn't that great?
01:05:20You know, I got a little niece just about her age.
01:05:25That's too bad.
01:05:27Nice home.
01:05:29Nice baby.
01:05:31From what she says, a good husband.
01:05:39Gloria's here.
01:05:41Here, I'll take her.
01:05:42Let me hold her.
01:05:46She might have been arrested immediately.
01:05:48I'm afraid so.
01:05:49Why, this is a .32.
01:06:00What?
01:06:01Let me see.
01:06:02You may have shot at Travers, Mrs. Shelton, but the bullet that killed him was fired from
01:06:19a .45 caliber gun.
01:06:22You see, there were a lot of people gunning for that man.
01:06:25The Morgan crowd, more than likely.
01:06:27I guess that's right.
01:06:28I'm sure it's right.
01:06:36Are you sure that was a .45?
01:06:38Positive.
01:06:39The medical examiner has the bullet.
01:06:45Then I'm not going to be arrested?
01:06:48No.
01:06:50Are you satisfied, Kent?
01:06:52All right with me.
01:06:53Okay.
01:07:00Good night.
01:07:01Good night.
01:07:02Good night.
01:07:05What are you crying for?
01:07:10Good night.
Recommended
1:18:23
|
Up next
Be the first to comment