- 5 weeks ago
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🎥
Short filmTranscript
00:00Oh
00:30You've got a chance to pull through the doctor told me so why don't you talk a little you're
00:48you're gonna need friends Louis and we can make things more comfortable for you I'm laughing
00:55I can be sensible we know Molly was with you in the holdup we found a fingerprint smeared all over the steering wheel of your car and
01:03This was in your wallet
01:11I told you she ain't got nothing to do with it
01:14Besides you got me. He's satisfied. I will be as soon as I locked in the same pair you're headed for
01:25I
01:35Responding so then doesn't know they were far. I better beat it molly wait
01:41I'll hide you here so I can fix it with one of them greener skippers to take you to South America
01:46Not looking girl like you can get along anywhere Molly
01:49Yeah
01:50Anywhere and anyhow
01:52I
01:53Can't do nothing more for your girl
01:55You know it wasn't me that got the end of this mess. I'm sorry mother. I didn't mean it like that
02:01All right, all right
02:03She's a great
02:05No
02:06She's a great
02:06I'm the
02:07I'm the
02:07I'm the
02:08And
02:09I'm the
02:09I'm and
02:10And
02:11Oh
02:12Oh
02:12My
02:33You're writing baboon sound like a steamwink you ain't got no soul for music yet even you
02:41Come on party, let's take them to dry dock
03:03Oh
03:33Oh
04:03Oh
04:33Oh
04:58I sure enjoyed that fight did you see me knocking well?
05:02I was great
05:04Yeah, you were sensational up in the first rope on the top
05:08Them nightsticks don't like my head. Of course not only a woodpecker could do that. You're crazy
05:15They wouldn't like me on a con of my boy fancy. I called them a little fatted friend
05:22especially the felix
05:24I
05:27Know more drinking
05:29Coffee's what we need. I'll make you a pot of jazz. It'll knock both your lamps out
05:34Take the hood
05:36Oh
05:38Peculiar Boyd is the pelican his feet holds more than his belly
05:44What a noble boy, a
05:46Noble boy, a
05:50ha, ha, ha
05:51ha
05:52Ha ha ha
05:54Ha
05:55Ha ha ha ha
05:56Ha ha ha ha
06:27Ow!
06:33Well, who are you?
06:42What are you doing here?
06:46Well, you see, it's for all the mistakes.
06:48I bought a ticket for the Leviathan and in the dark I thought this was it.
06:51Now, don't get smart with me.
06:53I'm the boss here, and I don't like wisecracks, especially for a stowaway. I'm not stowing away. I'm just sleepy.
07:00Sleepy? Come on, what's the racket?
07:03Well, you see, I'm broke, and I didn't have any place to sleep. I saw your boat here, high and dry on the waves, and I was tired and cold.
07:12So, I went to sleep, and I just woke up. Well, you just woke me up. Here we are.
07:22Here we are. Yeah, here we are. And here you wait. You're going back.
07:39Hey, Porky. What?
07:41Cut your motor off. Come down here.
07:52Hey, Dave.
07:58Wait till I tell you what's happened, then we're going back to shore.
08:01What is it, the merry-go-round?
08:02Don't argue with me. We've got a stowaway, a woman.
08:05No kidding. I'll see if she's got a girlfriend.
08:08Ah, shut up.
08:09We're going to head for border-squicking a can.
08:11Nothing doing. This sea air is better than what's circulating in them jails.
08:16What do you mean?
08:17I mean, I hate confinement. And those cops are going to make sure we're going to get plenty of it.
08:23You're right, Porky. We can't risk showing ourselves for a few days. Even for our dames.
08:30Some avoid the wizards, Skipper.
08:32Rig a bunk up here for our own deck and get her out of my cavern.
08:35Salutation.
08:36Lady, I never met you before, but you sure made an impression on me.
09:01Well, so far, you're just a headache to me.
09:04Hey, what's going on here? Get out of here, you big lug.
09:16I was just going to make some coffee when I bumped into a friend.
09:19Yeah? Listen, besides being a stowaway, you're a nuisance. Now, keep out of our way while you're on this boat.
09:27Why don't you put me ashore, then?
09:29That's my business. I'll skip a year when it's convenient for me to go ashore and I'll go, and not before.
09:36Well, uh, when will it be convenient?
09:38Shut up. And make yourself scared. Show away the bunk, Porky.
09:44You've got a disposition like a rattlesnake. Make your own coffee and like it.
10:03Fresh cream and sugar in mine, please.
10:06Dog.
10:10You didn't have to be so nasty. I was only trying to make myself useful.
10:15Sure, sure. I know.
10:17Hey, can you bake lemon meringue pie?
10:22Maybe. Why?
10:24Oh, nothing.
10:27Only I was thinking about how much we like it.
10:30Porky, I told you what to do.
10:33Aye, aye, sir, and a couple of salutes.
10:36Bram.
10:41You can't talk to me like that.
10:44Oh, I can't, eh?
10:46No, you can't.
10:47Well, I will while you're on this boat.
10:49Oh, you and your boat.
10:51I wish I'd never set foot on it.
10:53Her eyes on you.
10:54That's mutual.
10:56If you don't like it, why don't you get off?
10:59All right. I will.
11:06Look, she did.
11:07Yeah.
11:08And she can't swim.
11:09Oh, that's strange.
11:10Attaboy, Cap.
11:11You get a medal for that.
11:36See, it's peaceful out here.
11:48Ain't it?
11:50Personally, I'll be glad we go ashore tomorrow.
11:54Oh, do we go back tomorrow?
11:56Sure.
11:57We're almost out of fuel and we only carry three days to fly.
12:01Well, I guess that's the end of my cruise.
12:04Maybe.
12:08Where do you go from here?
12:09Oh, just around.
12:11No place in particular.
12:13This cub ain't a bad home for them that ain't too particular.
12:18You're a good seller for me.
12:20I'd like to stay aboard if I was wanted.
12:25I could clean and fix the cabin up nice.
12:27I'd have to work with.
12:29I could get you what you needed.
12:31Using white oil cloth, we'll do it.
12:33Any doilies?
12:35No doilies.
12:36It wouldn't be too fancy.
12:38Just careful.
12:39You'll see.
12:41Oh, but I don't think you'll let me stay aboard.
12:43He keeps telling me I'm a pest around here.
12:49Remember when you jumped overboard?
12:51He jumped off your back, didn't he?
12:52Figure it out yourself.
12:53That's right.
12:54Don't get yourself all tired out.
12:55What do you think this is?
12:56An excursion boat?
12:57Speaking to me?
12:58No, it's him I'm talking to.
12:59Sorry, Captain.
13:00I was just in one of my moods.
13:01It's them sense that it does it.
13:02It brings out the artistic in me.
13:03Yeah?
13:04Well, see how much art you can get into painting that wheel has.
13:05It's beneath me to do this.
13:06But you're divorced.
13:07Get going.
13:08Get going.
13:16it's beneath me to do this.
13:21But you're divorced.
13:23Get going.
13:28do this but you're the boys get going
13:38well what do you want I just wanted to remind you that you haven't spoken to me
13:43in two days well I'm glad you reminded me something I want you to do really
13:50what throw the buttons on that shirt no after you throw it I won thanks for the
14:01opportunity you must think I'm working my way through college well this will be
14:05just as good an education for you you don't look like you don't speak in terms
14:08with any work but then I've worked all my life but not for any man and when I
14:13start it won't be from one who orders it the more I see of you the less I know
14:20you maybe I'll tell you about me sometimes last year's life if you ever
14:27become civil well you better write me for an appointment I'm busy all this week I
14:34should know better than expecting the intelligence from a
14:41have you arrived but we're all put on earth for a reason I've got the courage and
14:51you've got the work
15:11that dame makes me sick funny you look healthy
15:40I don't like anything about it yeah our coffee is good and the ham and eggs is
15:47all right it must be time for lunch must be noon well if it is Morgan Rock will be
15:56shooting the Sun
16:10for the last 10 years he's been sailing that ship and for the last 10 years it's
16:20been tied up all that he's been sailing don't get yourself Morgan Rock might be
16:25funny about that boat he is but he's nobody's fool
16:32I'll be alongside in a jiffy
16:46come on we'll take him over on the feet and put on the feet bag
16:53how are you captain
16:56evening we've been at shore in weeks what's news
17:00plenty we're running our boat American plan now three meals a day and a classy
17:05chef for an appetite
17:07yeah and instead of an engineer I got a human phonograph
17:10come on aboard we're so richy now we even got napkin
17:13don't listen to that square head come on Morgan
17:43go below I'll bring him down soup's on captain it can wait but it's lemon meringue pie
17:59that's right Chris never keep the mess waiting
18:03except the foul weather keeps you on the bridge there's gonna be plenty of foul weather soon
18:07on the bridge of somebody's nose if I wasn't the only man in this crew I start a mutiny
18:14yeah come on Morgan
18:37some class huh kid what is this a boat or a beauty parlor I ain't seen a cabin as cozy as this
19:01since I was captain on a ferry boat thirty years ago
19:07well I can believe it that's just where it belongs I can't haul fish in through lace curtains and I ain't gonna try
19:13a woman's dainty touch can decorate a lighthouse my congratulations
19:22Morgan this is Molly our housekeeper this is Captain Morgan happy to meet you miss
19:28and I've reason to know what I'm talking about
19:33I've spent ten years home on my old ship
19:41sometimes a female is a heavens blessing to a sailor man
19:48thanks Captain
19:50I'm glad to hear a real sailor's opinion
19:53oh excuse me Erin
20:07but I I was trying to place where I'd seen you before
20:13well I'm sure we've never met
20:15you see I'm a stranger in these parts
20:18oh of course
20:20uh one makes lots of mistakes at my age
20:26won't you uh sit here
20:28no I I'll wait till the captain takes his place at the head of the board
20:33that's right
20:34come on Skipper
20:39come on Chris
20:40I'm not hungry
20:42I'm not hungry
20:43well I've cooked everything you like
20:45please try to eat
20:56sit down Captain
20:57come on Captain
21:27and it's too bad about Chris losing his appetite
21:46don't try that with that lemon meringue pie
21:52you
22:22Molly, what are you crying for?
22:25Well, I guess I'm kind of funny, Chris.
22:28Most people laugh when they're happy, but I cry.
22:32Oh, boy.
22:36Chris, I am so happy.
22:38I'm happy to see Monica, but I just can't say it so well.
22:44Come here.
22:44Yes, Chris.
22:55William?
22:57You're like what?
22:59No, you.
23:02What do you think?
23:04I think I'm the happiest guy in the Pacific, and that takes in a lot of territory.
23:09I'll tell you what.
23:11We'll get down to San Diego for a while.
23:12But they've got fishing goods, aren't they?
23:16And so is Honey, Mimi.
23:19Chris, there's something I've got to tell you.
23:24Something about my past.
23:26Your past?
23:28Yes.
23:29There was another man then, Chris, and he was...
23:31Molly!
23:32I don't want to hear any of it.
23:35As far as I'm concerned, what happened then is, well, it's just like the wake of this old boat.
23:39It's behind us.
23:40Do you understand?
23:42Is that the way you feel about it?
23:45Yes.
23:46No matter what it might mean in the future.
23:52Then I'll forget it forever, I hope.
23:55Let's see.
23:56What was it I was asking you for?
24:00Tell you.
24:02Oh, yes.
24:04And the answer is great.
24:05I don't know.
24:24I'm sorry.
24:25I've got it.
24:28I'm sorry.
24:28Friends, we're gathered here to unite in matrimony, Lars Christensen and Molly Clough, both residents of Los Angeles County, respectively.
24:46Do either of you or any person within the hearing of my voice know any lawful reason why I should not perform this ceremony?
24:53If you do, please make it known at this time.
24:56If not, forever hold your peace.
25:02Well, I...
25:03There is no reason why they should not be married.
25:07Please join hands.
25:09Lars Christensen, do you take this woman, Molly Clough, to be your lawful wedded wife?
25:13I do.
25:15Molly Clough, do you take this man, Lars Christensen, to be your lawful wedded husband?
25:21I do.
25:23Then tie the power vested in me by state of California.
25:26And Los Angeles County, thank you, man and wife.
25:30I've been in this dump a year.
25:48This is the first time I've seen you.
25:50I couldn't help it, Louie.
25:51I've been working on your case and others, too.
25:54Yes, mainly others.
25:55Now, Louie, skip it.
25:58What did you find out about Molly?
26:01Not a sign of her.
26:02She probably stowed away on a boat to Mexico or South America.
26:06Why, even her old friend Mother McGee hasn't heard from her.
26:08Yeah, well, I'll find her.
26:12This jute mill don't get me first.
26:14You couldn't spring your grandmother out of a juvenile court.
26:17Do something quick, do you hear?
26:19It's tough, Louie.
26:20You know, your reputation don't smell so good.
26:22Your reputation don't remind me exactly of roses.
26:24Be reasonable, Louie.
26:25You know I feel for you like a brother.
26:27Why, I'm moving heaven and earth for you.
26:30Hey, how much time we got?
26:32Two minutes.
26:34Tell it a hint.
26:35I heard it before.
26:36Gee, I'm happy, Mother.
26:47You should be.
26:50Your fine husband and now, fine son.
26:56He does look like Chris, doesn't he?
26:58And you, Molly.
27:00You're a changed girl with all that mom stuff washed out of your hair.
27:03I wouldn't know you if I met you on the street.
27:08Do you think anyone else would?
27:10Now, don't you stop worrying again.
27:13But you shouldn't be living around in this harbor now.
27:16Why?
27:17Did you hear anything about Louie?
27:19No.
27:20I didn't mean Louie.
27:22They got him up for a long rest of you.
27:26Well, what did you mean?
27:28I meant this ain't no place to bring up a little one like that.
27:31Chris does want to live ashore.
27:36Sure.
27:37Any part but this.
27:39The love of the saints do it soon.
27:42Goodbye, my child.
27:44Rest easy.
27:45Thanks, Mother.
27:46Thanks for your advice.
27:47Goodbye, my child.
27:48Well, hello, Mother.
27:50Hiya.
27:51Hello, Chris.
27:52You're not coming off on you?
27:53Oh, sure.
27:54I don't like to leave those men at that cash register more than an hour.
27:58Maybe you're right.
28:00Watch your step, Mother.
28:01Sure, sure.
28:02Goodbye.
28:09How's my family?
28:10How's my baby?
28:12Huh?
28:13Come on, a pretty man.
28:17There.
28:18Are you talking about it?
28:19Yes?
28:19Hmm?
28:20Yes?
28:21If I said I didn't want the baby to grow up for no better future than ours,
28:25you wouldn't get mad with...
28:26Why, of course not.
28:28I know what you mean.
28:29He'll be no fisherman if I can help it.
28:32I think we'd better live ashore for his sake.
28:34Sure, man.
28:35Someplace away from here.
28:37Someplace away from the harbor.
28:40Don't worry, Mother.
28:42I'll sell the folks.
28:43Cancel down if you want.
28:45Then you and I can go to any place you want.
28:49Oh, brother.
28:50Did you hear that, Skipper?
28:51You're not going to be a fisherman.
28:53You'd have to cry about it.
28:55No.
28:59Don't close that bag yet, Molly.
29:00I'll pack my gun.
29:02I don't think I'll have room for anything else.
29:04All this is life and caliber.
29:07Is that everything?
29:08No.
29:12Almost forgot that.
29:14Well, everything's all settled.
29:16I'm going to see Jensen down to Canrail now and get the money for the boat,
29:18and we're on the way to Oregon.
29:20Wish you were coming with us, Parchi.
29:23What's that you've got on your arm?
29:25I got packed, too.
29:27I'm tired of fishing.
29:29I think I'll take a run up to Frisco for a vacation.
29:32They've got the biggest a crime in the country up there.
29:35You're not going anyplace.
29:37Jensen wants you to stay on the freedom runner.
29:39Oh, Parchi, isn't that wonderful?
29:42Wonderful?
29:43Why, it's absolutely necessary.
29:45I'm the only one who can get this kicker a-running.
29:47If I stay ashore, so does the freedom.
29:51Pulling me aboard here.
29:52Oh, forget it.
29:53Come on the show with me.
29:54Buy the mother McGee's before I see Jensen.
29:58Won't be long.
29:59Come on, get the hulk up there.
30:02Come back in the...
30:04Attention, all cars, repeating broadcast 31, broadcast 3-1.
30:10Following the scribe man escape from San Quentin.
30:13Maine, Louis and Stolich.
30:15About 26.
30:17Dark complexion, eyes and hair.
30:19Weight, 150.
30:21One, six, oh.
30:22Five foot ten.
30:24We're probably here for the Port of Los Angeles.
30:26We'll cover all the dust, see the ship, and place the enemy.
30:31How do you like that?
30:32I don't, Louis.
30:33I can't do nothing for you.
30:35Oh, yes, you can.
30:36But?
30:37I need a hideout so you can fix me for a getaway on a boat.
30:40I can't fix nothing for you.
30:41It wouldn't be the first time you helped someone out of the country.
30:44Meaning?
30:45What happened to Molly?
30:46I don't know.
30:48I haven't seen her since the night the cop plugged you.
30:50No?
30:51Well, you helped her to scram, didn't you?
30:52I did not.
30:54She is, or where she went?
30:57I'd like to see Molly.
30:58She was a good kid.
31:01Take it easy.
31:05Yeah?
31:06Who is it?
31:07It's me, Mother.
31:08Chris.
31:09Oh, uh.
31:11All right, Chris.
31:12Just a minute.
31:17Speak it, George.
31:18Where am I going?
31:20I'll have to.
31:21Well, that's all I'm asking.
31:23He'll be there.
31:24About an hour.
31:25Morgan Rock will meet you there.
31:28I'll ask him to take you out.
31:30No, every skipper in the hop.
31:31He'll do it for me.
31:32I'll be there.
31:44Oh, hello, Chris.
31:45Come in.
31:46How are you, Mother?
31:47How you doing?
31:47Oh, I'm fine.
31:48Oh, I saw you're way in anchor.
31:52Setting a new course tonight.
31:53Yep.
31:54We're leaving on the night train to the north.
31:56Oh, uh.
31:58Here's our new address.
32:00What's down, my dear?
32:02Molly didn't want anyone but you and Porter to know where we're going.
32:05Oh, sure.
32:06I understand.
32:07Molly's not one to mix the bucks with neighbors.
32:10Are you giving up the fish and trade?
32:12Yep.
32:13Tell them the old three of the Jensen's.
32:14You can't let it.
32:15I'll go in there now for the money and then we'll get started.
32:18There's no place for mothers and babies.
32:20There's an old sea dog's advice.
32:22An anchor in the shore.
32:23I get you right, Mother.
32:26Well, I'd better get going.
32:27I've got a couple of hours to do for a sea Jensen's.
32:29Goodbye, Ma.
32:33Smooth sailing to you.
32:34Oh, no matter about me.
32:36My voyage has almost ended.
32:38Oh, you've got a lot of time yet.
32:43Goodbye.
32:45Goodbye, Fitz.
32:46We'll write you when we get up there.
32:48We'll write you when we get up there.
33:18Hello, Molly.
33:37Really?
33:38Aren't you glad to see me?
33:41Why should I be?
33:42Well, hey, what's the idea?
33:45You're acting like I was a plague instead of the old boyfriend.
33:48Snap out of it.
33:52You going away?
33:53Yes.
33:54That's nice.
33:56I'm thinking I've taken a little trip myself.
33:58Want to come along?
33:59That's over.
34:00I'm married now.
34:01Married?
34:04And the kid is...
34:05It's mine.
34:10Nice-looking kid.
34:11Who'd you marry?
34:15You wouldn't know him.
34:16He's not your kind.
34:18He's only a fisherman.
34:19That's funny.
34:20He's not my kind?
34:21What are you doing with him?
34:22He don't know about you and me.
34:26He thinks I'm straight, and I'm never going to tell him different.
34:28I don't know.
34:30Maybe I got something to say about that.
34:35I don't know.
34:35I ain't for sure about that.
34:37I've been sitting in the cell thinking about you for a long time.
34:41When I come out, they're all married and washed up with me.
34:44I don't like it.
34:45Listen, Billy.
34:47I ain't going to tell you why I'm happy like I am.
34:49You wouldn't understand him.
34:51Please let me alone, won't you?
34:53We haven't got anything in common anymore.
34:56I suppose you know I skipped a pen.
34:58I'm taking a long chance coming down here.
35:00Yeah, I'm probably drawing every cop in town after you.
35:02Please, please go.
35:04Before you drag me back into trouble again.
35:05You got any dough?
35:06No.
35:08We're poor.
35:09I can't do nothing for you.
35:14I'm not sure about that.
35:17Not even a kiss goodbye.
35:19Don't believe me.
35:22Whose gun is that?
35:24My husband.
35:26You aren't going to take it.
35:28That's his gun.
35:29He wouldn't take nothing from you.
35:31No.
35:31He took you, didn't he?
35:33Goodbye, baby.
35:35Just shut up.
35:36Come in.
35:46Oh, Captain Morgan.
35:50Sit down.
35:52Let me get you a drop to wash the salt out of your throat.
35:55No.
35:55You make now, thanks.
35:58What's the trouble, Mother McGee?
36:01I'm needing your help.
36:04It's a safe run out of your throat.
36:05Well, you're on the bridge of my hip, Mother.
36:09I, uh...
36:11I want to get a man out of the country.
36:14Through the back door.
36:17It's not for myself I'm asking you, Captain.
36:19Because for a young girl, we both know.
36:22I?
36:23Who is the man?
36:25Louie Cantalic.
36:27Louie Cantalic.
36:30I know.
36:32And the girl is Molly.
36:34Chris's wife.
36:36How did you know that?
36:36I know a lot of things, Mother McGee, that folks don't think I know.
36:44I believe you.
36:47Now, how about it?
36:48Slimy moss, half keeps a fair ship from her course.
36:56What's that you say?
36:57I said the bosom of the sea is broad enough for one more burden.
37:09I'll do it.
37:11The plantation king pulls out for Valparaisa at ten o'clock tonight.
37:16Have this, Louie, meet me at my old ship.
37:23And I'll slip him aboard in the channel.
37:34Can you wait for that, Mr. Johnson?
37:36Yes.
37:37I'll be leaving in about a half an hour.
37:42I'll see that everything's secure after leaving.
37:46Good night.
37:46Good night.
37:50Now, for business, Chris, here the paper is on our deal.
37:54Let's settle it up.
37:55She's a good bloat, the old freedom.
37:57And Funky will keep her running in any weather.
38:00I hope so.
38:01Here.
38:02Find the relief.
38:10And here's the cash.
38:14That's the way you wanted it?
38:15Yes, sir.
38:16Thank you, Mr. Jensen.
38:17When are you leaving?
38:18Tonight, sir.
38:20I'll miss you, boy.
38:22Goodbye.
38:23And be careful of that money.
38:24I will.
38:26Goodbye, Mr. Jensen.
38:28Goodbye, and good luck.
38:29Thank you, sir.
38:30I'll see you.
38:43And, buddy, I'll see you next time.
38:44Bye.
38:45This is the same thing.
38:46We'll burst.
38:46Thanks, sir.
38:47Bye.
38:47Bye.
38:48Okay.
38:49Bye.
38:49Bye.
38:50Bye.
38:50Bye.
38:51Bye.
38:51Bye.
38:52Bye.
38:52Bye.
38:53Bye.
38:53Bye.
38:54Bye.
38:54Bye.
38:55Bye.
38:55Bye.
38:55Bye.
38:55Bye.
38:56Bye.
38:56All right.
39:08Pull down those shades.
39:21Put up your hand.
39:26Where's the cash?
39:30What cash?
39:31Don't give me that.
39:32I know you've got money here to pay off a guy for a boat.
39:34I paid him already.
39:36I'll see that for myself.
39:37Get away from the safe.
39:38Uh-uh.
39:39The other way.
39:56No.
39:59No.
40:01No.
40:02No.
40:03No.
40:05I'm going to go.
40:35Hello, hello, you're at the headquarters, quick, you're sure everything's gonna be all right
40:58You're in a hurry, huh? Well, I don't blame you. I'll be glad to get away from the smell of face myself. Come on. Let's go
41:20Hello, how are you going? What do you think you heard me? Where are you going?
41:28Hey, what is this? Now, don't get rough or I'll make you behave
41:37This looks like what we want
41:39Listen, you fly cop, that's my money. Where'd you get it?
41:42From Jensen down at the cannery. That's just what we thought
41:45You walked into his office? He said, here, son, you take this money. I'm tired of looking at it
41:51He gave me that money from my boat. He bought it tonight
41:53Yeah, and while you were selling that scowl of yours, did you happen to drop this? It has your name on it
42:02Well, that's my wholesale
42:04Yeah, but I don't know how you found it
42:07I have my bag here. My wife packed it for me
42:10Didn't you model it?
42:12Yes, sir
42:13Which bag did you pack it in?
42:16This one
42:26Not even an imitation of a gun in here
42:31That's funny
42:32Yeah, it's hilarious
42:34All right, Mr. Christensen
42:37Where's that gun now?
42:40Well
42:44I don't know
42:46Well, what if that gun ain't here? What's this all about?
42:49Now, we'll all get in the car
42:51Take a nice little ride down to headquarters
42:53And I'll tell you all about it
42:56You too
43:00Come on
43:04Well, what did you find out?
43:25Nothing
43:26Well, you move the bullet from the body, but we haven't found the gun yet
43:30Christensen
43:32The watchman has testified and you admit that you saw Jensen tonight
43:35You also admit that this holster which we found in the alley just outside Jensen's office is yours
43:40Is that correct?
43:42Yes, but I didn't have that holster with me tonight at Jensen's
43:45I had a tax in my bag
43:47Well, I thought it was so he showed it to me
43:50That story doesn't jive
43:53Where were you going when you were arrested?
43:54Oregon
43:55My wife can tell you that
43:57Let's see if she can
43:59Turn her in
44:06All right, let's just listen to me
44:30Sit down
44:39You understand that anything you say may be used against you and that you have the right of counsel?
44:47Molly, they're framing it
44:49Tell them how you packed the gun and we would leave it with the baby for Oregon
44:52Somebody killed Jensen after I left his office tonight
44:56Now these guys think I did it
44:58Well, Mrs. Christensen
45:00Chris didn't do it
45:07Chris didn't do it
45:09But I think I know he did
45:12Who?
45:16Louis Consola
45:18What do you know about Louis?
45:19Louis?
45:21He was on our boat tonight while Chris was away
45:23He took that gun and holster
45:25I saw him
45:27That's very interesting, Mrs. Christensen
45:29Why should Louis Consola and escape con to come to your boat?
45:32Did you ever see him or know him before?
45:36Yes
45:37Molly, what are you talking about?
45:39About myself, Chris
45:42And you've got to listen too
45:44You don't expect to make that story stick
45:46Consola is a man that every officer in the state is looking for
45:49Yet you say he came to see you on a boat tied up to a public war
45:53Did you ever hear of Molly Deshawn?
45:57Yes, she's wanted on an old charge
45:59The same one that Consola went up for
46:01Right, she was his girlfriend
46:03Went on pickups with him
46:04Went on pickups with him
46:06She was even pinched with him
46:07What's all that got to do with this case?
46:10Just this
46:13I'm Molly Deshawn
46:15Don't make me laugh
46:17Then you think I'm lying, huh?
46:18Well that's a blunt way to put it
46:20But you're correct
46:25Look these fingerprints up in your file
46:27They should match with hers
46:29Now maybe you'll believe me
46:31I'm beginning to already
46:32Now listen
46:34You start at the beginning and tell me
46:36Suppose you start at the beginning and tell me
46:39Is all this true?
46:41Is this why you came on my boat that night?
46:43I tried to tell you Chris
46:45To tell you about my past but you wouldn't listen
46:47Is that why you lied to me?
46:48And told me you had no home?
46:50I had to
46:51I didn't mean any harm
46:53I wouldn't lie
46:54But I fell in love with you
46:55You mean you used me for potential?
46:57You lied and stuck around because you was afraid to leave
46:59No, Chris, no
47:01So you're a common gun mall, huh?
47:03Beating a rep by making a poor dumb fisherman think he's getting a good wife
47:06You gotta stop it, Chris
47:08It may sound like that but it's your soul
47:10Think of us, think of a baby
47:12Did you?
47:13When you saw this Louis guy on the boat tonight?
47:15When you gave him my gun for a hold up?
47:17Oh
47:19There's something to remember
47:20Something for me and that baby
47:22That you'll never see again
47:24Molly Deshawn
47:26You're under arrest
47:27His father an importer an explotator of coffee at hand was forced into bankruptcy
47:31A sensational development in the Molly Deshawn case came today when the body of Louis
47:36Constable was forced into bankruptcy
47:38His father an importer an explotator of coffee at hand was forced into bankruptcy
47:43A sensational development in the Molly Deshawn case came today when the body of Louis
47:45Constable was found washed up on the beach at Point Farman
47:48Constable was a fugitive from justice either committed suicide or drowned while attempting to escape from the country police say
47:53The murderers were found on his body which convinced the police that Louis Constable was Howard Jensen's murderer
47:57Instead of the suspect Lars Christensen
47:58Too bad
48:00He must have fallen overboard from that South American boat
48:01Perhaps
48:02Those things often happen
48:04But this is why
48:22Did you ever lie?
48:23American boat. Perhaps. Those things often happen, but the sea holds its secrets.
48:53Oh, I can't look her head. Could be your mother's arms around you now instead of mine.
49:23Hello, Porky. Give me another drink, will you? Drinking kind of heavy, ain't you, Skipper?
49:35Porky, when I'm drunk, I can't think. I don't want to think. I know. Where you been the last three weeks?
49:45With a bottle. That ain't such good company, Chris. Why didn't you come to me?
49:52You're all right, kid. Nobody can do me any good. Molly could. Forget her. She don't care what happens to me.
50:08You're taking it too hard. Women are like that. One minute they're kicking and swearing, and the next minute they're in your lap.
50:17Oh, give me another drink and shut up. You don't know what you're talking about.
50:22Yeah, but you do, don't you? All you keep saying is, give me another drink. Give me another drink.
50:27You'd think you were the one that's doing the stuffing in this mess. You're acting like a spoiled mackerel.
50:32You're getting drunk ain't giving Molly a good time. You don't need another drink. You need a good swift kick.
50:43Porky, that's just what I've been giving myself. The biggest beating a man can take. Mentally.
50:50I ain't through yet. I'm ready to take a ball up that I'm liable to feel for a long time.
51:20Sit down, Christensen. Now, you've been told the rules and regulations here, and your treatment will be turned entirely upon yourself.
51:31I just read the record of your case. Being a new prisoner, I thought I'd talk to you for a few minutes.
51:38What is there to talk about? The only thing we have in common is our address.
51:43Well, the report here shows that your crime was a deliberate one, and yet you have no previous record.
51:50What is the idea?
51:52You sound like a pretty regular guy, but I'm going to tell you something.
51:57I suppose you know my wife's serving time here, too, don't you?
52:02Well, I wanted her to know that I'm no better than she is.
52:07You know, Christensen, devotion to your wife is a very admirable thing.
52:12But, uh, don't you think the sacrifice of your liberty in name was rather futile?
52:19No, sir. The only way I could make her understand. For weeks I came here to see her.
52:25Well, she wouldn't see me.
52:27And so you deliberately committed a crime for the express purpose of being here, to have the same stigma of prison against you.
52:34Yes, sir. She got herself in here when she thought she could save me from trouble.
52:39Well, I'm no better than she is now. Maybe she was out of land a little before we're married.
52:46But if she hadn't turned out to be the greatest mother and wife in the world, she wouldn't be here. Neither would I.
52:54Do you know that this is one of the finest examples of devotion I've ever seen?
53:00The court convicted you, and it's my job to see that your sentence is carried out, and I'm going to do my job.
53:06But you're not going to start your time without having a few minutes alone with the woman you are serving you for.
53:13I just sent to your wife.
53:16Well, you won't tell her what I said.
53:20No, I won't.
53:22In here, you and she will both find out that you'll have loads of time to think, but very little time to talk.
53:31Now, the next few minutes are yours. You'll make the most of it.
53:34Thank you, Governor.
53:40Molly.
53:45There's someone here to see you.
53:56Hello, Molly.
54:04Molly.
54:05You've got to listen to me.
54:06I've only got a few minutes.
54:08I've been crying for a week to see them.
54:10Tell you how sorry I was for what happened that night at headquarters.
54:13When you started talking about Louie, I lost my...
54:16I didn't realize what I was doing.
54:18But it's different now.
54:20Remember the night you came on the theater?
54:22The cops were asking me then.
54:24That's why I wouldn't let you tell me about this house.
54:27Because mine was no garden party.
54:29So you see, we were both in the same boat.
54:33Won't you forgive me, please?
54:39How's my baby?
54:40Oh, he's fine.
54:41He's with Mother McGee.
54:43He's ten much old now.
54:45With the help of the warden and the parole board,
54:48he won't be much older when we see him again.
54:56Time's up.
55:03I'm ready.
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