- 5 weeks ago
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00:00:00The End
00:00:30The End
00:01:00The End
00:01:02Miss Jordan?
00:01:15Yes? Who is it?
00:01:16It's Hal Grayson. How about a swim?
00:01:18Yes, I'll be up in a ditch.
00:01:20That's great. We'll be up on deck.
00:01:22Miss Jordan's a peach, isn't she?
00:01:24You've met her, haven't you, sis?
00:01:25Oh, yes. Last night with Mother.
00:01:27And when a girl gets Mother's approval,
00:01:29believe me, that's an achievement.
00:01:55Well, you're enjoying yourself?
00:02:08You know, it's frankly embarrassing and all that sort of thing,
00:02:10but I've, uh, I've dropped a guinea.
00:02:13Did you drop that in my room?
00:02:16Oh.
00:02:16I say, I, I hope you didn't think that I...
00:02:22First I thought that, uh...
00:02:24Well, you shouldn't, should you, eh?
00:02:25No, I guess I shouldn't.
00:02:27Bye-bye.
00:02:29Uh, uh, toodaloo!
00:02:30Could you tell me what time we get into Los Angeles?
00:02:46About four o'clock this afternoon, Miss Jordan.
00:02:49But you're not leaving us yet, are you?
00:02:50Oh, no.
00:02:50Now, you can't get rid of me before Panama.
00:02:52Oh, no.
00:03:22Say, that dime was a beauty.
00:03:41Oh, by the way, Miss Jordan,
00:03:43I've arranged to have you with us at the captain's table.
00:03:46It might brighten it up a bit.
00:03:47Oh, that's not so lovely, Miss D. Bacon.
00:03:50I'm sure I shall enjoy it.
00:03:52Were you hungry?
00:03:54Oh, so hungry.
00:03:55That was actually good to me.
00:03:57Hello, darling.
00:03:58Oh, what, eh?
00:03:59Yes, yes, of course.
00:04:00Hello, mother.
00:04:02Hello, darling.
00:04:03I got down long before you.
00:04:05I say, I hear that we are to have a little, uh, game this afternoon.
00:04:09Yeah, we got to have quite a little time.
00:04:12Were you hungry?
00:04:13I believe you all know Miss Jordan.
00:04:16How do you do, Miss Jordan?
00:04:17Oh, yes, of course.
00:04:21Does Miss Jordan know Mr. Montmorency Upson?
00:04:23Oh, yes.
00:04:24We've met.
00:04:26Charles.
00:04:28If I'm not too inquisitive, Miss Jordan,
00:04:30was it on the continent you met Mr. Upson?
00:04:33It was on a boat.
00:04:34You know how it is in life sometimes.
00:04:37You open a door,
00:04:38and before you know it,
00:04:39you bump into somebody.
00:04:41I say, old thing,
00:04:42do we take on any passengers at Los Angeles?
00:04:46Why, yes.
00:04:47As I recall,
00:04:48there's a group of passengers going through to Panama.
00:04:50The Trixie Snell girls
00:04:51come down to perform in the Bullring Cabaret.
00:04:54You mean cabaret girls?
00:04:56Well, dancers, entertainers, hostesses.
00:04:59You can call them almost anything you like.
00:05:00Oh, hoochie-coochie dancers, eh, what?
00:05:04Will they be permitted to mix with the passengers?
00:05:07They are passengers, Mrs. Grayson.
00:05:09The company cannot discriminate.
00:05:10Well, the passengers can discriminate,
00:05:13I assure you.
00:05:14Yes, I quite agree with you, Mother.
00:05:16That type should be kept in its place.
00:05:18Don't you think so, Dale?
00:05:20That depends on the type and the place.
00:05:40Hey, red!
00:05:47Her hair's a different color every year,
00:05:49but they still call her red.
00:05:53Pam the chatter,
00:05:54save your pets for Panama.
00:06:01Say, you'd forget your rosy cheeks
00:06:03if they weren't slapped down with a paintbrush.
00:06:04I know I had them
00:06:06when I bumped into that traveling man last night.
00:06:08The brakes, I guess.
00:06:09Another farmer's dog.
00:06:11Have you looked in the first national?
00:06:13Oh.
00:06:18Horrid.
00:06:19Well, try the second branch, you sims.
00:06:21One side, sailor.
00:06:34You ain't seen nothing yet.
00:06:38In all the world, no trip like this.
00:06:42Hi, Skipper.
00:06:43How's your old compass?
00:06:45Hello, Miss.
00:06:45I'm glad to see you again.
00:06:46I'll be so proud of all of you.
00:06:48Hey, Admiral.
00:06:51Hey, Admiral.
00:06:52Are there any hoppers on this tug?
00:06:54Scram, dumbbell.
00:06:56Scram, Kristalda,
00:06:57you get where you can use it.
00:06:58Take down.
00:07:00Hey, sailor!
00:07:01Look who's back.
00:07:04Come on, come with me.
00:07:05Callones.
00:07:06Yes.
00:07:09If you'll excuse me, Mr. Grayson,
00:07:11I think I'll go down to my cabin.
00:07:13Well, I'll see you later, won't I?
00:07:15Why, yes.
00:07:17Unless you look the other way.
00:07:23That's it.
00:07:24I think it is.
00:07:27Who's the roommate?
00:07:28Last time, you bumped me with a contortionist.
00:07:31Every time I looked at her in bed,
00:07:32I thought I was having a nightmare.
00:07:34Oh, she's a kid I picked up in Frisco.
00:07:36Kind of green, but she can sing.
00:07:38Oh, amateur, huh?
00:07:40What are we supposed to do, wiener?
00:07:42Well, there's nothing like a little fresh meat.
00:07:44After all, customers get kind of tough.
00:07:46I'm tired of has-been.
00:07:47You should know.
00:07:49Why, you low-down, plug-face.
00:07:52Oh, as I was saying, dear,
00:07:53we're going to have a delightful trip.
00:07:55Why, here's Miss Jordan now.
00:07:57Jolly what?
00:07:59Oh, hello, Miss Jordan.
00:08:00Received my wire, eh?
00:08:02Yes, I did, Miss Nell.
00:08:03I didn't really expect to hear from you.
00:08:06This is Jerry Royal, your roommate.
00:08:07Been with me before, and she knows the ropes.
00:08:10How do you do, Miss Royal?
00:08:10Shake, Jordan.
00:08:11Hey, Trixie, when do rehearsal start?
00:08:14Not till this gang of slobs get their sea legs.
00:08:17And listen, you, keep their mitts off those sailors.
00:08:19They've got enough on their hands keeping this tub afloat.
00:08:21The last we'll see of Trixie till we get in the port.
00:08:27She's a good egg, except when she gets scrambled.
00:08:31Got a nail file, honey?
00:08:32What's the matter?
00:08:33Did you lose the key?
00:08:34No, I locked it in my trunk so they'll know where it is.
00:08:37It's your first time in show business?
00:08:39Yes, it's my first to been.
00:08:42Well, you sure picked a tough spot for a beginner.
00:08:44Well, you've got to begin someplace.
00:08:46Yeah?
00:08:47Well, you don't know the bull ring or Trixie Snell's technique.
00:08:51Have you been there before?
00:08:52Honey, I've been to Panama so often I feel like an isthmus.
00:08:56Well, if it's so bad, why do you and the other girls keep on going back again?
00:09:00Oh, different girls, different reasons.
00:09:03But mostly because it's just our speed.
00:09:05You know, you can't make a silk purse out of a horse's neck.
00:09:09And there's another reason.
00:09:11Good hunting for husbands.
00:09:13Say, there's 20 unmarried men to every woman.
00:09:15Why, it's a regular he-harem.
00:09:17I shouldn't think a good-looking girl like you'd have any trouble finding a husband.
00:09:22She wanted one.
00:09:23Thanks for them kind words, sister, but I am married.
00:09:27You are?
00:09:28Yeah, our am was and is going to be.
00:09:30Are you joking?
00:09:31No, sir.
00:09:32Three times loser.
00:09:33Trouble with me is I go gah-gah over tattoo marks.
00:09:37Three splices and three sailors.
00:09:40The kind of sailors I hitched up with ain't never seen an anchor.
00:09:43How do you lose them?
00:09:44They don't just run away, do they?
00:09:46Well, some of them get lost in the fog.
00:09:49The rest of them I just throw out.
00:09:51Well, it was open all the time.
00:09:54As if I got to lock it.
00:09:55Well, that was number one.
00:10:08Olaf Anderson.
00:10:09He was a pretty good guy.
00:10:11Not much to look at.
00:10:12But, oh, sister, what a man.
00:10:15What happened to him?
00:10:17Poor Olaf.
00:10:18He signed on one of those round-the-world cruises, lost his boat in Shanghai, and I guess the dumb dodo can't learn enough Chinese to ask his way home.
00:10:26Want me to help you put your things away?
00:10:28Nope, I don't need any help.
00:10:36Well, I'm all settled.
00:10:39Heaven help the poor sailors on a night like this.
00:10:42I thought you said you'd sworn off on sailors.
00:10:44Well, the gal's got to have some practice.
00:10:47Some of those sailors are pretty good at practice.
00:10:50So your girlfriend turned out to be one of Trixie Snell's hot numbers.
00:11:20Well, I have a frightful headache.
00:11:31Will you see me to my cabin?
00:11:39Coming, children.
00:11:50Miss Jordan, I've been waiting for days to find someone to introduce us.
00:12:01Looks as though I'll have to take fate by the forelock and present myself.
00:12:04How do you do, Mr. Baylor?
00:12:07You knew my name.
00:12:08You knew mine?
00:12:10Would you dance?
00:12:20Aren't you afraid you'll lose your social family?
00:12:28I haven't any.
00:12:29I might admire some dancing with you.
00:12:40Phew!
00:12:41How many ports have you been in?
00:12:43A whole lot, baby, but I always go back to the same one.
00:12:46The same what?
00:12:47Back home where there's Mama and Gretchen and Mabel and Catherine and Isaacs and Aloysius
00:12:54and a baby I ain't even seen yet.
00:12:57And what am I supposed to be, the godmother?
00:13:07Do you realize that for the whole evening you've made me talk of nothing but myself?
00:13:12I certainly couldn't think of a better subject.
00:13:14Mr. Baylor, suppose you tell me the story of your life.
00:13:17Do you think you'd be interested?
00:13:19That depends on the story.
00:13:22It's a long one.
00:13:23Probably take all of tomorrow afternoon.
00:13:26Think you could stand it?
00:13:27I think so, Mr. Baylor.
00:13:29Tom.
00:13:30Tom.
00:13:30Tom.
00:13:37Oh, it must be very late.
00:13:39I think I'd better go.
00:13:46I've had a delightful evening, Tom.
00:13:49Good night, Dale.
00:13:50Good night, Tom.
00:13:51Good night.
00:13:51Good night.
00:13:52Good night.
00:13:52Good night.
00:13:53Good night.
00:13:53Good night.
00:13:54Good night.
00:13:54Good night.
00:13:55Good night.
00:13:55Good night.
00:13:55Good night.
00:13:56Good night.
00:13:56Good night.
00:13:56Good night.
00:13:57Good night.
00:13:57Good night.
00:13:57Good night.
00:13:58Good night.
00:13:58Good night.
00:13:58Good night.
00:13:59Good night.
00:13:59Good night.
00:13:59Good night.
00:14:00Good night.
00:14:00Good night.
00:14:00Good night.
00:14:01Good night.
00:14:01Good night.
00:14:01Good night.
00:14:02Good night.
00:14:02Good night.
00:14:03Good night.
00:14:03Good night.
00:14:04Good night.
00:14:04Good night.
00:14:05Good night.
00:14:05Good night.
00:14:06Good night.
00:14:06Good night.
00:14:07Good night.
00:14:07Good night.
00:14:08Good night.
00:14:08Good night.
00:14:09Good night.
00:14:10Good night.
00:14:11Oh dear, my ten dollar gold piece.
00:14:36Allow me to help you, my dear.
00:14:38Deucid embarrassing, what?
00:14:40Yes, yes.
00:14:41I think the bally thing rolled under my chair.
00:14:53Well, two dropping things, I think.
00:14:58Oh.
00:14:58Who is it?
00:15:17Hello, kid.
00:15:19I guess you've been having quite a laugh at my expense, haven't you?
00:15:22Laugh?
00:15:22What do you mean by coming into my room?
00:15:24Oh, well, the joke's on me, all right.
00:15:26Here I was, being so very, very careful.
00:15:29And all the time, you were one of Trixie Snell's girls.
00:15:32I think you've made a mistake.
00:15:37Good night, Mr. Grayson.
00:15:41Oh, come on, kid.
00:15:43That act's over.
00:15:44Be yourself.
00:15:46Is your face red?
00:15:48Oh, I see.
00:15:50Just a couple of...
00:15:51Outside, Bluebeard.
00:15:55Scram, bug, before I step on you.
00:15:57Say, you're no babe in rompers.
00:16:03You can take care of yourself.
00:16:04Only your technique's old-fashioned.
00:16:07Old-fashioned?
00:16:08Yeah, that face-slapping gag.
00:16:11They're mature-ish.
00:16:12It's all right for them parlor books and all that.
00:16:15But say, when a goof makes a pass at me,
00:16:17I ups to him and gives him a right hook to the kisser.
00:16:20You know, you've got to be prepared for things like that
00:16:22when you get in a troop of Trixies.
00:16:24Maybe I should have studied boxing instead of singing.
00:16:27You think you're kidding?
00:16:28Maybe you'll wish you had.
00:16:30You're going to meet plenty of palookas.
00:16:32Jerry, you make it sound pretty terrible.
00:16:36Oh, gee, kid.
00:16:37I didn't mean to scare you.
00:16:40You just tie onto Jerry's apron strings
00:16:42and everything will be all right.
00:16:44You know, Jerry knows their onions.
00:16:46And their tamales, too.
00:16:47Why, Tom, what an odd curio.
00:17:01It's a sort of good luck charm.
00:17:03I got it from an Indian chap
00:17:04that I managed to pull out of the water
00:17:05down in the San Blas Islands.
00:17:07That's where your business is?
00:17:08I'm in the copper trade down there.
00:17:10It's pretty wild.
00:17:12Often I don't see a white man for months.
00:17:13I spend my days visiting native villages,
00:17:16sleeping outdoors.
00:17:17Sounds almost as exciting as the bull ring.
00:17:22Bill, tell me,
00:17:24how much do you actually know
00:17:25about Trixie Snell and the bull ring?
00:17:27Not much.
00:17:28But I seem to be learning.
00:17:29But you must have known something
00:17:30about what you were getting yourself in for.
00:17:32Things are a little different
00:17:33from what I thought they'd be,
00:17:35but I think I'll be able to take care of myself all right.
00:17:38Well, I hope so.
00:17:39You know,
00:17:40until I heard about your stage ambitions,
00:17:42I was a little puzzled
00:17:44at seeing a girl like you
00:17:45in Trixie's troop.
00:17:47Most of the girls
00:17:47in the bull ring I've known
00:17:48signed up with Trixie
00:17:49either as a last resort
00:17:51or at most
00:17:51because they were hunting for sensations.
00:17:55I don't think I really belong
00:17:57to other class.
00:17:58How the old thing
00:17:59is a spitter thing.
00:18:01Whore.
00:18:02Say, what is this whore business
00:18:04you're always getting on?
00:18:06Why, my dear,
00:18:08it's an expletive
00:18:09that is indigenous
00:18:10to my stratum.
00:18:11You don't mean it.
00:18:13Isn't there something
00:18:15a doctor could do about it?
00:18:17Oh.
00:18:18We're right back
00:18:19where we started.
00:18:20I say, you know,
00:18:21I was quite distressed
00:18:22over your losing
00:18:23your money last night.
00:18:25So after you'd retired,
00:18:27I went back to your chair
00:18:29and looked around
00:18:30for your gold piece.
00:18:32Quite sporting of you,
00:18:33old thing.
00:18:34Too bad you didn't find it.
00:18:36But I did, you know,
00:18:38right under your chair,
00:18:40you know,
00:18:41I have remarkable eyesight.
00:18:44Remarkable eyesight?
00:18:46Why, you're a walking microscope.
00:18:49I think you're a honey.
00:18:51I say, old thing,
00:18:52I think you're a little bit
00:18:53of all right yourself.
00:18:55Quite spiffing.
00:18:56What?
00:18:57Say, what is this old thing
00:18:59and spiffing business?
00:19:01Are you trying to make fun of me?
00:19:03My word, old dear.
00:19:05So you're making fun of me, huh?
00:19:07Say, listen, Egg.
00:19:08If you think you can make fun of me
00:19:10for ten bucks,
00:19:11you're screwy.
00:19:15Paul.
00:19:23Well, Tom,
00:19:24tomorrow we'll be in Panama.
00:19:27That's right.
00:19:28This is our last night out.
00:19:30I'd better hurry, Andres.
00:19:39Oh, dear.
00:20:00What's the matter, Tom?
00:20:06You look as glum
00:20:07as one of those Indians
00:20:07on that island of yours.
00:20:09Oh, I don't know, Dale.
00:20:10Thought of your leaving
00:20:11as bad enough.
00:20:12Leaving with Trixie Snell
00:20:13and all that.
00:20:14That's awfully sweet, Tom.
00:20:15I'm really flattered
00:20:17that you should be worried
00:20:17about me.
00:20:18Worried about you?
00:20:20Why, Dale, I...
00:20:22All right, kids.
00:20:37Come up for air.
00:20:38Jerry!
00:20:40I didn't know you were here.
00:20:42I'd like to know how you do it.
00:20:44Do what?
00:20:45Turn a sphinx into a caveman
00:20:47in six days.
00:20:49Wish you'd loaned me
00:20:50some of your technique.
00:20:51You seem to be doing
00:20:52all right with the men.
00:20:53How about your friend, Uppy?
00:20:55Oh, I ditched him
00:20:56two days ago.
00:20:58What?
00:20:59You know the ritzy way
00:21:00I talk when I try
00:21:01to impress someone?
00:21:03Yes.
00:21:03Well, Uppy tried
00:21:04the same thing on me.
00:21:05Well, I gave him the air.
00:21:08But, Jerry!
00:21:10That's the way
00:21:11Mr. Upson really talks.
00:21:13Oh, my gosh.
00:21:14Well, why didn't he say so?
00:21:15What a glorious night.
00:21:38Everlasting moonlight.
00:21:46One of the baits
00:21:47of the tropics.
00:21:50Face the truth, Dale.
00:21:52Half the girls
00:21:53who come down here
00:21:53never get home
00:21:54unless some man
00:21:55pays their way.
00:21:55You're exaggerating.
00:21:57I'm not exaggerating.
00:21:58I know what I'm talking about.
00:22:00I've seen how it goes.
00:22:03The girls start drinking
00:22:04they'll forget
00:22:04how rotten and sordid
00:22:05the whole thing is.
00:22:07They show up some night
00:22:08too drunk to go on
00:22:09and there's a fight
00:22:09with Trixie
00:22:10and she kicks them out.
00:22:11But, Tom,
00:22:12nothing like that's
00:22:13going to happen to me.
00:22:23It might, Dale.
00:22:25That's why I'm worrying.
00:22:29I'm crazy about you.
00:22:32I've even thought about
00:22:33selling my business interests.
00:22:35Well, Tom...
00:22:36It might sound foolish,
00:22:37but...
00:22:38Well, maybe if you'd
00:22:40promise not to drink.
00:22:41After all,
00:22:42that's how the whole thing starts.
00:22:46You cheapen me
00:22:47by even asking such a thing.
00:22:49Cheapen you?
00:22:50You've cheapened yourself
00:22:51already by associating
00:22:52with Trixie's crowd.
00:22:53Tom!
00:22:54Why act like a child?
00:22:56Why put yourself
00:22:57in the way of temptations
00:22:58that thousands of women
00:22:59haven't been able to resist?
00:23:00Just a minute.
00:23:01I've had just about
00:23:02enough of this.
00:23:03It's going to take
00:23:03more than climate
00:23:04or a crowd
00:23:05to make me a wanton.
00:23:06I know, Dale, but...
00:23:07As Trixie's crowd,
00:23:07I only really know
00:23:08one of them.
00:23:09If she's an example
00:23:10of the rest,
00:23:11I'll throw my lot
00:23:11in with them.
00:23:12I'll throw my lot in with them.
00:23:12I'll throw my lot in with them.
00:23:14I'll Cashier's chatting for it.
00:23:17I'll take more...
00:23:29I'll do that.
00:23:30THE END
00:24:00We've got a full house, girls!
00:24:06So buckle up your brassieres and get ready for Jerry's members!
00:24:16Ain't heard nothing from them yet, huh?
00:24:19No, not a word.
00:24:20Maybe he's out in front.
00:24:22Yeah, sipping a lemonade.
00:24:26Hey, handsome!
00:24:27Who's the stew at the end table?
00:24:33Perfect.
00:24:38All right, girls, let's go!
00:24:41Get into love.
00:24:45See you later, kid. Good luck!
00:24:47Get out of the way and let me in!
00:24:50Smile!
00:24:51Now, customers, I'm going to introduce 110 pounds of American squab
00:25:05with a chili dressing and a tamale tone that'll knock you on your tortilla.
00:25:09Miss Jerry Royal!
00:25:10There's a gal they say to with you
00:25:24Just a pal who knows what to do
00:25:29Has a saying that I'm telling to you
00:25:34If there ain't one man
00:25:40It's another
00:25:43I'm the shady, splendor and crown
00:25:50Just a lady who's been around
00:25:54She ain't got an enemy in the town
00:25:59If it ain't one man
00:26:05It's another
00:26:08Undertaker's face long and sad
00:26:15Tried to shake her
00:26:18That made her mad
00:26:20That made her mad
00:26:20Ain't been got
00:26:21But who's gonna be had
00:26:25If it ain't one man
00:26:30It's another
00:26:34Round the world
00:26:39That gal made us wait
00:26:41She got famous
00:26:43Doin' that thing
00:26:45When if I am the queen
00:26:48Was hidin' the king
00:26:51If it ain't one man
00:26:57It's another
00:26:59Traveled every land
00:27:05Every sign
00:27:07She told Gandy
00:27:09When it hit the rise
00:27:11Dark as head
00:27:13Come and see me sometime
00:27:16Come and see me sometime
00:27:16If it ain't one man
00:27:22It's another
00:27:25On her tomb
00:27:30Don't think to relive
00:27:32Want dead risk
00:27:34She wasn't free
00:27:36Gone to Haiti
00:27:38To kiss
00:27:39The devil he's due
00:27:41If it ain't one man
00:27:47If it ain't one man
00:27:48It's another
00:27:50Hey, you showed about as much pep as a nervous oyster.
00:28:15What's the matter? Too much navy on the boat?
00:28:17Oh, I don't know. I guess it's the heat.
00:28:19Well, you'll be in a hunter place some day.
00:28:23Jerry, not so bad, but next time, give them all you got.
00:28:27No rainy days down here to save anything for.
00:28:30Jordan, you're on next. Come on.
00:28:37On the up and up, kid. You never played a cabaret before, did you?
00:28:40No. Only college shows.
00:28:42I knew you were lying. They all do.
00:28:46Well, you're on the spot now.
00:28:47Well, honey boy, there's the one I mean.
00:28:56Oh, you mean the one with the glasses.
00:29:01Well, that might be the case.
00:29:03All right, sucker. Now there's two of you.
00:29:05And now, hikers, I'm going to introduce the answer to a traveling salesman's prayer.
00:29:18She can go up and down the scale faster than a Wall Street vine.
00:29:21She's been a hit in New York and Chicago and other foreign countries.
00:29:25So get a firm grip on your blood pressure and meet Miss Dale Jordan.
00:29:30Something's vexing me, so perplexing to me.
00:29:48How I sigh at times of war to cry.
00:29:56Something makes me do things I oughtn't do.
00:30:02How I try to find the reason I do.
00:30:06Say, listen to that kid sing.
00:30:07There's something in the air that's bringing a new desire.
00:30:18My senses are all on fire.
00:30:22Oh, tell me what can it be?
00:30:25That air of I don't care has something to me so thrilling.
00:30:32I feel, oh, so weak and willing.
00:30:36Oh, tell me what can it be?
00:30:40Something that makes a no-man get busy with his feet.
00:30:47Something that makes a calm and get busy with the heat.
00:30:54There's something in the air that's holding me close and closer.
00:31:01I know that I can't say no-man get busy with his feet.
00:31:05Oh, tell me what can it be?
00:31:09There's something in the air that's making me see things double.
00:31:16Oh, making my feelings bubble.
00:31:19Oh, tell me what can it be?
00:31:23That air of I don't care has something beyond revealing.
00:31:29It's lifting me through the feeling.
00:31:33Oh, tell me what can it be?
00:31:37Something that makes a teacher start acting like a clown.
00:31:45Something that makes a preacher just lay his Bible down.
00:31:51There's something in the air that takes everything it touches.
00:31:59It hides me within it, but it's like it's all.
00:32:02Oh, tell me what can it be?
00:32:05Good work, kids. You sure put it over.
00:32:19Oh, thank you, dearie.
00:32:33Check your hat, kid.
00:33:01You see that Miss Dale Jordan gets us, please?
00:33:30Yes, sir.
00:33:37All right, scallions, get out and make the customers thirsty.
00:33:40Okay.
00:33:46Well, goofus, what do you want?
00:33:49I could have...
00:33:50Here, Jordan, you've collected a dividend already.
00:33:55It's all right, nosy.
00:33:58Take a run-out, powder.
00:33:59There's a guy at the table, say 16, calling for Miss Royal.
00:34:03Maybe I'll get a break, too.
00:34:07Hey, wait a minute.
00:34:08See that he buys plenty,
00:34:09and don't let that whiskey tin of yours catch up on you.
00:34:11Look at this one.
00:34:16Well, let's get this.
00:34:21I've got to go.
00:34:24I can't wait.
00:34:25Hey, Jane!
00:34:25Maybe I can't wait.
00:34:27You can't wait.
00:34:28I'm sorry.
00:34:29I can't wait.
00:34:29Here's what happened.
00:34:30I can't wait.
00:34:31I can't wait.
00:35:02Jerry Royal, you've hung that picture in a different spot every week for three months, every time you hang it crooked.
00:35:13That's the right stance for number one. Every time he came home, he gave a list to the starboard.
00:35:18Well, we're going to feed the flesh this morning or rehearse on an aspirin tablet.
00:35:23I don't feel fit for anything.
00:35:24Oh, snap out of it.
00:35:28I don't know whether it's the heat or what it is it's getting me.
00:35:31I'm so tired of the same old faces and the same old songs.
00:35:38Oh, it affects different people different ways.
00:35:41Now, take me, for instance.
00:35:42I like to get drunk and go on a toot and kick Trixie's cash register.
00:35:47Sometimes I wonder whether Tom Baylor wasn't partly right.
00:35:51Of course he was right, but don't give him a break and admit it.
00:35:53Well, it won't be long now, baby. Keep a stiff upper lip.
00:35:58That's all we've got to do is keep our head in the clenches.
00:36:03Well, how'd you like your hen fruit?
00:36:05Let's have them sunny-side up.
00:36:07Atta girl, we'll have them.
00:36:08There's something in the air
00:36:16That's making me see things double
00:36:19Making my feelings bubble
00:36:23Oh, tell me what can it do
00:36:26That air of I don't care
00:36:30Has something beyond revealing
00:36:33It's lifting me to the ceiling
00:36:37Oh, tell me what can it do
00:36:40Something that makes a teacher
00:36:44Start acting like a clown
00:36:48Something that makes a preacher
00:36:51Just lay his Bible down
00:36:54There's something in the air
00:36:57That takes everything it touches
00:37:01It hides me within its clutches
00:37:05Oh, tell me what can it do
00:37:09Say, Bill, that one's different.
00:37:20I'd like to meet her.
00:37:22That should be easy.
00:37:23Say, uh, Trixie
00:37:27I'm off you for life, Bill Burr
00:37:30Me with a brand new show
00:37:32And it's taken you two, three months
00:37:34To get around here
00:37:35Don't blame me, Trix
00:37:36The boss has kept me jumping
00:37:37Ever since he got in from Havana
00:37:39Oh, Trix, uh, meet Jim Crosby
00:37:41How do you do?
00:37:44General manager, Standard Airlines
00:37:46And general nuisance
00:37:48Round a Panama office, Trixie
00:37:49Not Jimmy Crosby, the flyer
00:37:52Right
00:37:52Gosh, Jimmy, I saw you at the races last year
00:37:56And you gave me heart disease
00:37:57He's been doing that to girls for years
00:38:00Say, Trix
00:38:02How about the little girl
00:38:03That did the last number?
00:38:05Lay off, kid
00:38:06She'd give a cold potato chills
00:38:09Oh, come on
00:38:10I've baked some potatoes before
00:38:12Any of the others, Jimmy
00:38:14But not this one
00:38:15You'd only be wasting your time
00:38:17Well, it'd be the first time I ever have
00:38:20I've got a hundred bucks
00:38:22That says I won't be wasting my time
00:38:24And I've got a hundred
00:38:26That says you will
00:38:27It's a bet
00:38:28Go buy yourself some lollipops
00:38:30I like all day suckers, too
00:38:33Good night, Mr. Crosby
00:38:40Say, um
00:38:43How about a little supper with me somewhere
00:38:47After you're through here
00:38:49No, thank you, Mr. Crosby
00:38:51Not tonight
00:38:52Well, Miss Jordan
00:38:55How about breakfast at my hotel in the morning?
00:38:59Yes
00:38:59You're very sweet, Dale
00:39:05You've been very sweet, too, Jimmy
00:39:07You know, if I'd had my way
00:39:11We'd be drinking champagne up in my room
00:39:13And I'd show up a rehearsal full of champagne
00:39:17And Trixie'd kick me out
00:39:18Oh, come on, Dale
00:39:20Couldn't you check rehearsal just for today?
00:39:24No, I'm afraid not, Jimmy
00:39:25Well, how about tomorrow?
00:39:30I thought
00:39:30I thought we might take a little spin in my car
00:39:33Have a nice day
00:39:53Oh, lovely
00:39:54It's been like a dream
00:39:56Feel like going back to the bull ring?
00:39:58Of course I don't, Jimmy
00:40:00But I have to
00:40:01You don't have to go back there, Dale
00:40:03I could make life very happy for you
00:40:06Make this day last forever
00:40:08You don't believe that, Jimmy
00:40:10Any more than I do
00:40:12There'd have to be a rude awakening sometime
00:40:15I love you, Dale
00:40:17I mean it
00:40:18Oh, I admit I've said that many times before
00:40:23I haven't been exactly a plaster saint
00:40:25But you've made me realize for the first time
00:40:29And what it means to say
00:40:30I love you
00:40:32Jimmy, no wonder you swept them off their feet
00:40:36Do you know what I'd like to do?
00:40:38Hop into my plane with you
00:40:40And fly back to the States
00:40:41It would only take a few hours
00:40:43Mr. Kirby
00:40:44Am I to consider this a proposal?
00:40:48You can take this any way you want to
00:40:49You name the terms
00:40:51But I
00:40:57I don't love you
00:41:00I couldn't make you love me
00:41:02Well, Jimmy
00:41:11If you can make me love you, I'll marry you
00:41:15Of course
00:41:15But if you don't take me right back to town
00:41:18I'll be late for my number at the bull ring
00:41:21You mean he actually asked you to marry him?
00:41:26Well, that was the general idea, darling
00:41:28But I don't love him
00:41:29Oh, baloney
00:41:30I married three Cluffs
00:41:32Who couldn't give me anything but love
00:41:33It's a high-class name for hooey
00:41:35Say, are you still stuck on that bimbo
00:41:38From the Indian country?
00:41:40What'd he ever give you?
00:41:42A worm-eating piece of coral
00:41:43Knack to his wigwam
00:41:44Say, the big salami did you a favor
00:41:47If you let that Crosby off the hook
00:41:50You ought to be
00:41:51Say, passionflower
00:41:52What's the idea of keeping that Dutch skipper waiting?
00:41:55Oh, nerd
00:41:56He's so dumb we have to talk in the sign language
00:41:58He can't even recognize a stop signal
00:42:00Your boyfriend's outside, innocent
00:42:03And listen
00:42:04If you bail out of Panama with Crosby
00:42:06I want a month's notice to get another singer
00:42:07You savvy?
00:42:08I don't think you need to worry about it, Trixie
00:42:10Well, I don't care
00:42:12But I never allow love to interfere with business
00:42:14I thought that in your case
00:42:16They were the same thing
00:42:17Say, listen, high-hat
00:42:19Did you ever get a sock on the beezer?
00:42:22No, how does it feel?
00:42:24You better lay off that kid
00:42:43You're all next, you know
00:42:44Say, where is this Germany?
00:42:57In Switzerland?
00:42:58Switzerland, nothing
00:42:59It's just on the other side of Hoboken
00:43:01Oh, ducky wucky
00:43:03What's the matter, Dale?
00:43:12You look worried
00:43:13Trixie's been hitting the bottle lately
00:43:17And the girls are all on edge
00:43:18You know what I told you
00:43:21Over and over again
00:43:23Yes, I know, Jimmy
00:43:27Oh, so dear old man
00:43:31Why, you old pretzel
00:43:36What? You want a pretzel?
00:43:38Better, better
00:43:39What is lost here?
00:43:40No, stupid, I got one
00:43:42He wants a bottle of champagne
00:43:45Yeah, he has champagne
00:43:47And now, folks, I'm going to introduce
00:43:55The sweetest little girl
00:43:56Miss Delore
00:43:58Jim Hammond
00:44:13Sit tight, honey
00:44:14I'll be right back
00:44:15Oh, mid-middle
00:44:17You little pig
00:44:22What do you mean by hooking up my show?
00:44:23I can't go on
00:44:25I'm home, sir
00:44:26Do you think this poison's going to cure you?
00:44:28I won't have you freaking before your numbers
00:44:31I'm fed up with you and your rotten old show
00:44:33Why, you dirty little unwed...
00:44:35Seven years bad luck
00:44:44Fourteen years bad luck
00:44:48Excuse me, Jimmy
00:44:49I might have to go on
00:44:51Hey here, you fool
00:44:56I'll beat some braves into you, you cheap little
00:45:00Keep out of my business or I'll give you a dose of this yourself
00:45:10I've never known a woman as low as you
00:45:12Get out, Dale
00:45:15You raise that bottle one inch
00:45:19And I'll knock those false teeth of yours down your gizzard
00:45:22Jimmy
00:45:30Get me out of this
00:45:32Take me away
00:45:33Anywhere
00:45:34Well, what's happened?
00:45:35Don't
00:45:36Don't
00:45:37Don't
00:45:38Don't
00:45:39You don't have to go back there
00:45:54Jimmy
00:45:56Do you still mean what you said about marrying me?
00:46:01Why, yes
00:46:06Yes, of course
00:46:08All right
00:46:10I'll fly to New York with you tomorrow
00:46:13And I'll spend my whole life being grateful to you for taking me out of all this
00:46:18Thank you
00:46:20Mm-hmm
00:46:22Well, dearie, you've got my nose
00:46:50Oh, yes. Jerry, dear, won't you come and visit me in my suite at the Hotel Washington?
00:46:57Boy, what a dump this is. Never saw so much plush since Astor's pet horse died.
00:47:06Oh. Boy, if I ever climbed into this, I'd never get out. Putting you up in style, huh?
00:47:19Oh, no, Jerry. I'm paying for this. That's the way it's going to be until after we're married.
00:47:24Well, you better get hitched in a hurry. Your bankroll won't stand this over a couple of days.
00:47:29When the festivities coming off? We'll probably start to fly to New York late today or early tomorrow.
00:47:35When's the splicing going to be, before or after? I mean before or after New York.
00:47:41Oh, I'm willing to leave that to Jimmy. The only thing I'm sorry about is leaving you, Jerry.
00:47:48But I miss you too, kid. And I'm glad for your sake. You never were cut out for this kind of a racket.
00:47:54It's only for slobs like me.
00:47:56Oh, no it isn't, honey. You've got to get out of it too.
00:48:01Sure. And one of my ships comes in.
00:48:05Come in.
00:48:11Oh, good morning, Jimmy. Hello, darling.
00:48:13You remember Jerry, don't you?
00:48:14Well, yes, of course. How are you, Jerry?
00:48:16Oh, topping.
00:48:23Well, I guess I'd better be going.
00:48:26I'll see you before you go, won't I?
00:48:28Well, of course.
00:48:29Jerry, I'm going out and buy some clothes. Why don't you drop in this afternoon and look them over?
00:48:33Okay, I'll do that.
00:48:35So long, Crosby. You're a lucky egg.
00:48:40How are you, darling?
00:48:41I'm fine, thanks, Jimmy.
00:48:43When do you think we'll be getting away?
00:48:45Well, I don't know just yet.
00:48:47I have some business affairs to attend to.
00:48:49And then I've got to test out that plane.
00:48:53Tell you what I'll do.
00:48:54I'll fly over the hotel.
00:48:56It'll be about four o'clock.
00:48:57I'll be watching for you.
00:48:59Why don't you sit down?
00:49:01Well, if you don't mind, dear.
00:49:03I've got to get back to the office.
00:49:04I'm expecting an important message.
00:49:09There's nothing else you need, is there?
00:49:10No.
00:49:11Money?
00:49:12No, thanks, Jimmy.
00:49:13I don't want to take it.
00:49:15Not yet, anyway.
00:49:19Bye-bye.
00:49:30Hello, Trixie.
00:49:31Hello, Baylor.
00:49:32How's Stan Blaston, the Red Men?
00:49:34I've sold out.
00:49:35Going back to San Francisco.
00:49:37Well, I guess this place will struggle along without you.
00:49:39You never gave me much of a play, anyway.
00:49:42Listen, Trixie.
00:49:43Can you give me Miss Jordan's address?
00:49:45Sure, that's easy to remember.
00:49:47Washington Hotel.
00:49:48Just asked for Jimmy Crosby's suite.
00:49:53What?
00:49:54Sure.
00:49:55She's been playing around with him for a week.
00:49:57She's a smart girl.
00:49:59She'll do all right for Dale Jordan.
00:50:01But she ran out on me and left me in the lurch.
00:50:04And if I never see that snob again, it'll be years too soon.
00:50:07Hello, Miss Baylor.
00:50:08Want your key?
00:50:09Do you have a Miss Dale Jordan registered here?
00:50:10Yes.
00:50:11She's out now.
00:50:12Want to leave a message?
00:50:13I don't think so.
00:50:14She's checking out tonight or tomorrow morning.
00:50:15Flying to New York with Jimmy Crosby.
00:50:16When my luggage arrives, check it through to San Francisco.
00:50:17You have my forwarding address.
00:50:18Yes, sir.
00:50:19Why, Tom.
00:50:20Hello, Dale.
00:50:21Hello, Dale.
00:50:22I've been buying some new clothes.
00:50:23So I see.
00:50:24I'm going to see you.
00:50:25I'm going to see you.
00:50:26You have a Miss Dale Jordan registered here?
00:50:27Yes.
00:50:28She's out now.
00:50:29Want to leave a message?
00:50:30I don't think so.
00:50:32She's checking out tonight or tomorrow morning.
00:50:34Flying to New York with Jimmy Crosby.
00:50:38When my luggage arrives, check it through to San Francisco.
00:50:41You have my forwarding address.
00:50:42Yes, sir.
00:50:44Why, Tom.
00:50:47Hello, Dale.
00:50:50I've been buying some new clothes.
00:50:52So I see.
00:50:53Doing all right, aren't you?
00:50:56I guess I was wrong about you.
00:50:58You're really doing better than I expected.
00:51:01What do you mean?
00:51:02Well, you moved up from the Bullring to the Washington Hotel.
00:51:06I understand the next hop is New York.
00:51:09And, I suppose, a Park Avenue apartment.
00:51:12Yes, Mr. Baylor.
00:51:14I'm afraid that if I stayed in this part of the world any longer,
00:51:17I might be contaminated by some of its filth.
00:51:23My key, please.
00:51:41Guess what?
00:51:42I saw Tom Baylor going out of the lobby.
00:51:44I know.
00:51:45I saw him, too.
00:51:46You did?
00:51:47And?
00:51:48I don't know, Jerry.
00:51:49Maybe it'll do me good to get away.
00:51:52I guess Tom Baylor's just one of those things that's in the air down here.
00:51:55Well, he won't be here much longer.
00:51:57He's checking out, bag and baggage.
00:51:59What is this?
00:52:00The new truce?
00:52:01Boy, it must have cost plenty of sugar.
00:52:02Everything I had but a couple of dollars.
00:52:03Hey, what is this?
00:52:04A marriage or a Dutch treat?
00:52:05What is this?
00:52:06The new truce?
00:52:07Boy, it must have cost plenty of sugar.
00:52:09Everything I had but a couple of dollars.
00:52:13Hey, what is this?
00:52:14A marriage or a Dutch treat?
00:52:35Any joke, that's what happens to me.
00:52:38You're so sad to talk about the lab.
00:52:40I don't have to worry about it.
00:52:42I don't have to worry about it.
00:52:43I don't have to worry about it.
00:52:44I'm just kidding.
00:52:45It's not a big deal.
00:52:46It's not a big deal.
00:52:47Sir, sir, it's not a big deal.
00:52:49I don't care.
00:52:51It's not a big deal.
00:52:52It's just a big deal.
00:52:55I've got to know who this guy is.
00:52:59Well, you're not a big deal.
00:53:00This guy is not a big deal.
00:53:02Oh, I've been looking all over for you.
00:53:17What's up?
00:53:19Bill, I got myself into a tough spot.
00:53:25You know about me and Dale.
00:53:32You never told me you were married, Jim.
00:53:52It was years ago, Bill.
00:53:53Before I ever even knew you.
00:53:57It's just one of those things.
00:54:00A woman's impossible.
00:54:02Every son I've ever given has been just like blackmail.
00:54:05What are you going to do about, uh, about Dale?
00:54:12I don't know.
00:54:15That's what I've got to think of.
00:54:19My plane ready?
00:54:20It's ready now.
00:54:24You're in no condition to fly, old man.
00:54:26Don't you worry about me, Bill.
00:54:29That's where I've always thought things out.
00:54:31Solved all of my problems.
00:54:38Up in the clouds.
00:54:42Boy, I could get myself an admiral in this, huh?
00:54:46There must be Jimmy now.
00:54:47I don't know.
00:54:59Isn't it thrilling?
00:55:00You can have it.
00:55:02Well, I've got to go get packed now.
00:55:20Oh, pick them up and tie them in a bundle and throw them in like I do.
00:55:32The last $2.75. What should we blow it in on?
00:55:49How about a bottle of scotch?
00:55:51Now, I'm liable to get sentimental and turn on the waterworks all over your new dress.
00:55:57I have an idea.
00:55:59Let's get some flowers to brighten up the room for Jimmy when he comes back.
00:56:03Okay, kid. Anything but heliotripe. Gives me hay fever.
00:56:12Hello?
00:56:14Yes.
00:56:15Mr. Barrett?
00:56:16Certainly. Send him right up.
00:56:18Oh, wait a minute.
00:56:19Will you please ask the florist to send me up some flowers?
00:56:22Oh, about $2.75 worth.
00:56:29Bill Barrett's on his way up. I wonder what he wants.
00:56:33Probably trailing me to find out why I didn't buy those lollipops.
00:56:37Come in.
00:56:41Hello, Mr. Barrett. How are you?
00:56:43How'd you do, old thing? It's a topping day. What?
00:56:46Why, Mr. Barrett. Is there anything wrong?
00:56:58Jimmy.
00:57:00Crashed.
00:57:01Oh, gee, kid. He was a regular guy.
00:57:15You'll never know quite how regular he was.
00:57:30Here are your flowers, Miss Jordan.
00:57:33You got your nerve coming back asking for a job?
00:57:49Threw me down for a mug that was on the make for you.
00:57:52Please don't talk like that about Jimmy Crosby.
00:57:55Sure. He was going to marry Dale.
00:57:57Why, you poor sap.
00:57:59He bet me $100 on you.
00:58:01Looks like if he hadn't cashed in, I'd have to pay the bet.
00:58:05Now listen, Trixie.
00:58:07You lay off of Dale. She's been through enough.
00:58:09Say, you get fresh with me and you'll go out on your ear, too.
00:58:12Oh, yeah?
00:58:13Yeah, you, you sailor's delight.
00:58:21I know how you feel about this cobra joint, Dale.
00:58:25Gosh, we've got to eat, let alone earn enough dough to get out of this God forsaken old woman's land.
00:58:30I know, Jerry, but that man's burger that runs the place.
00:58:34For voting.
00:58:36Aren't there any more cabarets we haven't tried?
00:58:39Listen, I've tramped the streets until my pet bunion's gone on strike.
00:58:43Trixie and the bullring have all the high-class trade in town all sewed up.
00:58:48All the rest of the joints are just like the cobra.
00:59:09D&DÆ¡i esligible, all the way up.
00:59:10D&D bling, ring, ring, ring, ring, ring, ring, ring, ring, ring, ring, ring, ring, ring, ring, ring.
00:59:43What's the matter? He's a good customer. You think you're too good for him, huh?
01:00:05Oh, I know, Mr. Beggar. I thought it was time for my song.
01:00:13There's something in the air that's pulled all the world around me
01:00:27With feathers of faith that found me, oh, tell me what can it be?
01:00:35That air of, I don't care, has slowly and surely tripped me
01:00:43Right down to the ground it's tripped me off
01:00:48Tell me what can it be?
01:00:51Something that drags and shatters
01:00:55Everything's good inside
01:00:59Leaving just drag and shatters
01:01:03Nothing at all to hide
01:01:07There's something in the air
01:01:11That things will always dream
01:01:15It's taken my very dream
01:01:19Oh, tell me what can it be?
01:01:23A hundred and thirty-nine
01:01:28A hundred and forty
01:01:29A hundred and forty-one dollars
01:01:31Uh-uh
01:01:32Oh, and, um, eighty-five cents
01:01:37Only sixty-five dollars to go and we're on our way to San Francisco
01:01:40Only ten more days in that burger joint
01:01:43Oh, stomach, be good to me now
01:01:45Oh, Jerry, why don't you keep your own money?
01:01:47I don't like the responsibility for all of it
01:01:49Oh, you don't know me like I do
01:01:51A dreadnought's liable to come into port
01:01:53I'll wake up to find I've been out in a binge
01:01:55And bought the grog for the whole fleet
01:02:07Come on, baby, give us the sweet little kids, huh?
01:02:11Give us the kids, huh?
01:02:17You blame at my customers and friends or get out
01:02:21I'm here to sing
01:02:22Not to be mauled by a lot of drunken sots
01:02:24Is that so?
01:02:25Well, I don't want no lilies around here
01:02:27You're through
01:02:28Get out
01:02:33Hello, Burger
01:02:34Hello
01:02:35Indian Joe around?
01:02:36Well, why you want Joe?
01:02:37Plenty
01:02:38Another knifing about the dock
01:02:47Come on, Joe, the captain wants to talk to you
01:03:17Jane
01:03:20Wait for a second, they think it all right
01:03:23Oh, Jack
01:03:25sporad
01:03:26... Oh, but Jerry
01:03:28Oh, Jerry
01:03:30Please, please
01:03:32Oh, please
01:03:35Please
01:03:37Oh,
01:03:39Usually
01:03:42Coop
01:03:43...
01:03:44...
01:03:45I
01:03:46You can come in for a minute, Miss Jordan, but please don't excite the patient.
01:03:51She's a little weak.
01:04:04Gary, honey?
01:04:06How are you, Dale?
01:04:09Number one could only see me now.
01:04:12You're feeling better, aren't you?
01:04:14Sure, I'll be okay.
01:04:18It's a knife more or less than your gizzard.
01:04:26Listen, kid, I want you to promise me something.
01:04:28Of course, Gary. Anything.
01:04:31Don't you give old sore bones or this joint any of the dough we saved up.
01:04:36I want you to buy yourself a ticket and scram for Frisco.
01:04:39Oh, no, Gary. I couldn't do that.
01:04:42Do what I tell you. Don't be a sap.
01:04:45This joint can't throw me out.
01:04:48Let them stand the gaff.
01:04:56I'll come to see you every day, honey.
01:04:58All you have to worry about is getting well.
01:05:00I'll come to see you every day.
01:05:04Don't forget what I told you.
01:05:06She's still pretty weak, isn't she?
01:05:20Yes. I am afraid it's going to be a long convalescence.
01:05:22She lost a great deal of blood, you know.
01:05:24What do you think we ought to do for her?
01:05:26What she needs most is sunlight, proper nourishment, and treatments.
01:05:30The place for her is a sanitarium.
01:05:32How much will that cost?
01:05:34We have one near here, where the rates are rather reasonable, somewhere around $50 a week.
01:05:44All right, Doctor. You make the arrangements.
01:05:50The hospital bills are payable in advance. The total is $174.
01:06:12Here's $150.
01:06:17I'll get the rest.
01:06:20Some half.
01:06:42I'll get the rest.
01:06:48One-year-old is still incarnate.
01:06:50Now I'm witness.
01:06:52In tears, when I amamianiipal, some people should be more figurative than you do Мне-assuming.
01:06:54gardens, halls, halls, halls, halls, halls, halls, halls.
01:06:58It's the west.
01:06:59The hospital Jane has a place for 3 days.
01:07:01Such a seven-year-old
01:07:05andvivress to the women's buildings.
01:07:08That's right.
01:08:43Come in.
01:08:46Tom!
01:08:47Why, Dale.
01:08:48I thought you were ill.
01:08:50Ill?
01:08:51What do you mean?
01:09:11What?
01:09:12What a little ming.
01:09:13She's up in the hospital now.
01:09:17You came all the way down here because of this?
01:09:23Yes.
01:09:24Tom, I...
01:09:27I want to explain to you about Mr. Crosby.
01:09:30You don't have to explain anything to me, Dale.
01:09:33Excuse me.
01:09:35I reckon this is how you dropped your bracelet.
01:09:40Thank you very much.
01:09:48Thank you very much.
01:09:48Hello?
01:10:02Hello, Jerry.
01:10:05Dale, he's back.
01:10:07He's back.
01:10:08Who?
01:10:08Who's back?
01:10:09Number one.
01:10:10My ship's come in.
01:10:17And guess what?
01:10:19Olaf's an admiral.
01:10:22In the Chinese Navy.
01:10:24Tell me.
01:10:29Oh, Olaf.
01:10:30Tell me something in Chinese.
01:10:36I love you.
01:10:37Olaf!
01:10:37Oh!
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