- 5 months ago
Sabotage (1936) Alfred Hitchcock
A Scotland Yard undercover detective is on the trail of a saboteur who is part of a plot to set off a bomb in London. But when the detective's cover is blown, the plot begins to unravel.
A Scotland Yard undercover detective is on the trail of a saboteur who is part of a plot to set off a bomb in London. But when the detective's cover is blown, the plot begins to unravel.
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59Sand
00:02:10Sabotage
00:02:12Wrecking
00:02:13Deliberate
00:02:14What's at the back of it?
00:02:15Who did it?
00:02:29I know how the law stands. You broke a contract, therefore you broke the law.
00:02:59But it's everywhere. Look at the street.
00:03:03I paid my money to look at the pictures.
00:03:04The estate song in the twilight.
00:03:11If I want to sit in the dark, I can do it at home.
00:03:15Yes, free of charge.
00:03:16Yes.
00:03:18I think it's a blinking shame robbing the poor people like that.
00:03:22We've got to have our money back.
00:03:23It's an act of providence, like an earthquake or a thunderbolt.
00:03:27Or a baby.
00:03:28Will you kindly not interfere?
00:03:30We've got to have our money back.
00:03:32I'm so sorry I'm late, Mrs. Verlach, but I had a hell of a time trying to eat my egg on toast in the dark.
00:03:36Half of it's in my ear now.
00:03:37Well, they want their money back, but we can't afford it.
00:03:43I do wish Mr. Verlach would come.
00:04:07I do wish Mr. Verlach would come.
00:04:37I do wish Mr. Verlach would come.
00:05:07You'll rot the blaze everywhere. I can't even see the pictures.
00:05:14They're getting nasty.
00:05:16Nasty?
00:05:18Leading to me.
00:05:21I can't even see the pictures.
00:05:33They're getting nasty.
00:05:34Nasty?
00:05:35Leading to me.
00:05:37Hey, you.
00:05:39What's all this about?
00:05:40Let me a flashlight, Jake.
00:05:42Is it our fault if the light fails?
00:05:44Supposing you were a policeman and got hit over the nut.
00:05:47Do you think the government had asked for their money back?
00:05:49I paid for my seat.
00:05:50Yes, and what about the one you put your feet on?
00:06:09Carl, when did you get home?
00:06:12I haven't been hot.
00:06:14You weren't in 20 minutes ago.
00:06:15I came and called up the stairs.
00:06:17I was asleep.
00:06:18Wait, why are you shining the torch on me?
00:06:21Can't you switch on the light or something?
00:06:23We can't.
00:06:23It's failed.
00:06:24What?
00:06:25The fuse gone down?
00:06:26No, it's everywhere.
00:06:27In the streets and the trams.
00:06:29And the audience downstairs wants their money back.
00:06:31They're making a terrible row about it.
00:06:33Well, give it back.
00:06:35We can't possibly afford it.
00:06:37Oh, yes, we can.
00:06:39You must be crazy.
00:06:40It'll clear us right out.
00:06:41You're always saying we don't cover expenses.
00:06:44That's all right.
00:06:46Doesn't pay to antagonize the public.
00:06:48I've got some money coming in.
00:06:50Go on.
00:06:53Well, it's for you to say.
00:06:56If we're going to be generous, let's do it properly.
00:06:59Come on downstairs and make a speech about it.
00:07:01No, no.
00:07:01They're used to you.
00:07:03You do it.
00:07:04It's all right.
00:07:05I still think you're crazy.
00:07:07It's an act of God, I tell you.
00:07:09And what do you call an act of God?
00:07:10I call your face one, and you won't get your money back on that.
00:07:14Now, if a plane were to come along and drop a bomb on you,
00:07:16that would be an unfriendly act within the meaning of the act.
00:07:19But if the juice dries up of its own accord,
00:07:21that's an act of providence,
00:07:23as laid down in the act of William IV,
00:07:26where an act is defined as any activity actuated by actual action.
00:07:31No wonder the blinking lights went down.
00:07:33It's a moot point.
00:07:35I moot point them.
00:07:36Make them pay.
00:07:37That's right, Ma.
00:07:38Yes.
00:07:38We want our money back.
00:07:39And how are you going to get it?
00:07:40Apply sanctions?
00:07:42Are you familiar with the details of the covenant?
00:07:45If you'd studied Article 257, Paragraph 24, Line 6, Sanction B,
00:07:49it says definitely no.
00:07:51Oh.
00:07:52Yes, you didn't know that, did you?
00:07:54You're all ignorant.
00:07:55Now, if you take my advice, you go off home,
00:07:57because there's nothing doing here.
00:07:58Now, go on.
00:07:59Get off.
00:07:59What do you think you're doing?
00:08:01Just lending a hand.
00:08:03I thought I told you not to interfere.
00:08:04I've been delivering a little counterattack.
00:08:06Look, they're on the run.
00:08:07Well, they can come right back.
00:08:09Listen, ladies and gentlemen, you're going to get your money back.
00:08:12Don't give in now.
00:08:13I'll stand by you.
00:08:14I'd prefer you to go and stand by your Apple store.
00:08:16Ladies and gentlemen, I've been speaking to Mr. Verlach.
00:08:22And since you're all regular patrons and good friends,
00:08:25he's going to let you have your money back.
00:08:27There'll be no money back, I tell you.
00:08:28Go on.
00:08:28Get off.
00:08:30Please, don't pay any attention to him.
00:08:31I tell you, you're crazy.
00:08:32I had it all fixed.
00:08:33Will you mind your own business?
00:08:35Of all the upset people that I...
00:08:36If you don't go away, I'll call the police.
00:08:44Verlach, start refunding the patrons their money.
00:08:48Come over here, Pat.
00:08:50Come over here, Pat.
00:08:51Oh, hey, none of that.
00:09:10You haven't been here before, I'll be.
00:09:15Thank you for your trouble.
00:09:16I'm sure you meant well.
00:09:17Not at all.
00:09:18I like trouble.
00:09:21I like trouble.
00:09:32I like trouble.
00:09:37Morning.
00:09:37That's what it is.
00:09:38Absolutely morning.
00:09:43How many?
00:09:45Two six, please.
00:09:46Two.
00:09:46Right.
00:09:47Go.
00:09:49How many?
00:09:49Two shillings.
00:09:50Two shillings.
00:09:51All right. Wait a change, please.
00:09:54How many? One second.
00:09:57How many? No, thanks.
00:09:59Oh, the vegetables is all ready for dishing up.
00:10:01Please tell Mrs. Burlock, miss.
00:10:03Oh, there you are, ma'am.
00:10:05I've got to hurry home now.
00:10:07Of course, my husband's having trouble with his kidneys again.
00:10:09And I can't leave him for long.
00:10:11Your young brother's looking after him.
00:10:13What, the kidneys? No, the vegetables.
00:10:21Come on.
00:10:47Oh, Stevie, have you done all this by yourself?
00:10:49Oh, come on. Don't be so modest.
00:11:05Well, we didn't have to pay them back their money after all.
00:11:08Oh, sorry. Sorry.
00:11:13Always that woman Mrs. Jones manages to make the cabbage brown.
00:11:17I'm always telling her you like things green.
00:11:19I'll make you a salad.
00:11:21Stevie, run next door and get a nice big head of lettuce.
00:11:24Long or hours?
00:11:25I like long best.
00:11:26Whichever is precious. Tell him to charge it.
00:11:30We very nearly wouldn't have been able to afford lettuce if we paid them back.
00:11:36You didn't seem very interested when I told you.
00:11:38I mean, why were you so keen to pay them back at all?
00:11:43No, it's not that.
00:11:45Only anything for quiet.
00:11:47I don't like attention being drawn to us like that.
00:11:51Good evening, Mr. Furlock.
00:11:52Forgive me for butting in on your private affairs,
00:11:54but this bright specimen didn't appear to know whether you wanted long round square or oblong lettuce.
00:11:57I brought a selection.
00:11:58I distinctly said long ones. You know I did.
00:11:59Did you? I thought you said long ones.
00:12:01I said long ones.
00:12:02Oh, good evening, Mr. Furlock.
00:12:04So you came home just in time to see the trouble, eh?
00:12:06Me?
00:12:07I've been in all the afternoon.
00:12:09But I could have sworn I saw you come in just about...
00:12:11Well, you were wrong.
00:12:12I didn't know anything about it until you woke me, did I?
00:12:15No.
00:12:16He was lying down upstairs.
00:12:17I had to call him.
00:12:18Sorry.
00:12:19My mistake, I suppose.
00:12:20Well, here we are.
00:12:29I thought someone was committing a murder.
00:12:31Someone probably is.
00:12:32On the screen there.
00:12:33Stevie, hop on a chair and fix that fan light.
00:12:35Look how George Arliss doesn't bite you, Steve.
00:12:37Well, good night all.
00:12:50Let's close the pound man with the boy.
00:12:53Well, let's close the pound man.
00:12:54And close the pound man!
00:12:56Alright lady, I'll look round the market tomorrow.
00:12:58Would you mind if I can go for a little snack, Greg?
00:13:00Okay, Ted. Thank you.
00:13:14Goodnight, boys.
00:13:15All right.
00:13:19That fellow seems to get open and relax.
00:13:21All right.
00:13:22We'll put someone on to that.
00:13:31All right.
00:13:32We'll put someone on to that.
00:13:52Well, Sergeant, you saw what happened tonight.
00:13:54Yes, sir.
00:13:55Anything on your end?
00:13:56I'm not certain, but I could have sworn I saw Verloc come back in the middle of it all.
00:13:59Later, when I challenged him, he said he'd never been out at all.
00:14:01His wife confirmed it.
00:14:02Naturally.
00:14:03She would if she's in it.
00:14:05You'd better find some way of talking to her.
00:14:07Now, listen, Spencer.
00:14:08The home office has been on, and they're scared something worse than tonight's job may happen.
00:14:12What's the idea, sir?
00:14:13What's the point of all this wrecking?
00:14:14Making trouble at home to take her mind off what's going on abroad.
00:14:17Same as in a crowd.
00:14:18One man treads on your toe, and while you're arguing with him, his pal picks your pocket.
00:14:22Who's behind it?
00:14:23Ah, they're the people that you and I'll never catch.
00:14:25It's the men they employ that we're after.
00:14:41Don't you know that's very dangerous?
00:14:43What?
00:14:44Leaving stuff like that lying about.
00:14:45Supposing you and me were to break our leg on that.
00:14:47You'd be very pleased with yourself, I suppose.
00:14:49That would depend whether it was your leg or mine.
00:14:51Can't tempt you, I suppose.
00:14:52Oranges.
00:14:53Very nice today.
00:14:54Good for the feet.
00:14:59Hello, gov.
00:15:00Going to pictures?
00:15:02As a matter of fact, I'm off to a trade show.
00:15:04Well, pick us a good one, then.
00:15:05You know, plenty of murders.
00:15:06This love stuff makes me sick.
00:15:08The women like it, though.
00:15:10He's just going.
00:15:11Oh, then tell him not to come back too late, because we're going out.
00:15:13Tell him not to come back too late, because we're going out.
00:15:15Tell him not to come back too late, because we're going out.
00:15:21Tell him not to come back too late, because we're both back out.
00:15:23I'll be back as soon as I can.
00:15:24I'll be back as soon as I can.
00:15:25I need pineapples, pineapple spinach.
00:15:42I need pineapples, pineapple spinach.
00:16:12What's them bubbles, Dad? Has the fish got hiccups?
00:16:17You'd have hiccups if you had to live on ants' eggs.
00:16:42They're funny-looking things.
00:16:44Yes, they're funny-looking things.
00:16:47It'll take three like that to make soup for Lord Mayor's banquet next Saturday.
00:16:51Think of that. They say it's digestible, though.
00:16:59There's a thing with the mustache.
00:17:05I hope you're satisfied with last night's show.
00:17:08It wasn't as easy as it looked.
00:17:10I'd spend money, too.
00:17:12No doubt.
00:17:13A neat job, though. The sort of thing to make people sit up.
00:17:18I think you'll agree I've earned my money.
00:17:22I hope you didn't mind my asking for it in town's notes.
00:17:28You made London laugh.
00:17:31When one sets out to put the fear of death into people,
00:17:33it's not helpful to make them laugh.
00:17:35We're not comedians.
00:17:37It's not my fault if they are such fools.
00:17:39Londoners are not fools.
00:17:41They laugh because they realize what happened last night was laughable.
00:17:45They did right to laugh this time.
00:17:48What do you mean?
00:17:49Mr. Verloc, you will be paid your money when you've earned it.
00:17:56I don't follow.
00:17:59My dear Verloc, I once read a sign in Piccadilly Circus calling it the center of the world.
00:18:05I think you'd better pay a visit there in a couple of days' time and leave a small parcel in the cloakroom of the underground station.
00:18:14What sort of a parcel?
00:18:16Oh, I don't know.
00:18:18Let's say, a parcel of fireworks?
00:18:20I don't know.
00:18:21I don't know.
00:18:22I'm not going to be connected with anything that means loss of life.
00:18:23You'll have to get somebody else.
00:18:24I won't touch it.
00:18:25Very well, then, Mr. Verloc.
00:18:26If you think you're so well off that...
00:18:27You know I'm not.
00:18:28You know my position.
00:18:29All right, then.
00:18:30You'll be paid your money when...
00:18:32In any case, if you're so fussy about doing it yourself, surely you have some kind friends who would help you?
00:18:38No, don't be silly.
00:18:40I'm not going to be connected with anything that means loss of life.
00:18:42You'll have to get somebody else.
00:18:43I won't touch it.
00:18:44Very well, then, Mr. Verloc.
00:18:45If you think you're so well off that...
00:18:46You know I'm not.
00:18:47You know my position.
00:18:48All right, then.
00:18:49You'll be paid your money when...
00:18:51In any case, if you're so fussy about doing it yourself, surely you have some kind friends who would help you?
00:18:55No, don't be silly.
00:19:00Go and see this man.
00:19:05He's a very nice old gentleman. He makes lovely fireworks.
00:19:12I'll try and see him.
00:19:16And don't forget the date.
00:19:18Saturday next.
00:19:20Lord Mayor's show day.
00:19:22Lots of people.
00:19:24You want me to come and recall?
00:19:27Thanks, no.
00:19:29If your report itself is loud enough, it won't be necessary.
00:19:36Which is the way out, please?
00:19:44This five hours weight of fertility is extremely high.
00:19:48After laying a million eggs, the female oyster changes her sex.
00:19:51I don't blame her.
00:19:59How many of her died?
00:20:00Oof!
00:20:01Who cares?
00:20:02Who cares?
00:20:03How many of her died were a baby?
00:20:04How many of her died were a baby?
00:20:05I don't want you to go.
00:20:07What is her?
00:20:09How many of them do to come and learn?
00:20:11How many of them do to come and live?
00:20:13What do you go?
00:20:14I don't want you to come and learn.
00:20:16I don't know her.
00:20:20How many of them do as well?
00:20:21That's the right thing is that's the right.
00:20:22Who's going to go?
00:20:23Excuse me. Can I help you?
00:20:39Excuse me. Can I help you?
00:20:53Oh, its feet are cold.
00:20:58But isn't it fat?
00:20:59You'd be fat, too, if you were fed corn and bits of bread all day long.
00:21:02Why, if it isn't Stevie and Mrs. Burlock.
00:21:04Oh, it's Ted. Look, Ted.
00:21:06Yes, it always is.
00:21:07Fat, isn't it? All to eat more fruit, eh?
00:21:09You and your fruit. That's our lunch today.
00:21:12Why, is that all? How about a nice juicy steak with me? What about it?
00:21:14I'm all for it.
00:21:15Stevie.
00:21:16Good. Where shall we go?
00:21:17I'd like to go to the Simpsons. Boy, I know his uncle took him there once.
00:21:20Don't be silly, Stevie. We're going to the corner house for a tea shop.
00:21:23Oh, don't be too hard, Mrs. B. Let's make it Simpsons.
00:21:29Come on.
00:21:39Have you ever been here before?
00:21:41No, never.
00:21:50Oh, Stevie, look what you're doing. You're pulling the table.
00:21:58I saw a picture once where a chap snatched the tablecloth off the table and left everything standing on it.
00:22:03You ought to try that at home one day.
00:22:05He did.
00:22:07All this is very expensive, isn't it?
00:22:10Yes, it looks like it, doesn't it?
00:22:15I've got a pound note if you want it.
00:22:17It's all right.
00:22:20Now, Stevie, setting aside the steak for a moment, we have here before us
00:22:23oysters, caviar, smoked salmon, fried, grilled or boiled sole.
00:22:27I'll have a...
00:22:28roast saddle of mutton, Kentish chicken pudding, boiled silver side, roast sirloin,
00:22:32chopped steaks, grilled kidneys or roast duck.
00:22:34I think Stevie would like a nice poached egg on toast. Now have a mixed salad.
00:22:40Here, drink this.
00:22:41Poached egg here at Simpsons. Why, that's enough to make the roast beef turn its gravy.
00:22:45Three Bullocks roasted whole and a cup of coffee.
00:22:49Sirloin in number eight.
00:22:51When did you come over from America?
00:22:53About a year ago.
00:22:54Business wasn't too good over there.
00:22:56That's funny.
00:22:57People used to go to the States because business wasn't too good over here.
00:23:00How are things working out now? Not too good, no?
00:23:02Not terribly.
00:23:04I thought I hadn't noticed you turning people away.
00:23:06It's hard to make a one-man business pay these days, unless you're on a sideline.
00:23:10Has Mr. Burlock a sideline?
00:23:14No, but we're quite satisfied with things as they are.
00:23:17Just one happy little family.
00:23:24Just one happy little family.
00:23:28Mr. Burlock's very kind to Stevie.
00:23:31And that means a lot to Stevie's sister.
00:23:33It means everything.
00:23:34Good morning, Geoffrey.
00:23:35Now, here we are.
00:23:37Good morning, sir.
00:23:39No fat for you, as usual.
00:23:41You see, I don't forget.
00:23:42Haven't seen you for a long time.
00:23:45Do I look as though I don't like fat?
00:23:46What's the big idea?
00:23:47What idea?
00:23:48First, pretending never to have been here before.
00:23:50Second, affording to come here on your salary.
00:23:53That's what everyone would like to know.
00:23:54There's a mystery about me.
00:23:56And come to think of it, there's a mystery about most people.
00:23:58Haven't you got some terrible secret?
00:24:00Never mind about that.
00:24:01What goes on after hours in that cinema of yours?
00:24:03Deeds of darkness.
00:24:05Does your husband go on mysterious journeys?
00:24:07He does, wearing false whiskers.
00:24:09Aha! That means there's another woman in his life.
00:24:11What's the joke?
00:24:13If you only knew him.
00:24:15He's the quietest, most harmless, home-loving person.
00:24:30Well, what luck with Mrs. Bell?
00:24:51She knows nothing, sir. Nothing at all.
00:24:52What makes you think so?
00:24:53She has a straight answer to everything, besides her manner.
00:24:55She knows nothing, sir, nothing at all.
00:24:57What makes you think, sir?
00:24:58She has a straight answer to everything besides her manner.
00:25:00Pretty woman.
00:25:03What's that got to do with it, sir?
00:25:04I know. I'm too tender-hearted myself, especially where women are concerned.
00:25:08What about Verla?
00:25:09I'm not certain, but if he is mixed up in this, he's not giving himself away.
00:25:12I'm not so sure about that.
00:25:14Your assistant, what's...
00:25:15Hollingshead.
00:25:16Hollingshead was signaled by you this morning to follow this man.
00:25:18Yes, sir.
00:25:19Well, just reach me to that paper, will you?
00:25:22This is his report. Telephone from the call box ten minutes ago.
00:25:24Verlach went to the zoo aquarium, evidently by appointment,
00:25:29and met a certain foreign individual who handed him a paper.
00:25:33He then proceeded to...
00:25:34Or 65 Liverpool Road, Islington.
00:25:36Which is a bird shop.
00:25:37I'm waiting for him to come out and we'll report again later on.
00:25:40Islington?
00:25:40Exactly. Doesn't mean much to me, either.
00:25:54But I can't understand, madam, one of my best songbirds.
00:26:07It sang all day before you purchased it.
00:26:09Perhaps in a few days it will settle down.
00:26:11Nothing won't make it settle down.
00:26:12I've tried always.
00:26:13Whistling to it, clapping me hands, frying bacon, no use.
00:26:16It just sits there and makes me look silly.
00:26:18Not the bird's fault, I assure you, madam.
00:26:21Isn't it?
00:26:22I'll have my two and nine, please.
00:26:24And there's your bird back.
00:26:25I want a canary for company.
00:26:27Perhaps I can make him sing.
00:26:33There now.
00:26:35You sure it was him?
00:26:37Listen again.
00:26:41Did you see, Colton?
00:26:42Of course you did.
00:26:44There's a good boy.
00:26:45Now, don't forget, plenty of watercress and you must whistle to him.
00:26:47Me, whistle?
00:26:48Perhaps you'd like me to sit in the cage and him do the ass work.
00:26:54Yes, of course.
00:26:55You want something from my other department, don't you?
00:26:58This way.
00:27:10My daughter.
00:27:17Much better than having strangers doing for you.
00:27:21Strangers too inquisitive, you know.
00:27:24Now, where are my keys?
00:27:28How very careless.
00:27:30She oughtn't to let the child play up here.
00:27:33Very dangerous.
00:27:34There you are.
00:27:35No father, no discipline.
00:27:37What can you expect?
00:27:38Is the little girl's father dead?
00:27:40I don't know.
00:27:43He might be.
00:27:44I don't know.
00:27:45Nobody knows.
00:27:47My daughter would like to know too.
00:27:50But there you are.
00:27:51It's her cross and she must bear it.
00:27:54We all have our cross to bear.
00:27:56Mm-hmm.
00:27:59Everything there looks pretty harmless.
00:28:01You are right, my friend.
00:28:04But if I were to mix, say, a little tomato sauce with some strawberry jam,
00:28:11then...
00:28:12I gather from our mutual friend
00:28:17that Saturday is the day and the hour 1.45.
00:28:21But how do I start the mechanism?
00:28:23Oh, you leave that to me.
00:28:25By the time you receive it, everything will have been set in motion.
00:28:28Ah, you seem a little nervous.
00:28:32Mm.
00:28:32Don't be afraid.
00:28:34Say to yourself, there is one man who envies you.
00:28:38Envies me?
00:28:39Hm.
00:28:40I've been a fighter always until now.
00:28:43But alas, I'm no longer wanted in the front line.
00:28:46I must keep the fighter supplied.
00:28:49But I would rather be in your shoes.
00:28:52Mm.
00:28:52My dear, just look here.
00:29:03Yes, yes, perhaps you're right.
00:29:05I must have put it there myself.
00:29:10There!
00:29:13There, there.
00:29:14No harm done.
00:29:15Well, I think everything is quite clear.
00:29:23Slap me hard, Grandad's been very naughty.
00:29:31Look there.
00:29:32What's he doing?
00:29:33He might be watching me.
00:29:35Why not?
00:29:36They probably know too much already.
00:29:38They'll raid you one day.
00:29:39I shall give them a nice, warm welcome, if they do.
00:29:45If you didn't see me.
00:29:48On Saturday, without fail, sir,
00:29:50two canaries in a nice cage with a very deep tray.
00:29:53Don't forget, Saturday at 1.45.
00:29:56Good day, sir.
00:29:57Good day.
00:30:02That child again.
00:30:05And now, sir.
00:30:06I want a nice singing canary.
00:30:12A canary, you say,
00:30:13then my dear little birds at once answered themselves.
00:30:20Of course I realise
00:30:21he wasn't really a greengrocer's assistant at all.
00:30:23I mean, a greengrocer's assistant
00:30:25can hardly afford a lunch at Simpson's, can he?
00:30:27He's really quite well off
00:30:29and he's there to learn the business.
00:30:30It's one of a big chain, that child.
00:30:33If you ask me,
00:30:34I believe he's the son of the man who owns them.
00:30:36How would you like a job selling fruit, Stevie?
00:30:39I wouldn't mind with Ted.
00:30:40He makes it all sound fun.
00:30:42Wouldn't it be grand to have steak whenever you like?
00:30:45Crumbs, I'd have it three times a day.
00:30:47You'd soon get sick of it.
00:30:48I bet I wouldn't.
00:30:48I don't see how you could get sick of things to eat.
00:30:51Except poached eggs.
00:30:52What's the matter with poached eggs?
00:30:54I think they're the worst things in the world.
00:30:55I bet Ted doesn't eat them.
00:30:57I'm sure he does.
00:30:58I bet he doesn't.
00:30:59They're beneath his dignity.
00:31:00I don't think Ted's so terribly dignified.
00:31:02Well, he's too dignified to eat eggs.
00:31:04I see a bunch of...
00:31:05Oh, now, it's all right, Stevie.
00:31:08Do you think Ted'll come with us and sail it?
00:31:09He might if you ask him.
00:31:11He's more likely to if you ask him.
00:31:14Sailing boats is fun.
00:31:16I like it.
00:31:17But Ted knows about all sorts of things.
00:31:19Gangsters and burglars and everything.
00:31:21How does he know?
00:31:22He reads about them.
00:31:23He says gangsters are not nearly so frightening as you'd think.
00:31:26Some of them are quite ordinary looking.
00:31:27Like you and me and Mr. Verloc.
00:31:29Perhaps he's right.
00:31:31After all, if gangsters look like gangsters,
00:31:33the police would soon get after them, wouldn't they, I mean?
00:31:43Thanks for me, please.
00:31:49Is Mr. Verloc in?
00:31:50Was he expecting you?
00:31:52Yes.
00:31:52Do you know your way through?
00:31:54Yes, I think so.
00:31:55Pass one, Jack.
00:31:57I have an appointment with Mr. Verloc.
00:32:07Do you know your way through?
00:32:08No.
00:32:09You go right through the theater.
00:32:11Pass one, Jack.
00:32:17Lady there, Ted.
00:32:19A pound of those apples, please.
00:32:22I'll have to slip away in a minute.
00:32:23Maybe I won't be bothering you any more again after tonight.
00:32:34Let's move the pound pair.
00:32:35Just head them in front of you.
00:32:37Once a month, that will happen.
00:32:48Good night, Jim, will you?
00:32:48One bag, please.
00:32:54Pass one, Jack.
00:33:01I'm glad you found this.
00:33:02It's the most important of the lot.
00:33:04I'll burn it, too.
00:33:05Oh, allow me.
00:33:06Oh, thank you.
00:33:10Well, all our troubles are over now.
00:33:12I'll burn it, too.
00:33:42Come on, Wendy!
00:33:44Hello, Ted. Where are you going?
00:33:46Just going to have a word with Mr. Verloc?
00:33:48Oh, he doesn't talk through loudspeakers.
00:33:50Is that what's in there?
00:33:51It's only the screen. Not much to look at.
00:33:53Come here, duck!
00:33:55Oh, to trouble!
00:33:57Oh, my!
00:33:59Where does that lead to?
00:34:01To our front door.
00:34:03You'll remember when it fell open.
00:34:05I'll give old Mr. V a surprise.
00:34:07Yes, sir.
00:34:09Come out of them!
00:34:11I'm your nephew.
00:34:12So are you.
00:34:16Oh, don't fiddle about. That's no good.
00:34:19Leave it to me. I'll get it out of him.
00:34:25Don't you do that to me!
00:34:27Don't you talk like that to me!
00:34:29Remember, I'm your uncle. Hold that.
00:34:31Not at all.
00:34:32I'm only too glad to pay what the job's worth.
00:34:36Well, I don't see anything against it.
00:34:39I'll call in tomorrow about 11 o'clock.
00:34:42And afterwards...
00:34:45I'll settle with you when you've done the job.
00:34:51Of course, if the Arsenal lose to Birmingham on Saturday, I shan't be so pleased.
00:34:57Arsenal? I don't follow.
00:35:00No, no, I know. You don't follow Arsenal.
00:35:02But they're a good bet, believe me.
00:35:04Don't forget, I...
00:35:06filled in about 10 coupons.
00:35:08Stands me in at about 15 bob.
00:35:11So I'd better...
00:35:17Why? I know him.
00:35:18What were you doing out there?
00:35:19Who is he?
00:35:20Well, he's from the filter next door. I know him all right, but...
00:35:22What happened?
00:35:23I was showing Ted the back of the screen of the loudspeakers.
00:35:26Wasn't that all right?
00:35:28I hope I didn't hurt you. You never know, you know.
00:35:31Well, Mr. Bullock, no harm done, I hope.
00:35:34I must be getting back the shade of the old apple tree.
00:35:37Sorry.
00:35:38Good night, all. Good night.
00:35:44That is Detective Sergeant Spencer of Scotland Yard.
00:35:51And who is he after?
00:35:53They're having us on.
00:35:54But what are we going to do about it?
00:35:55But he's connected with the fruit store next door, I tell you.
00:35:57Spencer got me my last stretch, the one I'm unlicensed from now.
00:36:00What are we going to do about it?
00:36:01One thing. This job is off, out, finished.
00:36:03We go quick from here and scatter.
00:36:05And keep scattered.
00:36:06And if he comes here again, tell him you don't know where we live.
00:36:09Say we've gone abroad. Anything you like.
00:36:36Yesterday, at Simpsons, when you had lunch with that fellow.
00:36:51With Ted, you mean?
00:36:53I remember what he said to you.
00:36:55Did he ask you any questions about yourself? About me?
00:36:59None that I can think of. Why?
00:37:01Because he's a detective from Scotland Yard. That's why.
00:37:05Spying on us. On me. Through you.
00:37:08But why should he? What is there to find out?
00:37:11I'm all right.
00:37:13It must be one of those fellows who came here tonight.
00:37:16But you said he was spying on you.
00:37:18No, not on me. This place, I meant.
00:37:23But if he has anything against anybody, why didn't he come straight to you?
00:37:27You'd help him.
00:37:29I'll talk to Mr. Detective Ted.
00:37:31No, no. I'll speak to him myself.
00:37:33I've been cleaned all day.
00:37:35I don't know, Governor.
00:37:51Where's Ted?
00:37:52He's gone.
00:37:54Has he gone to Scotland Yard?
00:37:56Sorry, Mr. Wernock.
00:37:58Of course, I didn't like the idea, but I couldn't refuse.
00:38:00See, it was official.
00:38:02But why? What's wrong?
00:38:04Did they say what it was about?
00:38:06Not so far as I know.
00:38:08You must have been showing some funny sort of films, I dare say.
00:38:11You know, perhaps a bit too odd.
00:38:29Was he there?
00:38:32Toast.
00:38:33I use that.
00:38:34Close.
00:38:38Close if.
00:38:42Toast.
00:38:57I was trying to get hold of him since first thing this morning.
00:39:10Wasn't there anybody there to answer?
00:39:12No.
00:39:13Well, it's too late to stop him now.
00:39:15He's gone out with an order.
00:39:17All right.
00:39:19All right.
00:39:23An old man just left this.
00:39:25I thought he must have made a mistake.
00:39:26No, no, that's all right.
00:39:29It's only a pair of birds for Stevie.
00:39:31I was just phoning about it.
00:39:33They're terribly good to us.
00:39:36Not to you.
00:39:38If you're good to him, you're good to me.
00:39:40You know that.
00:39:41Yes, I know.
00:39:42What made you think of it?
00:39:44Oh, someone made the suggestion.
00:39:48Go and call him, will you?
00:39:56I don't need.
00:39:58I don't need.
00:39:59I don't need.
00:40:00I don't need.
00:40:01See?
00:40:07Come on.
00:40:08Kind of talk.
00:40:10Take care.
00:40:11Come on.
00:40:12Come on.
00:40:12Now, let's take care.
00:40:13Pussy. Pussy.
00:40:29David!
00:40:32What are you doing up there?
00:40:37There's a surprise for you inside.
00:40:39What is it? Go and see.
00:40:43There was no one on the door. Forgive me for busting in like this.
00:40:50We're getting used to it.
00:40:52I'm afraid we've nothing showing at this early hour.
00:40:55I'm sorry, Mrs. Burlock, but I'm here on business.
00:40:58Same business as last night.
00:41:01Mrs. Burlock, there's nothing personal in all this.
00:41:04Isn't there?
00:41:06You had us fooled all right.
00:41:08Trying to make Stevie and me think you were a friend.
00:41:10Do you think I enjoyed it?
00:41:12Then why did...
00:41:13Listen, I asked to be taken off this job this morning.
00:41:15You can guess why.
00:41:18But it's not as easy as that.
00:41:20My job you have to do as you're told.
00:41:21Well, what have you been told?
00:41:23It was about the men who came here last night.
00:41:25My husband had nothing to do with it.
00:41:27You better realize that.
00:41:29They came here on business about the cinema.
00:41:31That's just it.
00:41:32You have no idea what that business was.
00:41:34Whatever it was, I'm sure my husband hasn't done anything wrong.
00:41:37I hope you're right.
00:41:40Why do you say it like that?
00:41:42Because we believe there's something going on here connected with sabotage.
00:41:45Sabotage?
00:41:46That blackout the other night, you remember?
00:41:48Well, my husband hasn't anything to do with sabotage.
00:41:52He told me that night he'd been in all the evening.
00:41:55That wasn't true.
00:41:57I saw him come back with my own eyes.
00:42:00I don't believe it.
00:42:02You're making things very difficult for me.
00:42:05I'm afraid I've got to ask you a lot of questions.
00:42:07How about those men?
00:42:09I told you before, he's the most harmless person in the whole world.
00:42:13He wouldn't do anything to...
00:42:22Did these men arrive together, or one by one?
00:42:24Yes, sir.
00:42:26Did you recognize any of them?
00:42:28Yes.
00:42:30Are you quite certain that you didn't know one of them by sight?
00:42:33I think absolutely.
00:42:34Does he know their way?
00:42:40One door!
00:42:52The door!
00:42:54The door!
00:42:59The door!
00:43:09Oh
00:43:29Stevie
00:43:39They're beauties. Which one's the hen?
00:43:42You'll have to wait till one of them lays an egg.
00:43:45Wouldn't it fool everybody if one day the gent laid an egg?
00:43:48Because, shouldn't that be funny?
00:43:50You're right.
00:43:51By the way, has that two reeler gone over to the counterpart yet?
00:43:55Well, there's plenty of time.
00:43:56I was just wondering. Maybe you could take it along now.
00:44:00Of course, there's another little job I want doing at the same time.
00:44:04You know, kill two birds with one stone.
00:44:06Not my birds.
00:44:07No, no, they'll be here when you come back.
00:44:09No, it's that projector gadget one seeing to.
00:44:14Harris out at Watford says he'll do it cheaper than they will in town.
00:44:18But he can't come right over here and fetch it.
00:44:20So what they do is this.
00:44:22You leave it in the cloakroom at Piccadilly Circus.
00:44:24Harris picks it up at half past one.
00:44:27But can he get it without the ticket?
00:44:29Oh, that's all right.
00:44:31You leave the ticket with the man.
00:44:33Harris knows him. We've done this before.
00:44:37You'd better get along now.
00:44:39Well, there's no hurry.
00:44:40You'll have to walk all the way.
00:44:42Walk? What for?
00:44:44You know you can't take film tints in public vehicles.
00:44:48Oh, yes, I forgot.
00:44:50You needn't tell your sister that you are going as far as Piccadilly.
00:44:53You know what she is.
00:44:55Always thinking you are going to get run over.
00:44:57Oh, she needn't worry.
00:44:59Heads I wash, tails I don't.
00:45:03Tails it is.
00:45:04For God's sake, why don't you go?
00:45:25I mean, hurry up.
00:45:27You might be late.
00:45:28Don't forget it's going to be there by 1.30 at the latest.
00:45:32Hello, Steve, what have you got there?
00:45:34I'm taking a two-reeler over to the Canterbury.
00:45:38Hmm, Bartholomew the Strangler.
00:45:39That sounds a juicy one.
00:45:40Have you seen it?
00:45:41Fourteen times.
00:45:42Must be quite a wrench parting from it.
00:45:43Well, so long, Bartholomew.
00:45:44So long.
00:45:45Careful of the crossing.
00:45:46I can look after myself, can't I?
00:45:47Oh, Steve.
00:45:48Is Mr Verlop here?
00:45:49Yes, I just left him.
00:45:50Thank you, sir.
00:45:51Come on, I'll leave now.
00:45:52I'm going to see you.
00:45:53I'm going to see you.
00:45:54I'll take a other two-reeler over to the Canterbury.
00:45:55I'll take a two-reeler over to the Canterbury.
00:45:57Hmm, Bartholomew the Strangler.
00:45:58That sounds a juicy one.
00:45:59Have you seen it?
00:46:00Fourteen times.
00:46:01Must be quite a wrench parting from it.
00:46:02Well, so long, Bartholomew.
00:46:03So long.
00:46:04Careful of the crossing.
00:46:06I can look after myself, can't I?
00:46:08Oh, Steve.
00:46:10Is Mr Verlop in?
00:46:11Yes, I just left him.
00:46:16I'm afraid I've had to impose on you, Mr. Verlach, but I couldn't afford to let you in on this.
00:46:26Now I can put my cards on the table.
00:46:30I've come here to ask for your help. Nothing more.
00:46:34I see.
00:46:36About those men who were here the other night, when I dropped in myself.
00:46:41I've been instructed to get a little information about them.
00:46:44We'd be very grateful of you to help us.
00:46:46Well, any help I can give him, of course.
00:46:49About yourself, Mr. Verlach, when did you first come to this country?
00:46:53Can I get you a drink or something?
00:46:55Not now, thanks.
00:46:57Well, I've got to think now. Let's see.
00:46:59Perhaps it would be better if you put it down on paper. Just a formality.
00:47:03Could you find a pen and ink? We can start right away. You know, I, Carl Anton Verlach.
00:47:08Now, ladies and gentlemen, I want to ask you a question.
00:47:21What does it cause his teeth to fall out?
00:47:24Why, it comes in the jaw.
00:47:25The process of decay, inevitable in all human organisms.
00:47:30But decay can be arrested, instantaneously arrested.
00:47:33And by what?
00:47:34A copper.
00:47:35Yes, exactly. But if I may say so, by rather more than one copper, by a few coppers.
00:47:41I have here in my hand a tube of that remarkable preparation, salvo don.
00:47:47Derived from two Greek words, salvo no more and don, tufag.
00:47:51Sixpence for small tube and a shilling for the large tube containing four times as much.
00:47:57Now, let me give you just a little demonstration.
00:48:00Now, if somebody...
00:48:01Ah, I see you're a young gentleman who I'm sure will be happy to assist me.
00:48:05No, I wouldn't.
00:48:06Yes, you would.
00:48:07Come on, bug him up.
00:48:08In the chair, sir, if you don't mind.
00:48:10But I...
00:48:10Allow me to relieve you of the toppy, eh?
00:48:13It isn't toppy.
00:48:14All right, all right, all right.
00:48:15Stay where you are. Don't get excited.
00:48:17Here we are.
00:48:18The first thing to do is to take the tube in the left hand and remove the cap.
00:48:22Like so.
00:48:23Then we pick up the toothbrush and we squeeze some of the salvo don along the whistle.
00:48:28Like so.
00:48:30Then I want you to observe, ladies and gentlemen,
00:48:32that the young gentleman's teeth are very dirty.
00:48:35No, no, not.
00:48:35Yes, they are.
00:48:36Now, come on.
00:48:37Open your mouth.
00:48:37That's a good boy.
00:48:38Now, we now proceed to use the brush.
00:48:40Now, with the ordinary commercial dentifixes, what happens?
00:48:43It is either too gritty and takes all the enamel off,
00:48:47or it ain't and it don't take nothing off.
00:48:49But with salvo don, that's the apimedia.
00:48:52Neither too strong nor too weak.
00:48:55It performs the functions that nature forgot.
00:48:57It cleanses the teeth, refreshes the mouth,
00:49:00and removes all traces of halitosis.
00:49:02Halit what?
00:49:03Bad breath to you, sir.
00:49:04Same to you.
00:49:06I don't need it.
00:49:07Come on.
00:49:07You are now.
00:49:08Relax, honey.
00:49:09Don't be afraid.
00:49:10There you are.
00:49:10Better now?
00:49:11Now, ladies and gentlemen,
00:49:12you will observe that I have unfortunately disarranged the young gentleman's hair.
00:49:17But that is easily attended to.
00:49:19Now, I have here a bottle of Losswell.
00:49:22A shillin for that size.
00:49:23But I have large size, four times the size, which is only 18 feet.
00:49:27I will now give you a demonstration about you.
00:49:30You put it on the air like that, you see.
00:49:32It's a remarkable stuff.
00:49:33It is guaranteed to give the appearance of patent leather to the human fetch.
00:49:38You are now groomed to stardom, as they say.
00:49:42Go on, buzz off your little basket.
00:49:44Go on.
00:49:46There you are.
00:49:47Ladies and gentlemen, now, everyone.
00:50:27Hey, where are you going?
00:50:32Go on.
00:50:32Back to you, please.
00:50:33Go on.
00:50:33Go on.
00:50:34Go on.
00:50:37Go on, son.
00:50:38Get right back.
00:50:50Here they come.
00:50:51Here they come.
00:50:57Go on.
00:51:13The End
00:51:43The End
00:52:13The End
00:52:43I said, you think you'll get to the Piggazilly service by 1.30?
00:52:48Yes, 1.30 in the morning.
00:52:50You want to meet a young lady there?
00:52:52Here, you can't bring those there in a public vehicle.
00:52:54They're films, ain't they?
00:52:55Yes.
00:52:56Then they're flammable.
00:52:57Go on, off, off, big boy.
00:52:58But I've got to get to the Piggazilly.
00:52:59Can't I leave him out on the platform or somewhere?
00:53:01Oh, it's Bartholomew the Strangler.
00:53:04Oh, well, it's you, Bartholomew, old fellow.
00:53:06You can stay.
00:53:06As long as you promise not to sit about me or any of the passengers.
00:53:43The End
00:54:13The End
00:54:43The End
00:55:13Well, now, everything seems to be all right.
00:55:23Will you have your drink after all?
00:55:25No, thanks.
00:55:32Come in.
00:55:34Oh, excuse me.
00:55:36Will you ring up Whitehall, 1212?
00:55:39May I use your phone?
00:55:43May I use your phone, sir?
00:55:49Put me through to Superintendent Palbert, please.
00:55:56Spencer here, sir.
00:55:56A whole busload of people have been blown up in the West End.
00:56:11How awful.
00:56:13What time?
00:56:14Why do you ask?
00:56:17Well, after all, I can't be in two places at the same time, can I?
00:56:20I suppose not.
00:56:27I may be back later on.
00:56:50Cut on to anything?
00:57:08I'm not sure.
00:57:09Well, make up your mind.
00:57:10What is it, anyway?
00:57:13Barthol...
00:57:13Bartholomew something.
00:57:16Well, that's a film tin, isn't it?
00:57:19I thought you said Valak hadn't been out since this morning.
00:57:21He hadn't.
00:57:22Well, you'd best go back there and see if that's one of their films.
00:57:24You want me, sir?
00:57:25Yes, yes.
00:57:26You'd better join Hollington at the bird shop.
00:57:27Yes, sir.
00:57:27Don't go inside.
00:57:28Just keep your eyes open.
00:57:29I will, sir.
00:57:30All right, Spencer.
00:57:31Cut off.
00:57:31Okay.
00:57:32Is that anything to do with it, Mr. Spencer?
00:57:39Bartholomew the string.
00:57:41That's a film tin, isn't it?
00:57:45No.
00:57:46Sardines.
00:57:57The newspeak from Sam Sassian.
00:57:59Alex, the newspeak from Sam Sassian.
00:58:02He's all right.
00:58:05He can take care of himself.
00:58:07You've got nothing to worry about.
00:58:08Alex, the newspeak from Sam Sassian.
00:58:10Big bombe Sam Sassian.
00:58:11Give me a pill.
00:58:12Alex, the newspeak from Sam Sassian.
00:58:15Alex, the newspeak from Sam Sassian.
00:58:18Alex, the newspeak from Sam Sassian.
00:58:21Big bombe Sam Sassian.
00:58:23Alex, the newspeak from Sam Sassian.
00:58:32I want Mr. Verloc.
00:58:38I want Mr. Verloc.
00:58:41Don't come down. Give me a few minutes.
00:58:44Please go away.
00:58:54I want Mr. Verlach.
00:58:57I want to see Mr. Verlach.
00:59:02I didn't mean any harm to come to the boy.
00:59:07Come on. You've got to think of tomorrow.
00:59:11You'll need all your wits about you if they get on to me.
00:59:17You might answer, Othello.
00:59:23Do be reasonable.
00:59:25What would it have been if you had lost me?
00:59:35That's wine in the aquarium.
00:59:38You silly, jeering, dangerous brute with no more sense than...
00:59:45You didn't know. Quite right, too.
00:59:48I'm not a chap to worry a woman that's fond of me.
00:59:54You have no business to know.
01:00:09You'll have to pull yourself together, my girl.
01:00:12What's done can't be undone.
01:00:13I can't be undone.
01:00:21You go to bed now.
01:00:24What you want is a good cry.
01:00:25I know how you feel.
01:00:31Do you think it doesn't touch me?
01:00:33Do you think I fixed it so that he'd be killed?
01:00:36No.
01:00:38But I tell you who did.
01:00:40Your Scotland Yard friend from next door.
01:00:42Ted. Blame him.
01:00:43I'd have carried the thing myself, but he was hanging around watching, spying.
01:00:47I couldn't get away.
01:00:48Listen.
01:01:02It's done now.
01:01:04And there's the future.
01:01:06Perhaps...
01:01:08I don't know.
01:01:10Perhaps if we...
01:01:12had a kid of our own.
01:01:18There she is.
01:01:20We're having fun.
01:01:22Look.
01:01:24Look.
01:01:26Go, come on.
01:01:28Look.
01:01:30I'm going to die.
01:01:31If you...
01:01:33A story at the time of your life.
01:01:35We'll ever leave.
01:01:37A story at home.
01:01:39Everything is the only one.
01:01:41A story at home.
01:01:43That's fine.
01:01:45He's guilty.
01:01:46What about the love?
01:01:47I don't have a타.
01:01:48I love them.
01:01:52Oh, fascinate me.
01:02:18Who killed cock robin?
01:02:26Who killed cock robin?
01:02:28Everything's dished up. Young Stevie ain't in, but I've laid for him.
01:02:32Well, I'm getting the lung now.
01:02:36Who killed cock robin?
01:02:42Who killed cock robin?
01:02:46Who killed cock robin?
01:02:48Who killed cock robin?
01:02:50Who killed cock robin?
01:02:52Who killed cock robin?
01:02:54Who killed cock robin?
01:03:00Pulled yourself together a bit.
01:03:04That's better.
01:03:06Never green.
01:03:16Why can't that woman cook green stuff any better?
01:03:20Surely she's been long enough here to know how fond I'm of that sort of thing.
01:03:36I don't think I want any cabbage.
01:03:50Couldn't we send next door for some?
01:03:54There she is.
01:06:28you've heard yes i'm terribly sorry i don't know what to say
01:06:48you know why i'm here yes i'll have to arrest him
01:06:55yes i'll help him if i can of course for your sake if not for his
01:07:02i'd do anything for you you know that don't you
01:07:05it's very good of you ted there isn't anything you can do for either of us
01:07:10things aren't as bad as that the evidence is against him i admit
01:07:15but nothing's going to happen to you
01:07:17i know this isn't a very good time to tell you
01:07:23i shouldn't tell you at all i suppose
01:07:26but before i take him along i want you to know that
01:07:29what happens to you means a lot to me
01:07:32i didn't want to tell you how i felt about you but there it is
01:07:36i should i think a lot of people are too good at this point
01:07:41i think that's how it feels good at this point
01:07:46that's how i think that's it
01:07:48and i'm thinking about you
01:07:50that's the one that's what i thought
01:07:52that's how i thought about you
01:07:52and that's how i think that's how i think that's what i think
01:07:55i wanted to know
01:07:56i'm thinking about how they feel
01:07:58I guess I'd better get my coat if we're going.
01:08:11I can't stop shivering.
01:08:12For God's sake, what happened?
01:08:14He killed Stevie.
01:08:17I feel warmer now.
01:08:19Let's go.
01:08:19Go where?
01:08:20To the police, of course.
01:08:21No, hold on, wait a minute.
01:08:28My friend, take a look at this book.
01:08:41Do you realize what this means to you?
01:08:58Listen to me.
01:09:15You can't go through with this.
01:09:16You can't let me go.
01:09:17You're not guilty.
01:09:18I know it was an accident.
01:09:20Anyway, you only did the hang of the job for him.
01:09:22Please let me go.
01:09:23I know the fact, but no one else does.
01:09:25What chance would you stand with the judge and jury?
01:09:26I don't care anymore.
01:09:29You're telling me you've nothing more to live for, is that it?
01:09:31Look at me.
01:09:35Jay.
01:09:36Idea we're going to get out of all this.
01:09:37Clear out.
01:09:38You know it's no good.
01:09:40You'll just ruin yourself.
01:09:41What to hell with that?
01:09:43It's at midnight.
01:09:44We don't need passports for the Continent if we ask for weekend tickets.
01:09:47The train leaves at nine.
01:09:49Will someone try and get in that room?
01:09:51Mrs. Jones, anyone?
01:09:52Mrs. Jones comes in at eight o'clock in the morning.
01:09:55Eight o'clock?
01:09:56And you say we've got no chance.
01:09:57Why, we've 12 hours' start before anyone can find him.
01:10:01You shut up.
01:10:01I don't want to hear another word from you.
01:10:03Now go straight to that cinema and bring that birdcage right back before the police get there and find it.
01:10:07How could you have been so mad to do such a thing?
01:10:09A birdcage with a bomb in it.
01:10:11My dear, I couldn't help.
01:10:12Well, you can help now.
01:10:14Here's your hat and your coat.
01:10:15My dear, but what of the risk?
01:10:16Risk?
01:10:16Who to?
01:10:17You?
01:10:18What about me and the child?
01:10:19Haven't our lives been one long risk for months?
01:10:21Now go on, get into that taxi.
01:10:23And get that birdcage.
01:10:26Visual cinema pen for fur.
01:10:28Follow that taxi.
01:10:42Put this through the yard.
01:10:48Please, Van, what's our number?
01:10:51UDC 4768.
01:10:53Reporting.
01:10:54Man under observation, who's just left bird shop, is making for the Bijou cinema in a taxi which we are following.
01:11:02Any instructions?
01:11:09Reply is, arrest man and verloc on arrival at cinema.
01:11:12Chief inspector coming from yard.
01:11:14I'm all right now.
01:11:18I just...
01:11:18You mustn't look as though you've been crying.
01:11:20I'm all right.
01:11:21Come on.
01:11:23Dead.
01:11:26Whatever happened.
01:11:41You're putting it together, my friend!
01:11:44You want?
01:11:44You've seen it?
01:11:45You've heard about it?
01:11:47It is, Mr. Bell.
01:11:56What is it?
01:12:01Please, Nash.
01:12:02Come on.
01:12:03Not that way.
01:12:14Are you in charge?
01:12:17Sorry, no time now, madam.
01:12:19But I'm Mrs. Verloc.
01:12:19Oh, where have you been, Spencer?
01:12:21Look here, sir.
01:12:21He was just taking me along to the police station.
01:12:23Oh, boy, I see.
01:12:24Does Mrs. Verloc know we won't have questioned her?
01:12:26Yes, he's explained all that.
01:12:27I told him I wanted to make a statement.
01:12:29Statement, eh?
01:12:30What kind of statement?
01:12:31Mrs. Verloc, you can make your statement later at the station.
01:12:33All right, Spencer.
01:12:34I'm in charge of this.
01:12:35A statement to do with your husband?
01:12:36The old man's gone through to the back, sir.
01:12:37Right, I'm coming over.
01:12:38You wait here.
01:12:39Your husband will be along in a minute.
01:12:40It's no time.
01:12:40But Mrs. Verloc.
01:12:41Yes, no time now, I'm afraid.
01:12:42Later.
01:12:43You stay here for the car, Spencer.
01:12:45How many men have gone around the back?
01:13:03Mr. Verloc.
01:13:07Come on, Grandpa, open up.
01:13:28It'll save a lot of trouble.
01:13:29Perhaps he's got a bomb.
01:13:33Half a dick.
01:13:34Better clear the cinema.
01:13:35I'll look after the old man.
01:13:36Thanks, I'm staying here.
01:13:38You've got a wife.
01:13:39All the more reason why I should stop.
01:13:41Come on, get the audience out.
01:13:50He's gone to the back.
01:13:51He's got a bomb.
01:13:51He says he's going to use it.
01:13:52A bomb?
01:13:53Is Verloc inside, too?
01:13:54I don't know.
01:13:54Perhaps something happened to him.
01:13:55He says he's going to use it.
01:14:13Mrs. Verla, is your husband inside there?
01:14:25He knows nothing, sir.
01:14:26Why do you keep interfering, Spencer?
01:14:28Yes, he's inside.
01:14:29The old man's got a bond.
01:14:31What's your husband's nerve like?
01:14:33Can he control him?
01:14:34No.
01:14:35He can't?
01:14:37He's dead.
01:14:43Come on.
01:14:47Come on.
01:14:51Come along.
01:14:52Come along.
01:14:53Come along.
01:14:53Come along.
01:14:54Come along.
01:15:03The balloons are on the whole of the back.
01:15:05The place clean-blown art.
01:15:06Everybody, all the audience was there, thank goodness.
01:15:09We've heard it from the old boy.
01:15:10Well, I saw some things in the war, but...
01:15:13Any enough left to identify?
01:15:16I wouldn't say so, sir.
01:15:18You better get a first aid man to attend to that head of the...
01:15:20Yes, Spencer.
01:15:26You better look after Mrs. Verla.
01:15:28Her husband's dead, blown to glory.
01:15:33You can break it, you know.
01:15:35There'll be a few inquiries later, but there's nothing against her, so far as I can gather.
01:15:40Yes, sir.
01:15:55That's queer.
01:15:57Is that girl psychic?
01:15:59She said the burlick was...
01:16:01Dead, sir?
01:16:02Well, you don't need second sight in a case like this.
01:16:03No, but she said it before.
01:16:07Or was it after?
01:16:10I can't remember.
01:16:11I can't remember.
01:16:19I can't remember.
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