Parlor Room S01E06 (2025)

BRITCOM III

Watch Parlor Room S01E06 (2025) - BRITCOM III on Dailymotion

Transcript

00:00:00Hi, I'm Becca Scott and welcome to Parlor Room where we play our favorite

00:00:13tabletop games with your favorite people each episode we invite a new guest to

00:00:18bring a game of their choosing and a murder of mommy's sloop of sluts to tell

00:00:26us about tonight's game we have the one who rules with equal parts fear and love

00:00:30the Queen Bee of Aguefort Academy Persephone Valentine all shall love me

00:00:35in despair truly I do both our friends at home what game you have chosen to

00:00:41bring us today we are playing thirsty sword lesbians specifically a homebrew

00:00:48setting that I've created titled got a secret that's right we dare to do a

00:00:56one-shot TTRPG right here on dropout and even to fill the table with GMs taking

00:01:04the night off Sefi can you help me introduce these three other players you

00:01:09don't know him you don't love him Brennan Lee Mulligan don't oh my gosh it's a

00:01:15pleasure to be here thanks for having me the incredible the goddess leave

00:01:19Jasmine Bular I've had sex with all of these people

00:01:24and last but not least Aabria Iyengar I categorically refuse to lead you have to run this

00:01:35Sefi tell us why thirsty sword lesbian specifically thirsty sword and lesbian do I

00:01:43need to clarify any more nope we got it yeah we'll see whether our thirsts are

00:01:48quenched today but first I must do what I do best read rules from a teleprompter

00:01:54in thirsty sword lesbians players tell stories of dashing queers with a bit of

00:02:03swashbuckling and a whole lot of melodrama one player takes the mantle of gay master

00:02:08the narrator and exposition giver for the session the other players all play an ensemble of

00:02:13characters based on the scenario thirsty sword lesbians is built around be powered by the

00:02:18apocalypse system a narrative gameplay framework that provides players with moves most of the time

00:02:25we'll be narrating the game in casual conversation but when players want to affect the story they'll

00:02:30need to employ a move moves are resolved by rolling two six-sided dice and adding any modifiers

00:02:36usually based on their five core stats daring grace heart wit and spirit a rule of 10 or more is a

00:02:43success known as an upbeat a six or below results in a downbeat and a 79 is a mixed beat or a success

00:02:50at a cost where players must select an additional negative outcome as the price of success all outcomes

00:02:57continue to move the story forward but the type of beat will change the resulting consequences characters

00:03:03can also gain narrative strings emotional influence over another person this could be the affection of

00:03:09a friend or lover or it could be blackmail material but enough of the rules let's get to the game

00:03:16sefi would you please i'll assume the position

00:03:19welcome to crabtree massachusetts this sleepy little town is a place all of you have spent some time in

00:03:31whether most of your lives or just a few years however it's been some time since you've been back

00:03:39because well after high school life goes on but it is time now to return for mary milkhauser's annual

00:03:49slumber party everyone here knows who mary milkhauser is she and her cousin susan milkhauser and her ex-boyfriend

00:04:00gary crabtree of the crabtree crabtree crabtree ruled the school and even if they hadn't it would be hard

00:04:09pressed not to know who mary is because the popping of her lip gloss and the running of her mouth

00:04:14raged across the school

00:04:16so she'd be housing that milk they do be housing i was there's also the flap of her knockers

00:04:25swaying i could not tell you what color her eyes are were a heels ladder or the smack of her tits

00:04:31outside of a broad we do not know however she became close to all of you when something happened

00:04:37an incident one that took away the lives of her two closest compatriots now two years later you are

00:04:46here to come together after going to colleges getting different jobs leaving this tiny town

00:04:53you come to the edge of crabtree massachusetts to milkhauser manor

00:05:00you can't you can't no we're all being so normal about that so normal not the milk house

00:05:07milkhauser manor is a large victorian home on the outskirts of town as you approach i would like

00:05:18you all to introduce your characters and describe what we see a white van dirty drive up

00:05:26park outside the open gates and the side door rolls open out steps natasha vulvana

00:05:37natasha is an artist in every sense of the word uh you see paint beneath her fingernails

00:05:50and yet dressed to the nines um in flowy garb with jingling bangles and um tight blonde curls

00:06:01uh light skin with some freckles and um just general adorableness is the vibe um she is a scoundrel

00:06:12natasha oh thank you so much for the ride hobby oh you know i'd do anything for you

00:06:20i know do you have to leave i mean we could i could come with you i slide the door close and put a

00:06:28duffel bag over my shoulder single tear rolls down hobby's cheek fuck that girl natasha you arrive here

00:06:35and it's been a while since you've been in this town the air here is much cleaner than the cities

00:06:43you've been in

00:06:44that's good air is it you like that i love it so much that's good air you don't know breven

00:06:58now that's the air i like natasha as you draw on a breath for a brief moment your chest gets tight

00:07:07your ribcage tightens and it's almost like someone snaps a rubber band against your brain

00:07:15just beneath your skull and then it's gone bitch and as that feeling passes the next guest arrives

00:07:24and we will introduce brennan's character helen hecate nope i leave yeah absolutely

00:07:33helen hecate is the spooky witch playbook she has made a living here in crabtree massachusetts

00:07:46selling fish paraphernalia on etsy and by fish i do mean the jam band ph she lives in a dangerously

00:07:58tilted airstream trailer parked at the edge of the woods behind the cold stone i get you a jack

00:08:05the diagonal of the airstream helps me attune to the ley lines

00:08:11this world is not in balance and neither should my airstream be helen looks like a goth stevie nix

00:08:20she looks like if the girl from the ring was checking wristbands at the ren fair

00:08:27her her long dark hair which she leaves wild she has a beautiful mediterranean greek hellenistic face

00:08:40and she has dark it looks like she got as many bolts of cheesecloth as you could buy at joanne's

00:08:47fabrics dyed them all in ink and then just sort of shredded them into garments and so she's kind of a

00:08:55with the hair and the black cheesecloth just kind of looks like a a tim burton tumbleweed

00:09:02missed opportunity as a fashion designer just gotta say yeah um now that's normally strikes a very

00:09:10witchy pose as her sort of garments wisp and go in all directions the only hard part is to get around

00:09:15town she does have a bicycle so so whenever she rides the bicycle she has to hoist up and secure

00:09:23all the cheesecloth or it gets in the gears of her schwinn gotta gird your loins with that dress

00:09:29that's what it means look it up yes that's what they do so you do see when she's riding her bike

00:09:33it just looks like sort of uh you know like a uh a midnight dandelion it's just a big puffy top

00:09:40and then two legs ending in birkenstocks just pedaling as fast as possible i'm glad she's got a

00:09:46comfortable she though good for her good for her another guest arrives abria will you introduce

00:09:53your character please tatiana tati fields uh pulls up and parks inside of the gate uh she's a sophomore

00:10:05at ucsb she crossed the country to go to school uh so now that she's back visiting her family

00:10:11she had to take her dad's like hunter green jag over to the house uh this is mary's former second

00:10:19in command she is gretchen wieners but she found a way to flourish outside of uh this queen bee's thumb

00:10:28so she walks up in like a sort of pale dusty pink crushed velvet romper with a little like ucsb like

00:10:36college hoodie over her shoulders uh her phone's up she's in like a little group like discord call

00:10:42with her roster her sundry lovers there's so many but if we keep them well organized and sort of in

00:10:49constant contact then the scheduling becomes that much easier uh if you are a tim burton dandelion

00:10:56this uh tati is like a sophia coppola protagonist

00:11:00it's exactly her vibe uh and i'm playing the matriarch because i cannot escape the mommy

00:11:05allegation and i just realized that right now that i keep doing it to myself and i didn't mean to but

00:11:11i keep doing it it's good it's good be it don't be afraid of the mommy i'm not i'm terrified last but

00:11:19certainly not least let's introduce your character might be least i said not least i'm not letting my

00:11:27friend do not put my friend down in front of me please um you hear like a beep beep

00:11:34and you're taking a sip what are you doing and then you see a vespa

00:11:40and it comes halfway up the hill and then it starts to go backwards

00:11:45and you see a gangly um boy with a full face like helmet pop off and then starts to push it up

00:11:54the hill awkwardly um really live all elbows and knees six foot three um wearing like a big italian

00:12:03like cut like italian like silk uh spread collar shirt with like a little vest over it and chelsea

00:12:09ankle boots um a big a big belt big flashy belt and like really tight jeans yes okay

00:12:17pushing this vespa like really awkwardly up the hill and um as the vespa kind of approaches the

00:12:26gates you notice there is a young girl seated on the vespa she's wearing a fish t-shirt with a ripped

00:12:33up fishnet underneath and the bottom is like just pantaloons that she clearly grabbed from an indian

00:12:38outfit and decided she was going to ditch the top half her hair is like french braided and she's

00:12:44like sitting cross-legged on the back and um he kind of as he pushes the vespa struggling he pulls

00:12:50off his helmet and you see like a big coif of like curly hair brown skin angular jaw with gray eyes

00:12:58and uh i'm just like hey guys hey everybody hi good job pushing that vespa wow jay how are you hi oh hi hi so

00:13:10it's really good to see it's good to see you it's horrible to be here this is uh a little oh god

00:13:17hi it's dark we are gathered here

00:13:20hello hello natasha tati are we all doing that oh instead jay's like hello jay how are you doing

00:13:33good did your vespa run out of gas or is there an engine problem it it's not strong enough um

00:13:39to get us a hill i hope we are all stronger this even tide than jay's vespa for great challenges and

00:13:47trials await oh my god are we doing like a campfire circle or something outside of my house

00:13:54hi mary you see walking down the front steps is mary milkhauser now fashion trends change very quickly

00:14:05and once upon a time maybe uh big hair was popular capri cutoffs were popular she looks like she's

00:14:15dressed about five or six years late very big blonde hair gigantic tits crammed into a like really tight

00:14:25camisole i mean the family heirloom yes and she looks at all of you and is like we're having a party

00:14:34inside right so why don't you all come in already hi it's so good to see you it's so good to see

00:14:43all of you it's been like a year a year yeah like exactly a year since i last we last did this and

00:14:50we've all changed so much mostly i brought a hummus plate have changed so much you know it's really

00:14:57really great for everyone like i'm so glad that all of you have changed and are different now

00:15:04so do you want me to put this hummus plate in the fridge or because i can food oh my god you brought

00:15:11hummus that's really cool let's go inside we have your formal invitation it's always good to check

00:15:19it do i need it yeah look at her i'm not worried listen i'm not a vampire you guys i am don't be

00:15:28excited that we think you're a vampire with your formal invitation i feel that any hexes or curses across

00:15:36the threshold will be invalid i feel safe entering this place we have to get inside i'm so used to

00:15:43like california sunshine it's cold as tits in here and you would know let's go you're gonna put

00:15:47an eye out oh my god so you notice i'm so sorry i'm so embarrassed no i'm not no i'm not you got me

00:15:55with that no i'm not yeah yeah yeah as you enter the threshold one by one jay you enter with chia

00:16:06it's less like walking through a doorway and more like walking into a vertical bath there is a sudden

00:16:14burst of heat and damp across your face and they flash over your eyes you see stone walls stone floor

00:16:27pentagram the center pentagram the center and a beckoning hand tipped in claws and then it's gone

00:16:36okay let's remember tools therapy is just putting on a tool belt and then we got to remember to use

00:16:45our tools so uh i'm just gonna deep breathe and g is just like

00:16:51to be like like tiptoeing around the things physical danger isn't real but the emotional

00:17:01danger is real and that is also valid and the body does keep count and so i must keep space for myself

00:17:08and my emotions in this time huh hi are you okay do you need anything yeah no you sort of started

00:17:15muttering as you went in you don't feel you must feel this because you're kind of attuned milkhauser

00:17:21manor palpitates with the presence of the unseen where's my stuff and i'm gonna like look through

00:17:27i'm gonna start to look through my garbs and get tools i'd like to use divination if i go right ahead

00:17:34why don't you explain what that does when you have time and safety to read the unseen truth of someone

00:17:39present describe your divination process and what makes it conspicuous the gm will tell you something

00:17:45interesting about the person or the obstacles they face that they don't know then roll plus spirit

00:17:50yeah first roll first roll uh that is a six plus two from spirit is eight so that is um that is a

00:18:00mixed beat um which means that you will succeed but with a complication you gather your supplies some

00:18:08crystals anathema start to feel around the manner this place this manner at this time

00:18:16things between the spiritual and the physical are starting to melt and break down the barrier between

00:18:26worlds is thin almost stretching deep inside you low in your heart have this feeling of familiarity

00:18:37it's something that has been with you for a very long time something you're almost afraid to touch

00:18:46or prod this will be one of the most challenging slumber parties of our lives gia has like an emf

00:18:54behind you are you getting a five in here because i'm definitely getting like a five on the spirit

00:18:59hey guys we have to be normal at this lumber party please and like you see five is the reading of

00:19:04the meter and there's five points on the pentagram that like is on the floor glittering with

00:19:09right the beeps start to get higher beep beep beep beep beep beep beep beep beep beep beep beep beep beep

00:19:17and the thing starts to vibrate and shake until she drops it into your hand where it immediately stops

00:19:27natasha has not yet entered because one of my playbook moves is the main attraction

00:19:33ah how would you like to enter dramatic entrance so i hear the beeps and push open the door

00:19:40time slows down as her curls bounce luxuriously yes can i roll for my you can roll for your entrance

00:19:49all right i'm just imagining aragorn coming seven eight nine nine nine that is a mixed beat but i think

00:19:57that succeeds with your skill i could also take a plus one forward another option is take a string on

00:20:04someone present um and i want a string on jay no jay is noticing and you see this happen the game has

00:20:14gone ah there's no room for the hummus plate on the table mary what do you mean there's like space

00:20:19right there oh cool it's like a big space you're good or like the stuff you brought that i'm sure

00:20:25is like totally good let me help you and i lean past you i smell my perfume new food

00:20:34hummus is it as i stand up straight our lips are an inch apart i don't care where it's from

00:20:41take it take all of them we're just talking shit over a near kiss like it's not technically i mean

00:20:51it's like sort of in the middle it's got five watch this so it's good for your tits it's got oh what

00:20:56i lick the from the bowl of hummus no that's a communal bowl there see it's delicious yeah i like

00:21:04hummus i mean that's not gonna make me not eat the hummus let me be so oh jay this is beautiful the

00:21:09grocery store ones the carrots are always mad dry they really are or too wet one of one of two

00:21:16you put a dab of homemade hummus in my mouth and i'm like would you like to join the roster i've

00:21:22already i'm gonna let the discord know now put me on it and you get a string yeah are you guys on a

00:21:30griff chat without me um no it's titled dtf does that work for you yeah dtf that's is that like an

00:21:42emp yeah okay as you continue to talk and flirt the clock in the room that you're in in the living

00:21:54room it's an old grandfather clock and it starts to tick time starts to pass and eventually it gets to

00:22:04nine thirty i don't want to watch the craft again what are we gonna do what there's a knock at the

00:22:12door i'm not gonna get it mary go get the door is it weird if i hit your door oh my god please i love

00:22:20when people do things for me okay uh she glides to the front door and just cracks it open

00:22:27a single hand long nails reaches into the crack and cups it cup the crack

00:22:35and spreads it open pulling

00:22:40natasha master what i'm sorry who now nosy ass tati's like huh the door opens you see

00:22:56a man tall dark skin golden eyes hands with long black fingernails in a black suit

00:23:08good to see you are the others inside she is speechless and just opens the door more as she

00:23:16bows slightly hey is everything okay yeah you're a boy do boy yeah no i think like jay like interposes

00:23:25himself between the ladies and this man that's taller than him and more strong than him and he

00:23:31tries to be macho like listen i'm i'm sure that uh it seems like maybe you know tasha but you're

00:23:38making uh you're making everyone uncomfortable and i'm gonna have to ask you leave chia i put my

00:23:46hands on your shoulders behind you and this is where you see like the ensemble playbook come into play

00:23:50because jay interposes himself between his other half or his other part and he's like no no no you

00:23:57don't talk to her you're doing so good i'm really good yeah you're doing really good yeah so

00:24:05it's adorable to see you fight i will if i have to he raises a hand and snaps the grandfather clock

00:24:15chimes once twice three times the room goes silent and for a moment you're no longer

00:24:27in milkhauser manor you are standing in a room of gray stone walls gray floors a pentagram at the center

00:24:40you all and mary are arranged at each point of the pentagram around the circle at the center

00:24:50stands this man

00:24:52it's time time for what what is happening is this a pentagram you were talking about before

00:25:00what is this again remember and you see susan milkhauser brown skin long dark hair

00:25:10brown eyes open wide and death dagger plunged into our heart that fades away you see gary

00:25:20crabtree dark hair blue eyes same knife in the chest

00:25:27and all of that ripples away the room goes back to milkhauser manor the man in the suit stands

00:25:36in front of all of you i have come to collect my due and it is time that you all remember

00:25:45the deal you've made i will appear every hour until midnight that is as long as you have

00:25:55to thwart or change what happens tonight that's our little deal that is our game i suggest

00:26:04you remember quickly and then he is gone

00:26:09i'm horrified looking at the image of gary and susan that just appeared before us

00:26:16i am holding an empty bowl in the moment where my friends answer the door i rapidly ate all the hummus

00:26:25i'm staring at where the knife is and i want to look at the bowl as an approximation of a crystal ball

00:26:34and gaze through it and try to divine that flash of susan and gary and see if i can recognize

00:26:41a hand that touched that dagger

00:26:44i will do you one better you notice at your hip as if it has always been there

00:26:51a knife in a sheath

00:26:53there's no way to know who did this

00:26:56oh um excuse me and i point at the knife on your hip but i'm holding my keys and i don't realize

00:27:03that i flicked out the little knife on my keys and i'm gesticulating with that

00:27:07you have a knife there is the knife that killed gary and susan no yours is right there on your hip

00:27:12you say that it is the same knife that was in gary and susan that is in tati's hand

00:27:20i do not think this is funny or cool and if you guys are being weird i don't like it i can go home

00:27:25fuck this shit i'm leaving i don't like this i like this at all

00:27:28none may leave

00:27:30wait don't you

00:27:32okay i'm getting flashes of something and i feel a little guilty

00:27:42as you're waving your hands around the knife the same knife appears in your hand

00:27:48why are your keys on my knife

00:27:51uh i don't know

00:27:55she also feels the cold metal in her bra of the rainbow colored butterfly knife she keeps

00:28:01actually you don't it's in your hand now

00:28:03my own knife

00:28:04and what looked like a butterfly knife is now the same knife that you saw in gary and susan

00:28:12ceremonial dagger carved hilt of bone

00:28:16i'm sure there's an explanation for this

00:28:18okay but yours was there and then yours

00:28:21they are still holding

00:28:22you still have the knife in your hand yours is still at your belt

00:28:25i'm gonna look at mary

00:28:26oh my god why are you looking at me

00:28:27i feel like in mere seconds you're gonna be holding a knife

00:28:31it's actually just right between her tits like it's just sticking out of her

00:28:36oh you have a little something

00:28:38oh how'd that get in there oh my god

00:28:43wow what's hers look like

00:28:44they all look the same they are about six inch blade with a four inch handle

00:28:49bone for the handle

00:28:50these aren't street legal you can't actually walk around with a fixed blade that's this big

00:28:55i've been breaking the law all this time

00:28:58focus

00:28:59the law we broke is murder maybe

00:29:02hey i think there's i don't think any

00:29:04i think that that person is trying to divide us

00:29:08and i think we can't turn on each other

00:29:10but didn't you feel it

00:29:12i mean yeah but i i think i feel a lot of things

00:29:15when i came in i saw a big pentagram on the ground

00:29:17and i just and you still came you didn't say anything

00:29:20i just thought it was my anxiety

00:29:22okay that's fair that's fair i think that we all have something special about us something that

00:29:31we can we can help each other figure this out

00:29:34something clicks for all of you and you look down at gia

00:29:40gia who has always been by jay's side

00:29:45except that's that's not true is it and as long as you've known her she's never aged

00:29:52she's always been 13 precocious

00:29:56and some of the things she says that sort of like phase out of your head as soon as they're spoken

00:30:02start to come back

00:30:03like i'm dead

00:30:07can i turn uh my family recipe ability onto gia

00:30:13and what does that do for the audience

00:30:15i want to find out the connection between gia and the scary demon man

00:30:22go ahead and make your rolls

00:30:25and it's t6 plus heart

00:30:27four plus two for a six

00:30:30cool that is a downbeat which means that doesn't necessarily mean you don't succeed

00:30:35but it means i get to play

00:30:37so you start to turn your insight to this gia j connection

00:30:47and you instead have a memory

00:30:51you are sitting in a chair at prom

00:30:57you see mary in the center of the room dancing with jay

00:31:02crowned on both of their heads

00:31:05you remember the campaign that you fought so hard

00:31:09it was supposed to be your coup

00:31:10it was supposed to be what would finally bring you above mary

00:31:14who had always beaten you out in every category

00:31:17would finally make you be someone that matters

00:31:20and how it all failed

00:31:21in part because mary brought jay

00:31:25and you remember that envy

00:31:29that deep burning desire inside of you

00:31:34and you hear the voice of the man

00:31:37could it ever be enough tati

00:31:41no it's not enough

00:31:44i want more

00:31:48anything to be out of her shadow

00:31:50you slip back

00:31:53to the present

00:31:55to the people around you

00:31:57tati's hands like crept up on the blade

00:31:59she's no longer holding it by the like bone handle

00:32:02and she's gripping it hard enough that her like

00:32:04tati

00:32:05index and middle finger are bleeding

00:32:07oh sweetie

00:32:08i'm i'm fine i'm

00:32:10we gotta clean you up

00:32:11i'm fine i'm fine

00:32:12leave me alone

00:32:13i'm gonna go in the kitchen and look for a bandage

00:32:15do it

00:32:16short hours remain between now and the reckoning that will come

00:32:22at midnight

00:32:23we must act quickly lest we lose another

00:32:27to whatever

00:32:28sick and twisted pact was wrought here

00:32:32by someone's greed desire and lust

00:32:35with the image of a dream that that demon could provide

00:32:38i would recommend

00:32:40that we don't travel alone

00:32:43because i feel

00:32:45that someone here

00:32:48might wish for us to fail

00:32:51helen

00:32:53you say

00:32:54the word

00:32:55alone

00:32:56something

00:32:58little

00:33:00twitch

00:33:01inside you goes off

00:33:02and you

00:33:04feel

00:33:05all the years

00:33:07that you've been alone

00:33:08so many stretching

00:33:11far

00:33:12far back

00:33:13so many more than the people here

00:33:15have ever experienced or could know

00:33:17and you remember

00:33:20a different time

00:33:21the roads weren't paved

00:33:23paths a pack of dirt

00:33:26were what

00:33:26wagons traveled by

00:33:28what

00:33:29i'm sorry

00:33:30and you

00:33:32see yourself

00:33:33dressed very differently

00:33:35blue milkmaid's outfit

00:33:37your hair

00:33:39tied and braided

00:33:40up

00:33:40against your skull

00:33:42pleasant

00:33:43thank you

00:33:43clump

00:33:44pleasant

00:33:45pleasant and clump

00:33:46can't help but feel there's a burn in there

00:33:48decent

00:33:50quaint

00:33:51you

00:33:52cuties

00:33:53nectarines

00:33:55pressured

00:33:56by your family

00:33:57to do something

00:33:59which at that time was

00:34:01merry

00:34:01and years have passed

00:34:03and are passing

00:34:05closer and closer

00:34:06and you're running out of time

00:34:07to be what they want you to be

00:34:10and also

00:34:10so that you won't see yourself as worthless

00:34:13and you

00:34:15want

00:34:16more

00:34:17i do not wish

00:34:18to churn butter

00:34:19as pater demands

00:34:22nor wait

00:34:23hand and foot

00:34:24on the simpletons

00:34:27to which

00:34:28they would offer me up

00:34:29i wish

00:34:32for freedom

00:34:33knowledge

00:34:35power

00:34:36i'm gonna go in the woods

00:34:39and fuck that demon

00:34:40in the woods

00:34:44there were people

00:34:46that were different

00:34:48from the rest of the town

00:34:49people that gathered

00:34:51around the circle

00:34:52and the pentagram

00:34:53to call something forward

00:34:56and the dagger

00:34:57at your waist

00:34:58gives a little bit of a hum

00:35:01a heat

00:35:02you've lasted longer than most

00:35:04in this little game

00:35:07i know

00:35:08that my family thinks it wrong

00:35:10but my family has told me time and again

00:35:15despite all my protestation

00:35:17that my joy and freedom

00:35:20is of no concern to them

00:35:21so perhaps

00:35:23it is more wise to say

00:35:24i have never known

00:35:25the love of a family

00:35:26i have one

00:35:29thought

00:35:30that i have mulled over

00:35:32far longer

00:35:33than whether i would bring pride

00:35:37to those who would cast me aside

00:35:39so swiftly

00:35:39do you have a

00:35:44sister

00:35:45or like

00:35:46is there

00:35:48i don't mean

00:35:50i think you are handsome

00:35:52but you don't

00:35:52could you magically alter your genitals

00:35:54yeah

00:35:54i want to be clear

00:35:56i think you're very handsome

00:35:58but i

00:35:58i

00:35:59am not interested in you

00:36:01in that way

00:36:02and i'm wondering if there are options

00:36:03here in the woods

00:36:04my

00:36:05my form is mutable

00:36:08frankly sick

00:36:10i always have

00:36:10yeah

00:36:11anything can happen in the woods

00:36:14as you have these thoughts are dragged into

00:36:16the kitchen or the bathroom

00:36:19where did you wish to go natasha

00:36:20i am looking for the medicine cabinet

00:36:23which i imagine from previous sleepovers

00:36:25i know the location of

00:36:26you do

00:36:27the downstairs bathroom is only a little ways away

00:36:29great

00:36:30i pull helen along

00:36:31oh shit her eyes kind of roll in her head

00:36:34i have to tug her

00:36:35peter

00:36:36huh

00:36:36what did you say

00:36:38you yelled at a peter

00:36:40peter

00:36:41for the hummus

00:36:41but i ate it all

00:36:42oh my tummy

00:36:43okay i think there's tums in here

00:36:47good

00:36:47you pass by a painting

00:36:49of gary and susan

00:36:51standing together

00:36:53chests burst open

00:36:55ribcage spread

00:36:56hearts exposed

00:36:57and you remember

00:37:00that you painted

00:37:01this image

00:37:04and as those memories

00:37:06come flooding back

00:37:07you remember

00:37:08many

00:37:10years ago

00:37:11sitting

00:37:12in an art room

00:37:14stool

00:37:15next to susan

00:37:16now susan

00:37:18had never been considered

00:37:21bright

00:37:21most people thought she was just a pretty face

00:37:24and

00:37:25mostly she fed into that

00:37:27she didn't

00:37:29really care for

00:37:31anything

00:37:31except her own comfort

00:37:33but when you looked over

00:37:36to what she was working on

00:37:37on her canvas

00:37:38you were shocked

00:37:40at how

00:37:41beautiful

00:37:42what she was working on was

00:37:45painting of a male model

00:37:47the musculature defined

00:37:49light and shadow

00:37:50in equal parts

00:37:51something

00:37:52no one would have expected from her

00:37:55something that

00:37:56reminded you of

00:37:58your own failings

00:38:01because the reason you and susan

00:38:03get along so well

00:38:05is because you're both the same

00:38:07fluttering about through life

00:38:09being pretty

00:38:10but susan actually has something

00:38:13more

00:38:15i

00:38:17stroke her hair

00:38:19as i stand over her shoulder

00:38:21susan how do you do that

00:38:24oh it's really simple once you get used to it

00:38:27you know

00:38:28i guess all those painting lessons in the summer really paid off

00:38:31but

00:38:32i only did them because my dad

00:38:33wanted me to

00:38:34it's not a big deal or anything

00:38:36i just i wish i had your talent

00:38:39oh but you're talented at a lot of things

00:38:43no i'm not don't lie

00:38:44i mean

00:38:44you do that thing with your hair

00:38:46that's a talent right

00:38:47um susan

00:38:49fuck you

00:38:50what what do you mean

00:38:52no that's not a real talent

00:38:54and you know it's not a real talent

00:38:56i don't know what i'm gonna do after high school

00:38:58well neither do i

00:39:00but

00:39:01why does that matter

00:39:03you have so much skill

00:39:04look at this

00:39:05the way that

00:39:06you can see something in real life

00:39:08and you just put it on the canvas like that

00:39:10i envy that

00:39:11it doesn't mean anything

00:39:12i'm not gonna do anything with this

00:39:14ever

00:39:16that's the problem

00:39:17do you have a tone right now

00:39:19is this tone i'm detecting

00:39:21what's going on

00:39:23you don't get mad

00:39:24you should use your art

00:39:25is all i'm saying

00:39:26that's

00:39:27why would i use something so worthless

00:39:29she is speechless

00:39:35with rage

00:39:36as natasha's

00:39:38cheeks turn red

00:39:39you

00:39:41and yanks on her hair just a little bit

00:39:44okay so you're in that kind of mood

00:39:47i get it

00:39:47okay

00:39:48now everything makes sense

00:39:50in that moment

00:39:52someone you thought

00:39:53was the same as you

00:39:54turned out to be

00:39:56something more

00:39:57and that envy

00:39:58started to curl

00:40:00and curl

00:40:01in your chest

00:40:01you look away from the painting

00:40:06and head

00:40:06to the bathroom

00:40:08for the medicine cabinet

00:40:09this house is weird huh

00:40:13oh i'd say so

00:40:15i wanted to mention

00:40:17by the way natasha

00:40:18i don't know if i've said

00:40:19congrats on your career

00:40:21it's taken off so much

00:40:22in the last two years

00:40:23i know

00:40:24first i was touring

00:40:25just in the midwest

00:40:26at little galleries

00:40:27and with tati's connections

00:40:29i think we're gonna do

00:40:32one in boston soon

00:40:34wow

00:40:34yeah

00:40:35it's really wonderful

00:40:35when someone who's been

00:40:36putting in a lot of work

00:40:37finally finds that

00:40:39moment where the hockey stick

00:40:41curves up

00:40:42and you start to succeed

00:40:44and well i've been

00:40:45on my fair share

00:40:46of hockey sticks

00:40:47sexually

00:40:48yes

00:40:49oh penises

00:40:50that also helps

00:40:52yes

00:40:53well that's fascinating

00:40:55i'm sorry to even

00:40:56say the word

00:40:56in your presence

00:40:57no i said it

00:40:58the important thing is

00:41:00i mean the connotation

00:41:03of a hockey stick

00:41:04yes no i understand

00:41:05penetration

00:41:06sure the vulva

00:41:08your name

00:41:08the important thing is

00:41:10i changed it

00:41:11do you like it

00:41:12uh yeah

00:41:13what was it before

00:41:14withers

00:41:15don't say that

00:41:20well i'm just saying

00:41:22that ever since

00:41:24i don't know

00:41:24two years ago

00:41:25it was so awful

00:41:26when

00:41:26our friends died

00:41:29yeah susan and gary

00:41:29passed away

00:41:30but

00:41:31right out of the ashes

00:41:33of that

00:41:33it seems like things

00:41:34really picked up for you

00:41:35sorry wait hold on

00:41:36is that

00:41:36straw in your hair

00:41:38you've been in a barn

00:41:39lately

00:41:39a manger technically

00:41:41the important thing is

00:41:43just like baby jesus

00:41:44just like baby jesus

00:41:46who i love

00:41:47and i can go in churches

00:41:48what

00:41:49the important thing is

00:41:50the important thing

00:41:53is this natasha

00:41:54remember our last year

00:41:56of high school together

00:41:57when i

00:41:58they were going to do art

00:41:59for the yearbook club

00:42:01for my

00:42:01my little coven circle

00:42:02and i said that we were

00:42:04going to do illustrated

00:42:05because we didn't want to

00:42:06be captured on camera

00:42:07yeah and i could have

00:42:08done that

00:42:08couldn't

00:42:09you um

00:42:10you drew a picture of me

00:42:12i did

00:42:14exactly as i see you

00:42:16my head was bigger

00:42:18than the tricycle

00:42:19you made me be riding

00:42:20for some reason

00:42:21schwinn right

00:42:22schwinn's a bicycle

00:42:24you drew me on a tricycle

00:42:26you drew me on a little

00:42:28tricycle

00:42:28and my head was

00:42:28absolutely enormous

00:42:29i had a five head

00:42:30and i don't part my hair

00:42:31in the middle

00:42:31you made me look

00:42:33absolutely fucking ridiculous

00:42:34that's the style

00:42:35just

00:42:36i chose to draw

00:42:38each person

00:42:38in the image

00:42:39in a different style

00:42:41and then your style

00:42:42changed

00:42:42what changed it

00:42:45and i'd like to roll

00:42:46uh because i

00:42:48uh think that

00:42:49natasha's life

00:42:50has become too good

00:42:51go ahead

00:42:52i'm gonna use a string

00:42:53from that that wound

00:42:54about you drawing me

00:42:55with a five head

00:42:56on a little tricycle

00:42:57for my yearbook

00:42:58illustration

00:42:58but she knows that

00:43:00she looks like the

00:43:00witch at the beginning

00:43:01of the wizard of oz

00:43:02right like that's not

00:43:02on us

00:43:03yeah but the the this

00:43:04thing

00:43:05yeah you can count it

00:43:06if you can yeah

00:43:07if you can get all

00:43:08the five fingers on

00:43:09the whole hand

00:43:10yeah this is gia

00:43:11yeah it's like

00:43:12then that's too much

00:43:13that's too much

00:43:14uh my string

00:43:15give you a string

00:43:16there you go

00:43:17so i'm adding plus three

00:43:19you're adding plus three

00:43:20and you're rolling

00:43:21with your wick

00:43:21so i'll be adding

00:43:22plus five

00:43:22okay

00:43:23so you have to make

00:43:24eye contact when you

00:43:24do it

00:43:25hot

00:43:25six plus five is 11

00:43:28that is an upbeat

00:43:30um which means that

00:43:31you succeed

00:43:32you can ask two

00:43:33questions

00:43:33i'll ask my first one

00:43:35and i'll save my other

00:43:35one for later

00:43:36above the table and

00:43:38non-verbally

00:43:38i want to know

00:43:39if i see guilt

00:43:40in your face

00:43:40at the thought

00:43:41of having killed

00:43:42gary and susan

00:43:43100%

00:43:48but we're all guilty

00:43:50right

00:43:50i'm freaking not

00:43:53that's what you think

00:43:54i'm unraveling

00:43:55this whole thing

00:43:56like cheap cheesecloth

00:43:57hey jay

00:43:58have you seen your dress

00:43:59i think i'm like

00:44:00holding your hand

00:44:02as you two start

00:44:03uh cat fighting

00:44:04in the hallway

00:44:05we go back to you two

00:44:07back in the living room

00:44:08i have a napkin

00:44:09i'm putting pressure on

00:44:09i'm like

00:44:10thank you

00:44:10they're taking a

00:44:11really long time

00:44:12like a really long time

00:44:14but i think

00:44:14i was holding the knife

00:44:16back

00:44:17i don't think it's too deep

00:44:19i'll just put some

00:44:21pressure on it

00:44:21and it should be okay

00:44:22jay

00:44:22this isn't the first time

00:44:25you've had to

00:44:26put pressure

00:44:27on

00:44:28someone's wounds

00:44:30yeah

00:44:31say more

00:44:31having a younger sister

00:44:33little jia

00:44:34at least this time

00:44:36something that you can

00:44:37actually stop

00:44:38and you remember back

00:44:41to an accident

00:44:42a car accident

00:44:44you remember little jia

00:44:47broken as you

00:44:48pressing to try and

00:44:50staunch the wound

00:44:51the blood

00:44:52her head swollen

00:44:53from the impact

00:44:54against the rear bumper

00:44:56of the car

00:44:56i used to call her

00:44:57big head

00:44:58as a joke

00:44:59you did

00:45:00that's why her and

00:45:01helen are friends

00:45:01damn

00:45:04this is my dead

00:45:05sister becca

00:45:06you can talk about

00:45:08helen all you want

00:45:09but leave jia out of it

00:45:10leave jia out of it

00:45:11you said her head was big

00:45:13you stopped

00:45:14the drama for a bit

00:45:15he's allowed to call her

00:45:17big headed

00:45:18you

00:45:20failed her

00:45:22in that moment

00:45:24you couldn't protect her

00:45:26you couldn't save her

00:45:28why did she have to go

00:45:30didn't she deserve to live

00:45:32didn't your precious little

00:45:34sister deserve to live

00:45:36yeah dickhead she did

00:45:39oh are you talking to me

00:45:42yeah

00:45:42yeah she did

00:45:44hmm

00:45:45she did

00:45:46she got a lot less time

00:45:48and a lot worse people

00:45:49and i only had my learner's permit

00:45:55and i didn't even want to take her

00:45:57to soccer practice

00:45:58so let's not even

00:45:59let's not even go there

00:46:02the accident was your fault

00:46:05wasn't it

00:46:06no

00:46:07don't

00:46:08tell me

00:46:09it was my fault

00:46:11the world is unforgiving

00:46:13but i'm not

00:46:16you're a piece of shit

00:46:17i gave you back your sister

00:46:19didn't i

00:46:19no you didn't

00:46:20you gave me back

00:46:22something

00:46:23i gave you back

00:46:24peace of mind

00:46:25and you take it away

00:46:27when you feel like it

00:46:28the voice fades away

00:46:30and you like

00:46:31i'm back now

00:46:31yeah

00:46:32like

00:46:32ow

00:46:33oh i'm sorry

00:46:34no

00:46:34i

00:46:35are you okay

00:46:35it looks like it stopped bleeding

00:46:37yeah it should be

00:46:38it looks okay

00:46:39hey

00:46:40sorry

00:46:41there's dust in here i think

00:46:43i just want you to know

00:46:44i was never mad

00:46:46i'm sorry i didn't take you to the cupid's wall

00:46:48it's okay

00:46:53i thought you were really pretty

00:46:55and i really wanted to

00:46:56but mary told me you were just doing it as a prank

00:47:00and so i listened to her

00:47:02we've been friends for a really long time

00:47:06and i think i was mad for no good

00:47:09it wasn't your fault

00:47:11and i think half the reason i was so mad was

00:47:14i wish you looked at me like you looked at her back then

00:47:19but i've always liked

00:47:21i appreciate it

00:47:24speaking of mary

00:47:25she's no longer in the room with you

00:47:27that bitch

00:47:29where the fuck did she go

00:47:31i think the big complication is probably

00:47:33i don't think gia

00:47:34likes tati

00:47:35yeah

00:47:36i think over the shoulder you probably see like um

00:47:39well i mean you could have been

00:47:42using him

00:47:44you used all kinds of people back in high school

00:47:47i know

00:47:48oh do you think you're telling me something i didn't know

00:47:52oh were you gonna

00:47:53look at who my best friend was

00:47:54were you gonna add him

00:47:55to your little roster of people that you use whenever it suits you

00:47:58and then dump him whenever it suits you

00:48:01because

00:48:02well first and foremost

00:48:05i don't dump them

00:48:07i keep them forever

00:48:08which is worse

00:48:09oh look at me i drive daddy's jack

00:48:12oh look at me i'm dead

00:48:14oh

00:48:15i'm sorry i'm sorry i'm regressing

00:48:19i'm not that person anymore

00:48:21i'm happy to take a condition

00:48:23you

00:48:24i'm happy

00:48:25which one would you like

00:48:27which flavor

00:48:28angry

00:48:29i think angry

00:48:30but if i can use my ability i'm gonna compartmentalize which is a real ability that i have

00:48:36it's pretty messed up

00:48:39this game is fun

00:48:40describe what compartmentalize does

00:48:42so basically i can spend one harmony to avoid feeling a condition and make my other half take 100% of it

00:48:49so you get the angry condition

00:48:51and i think gia shoulders

00:48:52wait you gave it to your living house

00:48:53yeah

00:48:53no i think i think gia shoulders 100% of it and jay is like

00:48:58describe the feeling of this emotion going from one to the other

00:49:03i think at first jay feels angry that you brought us that you said that to his little sister

00:49:10and then you see his eyes shift a little bit and he feels calm and you see gia go

00:49:15hey fuck you bitch

00:49:17and she like starts to like throw shit off the table

00:49:21yeah good

00:49:23fuck you i'm gonna go find helen because nobody likes you anyway

00:49:26everyone likes me i have a discord full of people that like me

00:49:30yeah but nobody loves you and they never will

00:49:33you will be cursed to have superficial meaningless relationships for the rest of your life

00:49:40because you're a cold hearted cop

00:49:43and you just see her like run down the hallway and like try to go find helen

00:49:48i think we come back in the rear of the robber

00:49:50i'm gonna walk

00:49:52she's just a 13 year old demon

00:49:53love her

00:49:54um uh i think you pulled the cheesecloth

00:49:57and my whole it's so much cloth and the whole garment comes off

00:50:02naked birkenstocks

00:50:05now it's a real slumber party

00:50:07and i'm like immediately like ancient witch where it's like belt

00:50:12with like ancient like awesome leather dagger sheath birkenstocks

00:50:17jewelry on fingers necklace full bush nothing else

00:50:20and i go well you've made me look ridiculous

00:50:24you did that to yourself honey

00:50:26the grandfather clock

00:50:28chimes once

00:50:30twice

00:50:32three times

00:50:34a vision comes again to all of you

00:50:37and with it more memories

00:50:39this time

00:50:41you

00:50:42see

00:50:44your high school

00:50:45crabtree regional high

00:50:47you're walking down the hallway towards a set of stairs

00:50:50you know leads to the basement with you are mary

00:50:54gary

00:50:56and susan

00:50:57and as you descend the steps into darkness

00:51:01you remember

00:51:03what you went there to do

00:51:06and what you went there to call

00:51:09the being that had sung out to you

00:51:13each one of you

00:51:14that called you there

00:51:16and as you go down you see

00:51:18the stone room

00:51:20with the circle

00:51:21you take positions around it

00:51:25and you all raise

00:51:27the daggers you share high

00:51:28and then the vision fades

00:51:31and in the center of the room now

00:51:36is a woman

00:51:37same suit

00:51:38same nails

00:51:40long

00:51:41dark braids

00:51:43same golden glowing eyes

00:51:45we made this deal

00:51:49two years ago

00:51:51every year

00:51:53you forget

00:51:55you live your lives

00:51:58and reap the benefits

00:51:59of the deal

00:52:02we made

00:52:02that assists you

00:52:05with your desires

00:52:06and every year

00:52:08I take one of you

00:52:09away

00:52:11unless

00:52:13you can please me

00:52:14enough

00:52:16to break the deal

00:52:17or embrace it

00:52:19why are you naked?

00:52:22I'm sorry

00:52:22I understand that you're here

00:52:23I wasn't going to say anything

00:52:25I am a demon

00:52:26so it is very normal for me

00:52:28but you got a massive bush

00:52:30it's huge

00:52:31it's huge

00:52:31I don't want to talk about grooming

00:52:32listen

00:52:33many witches before me

00:52:35have done

00:52:36their craft

00:52:38bear to the sky and earth

00:52:42we're inside

00:52:43just let me

00:52:45I'm working

00:52:46I'm sorry

00:52:46go ahead

00:52:47I thought it was you

00:52:49but it's all of us

00:52:52what do you mean?

00:52:52we have all

00:52:55made this bargain before

00:52:57time and time again

00:52:59too many have paid

00:53:02and if this is the truth

00:53:05and it will continue

00:53:05then nothing is worth this

00:53:07wait but if I'm right

00:53:08then you're going to leave

00:53:09aren't you going to die?

00:53:10wait are you like very old?

00:53:12wait for real

00:53:12is it me?

00:53:13I thought it could be someone else

00:53:15I was trying to save y'all

00:53:16is it me?

00:53:17no but like if you

00:53:17I told you all

00:53:18this was a game

00:53:19yeah hold on

00:53:19hold on

00:53:20like your thing

00:53:21that's your thing

00:53:22yeah is your thing

00:53:23like be old

00:53:24and stay young

00:53:25like what is it?

00:53:26immortality?

00:53:27whoa

00:53:27are you immortal?

00:53:28what?

00:53:29who would you say?

00:53:30you are

00:53:30where's my streak?

00:53:31if you're immortal

00:53:32you have to tell us

00:53:33you have to tell us

00:53:34is this compelling me

00:53:36to tell the truth?

00:53:36this would be an entice roll

00:53:38oh wait

00:53:38repartee

00:53:39when you figure out

00:53:40a person during

00:53:40a physical conflict

00:53:42I slap her in the face

00:53:42additionally ask

00:53:44one of these questions

00:53:46I slap her in the bush

00:53:47with the other hand

00:53:48even on a six minus

00:53:49that does no damage

00:53:51whatsoever

00:53:51would you like

00:53:52full airbag

00:53:55which roll are you doing

00:53:56because I believe

00:53:56you have to roll

00:53:57daring for that ability

00:53:58you're right

00:53:59it's an eight

00:54:00plus zero on heart

00:54:01plus three

00:54:03what's it daring?

00:54:04eight nine

00:54:04is it heart or daring?

00:54:05I think it was just heart

00:54:07because it's not repartee

00:54:08it's just me

00:54:09trying to figure out

00:54:11using a string

00:54:12so I got an eleven

00:54:13Helen

00:54:14yes

00:54:15you have to tell us

00:54:17your deal

00:54:18are you immortal

00:54:19are you a time traveler

00:54:21now or never

00:54:23we are your only friends

00:54:25I'm just gonna gently

00:54:27reach forward

00:54:28and be like

00:54:28you can't tap her

00:54:29on the bush

00:54:30it's hard not to

00:54:33okay

00:54:34Sasha

00:54:36am I immortal?

00:54:38am I a time traveler?

00:54:40yes I'm a time traveler

00:54:41just like you

00:54:43oh god

00:54:44I travel through time

00:54:45forward one day at a time

00:54:46stop it

00:54:47and

00:54:48those days

00:54:49have been many

00:54:51oh

00:54:52so the first one

00:54:54what was the first one

00:54:56you said?

00:54:56immortal

00:54:57yeah that one

00:54:57immortal

00:54:58yes

00:54:58right

00:54:59yeah

00:55:00wait so like

00:55:01if I stab you

00:55:02you won't die

00:55:03don't

00:55:03no shut up

00:55:04don't do that

00:55:04like a little

00:55:05I twist my knife

00:55:07and it's just a little

00:55:08prick of blood

00:55:09shit

00:55:09I'm gonna touch the blood

00:55:10above my chest

00:55:11rub it between my fingers

00:55:13blow on it

00:55:14and summon fire

00:55:15into my hand

00:55:16the fuck

00:55:16you can do that?

00:55:17wait could we have

00:55:18RICK FIRE

00:55:19how about it?

00:55:22we got magic?

00:55:23is that on there?

00:55:23I just want to be popular

00:55:24the next person

00:55:25who stabs me

00:55:26or touches my bush

00:55:27is getting set on fire

00:55:28and that's a freaking promise

00:55:29hold on is this an illusion

00:55:31or is it

00:55:31ow

00:55:32don't set people on fire

00:55:34don't touch the fire

00:55:35you

00:55:36darling

00:55:37I want you

00:55:38I set you on fire

00:55:40Tati

00:55:41I want you to know

00:55:42that I

00:55:43can warp reality

00:55:45I can make

00:55:46base desires real

00:55:47in almost any way

00:55:49shape or form

00:55:49and you wish

00:55:51to be liked

00:55:53okay

00:55:54well I didn't really have

00:55:55you

00:55:55I don't remember

00:55:57our conversation

00:55:58but I feel like

00:55:58maybe you didn't give me

00:55:59like a flow

00:56:00like

00:56:00you fully just

00:56:02you all

00:56:02now remember

00:56:04that circle

00:56:07the deals

00:56:08you all made

00:56:09with this creature

00:56:10to be liked

00:56:13and to take

00:56:14what Mary had

00:56:16to take

00:56:18Susan's abilities

00:56:19away from her

00:56:20and to become

00:56:22something more

00:56:23to live

00:56:25beyond your years

00:56:27to an age

00:56:28where

00:56:29you could be

00:56:30whatever you wanted

00:56:31to have

00:56:33your sibling

00:56:34back

00:56:34from the reaches

00:56:36of death

00:56:37okay but

00:56:38fuck you

00:56:38for taking

00:56:39advantage of

00:56:40like minors

00:56:40wanting

00:56:41like whatever

00:56:42so okay

00:56:43I feel like

00:56:43yours makes

00:56:44perfect sense

00:56:44you were minors

00:56:45you were 18

00:56:46that's on record

00:56:47okay

00:56:48all right

00:56:49you're gonna

00:56:49really like

00:56:50I am a demon

00:56:51not a monster

00:56:53okay

00:56:53I have a theory

00:56:54I have a theory

00:56:55let's hear it out

00:56:56okay

00:56:56we'd sacrifice

00:56:58these people

00:56:59we got something

00:57:00out of it

00:57:01here's a thought

00:57:02hear me out

00:57:03if we sacrifice

00:57:04me the worst

00:57:05you guys will get

00:57:06is depressed

00:57:06it might upset

00:57:08the balance of power

00:57:09in no universe

00:57:10yeah

00:57:10we're not gonna

00:57:11no

00:57:12but the demon

00:57:13wouldn't get power

00:57:14from me

00:57:14the demon

00:57:15would also

00:57:15get depressed

00:57:16no you are

00:57:17part of us

00:57:18this is 4d chess

00:57:20guys

00:57:20I wanna

00:57:20ask my second

00:57:21question from that

00:57:22role before

00:57:23I'm gonna look at

00:57:24Natasha and say

00:57:25do you want

00:57:27to stop the demon

00:57:28no

00:57:30you don't

00:57:32what do you mean

00:57:32aren't you happier

00:57:33like this

00:57:34I

00:57:36your chances are

00:57:37one in five

00:57:38of being the last

00:57:39one standing

00:57:40so

00:57:40but what if we

00:57:41kill the demon

00:57:42wouldn't things

00:57:43stay as they are

00:57:44isn't that

00:57:49wishful thinking

00:57:50on your part

00:57:51darling

00:57:52I disappear

00:57:54so too

00:57:56does the magic

00:57:56we need to find

00:57:58Mary

00:57:58do you want

00:57:59to die

00:58:00wouldn't you

00:58:02cease to exist

00:58:03you've lived for

00:58:04centuries

00:58:04is Gia in the room

00:58:06right now

00:58:06I'm just asking

00:58:07about the table

00:58:08Gia and Mary

00:58:08are both back

00:58:09in the room

00:58:10Mary is currently

00:58:11looking at her

00:58:11shoes

00:58:12looking ashamed

00:58:13and Gia is

00:58:14there

00:58:14I wanna walk

00:58:15over to Gia

00:58:16and leave the

00:58:18circle for a minute

00:58:19as we're debating

00:58:20what we should do

00:58:21hey

00:58:22we're making

00:58:23some hard

00:58:24decisions right

00:58:25now

00:58:25and I don't

00:58:26want you to be

00:58:27left out of that

00:58:28you have

00:58:30your Ouija board

00:58:31that I made

00:58:32for you

00:58:32yeah

00:58:33do you wanna

00:58:35play with it

00:58:36I think that would

00:58:36be a good idea

00:58:37let's do that

00:58:37let's do it

00:58:38wood carved

00:58:39the Ouija board

00:58:39has been customized

00:58:40so there's like

00:58:41new hot buttons

00:58:43for it

00:58:43one of them

00:58:44says fuck that

00:58:45guy

00:58:45another one

00:58:47says sus

00:58:47it's a bunch

00:58:48of things

00:58:48that are like

00:58:49that are like

00:58:50easier for

00:58:51so that we can

00:58:51cut to the chase

00:58:52and I would

00:58:55like to do

00:58:55a divination

00:58:56with Gia

00:59:00about

00:59:01whether

00:59:02there is

00:59:03even a universe

00:59:04where this demon

00:59:05is trappable

00:59:06or whether

00:59:06as

00:59:08Helen suspects

00:59:10the only way

00:59:11to stop this

00:59:12will be to give

00:59:13the things

00:59:13that we took

00:59:14back

00:59:14I think

00:59:16Gia will allow

00:59:17the demon

00:59:18to speak

00:59:20through her

00:59:20what is it

00:59:22that you would

00:59:22like to ask

00:59:23I would like

00:59:24to augur

00:59:25from the Ouija board

00:59:26whether

00:59:27basically

00:59:28is there a clever

00:59:29solution where we

00:59:30bamboozle and trap

00:59:31this demon

00:59:31or is it only

00:59:32by giving back

00:59:33the things that we

00:59:34had that we may

00:59:35evade this pact

00:59:37Gia's head

00:59:40rolls back

00:59:41and when it

00:59:43comes forward

00:59:44she opens them

00:59:47there is a way

00:59:51this is a demon

00:59:54of envy

00:59:56and lies

00:59:57Belial

00:59:58by its name

01:00:02it can be bound

01:00:03and by

01:00:05its deeds

01:00:07it can be bound

01:00:08you will need

01:00:11to bind them

01:00:12with the power

01:00:13that was taken

01:00:14from the others

01:00:15the ones

01:00:17who died

01:00:17to do so

01:00:19you have to

01:00:20pull them

01:00:20out of it

01:00:21because they

01:00:23exist

01:00:23in that thing

01:00:24I just want

01:00:26to use my

01:00:28strength to get

01:00:28one last insight

01:00:29let's do it

01:00:30and I'm gonna

01:00:31remember all

01:00:32the times

01:00:32that I shared

01:00:33with Gia

01:00:34and trying

01:00:35to walk

01:00:37her through

01:00:37the age

01:00:40that she was

01:00:40going through

01:00:41with her

01:00:41and Jay's

01:00:42family

01:00:43and I just

01:00:45want to reach

01:00:45out and see

01:00:46if this

01:00:47if her

01:00:49true spirit

01:00:50of wanting

01:00:50this for her

01:00:51brother and

01:00:52his friends

01:00:52is present

01:00:53in this moment

01:00:54you can surmise

01:00:56now that

01:00:57with the

01:00:57memories

01:00:57awakening

01:00:58that

01:00:58Jay

01:01:00has sort

01:01:00of

01:01:01assumed

01:01:03that

01:01:04this

01:01:04being

01:01:05this

01:01:05creature

01:01:05is not

01:01:06actually

01:01:06her

01:01:06you look

01:01:08into

01:01:09Gia's

01:01:09eyes

01:01:10this small

01:01:12body

01:01:13that's never

01:01:13grown

01:01:13it is her

01:01:15it is fully

01:01:17and fundamentally

01:01:18her

01:01:19revived

01:01:20by the

01:01:21demon's

01:01:21power

01:01:21she also

01:01:23leans up

01:01:24into you

01:01:25holds your

01:01:25ear down

01:01:26and says

01:01:26there's another

01:01:28way

01:01:28if someone

01:01:30willingly

01:01:31sacrifices

01:01:31themselves

01:01:32then the

01:01:34demon

01:01:35will be

01:01:35weakened

01:01:35and it

01:01:36can be

01:01:36bound

01:01:36by

01:01:36his

01:01:37name

01:01:37I'll

01:01:38turn

01:01:38to

01:01:39those

01:01:40assembled

01:01:40here

01:01:40to Mary

01:01:41and I'll

01:01:41say

01:01:42I believe

01:01:43that there

01:01:43may be

01:01:44a path

01:01:45of cleverness

01:01:46there may

01:01:48be a path

01:01:49to bind

01:01:50this

01:01:51not for

01:01:52our own

01:01:52selfish

01:01:52keen

01:01:53in fact

01:01:53but perhaps

01:01:53because

01:01:54even if

01:01:55we were

01:01:55to reverse

01:01:55our pact

01:01:56this demon

01:01:57would still

01:01:58walk upon

01:01:59the face

01:01:59of the

01:01:59earth

01:02:00tempting

01:02:01dairy maids

01:02:02to abandon

01:02:03their barns

01:02:04and do

01:02:05what they

01:02:05will

01:02:06sick allegory

01:02:07bro

01:02:08yeah allegory

01:02:08that's right

01:02:09now that the

01:02:11fog's been

01:02:11pulled back

01:02:12I remember

01:02:13when Gia

01:02:13was alive

01:02:14and you

01:02:15reaching out

01:02:16and pushing

01:02:17through

01:02:17a concerned

01:02:19brother

01:02:19to like

01:02:20connect with

01:02:21her

01:02:21does mean

01:02:23the world

01:02:23to me

01:02:23and I think

01:02:24I've sold

01:02:25you short

01:02:25a lot of

01:02:27ways

01:02:27and a lot

01:02:28of times

01:02:28especially

01:02:29in high

01:02:30school

01:02:30and still

01:02:30now

01:02:31I'm gonna

01:02:31give you

01:02:31a string

01:02:32I think

01:02:34I'm gonna

01:02:34give you

01:02:34a string

01:02:34too

01:02:35cause I

01:02:36think

01:02:36J's like

01:02:37that's

01:02:38really

01:02:38creepy

01:02:38but

01:02:39you did

01:02:41something

01:02:41that

01:02:42I could

01:02:43never do

01:02:43cause I

01:02:44think

01:02:44periods

01:02:44are gross

01:02:45so thank

01:02:45you for

01:02:45talking

01:02:45my sister

01:02:46through that

01:02:46way back

01:02:47in the day

01:02:47I cannot

01:02:48describe

01:02:48to you

01:02:49and I

01:02:49know

01:02:49that this

01:02:50won't

01:02:50make as

01:02:50much sense

01:02:51like wings

01:02:51or I

01:02:52can't

01:02:53that's pads

01:02:53the important

01:02:54thing is

01:02:55the important

01:02:56thing is

01:02:56you have

01:02:57no idea

01:02:57how much

01:02:58tampons

01:02:58rule

01:02:59there was

01:03:00so long

01:03:00before

01:03:01tampons

01:03:01and it

01:03:02was

01:03:02that's right

01:03:03cause you're

01:03:03a dairy

01:03:04mate

01:03:05were you

01:03:05just

01:03:05can I

01:03:06just

01:03:06I have

01:03:07you wanna

01:03:07really

01:03:07open up

01:03:08that

01:03:08you're

01:03:09very intelligent

01:03:10so I gotta

01:03:11know

01:03:11can you pee

01:03:12when it's

01:03:12in there

01:03:13or like

01:03:13we gotta

01:03:14move on

01:03:14I cannot

01:03:15believe

01:03:16there is a

01:03:16health

01:03:16class

01:03:17I just

01:03:17look over

01:03:18at J

01:03:18and I'm

01:03:18like

01:03:18you weren't

01:03:19listening at

01:03:20all in

01:03:20health

01:03:20okay

01:03:21Helen

01:03:22I know

01:03:23we have

01:03:23not seen

01:03:24eye to

01:03:24eye

01:03:24ever

01:03:25but I

01:03:26am so

01:03:27grateful

01:03:27to you

01:03:28for

01:03:29seeking

01:03:30the clever

01:03:31path

01:03:31out of

01:03:32this

01:03:32because

01:03:32I don't

01:03:32wanna

01:03:33give up

01:03:33what I

01:03:35have

01:03:35I

01:03:36would have

01:03:37nothing

01:03:38without it

01:03:38and

01:03:39I know

01:03:40it's selfish

01:03:40to wanna

01:03:41keep

01:03:41what a

01:03:42demon

01:03:43gave me

01:03:43but

01:03:44it's

01:03:45just

01:03:45talent

01:03:45I

01:03:45wasn't

01:03:46born

01:03:46with

01:03:46no

01:03:46matter

01:03:47how

01:03:47hard

01:03:48I

01:03:48would

01:03:48have

01:03:48tried

01:03:48that's

01:03:49not

01:03:50true

01:03:50so I'm

01:03:51grateful

01:03:51to you

01:03:51that's

01:03:53not true

01:03:53it was

01:03:54stick

01:03:54figures

01:03:55there was

01:03:56a lot

01:03:56of heart

01:03:56in them

01:03:57yeah

01:03:57but it

01:03:58was

01:03:58stick

01:03:58figures

01:03:59but also

01:03:59we were

01:04:0018

01:04:00and you

01:04:00don't

01:04:00have

01:04:01to

01:04:01be

01:04:01the

01:04:02thing

01:04:02you're

01:04:02gonna

01:04:02be

01:04:02later

01:04:03I

01:04:03want

01:04:04to

01:04:04turn

01:04:04to

01:04:04Mary

01:04:05and say

01:04:06yeah

01:04:06I have

01:04:07one

01:04:07question

01:04:08about

01:04:08the gift

01:04:09you

01:04:09received

01:04:10in the

01:04:11memory

01:04:12that

01:04:12now

01:04:12comes

01:04:12to

01:04:13you

01:04:13was

01:04:13your

01:04:13gift

01:04:14able

01:04:14to

01:04:14not

01:04:15only

01:04:15change

01:04:16your

01:04:16present

01:04:16but

01:04:17did

01:04:18it

01:04:18in fact

01:04:18rework

01:04:19the

01:04:19past

01:04:20yeah

01:04:23a few

01:04:25things

01:04:26like

01:04:26maybe

01:04:27six

01:04:27years

01:04:27ago

01:04:28when

01:04:28capri

01:04:28pants

01:04:29were

01:04:29in

01:04:29style

01:04:29excuse

01:04:30you

01:04:30they

01:04:30were

01:04:31never

01:04:31that

01:04:31in

01:04:31style

01:04:32she's

01:04:32just

01:04:32hot

01:04:33for

01:04:33other

01:04:33reasons

01:04:34capris

01:04:37P

01:04:37you

01:04:38that's

01:04:43been

01:04:43established

01:04:44Natasha

01:04:44I'm

01:04:45saying

01:04:45I

01:04:45literally

01:04:46agree

01:04:46with

01:04:47you

01:04:47capris

01:04:48are

01:04:48yucky

01:04:48I'm

01:04:49just

01:04:49gonna

01:04:49tell

01:04:49there

01:04:49are

01:04:50things

01:04:50we'll

01:04:50never

01:04:51see

01:04:51eye

01:04:51to

01:04:51eye

01:04:51on

01:04:51oh

01:04:52my

01:04:53god

01:04:53I thought

01:04:53we were

01:04:54talking

01:04:54about

01:04:54me

01:04:54here

01:04:54sorry

01:04:55sorry

01:04:56I did

01:04:56change

01:04:57a few

01:04:57things

01:04:57okay

01:04:58I

01:04:58just

01:04:59the

01:05:00change

01:05:00I

01:05:00wanted

01:05:00was

01:05:00for

01:05:01things

01:05:01to

01:05:01stay

01:05:02the

01:05:02same

01:05:03as

01:05:04in

01:05:04everyone

01:05:05wouldn't

01:05:06leave

01:05:06me

01:05:06entirely

01:05:07ever

01:05:08you

01:05:09really

01:05:09got

01:05:09monkeys

01:05:09pod

01:05:10yeah

01:05:10is

01:05:11this

01:05:11why

01:05:11we

01:05:11come

01:05:11back

01:05:11every

01:05:11year

01:05:12for

01:05:12a

01:05:12sleep

01:05:12over

01:05:12even

01:05:13though

01:05:13we're

01:05:13like

01:05:13don't

01:05:14like

01:05:14you

01:05:14that

01:05:14yeah

01:05:15I

01:05:15have

01:05:15to be

01:05:16honest

01:05:16I

01:05:16do

01:05:17not

01:05:17enjoy

01:05:17this

01:05:18event

01:05:18it's

01:05:19Mary

01:05:19is

01:05:21mean

01:05:21you're

01:05:23calling

01:05:24me

01:05:24mean

01:05:24yeah

01:05:25you're

01:05:25mean

01:05:25yeah

01:05:26you get

01:05:26that

01:05:26you're

01:05:27the

01:05:27one

01:05:27who

01:05:27couldn't

01:05:27let

01:05:28your

01:05:28dead

01:05:28sibling

01:05:29rest

01:05:29hey

01:05:30that

01:05:30you

01:05:30have

01:05:31a

01:05:31cult

01:05:31of

01:05:32desperate

01:05:32people

01:05:33clinging to

01:05:33your

01:05:33every

01:05:33word

01:05:34that's

01:05:34pathetic

01:05:34you

01:05:35couldn't

01:05:36even

01:05:36draw

01:05:37and

01:05:37you

01:05:38you're

01:05:38old

01:05:39and

01:05:39also

01:05:39like

01:05:40at least

01:05:40trim

01:05:41at least

01:05:42my nipples

01:05:43point in the

01:05:43same direction

01:05:44mine point

01:05:46forward

01:05:46yeah

01:05:47and you know

01:05:47what

01:05:47at all times

01:05:48the reason

01:05:48guys liked you

01:05:49in high school

01:05:50isn't because

01:05:51your face

01:05:52was hot

01:05:52she might

01:05:52turn butter

01:05:53but you got

01:05:54a butter

01:05:54face

01:05:54we just

01:05:55like

01:05:55yeah

01:05:55I love

01:05:59you

01:05:59sorry

01:06:00that was

01:06:00really mean

01:06:01I apologize

01:06:01no don't

01:06:02do with me

01:06:03do with me

01:06:03first

01:06:03you shouldn't

01:06:04say that

01:06:04to people

01:06:05you all

01:06:07turn

01:06:08on

01:06:09Mary

01:06:10I am

01:06:12going to

01:06:12I don't

01:06:15know

01:06:15maybe

01:06:15I want

01:06:17you all

01:06:18to roll

01:06:19to figure

01:06:20something

01:06:20out

01:06:21is this a

01:06:25wit

01:06:26this is a

01:06:27wit

01:06:27is anyone

01:06:28good at

01:06:28wit

01:06:28I'll allow

01:06:29heart

01:06:29in this

01:06:30special

01:06:30sort of

01:06:31roll

01:06:31I'll take

01:06:31not you

01:06:31I'll take

01:06:32heart

01:06:32there's no

01:06:34strain to

01:06:34burn here

01:06:35right

01:06:35boxcars

01:06:37let's go

01:06:38my first

01:06:38roll and it's

01:06:39boxcars

01:06:40that's a

01:06:4113 for me

01:06:42alright

01:06:43damn

01:06:43I was

01:06:44charging

01:06:44J

01:06:45and Tita

01:06:47for this

01:06:48you

01:06:50look

01:06:51at

01:06:51Mary

01:06:52you look

01:06:54at her

01:06:55bleach blonde

01:06:56hair

01:06:56the teasing

01:06:58the curls

01:06:59the outdated

01:07:01outfit

01:07:01you remember

01:07:02her in

01:07:03high school

01:07:03and then

01:07:06you start

01:07:06to question

01:07:07do you

01:07:09remember

01:07:10her

01:07:10from high

01:07:11school

01:07:11did Susan

01:07:13ever have

01:07:14a cousin

01:07:14how long

01:07:17has

01:07:18the demon

01:07:19been around

01:07:20how'd it

01:07:21keep tabs

01:07:22on you

01:07:23how'd it

01:07:24make sure

01:07:24you keep

01:07:25coming back

01:07:26Jay's eyes

01:07:27widen

01:07:28you look

01:07:29up on

01:07:30Mary

01:07:30her form

01:07:32starts to

01:07:33shift

01:07:33and in

01:07:34front of you

01:07:34stands

01:07:35the man

01:07:37from before

01:07:38long fingernails

01:07:43dark skin

01:07:44black suit

01:07:45my form

01:07:47also

01:07:48starts to

01:07:49shift

01:07:49and change

01:07:50as I

01:07:52synchronize

01:07:53and pull

01:07:54you said

01:07:55you didn't

01:07:55know about

01:07:55periods

01:07:56pull

01:07:58Gia

01:07:58into my

01:07:59body

01:07:59so I

01:08:00now have

01:08:01four arms

01:08:01and I

01:08:02think

01:08:02much like

01:08:03freaking

01:08:04the iron

01:08:05spider

01:08:05I think

01:08:06I just

01:08:06launch

01:08:06forward

01:08:07and pin

01:08:08with like

01:08:09Gia's arms

01:08:10kind of

01:08:11sprouting from

01:08:11my ribs

01:08:12and my

01:08:12arms

01:08:13just like

01:08:14pin

01:08:14this

01:08:14man

01:08:15as soon

01:08:16as he

01:08:16appears

01:08:16and he

01:08:16tries

01:08:17to hurt

01:08:17my

01:08:17friends

01:08:17roll

01:08:18daring

01:08:18I'm really

01:08:20bad at

01:08:20that

01:08:20well it's

01:08:21a fight

01:08:21roll

01:08:21it's a fight

01:08:22roll

01:08:22you're

01:08:22rolling

01:08:22I'm daring

01:08:23most likely

01:08:23you could

01:08:24use grace

01:08:24maybe

01:08:25but daring

01:08:26as we

01:08:26all turn

01:08:27on

01:08:28the merry

01:08:28demon

01:08:29anyone

01:08:30that gets

01:08:30in on

01:08:31this fight

01:08:31I'm using

01:08:31collective

01:08:32power

01:08:32when you

01:08:33and allies

01:08:33fight

01:08:34together

01:08:34you can

01:08:35use the

01:08:36influence

01:08:36with the

01:08:36string

01:08:36to add

01:08:37plus two

01:08:37to the

01:08:37fight

01:08:38roll

01:08:38we've

01:08:39been handing

01:08:40out strings

01:08:40all night

01:08:40baby

01:08:41let's go

01:08:42that's not

01:08:43bad

01:08:43so that's

01:08:43an eight

01:08:44and then

01:08:44you burn

01:08:45a string

01:08:45you add

01:08:46another two

01:08:46I will

01:08:47burn a

01:08:47string

01:08:48so that's

01:08:50eight

01:08:50my daring

01:08:50takes me

01:08:51to seven

01:08:51and the

01:08:52burning a

01:08:52string

01:08:52brings me

01:08:53up to

01:08:53nine

01:08:53let's go

01:08:54land this

01:08:57demon

01:08:58against the

01:08:59wall

01:08:59and it

01:09:01smiles at

01:09:02you

01:09:02and you

01:09:03now recognize

01:09:03that smile

01:09:04not just

01:09:05from the

01:09:05face of the

01:09:06man

01:09:06or the

01:09:06face of

01:09:07the woman

01:09:07the demon

01:09:08that has

01:09:09shown its

01:09:09face

01:09:09here

01:09:10but for

01:09:11Mary

01:09:11the sharp

01:09:12toothed

01:09:13smile

01:09:13right before

01:09:14she says

01:09:15something

01:09:15cutting

01:09:16do your

01:09:18worst

01:09:19I want to

01:09:20tag in

01:09:20on this

01:09:21because it's

01:09:21like a

01:09:22together fight

01:09:22and I'm

01:09:23pulling out

01:09:24the knife

01:09:24and I

01:09:25that little

01:09:26smirk

01:09:27that fucking

01:09:27smirk

01:09:28I want to

01:09:28try to

01:09:29slash it

01:09:29open

01:09:30with my

01:09:30dagger

01:09:30do so

01:09:31what would

01:09:33you like to

01:09:33roll

01:09:33daring or

01:09:34grace

01:09:34um

01:09:34let's go

01:09:35daring

01:09:35ah

01:09:37I roll

01:09:37so bad

01:09:38but I'm

01:09:39burning my

01:09:39string

01:09:39yours is

01:09:40green

01:09:40so six

01:09:41plus one

01:09:42is seven

01:09:42plus two

01:09:43is nine

01:09:43nine

01:09:45um

01:09:45you

01:09:46slash

01:09:47at this

01:09:48being

01:09:49with your

01:09:50ceremonial

01:09:50dagger

01:09:50and you

01:09:52remember

01:09:53something that

01:09:54was said

01:09:54you have to

01:09:55turn its own

01:09:56power against

01:09:56it

01:09:57you have to

01:09:58pull the

01:09:58power that

01:09:59was used

01:10:00on others

01:10:00against it

01:10:01those daggers

01:10:03are connected

01:10:04to it

01:10:04so as

01:10:05as you

01:10:05hold

01:10:06this demon

01:10:07down

01:10:07you

01:10:08pierce

01:10:09its skin

01:10:09and there

01:10:11is

01:10:11an unholy

01:10:13shriek

01:10:14and a

01:10:14shattering

01:10:15like thousands

01:10:16of chains

01:10:17of glass

01:10:17falling from

01:10:18the skyscraper

01:10:19to the ground

01:10:19below

01:10:20and a yawning

01:10:21void

01:10:22spreads

01:10:23across

01:10:24this being's

01:10:25midsection

01:10:26what would

01:10:27you like

01:10:27to do

01:10:28as that

01:10:29happens

01:10:29I want

01:10:30to lean

01:10:31in

01:10:31turning that

01:10:32power

01:10:33just go

01:10:33I never

01:10:34needed

01:10:34your gift

01:10:35I'm a

01:10:36Santa Barbara

01:10:36eight

01:10:37I could have

01:10:38done this

01:10:38without you

01:10:39I'm slinging

01:10:40pussy

01:10:40it's easy

01:10:41it's easy

01:10:43I never

01:10:43needed you

01:10:44I have

01:10:45discord

01:10:45and a

01:10:46dream

01:10:46well I

01:10:48did

01:10:48I want

01:10:49to dive

01:10:49in as well

01:10:50help in this

01:10:51fight

01:10:51I pull out

01:10:52my butterfly

01:10:53knife

01:10:53and I'm

01:10:54going to

01:10:54go for

01:10:54the face

01:10:55since this

01:10:56gut is

01:10:56a wide

01:10:57open

01:10:57maw

01:10:58and I'm

01:10:59going to

01:10:59use my

01:11:00power

01:11:00against

01:11:01them

01:11:01and make

01:11:03artistry

01:11:04of this

01:11:04face

01:11:04with slashes

01:11:05in every

01:11:06which direction

01:11:07it's a

01:11:08beautiful

01:11:08abstract

01:11:09piece

01:11:09would you

01:11:11like to

01:11:12roll

01:11:12fight

01:11:13as normal

01:11:14probably

01:11:14with grace

01:11:15or would

01:11:15you like

01:11:16to roll

01:11:16fight

01:11:17with heart

01:11:17for expression

01:11:18oh we're

01:11:19going grace

01:11:20that's my

01:11:21art style

01:11:22cool

01:11:22do it

01:11:23no heart

01:11:23no no

01:11:24I asked

01:11:26to keep

01:11:27my demon

01:11:27yes yes

01:11:28oh no

01:11:29three

01:11:30four

01:11:31five

01:11:32I will

01:11:33spend

01:11:33one to

01:11:34make it

01:11:34a seven

01:11:35seven

01:11:36you start

01:11:38to slash

01:11:39at this

01:11:39creature's

01:11:40face

01:11:41making a

01:11:41painting of

01:11:42it

01:11:42red and

01:11:43black streaks

01:11:44would you

01:11:46like to do

01:11:47something to

01:11:48the demon

01:11:48as well

01:11:49I would

01:11:49Helen is

01:11:51standing here

01:11:52tea bagged

01:11:54tea bagged

01:11:55butt ass

01:11:56naked

01:11:56sheath

01:11:58leather

01:11:59corded

01:12:00belt

01:12:00knife in

01:12:01her hand

01:12:02and she's

01:12:03remembering

01:12:03things that

01:12:04were said

01:12:04things that

01:12:05were said

01:12:05by Gia

01:12:06Belial

01:12:07sacrifice

01:12:09a sacrifice

01:12:11is necessary

01:12:13we can

01:12:15maybe defeat

01:12:15this team

01:12:16but we can't

01:12:16hold on

01:12:17to our

01:12:17gifts

01:12:18unless there's

01:12:18sacrifice

01:12:19and I think

01:12:20Helen

01:12:22begins

01:12:24to

01:12:24for the first

01:12:26time in a long

01:12:27time

01:12:27feel

01:12:28a deep

01:12:31sense of guilt

01:12:33and shame

01:12:34and she's going

01:12:35to swallow

01:12:37that to the top

01:12:38of her throat

01:12:39holding it there

01:12:40like an unspoken

01:12:41spell

01:12:41and has taken

01:12:44many years

01:12:44of this demon

01:12:45this magic

01:12:46flows through

01:12:47her

01:12:47and I think

01:12:48she feels

01:12:49like she has

01:12:50a lot

01:12:50of this demon's

01:12:51essence

01:12:51in her

01:12:52and she's

01:12:54going to look

01:12:54up at the

01:12:55demon

01:12:55invoking

01:12:57all of her

01:12:58magic

01:12:58and go

01:12:59Belial

01:13:01your name

01:13:03is Belial

01:13:04and I so

01:13:05name you

01:13:05here under

01:13:06the light

01:13:07of this moon

01:13:07your disguise

01:13:09is ripped

01:13:10away

01:13:10your masks

01:13:11undone

01:13:11Belial

01:13:12is your name

01:13:13and Belial

01:13:14shall be

01:13:14unmade here

01:13:15but you know

01:13:17what they

01:13:17should have

01:13:18called you

01:13:18Moses

01:13:20because you're

01:13:21about to see

01:13:22a burning bush

01:13:23and I slam

01:13:24the night

01:13:24into my hand

01:13:25and I'm going

01:13:27to consume

01:13:28myself

01:13:28in witch fire

01:13:29does that hurt

01:13:33you

01:13:33extremely

01:13:34why are you

01:13:36so bad

01:13:37are you going

01:13:38to live

01:13:38no no

01:13:39it's a plan

01:13:40I think I'm

01:13:40doing I think

01:13:41I'm nailing it

01:13:41okay

01:13:42okay

01:13:42what do we do

01:13:43should we

01:13:44keep stabbing

01:13:45the guy

01:13:46you

01:13:51hold the demon

01:13:52down

01:13:53you two

01:13:54slash and

01:13:55strike at it

01:13:55you name it

01:13:57and sacrifice

01:13:58your flesh

01:14:00your body

01:14:01in witch fire

01:14:02the void

01:14:03at the center

01:14:04this being

01:14:05starts to spread

01:14:06and swallow it

01:14:07and from that

01:14:08void

01:14:09many forms

01:14:10appear

01:14:11Mary

01:14:11Susan's face

01:14:13faces of many

01:14:14people claimed

01:14:15over and

01:14:16over and

01:14:17over

01:14:18from time

01:14:19immemorial

01:14:20and then

01:14:21it settles

01:14:22on what you

01:14:24can assume

01:14:25it's first

01:14:25form

01:14:26a visible

01:14:27void of

01:14:29darkness

01:14:29given shape

01:14:31and form

01:14:31and spread

01:14:32across the

01:14:33universe

01:14:33made only

01:14:35to claim

01:14:35those who

01:14:36envy and

01:14:37desire that

01:14:38which isn't

01:14:38theirs

01:14:39and as

01:14:40that form

01:14:41fades

01:14:41and drifts

01:14:42into the

01:14:42ground

01:14:43and seeps

01:14:44back into

01:14:44the hell

01:14:44it came

01:14:45from

01:14:45you awaken

01:14:47to see

01:14:48the manor

01:14:49you're in

01:14:50in ruins

01:14:51you're standing

01:14:53beneath

01:14:53a clear sky

01:14:55and a full

01:14:56moon

01:14:56I'm behind

01:14:58Helen so I

01:14:58got two

01:14:59full moons

01:14:59Helen

01:15:00the witch fire

01:15:03drifts from

01:15:04your body

01:15:04with the

01:15:05disappearance

01:15:05of Belial

01:15:06I would like

01:15:08to

01:15:08as part of

01:15:10that sacrifice

01:15:11because

01:15:12that's

01:15:13how you make

01:15:14the demon

01:15:14weak

01:15:15I have a spell

01:15:17at the top

01:15:17of my throat

01:15:18and I don't

01:15:20know what I

01:15:20would roll

01:15:21to do this

01:15:21but I would

01:15:22like to use

01:15:23the string

01:15:24that I was

01:15:24just given

01:15:25by Jay

01:15:25and I'll

01:15:26look at

01:15:27Jay

01:15:27the thing

01:15:30that hurt

01:15:31the most

01:15:31that was

01:15:32said tonight

01:15:32in a night

01:15:33of

01:15:34pettiness

01:15:37and cruelty

01:15:38and insult

01:15:39and people

01:15:41lashing out

01:15:41from hurt

01:15:42and fear

01:15:43all the insults

01:15:43and barbs

01:15:44were traded

01:15:44back and forth

01:15:45the most hurtful

01:15:46thing that was

01:15:47said tonight

01:15:47was something

01:15:48that was

01:15:49not even

01:15:50said in the

01:15:50same room

01:15:51as Helen

01:15:52but she heard

01:15:53it there

01:15:54by the medicine

01:15:55cabinet

01:15:55when Jay

01:15:56said

01:15:57worse people

01:15:59have gotten

01:16:00more time

01:16:01and that idea

01:16:02of time

01:16:03time

01:16:04time

01:16:05comes back

01:16:05but these

01:16:06wishes

01:16:07didn't have

01:16:09to bring

01:16:09people back

01:16:10because they

01:16:10did change

01:16:11the past

01:16:11and I think

01:16:13that Helen

01:16:14thinks of

01:16:16all the years

01:16:17she took

01:16:18and thinks

01:16:19of all the years

01:16:20that Gia

01:16:21didn't get

01:16:22and thinks

01:16:23that if they

01:16:25can change

01:16:26the past

01:16:26there is someone

01:16:28who deserves

01:16:28her years

01:16:29more than her

01:16:30and I would

01:16:33I think she

01:16:34think she wants

01:16:34to burn

01:16:34this string

01:16:35to go

01:16:36I'll take

01:16:38the time

01:16:39that I would

01:16:41have gotten

01:16:42on my own

01:16:43having never

01:16:44found that

01:16:45demon

01:16:45if it means

01:16:47that Gia

01:16:48can have

01:16:49some portion

01:16:50of those years

01:16:51I took

01:16:51the witch

01:16:54fire

01:16:55fades

01:16:56from your

01:16:56body

01:16:57as the

01:16:57spell

01:16:58leaves your

01:17:00throat

01:17:00what do

01:17:01you say

01:17:01I look

01:17:02at Gia

01:17:03you have

01:17:04always been

01:17:05and will

01:17:06always be

01:17:07the brother

01:17:09that she

01:17:09needed

01:17:09you have

01:17:11protected her

01:17:11in ways

01:17:12beyond measure

01:17:13and if

01:17:14I can

01:17:15make it

01:17:15so

01:17:16you will

01:17:17have long

01:17:18years

01:17:18to continue

01:17:19doing

01:17:19just

01:17:20that

01:17:20and

01:17:22I'll let

01:17:23the fire

01:17:23continue

01:17:24and follow

01:17:25that thing

01:17:26into the

01:17:26darkness

01:17:27to make

01:17:27sure it

01:17:27never comes

01:17:28back

01:17:28and I

01:17:29will

01:17:30as I'm

01:17:31going into

01:17:31the darkness

01:17:32after it

01:17:32grab pieces

01:17:33of the Ouija

01:17:34board that

01:17:35were floating

01:17:35in air

01:17:36and send

01:17:37them back

01:17:38to a

01:17:40car

01:17:40in the

01:17:41past

01:17:41with a

01:17:42young boy

01:17:43and a

01:17:43learner's

01:17:43permit

01:17:44behind the

01:17:44wheel

01:17:45and reaching

01:17:47back

01:17:47I will

01:17:48put

01:17:48everything

01:17:49I have

01:17:50into just

01:17:51making that

01:17:52one day

01:17:53change

01:17:54and I will

01:17:55go all the

01:17:55way back

01:17:56to a

01:17:57hay-strewn

01:17:58barn

01:17:59and give

01:18:01all of my

01:18:01love to my

01:18:02friends that I

01:18:03possibly can

01:18:04all of the

01:18:06great works

01:18:07of art

01:18:07all of the

01:18:09wonderful

01:18:10communities

01:18:10all of the

01:18:12days of

01:18:13protection

01:18:13and togetherness

01:18:14and as

01:18:16I move

01:18:16through

01:18:17darkness

01:18:17sending all

01:18:18the magic

01:18:19that I

01:18:19hoarded for

01:18:20myself

01:18:20back towards

01:18:21a world

01:18:22that needs

01:18:22it

01:18:22and to

01:18:23people

01:18:23whom I

01:18:24love

01:18:24I will

01:18:25say

01:18:25goodbye

01:18:27Natasha

01:18:28goodbye

01:18:30Tati

01:18:30goodbye

01:18:32Jay

01:18:32and Gia

01:18:33goodbye

01:18:35ice cream

01:18:37and bicycles

01:18:38goodbye

01:18:40all those

01:18:41wonderful

01:18:41things

01:18:42as you

01:18:44say that

01:18:45your mind

01:18:46moves through

01:18:48all of this

01:18:48and casts

01:18:49that spell

01:18:50and grabs

01:18:50and reaches

01:18:51and moves

01:18:51into the

01:18:51darkness

01:18:52but Tati's

01:18:53going to rush

01:18:54forward

01:18:54and fire

01:18:55even as it's

01:18:56leaving

01:18:57is going to

01:18:57hold you

01:18:58and just gently

01:18:59kiss you

01:18:59so you don't

01:19:00leave alone

01:19:01not alone

01:19:03I think

01:19:05that kiss

01:19:07is the first

01:19:11thing I see

01:19:12the first thing I feel

01:19:15in a distant future

01:19:17as I'm looking

01:19:19at a glade of trees

01:19:21with no demon

01:19:22waiting for me

01:19:23in it

01:19:24and I

01:19:26know

01:19:28and have

01:19:29seen

01:19:30that the world

01:19:32will become

01:19:32better than this

01:19:33goodbye

01:19:35Ellen

01:19:36I think

01:19:40there's a sunny

01:19:40day

01:19:41Jay's behind

01:19:44the wheel

01:19:44and

01:19:46where

01:19:47he swerved

01:19:49to avoid

01:19:49a cat in the road

01:19:50this time

01:19:50he stops

01:19:51you notice

01:19:52he's flustered

01:19:53and he's like

01:19:55no no no

01:19:56we're fine

01:19:57we're fine

01:19:57he says

01:20:00you can't

01:20:01you can't

01:20:01spring questions

01:20:02on me

01:20:03like that

01:20:03in the middle

01:20:04of the

01:20:04when I'm

01:20:05you know

01:20:06when I'm driving

01:20:06and

01:20:07you got hair

01:20:09on your legs

01:20:10I guess

01:20:10I can go to

01:20:11Safeway

01:20:12and get you

01:20:13a razor

01:20:13but I don't

01:20:15know that you

01:20:15should

01:20:16and there's

01:20:17like a moment

01:20:17where he thinks

01:20:18of a really

01:20:18powerful woman

01:20:19and he's like

01:20:20maybe you don't

01:20:21need to impress

01:20:22the boys

01:20:22maybe just

01:20:23let nature

01:20:24take its place

01:20:25go full blush

01:20:26yeah

01:20:27have hairy legs

01:20:29have hairy

01:20:29everything

01:20:30if you could

01:20:30just do me a favor

01:20:31and just never

01:20:32ask me about

01:20:32any of this

01:20:33ever again

01:20:34at this exact

01:20:35moment

01:20:35on the stopped

01:20:36car

01:20:37a black

01:20:38cat

01:20:39leaps onto

01:20:40the hood

01:20:40with a pamphlet

01:20:42that is labeled

01:20:43knowing your body

01:20:44on it

01:20:44and leaves it

01:20:49under the

01:20:49windshield

01:20:50wiper

01:20:50and scrambles

01:20:51off

01:20:52as we

01:20:54flash to

01:20:55New York

01:20:56City

01:20:57a fancy

01:20:58gallery

01:20:59the doors

01:21:00swing open

01:21:02and the

01:21:04friends walk

01:21:05in

01:21:05they see

01:21:06a huge

01:21:07photo of

01:21:08the artist

01:21:09about to be

01:21:10displayed

01:21:11Susan

01:21:12Milkhauser

01:21:13and

01:21:15walking with

01:21:16a clipboard

01:21:17making sure

01:21:18everything is

01:21:19right

01:21:19all the wine

01:21:20is stocked

01:21:21all the cookies

01:21:21are set out

01:21:22is Natasha

01:21:24looking

01:21:25like the one

01:21:27you knew

01:21:27but a little

01:21:28less attention

01:21:29grabbing

01:21:29and

01:21:31she sees

01:21:32Susan

01:21:32and gives

01:21:33her the

01:21:33biggest hug

01:21:34and says

01:21:35you're gonna

01:21:35be great

01:21:36tonight

01:21:36and I support

01:21:37you

01:21:37in any way

01:21:38I can

01:21:39I wouldn't

01:21:39be here

01:21:40without you

01:21:40at all

01:21:42I wouldn't

01:21:43want to be

01:21:43here without

01:21:44you

01:21:44I remember

01:21:46that art

01:21:47class

01:21:47when you

01:21:48told me

01:21:50that I had

01:21:50talent

01:21:51and I

01:21:51I didn't

01:21:52want

01:21:52to believe

01:21:53you

01:21:53because

01:21:54why would

01:21:55I

01:21:55have

01:21:56that

01:21:57and so

01:21:58I

01:21:58said

01:22:00some

01:22:00things

01:22:01but

01:22:01you were

01:22:03the only

01:22:03one

01:22:03who

01:22:04got me

01:22:04here

01:22:04Susan

01:22:06I will

01:22:07be the

01:22:07confidence

01:22:07for you

01:22:08that you

01:22:08don't

01:22:09have

01:22:09for

01:22:09yourself

01:22:09but

01:22:10look

01:22:10at

01:22:11where

01:22:11you

01:22:11are

01:22:11look

01:22:11how

01:22:12big

01:22:12that

01:22:12picture

01:22:12of

01:22:13you

01:22:13is

01:22:13you

01:22:14did

01:22:14this

01:22:15with

01:22:15your

01:22:15skill

01:22:16not

01:22:17just

01:22:17my

01:22:17skill

01:22:17takes

01:22:18a village

01:22:18and

01:22:19your

01:22:19whole

01:22:20army

01:22:20maybe

01:22:21all I

01:22:21really

01:22:21wanted

01:22:22was

01:22:22to be

01:22:23in places

01:22:24like this

01:22:24with people

01:22:25I love

01:22:26they're here

01:22:28yeah

01:22:29I'm gonna

01:22:29tap you

01:22:30on the

01:22:30shoulder

01:22:30and hand

01:22:31you a

01:22:31glass of

01:22:31champagne

01:22:32they don't

01:22:33card at

01:22:33galleries

01:22:34I love

01:22:34these

01:22:35I know

01:22:35look at what

01:22:36you take

01:22:36you're so

01:22:37good

01:22:37there's so

01:22:38much fancy

01:22:39stuff everywhere

01:22:39and Susan's

01:22:40art there

01:22:40but Tati's

01:22:41eyes are

01:22:42only on

01:22:42you

01:22:42this

01:22:44is

01:22:45the

01:22:46sort of

01:22:48culmination

01:22:49of

01:22:50years

01:22:50of

01:22:50hard

01:22:51work

01:22:51some

01:22:54time

01:22:54has

01:22:54passed

01:22:55more

01:22:56than

01:22:56had

01:22:56passed

01:22:57before

01:22:57the

01:22:58slumber

01:22:59party

01:22:59the

01:22:59last

01:23:00one

01:23:00and

01:23:02despite

01:23:03time

01:23:04changing

01:23:05despite

01:23:05positions

01:23:07changing

01:23:08you don't

01:23:09forget

01:23:09it's

01:23:11emblazoned

01:23:12on you

01:23:12in your

01:23:13soul

01:23:13a core

01:23:15as much

01:23:16as any

01:23:17other

01:23:17part of

01:23:17you

01:23:17you may

01:23:20not talk

01:23:20about it

01:23:21but you

01:23:22remember

01:23:22the mark

01:23:24the demon

01:23:25left

01:23:25Belial

01:23:27and

01:23:29somewhere

01:23:30else

01:23:30somewhere

01:23:32strange

01:23:33and out

01:23:34of time

01:23:34a

01:23:36woman

01:23:38naked

01:23:39with a

01:23:41giant

01:23:41bush

01:23:41is that

01:23:46the

01:23:46bush

01:23:46damn

01:23:49it's a

01:23:49giant

01:23:50bush

01:23:50the

01:23:51burning

01:23:52bush

01:23:52what the

01:23:53hell

01:23:53I may

01:23:54may need

01:23:56to

01:23:56trim

01:23:56when you

01:23:58cast that

01:23:59spell

01:23:59and took

01:24:00the power

01:24:01away from

01:24:02Belial

01:24:02you became

01:24:03something

01:24:03greater

01:24:04and from

01:24:06a position

01:24:06of power

01:24:08flooded

01:24:09with magic

01:24:10you look

01:24:11down

01:24:11upon this

01:24:12art gallery

01:24:13watching your

01:24:14friends

01:24:15Helen looks

01:24:16down

01:24:17and

01:24:18smiles

01:24:19with a

01:24:20profound

01:24:21serenity

01:24:22and joy

01:24:23and as a

01:24:26demon

01:24:26goes

01:24:27and with

01:24:33that's

01:24:34the end

01:24:35of this

01:24:35session

01:24:36yeah

01:24:37incredible

01:24:39job for

01:24:40Stephanie

01:24:41thank you

01:24:44to all

01:24:44of you

01:24:45all of you

01:24:46I couldn't

01:24:46have done

01:24:46this without

01:24:47you

01:24:47thank you

01:24:48thank you

01:24:48to you

01:24:49Stephanie

01:24:49thank you

01:24:50to our

01:24:50incredible

01:24:50players

01:24:51thank you

01:24:51to you

01:24:52for watching

01:24:52at home

01:24:53thanks so

01:24:54much

01:24:54and join

01:24:54us again

01:24:54on parlor

01:24:55room

01:24:55where

01:24:56strategy

01:24:57meets

01:24:58shenanigans

01:24:59shenanigans

01:25:00oh that's good

01:25:07shall we

01:25:09hang out

01:25:10oh yeah

01:25:11oh she's

01:25:12a milk

01:25:12she's a milk

01:25:16maid

01:25:18just let

01:25:20that bush hang

01:25:21out

Category

Transcript

Be the first to comment

Recommended