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"The Man Who Knew Too Much" is a 1934 British spy thriller directed by Alfred Hitchcock, featuring a gripping plot about a couple whose daughter is kidnapped to prevent them from revealing a political assassination.

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Transcript
00:01:59Right up, yes.
00:02:00Right up.
00:02:01Right up.
00:02:02Woo!
00:02:03Oh, don't push those.
00:02:05Yes, sir.
00:02:06Oh, woo!
00:02:08Are you all right, sir?
00:02:13Better ask my nurse.
00:02:15My English is not good enough for me to know.
00:02:18That daughter of mine seems to be knocking them cold rather before her time, doesn't she?
00:02:22Knocking them cold?
00:02:23What does it mean?
00:02:24It's just an expression, you know.
00:02:25Luckily, if you didn't catch a death of cold.
00:02:27Hello, Louis.
00:02:28Hello, Louis.
00:02:29Woo!
00:02:30Good thing you didn't lose your head.
00:02:31Sorry I upset you.
00:02:33Don't mind.
00:02:34It was a very awkward moment.
00:02:37Come on.
00:02:38Come along now.
00:02:39You've been here quite long enough.
00:02:40Well, I think I must go back to the hotel now.
00:02:44No more jumping.
00:02:45No, that was my last chance.
00:02:46Oh, your fault.
00:02:47Terrible woman.
00:02:48It wasn't.
00:02:49It was a silly little dog.
00:02:50I might have been killed, you know.
00:02:51Do you realize that my last day here might have been my last day on earth?
00:02:52Your last day here?
00:02:53Mm-hmm.
00:02:54You're not leaving tonight, are you, Louis?
00:02:55I'm afraid, yes.
00:02:56By the last train.
00:02:57Oh, Uncle Louis.
00:02:58What do you call me, Uncle?
00:02:59Well, you're just like an uncle, aren't you?
00:03:00How dare you, Miss?
00:03:01We shall miss you, Louis.
00:03:02Oh, Mum, you'll cry her eyes out.
00:03:03Won't you, Daddy?
00:03:04Yes, dear.
00:03:05Do you think so?
00:03:06Oh, she adores you.
00:03:07Doesn't she, Daddy?
00:03:08Yes, dear.
00:03:09I'm desolate to go.
00:03:10As it is my last day.
00:03:11It was a silly little dog.
00:03:12It was a silly little dog.
00:03:13I might have been killed, you know.
00:03:14Do you realize that my last day here might have been my last day on earth?
00:03:16Your last day here?
00:03:17Mm-hmm.
00:03:18You're not leaving tonight, are you, Louis?
00:03:19I'm afraid, yes.
00:03:20By the last train.
00:03:21Oh, Uncle Louis.
00:03:22Oh, she adores you.
00:03:23Doesn't she, Daddy?
00:03:24Yes, dear.
00:03:25I'm desolate to go.
00:03:26As it is my last night, would you and your charming wife accept to have dinner with me tonight?
00:03:31Oh, she'd love it, both of us.
00:03:32Good.
00:03:33Oh, Uncle Louis.
00:03:34Hmm?
00:03:35I get awfully hungry in the evening.
00:03:37Yes.
00:03:38You get awfully sleepy too, darling.
00:03:39Long after your bedtime, my child.
00:03:41Oh, let me sit down.
00:03:42I'll sleep overtime tomorrow.
00:03:44Oh, I'll ask your mother.
00:03:45Oh, yes, please.
00:03:46Where is Jill?
00:03:47Mm.
00:03:48She's working off the finals of the clay pigeon shooting.
00:03:50I see.
00:03:51I do hope she wins.
00:03:52Don't you, Louis?
00:03:53Who's against her?
00:03:54That fellow, Raymond.
00:03:55Uh-huh.
00:03:56Well, then she's got to win.
00:03:57Don't you like him trouble?
00:03:58Do you?
00:03:59Oh, I don't know.
00:04:00He's all right.
00:04:01Bit of a bore.
00:04:02He means well, doesn't he?
00:04:03Why don't you like him?
00:04:05He's got many, too many teeth and too much brilliant teeth.
00:04:13Sworn enemies, eh?
00:04:14You English have such a sense of humor.
00:04:16Well, I can't say that I hope you'll win.
00:04:18I'm sure that you will.
00:04:20You're so beautiful.
00:04:21So clever.
00:04:22Yes, well, let's get on with it, shall we?
00:04:25Well, are you ready?
00:04:26Mummy, will I stay out tonight?
00:04:27Oh, darling, ask me presently.
00:04:28Oh, say yes now.
00:04:29Just for now.
00:04:30You little rat.
00:04:31Look.
00:04:32Here's that brooch you wanted.
00:04:33Now will you run away and be quiet?
00:04:35Oh, shh.
00:04:36Oh, shh.
00:04:37Oh, shh.
00:04:38Daddy, don't you like it?
00:04:39Mummy gave it to me.
00:04:40Oh, shh.
00:04:41Oh, shh.
00:04:42No, shh.
00:04:43Oh, shh.
00:04:44That's all for bricks, sir.
00:04:45Sorry.
00:04:46Oh, sir.
00:04:47Sorry.
00:04:48I'll be out.
00:04:49I'm sorry.
00:04:50You little rat.
00:04:52Look.
00:04:53There's that brooch you wanted.
00:04:56Now will you run away and be quiet?
00:04:58Oh, shh!
00:05:05Daddy, don't you like it? Mummy gave it to me.
00:05:07Shut up, darling. It's awful big, sir.
00:05:09Sorry.
00:05:21I'm not a baby.
00:05:25Let that be a lesson to you.
00:05:27Never have any children.
00:05:29That's your fault, Fathead.
00:05:30It wasn't, Betty.
00:05:32You know your child's going to cost me the match, don't you?
00:05:35Well, she's your child as well as mine, isn't she?
00:05:37Well, if I lose this game, I'll disown it forever.
00:05:39Shhh!
00:05:57I am sorry that you lost, Madam Lawrence, but I am delighted that I will, if you understand.
00:06:04You're a marvellous shot, and I know what I'm talking about.
00:06:07You make me blush.
00:06:08We must have another battle one day, shall we?
00:06:10I shall live for that moment.
00:06:12Well, you would have this child.
00:06:14Oh, Madam Lawrence, you English are extraordinary.
00:06:17Ah!
00:06:18My love.
00:06:19Oh, my darling.
00:06:20My lunch.
00:06:21You can keep your breath.
00:06:23I'm just going off with another man.
00:06:27Darling, you go to bed early with Betty.
00:06:32Poor Daddy.
00:06:33Sir, you have beaten my wife, and she has gone off with another man.
00:06:38You are a dirty dog.
00:06:39You are as comical as your charming wife!
00:07:02little adult singing
00:07:23That mummy is knitting?
00:07:25Yes, what?
00:07:27Don't you know?
00:07:28Fung it over.
00:07:29Bung it over.
00:07:39Go on, Louis. Paul.
00:07:42What do you mean?
00:07:43Do your stuff.
00:07:45What do you think of the average Englishman?
00:07:48Much too cold.
00:07:51Except when he drinks too much, of course.
00:07:55Is that jumper for him?
00:07:57Of course it is. Did you think it was for you?
00:08:02It's a memento.
00:08:04To wear over my beating heart.
00:08:06Has it been far proof?
00:08:07Yes, don't.
00:08:27Is that a sign of Santa?
00:08:31That's a sign of a new lady.
00:08:33That's a sign of a new lady.
00:08:35Just in a matter of fact...
00:08:37... there's no sign of a good lady.
00:08:39Just in a position...
00:08:41... there's no sign of a snowball.
00:08:43There's no sign of a bun at all.
00:08:45Thisack of the rainbow is a magic of Jesus.
00:08:46Oh, look.
00:09:01I'm sorry.
00:09:12Quick.
00:09:13Quick. Tell Bob.
00:09:17My room brush in my room.
00:09:20Take it to the British Council.
00:09:23Or to Gibson.
00:09:27Don't breathe. Don't breathe a word.
00:09:31To anyone.
00:09:32Yes.
00:09:33Yes.
00:09:34Yes.
00:09:40Betty.
00:09:41Will you be a good girl and run up to the head?
00:09:43Go on, darling. Pass off.
00:09:44It's all right.
00:09:45All right.
00:09:49It's fired from outside, isn't it?
00:09:51Smash the window.
00:09:55Any letters?
00:09:56Yes, sir. Two.
00:10:01Bob. He's dead. It's horrible.
00:10:03God.
00:10:04Bob, listen.
00:10:05No, no, no.
00:10:06There's something behind all this.
00:10:07He said you'd go straight to his room.
00:10:09Something about a brush.
00:10:10Here's the key. He gave it to me.
00:10:12Oh, Bob, what can this all mean?
00:10:14Well, we'll soon find out.
00:10:21I'll call him the rainbow mirror.
00:10:39Goodbye.
00:10:43Bye.
00:10:46Bye-bye.
00:10:47Let's go to the first floor, for pleasure.
00:11:02For the love of God, let me out of this place.
00:11:07It's very important.
00:11:10For the love of God, let me out of this place.
00:11:14Wait a moment.
00:11:17Look under the table.
00:11:20No, no, it's under the table.
00:11:23Under the table.
00:11:25Look here.
00:11:28Open the door.
00:11:31Let me out of this door.
00:11:33It's very important.
00:11:35Open that door.
00:11:37For the love of God, open it.
00:11:39Good evening. Is anything the matter?
00:11:43Nothing. Nothing at all.
00:11:44If I were you, and if I found some, come on, hand it over.
00:11:47Pardon, sir, but no doubt there is some explanation.
00:11:49Of what?
00:11:50Oh, why? Why you were in that room?
00:11:52Monsieur Bernard's room.
00:11:53It is irregular.
00:11:54That's most the Herr Herr Clarence.
00:11:56Not really.
00:11:57Oh, yes, that's easy to explain.
00:11:59Anything I can do to help?
00:12:01Can you get the British Consul for me on the phone, please?
00:12:03No doubt, but first...
00:12:04Yes, first.
00:12:05I got something very vital to tell him.
00:12:07The British Consul?
00:12:08Yes, please.
00:12:09Perhaps you will be better if you will kindly come to my private room for a moment.
00:12:14Of course I will, certainly.
00:12:15Thank you very much.
00:12:28It is the purest formality.
00:12:29Of course, sir.
00:12:30You will pardon me that in my position...
00:12:32Of course, it's quite a work.
00:12:33This way, sir, please.
00:12:34I say, you won't forget that I won't speak to the British Consul on the phone, will you?
00:12:49Presently, mein Herr. Certainly at once, sir.
00:12:51Oh, thank you.
00:12:52Mario, poste le letter.
00:12:57I must go in there and talk to my wife.
00:12:58I'm very sorry that the commissary wishes to see each one separately.
00:13:02It is formal.
00:13:03But you...
00:13:04But you know him well.
00:13:05He was your friend.
00:13:06Yes, he was our friend, but we knew very little of him.
00:13:07Hardly anything.
00:13:08Oh, excuse me.
00:13:09Do you, um...
00:13:10Can you tell me if the British Consul's in town today?
00:13:13Ich verstehe nicht.
00:13:15No, you don't...
00:13:16Can you...
00:13:19The British...
00:13:20The British Consul.
00:13:22You know, the man who comes with passports.
00:13:24Is he here?
00:13:25Here?
00:13:26Ja, ist dein Herr.
00:13:27No, I don't mean, is he here a man?
00:13:28I mean, is he here?
00:13:29Here?
00:13:30Nein.
00:13:31Listen.
00:13:32Is he here in St. Moritz?
00:13:36Yes.
00:13:37Phew.
00:13:38Look.
00:13:39The British, the Consul.
00:13:42Is he...
00:13:43Is he...
00:13:44Oh, damn.
00:13:49I can't remember how far he was standing through the window.
00:13:53Everything was so soft.
00:13:54In, madame.
00:13:55Now, look here.
00:13:56You must have been going there and talked to my wife.
00:13:57But you cannot, sir.
00:13:58The commissary is giving orders.
00:13:59He's in charge here.
00:14:00What can I do?
00:14:01Please excuse.
00:14:02But, uh...
00:14:03You're...
00:14:04You're...
00:14:09Sie dĂĽrfen hier nicht rein.
00:14:10Now, listen.
00:14:11If you don't mind, I must...
00:14:12Was?
00:14:13Herr Lorenz.
00:14:14Please.
00:14:15Oh, thanks so much.
00:14:17It was left at the desk of the whole porter.
00:14:20It was marked very urgent.
00:14:23It's all right.
00:14:26Oh, per l'amore del chip.
00:14:28Oh, dann send Sie me her, der Hektor.
00:14:31I remember what he said before he died.
00:14:33You remember that, madame.
00:14:34Wait a minute.
00:14:35Wait a minute.
00:14:38He said you have to go.
00:14:39I'm sorry.
00:14:40Excuse me.
00:14:41I've got a message for my wife.
00:14:42The, uh...
00:14:43The Mitchissons can't come to lunch tomorrow.
00:14:46Perhaps we've got where the other people are, too.
00:14:48Was all this heist?
00:14:49Ich habe nicht verpasst.
00:14:50Was all this heist?
00:14:51Let's go, in theCo不对?
00:14:52Alright.
00:14:53There you are.
00:14:55Oh and sorry.
00:14:56Oh.
00:14:57Oh.
00:14:58Oh, good.
00:14:59Oh, give her fossiler.
00:15:00Good.
00:15:01Then do I have to have to have opportunities?
00:15:02I'll be near them okay now.
00:15:03What is that note?
00:15:23Give it to me.
00:15:33Give it to me.
00:16:03I've nothing to add to what I've already said, Inspector.
00:16:18Nothing whatever.
00:16:19No use talking like that, Mr. Lawrence.
00:16:20It just won't do.
00:16:22Now, on March the 10th, you and Mrs. Lawrence went to Switzerland.
00:16:28Yes.
00:16:29To St. Moritz.
00:16:31Yes.
00:16:32With your little daughter.
00:16:35Yes.
00:16:36Whiskey and soda.
00:16:37Oh, thank you.
00:16:39On March the 19th, you returned to London.
00:16:44Yes.
00:16:46You returned to London without your little daughter.
00:16:52Yes.
00:16:53One for you.
00:16:54Where is she?
00:16:56Staying with her aunt.
00:16:58What's his aunt's name?
00:17:01Mary.
00:17:02And where is she staying with his aunt?
00:17:05In Paris.
00:17:07Street and number?
00:17:09It's a rather complicated French name.
00:17:10Rather difficult for an English person to remember, I'm trying.
00:17:12One for you.
00:17:14By the way, why were you so upset the night you left Switzerland?
00:17:20I'm not aware that I was upset.
00:17:23Was it because your child had been kidnapped?
00:17:28And another thing.
00:17:44My point is this.
00:17:45He's not the sort of chap to give things away and lose his head and spill the beans and all that sort of business.
00:17:53See what I mean?
00:17:53When I was in the Navy...
00:17:56Is that train electric?
00:17:58Yes.
00:17:58Twenty volts.
00:18:01Best present I ever gave the kid.
00:18:03Doesn't play with it much now, does she?
00:18:05She never did.
00:18:07You never gave her a chance.
00:18:23I say, you mustn't get jumpy, you know.
00:18:42Really, you mustn't.
00:18:44What I mean to say is, once you begin that sort of thing, lose grip and...
00:18:49and...
00:18:50I know.
00:18:57I'm all right.
00:18:59Oh, Clive.
00:19:01You've got Pullmans and coal trucks on the same train.
00:19:05Good Lord, I have.
00:19:11Then is that your last word, sir?
00:19:13Absolutely.
00:19:14Well, I'm sorry to have to say it, sir, but I don't believe you.
00:19:16No, no, it's flat.
00:19:17It's your duty as a citizen, Mr. Lawrence.
00:19:19Oh, thanks for calling.
00:19:20You may be sorry.
00:19:22No, sir.
00:19:23Don't drop in again.
00:19:44Oh.
00:19:46Hello, are you still here?
00:19:51You lost your whistle or something?
00:19:54I'm not a policeman.
00:19:55My name's Gibson.
00:19:57I'm secretary to Sir Norman Wood at the Foreign Office.
00:20:00Oh, really?
00:20:01Never heard of him.
00:20:02However, how'd you do?
00:20:04Your friend Louis was one of our people.
00:20:07Special service.
00:20:10You didn't know that, did you?
00:20:11I'm afraid not now.
00:20:12You didn't happen to find anything in this brush, did you?
00:20:24Nothing much.
00:20:25I'm terribly busy.
00:20:26Yeah, but enough to justify somebody kidnapping your child to keep your mouth shut.
00:20:29I never said so.
00:20:30Well, nonsense.
00:20:31When Louis Bernard was killed, there was a paper in this brush.
00:20:35How terribly thrilling.
00:20:39Darling, you haven't told them anything, have you?
00:20:42Not yet, Mrs. Lawrence, but I think he's just about to.
00:20:45Jill, dear.
00:20:46This is Mr. Gibson of the Foreign Office.
00:20:47Come to see us.
00:20:47How'd you do?
00:20:50Oh, of course, I quite understand.
00:20:52But I think if you listen to me, you'll appreciate why I have to bother you.
00:20:56Has either of you heard of anyone, a foreign statesman, or the name of Roper?
00:20:59Roper, I don't think, sir.
00:21:00R-O-P-A, Roper.
00:21:01No.
00:21:02Oh, well, if you haven't heard of him, I suppose it doesn't worry you much if he's likely to be assassinated.
00:21:06What's that got to do with us?
00:21:07Well, patience, Mrs. Lawrence, and I think you'll see.
00:21:10Louis Bernard was killed because he knew of a plot to assassinate Roper.
00:21:14A few hours later, your child was kidnapped.
00:21:17Why?
00:21:17Because by that time, you were in possession of that vital information.
00:21:22It was written on the piece of paper you found in Bernard's shaving brush.
00:21:25Mr. Lawrence, Roper is in London, and an attempt may be made on his life.
00:21:29My department must protect him.
00:21:30Now, will you tell me what was on that piece of paper?
00:21:32I'm sorry.
00:21:32I'm afraid I can't.
00:21:34But I can tell you what was written on another piece of paper.
00:21:36That our child had been kidnapped.
00:21:38And if we spoke, we'd never see her again.
00:21:41It's her life against this fellow Roper's.
00:21:42Why should we care if some foreign statesman we'd never even heard of were assassinated?
00:21:47Tell me, in June 1914, had you ever heard of a place called Sarajevo?
00:21:51Of course you hadn't.
00:21:52I doubt if you'd even heard of the Archduke Ferdinand.
00:21:55But in a month's time, because a man you'd never heard of killed another man you'd never heard of,
00:21:59in a place you'd never heard of, this country was at war.
00:22:01But I...
00:22:02Don't tell him, Bob.
00:22:03I'm sorry, Mr. Gibson, but we're not interested.
00:22:06What you've told us may be true, but our child's in danger.
00:22:09That comes first.
00:22:10It must come first.
00:22:11You see that, don't you?
00:22:12Mrs. Lawrence, do you realise the type of man we're dealing with?
00:22:16Do you think they'd draw the line at murder?
00:22:18Besides, how do you know the child's alive?
00:22:19How do you know he hasn't...
00:22:20All right. Hold on a minute.
00:22:25Someone on the phone in the hall. It's about...
00:22:27About Betty.
00:22:28Switch it through here, will you?
00:22:29All right, I will.
00:22:30Hold on a minute.
00:22:33Hello?
00:22:33Good afternoon, Mr. Lawrence.
00:22:36Please listen very carefully.
00:22:39We don't want to interrupt your chat with a gentleman from the foreign office.
00:22:44But we think we ought to remind you that if you tell him anything of what you know,
00:22:47you'll never see your child again.
00:22:50Just a final warning.
00:22:52Yes, but I want to...
00:22:53Bob, what is it?
00:22:54Somebody playing the fool or something.
00:22:55Hello?
00:22:55If you think somebody's fooling you, perhaps you'd like to speak to the child yourself.
00:23:03Hello, darling.
00:23:04Betty!
00:23:07Hello, my darling.
00:23:09Hello, Mummy.
00:23:11Is that you?
00:23:12Are you all right?
00:23:14Yes, Mummy.
00:23:15Plenty to eat?
00:23:16Ask her where she is.
00:23:18Yes, Mummy.
00:23:20Are you getting on without me, Mummy?
00:23:22I'm missing you terribly, darling.
00:23:23Uncle Clive and I have been playing with your train.
00:23:29Ask her where she is.
00:23:30Oh, Mummy, I want to come home.
00:23:32Oh, I do want to come home.
00:23:33So you shall, darling.
00:23:35Very soon.
00:23:36Ask her where she is.
00:23:38I'll come and fetch you.
00:23:41Darling.
00:23:44Where are you?
00:23:46Mummy.
00:23:46There is a...
00:23:47Darling!
00:23:51Betty!
00:23:53Oh, steady, old girl.
00:23:56Steady.
00:24:11Did either of you recognize the first voice that spoke?
00:24:13Oh, for God's sake!
00:24:15I'm sorry, but can't you leave us alone?
00:24:17I see.
00:24:17Wouldn't it be possible to trace that call?
00:24:19No, it's no good.
00:24:19The telephone people never tell.
00:24:20Hello.
00:24:25Give me special, please, quickly.
00:24:28Hello.
00:24:28This is G speaking.
00:24:30Were you listening?
00:24:31Where did the last call to this number come from?
00:24:34Wapping?
00:24:35Public call box.
00:24:37Notify Scotland Yard to have a plainclothes man posted on every corner of the district.
00:24:41Well, get them from other districts.
00:24:45Wapping, does that convey anything to you?
00:24:50Nothing, whatever.
00:24:55Well, if there isn't any trouble, I hope you remember you're to blame.
00:24:58Not a very nice thing to have on your conscience.
00:24:59All right, Bob.
00:25:01I'll see you, mate.
00:25:08Ask Lawrence to talk you over again when I'm gone.
00:25:11You know where to ring me if you want me?
00:25:12Yes, thanks.
00:25:13Goodbye.
00:25:16Clive.
00:25:17Here a minute.
00:25:18Yes?
00:25:19Are you coming?
00:25:19Where to?
00:25:20Wapping.
00:25:21Of course.
00:25:22Look here.
00:25:22I'll get our hats and coats and things.
00:25:24Why?
00:25:24You know those plainclothes men that Gibson ordered?
00:25:26If these blokes have got to be to see them, they'll think we've given them away.
00:25:30Our only chance is to act ourselves.
00:25:31Double quick.
00:25:32Oh, I'm coming to you.
00:25:32No, no, no, darling.
00:25:33You stay here.
00:25:34Keep at the end of that telephone.
00:25:35If there's any news, we'll get through to you.
00:25:37Oh, darling, I can't rest with both of you.
00:25:41Come on.
00:25:42Row your nose.
00:25:43Won't lose either of us.
00:25:44What about your food?
00:25:45Oh, leave me a bone on the mat.
00:25:47Here, do you want this?
00:25:56There can't be many George Barber's in Wapping.
00:26:15Couldn't think of another one in that pub, anyway.
00:26:17Come on, let's go.
00:26:17Look.
00:26:18What?
00:26:19Are they plainclothes men over there?
00:26:26All right, come along.
00:26:37Miguel?
00:26:38Yeah, just a minute.
00:26:39Come on.
00:26:41Think these things are all right, eh?
00:26:42I think so.
00:26:42You look terrible.
00:26:44I think live.
00:26:46Any questions asked, we're just off the boat.
00:26:47Good idea.
00:26:48When I was in the Navy...
00:26:49Buy your teeth.
00:26:50Hmm?
00:26:53It seems a pity.
00:26:54Come on.
00:26:55Let's have a dash for you.
00:26:56I know.
00:27:11A bit grim, isn't it?
00:27:13Yes.
00:27:17Leaning.
00:27:20My pal here has got a rather bad toothache.
00:27:22Oh, look at it.
00:27:25All right, come along.
00:27:27Here.
00:27:27Hi.
00:27:34What?
00:27:44I'll see you next time.
00:27:44I'll see you next time.
00:27:47Oh, poor old boy.
00:27:51Five shillings.
00:27:53Five shillings.
00:27:55You have a five shillings for, will you, please?
00:28:01Well, just a minute.
00:28:03Better have a look at mine when I worry about it.
00:28:05What's wrong?
00:28:07I don't know.
00:28:09I don't know.
00:28:11I don't know.
00:28:13I don't know.
00:28:15Look at mine when I worry about it.
00:28:17What's wrong?
00:28:18Oh, I've fed terrible toothache today.
00:28:19Have a look at them, will you?
00:28:21Here, you stay outside and keep your mouth shut.
00:28:30Please.
00:28:45Have you arrived?
00:28:59Not yet.
00:29:01Have you arrived?
00:29:02Not yet.
00:29:17Just off the ship?
00:29:19Here.
00:29:20Which one?
00:29:23Saxon.
00:29:24Saxon.
00:29:28She's not due until tomorrow.
00:29:31Oh, no, I...
00:29:33I got off at... I got off at Tilbury.
00:29:36Came on by train.
00:29:38Tough skipper, old Turner.
00:29:40Tough half.
00:29:42Left her last voyage.
00:29:45Of course, that's right.
00:29:48What I meant was...
00:29:49I was wrong.
00:29:50The voyage before last.
00:29:54Yes, of course.
00:29:56It slipped my memory.
00:29:58Nothing much wrong with your teeth.
00:30:00I think you're right.
00:30:02It's not hurting as much as it was.
00:30:04I'll be off.
00:30:05Wait.
00:30:06Why? What's the trouble?
00:30:09There's one there better come out.
00:30:11I think I'll chop it.
00:30:12Sit down.
00:30:13Don't a doctor have to do that.
00:30:15Doesn't a doctor have to do that?
00:30:19Doesn't a doctor have to do that?
00:30:23Doesn't a doctor have to do that?
00:30:53Hartzell.
00:30:55I'm out of breath.
00:30:57All right, that's so good.
00:30:59I'm ready.
00:31:00You're okay.
00:31:01I'm ready.
00:31:03I'm ready.
00:31:04Just let it go.
00:31:05You have to do it.
00:31:38Has he come?
00:31:57Oh, there you are.
00:32:04Has he gone cross you?
00:32:05No.
00:32:06Seek all the way.
00:32:08It is the last time I let myself be smuggled into this country, for you or anybody else.
00:32:13You will be smuggled, my friend, when, how and where I'm pleased for you to be smuggled.
00:32:18Yes?
00:32:19It's your fault for having such a wonderful aim as you a gun.
00:32:25You must pay the price of your genius.
00:32:29Yes.
00:32:30Everything ready for tonight?
00:32:32I've arranged a box for you.
00:32:34Most conveniently placed.
00:32:37Any trouble with the charming Miss Lawrence?
00:32:40It's a quiet little mouse.
00:32:45And where is the little mouse now?
00:32:47Oh, in a little, a little hole in the ground somewhere.
00:32:50You shall see.
00:32:51Your last job tonight?
00:32:52No.
00:32:53First.
00:32:54Look, I've.
00:32:55Which way they go?
00:32:56Where's Betty?
00:32:57Found out anything?
00:32:58Yes.
00:32:59Shall I give you the ring?
00:33:00No, no.
00:33:01Come along, hurry.
00:33:02All right.
00:33:03To the top.
00:33:04Come on, Clive. Which way they go?
00:33:06Where's Betty? Found out anything?
00:33:08Yes. Should I give you the ring?
00:33:10No, no. Come along. Hurry.
00:33:12All right.
00:33:14All right.
00:33:16All right.
00:33:18All right.
00:33:20All right.
00:33:22All right.
00:33:24All right.
00:33:34All right.
00:33:48Are you sure they went in there?
00:33:50Must have. Almost certain.
00:33:52I say, Clive, look.
00:34:04What are they, Bob?
00:34:06Sun-worshippers.
00:34:08Probably we've got nothing on.
00:34:10Come on. Let's go.
00:34:14We have rose from the rose
00:34:20Bring me the source of light
00:34:26The sun who's burning free
00:34:32Send you both far and mine
00:34:40And died down on our way
00:34:48Strangely can give us who
00:34:54Walk through the forehead's heart
00:35:00There was all the spank of blue
00:35:06With all his hopes of light
00:35:16Clive, Clive, Clive
00:35:20Train on your way of love
00:35:26That woman at the end
00:35:32Half left to you and me
00:35:40What is the wrong, old man?
00:35:46I don't see what you mean
00:35:52You
00:35:54La la la la la
00:35:56Stand by
00:35:58There's trouble
00:36:00Coming soon
00:36:02There's trouble
00:36:04Coming soon
00:36:06There's trouble coming soon
00:36:22Perhaps those who may be among us
00:36:24Tonight for the first time
00:36:26And who have not yet become
00:36:28Initiated into the mysteries of the first circle
00:36:30Of the sevenfold ray
00:36:32May be wondering what is going to happen now
00:36:36I will tell them
00:36:38Before proceeding to the mysteries
00:36:40Which are only for the initiate
00:36:42It is of course necessary for the minds
00:36:44And souls of us all to become purged
00:36:46And to be made clean
00:36:48I'm therefore going to ask anyone here
00:36:50Who is not in tune with us
00:36:52To submit to a very simple process of control
00:36:56Merely place him or herself
00:36:58Under the guidance of the fourth circle
00:37:00Is there anyone here tonight
00:37:02Who would care
00:37:04Perhaps you
00:37:30If any need
00:37:31You
00:37:32Would care
00:37:36You
00:37:38In
00:37:39But
00:37:40Most
00:37:41Of
00:37:42Of
00:37:43How
00:37:44Would
00:37:45In
00:37:47And
00:37:48In
00:37:49To
00:37:50To
00:37:51To
00:37:52To
00:37:53To
00:37:54To
00:37:55To
00:37:56To
00:37:58Keep your eyes fixed on this light.
00:38:01Keep them fixed.
00:38:03Before receiving the first degree of the seventh-fold ray,
00:38:08your mind must be white and blank.
00:38:11You are already feeling sleepy.
00:38:14Do you hear me?
00:38:16Yes.
00:38:18Your mind is becoming quite blank.
00:38:22You feel that, don't you?
00:38:25Quite, quite blank.
00:38:29Yes.
00:38:32Quite blank.
00:38:55I think that will do for the moment.
00:39:12Will all those who are not of the fourth circle please leave as quietly as possible?
00:39:18You're not going to leave your friend, sir, are you?
00:39:39You're not going to leave your friend, sir, are you?
00:40:09Hello.
00:40:15Good evening.
00:40:28I hope you weren't very rough with him.
00:40:30You see, he's subject to apoplexy.
00:40:33Who?
00:40:34Who?
00:40:35Who were always George Barber down at Woffing?
00:40:39Is it all right in here?
00:40:43I ought to have mentioned it to you, perhaps.
00:40:46You should learn to control your fatherly feelings
00:40:50and not drop things on the floor, please.
00:40:54Hmm.
00:40:55Hmm.
00:40:56Collected our brother's little offering, yes?
00:40:58Have you?
00:40:59Oh, sir, I forgot.
00:41:00Pardon me.
00:41:01Dangerous.
00:41:02Perhaps you would care to join our little circle now, Mr. Lawrence.
00:41:05Yes?
00:41:06Thank you very much.
00:41:07Excuse me.
00:41:08Excuse me.
00:41:09Thank you very much.
00:41:10Excuse me.
00:41:11Excuse me.
00:41:35Why, if you didn't offer him the sharpshooter.
00:41:43Nice to see you again, Mr. Lawrence.
00:41:47Nice to see you.
00:41:55Is my young daughter all ready to go home yet?
00:41:57Oh, no, sir.
00:41:58She's asleep.
00:42:05No shooting.
00:42:09You don't want the police here, do you?
00:42:15Stop playing that organ or they'll hear this noise outside.
00:42:30Aye!
00:42:35Aye!
00:42:40Aye!
00:42:47Aye!
00:43:00Aye!
00:43:02Through the window.
00:43:03Phone Jill.
00:43:04Tell her to go to the Albert Hall.
00:43:10All the pieces!
00:43:33Sorry.
00:43:34Please forgive me.
00:43:35Get down to Mrs. Lawrence.
00:43:40Tell her if she goes to the Albert Hall tonight.
00:43:41Her child is...
00:43:42...
00:43:46...
00:43:47...
00:43:48...
00:43:49...
00:43:50...
00:43:51...
00:43:52...
00:43:53...
00:43:54...
00:43:55...
00:44:09...
00:44:10...
00:44:11...
00:44:12...
00:44:13...
00:44:14...
00:44:15...
00:44:16...
00:44:23...
00:44:24...
00:44:26...
00:44:27...
00:44:37...
00:44:38...
00:44:39...
00:44:40...
00:44:52...
00:44:53...
00:44:54...
00:45:06...
00:45:07...
00:45:08...
00:45:21...
00:45:22...
00:45:23...
00:45:24...
00:45:37...
00:45:38...
00:45:39...
00:45:52...
00:45:53...
00:45:54...
00:45:55...
00:45:56...
00:45:58...
00:45:59...
00:46:00...
00:48:01...
00:48:02...
00:48:03...
00:48:04...
00:48:05...
00:48:07...
00:48:08...
00:48:10...
00:48:25...
00:48:26...
00:48:28What happened to me, sister?
00:48:30Oh, but dare me, I...
00:48:31What have you got to say for yourself?
00:48:33Look here.
00:48:34Tonight, my friend and I...
00:48:58Where are they?
00:49:11Who?
00:49:12Well, the whistle.
00:49:13The whistle that was blowing just now.
00:49:15Oh, yes.
00:49:16The arm of the English law needed help in taking our friend to the station.
00:49:21Very, very reluctantly, I've given him in charge.
00:49:25For disorderly behavior in a sacred edifice.
00:49:30Aha.
00:49:38Achoo!
00:49:39Oh, dear.
00:49:44I forgot.
00:49:46The little one.
00:49:47Shall she join us?
00:49:48You mean Betty?
00:49:50One of the sweetest children I ever met.
00:49:52Bring her, please.
00:49:55You know, to a man with a heart his softest mind has nothing sweeter than a touching scene.
00:50:08Such as?
00:50:09Such as a father saying goodbye to his child.
00:50:12Yeah, goodbye for the last time.
00:50:15What could be more touching than that?
00:50:17I'm afraid if you expect a scene from me, you're going to be disappointed.
00:50:20You shall see.
00:50:22Why do you look at me like that?
00:50:32Betty!
00:50:35Daddy!
00:50:36Daddy!
00:50:37Daddy!
00:50:42Thank you so much.
00:50:43You all right, darling?
00:50:44I can't.
00:50:45There, there.
00:50:46I say, darling...
00:50:48It's awfully smart dressing gown.
00:50:49Where'd you get it?
00:50:50Hmm?
00:50:51Oh, dear.
00:50:52Oh, dear.
00:50:53Oh, dear!
00:50:54Oh.
00:50:55Oh.
00:50:56Oh, dear!
00:50:57Oh, dear!
00:50:58Oh!
00:50:59Oh.
00:51:00Oh!
00:51:01Oh, dear.
00:51:02Oh, dear.
00:51:03Oh, dear.
00:51:04Oh.
00:51:05Oh, dear!
00:51:06Oh, dear.
00:51:07Oh, dear.
00:51:08Oh, dear.
00:51:09i want to tell you something yeah listen your school reports come awfully good
00:51:32where's mommy come on tell her at the albert hall my dear
00:51:39oh that reminds me your scene was so charming i was almost forgetting what is it record of the
00:51:47delightful piece which they are playing at the albert hall tonight charming yes what of it oh
00:51:53yes i forgot music is less in your line and marksmanship if you listen my dear raymond
00:52:01i'll show you the exact moment at which you can shoot now listen carefully
00:52:09there
00:52:17you see at such a moment your shot will not be heard
00:52:21i think the composer would have appreciated that
00:52:23no one will know except for one
00:52:30if you are clever my friend come you must start soon it's impolite to be late for a concert
00:52:36and tell mrs lawrence a little betty and her husband are very well anything else tell her
00:52:49they may soon be leaving us leaving us for a long long journey how is it the shakespeare says
00:52:59from which no traveler returns great poet
00:53:05we are going to walk away from the park
00:53:08oh daddy daddy daddy let me go daddy daddy let me go daddy
00:53:23so
00:53:30so
00:57:02Is that it?
00:57:04Is that it?
00:57:06Is that it?
00:57:46Is that it?
00:57:48Is that it?
00:57:54Yeah.
00:57:54It?
00:57:56Is that it?
00:58:58It went off all right.
00:59:07I hope so, for all our sakes.
00:59:10Quick, there he goes!
00:59:23Follow that car, and you come with me.
00:59:33It's all right.
01:00:03What was it screamed?
01:00:05We have to apologize to listeners for the delay which has occurred in the broadcast of the concert from the Albert Hall.
01:00:12An attempt has been made to assassinate the distinguished European diplomat, Monsieur Roper, who is attending the concert.
01:00:19Attempt?
01:00:20We are happy to say, however, that the shot fired merely caused a slight flesh wound in Monsieur Roper's shoulder, and he has been able to return home.
01:00:28We are now taking listeners back to the Albert Hall for the rest of the concert which has already started.
01:00:34It must have been that damn woman screaming.
01:00:38Where are you followed here?
01:00:52No one saw me leave the building.
01:00:54I couldn't have been followed.
01:00:55I hope you are right for your own sake.
01:00:59For dear little Betty's.
01:01:03Oh, dear little Betty.
01:01:19From the others, I have a blunt shoe.
01:01:23Come on.
01:01:26Abbott wants you. Come on.
01:01:44Take a look.
01:01:55Take a look.
01:02:26Looks like an all-night job to me.
01:02:31Baker?
01:02:33Listen, Baker. I want you to go across to their front door and knock.
01:02:38Once that door's open, see that it stays open till we get across.
01:02:42Do you understand?
01:02:44Yes, sir.
01:02:55Wait. Come on, boys.
01:03:25Do you know anything about that house?
01:03:34What about the child? Any idea if she's inside?
01:03:36I know no more than you, Duke. I hope not.
01:03:38All I know is they went to Wapping because my husband said...
01:03:48What's up?
01:03:49We've got orders to clear these streets.
01:03:51I've got orders to clear my box.
01:03:55I've got orders to clear the floor of my husband.
01:03:58I've got orders to, Duke.
01:04:21Anything further, Vincent?
01:04:22No, sir.
01:04:23We, uh...
01:04:25We can't do anything against it with the revolvers, so I've sent to try and raise some rifles.
01:04:28Where from?
01:04:29There's a gunsmith a few streets away, sir. I've sent the lorry.
01:04:50It's the rifle, sir.
01:04:51Good.
01:04:52Put the men in the house opposite at the same level.
01:04:55Get in by the back doors.
01:04:56Very good, sir.
01:04:57You take charge of the firing party. I'll send the men in to you.
01:04:59And clear the people out of the houses you occupy.
01:05:01Very good, sir.
01:05:03Where's your backyard?
01:05:04Through the kitchen. This way.
01:05:06Let's go, sir.
01:05:07Good morning.
01:05:08Come on.
01:05:10Go.
01:05:11Thank you, sir.
01:05:13Let's go.
01:05:14I'm sure you're here.
01:05:15Sergeant, only a couple of men next door on the ground floor.
01:05:22I'll take the rest in here.
01:05:24Come on, who's right? Who's this?
01:05:26What's the trouble?
01:05:29Afraid you'll have to shift your family out of here.
01:05:32I ain't married.
01:05:34All the better for you. Now you wait out here.
01:05:36It'll be safer.
01:05:37We've got business inside.
01:05:45Much better if you waited outside, you know.
01:05:59I'm gonna come in to see if everything was all right.
01:06:02Stop that. This is a scrap, not a smoking concert.
01:06:06That pen will make a nice rest. Let's move it over.
01:06:15Go and come away from that window. You'll get killed.
01:06:18Oh.
01:06:19You've got to get out of this room. The police want to come in.
01:06:22Take your tunics off.
01:06:24Don't touch that blind till you're in position.
01:06:26When you hear my whistle, open fire.
01:06:28Yes, sir.
01:06:29I'd better take that mattress across, give you a bit of cover.
01:06:31Oh.
01:06:32Oh.
01:06:33Oh.
01:06:34Oh.
01:06:35Oh.
01:06:36Oh.
01:06:37Oh.
01:06:38Oh.
01:06:39Oh.
01:06:40Oh.
01:06:41Oh.
01:06:42Oh.
01:06:43Oh.
01:06:44Oh.
01:06:45I've come straight off point duty.
01:06:47I could do with a bit of sleep on that meself.
01:06:50Still warm, too.
01:06:52Gotcha.
01:06:53Tell yourself you miss it, landscape.
01:06:55Are you ready?
01:06:59You'll find a minute.
01:07:15Oh, my God.
01:07:45There must be some way through to the house.
01:08:10Hurry all these doors.
01:08:12Come on, boys.
01:08:14They're locked, sir.
01:08:16I'll smash them in.
01:08:18They're in.
01:08:20They're all in.
01:08:26It's safe to be farther up the street, madam.
01:08:28Put it up.
01:08:30Put it up.
01:08:42My God, that's done us.
01:08:44Come on, boys.
01:09:14More ammunition wanted.
01:09:28All right.
01:09:29Get it.
01:09:30Come on.
01:09:36Let's go.
01:10:06Let's go.
01:10:36No. I finish. I don't go on.
01:10:55You took this on for our cause and you've got to go through with it.
01:10:59Let's go.
01:11:03Let's go.
01:11:07Let's go.
01:11:11Let's go.
01:11:15Let's go.
01:11:17Let's go.
01:11:19Let's go.
01:11:21Let's go.
01:11:23Let's go.
01:11:25Let's go.
01:11:27Let's go.
01:11:29Let's go.
01:11:31Let's go.
01:11:33Let's go.
01:11:43We ought to have taken a chance.
01:11:45We ought to have shot our way out.
01:11:47I never wanted the first policeman to be shot.
01:11:51Now we'll have to try and use the child.
01:11:57Go and fetch her.
01:12:05Go and fetch her.
01:12:07Yes?
01:12:08I keep her close.
01:12:11Then if they get me, they get her, too.
01:12:15Then if they get me, they get her, too.
01:12:31Let's go.
01:12:33Let's go.
01:12:35Let's go.
01:12:37Let's go.
01:13:07They're scarcely replying to our fire at all now, sir.
01:13:12My God. Look at that.
01:13:16It's a bad idiot.
01:13:23Stop them firing.
01:13:28Quick, get that man.
01:13:32I dare, sir. Might hit the kiddie.
01:13:38I dare, sir.
01:13:46I dare, sir.
01:13:54Jump.
01:13:59Hey, hey, hey.
01:14:01Hey!
01:14:02Two men on the roof after the girl.
01:14:13Sergeant, look after him.
01:14:15The rest of you come with me.
01:14:32The rest of you come with me.
01:15:02The rest of you come with me.
01:15:03Hello, darling.
01:15:04Come on, you're all right.
01:15:09Here's mummy.
01:15:10It's all right.
01:15:16It's all right.
01:15:21It's all right.
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