The Amateur (2025) - The Score - Vídeo Dailymotion

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00:00El Hauer

00:02El Hauer

00:04El Hauer

00:06Cada vez que leo un script

00:08me empiezo a imaginar el escenario muy early.

00:14Hay una rawness

00:16hay una emoción

00:18no es solo un thriller

00:20y puedes sentir la música visceral

00:22que esa era necesaria.

00:24El Hauer

00:26es mucho más como un

00:28inteligente

00:30no que un killer.

00:32Entonces

00:34encontrar la tonalidad

00:36en la música que refleja

00:38su inteligencia,

00:40mientras también tiene tension

00:42y grito,

00:44fue el desafío.

00:50El Hauer

00:52es un poco más como un puzzle

00:54donde las cosas son lentamente

00:56empiezan.

00:58Pero la tensión es siempre

01:00en la superficie.

01:02Necesita la tonalidad

01:04para todas las cosas

01:06que son gritos,

01:07pero también

01:08hacia la emoción.

01:10Pero luego,

01:11se desplazan

01:12y hay,

01:13son son.

01:14El Hauer

01:15¿Qué?

01:17¿La esposa?

01:18No.

01:22¿Qué?

01:23Al fin de la película

01:24es una historia

01:25de un gran

01:26dolor,

01:27donde nuestro personaje

01:28perdone su esposa.

01:30Y tenemos un desafío

01:33narrativo,

01:34en que Sara desaparece

01:35muy early,

01:36pero su presencia

01:37está ahí.

01:38Su presencia

01:39está dirigida

01:40a Charly.

01:41Así que necesitamos

01:42el escuadro

01:43para contar

01:44esa parte

01:45de la historia

01:46y establecer

01:47lo que era su tema.

01:48El Hauer

01:54Quiero encontrar

01:55ciertas melodías

01:56que puedo usar

01:57para todas

01:58las emocionales

01:59escenas.

02:00En muy poco

02:03reales

02:03al principio

02:05de la película

02:06escuchamos

02:07la ciencia

02:08y nosotras

02:09y nosotras

02:10y nosotras

02:11y avanzas

02:12la historia

02:13por el resto

02:14de la película

02:15a lot of emotion in the memories of him and his wife and then there's the thriller aspect

02:21of finding the people that killed her I needed a kind of scale of instrumentation and variation

02:38of sounds to make the score recognizable and at the same time I had to find a certain tonality

02:45to get the grittiness in it which I tried with electronics but also with experimental sounds

02:51from strings involving a little bit of a different approach to your instrument to actually get

02:57this weird tension to give it a kind of voice and the LCO is providing that they are helping

03:04me to find the language to create these kind of weird approaches why because you killed

03:12my wife tell me where he is tell me tell me what is very effective for me is always using

03:24glissandos coming from different sides of the scale so the notes coming from low and high

03:31to the center in a way it gave the score quite a grip and also an identity

03:36I think the gritty element that Volker has brought to it is absolutely crucial it elevates it from

03:47being a familiar orchestral score it gives it an edge and at times a dissonance that reflects

03:53the world of the story and it's an extra color in telling the emotional journey of color

04:08Volker is such an extraordinary patient creative collaborator it's just exciting to be working with

04:15him again I really loved working with James sauce we had a wonderful relationship already beforehand so

04:23it felt very natural in a way it's always different when you work with the collaborator the second time

04:29because obviously there's a shorthand in the language but there's an element of trust of what the

04:34relationships going to deliver the challenging part between the musician and the director and making the

04:43music for the film is that you have to find words and the words have to be translated into sound it's a long

04:50process of finding those elements with James we had already defined a lot of those there was still a

04:58trust and I think that's one of the most important things when you work with a director a couple of times

05:03looking for a way to describe Volker's magic I conjured the phrase Volker dust and it's his special composing

05:13dust that he can sprinkle onto a score that makes it so distinctive if it's a good score it doesn't feel

05:21like it's overpowering the film and the content it's always supporting the film it's giving me tingles on the

05:29back of my neck to think about it you sit there with dozens of live players outside bringing emotional

05:36life to the story you've spent months trying to conjure it is utterly thrilling and does something that

05:42only music can do

05:50great thank you

05:59you

The Amateur (2025) - The Score

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