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00:00¿Qué es Clarence?
00:02¿Qué es Clarence?
00:04¿Qué es Clarence?
00:06¿Qué es Clarence?
00:08¿Qué es Clarence?
00:10No creo que ha tenido una gran familia
00:12de familia.
00:14Ha tenido que
00:16crear su propio
00:18mundo, su propio fantasy world.
00:20Es un hombre que spends mucho tiempo alone.
00:22Y lo que hace es
00:24es perderse en los movies.
00:26Y trabaja en los colegios,
00:28y trabaja mucho tiempo
00:30fantasizando
00:32a los personajes.
00:34Y creo que Elvis,
00:36en un modo,
00:38es su padre figure
00:40o el guidance counselor,
00:42o sea,
00:44lo que sea,
00:46es realmente
00:48mi higher power.
00:50¿Qué es Clarence?
00:52¿Qué es Clarence?
00:54Es una buena mujer.
00:56Lovedo trabajar con ella.
00:58Es muy especial,
01:00muy brillante,
01:02muy brillante,
01:04muy divertido,
01:06muy divertido,
01:08muy divertido,
01:10y muy divertido.
01:12¿Qué es Clarence?
01:14¿Qué es Clarence?
01:16Los escenarios,
01:17cuando se ven,
01:18es muy muy
01:20terapéutico,
01:21porque no me gusta
01:22mi tempero,
01:24en esa particular
01:25manera.
01:26Entonces,
01:27yo creo que
01:29hay oportunidades
01:30y momentos
01:31para realmente
01:32llegar a mi sistema.
01:33Y esa escena,
01:34que me hagan
01:35un buen año,
01:36creo.
01:38¿Qué es Clarence?
01:40¿Qué es Clarence?
01:41Es una historia
01:42en una
01:43completamente
01:44wild,
01:45turbulent
01:46tipo de atmósfera.
01:47Es un
01:48whirlwind
01:49de
01:50insanity.
01:51¿Qué es Clarence?
01:52¿Qué es Clarence?
01:54¿Cuentin Tarantino?
01:56Clarence Tarantino
01:58¿Cuentin Tarantino?
01:59¿Cuentin Tarantino
02:00is probably
02:01our most gifted
02:02writer right now
02:03for a 24,
02:0425-year-old
02:05and has great hope
02:06in my mind.
02:07I see him as a hope
02:08for the future.
02:09And he
02:10is a young man
02:11who grew up
02:12in a video store
02:13and saw all
02:14the videos
02:15and loved the violence
02:16in the videos
02:17and loves movies
02:18and talks about movies
02:19as if you were talking
02:21about a child.
02:22This film
02:25is full of love
02:26of film
02:27and the violence
02:28in it
02:29is a reflection
02:30of our time
02:31but it's also
02:32his dream of himself
02:33as a hero.
02:34It's really
02:35the story
02:36of a lonely guy
02:37who works
02:38in a comic book store
02:39whose boss
02:40wants to get him laid.
02:41And the young prostitute
02:42comes and falls
02:43in love with him.
02:44This is all
02:45a fantasy
02:46of a young man.
02:47A young man's
02:48dream,
02:49Tarantino's dream
02:50and how
02:51she had a pimp
02:52and he's going to go
02:53kill that pimp
02:54to straighten out his life
02:55and Elvis is telling him
02:56it's okay.
02:57I mean this is a wonderful
02:58human,
02:59dream-like,
03:00I can't say
03:01Huck Finn
03:02and Tom Sawyer
03:03but it has
03:04all the aspects
03:05of that kind of
03:06young writer,
03:07young visionary.
03:09And I,
03:10the violence
03:11doesn't bother me.
03:12And it's also
03:13referenced
03:14to other films.
03:15He is a historian,
03:16Tarantino.
03:18And I love the movie.
03:20I can't say enough
03:21good things about it.
03:22The violence is part
03:23of it.
03:24But it's a good
03:25entertaining part
03:26of it too.
03:27And it's humorous.
03:28And when the,
03:29when the mafia
03:30and the police
03:31and all the,
03:32the,
03:33the various people
03:34that come together
03:35at the end of this film,
03:36it's like a great big opera.
03:37He's a pimp and he's a white guy
03:49who thinks he's black.
03:51And I said,
03:52okay, I'll do it.
03:53And then,
03:54uh,
03:55so I shook his hand.
03:56We did the,
03:57we did the deal.
03:58Um,
03:59and then I just went away
04:01and I worked with a sound guy
04:03on the last movie I did
04:04who had hair just like this.
04:06And I thought,
04:07well, maybe dreadlocks.
04:09You know,
04:10like a white guy
04:11who's like trying to dread his hair.
04:13Um,
04:14and,
04:15uh,
04:16I had this lens
04:17and this scar
04:18and the teeth
04:19and that.
04:20I just kind of put it all together.
04:21You know,
04:22he could have rejected it
04:23and he said it's too much
04:24or lose the eye
04:25or the teeth are good.
04:26But,
04:27um,
04:28anyway,
04:29uh,
04:30I think two yesterday
04:31was the first day,
04:32I think.
04:33Um,
04:34and he just looked at me
04:35and said,
04:36yep,
04:37yep,
04:38yep,
04:39yep,
04:40yep,
04:41yep,
04:42great.
04:43Check the boots out.
04:44They're not my idea,
04:45but,
04:46so,
04:47uh,
04:48here he is.
04:50Well,
04:51they all come out of the head
04:52of,
04:53Quentin Tarantino,
04:55who is,
04:56uh,
04:57really
04:58great,
04:59uh,
05:00he's a,
05:01he's a real cool new kid on the block.
05:02I mean,
05:03uh,
05:04uh,
05:05uh,
05:06the writer and director of Reservoir Dogs,
05:07which you know about
05:08because it went to Cannes,
05:09I think,
05:10um,
05:11and,
05:12uh,
05:13yeah,
05:14he's just got an imagination
05:15and he can take characters
05:16and put a special kind of
05:17twist on them
05:19that is,
05:20um,
05:21unique,
05:22they're,
05:23they're people that we've seen before,
05:24but he takes them
05:25and,
05:26and it's,
05:27you know,
05:28it's not gangsters,
05:29it's not the baddies against,
05:30against the goodies,
05:31it's not,
05:32it's not,
05:33it's not goodfellas,
05:34it's not mean streets,
05:35it's not,
05:36you know,
05:37um,
05:38it's a real,
05:39uh,
05:40original,
05:41take.
05:46Well,
05:47I was working in,
05:48New York,
05:49and,
05:50uh,
05:51we were filming in,
05:52um,
05:53I think it's,
05:54is it Williamsburg?
05:55Yeah,
05:56in,
05:57in Queens,
05:58or Brooklyn?
05:59Yeah,
06:00I'm not sure.
06:01And,
06:02um,
06:03we were,
06:04you know,
06:05the campers,
06:06the trailers,
06:07were out on the street,
06:08and,
06:09uh,
06:10there were these black guys hanging out,
06:11and I heard this voice,
06:13and I thought,
06:14yeah,
06:15that's,
06:16that's the guy,
06:17so I had a tape recorder,
06:18and,
06:19um,
06:20I said to him,
06:21yo, yo,
06:22come here,
06:23and I took him into my trailer,
06:24and I said,
06:25do you mind if I tape your voice?
06:26So I taped his voice,
06:27and then,
06:28um,
06:29I just wear headphones,
06:30and I just listen to it,
06:31and,
06:32you know,
06:33and then I'm working with these great guys,
06:34so,
06:35you know,
06:36you pick,
06:37you're hearing the rhythms,
06:38and,
06:39you know.
06:47She thinks Charlie's Angels were kind of her idea of sexy woman when she was a little girl,
06:52so she sort of wanted to grow up to kind of be like a Charlie's Angel,
06:55and I think she thinks the southern,
06:57uh,
06:58dialect is particularly attractive in a woman,
07:00so she kind of,
07:01she's constantly recreating herself,
07:03she's like a chameleon,
07:04she's created who she is,
07:06from the time she meets him,
07:08you know,
07:09she's gonna survive,
07:10and she's a little bit of an oddball,
07:12but,
07:13she thinks she's beautiful,
07:14and she's arrived,
07:15and he thinks that she's beautiful,
07:17and she thinks he's beautiful,
07:18and they're just so cool.
07:25It's sort of like a fairy tale in any kind of myth.
07:28There's the hero,
07:29and the heroine,
07:30and what do they go through?
07:32This battle,
07:33you know,
07:34scarred,
07:35messy thing,
07:36and then at the end,
07:37what is the payoff?
07:38I mean,
07:39in,
07:40in life,
07:41to have real love with someone,
07:43you're gonna encounter a lot of ugly things.
07:45Maybe they're not as visual as this movie,
07:48but,
07:49maybe they're subtler,
07:50but,
07:51to sort of,
07:52conquer that,
07:54you go through a lot.
07:56So,
07:57I mean,
07:58I think there's a lot of romance and passion in this movie,
08:00and I think women,
08:01you know,
08:02it's almost sexist to say,
08:03women will be turned off to this movie because of the violence.
08:06I think everybody gets a certain adrenaline charge,
08:09from fear,
08:10from excitement,
08:11from nerves,
08:12you know.
08:13I,
08:14I think a lot of women like Psycho,
08:16things that move you, you know.
08:18Yeah.
08:19And this movie can move you emotionally,
08:20it can move you romantically,
08:21it can move you passionate,
08:23sadness,
08:24and fear,
08:25and,
08:26it just has a lot going on.
08:27I don't think,
08:28this is a movie you can sit back and just,
08:29okay,
08:30well there's a movie.
08:31You're a part of the experience.
08:33I mean,
08:34it takes you on a ride,
08:35and you're,
08:36you're with it,
08:37like it or not.
08:38And I think everyone will like it.
08:47Quentin is a very rare animal,
08:49yeah.
08:50Um,
08:51that what he does,
08:52he brings a reality,
08:53to these people,
08:54with a sense of humor.
08:55And that's very,
08:56it's very difficult to find a writer,
08:57who can give you darkness,
08:59and humor,
09:00together.
09:01You know, you either get one or the other.
09:02There's very few writers in the world today,
09:03who,
09:04who have that ability,
09:05to give you both things at once.
09:07It is a very strange route,
09:09that these kids take,
09:10in order to fulfill a dream.
09:11And,
09:12and on route,
09:13um,
09:14they encounter,
09:15um,
09:16they encounter,
09:17um,
09:18they encounter some very difficult,
09:19and tough situations,
09:20which,
09:21which,
09:22uh,
09:23the outcome is,
09:24is,
09:25uh,
09:26is very violent.
09:27You know,
09:28but,
09:29um,
09:30I don't want to turn an audience off of the violence,
09:31so therefore,
09:32in terms of my handling of the violence,
09:33um,
09:34uh,
09:35I'm not trying to make it,
09:36acceptable is the wrong word,
09:37but it's say,
09:38I think the best way of describing it,
09:39you should feel it,
09:40rather than see it.
09:45I read it,
09:46I fell in love with it,
09:48and I think,
09:49as a director,
09:50um,
09:51making a movie,
09:52is about falling in love with a movie.
09:55And,
09:56why now,
09:57there's no,
09:58you know,
09:59you can never anticipate a time,
10:00when you meet a project,
10:01and fall in love with a project,
10:02you,
10:03it comes your way,
10:04and I see it,
10:05and I grab it,
10:06and I get tunnel vision.
10:07And,
10:08um,
10:09I'm totally preoccupied with it,
10:10until I've finished it.
10:16The script is,
10:17very fresh,
10:18and very different,
10:19not in terms of the story of the movie,
10:20you've seen the story of the movie,
10:21many times before.
10:22You know,
10:23kids on the run,
10:24with a suitcase full of drugs,
10:25or a suitcase full of money.
10:26Um,
10:27it was fresh and different,
10:29because the characters are unique,
10:30they're unique,
10:31they're unique,
10:32because they,
10:33they are dark,
10:34and sweet,
10:35and tender,
10:36and violent,
10:37and also have a sense of humor.
10:38And Quentin Tarantino,
10:39is the,
10:40is the thing that makes this movie,
10:42and the script unique.
10:43Christian Slater is Clarence.
10:48Christian Slater is Clarence.
10:49The,
10:50the sweetness,
10:51the darkness,
10:52the danger,
10:53um,
10:54and the double-edged to him.
10:55He is,
10:56he is the character.
10:57Patricia Arquette.
10:58Um,
10:59Patricia,
11:00um,
11:01sweet,
11:02dangerous,
11:03charming,
11:04beautiful,
11:05sexy.
11:06Jane,
11:07became the character.
11:08She isn't the character.
11:09She,
11:10when I first met her,
11:11I met Patricia Arquette,
11:12uh,
11:13three weeks later,
11:14she did her homework,
11:15and she became,
11:16well,
11:17went into character,
11:18and remained in character
11:19the rest of the movie.
11:20She became Alabama,
11:21so I never called her Patricia,
11:22from that point,
11:23not to call Alabama.
11:24Dennis.
11:25Um,
11:26Dennis,
11:27is one of my all-time heroes.
11:28Chris Walken,
11:29one of my all-time heroes.
11:30Um,
11:31they're great,
11:32they're great actors,
11:33and,
11:34uh,
11:35at,
11:36what someone said,
11:37the peak of their careers.
11:38They've been at the peak of their careers
11:39for a long time,
11:40and they do great work,
11:41and the two of them
11:42brought each other out.
11:43It's like watching
11:44two samurai warriors,
11:46um,
11:47pacing each other out,
11:48whilst they did that scene.
11:50They're,
11:51they're brilliant.
11:52Gary.
11:53Strange,
11:54fucked up,
11:55weird,
11:56and brilliant.
11:57Brad.
11:58Um,
11:59I was really surprised that Brad
12:00came to me,
12:01because again,
12:02he's an enormous talent,
12:03he's an enormous comer.
12:04He's gonna be,
12:05you know,
12:06one of the big boys in this,
12:07in this world,
12:08very soon already is.
12:09Um,
12:10and I was surprised he had such a strong fix
12:12on who this small character was in this piece.
12:14Michael Rapaport is new on the scene.
12:16Michael,
12:17it's Michael.
12:18Michael's what you get on the screen.
12:19He's this big-hearted,
12:21sweet kid,
12:23um,
12:24who has an,
12:25an enormous ability of controlling,
12:28um,
12:29his craft.
12:30And he is gonna be another one,
12:32another one who's,
12:33who's,
12:34he is,
12:35he is himself on screen.
12:36He is,
12:37and his strength is his warmth,
12:38and his sweetness,
12:39and his integrity.
12:40And he is,
12:41he is,
12:42he is,
12:43he is,
12:44he is.
12:45True Mance,
12:46there's,
12:47the,
12:48the True Mance lives.
12:49True Mance lives,
12:50and it,
12:51and it,
12:52and it lives and dies in the hearts of those who believe it.
12:54and it lives in the hearts of these two characters in this movie.
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