- há 4 semanas
Banker Christopher Price from the humdrum town of Keetoosen, Ohio, is happily married to Mary, and the couple are just about to go to New York on their second honeymoon. However, Chris' old childhood friend Joe Parker, a known newspaper reporter who has been stationed abroad, sends him a message just before they begin their journey.
Joe arrives in Keetoosen before the couple leaves, and explains that he has lied to his boss about being married to Mary, to get a longer vacation in the past. Now, he is to work in New York, and needs to "borrow" Mary to pretend that she is his wife, to save his career. Mary wants nothing to do with this, but Chris agrees to help out, lending Joe his wife.
Joe arrives in Keetoosen before the couple leaves, and explains that he has lied to his boss about being married to Mary, to get a longer vacation in the past. Now, he is to work in New York, and needs to "borrow" Mary to pretend that she is his wife, to save his career. Mary wants nothing to do with this, but Chris agrees to help out, lending Joe his wife.
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00:00:00The End
00:02:00I just think, Chris, two whole weeks to ourselves and in New York.
00:02:03Oh, just when I was feeling so good.
00:02:16Now, Mary, that's not nice.
00:02:18Hello there.
00:02:23Hello.
00:02:23Well, how do you like it?
00:02:24Oh, fine.
00:02:25Say, do you mind if I move that picture of Joe back a little bit?
00:02:28No, go ahead.
00:02:29Thanks.
00:02:33He's afraid the sun might fade it.
00:02:35Oh, I see.
00:02:36You know, if anything happens to that picture, you'd better leave town.
00:02:39I guess I'd better.
00:02:40Is it good like that?
00:02:42Oh, I wouldn't know.
00:02:43I've never had the pleasure of meeting Mr. Parker.
00:02:45You haven't.
00:02:46I know all about him, though.
00:02:47I could write his biography complete with footnotes.
00:02:50I know what Chris and he did in grammar school and high school and college.
00:02:54Chris told me they played football together.
00:02:56Yes, yes, I know about that, too.
00:02:58Play by play.
00:02:59How Chris ran interference while Joe carried the ball.
00:03:03Chris is still running interference for him.
00:03:05Really?
00:03:06But Mr. Parker isn't in the country, is he?
00:03:08No.
00:03:08Oh, no.
00:03:09Oceans don't bother Chris where Joe's concerned.
00:03:11Oh, Damon and Pithy, I say.
00:03:12Only more so.
00:03:14Mr. Damon was a biker compared to Mr. Price.
00:03:16Hey, I heard that.
00:03:17Oh, I've committed, Lady's Majesty.
00:03:20Goodbye.
00:03:21Goodbye.
00:03:21See you when we get back to New York.
00:03:23Now, Mrs. Price.
00:03:24Oh, Chris.
00:03:29Chris, are you sure you want this suit?
00:03:32I can't hear you.
00:03:36Do you want to take this suit?
00:03:41What suit?
00:03:42The striped one.
00:03:43Yeah, if there's room, but I thought you weren't going to take a lot of stuff.
00:03:47Well, I'm not making room for what I'm taking.
00:03:49It's for what I'm bringing back.
00:03:51Oh, I get it.
00:03:53I get it.
00:03:54Hey, mister, I'm almost through packing.
00:03:57What are you doing down there?
00:03:58Hiding some of the family possessions.
00:04:00What possessions?
00:04:02Two bottles of scotch.
00:04:04The boys at the bank wanted me to put in the vault, but I decided not to put temptation in their way.
00:04:08Oh, Chris, you're just going to love my new hat.
00:04:17Oh, I never noticed your hat, honey.
00:04:19All I see are your beautiful eyes.
00:04:22Oh, are you sure you're only hiding that scotch?
00:04:26Oh, there's the front doorbell.
00:04:29Who is it?
00:04:31Telegram for Mr. Price.
00:04:32What's at the front door?
00:04:38It's a telegram for you.
00:04:41I'll get it.
00:04:42Oh, don't be so tragic, darling.
00:04:52Telegrams aren't always bad news.
00:04:54The last one was.
00:04:56Last one?
00:04:58Last one?
00:04:59Oh, you're pretty cute, aren't you?
00:05:01Maybe that empty alcove will refresh your memory.
00:05:03That wasn't a telegram.
00:05:04That was a cable.
00:05:05Whatever it was, it was from Bad News Parker.
00:05:08What do you do when your best friend cables you that he's in jail in a foreign country with cobras hissing at him?
00:05:13You send him $2,000 we've saved up to buy a baby grand piano.
00:05:18Joe's my pal.
00:05:19He wouldn't feel right playing that piano if I let him sit there in prison.
00:05:22You mean the way we sat on the pier on Lake Michigan and spent our honeymoon watching the seagulls?
00:05:27After we got there and found that Joe had taken the boat you charted and went off chasing gangsters.
00:05:32And he caught them.
00:05:33That was Joe's first big story.
00:05:34That made Joe's reputation.
00:05:36As a matter of fact, that story was responsible for getting his job as foreign correspondent.
00:05:41It got us splinters squirming around waiting for us.
00:05:45Well, it did one thing for us, honey.
00:05:47It made me sure our marriage was all right.
00:05:50It did?
00:05:50Yeah.
00:05:51Any marriage that could survive that honeymoon could survive any catastrophe.
00:05:55Oh, get that horrible little hotel.
00:05:59Oh, Mary.
00:06:00Oh, Chris, get me real hard.
00:06:06This second honeymoon will make up for all the things we missed on the first one.
00:06:09Will it, darling?
00:06:10Sure.
00:06:16And stop worrying about Joe.
00:06:19I read an article of his yesterday in the Times.
00:06:21He's over in China.
00:06:22Maybe he's run out of rice.
00:06:23I hope you're the bearer of good news, my boy.
00:06:28I don't know whether it's good news or bad.
00:06:30I didn't read this one.
00:06:32Hello, Mrs. Price.
00:06:34Thanks.
00:06:35See?
00:06:36Just a plain telegram.
00:06:37Not a cablegram.
00:06:38Feel pretty silly.
00:06:42Well, open it, honey.
00:06:44I've got that awful feeling.
00:06:46You open it.
00:06:47Pretty old-fashioned to think the telegrams always bring bad news.
00:06:54Mary.
00:06:55It's from Joe.
00:06:56That's what I was afraid of.
00:06:58No, no.
00:06:58He doesn't have to get bailed out.
00:06:59He's coming here today.
00:07:00Listen to this.
00:07:01Arriving Central Airport this evening.
00:07:03We'll be at your house around 7 o'clock.
00:07:05Can't wait to meet Mary.
00:07:07Be there.
00:07:07Important.
00:07:08Joe.
00:07:09Isn't that swell?
00:07:10Have you got woman's intuition?
00:07:12Yeah.
00:07:12Have you got the railroad tickets and the money?
00:07:16Right in the old sack.
00:07:21Uh-huh.
00:07:24Mary, what's the matter, dear?
00:07:26Every time we plan anything.
00:07:28Every time we get our hearts set on something.
00:07:31Up pops Mr. Parker.
00:07:32Oh, now, Mary, you don't know Joe.
00:07:33Just wait till you meet him.
00:07:34I'll wait to meet him.
00:07:36So it's time to catch the 902 from New York tonight.
00:07:39Joe Parker or no Joe Parker.
00:07:41I'm going to be on that train.
00:07:43Love to have you along.
00:07:45Oh, Chris.
00:07:53Now, fun's fun, but it's almost 8.30.
00:07:55I'm mixing a cocktail for Joe.
00:08:02Are you really going to wear that hat?
00:08:04Well, certainly.
00:08:05What's the matter with it?
00:08:07It looks like an ass tray.
00:08:11Why don't you wear the big one?
00:08:13Because I like this one.
00:08:15Anyway, the trunk's gone.
00:08:17And you don't know a thing about hats.
00:08:19Oh, I guess not.
00:08:23Did you say the trunk is gone?
00:08:24Mm-hmm.
00:08:24It's on its way.
00:08:25Well, suppose Joe's just a little bit late.
00:08:27Well, then you pin a note on your pillow and tell him you've run off with the woman you love.
00:08:31Oh, be serious.
00:08:32I am.
00:08:33Oh, love.
00:08:34You're a darling.
00:08:35You're wonderful.
00:08:36And I love you more than decent.
00:08:38But this time I'm going to be the boss and we're going to New York.
00:08:41We can go tomorrow.
00:08:42Tonight.
00:08:43Come on.
00:08:43Get your coat on.
00:08:44I'll finish this.
00:08:46Put a little more ice in.
00:08:47No prussic acid?
00:08:49Oh, you'll change your tune when you meet him.
00:08:51Get your coat on, dear.
00:08:53I still don't like that hat.
00:08:54You'll like it less when you get the bill for it.
00:09:03Chris!
00:09:04Joe!
00:09:13You're Mary.
00:09:17Chris, you old son of a gun!
00:09:19Boy, am I glad you got here.
00:09:20Let me take a look at you, man.
00:09:21You look great.
00:09:22I thought you were in China.
00:09:23I was last Thursday.
00:09:24That's just what I told you, Mary.
00:09:26Oh.
00:09:28Well, this is Joe.
00:09:30I suspected that.
00:09:32Say, that is the prettiest hat I've ever seen.
00:09:35And you got shoes on.
00:09:36Oh, you don't know how swell it is to be back in a country where women wear shoes.
00:09:40That's a little late, but I guess the guy's entitled to kiss the bride, eh, Chris?
00:09:43Oh, I don't know.
00:09:44Mary never quite forgave you for not showing up at our wedding.
00:09:46Well, we waited for you for three hours and then the family started to talk about shotguns.
00:09:52Mary, you've brightened many lonely hours for me.
00:09:54Huh?
00:09:54You know, she is the picture, that picture you sent me.
00:09:56Oh, I sent him one of those big ones.
00:09:58You know, that hat really gets me.
00:10:00Say, how did he get you to marry him?
00:10:02He didn't get me.
00:10:03I got him.
00:10:04That's why I'm living here quietly in Catoosin while you ramble all over the world.
00:10:08Ah, you lucky people.
00:10:10Maybe this is what I'll do.
00:10:11Oh, not you.
00:10:13Can you imagine him living in a town like Catoosin?
00:10:15Give you two weeks, you'd be off to London, Paris, Cairo.
00:10:18No, no, Chris.
00:10:19That's all finished.
00:10:21In a jam?
00:10:23Uh, it's, uh, 18 minutes to nine.
00:10:2818 minutes to...
00:10:29Uh, we're supposed to catch a train.
00:10:31Well, sorry, it has to be hello and goodbye, but we're catching the 902 for New York.
00:10:35Stick around or make yourself at home.
00:10:36We'll be back in two weeks.
00:10:37Do that.
00:10:38The bedroom's upstairs and the whiskey's in the furnace.
00:10:41Here's our cab, Chris.
00:10:42Goodbye.
00:10:43I hate to run off and leave you like this.
00:10:45Uh, I'll ride down to the station with you.
00:10:46Good.
00:10:47Switch off the light and shut the door.
00:10:49We want to catch the 902.
00:10:51Don't need to rush, Mrs. Price.
00:10:53That's what you think.
00:10:56Well, Joe, you're probably welcome to stay in the house.
00:10:58He's going to the station with us.
00:11:02Let's tell him the idea of going to New York, honey.
00:11:04I'm afraid you can't do that.
00:11:06I don't dare show my face in that town just now.
00:11:08Uh-huh.
00:11:10We've been in lots of jams, but this is the jam, Bob.
00:11:12The one to end all jams.
00:11:13It all started as a kibble.
00:11:14As a what?
00:11:15A kibble.
00:11:15That's a word Chris and I made up when we were at school.
00:11:17You see, if Joe tells you something that's not true, he's kidding you.
00:11:20If I confirm it, I'm kibbling you.
00:11:22This time I kibble myself.
00:11:23A wife.
00:11:23Are you married?
00:11:24No, no, no.
00:11:25That was the kibble.
00:11:26See, the manager of our Cairo office cabled the boss in New York that I was secretly married.
00:11:30I wanted 10 days off.
00:11:31Cairo manager plays kibble, too.
00:11:33Yeah.
00:11:33The boss cabled me and I admitted it.
00:11:35Then the avalanche started.
00:11:36He sent me a $1,000 wedding present.
00:11:38Say, this kibble business pays.
00:11:41Sometimes they backfire.
00:11:42I was manager of our office in India.
00:11:44The boss started writing letters to my wife.
00:11:46So I wrote letters back from my wife.
00:11:48He bought us a house in New Delhi.
00:11:49More letters back and forth.
00:11:50He sent presents.
00:11:52Once I tried to kill off my imaginary wife with fever.
00:11:55Oh, I killed the goose that lays the golden egg.
00:11:57If I'd only gone through with it, I wouldn't be in this mess now.
00:12:00Look at this cable gram.
00:12:01Oh, just give it to Chris.
00:12:03I never touch them.
00:12:06Report immediately, New York office.
00:12:08Bring Mrs. Parker.
00:12:09Important she be here.
00:12:10Arthur, choose Dilworth.
00:12:12Oh, are you worried about this?
00:12:14Well, of course.
00:12:15Why, it's simple.
00:12:16All you have to do is get some girl, slip her $10, take her to the office, boss meet the wife.
00:12:20Hello, hello, goodbye, goodbye.
00:12:21That won't work.
00:12:22Why not?
00:12:23Unfortunately, I sent the boss a picture of the bride.
00:12:26Oh, I thought you said he was smart.
00:12:28Well, it seemed smart at the time.
00:12:29Was she wearing one of those little native veils in the picture?
00:12:32No, no.
00:12:33She's an American girl.
00:12:35Oh.
00:12:35Do you know where to find her?
00:12:36Well, yes, but I don't think she...
00:12:40No.
00:12:42Oh, I've got that awful feeling.
00:12:45I'll open the window.
00:12:46Maybe if I talk to her.
00:12:47Well, that might help, but...
00:12:50No.
00:12:51Does Chris know her, too?
00:12:54Well, as a matter of fact...
00:12:56Yes.
00:12:57I do?
00:12:59I think I do, too.
00:13:00You do.
00:13:04Oh.
00:13:04This is going to be easy.
00:13:09All you have to do is pop in the office with Joe, meet the boss, your Mrs. Parker.
00:13:13Pop right out and get back to me, your Mrs. Frank.
00:13:15Yeah.
00:13:15It's as easy as that, huh?
00:13:17Sure, it'll be a lark.
00:13:18Like some of the stuff we used to pull before we were married.
00:13:20When we were young.
00:13:21You mean way back?
00:13:22Before we grew ancient and lost our sense of humor?
00:13:25She's got to do it.
00:13:26Mary, you're wonderful.
00:13:28You're saving my life.
00:13:30Oh, don't thank me.
00:13:31You're giving me a chance to recapture my youth.
00:13:35We'll bail him out, huh, Mary?
00:13:36I'll get your ticket, Joe.
00:13:37Right.
00:13:37If I do this for you, will you go away and hide?
00:13:39I promise you won't see me the entire time you're in New York.
00:13:41Well, remember that.
00:13:42My face, please.
00:13:44Mr. Price will be in a minute.
00:13:45Better get aboard, lady.
00:13:46We're running late.
00:13:47All aboard!
00:13:49Oh, wait a minute.
00:13:50My husband's not here yet.
00:13:51Where is he?
00:13:52Here.
00:13:53Chris, hurry up.
00:13:53Mary, you've got my wallet.
00:13:55I couldn't buy Joe's ticket.
00:13:56Oh, come on.
00:13:56Get on.
00:13:57We'll pay the conductor.
00:13:58You can't get on.
00:13:58There's no accommodations left.
00:14:00Well, I'll have to be in New York at 10 o'clock tomorrow morning.
00:14:02I'll sit up in the smoker.
00:14:03You'd have to sit in somebody's lap.
00:14:05We're booked solid.
00:14:05I'm sorry.
00:14:06Stop the train and let him off.
00:14:08No, no.
00:14:08Let Joe stay off.
00:14:09I'll catch the morning train.
00:14:11No.
00:14:11Goodbye.
00:14:12No, no.
00:14:12We'll be in New York tomorrow night.
00:14:13Chris, oh, stop.
00:14:14Chris.
00:14:16That was your wife, wasn't it?
00:14:17Yeah.
00:14:18Left you, huh?
00:14:19Yeah.
00:14:21No.
00:14:23What a guy.
00:14:31Who in the world would do a thing like this for Chris?
00:14:34Nobody.
00:14:43Good morning, Mrs. Parker.
00:14:45These two are mine.
00:14:45We'll take care of those, Mrs. Parker.
00:14:47Now, if you let me have your trunk check.
00:14:49Hmm?
00:14:50Where's Joe?
00:14:51Oh, Joe.
00:14:52Hello, Dennis.
00:14:54Hello, Joe.
00:14:55Well, Mary, we must be pretty important people when the boss's right-hand man comes down and
00:15:00meet us.
00:15:00Here, trunk check, Mrs. Parker.
00:15:02Oh, yes, certainly.
00:15:03How's A.T.?
00:15:04Oh, fine, fine.
00:15:05Good.
00:15:05Now, don't you think it would be safer if you told me something about our married life
00:15:09before I meet your boy?
00:15:10Yes, it would be, but not with old big ears around.
00:15:14I'm not good at mind reading.
00:15:16Well, A.T. is waiting at the office for you.
00:15:19I think I'd better go to the hotel and freshen up a bit before I meet the boss, dear.
00:15:23No, no.
00:15:24I think we'd better go right along.
00:15:26We can't keep A.T. waiting, can we, Joe?
00:15:28Hello, Joe.
00:15:36Good to see you.
00:15:37How are you?
00:15:37Hello, pal.
00:15:38How are you?
00:15:38Good to see you.
00:15:39Hello.
00:15:39Hi.
00:15:40How are you, Joe?
00:15:41Yes, sir.
00:15:45Hello.
00:15:46How are you?
00:15:47Why, hello, Mr. Parker and Mrs. Parker.
00:15:50Aren't you both thrilled to be here?
00:15:52Oh, indeed, we are.
00:15:53Speak for yourself, dear.
00:15:55The Parkers are here, Mr. Worth.
00:15:56Mrs. Parker likes India.
00:15:58Really?
00:15:59Mm-hmm.
00:16:00It's the curry and the kibbles.
00:16:01I'm crazy about them.
00:16:06I ought to have killed you in Bombay.
00:16:13I ought to have killed you in Catoosin.
00:16:17Well, hello, Mr. Worth.
00:16:18Hello, Joe.
00:16:20Hello, Mary.
00:16:22You don't mind if I call you Mary?
00:16:24Oh, I certainly wish you would.
00:16:25Stand right here, please.
00:16:26That's it.
00:16:27Right on your marks.
00:16:28Hiya, Joe.
00:16:29Hello, sir.
00:16:29Talk to the marks, will you?
00:16:30I'll take your coat.
00:16:32This is President Reed of Paulson University, Mrs. Parker and Mr. Parker.
00:16:37President Reed has a little surprise for you.
00:16:40Go ahead, Tony.
00:16:41On behalf of the...
00:16:42Be a little closer, Professor.
00:16:44That's it.
00:16:45On behalf of the...
00:16:46Wait a minute, Professor.
00:16:47Wait till you say go.
00:16:48Turn them over, boys.
00:16:50Okay.
00:16:51Nice big smile, Mrs. Parker.
00:16:53Joe, show your ivories.
00:16:54Please.
00:16:55Okay, Professor, action.
00:16:57Joseph Parker, on behalf of the trustees of Paulson University, it is my honor and privilege
00:17:03to present to you, in recognition of your outstanding and distinguished performance as a foreign
00:17:08correspondent, this year's Paulson Prize for Journalism.
00:17:12And this honorarium of $1,000, which I suppose I'd better give to Mrs. Parker.
00:17:20Oh.
00:17:20Well, thank you very much, Professor.
00:17:25Congratulations.
00:17:26Wait a minute, Joe.
00:17:26Say something.
00:17:28Well, I assure you, when I came into this office today, I didn't expect anything like this.
00:17:33Neither did Mrs. Parker, I'm sure.
00:17:36I thought we'd just pop in the office, say hello to the boss, and then be on our merry way.
00:17:40Uh, I'll take this certificate, have it framed, and show it off all the rest of my life.
00:17:47I don't know what Mrs. Parker's going to do with that $1,000, but I hope she's going to give it to me.
00:17:52Oh, I think I'll use it to buy a baby grand piano.
00:17:58I've wanted one for such a long time.
00:18:01That's great.
00:18:02Thanks.
00:18:02Nice going, Joe.
00:18:03Merry, this is our chance to get a little better acquainted.
00:18:18Merry, we'll have a little cup of coffee.
00:18:25Oh.
00:18:28Remember what you wrote on it?
00:18:30Oh, do I remember.
00:18:34To the boss.
00:18:36Our friend and guardian angel, who has been more than a father to both of us.
00:18:43Mary Parker.
00:18:44That's a beautiful sentiment, Mary.
00:18:46I must confess, Joe had something to do with it.
00:18:50When I saw this, I knew Joe had married the right girl.
00:18:55Oh.
00:18:58And your letters.
00:19:00Letters?
00:19:01Especially that one from Punjab Thanhit.
00:19:04Punjab Thanhit?
00:19:05Yes.
00:19:07Oh, oh, yes.
00:19:09It's a beautiful place.
00:19:11Really?
00:19:12Sounded wretched.
00:19:13It did?
00:19:14But I suppose any place is beautiful when one has just been snatched back from the grave.
00:19:20I must get that letter.
00:19:23You know, I was tempted to publish this letter.
00:19:26It's such a perfect story of what marriage really means.
00:19:30You worship him, don't you, Mary?
00:19:32Yes.
00:19:34Joe should hear this letter.
00:19:36Yes.
00:19:36Yes, I'll get him.
00:19:38Joe.
00:19:39Joe.
00:19:39Oh, I'm not very modest, am I?
00:19:45Uh, call me?
00:19:47There's something I want you to hear.
00:19:49Oh.
00:19:50Oh, that's one of Mary's letters.
00:19:53One of the most beautiful a wife ever wrote about a husband.
00:19:58Sit down, Mary.
00:20:00Sit down, Joe.
00:20:00Joe.
00:20:00Dear Mr. Worth, we are in Punjab, Thanhit.
00:20:11It's a frightful place, horrible and primitive.
00:20:14And as I lay here in the native hut, I am the happiest and most grateful woman in the world.
00:20:19Joe alone has nursed me for four long weeks.
00:20:22His love was my only medicine.
00:20:24He has shielded me with his body against the reins and has day and night fought for the life to stay in me when so often it seemed to be slipping away.
00:20:34Just think, Mary.
00:20:35I might never have met you.
00:20:37No.
00:20:45I fear in these weeks he has poured his own vitality into me, that I have been kept alive by his heartbeats rather than my own.
00:20:52In the darkest hours, his voice kept telling me not to go, and his eyes looking down at me made me want to live.
00:21:12He is gaunt and thin and worn now, and my strength is only slowly returning.
00:21:17But we have something now that binds us closer together, if that is possible, than we ever had before.
00:21:24And this I wanted to share with you, our friend, Mary.
00:21:31That, to me, is a classic.
00:21:36Boss, I'd like to have a copy of that letter.
00:21:40You shall have it, my boy.
00:21:41Well, Mary, I didn't realize you knew I was there with you half the time.
00:21:48We nearly lost to then.
00:21:50I shudder to think what a close call that was.
00:21:53Too close for comfort.
00:21:55Oh, I think if you don't mind, Mr. Worth, I'd like to go to the hotel and freshen up.
00:22:04But we're due at the university for lunch.
00:22:06Oh, Dennis.
00:22:08Dennis.
00:22:08Yes, sir.
00:22:09What time is that luncheon?
00:22:10Oh, I had that set back to 1.45.
00:22:12And Mr. Parker's talk to the School of Journalism is at 2.15.
00:22:16Then the tea at President Reed's, well, that'll be about 4 o'clock.
00:22:20And that little cocktail party for the parkers and members of the staff will probably be, oh, 5 to 5.30 on.
00:22:35Let me have the Cleveland paper.
00:22:37He didn't come in tonight.
00:22:38Oh, that's funny.
00:22:39First time that's happened since the big blizzard.
00:22:43Made up your mind to follow her, huh?
00:22:44Yeah.
00:22:47Chris.
00:22:48What?
00:22:49Oh, hello, mister.
00:22:49I don't mind any nice of you to come down and see me off.
00:22:51Chris, I have to talk to you.
00:22:52But the train's leaving.
00:22:53But you're not.
00:22:54Well, I don't want to miss this train.
00:22:56I don't want to attract any attention here.
00:22:57But, Mr. Arnold, I...
00:22:58Ain't you going to go on this one?
00:23:10Mr. Arnold, I...
00:23:11Shh.
00:23:11All right, Mr. Arnold.
00:23:29Bank examiners?
00:23:30What seems to be wrong?
00:23:33We'd like you to answer that, Mr. Price.
00:23:34Mr. Elkins, this bank is in excellent shape.
00:23:36We'll be the judges of that.
00:23:38Who's responsible for all this?
00:23:39You, Christopher.
00:23:40Yes, you.
00:23:41Mr. and Mrs. Joseph Jefferson Parker arrived in New York today.
00:23:50Mr. Parker was awarded the Paulson Prize for journalism.
00:23:54Mrs. Parker was present at the ceremonies.
00:23:57A man who'd live with another man's wife might steal another man's money.
00:24:01And the people in town read this.
00:24:03They're not going to read it.
00:24:04Brown was on the Cleveland train and spotted them.
00:24:06I bought them all up.
00:24:08Before anybody saw them, too.
00:24:09If you hadn't, a scandal like this might have caused a run on the bank.
00:24:13How long have you been living with this other man's wife?
00:24:15She's my wife.
00:24:16Then what's she doing living in New York with this man as her husband?
00:24:19No matter how you try to explain it, Chris, it's a scandal.
00:24:21And scandals are bad for banks.
00:24:23It's not a scandal, Mr. Arnold.
00:24:25This fellow is Joe Parker.
00:24:26We can read.
00:24:27Joe Parker's my best friend.
00:24:28And you've heard me speak of him a lot.
00:24:30But that's Mary, and it says...
00:24:31Never mind what it says.
00:24:32Of course it's Mary.
00:24:34Oh, she expects me on the train.
00:24:35Just a minute.
00:24:36Don't talk about any trouble at the bank.
00:24:38Somebody might be listening in.
00:24:39Whispers spread like wildfire in this town.
00:24:41Mr. Arnold, don't look so worried.
00:24:43I know how you feel.
00:24:44It's a terrible mix-up.
00:24:46Here's what happened.
00:24:46It was a kibble.
00:24:48What's that?
00:24:49A kibble?
00:24:50Oh, hello?
00:24:51Give me long distance.
00:24:54New York City Randolph Hotel.
00:24:56I want to talk to Mrs.
00:24:57Parker.
00:25:08Hello.
00:25:09Oh, this is lovely, Mr. Worth.
00:25:11Hi, I'll breathe.
00:25:12Beautiful flowers.
00:25:15I can hardly appreciate it, but I think I'm on the verge of collapse.
00:25:19It has been a very trying day, my dear.
00:25:21Chris!
00:25:22Chris!
00:25:23Chris!
00:25:24Are you down...
00:25:25Where is he?
00:25:26Chris, are you downstairs?
00:25:28Well, what are you doing there?
00:25:30Yeah?
00:25:31Darling, where are you?
00:25:33Uh, Chris is still in Catoosin.
00:25:35Yes?
00:25:35What happened?
00:25:36I thought you were on the train.
00:25:38Oh, darling.
00:25:40Uh, uh, he's our closest friend.
00:25:42He's a swell guy.
00:25:44Oh, but you said you were going to be on the train tonight.
00:25:46Uh, he promised to meet us here.
00:25:48Oh, I don't care.
00:25:49Now, this is supposed to be our second honeymoon.
00:25:51Oh, Chris!
00:25:52You promised that nothing was going to spoil it.
00:25:54Mr. Worth is here.
00:25:55You know, my boss.
00:25:56I want you to meet him sometime.
00:25:58He's right here.
00:25:59He's right alongside of me.
00:26:01Oh, we haven't been in the hotel all day.
00:26:03We've been to luncheons and teas, and...
00:26:05I've been having a wonderful time listening to Joe make speeches.
00:26:09You tried to phone us today.
00:26:10I knew it would turn out like this.
00:26:12I knew the minute that telegram came...
00:26:15Oh, Chris!
00:26:15All I planned for her to be messed up.
00:26:16Now, you promised to be here, and Mary's disappointed.
00:26:18And I'm disappointed.
00:26:20We're both disappointed.
00:26:21Oh, you should be here now, Chris.
00:26:23Come on.
00:26:23But Mary is so upset.
00:26:24But you get off the phone and let me talk to him.
00:26:27Now, Chris, you hold on, because Mary wants to talk to you.
00:26:29Now, Chris, you listen to me.
00:26:30I'm not going to move out of this hotel until you get here.
00:26:34Oh, that'll get him.
00:26:35It will.
00:26:36What?
00:26:37He's trying to explain now.
00:26:39But, Chris, why can't you tell me?
00:26:42Oh, this is terrible.
00:26:43I don't think you'll want to come.
00:26:47No, I don't.
00:26:48I can't.
00:26:49Oh, I'm so unhappy.
00:26:50I just can't talk to you.
00:26:53Now, Chris, you see what happens when you don't show up?
00:26:57Joe, you've got to turn on the old charm.
00:26:59Take her out.
00:27:00Show her a good time.
00:27:01Yeah, take her dancing.
00:27:03You know, go out on the town.
00:27:06And kiss her goodnight for me.
00:27:12I don't think she'd like that.
00:27:17Well, I'll do what I can.
00:27:20Bye.
00:27:27Ever since the town of Punjab town, whenever Mary gets disappointed, she gets hysterical.
00:27:32Doesn't happen very often, just once in a while.
00:27:35Poor kid.
00:27:35Hasn't been easy.
00:27:39Well, I won't bother to say goodnight.
00:27:42Perhaps that would be better.
00:27:46Goodnight, Mr. Worth.
00:27:48Goodnight, Joe.
00:27:48Oh, go away.
00:28:00If there was a fire axe here, I'd heave it at you.
00:28:04Mary.
00:28:05I told you to go away.
00:28:08Chris must have had a good reason for missing that train.
00:28:10He'll explain.
00:28:11Look, Mary, get yourself all draped out and we'll see the town.
00:28:14Then when Chris gets here, you'll know where to take him.
00:28:16How about it?
00:28:17No.
00:28:18Oh, now, Mary, come on.
00:28:20We'll have a lot of laughs.
00:28:23No.
00:28:25Mary, now, will you be reasonable?
00:28:28No.
00:28:3522 East 52nd Street.
00:28:37Just a few turnip greens for you.
00:28:41I haven't had an orchid since our wedding.
00:28:43You don't mean husbands stop buying orchids after the honeymoon.
00:28:46Small-town bankers' wives don't wear orchids.
00:28:50Makes the depositors nervous.
00:28:52Well, I'm glad to hear it's not Chris's fault.
00:28:55If he turned out to be that kind of a heel, I'd say it's a good thing you left him.
00:28:58Joke.
00:28:58Just a joke.
00:29:11Lose something, sir?
00:29:12Oh, no.
00:29:14Just watching the dancers.
00:29:15Now, I'm in the shoe business.
00:29:20Oh.
00:29:23And when I'm in New York, I like to see what the ladies are wearing.
00:29:25My customers, they like the New York styles.
00:29:30Oh, you're from out of town.
00:29:31Oh, yes, sir.
00:29:32Caduceon, Ohio.
00:29:34Where?
00:29:35Caduceon.
00:29:37It's the smartest little town in the Midwest.
00:29:39And I sell the smartest people in it.
00:29:42Well, I can tell more about a woman by looking at her foot than I can by looking at her face.
00:29:45I bet you can at that.
00:30:04Nice to have you back, Mr. Parker.
00:30:07Bring us to your specialist.
00:30:08Yes, sir.
00:30:15Hurry for someone from home.
00:30:19Who?
00:30:20The biggest little busybody in Caduceon.
00:30:23Why, Mary Price, how are you?
00:30:25Oh, I'm so glad to see a familiar face.
00:30:28And when I saw you and Chris...
00:30:29I thought that was Chris.
00:30:33Isn't Chris here?
00:30:34I'm afraid you made a slight mistake.
00:30:36A mistake?
00:30:38What?
00:30:38I've sold her every pair of shoes she's worn for the past four years.
00:30:42Is that so, Mrs. Price?
00:30:43The lady is not Mrs. Price.
00:30:48She's Mrs. Christopher Price of Caduceon.
00:30:51You want to be technical about it, sir?
00:30:53No.
00:30:53She is Sunakurtepeli of Istanbul.
00:30:56Or Mrs. Joseph Jefferson Parker, if you want to be technical.
00:30:59Oh, well, that's very nice.
00:31:19Mrs. Parker says that she's highly complimented that you took her for an American girl.
00:31:22She likes American girls.
00:31:23I sell Mrs. Price shoes.
00:31:28And I'd swear...
00:31:30But please.
00:31:32No.
00:31:34They look so much alike that I just wanted to see if they had the same size feet.
00:31:37Sir, a woman's feet are never mentioned in Turkey.
00:31:41I'm sorry.
00:31:43But it happens to be my business.
00:31:46It is none of your business.
00:31:47And good night.
00:31:49On your own, I'll see you next time.
00:31:50Go, Yunus.
00:32:01It's Urban Nichols.
00:32:02He owns the French bootery in Caduce.
00:32:05I don't think he knows who he is himself right now.
00:32:06He's really mixed up.
00:32:08Say, your Turkish amaze me.
00:32:10Imagine what it did to me.
00:32:12If he sees my slippers, we're cooked.
00:32:32What's the matter?
00:32:52He's gone.
00:32:54Well, your Turkish must have driven him into the night.
00:32:57Well, I'm glad it was that bad.
00:32:58Yeah.
00:32:59Well, let's drink a toast to the grand sky in the world.
00:33:03My husband.
00:33:04To Chris.
00:33:35Poor old knee joints just won't take these dances any longer.
00:33:39I've torn my stocking.
00:33:41Ah!
00:33:42It's a bird!
00:33:43Ah!
00:33:47Who is it?
00:33:52Here.
00:33:53Here.
00:33:54Couldn't believe it or not.
00:33:56I was just running to see a pair of shoes.
00:33:58My shoes?
00:33:59Why?
00:34:00No, it's the head woman that's going out.
00:34:03Super, huh?
00:34:05Uh, don't mind her.
00:34:11She always folds up around this time.
00:34:15I was wondering how you'd feel if I went around introducing you as Mr. Price.
00:34:30Well, I feel like a very lucky guy, Mary.
00:34:32Oh, Chris always told me you had a good line.
00:34:34Aren't you Joe Parker?
00:34:35Uh, yes.
00:34:36I saw you beat Notre Dame.
00:34:38Well, that was a very unlucky day for the Irish.
00:34:40A lucky day for me.
00:34:41I won 500 bucks.
00:34:42Oh, yeah.
00:34:43Well, I wish I had.
00:34:44Oh, that was the greatest run I ever saw on the football field.
00:34:46Yeah, well, I had a lot of help.
00:34:53Hey, wasn't Chris in that game?
00:34:55Oh, I should say he was.
00:34:56He took out an end, two backs, a safety man.
00:34:58But that meant for him, that guy that lost us 500.
00:35:01Nobody ever comes up to Chris like that when we're out.
00:35:03Well, that's the fate of the blocking bag.
00:35:05He does all the work and the glory goes the ball carrier.
00:35:06Didn't he ever want to carry the ball?
00:35:10No.
00:35:10He seemed content to bowl him over so I could get through.
00:35:14If I were Chris, I'd want to carry the ball once in a while.
00:35:18You get your chance.
00:35:18Any minute.
00:35:24Inside some of those are orders for gifts.
00:35:26Oh, really?
00:35:27As they float gently to the earth,
00:35:28all you have to do is reach up with your tender arms and grab one.
00:35:31What kind of gifts?
00:35:32Oh, perfume, stockings, handbags, theater tickets.
00:35:36Free?
00:35:37Free for all.
00:35:39Mm, stockings, huh?
00:35:44Yes, grab a balloon and hang on.
00:35:47Well, this time you're going to see a price carry the ball.
00:35:49Okay, lady.
00:35:51You're on your own and good luck.
00:35:53You are.
00:36:06I'm Donald Trump.
00:36:28I'm Donald Trump.
00:36:33Oh, look.
00:36:51Wait a minute. Wait a minute.
00:36:53Wait a minute.
00:36:54You've won a prize.
00:36:56Well, I hope it's your first aid kiss.
00:36:58Waiter.
00:37:00Get someone out of that check, will you?
00:37:01I've got it.
00:37:02Pop Warner pulled that kid and ball trick on Harvard with the Carlisle Indians.
00:37:06Does the Harvard boys carry pins, too?
00:37:09Yeah, Mrs. Parker. This is for recovering that fumble.
00:37:12I owe it all to my coach.
00:37:14Well, he'll enjoy this, too.
00:37:16Oh, really?
00:37:25Uh-oh.
00:37:26What?
00:37:31The Shoe Hound.
00:37:33Well, is she a Turk or is she not a Turk?
00:37:37Could be.
00:37:40Could not be.
00:37:55He's gone.
00:37:56No, no, I was just trying to look at a pair of shoes.
00:38:23Whoa, whoa.
00:38:49Whoa.
00:38:49We're at the hotel, sir.
00:38:55Wake up, Mary.
00:38:57I don't want to wake up.
00:38:58I'm so comfortable.
00:39:00Well, better try once more around the park, I guess.
00:39:03Yes, sir.
00:39:07Oh, it's you.
00:39:08Get up.
00:39:11Hold it, Cappy.
00:39:11Hold it.
00:39:12Hold it.
00:39:12Hold it.
00:39:13Hold it.
00:39:13Hold it.
00:39:14Hold it.
00:39:15Hold it.
00:39:16Hold it.
00:39:17Hold it.
00:39:18Hold it.
00:39:19Hold it.
00:39:19Hold it.
00:39:20Hold it.
00:39:21Hold it.
00:39:38Plenty of bitters in that, Harry?
00:39:40Yes, sir.
00:39:42Hello.
00:39:42Hello, Blanche.
00:39:43Oh, hi, sweet.
00:39:45Joe Parker.
00:39:46Listen to me, you roving Romeo.
00:39:48I don't want my men calling me up like this.
00:39:50But Blanche.
00:39:51Oh, it's nothing.
00:39:59Oh, Harry, make that a little dryer, will you, please?
00:40:01Very good, sir.
00:40:01Harry, put a twist of lemon peel in there, will you?
00:40:22All right, sir.
00:40:23Hello.
00:40:24Hello, Jenny.
00:40:25Oh, it's good to hear your voice.
00:40:26How are you, sweet?
00:40:28Yeah, well, don't hang up now.
00:40:29Joe Parker.
00:40:31Well, hello back.
00:40:33Oh, you are?
00:40:35Oh, who's the lucky guy?
00:40:37Oh, you have, huh?
00:40:39Little girl.
00:40:40Is it good and dry?
00:40:41I think so, sir.
00:40:42No, no, no, no.
00:40:43I was talking to the waiter.
00:40:44Oh, yes.
00:40:46Yes, sure, sure.
00:40:47We'll call you.
00:40:47Love to see the little girl.
00:40:49All right.
00:40:50Bye, Jenny.
00:40:50Oh, that's perfect, Harry.
00:40:58I'll repeat that.
00:40:59All right, sir.
00:40:59All right.
00:41:00Hello.
00:41:28Hello.
00:41:28Susan?
00:41:30Yes, yes, it certainly is.
00:41:33Hi, sweetheart.
00:41:35Listen, Harry, get two tall pilster glasses.
00:41:38Remember?
00:41:39And fill it with shaved ice.
00:41:42Yeah.
00:41:42You know where I am?
00:41:44Yeah, yeah, that's right.
00:41:45Come on up with me, Susie.
00:41:46Same bar, same drink, same gift.
00:41:49Oh, oh, that picture in the newspapers?
00:41:51Oh, I'll explain all that to you when you get it.
00:41:53All right, hurry now, will you, Susie?
00:41:55Okay.
00:41:57Bye.
00:41:58Good enough, Harry.
00:42:06Sprinkles and cognac on top.
00:42:08Twisted lemon peels, about the best wine in the bucket.
00:42:10What are we celebrating?
00:42:11Chris!
00:42:12Chris, am I glad you showed up.
00:42:14How'd you get here so soon?
00:42:15Lucky enough to get the noon plane.
00:42:16I was plenty worried after talking to Mary.
00:42:17Where is she?
00:42:18She's in the beauty parlor, getting a rebuilt job.
00:42:20Come on, come on, sit down.
00:42:21Harry, one of the same from a friend here.
00:42:23Better whip up a couple of extras, too.
00:42:24And you still want the wine?
00:42:25Oh, yes, put it over at the table.
00:42:27Oh, that's for Susie.
00:42:29Later.
00:42:29Who's Susie?
00:42:30Haven't they ever told you about her?
00:42:31No, no.
00:42:31Oh, yes, I have.
00:42:32There is only one Susie, no matter where you roam.
00:42:37Well, never mind about Susie.
00:42:38What about Mary?
00:42:38Oh, Mary is swell.
00:42:40She's having the time of her life.
00:42:41I did what you asked me.
00:42:42We went out and painted this town red last night, and this is a big town.
00:42:45We didn't run out of paint until 6.30 this morning.
00:42:47Hey, what the hell job?
00:42:48Oh, a flying wedge of bank directors.
00:42:50You and Mary had a picture of the Cleveland papers.
00:42:52Luckily, one of the bank directors saw the picture, bought up all the papers, and put
00:42:56them in the closet with the other skeletons.
00:42:57Oh, I wish she'd been around here.
00:43:00How do you like living with my wife?
00:43:02Yes.
00:43:02Mary is great.
00:43:04She's everything you said she was.
00:43:06And more.
00:43:09But I'll be glad to give her back to you.
00:43:10You knew Susie, like I know Susie.
00:43:15Susie, huh?
00:43:16I got here just at the right time.
00:43:18Oh, perfect timing, Bryce.
00:43:19Perfect timing.
00:43:21Oh, your husband is right over there.
00:43:24Here's our wife now.
00:43:29Chris!
00:43:29Mary!
00:43:30Touch the same for Mrs. Parker.
00:43:36Come on, Mary.
00:43:37Sit down.
00:43:40Well, here's to the three of us.
00:43:47Gee, Mary, I've got a lot to tell you.
00:43:49I have a room in your name, right across the hall.
00:43:51Yes, I know my bag's up there.
00:43:52Why don't you two go on up there and save my reputation?
00:43:55Oh, isn't he considerate?
00:43:56He just wants to get rid of us.
00:43:57He's waiting for Susie.
00:43:59Who's Susie?
00:44:00Oh, very special, madam.
00:44:01You knew Susie like I...
00:44:02Oh, flowers.
00:44:05Oh, Mary, if I have any trouble selling Susie a load of clams, will you cooperate?
00:44:08Well, what do you think I'm doing?
00:44:09Being very familiar with Mr. Price.
00:44:15You have a lot of explaining to do.
00:44:16Oh, darling, wait till I tell you what happened.
00:44:18I was already on the train when Mr. Arnold...
00:44:20Good afternoon, Mrs. Parker.
00:44:28Who's that?
00:44:30That's the house detective.
00:44:35Where is this dog?
00:44:37And your pictures were all over the front pages of the Cleveland paper.
00:44:40And everyone in Catoosa knew?
00:44:41No, no, no.
00:44:42Old man Brown bought them all up.
00:44:44Then came the bank examiner.
00:44:46The bank examiner?
00:44:47They said your husband's bank was in excellent shape.
00:44:50Oh, great.
00:44:50Now, what am I going to do with you?
00:44:53We'll get all dressed up and really do the town.
00:44:55I know all the places to take you.
00:44:56I can't.
00:44:57My bag's not here.
00:44:58Oh, well, get it.
00:45:00Oh, way over there across the hall?
00:45:02It's way over there across the hall.
00:45:04Now go get it.
00:45:05Now?
00:45:06Now.
00:45:07Now?
00:45:07Oh, you fool.
00:45:08Go on.
00:45:09Oh, you fool.
00:45:34No.
00:45:35Oh, I beg your pardon.
00:46:04I thought this was 2112.
00:46:06Who is?
00:46:08I'm Arthur Drew's dealworth.
00:46:10Oh, Joe's boss.
00:46:11I'm Chris Price, Joe's friend.
00:46:15He isn't here now.
00:46:17Oh, he isn't?
00:46:17No.
00:46:22I'll wait.
00:46:29I, uh, I don't know when he'll be back.
00:46:32I'll wait, Hercule.
00:46:49So, uh, you're supposed to be Joe's best friend, eh?
00:46:52I am his best friend.
00:46:53Who is it, dear?
00:46:55It's Mr. Worth.
00:46:57Excuse me a minute.
00:46:58I'll tell her you're here.
00:46:58Okay.
00:47:04Did he go?
00:47:05Shh.
00:47:06Oh.
00:47:07Oh, look.
00:47:08Oh.
00:47:10Look.
00:47:11Oh, no wonder.
00:47:13He probably thinks it's you.
00:47:15Oh, I'm glad you think it's funny.
00:47:16Well, don't you?
00:47:17Imagine losing your reputation by kissing your own husband.
00:47:19You go out there and tell him I have a headache or something and get him out of here.
00:47:23But, Mary, I, I just can't throw Arthur Truesdale Worth out on his ear.
00:47:27I don't care what you toss him out on.
00:47:30Enough's enough.
00:47:30I'm tired of jokes.
00:47:32Now, you get rid of him.
00:47:33I'll get rid of him, but I've got to be diplomatic.
00:47:35We don't want to get Joe on a jam.
00:47:37Oh, Joe, Joe, Joe.
00:47:40Look, let's just think about us.
00:47:42We'll pretend that we don't know a single human being in New York with each other.
00:47:58Oh.
00:47:59Uh, Mary has a headache.
00:48:10She hopes that you'll excuse her, Mr. Worth.
00:48:12Oh, I'm sorry.
00:48:17A little bit too much excitement, I guess.
00:48:19She's not used to it.
00:48:21She's lived in some mighty exciting places the past few years.
00:48:24That's right.
00:48:25Lived there very happily with her husband.
00:48:27Of course, Mr. Worth, I...
00:48:29As his best friend, you undoubtedly know that.
00:48:32Oh, indeed I do.
00:48:35Uh, my idea, Mr. Price, is that friendship is based on decency and loyalty
00:48:40and the respect two men, both men, feel for each other.
00:48:45You're absolutely right, sir.
00:48:46Absolutely.
00:48:47A man envies his friend nothing, nor does he covet.
00:48:51Oh, covet.
00:48:53Neither his property, nor his goods, nor his wife.
00:48:56Uh, you've read the Ten Commandments, I suppose?
00:49:00Oh, yes.
00:49:01All of them?
00:49:02Oh, yes, indeed.
00:49:03They are still the basis of our social law.
00:49:06You bet they are.
00:49:07Love thy neighbor...
00:49:08That means to respect the dignity of your neighbor, his home, his family.
00:49:13Oh, Chris, can you come here?
00:49:15You don't mind.
00:49:16I mean, she probably wants a headache powder.
00:49:18Excuse me.
00:49:19Certainly.
00:49:20Certainly.
00:49:22Come in.
00:49:23Try and go right to sleep.
00:49:44Knapp will do her a world of good.
00:49:46Perhaps I'd better phone for my doctor.
00:49:47Oh, no, no, no.
00:49:48That won't be necessary.
00:49:49She gets these all the time.
00:49:52She says, I mean, doesn't like a lot of fuss.
00:49:56She told me.
00:49:58Well, I guess Joe won't be here for some time.
00:50:01We'd better run along.
00:50:04Let her get her nap.
00:50:08You know, I just feel like one of the family.
00:50:10I've known them both for so long.
00:50:12You're forgetting your bag.
00:50:14Oh, so I am.
00:50:15Goodbye.
00:50:18We're leaving now.
00:50:19You know, I like talking to you.
00:50:21You do?
00:50:21Yes, I'd like to get better acquainted.
00:50:23Well, thank you, Mr. Worth.
00:50:24Why don't you run down to my place on Long Island tonight?
00:50:27Stay for the weekend.
00:50:28Tonight?
00:50:29Thank you, but not tonight.
00:50:31I have a big date.
00:50:32Oh, well, that's too bad.
00:50:35Now, goodbye.
00:50:36I'll tell Joe you were here.
00:50:37No, I mean, aren't you coming along with...
00:50:40No, I've decided to stay here a while longer.
00:50:45Now, look here, my good man.
00:51:14When did you get in?
00:51:17I've been standing around here waiting for you for half an hour.
00:51:19I've seen a lot of things working in hotels for 20 years.
00:51:37Take my tips, son.
00:51:38Don't start stealing other men's wives.
00:51:40It means scandal, disgrace, and ruination.
00:51:43Especially when old man Worth is in the picture.
00:51:45He's a hard man and a powerful one.
00:51:47If he thought you were trying to double-cross one of his friends,
00:51:50he'd smear you over the front pages of his papers so fast,
00:51:54you'd be a marked man no matter where you went.
00:51:56You'll come by and thank me for this someday.
00:51:58Probably check in at the hotel with your own little wife.
00:52:01Now, you go across the street.
00:52:03Get a room.
00:52:04Women won't worry you over there.
00:52:06Give you a chance to think things over, son.
00:52:20Susie, you must trust me.
00:52:23Does your wife trust you?
00:52:25But I tell you, that's all over.
00:52:26That's finished.
00:52:28I wish I could believe you.
00:52:29It was just a marriage of convenience.
00:52:33She was in China.
00:52:34She was sick and homeless.
00:52:36The man she had come out to marry was my best friend.
00:52:40He died in my arms.
00:52:44Get her back to the States, he said.
00:52:45Get her back before it's too late.
00:52:47What?
00:52:47There was only one way to get her back.
00:52:48So, in a day or two, it'll be all arranged.
00:53:12She'll be free and I'll be free.
00:53:14Who's hissing me?
00:53:16Oh, here she is now.
00:53:17Excuse me.
00:53:18Oh, hadn't I better leave?
00:53:19Oh, no, no, of course not.
00:53:22You're just in time.
00:53:23For what?
00:53:24Susie is over there.
00:53:25Oh, how nice.
00:53:26I need your help.
00:53:27She thinks you might not like it if I take her out tonight.
00:53:29But I told her all was over between us and all I need is for you to confirm it.
00:53:32Is that all?
00:53:33She thinks maybe I'm not telling her the truth.
00:53:35Oh, imagine that.
00:53:38You just leave me alone with her for a few minutes.
00:53:41You'll fix it?
00:53:41I'll do my best.
00:53:42Oh, you are a pal.
00:53:46I'm Mrs. Parker.
00:53:47Joe will be back in just a minute.
00:53:49Joe and I are old friends.
00:53:51Yes, he's told me that.
00:53:54I guess he must be glad to be in New York and see all his old friends again.
00:53:58You don't seem very cheerful.
00:54:00Oh, I'm all right.
00:54:02As long as Joe's happy, I don't think anything else matters.
00:54:07I'm sorry.
00:54:08I thought everything was over between you.
00:54:11Oh, it is.
00:54:13Believe me, it is.
00:54:14It's just hard, I suppose, for a woman to admit she's failed, that her whole life, everything
00:54:22she'd planned is a failure.
00:54:26That heel.
00:54:28Oh, you mustn't blame him.
00:54:30It's natural for a man of his kind to want to be free.
00:54:33And if that's the way he wants it, that's the way I want it, too.
00:54:36You two go on out and have a lot of fun.
00:54:41I'll go back up to my room.
00:54:45I don't want him to see me like this.
00:54:55Isn't she swell?
00:54:57She certainly is.
00:54:58Oh, yes.
00:54:59But you're ten degrees lower than I thought you were.
00:55:03She's so in love with you, she can't see straight.
00:55:05And if you think I'm going to have anything to do with breaking her heart, you're crazy.
00:55:09Susie.
00:55:21Mary.
00:55:22Shh.
00:55:23Mr. Wurst waiting for you.
00:55:25Why did you do that to Susie?
00:55:27I don't know.
00:55:29I guess it was just seeing you with another woman.
00:55:32What?
00:55:33I don't know why I did it.
00:55:46Hello, Wurst.
00:55:47Shh.
00:55:48Mary has a headache.
00:55:49She has a headache.
00:55:50What?
00:55:50Oh.
00:55:52Oh.
00:55:53Oh, she has.
00:55:54Well, that's too bad.
00:55:56Maybe we'd better leave her alone then, huh?
00:55:58Hello.
00:55:59Oh, dear.
00:56:00Mr. Wurst, my headache is all gone.
00:56:03Oh, that's fine.
00:56:06Oh, now, don't be bashful in front of Mr. Wurst.
00:56:09I feel as if you're one of the family.
00:56:11That's the way I want you to feel, Mary.
00:56:13Uh, where's Chris?
00:56:15He was here.
00:56:16He left.
00:56:17He had a date tonight.
00:56:18A date?
00:56:18I thought he was going out with us.
00:56:20Uh, uh, I had hoped that, uh, perhaps you'd come down to my country place.
00:56:24Stay there for the weekend.
00:56:26Well, I'd love to, boss, but Mary's been looking forward to this trip.
00:56:29The theaters, the shops.
00:56:30No, I don't want to be selfish.
00:56:33We'd love to go, Mr. Wurst.
00:56:34Oh, no.
00:56:35Not if...
00:56:36Mary, this is supposed to be a sort of, sort of a second honeymoon for you.
00:56:40It's a beautiful place to be alone.
00:56:42And we won't tell a soul where we are.
00:56:44Oh, now, wait, Mary.
00:56:45Don't.
00:56:46Oh, stop thinking about me, darling.
00:56:48Of course we'll go.
00:56:50Come on.
00:56:51Now, go get your bag ready.
00:56:53I'll call the bellboy.
00:56:55Hurry up, dear.
00:56:57Would you please send someone up for our bag?
00:57:00What are you saying, darling?
00:57:03Mr. Wurst, you've been so kind to us.
00:57:06A few days in the country with Joe is just what I need.
00:57:09Mr. Parker?
00:57:23Hello.
00:57:24Say.
00:57:26You can do me a favor.
00:57:28You know my friend Chris Price, the fellow in room 2109?
00:57:32I think I know the fellow you mean.
00:57:34Yeah.
00:57:35Keep your eye out for him.
00:57:37You bet I will, Mr. Parker.
00:57:40And when you see him, give him this note.
00:57:43Oh.
00:58:09Well, I'll be there on time.
00:58:31Goodbye.
00:58:33Mrs. Joseph Parker, please.
00:58:34Mrs. Joseph Parker, please.
00:58:35No message.
00:58:41I'll call later.
00:58:43They must be out.
00:58:44Well, they were in a little while ago.
00:58:46I saw Mary.
00:58:47Poor girl.
00:58:48Who?
00:58:49Mary?
00:58:50Do you know her well?
00:58:51I know her better than anybody else in the world.
00:58:53I'm her husband.
00:58:54You're her husband's best friend.
00:58:56Oh.
00:58:57You know what Joe's like, then?
00:58:58Yes.
00:58:59But I knew her before Joe did.
00:59:00She needs help right now.
00:59:04Help?
00:59:05Mary?
00:59:06Why?
00:59:07Well...
00:59:07Pardon me.
00:59:08Well...
00:59:09What do you mean?
00:59:10I was just calling Mrs. Parker to apologize to her.
00:59:18How long have you known her?
00:59:19I just met her.
00:59:20I had a date with her husband.
00:59:22With Joe?
00:59:23Oh, you're Susie.
00:59:25Joe told me about you.
00:59:27He told me Mary wouldn't mind us going out.
00:59:29She wouldn't.
00:59:30She's a great egg.
00:59:31But she did mind.
00:59:34You're mistaken about that, Susie.
00:59:36No woman ever mistakes the look that comes into the eyes of another woman when she talks
00:59:40about the man she loves.
00:59:41Oh, you're really off the beat.
00:59:42No.
00:59:43She tried to hide it.
00:59:45But you can't hide that.
00:59:46Not from another woman.
00:59:48Don't you worry.
00:59:50She and Joe aren't going to be together very long.
00:59:52That's the tragedy.
00:59:54She's really in love with him.
00:59:56She looked like a bride talking about her new husband.
00:59:59What's that?
01:00:00As if she just became aware of how wonderful he was.
01:00:04Woman's intuition at work, huh?
01:00:06Call it what you like.
01:00:08The whole story was in her eyes.
01:00:10She's so in love with Joe Parker, she...
01:00:13Susie.
01:00:14I'm the guy she's in love with.
01:00:16You?
01:00:16Oh, I'm sorry.
01:00:22I didn't know I...
01:00:24I must be going.
01:00:28I'm late.
01:00:29It's all right.
01:00:30Things were settled a long time ago.
01:00:33You're a nice man, I think.
01:00:35What I told you won't make you jealous, will it?
01:00:37Me?
01:00:38Jealous of...
01:00:38No, no, no.
01:00:39And maybe you'll make her forget him.
01:00:41Trust me.
01:00:44Don't forget it's awfully hard for a girl to forget a man like Joe.
01:00:49Goodbye.
01:00:49Goodbye.
01:00:51Good evening, Mr. Price.
01:00:54Nice little disguise you're wearing.
01:00:55But it was better when you had this on.
01:00:58I would have spotted you, though.
01:01:00You forgot to change your walk.
01:01:03Will you have a drink?
01:01:04Never touch it when I have the badge on.
01:01:06Mr. Parker left this for you.
01:01:07Oh, thanks.
01:01:28Say, do you believe in woman's intuition?
01:01:31I definitely do, sir.
01:01:32See it in my business every day.
01:01:34I'm sure you'd say that.
01:01:36Well, I don't.
01:01:37Good night.
01:01:38Oh, say, if you have a little time again, try a different disguise.
01:01:41I like to practice on them.
01:01:46Come in, children.
01:02:03Come in.
01:02:04Well, I hope you'll be very comfortable here.
01:02:08Oh, thank you, Mr. Worth.
01:02:11Isn't this lovely?
01:02:15Yes, dear.
01:02:17Boss, I was intending to do a little work.
01:02:20Perhaps, if it's convenient.
01:02:22I thought maybe you had a smaller room where I could put a typewriter and I wouldn't disturb Mary.
01:02:27Nonsense.
01:02:28You're not going to do any work.
01:02:30This is a vacation.
01:02:32Oh, yes, Joe.
01:02:34That's all you ever seem to think about.
01:02:36Work.
01:02:38Oh, isn't this romantic.
01:02:42Come and see the moon, darling.
01:02:45It's so beautiful.
01:02:46And look at this balcony.
01:02:56Isn't it a perfect place?
01:02:59Yes, yes, it is.
01:03:01Mary, dear.
01:03:02It just does something to me.
01:03:04It's like the moon in Punjab Town hit.
01:03:09The night I found I was going to live.
01:03:12Isn't it, dear?
01:03:14Yes, dear.
01:03:19Oh, I'm so glad we're here together.
01:03:24Hear the crickets?
01:03:26Yes, dear.
01:03:28Don't they sound happy?
01:03:32Yes, dear, they do sound happy.
01:03:34Oh, I'll bet they're not as happy as I am.
01:03:38No, dear.
01:03:40Save all that stuff now.
01:03:42Mr. Worth is gone.
01:03:43Oh.
01:03:45I'd forgotten he was ever here.
01:03:48What?
01:03:50Well, I did.
01:03:52Mary, what's come over you?
01:03:55I don't know.
01:03:58Look, Mary, I know you held my hand in the car just to impress Mr. Worth.
01:04:02Yes, of course, Joe.
01:04:03And I know several other evidences of, well, of being nice were part of your desire to help me.
01:04:09But I...
01:04:09Joe.
01:04:10Yes?
01:04:12You've known a lot of women, haven't you?
01:04:14Well, I suppose so.
01:04:16Everybody knows a lot of women.
01:04:18And you know a lot about women, too.
01:04:21Well, now, wait a minute, Mary.
01:04:23Don't get the wrong idea about me.
01:04:25You know, if you really knew me, you wouldn't like me at all.
01:04:27Oh, how can you say that?
01:04:29No, it's true.
01:04:30You might even hate me.
01:04:32Oh, please, Joe.
01:04:33Don't say things like that.
01:04:35Why, I'm shiftless and reckless.
01:04:38I like to roam all over the world.
01:04:40And I'd never settle down and I'm fickle.
01:04:42And I'll tell you the truth.
01:04:43I'm not very nice.
01:04:44In fact, nice people say I'm a cat.
01:04:46Well, that's what makes you attractive.
01:04:50Oh, no, Mary.
01:04:51Don't talk like that.
01:04:53I get drunk.
01:04:54And I never come home.
01:04:55And I'm always in hock.
01:04:56I'm terrible.
01:04:57Ask anybody.
01:04:58Women don't have to ask about things like that, Joe.
01:05:01Look, Mary.
01:05:02I'm not at all like Chris.
01:05:04Chris is a fine fellow.
01:05:06He's honest.
01:05:06He's loyal.
01:05:07He's faithful.
01:05:08Chris is the salt of the earth.
01:05:09He's one of the greatest guys that ever lived.
01:05:11He's everything that's fine.
01:05:12He's a real man.
01:05:13He's a fine husband.
01:05:14Yes, but you're exciting, Joe.
01:05:16You're different.
01:05:17But, Mary, Chris is my best friend.
01:05:20I'd die for him.
01:05:21I'd do anything in the world for him.
01:05:23Chris is fine, Joe.
01:05:25But he'd do anything in the world to make you happy.
01:05:27To make us happy.
01:05:29But, Mary, I'm happy right now.
01:05:31Chris is happy.
01:05:32You're happy.
01:05:32We're all happy.
01:05:33Let's keep it that way.
01:05:35Oh, men are so afraid to face things realistically.
01:05:39But, Mary.
01:05:40You go change for dinner.
01:05:42I'm not going to change.
01:05:52I'll teach him how to play kibble.
01:05:55Oh, you look like a man who could use a drink.
01:06:14Oh, no.
01:06:14No, thank you, boss.
01:06:16I was just thinking.
01:06:17I always look like this when I'm thinking.
01:06:19Nothing troubling you, I owe?
01:06:20Oh, not a thing.
01:06:21Not a trouble in the world.
01:06:23Mary all right?
01:06:25Yeah, she's fine.
01:06:27She's changing for dinner.
01:06:30Oh.
01:06:31I'm having a few other guests in, Joe.
01:06:33It was too late to cancel them out.
01:06:34Oh, that's fine.
01:06:35The more, the merrier.
01:06:36Of course, if we're overcrowding, I could run into town tonight.
01:06:38But they're only coming to dinner.
01:06:40Oh.
01:06:42Joe.
01:06:43You and Mary haven't been having a little tiff, have you?
01:06:46Mary and I?
01:06:49Oh.
01:06:50You've noticed him.
01:06:52Well, it's nothing serious, I know.
01:06:54I understand those things happen in the best of families.
01:06:59Oh, it's just a little flare of...
01:07:00No, thank you.
01:07:01Mary's kind of high-strung and spirited sometimes.
01:07:03She gets carried away with an idea about something or somebody.
01:07:07It passes just as quickly as it comes.
01:07:09Well, I'm an old bachelor.
01:07:11And I'm not going to start giving advice to married folks at my age.
01:07:16But, Joe.
01:07:19You've got something fine in your marriage.
01:07:21Don't let anything or anybody spoil it for you.
01:07:25Oh, no.
01:07:26Oh, excuse me.
01:07:28Hello?
01:07:29Yes?
01:07:31Who?
01:07:33You tell him I'm not at home.
01:07:35And you don't expect me home.
01:07:37Yes, sir.
01:07:41Mr. Wurt's not at home, Mr. Price.
01:07:43But he's expecting me.
01:07:44Call him back and tell him I've changed my mind.
01:07:46I'm afraid he's changed his too, sir.
01:07:48Good night.
01:07:49Hey!
01:07:49I...
01:07:51I'm afraid he's changed his too, sir.
01:07:52I'm afraid he's changed his too, sir.
01:07:53I'm afraid he's changed his too, sir.
01:07:54I'm afraid he's changed his too, sir.
01:07:55I'm afraid he's changed his too, sir.
01:07:56I'm afraid he's changed his too, sir.
01:07:57I'm afraid he's changed his too, sir.
01:07:58I'm afraid he's changed his too, sir.
01:07:59I'm afraid he's changed his too, sir.
01:08:00I'm afraid he's changed his too, sir.
01:08:01I'm afraid he's changed his too, sir.
01:08:02I'm afraid he's changed his too, sir.
01:08:03I'm afraid he's changed his too, sir.
01:08:04I'm afraid he's changed his too, sir.
01:08:05I'm afraid he's changed his too, sir.
01:08:06I'm afraid he's changed his too, sir.
01:08:07I'm afraid he's changed his too, sir.
01:08:08You've just heard a harmonica solo played by Julian Lamont.
01:08:30Oh, come in there. Here, boy. Here, boy.
01:08:32Hey, hello. What's this now?
01:08:34Tagger's in there.
01:08:35No, no. Tagger's my dog. He pulled the leash out of my hand and ran through your gate.
01:08:40See, I hope there's nobody out of doors.
01:08:43Is it vicious?
01:08:43No, no. Just temperamental.
01:08:45Here, boy. Here, Tagger.
01:08:47I was taking him to the vet. Will you see if you can find him for me?
01:08:50He's a great Dane, about so big, frothing at the mouth.
01:08:53But don't think he's mad.
01:08:55Oh, no.
01:08:55He's just overheated.
01:08:56Oh, I see.
01:08:57And don't touch him. Just coax him back.
01:08:58No, no, no, no, boy. I can't. I work here. I can't leave the gate at all.
01:09:02Are there any other dogs in there?
01:09:03Oh, no, no, no. Mr. Worst, don't fancy them.
01:09:05Oh, that's too bad.
01:09:06Tagger will be right in the house if he finds a door open.
01:09:08In the house?
01:09:09Yes.
01:09:09He better not go in that house.
01:09:10Have you got a bone?
01:09:11A bone? No, I haven't. He better not go in that house.
01:09:14Tagger, there he goes up the driveway.
01:09:16Can you hand him yourself?
01:09:18Sure. He's right out of my hand.
01:09:21Go ahead. Get him.
01:09:23Here, Tagger.
01:09:23Here, Tagger.
01:09:53Go ahead.
01:09:54Go ahead.
01:09:54Go ahead.
01:09:57Go ahead.
01:10:23Oh, my God.
01:10:53Hello, Abby. How are you, Mr. Witherspoon? So glad you could come. Just a time for a little cocktail. You can't know where to go. Hey, don't they have meat? I'm glad to see you. Hello, Witherspoon. There's something I want to talk to you about. I'm so glad I had a change of plans and found I could make it. That's fine. Chris, this is a surprise. Boss, you couldn't have done anything to please me more than to have Chris down here for the weekend.
01:11:23Well, I'm very glad you're pleased. What happened to your date tonight? She went out of town. Mary, Mary, Chris is here. Well, how are you, Christopher? Fine. I got your note and headed right out here. I left him a note so he'd know where to find us.
01:11:37Oh, that was thoughtful of you. Come along. We'll have a cocktail before dinner. I want you to meet these people, Mary. They've all heard me talk about you and Joe.
01:11:45Uh, come on. You think you're pretty clever, don't you? Well, how do you mean? You don't fool me for a minute. Fool you? I'm not listening, Chris. I was outside the window looking in when Mary came downstairs.
01:12:04Oh, you were. Yeah. Well, she really put on an act, but you, you stood there like a snowman.
01:12:10Oh, you were. Standing on the outside looking at the inside, she almost had me fooled. Oh, she did? Yeah. She must have been pretty convincing.
01:12:24Convincing? Do you know what Susie said? Susie? Yeah, I saw her in the hotel.
01:12:29Look, Chris, don't pay attention to what Susie said. Susie's a dope. She's a romantic dope. She said that Mary looked like a bride who just realized how wonderful her husband, meaning you, really was.
01:12:47I've loved hearing your stories about the Far East, Mr. Parker. Well, thank you. They're all in my latest book. Really?
01:12:53Two and a half a copy at any bookstore.
01:12:54Joe writes the books and Chris sells them. Oh, he's sweet.
01:13:03You know, Mr. Worth, Chris used to be my best beau before Joe came along.
01:13:08You don't say.
01:13:10And a very nice one, too.
01:13:12I never should have let you get away from me.
01:13:15Oh, but you warned me Joe's charm was fatal.
01:13:17He said that when Joe looked at a woman, that was the end of everything.
01:13:22Or the beginning.
01:13:22Just the same, Mr. Price. I'm sure she had a hard time making up her mind.
01:13:29How did you make up your mind?
01:13:31Oh, I just kept thinking of what life with Joe would be like.
01:13:35I told you it'd be wonderful.
01:13:39How right you were.
01:13:41Uh, boss, do you think I could have a little coffee?
01:13:48Why, uh, certainly. In the living room, shall we?
01:13:51Great, honey. Keep it up.
01:13:53I'm going to slip down and I don't want to talk to you.
01:13:55Uh-uh. You know we're suspicious.
01:13:58Joe's had to tell you he'd be up to bunk with you.
01:14:00You come along with me, Mary.
01:14:01I'm not going to have him lollygagging around you all evening.
01:14:04You had your chance and lost, young fella.
01:14:06Good night, Mr. Worth. Good night, Chris.
01:14:12Good night, good people.
01:14:13Good night, Mary.
01:14:14Good night, fellas. See you at breakfast.
01:14:16Get a good night's sleep.
01:14:18Uh, you come with me, Mr. Price.
01:14:20You'll find your room right at the head of these stairs.
01:14:23Oh, that lovely moon's gone.
01:14:40Now, don't start that again.
01:14:42Come on.
01:14:53Oh, I'm, uh, just going to slip into these so it'll look more convincing
01:14:57in case I run into the boss on my way up to Chris's room.
01:15:01Oh, I told Chris you were going to stay here.
01:15:05You what?
01:15:06On the balcony, just so the servants won't think it's odd.
01:15:09And what did he say?
01:15:11He seemed to think it was a fine idea.
01:15:12He did.
01:15:14But his place is down here with us, uh, with you.
01:15:18I'm going up and talk to him.
01:15:20I'm going, too.
01:15:21We might as well all be together when I tell him.
01:15:24Tell him what?
01:15:25How I feel about us.
01:15:27Mary.
01:15:27He's sweet, Joe, and he trusts me.
01:15:29I can't be dishonest with him.
01:15:31What are you talking about?
01:15:32Oh, he'll be hurt at first, of course.
01:15:34And it won't be easy for me, either.
01:15:36I do like him, you know.
01:15:37Mary, you're all off the beam.
01:15:39I suppose I'll always like him.
01:15:40You'll understand that, I'm sure.
01:15:42Mary, you can't do this.
01:15:44Oh, I have to do it, Joe.
01:15:45When he looks at me, I feel so guilty as if he knew what I was thinking.
01:15:49But you're thinking all wrong.
01:15:50That's what I've been trying to tell you.
01:15:51We have to face it sooner or later, and it'll be easier to face it together, darling.
01:15:55Oh.
01:15:56Oh, you don't want to go with me?
01:15:58I certainly do not.
01:15:59Then I'll go up and talk to him alone.
01:16:01Mary, this is insanity.
01:16:03No, it's better.
01:16:04One quick cut like a surgeon's knife.
01:16:06How did this happen?
01:16:08Mary, now wait.
01:16:09No, I'm going now.
01:16:10I might not have the courage to do it tomorrow.
01:16:12I've been stealing myself for it all evening.
01:16:14Mary, you're not going to do it.
01:16:16Yes, I am.
01:16:16Oh, no, you're not.
01:16:19What's eaten its way into your brain?
01:16:21Into my heart, you mean.
01:16:23Now, stop talking like that.
01:16:24I didn't ask to fall in love with you.
01:16:27I didn't think I would or that I could.
01:16:30Now, don't be a fool.
01:16:31You're my friend's wife.
01:16:35I am not in love with you, Mary.
01:16:37If I have given you one little indication or idea or thought that I am in love with you,
01:16:41I'm sorry.
01:16:41It's something I didn't realize.
01:16:43You're just being loyal to Chris.
01:16:45It's not that.
01:16:46You're everything he said you were.
01:16:48A real friend.
01:16:49It is not loyalty.
01:16:51I am not, will not, I never could be in love with you.
01:16:54Not now, I know.
01:16:55But after my divorce...
01:16:57I don't believe in divorce.
01:17:00Even if you didn't know Chris, if I didn't know him, I still couldn't be in love with you.
01:17:03I'm sorry I had to be so rough.
01:17:14I don't mind.
01:17:16But I just had to make you realize how unthinkable this is.
01:17:25Well, I'll go up and tell Chris to come down now.
01:17:29Tomorrow you'll laugh about this.
01:17:30Tomorrow?
01:17:37Tomorrow's a long way off sometimes.
01:17:48Are you going to write a few letters before you turn in?
01:17:51One.
01:17:53Well, I'll go up and chat with Chris.
01:17:56Goodbye, Joe.
01:18:00I'll see you tomorrow.
01:18:02I won't be here tomorrow.
01:18:05You won't?
01:18:07You what?
01:18:09I'm writing a note to explain everything.
01:18:12Just as soon as I do that.
01:18:14I'm going to get Chris right down here.
01:18:18Goodbye, Joe.
01:18:19Goodbye, Joe.
01:18:19Goodbye, Joe.
01:18:26I'm not going to leave you.
01:18:28Joe, say that again.
01:18:30Say what?
01:18:31That you won't leave me.
01:18:33Oh, Mary, this is madness.
01:18:35I know it.
01:18:37And I can't fight it.
01:18:38No, no, no.
01:18:45I can't fight it.
01:18:49Goodbye, Joe.
01:18:56Goodbye, Joe.
01:18:57Bye, Joe.
01:18:58Bye, Joe.
01:18:59Do you want to leave me?
01:19:01I want to be here.
01:19:02Bye, Don't go away.
01:19:03Bye, I'm not going to leave me alone.
01:19:04I want to leave me alone.
01:19:05Bye, don't go away.
01:19:05Bye, Joe.
01:19:05Bye, bye, bye.
01:19:05Bye, bye, bye, bye, bye.
01:19:07Bye, bye, bye, bye, bye, bye, bye.
01:19:08Now, that's done.
01:19:24I'm not going to give you this key.
01:19:26I don't need it.
01:19:28I can climb down from the balcony.
01:19:38I can climb down from the balcony.
01:20:08I can climb down from the balcony.
01:20:38I can climb down from the balcony.
01:21:18Good night, Joe, dear.
01:21:48Good night.
01:22:18Good night.
01:22:48Good night.
01:23:18Let's jump together.
01:23:28Good night.
01:23:40Good night.
01:23:42Good night.
01:23:44Good night.
01:23:46Good night.
01:23:50Good night.
01:23:52Good night.
01:23:54Good night.
01:23:56Good night.
01:24:02Good night.
01:24:04Good night.
01:24:06Good night.
01:24:14Good night.
01:24:16Good night.
01:24:18Good night.
01:24:19Good night.
01:24:20Good night.
01:24:22Good night.
01:24:24You're out in the open now.
01:24:28What's the meaning of this?
01:24:30It means I'm getting out of here, and she's gone with me.
01:24:33And I don't want any more talk from you.
01:24:35You can't get away with it.
01:24:36Chibble.
01:24:37I'll get away with it, all right.
01:24:38And if you don't think so, just try and stop me.
01:24:41I knew the minute I saw you I didn't like you.
01:24:43I wasn't crazy about you either.
01:24:52Come on, Joe.
01:24:53We'll stop him.
01:24:54We'll stop him.
01:24:59Joe.
01:25:01Joe.
01:25:02Joe, boy.
01:25:13Oh, God.
01:25:15She's gone.
01:25:18Come on, boy.
01:25:19I haven't seen you.
01:25:29Come on, boy.
01:25:31Come on, boy.
01:25:31Come on, boy.
01:25:33Come on.
01:25:33Come on, boy.
01:25:36Come on, boy.
01:25:38Oh, this is fine.
01:25:58The fools have stolen my car.
01:25:59I'll call the police.
01:26:01No, boss.
01:26:02Let them go.
01:26:03Let them go?
01:26:04Why, I'll hound them to the end.
01:26:05No, no, boss.
01:26:06Maybe she'll be happier now.
01:26:09Joe, you're too noble.
01:26:11You've been blind.
01:26:12I knew that fellow meant no good from the very day I met him.
01:26:15You did?
01:26:17Well, I just remembered something.
01:26:22It happened in Punjab Tanhid when she was delirious.
01:26:25She murmured his name.
01:26:28She did.
01:26:30I always wondered why.
01:26:33Now I know.
01:26:34Now, I understand everything.
01:26:54Send me back to the Far East, boss.
01:27:03Send me back to my work.
01:27:04Our work.
01:27:06The rest is ashes.
01:27:08So much funnier, is it?
01:27:25Laugh.
01:27:25Laugh.
01:27:26Go ahead and laugh.
01:27:27You and Joe.
01:27:27You of all people.
01:27:28You don't know what you've done.
01:27:29I...
01:27:29I finally made you carry the ball.
01:27:31You made me lose faith.
01:27:33What'd you say?
01:27:33Oh, it took a long time to do it.
01:27:35But I finally made you carry the ball.
01:27:38Why, you little d...
01:27:39I really had to kill poor Joe to keep him out on the balcony that long.
01:27:43I ought to wring your neck.
01:27:44Oh, no.
01:27:45Not right now.
01:27:46Oh, no.
01:27:51Oh, no.
01:27:53Oh, no.
01:27:54The End
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