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In Prague, during the Nazi occupation of Czechoslovakia, surgeon Dr. František Svoboda, a member of the Czech resistance, assassinates the brutal "Hangman of Europe", Reichsprotektor Reinhard Heydrich. Before he can escape the scene his getaway car is discovered, forcing his planned safe house to reject him. When a stranger, Mascha, deliberately misdirects nearby German soldiers searching for him, he seeks out her home as a sanctuary. Her father, Professor Stephen Novotny, realizes Svododa must be the assassin, but is willing to risk everything to hide him.
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00:02:32I'm fighting against capital punishment.
00:02:35That's why I wanted you to witness that execution.
00:02:38Thanks.
00:02:39After you've seen one, you...
00:02:42Did you ever meet Thompson?
00:02:46No.
00:02:47He just came in.
00:02:51But...
00:02:53I guess I'd better go over and say hello to Austin Spencer.
00:02:56You looking for trouble?
00:02:57Why wait for tomorrow's editorial? Might as well hear it now.
00:03:00Join me?
00:03:01No, thanks. I'll read about it in tomorrow's paper.
00:03:09Hello, Roy.
00:03:10It's good to see you, Austin.
00:03:11I'd like you to meet Tom Garrett.
00:03:13This is our district attorney, Roy Thompson.
00:03:15How do you do, sir?
00:03:16Join us for a moment?
00:03:18Thanks.
00:03:20Care of her drink?
00:03:21No, not now.
00:03:22Well, I enjoyed your novel very much, Mr. Garrett.
00:03:25Congratulations.
00:03:26I guess you're very pleased with yourself.
00:03:29Not particularly.
00:03:30Why should I be?
00:03:35Oh.
00:03:35Peters committed a murder.
00:03:40And it doesn't bother you to send him to the electric chair?
00:03:43I presented certain facts to a jury, and they decided beyond a reasonable doubt that Peters was guilty.
00:03:51To the law, he must be executed.
00:03:53There were no eyewitnesses, no direct testimony establishing his guilt.
00:03:58Only circumstantial evidence which you handled masterfully.
00:04:01You don't mean you think Peters was innocent, do you?
00:04:04He might be.
00:04:05The jury didn't think so.
00:04:06Look, Roy, I've sat in too many courtrooms not to know that an able and persuasive prosecutor like you can make a jury believe that a thing is a fact when it isn't.
00:04:15Especially if the defense attorney is not as capable as you are.
00:04:19Would you have Mr. Thompson ignore circumstantial evidence?
00:04:21No, not at all.
00:04:22I just don't think the state should take a man's life in such a case.
00:04:26In fact, I'm not sure his life should be taken in any event.
00:04:28There are six states in this country that don't have capital punishment.
00:04:33But this state does.
00:04:36And I'm sworn to uphold the laws of this state.
00:04:39It's good to see you, Austin.
00:04:41I'm very happy to have met you, Mr. Garrett.
00:04:43My pleasure, sir.
00:04:47He seemed friendly enough.
00:04:49Why not?
00:04:49I've always been fair to him personally in the paper.
00:04:52We just don't agree on capital punishment, that's all.
00:04:54Well, let's face it, Austin.
00:04:56That's an argument that's been going on for centuries.
00:04:58And I doubt very much if you or Mr. Thompson are going to second.
00:05:01Well, I think I can, but not just by talking about it.
00:05:04Well, I'll have to be getting back to the office.
00:05:06Joe?
00:05:08Can I drop you anywhere?
00:05:10Well, Susan promised to make me here.
00:05:11You two are beginning to sound serious.
00:05:14Any objections?
00:05:16If I had, I wouldn't have let you leave the paper
00:05:18when you wanted to write that novel.
00:05:20What has that got to do with it?
00:05:23My daughter has expensive tastes.
00:05:26I don't think you'd have made much progress.
00:05:28on the salary I was paying you.
00:05:32Hello.
00:05:34Hi.
00:05:39I couldn't reach the top of his head.
00:05:41You didn't try very hard.
00:05:43Well, if you two can spare me...
00:05:45We'll manage.
00:05:47See you later.
00:05:47Sit down.
00:05:59Like a drink?
00:06:00No, thanks.
00:06:14Thanks.
00:06:17Well, what would you like to do?
00:06:20Oh, I feel like dancing.
00:06:23At five o'clock in the afternoon?
00:06:25I'll take you dancing tonight.
00:06:27But I feel like dancing now.
00:06:29All right.
00:06:30Where?
00:06:31I've never seen your apartment.
00:06:34I thought we were a little mixed up.
00:06:36That's supposed to be my life.
00:06:37But you've never used it.
00:06:41It all began the day I looked at you.
00:06:47You were just like the girl I dreamed of...
00:06:50Next month, we'll make you a June bride.
00:06:53And when you smile at me...
00:06:55Let it ring.
00:06:56Go ahead and answer it.
00:06:57I have to go home and change anyway.
00:06:59I'll get rid of this and drive you.
00:07:01Never mind.
00:07:01Take a cab.
00:07:03Hold on a second, will you?
00:07:04What time shall I pick you up tonight?
00:07:06About eight.
00:07:10And tell her you're spoken for.
00:07:20Hello?
00:07:22Yes?
00:07:27It works, too.
00:07:34I couldn't go through the rest of my life
00:07:36watching you search for matches.
00:07:39It's beautiful.
00:07:40And so are you.
00:07:43I'm glad you two finally set a date.
00:07:49I'm afraid we might have to postpone it for a while.
00:07:52Oh?
00:07:53A telephone call in the apartment was my publisher.
00:07:55He hit the ceiling when he found out
00:07:58how much progress I haven't made.
00:08:01What's that got to do with your being married?
00:08:03He wants the new book right away.
00:08:05So I'll just have to buckle down and get it written.
00:08:08It might surprise you to know
00:08:09that there are successful writers who are married.
00:08:12But I'm not a successful writer yet, Susan.
00:08:15One book doesn't prove anything.
00:08:16That's why the second one is so important.
00:08:19I'll just have to concentrate on it.
00:08:21You can understand that, can't you, Austin?
00:08:23Yes, you can't afford a letdown after your first book.
00:08:26I hope you understand, Susan.
00:08:27Of course I understand.
00:08:29And I wouldn't dream of forcing you
00:08:31to do anything you obviously don't want.
00:08:37Susan.
00:08:38Yes?
00:08:39Darling, I love you very much.
00:08:42But I just want our marriage to start right.
00:08:45And the only way is to finish the book first.
00:08:48I couldn't write if I were distracted.
00:08:51And being married to you should certainly be distracted.
00:08:54Are you trying to tell me that if you married to me,
00:08:57you'd be too distracted to write?
00:08:59I certainly hope so.
00:09:01I'll try to get used to it, though.
00:09:02All I'm asking is that we postpone it for a little while.
00:09:06I'll finish the book.
00:09:08And then we can start out together
00:09:10with nothing on our minds but ourselves.
00:09:13Write fast, will you?
00:09:17I've been thinking about what you said at the club today.
00:09:20About capital punishment.
00:09:22You get engaged to my daughter
00:09:24and all you can think about is capital punishment?
00:09:26No, really, I'm serious, Austin.
00:09:27I haven't been able to get it out of my mind.
00:09:31You mean, then, that you agree with me
00:09:33about capital punishment?
00:09:34No, I'm not sure about that.
00:09:35But the idea that an innocent man
00:09:37could be executed kind of bothers me.
00:09:41It might be a good subject for a book.
00:09:43Oh, a book, a fictitious story
00:09:45wouldn't prove anything.
00:09:47It can only be proven by a fact
00:09:49that no one could deny.
00:09:51How?
00:09:53By having someone whose innocence I knew
00:09:56and could prove
00:09:57arrested, tried, and convicted
00:09:59for a murder he didn't commit.
00:10:02Well, it wouldn't be possible
00:10:04if the police had any real suspects.
00:10:06In a large city like this,
00:10:08homicides occur quite frequently.
00:10:11Sometimes the police are completely baffled.
00:10:14They have no clues,
00:10:15no suspects,
00:10:16nothing to go on.
00:10:19I believe in such a case
00:10:20it would be possible
00:10:21for an innocent man
00:10:23to plant evidence
00:10:24that would lead to his arrest,
00:10:26trial, and conviction.
00:10:30A case like that doesn't come up
00:10:31once in ten years.
00:10:34You said a case like this
00:10:36doesn't happen once in ten years.
00:10:38Yet, here it is.
00:10:39a burlesque dancer
00:10:41found strangled with a stocking
00:10:43in a ravine
00:10:44just outside of town.
00:10:46Now, the police apparently
00:10:47have no clues.
00:10:50And you think we could have someone
00:10:52who was innocent,
00:10:53arrested,
00:10:54convicted,
00:10:54and sentenced for this?
00:10:56Don't you?
00:10:56Don't you?
00:10:57I don't know.
00:11:02But I'll admit,
00:11:03if we could pull it off,
00:11:04it would make a great story.
00:11:06Who can we get for a guinea pig?
00:11:09You.
00:11:11Me?
00:11:12Well, why not?
00:11:14It requires someone
00:11:15with imagination,
00:11:16ingenuity,
00:11:17someone who would be believable
00:11:19as the unwitting victim
00:11:20of circumstances.
00:11:21You could do it.
00:11:23That's a weird,
00:11:25crazy idea.
00:11:27But maybe that's the reason
00:11:28that intrigues me.
00:11:30What about the risks?
00:11:32There wouldn't be any.
00:11:34Of course,
00:11:34you might be acquitted.
00:11:36But if we're lucky,
00:11:37you'll get the chair.
00:11:39That's the part
00:11:40that bothers me.
00:11:41And that is where
00:11:42I would come in.
00:11:43After you are convicted
00:11:45and sentenced,
00:11:46I would reveal
00:11:47the details of our plan.
00:11:48I have some standing
00:11:50in this community.
00:11:50You would be pardoned
00:11:52automatically.
00:11:54You make it all sound
00:11:55very simple.
00:11:56Well, it would be.
00:11:57Everyone knows
00:11:58that I've been trying
00:11:59for years
00:11:59to have this law
00:12:00on capital punishment
00:12:01changed.
00:12:02Of course,
00:12:02we might be criticized
00:12:03for the way we do it,
00:12:04but that wouldn't bother me
00:12:06if we accomplished something.
00:12:08How can we be sure
00:12:08the police have no suspects?
00:12:10Hmm.
00:12:11That's easy.
00:12:13Hmm.
00:12:13Hmm.
00:12:14Hmm.
00:12:14Hmm.
00:12:14Hmm.
00:12:14Hmm.
00:12:15Hmm.
00:12:15Hmm.
00:12:15Hmm.
00:12:16Hmm.
00:12:16Hmm.
00:12:17Hmm.
00:12:18Hmm.
00:12:18Hmm.
00:12:19Hmm.
00:12:19Hmm.
00:12:19Hmm.
00:12:20Hmm.
00:12:20Hmm.
00:12:20Hmm.
00:12:20Hmm.
00:12:21Hmm.
00:12:21Hmm.
00:12:22Hmm.
00:12:22Hmm.
00:12:23Yes, sir.
00:12:26Just a moment.
00:12:31Yes, the Patty Gray case.
00:12:34Lieutenant Kennedy's handling it.
00:12:36Looks like a good story.
00:12:37Do you think you can find out
00:12:41what they really have on it,
00:12:42if anything?
00:12:43I think so,
00:12:44but Kennedy may want it
00:12:45off the record
00:12:46for the time being.
00:12:47That's all right.
00:12:48We'll cooperate.
00:12:49But I want to know
00:12:50step by step
00:12:51what they're doing.
00:12:52Yes, sir.
00:12:55If they haven't got a suspect,
00:12:58we'll give them one.
00:12:59We've got 50 suspects.
00:13:01That gal kept pretty busy.
00:13:03The guy at the stage door
00:13:04couldn't keep track of them.
00:13:05Hmm.
00:13:06Any prospects among them?
00:13:08Well, it doesn't look too good.
00:13:10We've got a few descriptions
00:13:12we're checking out now.
00:13:14The only thing we really know
00:13:16is that she lived alone
00:13:17at a rooming house.
00:13:19Strange thing about that.
00:13:21Why?
00:13:22Well, after her body was found,
00:13:24we went over her room.
00:13:26It had obviously been ransacked.
00:13:27We couldn't find a thing.
00:13:28No letters, no papers,
00:13:31no address book,
00:13:32no fingerprints, nothing.
00:13:34Those girls from the club
00:13:35are here, Lieutenant.
00:13:37Send in
00:13:37Joan Williams first.
00:13:40Miss Williams?
00:13:46Sit down, Miss Williams.
00:13:54According to this,
00:13:56at one time,
00:13:57you lived with Patty Gray,
00:13:58correct?
00:13:59For a little while.
00:14:00You two were pretty good friends.
00:14:02I hardly knew her.
00:14:04Then how did you come
00:14:05to be living with her?
00:14:07When I came to town
00:14:09to work at the club
00:14:10a few weeks ago,
00:14:11well,
00:14:11I didn't have any place to stay.
00:14:14Patty offered to let me live with her
00:14:16if I paid her $15 a week.
00:14:19I think she needed the money.
00:14:22I understand that you moved out
00:14:23a few days before she was murdered.
00:14:25Why?
00:14:27You two have a fight?
00:14:29Oh, no.
00:14:30She just came home one night
00:14:31and told me to get out.
00:14:33Just like that.
00:14:34For no reason.
00:14:35I thought she needed the money.
00:14:37That's what I thought, too.
00:14:38And I asked her about it.
00:14:40But she just laughed
00:14:41and said she didn't need
00:14:42my, uh,
00:14:43my lousy $15 anymore.
00:14:47She had an awful lot of money
00:14:49with her that night.
00:14:50Did she, uh,
00:14:52did she say where she got in?
00:14:54She didn't say anything.
00:14:56She just told me to get out.
00:14:58Is there anything you can tell me
00:15:00that might help us find out
00:15:01who murdered her?
00:15:02Oh, gee, I wish I could,
00:15:04but I'm afraid I can't help.
00:15:06Like I say,
00:15:07I've only been here a couple of weeks.
00:15:09This is only my first job.
00:15:11Thank you for coming in,
00:15:12Miss Williams.
00:15:20Send in those two other girls.
00:15:25What do you want with us?
00:15:27Well, I, uh,
00:15:28I'd like to ask you girls
00:15:29a few questions.
00:15:30In the middle of the night?
00:15:32It's quarter three.
00:15:33We are artists.
00:15:34We need our sleep.
00:15:36Yeah, we gotta keep in shape.
00:15:37You're doing a very good job.
00:15:39Thanks.
00:15:40What about some breakfast?
00:15:41Yes, how about some coffee?
00:15:43What, no donuts?
00:15:45No donuts.
00:15:46Hmm.
00:15:50Ugh, with this,
00:15:53you need a knife and a fork.
00:15:55You girls shared a dressing room
00:15:56with Patty Gray.
00:15:58What sort of a girl was she?
00:16:00All right, I guess.
00:16:01All right?
00:16:01She was a creep.
00:16:03What do you mean, a creep?
00:16:04A creep, a conniver, a tramp.
00:16:06What about her private life?
00:16:08Nobody knew much about that,
00:16:10but she wouldn't have won
00:16:11any popularity contests.
00:16:14If nobody knew much
00:16:15about her private life,
00:16:17why was she so unpopular?
00:16:18Well, it's like this.
00:16:19She was one of those kind of people.
00:16:21When you knew her a little bit,
00:16:22you didn't like her.
00:16:23You had to know her real good
00:16:24to despise her.
00:16:26We're trying to find out
00:16:27who killed Patty Gray.
00:16:29If there's any cooperation
00:16:30you can give us.
00:16:32For Pete's sake, tell him.
00:16:34I can't stay in,
00:16:35drink any more of this coffee.
00:16:36There's nothing to tell her.
00:16:38I never even got a good look at him.
00:16:39Oh.
00:16:40The guy who picked her up
00:16:41the night she was bumped off.
00:16:42Somebody picked her up that night?
00:16:45Yeah.
00:16:46Patty and me left the club
00:16:47together that night.
00:16:48There was a fellow
00:16:49waiting for her in the car.
00:16:51They drove off together.
00:16:53What did he look like?
00:16:57Well, he was sort of average build.
00:17:00He had a great tweed top coat
00:17:02and a brown hat,
00:17:03and he was smoking a pipe.
00:17:05Did you see his face?
00:17:07Uh-uh.
00:17:08They drove off too quick.
00:17:10What kind of a car was he driving?
00:17:12It was a sort of a dark new sedan.
00:17:15I don't know what kind.
00:17:17Did you get the license number?
00:17:19What for?
00:17:21Well, it's six days,
00:17:22and the police apparently
00:17:23don't have any more now
00:17:24than when they started.
00:17:26Only a vague description
00:17:27of the man who picked her up that night.
00:17:29Think they'll be able
00:17:30to develop anything from that?
00:17:31Oh, I doubt it.
00:17:33That's not very much of a lead
00:17:34to work on.
00:17:39Well, I think I'm ready
00:17:41to risk it now.
00:17:42What about you?
00:17:45Well, I can easily make myself
00:17:46the man in the gray coat
00:17:47and the brown hat.
00:17:49I even drive a dark late model car.
00:17:51Now, we must remember this.
00:17:53Any evidence we plant
00:17:54must be things that could happen
00:17:56to any innocent, unwitting suspect.
00:17:59What about Susan?
00:18:01Do we let her in on this?
00:18:03Oh, I'd rather not.
00:18:04If you're arrested,
00:18:05the police are certain
00:18:06to question her.
00:18:08Under pressure,
00:18:09she might let something slip.
00:18:10Seems like an awful thing
00:18:12to do to her.
00:18:13She loves you, Tom.
00:18:14She'd never believe
00:18:15that you did it.
00:18:16I hope you're right.
00:18:17And if I know Susan,
00:18:18she'd even try to help.
00:18:19Just you see that she doesn't
00:18:20try to help too much.
00:18:22If she starts to fight for me,
00:18:24we might have a little difficult
00:18:25in getting me convicted.
00:18:27Well, what's the next move?
00:18:30What about an evening
00:18:31of cultural entertainment?
00:18:39Didn't a couple of these girls
00:18:41share a dressing room
00:18:42with Patty Gray?
00:18:43Yes, this one, Terry LaRue,
00:18:45and this blonde, Dolly Moore.
00:18:47How do you know?
00:18:50Charlie Miller said to her.
00:18:52Oh.
00:18:55May I take your thing?
00:18:58Anytime.
00:19:00The hat.
00:19:01Oh.
00:19:01Oh.
00:19:01What impression did you get
00:19:19about this girl from Charlie?
00:19:20Oh, so-so.
00:19:21No genius,
00:19:22but not too stupid either.
00:19:23Oh, so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so
00:19:53What do you have?
00:19:55Do you have any suggestions on how I might go about meeting Ms. Moore?
00:19:58The artists don't date with the customers.
00:20:07The artists eatin' a joint across the street.
00:20:10I've got some soda, please.
00:20:40One is a red wine?
00:20:42One is a red wine?
00:20:44Do you have any other ones?
00:20:46Two are those lbs?
00:20:49Okay.
00:20:51Two are the ones that are more beautiful.
00:20:54And they're giving me a look at a red wine in the yellow winehouse.
00:20:58Are you ready?
00:21:00All right, sir.
00:21:01There.
00:21:05Oh, I'm terribly sorry.
00:21:18Having a good time?
00:21:21Really, I'm sorry. I was only trying to help.
00:21:24Who, you or me?
00:21:29Well, could I pay for the damage I've done?
00:21:34Well, that's the least you can do.
00:21:37This is very embarrassing. I don't seem to have much money with me.
00:21:41Wouldn't you know?
00:21:44I'm sorry.
00:21:47Well, could I get in touch with you?
00:21:49You've touched enough already.
00:21:52I apologize for the trouble I've caused you.
00:22:00I think he's a doll.
00:22:02Crumb.
00:22:03The gray tweed looks particularly well on you, sir.
00:22:08No, that's fine.
00:22:09I'll take it.
00:22:11How much is it?
00:22:12That'll be $39.50.
00:22:13I'll just wear it.
00:22:18There you are.
00:22:19Thank you, sir. I'll have you change your receipt in a moment.
00:22:27Okay.
00:22:27Wait a minute.
00:22:31Why don't you get yourself in the picture, in the mirror?
00:22:34That's a good idea.
00:22:37This ought to be about right.
00:22:47Can you direct me to Miss Dolly Moore's room, please?
00:22:50Room two.
00:22:59All right, girls. On you go.
00:23:03Hi.
00:23:04I'll be back in a couple of minutes.
00:23:06I'm looking for Dolly Moore.
00:23:08Oh.
00:23:14You again. Get lost.
00:23:16Well, I, I hate to bother you, but I told you last night I want to pay you for that outfit I wrote.
00:23:23So, if you tell me how much it cost.
00:23:32Well, I don't remember, but, uh, it was a very expensive outfit, of course.
00:23:37Of course.
00:23:38Would, uh, say, a hundred cupboards?
00:23:42Well, it, uh, probably cost more, but I'm not greedy like some girls.
00:23:47I'm, uh, sorry I lost my temper, but, uh, my performances are very tiring.
00:23:55I can imagine.
00:23:57Just to show there are no hard feelings, would you let me buy you dinner?
00:24:01Well, I mean, I don't usually, uh...
00:24:04I understand.
00:24:05Have you ever been to the Continental?
00:24:08Hey, I hear it's a real classy place.
00:24:12It's very nice.
00:24:14Would you like to go there tomorrow night after you're through work?
00:24:16Say, you're all right.
00:24:20So are you, Dolly.
00:24:21And I'll pick you up after the show tomorrow.
00:24:26Good night.
00:24:27Goodbye.
00:24:32Cheers.
00:24:43Hello, Dolly.
00:24:44Hello.
00:24:46Darling, you look absolutely wonderful.
00:24:50Oh, you've been neglecting me, so I want to show you what you've been missing.
00:24:55What can I fix you to drink?
00:24:57Oh, Sherry.
00:25:01How's the book progressing?
00:25:02Oh, it's coming along, but there's an awful lot of research involved.
00:25:08Well, I'll try to take your mind off it.
00:25:11What would you like to do after dinner?
00:25:12I know what I'd like to do, but unfortunately, I've got to get back to work.
00:25:20You asked me to write fast, remember?
00:25:22Oh, I wish it were finished.
00:25:23So do I, darling.
00:25:25I don't enjoy this any more than you do.
00:25:27Do you believe that, Father?
00:25:28I would hate to think he was having a good time.
00:25:37Hello.
00:25:38Oh, hi.
00:25:40All right if I wait in here for Dolly?
00:25:42If you're in a hurry, I'm ready to leave.
00:25:44Thanks for the offer.
00:25:46Anytime.
00:25:48Cigarette?
00:25:49No, thanks.
00:25:53What's this?
00:25:54Body makeup.
00:25:57Do you all use the same kind?
00:26:00Mm-hmm.
00:26:00Why?
00:26:01I just wondered.
00:26:03Did Patty Gray use this kind?
00:26:05Yeah.
00:26:06Did you know Patty?
00:26:07No.
00:26:08I was just curious about her.
00:26:10Her hair wasn't the same color as yours and Dolly's.
00:26:12How do you know it wasn't?
00:26:16Her picture was all over the papers.
00:26:18A lot of good the publicity does her now.
00:26:34Give me a hand, will you, honey?
00:26:36Sure.
00:26:37I have more trouble getting into this than getting out of it, huh?
00:26:39Ain't it the truth?
00:26:42Hello, Dolly.
00:26:44You two having a good time?
00:26:45I was just entertaining while you were gone.
00:26:47I can do my own entertaining.
00:26:55Can I?
00:26:58Quote,
00:26:58A rising young author whose initials are Tom Garrett
00:27:01has been seen lately in several spots with a dazzling blonde.
00:27:05They were at the Continental the other night.
00:27:07We wonder what Susan Spencer thinks about this.
00:27:10Unquote.
00:27:11Is this your idea of research?
00:27:13It's nothing for you to get upset about, believe me.
00:27:15Oh, no.
00:27:16It's perfectly natural for you to be celebrating our engagement with a dazzling blonde.
00:27:21Did you two have a good time?
00:27:22I'm trying to write a book.
00:27:25About women?
00:27:27Actually, that is part of my work.
00:27:29Oh, Tom.
00:27:30I'm hardly a prude, and I think I'm reasonably modern.
00:27:34If you're giving your ego a workout having a fling,
00:27:37have fun, but dishonesty not with me.
00:27:41Susan, this is something I have to do.
00:27:43All right.
00:27:44Give me one good reason why.
00:27:45Why, I can't explain it now, but you'll understand later.
00:27:51Just trust me.
00:27:55You were on page four three weeks ago, and you're on page four now.
00:27:59You're not a slow writer.
00:28:01You just don't write.
00:28:02Susan, you've got to listen to me.
00:28:04There's a point to all this.
00:28:05Oh, and I've just gotten it.
00:28:07You're obviously distracted enough without me,
00:28:09so I'll make things easy for you.
00:28:11You wanted a postponement?
00:28:12Oh, dear boy, you've got one.
00:28:27She was pretty sore.
00:28:29It's no fit of temper.
00:28:31She means it.
00:28:31I know.
00:28:32What could I do?
00:28:33We agreed not to tell her about this.
00:28:36True.
00:28:37But I don't want to see your happiness or her as jeopardized.
00:28:40Neither do I.
00:28:41I think it'll be all right when we tell her what we're doing.
00:28:56You're sure this is where they found her?
00:28:59Oh, yes.
00:29:00Enough pictures of it in the newspaper.
00:29:02They found the girl's body down there.
00:29:17I hope the police find this.
00:29:19I'm sentimental about it.
00:29:20Can't you get the date of the newspaper in?
00:29:30If I get close enough.
00:29:31Well, let's see.
00:29:43You ought to find it in there.
00:29:46When are we going to start to work on the car?
00:29:48Tonight, after I have dinner with Dolly.
00:29:49Has she seen you in the coat and the hat yet?
00:29:52She will tonight.
00:29:52There you are.
00:30:07Pretty good.
00:30:08Thanks for dinner.
00:30:17Sorry I don't have more time.
00:30:18Where am I later?
00:30:19It's a nice night.
00:30:21We could go for a drive.
00:30:22Sounds great.
00:30:23Hey, you two, break it up.
00:30:24We're going to be late.
00:30:25Okay, you run along.
00:30:26I'll pick you up later.
00:30:27Good night, Terry.
00:30:28Night.
00:30:28Want a candy?
00:30:29Uh-uh.
00:30:54Hey, Terry, quit digging the scenery.
00:30:56Wait.
00:30:58I thought we were late.
00:31:01How must you know about that guy?
00:31:03He's the best scorer I've made in a long time.
00:31:08Maybe, maybe you shouldn't get so, so chummy with him.
00:31:11Yeah, and give you a chance to move in.
00:31:14No kidding.
00:31:15Maybe you ought to be a little more careful.
00:31:17Remember what happened to Patty.
00:31:18Oh, come on.
00:31:25Notice what he was wearing.
00:31:27Great tweet, topcoat.
00:31:30Brown hat.
00:31:31Now, how about that new black car he drives?
00:31:33Now your head's drafty.
00:31:35This guy's got a lot of class.
00:31:37Yeah, if he's got so much class, what's he doing with you?
00:31:39There's something wrong with me.
00:31:41Oh, I don't mean it like that, Dolly.
00:31:43No.
00:31:44Oh, honey, you'll figure it out.
00:31:46A guy shows up out of nowhere, goes on the make.
00:31:49With his looks and his job, what's he shopping around in the basement for?
00:31:52Why, you got...
00:31:53Here's the two aspirin I owe you.
00:31:56I like to keep my credit good.
00:32:00Does this get for real?
00:32:05He did ask me to go for a ride later.
00:32:08Yeah, well, just remember that last ride Patty took.
00:32:12Well, I guess it won't hurt to play safe.
00:32:15But if you try to move in, I'll put you in bandages.
00:32:26I'll call that Lieutenant Kennedy.
00:32:27The police will naturally be looking for Patty Gray's fingerprints.
00:32:44Since we can't give them hers,
00:32:46it should make them suspicious if they can't find any fingerprints at all.
00:32:50Give them something to think about anyway.
00:32:51Well, I bought this body makeup today.
00:33:02Here's a dated sales slip.
00:33:05You better keep it with the pictures.
00:33:06You ready?
00:33:21Just a second.
00:33:24Okay.
00:33:32Don't rub most of this stuff off.
00:33:34Sure enough of it will stick in the seams.
00:33:52All through?
00:33:53Not quite.
00:34:00Hey.
00:34:01That's pretty good.
00:34:08This is a very important little item.
00:34:11I hope it's the right size.
00:34:22Now hold it.
00:34:23Well, that should do it.
00:34:35Oh, Austin, you better take that bottle of makeup and that rag and those stuff when you go.
00:34:40I can't have those found around here.
00:34:42Okay.
00:34:42Tom, are you sure you want to go through with this?
00:34:55Well, we're into it too far.
00:34:57I couldn't back out now if I wanted to.
00:34:59Well, gee, Lieutenant, if the guy's okay, I don't want him to get sore at me.
00:35:14Well, we'll be as discreet as possible.
00:35:17You just act normal.
00:35:19And don't be afraid.
00:35:21We'll be watching you every minute.
00:35:45What are we doing here?
00:36:07It's a nice view from up here.
00:36:10I thought you might like it.
00:36:12Yeah, it's very pretty.
00:36:14Let's go back.
00:36:17What's your hurry?
00:36:19I'm tired.
00:36:22Just relax.
00:36:24You'll feel better.
00:36:27I don't want to.
00:36:30You will.
00:36:33Stop it!
00:36:35Let me go!
00:36:36All right, unwind.
00:36:38All right, unwind.
00:36:43What do you want?
00:36:45Lieutenant Kennedy, homicide.
00:36:48You've been asking me questions for four hours now.
00:36:51We're investigating a homicide, Mr. Garrett.
00:36:54And I've been telling you I never knew that girl, or anything about her.
00:36:58What were you doing Wednesday evening, the ninth of this month?
00:37:05That was almost three weeks ago.
00:37:08Not a very long time.
00:37:09Can you remember what you were doing that night?
00:37:12I am asking the questions, Mr. Garrett.
00:37:15I can't recall what I was doing.
00:37:18Try.
00:37:19Try.
00:37:19Oh, I think I went to the movies.
00:37:30At what time?
00:37:33Well, I went to the late show.
00:37:35It was about 11 o'clock.
00:37:37Then I went home and went to bed.
00:37:39What's that got to do with all this?
00:37:41Did you go alone?
00:37:43Yes.
00:37:43Can you substantiate this?
00:37:46I told you I went alone.
00:37:47How can I substantiate it?
00:37:49I'll just have to take my word for it, fellow.
00:37:53Thank you, Mr. Garrett.
00:37:55Please wait outside.
00:38:02Are you through with Dolly Moore, Roy?
00:38:04You can send her home.
00:38:13What's your step on this case, Roy?
00:38:16Meaning what?
00:38:17Garrett's Spencer's future son-in-law.
00:38:20And everybody knows Spencer's been opposing you on capital punishment.
00:38:23If the idea ever gets started,
00:38:25that you're prosecuting Garrett to get back at Spencer.
00:38:31This case can be the biggest step I've ever made,
00:38:34if I handle it right.
00:38:39And I will.
00:38:43Go send out for coffee if you want some.
00:38:58Thanks.
00:38:58I don't expect to be here that long.
00:39:03Take him downstairs, Joe.
00:39:05Pete's waiting to book him.
00:39:13You're booking me, Thompson?
00:39:18That's right, Mr. Garrett.
00:39:19For what?
00:39:21Suspicion of murder.
00:39:24I wear a gray topcoat,
00:39:26drive a black car,
00:39:28and a burlesque dancer gets suspicious.
00:39:30And for this, you're booking me for murder.
00:39:33There's more to it than that.
00:39:34What more could there be?
00:39:35I'm not going to try the case here, Mr. Garrett.
00:39:37I'll do that in court.
00:39:41Let's go, Garrett.
00:39:42You know, as well as I do, Tom,
00:39:49had nothing to do with this.
00:39:50If you're going to be honest,
00:39:52you'll insist the police find the real murderer.
00:39:54No newspaper can do that.
00:39:56Once the case starts,
00:39:57we can't take sides.
00:39:59We just report.
00:40:00I cannot understand your attitude.
00:40:02It's quite simple.
00:40:04I don't want to prejudge this case.
00:40:06That's what trials are for.
00:40:08Did you run down his background?
00:40:10Yeah, went to college in Michigan.
00:40:13Good record.
00:40:15Apparently, he ran out of money and had to quit.
00:40:16Worked on a newspaper in Chicago for a while
00:40:18before he worked for Spencer.
00:40:20Quit to write a novel.
00:40:21Hit big with it,
00:40:22but none of this helps us much.
00:40:28Maybe you'd better have a talk
00:40:29with Austin Spencer and his daughter.
00:40:30I wish you'd ask someone else to do that, Roy.
00:40:36Why?
00:40:36Well, I used to know Susan Spencer.
00:40:39We went together for a while.
00:40:42Oh.
00:40:43What happened?
00:40:44Nothing happened.
00:40:45I guess she just wasn't interested.
00:40:48Were you?
00:40:50And still?
00:40:51Well, then she'll understand.
00:40:55You're just doing your job.
00:40:56Well, I don't know if you're going to do it, Roy.
00:40:59Sure.
00:41:04This is very difficult for all of us,
00:41:06but if you can shed any light on this case,
00:41:10did you know or did you have any reason
00:41:12to suspect Garrett's relationship with Patty Gray?
00:41:14Certainly not.
00:41:15I knew nothing about it, Bob.
00:41:17Oh, I know you think I'm trying to protect Tom,
00:41:19but I've no reason to do that.
00:41:22You were engaged to him.
00:41:23We broke it off long before this happened.
00:41:24Can you tell me why?
00:41:27Well, nothing to do with the case,
00:41:29but I just realized he wasn't the man for me.
00:41:32What reason could he possibly have for such a crime?
00:41:36Well, Thompson believes that Garrett
00:41:37had some sort of clandestine affair with this girl.
00:41:40She resisted him or he couldn't get rid of her
00:41:42and he strangled her.
00:41:44That's ridiculous.
00:41:45I admit that I'm disillusioned about Tom
00:41:47for personal reasons,
00:41:49but he's certainly no murderer.
00:41:51Then I have to tell you
00:41:53that a gold cigarette lighter
00:41:54with the inscription to Tom from Susan
00:41:56has been found by the police
00:41:58near the ravine where the girl's body was discovered.
00:42:02Do you know anything about this lighter?
00:42:09I gave that lighter to Tom.
00:42:11Now, will you help me if you can?
00:42:12Neither Susan nor I have any information
00:42:15that would substantiate Tom Garrett's guilt.
00:42:21Forgive me for troubling you.
00:42:24I'm sorry, Susan.
00:42:26Goodbye.
00:42:29Murder, after all, can be committed by anyone,
00:42:33rich or poor, successful or unsuccessful,
00:42:36famous or unknown.
00:42:38And I will demonstrate to you
00:42:39that Tom Garrett, successful author,
00:42:41is, in fact, a murderer.
00:42:45But beneath his intellectual and cultured exterior,
00:42:48he was moved by brutal impulses,
00:42:50which induced him to commit,
00:42:52deliberately and premeditatedly,
00:42:54a particularly vicious murder.
00:42:57I shall prove it, as the law requires,
00:42:59beyond a reasonable doubt.
00:43:01Before Patti Gray was murdered,
00:43:04she told you she didn't want you
00:43:05to room with her anymore.
00:43:07You also testified that she had
00:43:08quite a bit of money with her.
00:43:10Is that correct?
00:43:10Yes, sir.
00:43:12She took it out of her purse
00:43:13and sort of flashed it around in front of me.
00:43:17How much money would you say she had?
00:43:20I couldn't say for sure.
00:43:22But there must have been
00:43:23at least $2,000 or $3,000.
00:43:26Did she say where she got the money?
00:43:28No.
00:43:29I asked her, but all she said was,
00:43:32wouldn't you like to know?
00:43:34I told her I would,
00:43:35but she still didn't tell me.
00:43:36There you are, my dear.
00:43:42Well, things didn't go too badly today.
00:43:45Particularly when I made it clear
00:43:47that Tom's gray top coat
00:43:48is a popular ready-made model
00:43:50worn by thousands of other men.
00:43:51And those two dancers
00:43:52didn't help Thompson's case either.
00:43:55I tried to point out
00:43:56that Terry LaRue's description
00:43:58of the man who picked up
00:43:59Patti Gray that night
00:44:00could apply to a lot of men.
00:44:02I hope I succeeded.
00:44:03I think you made your point.
00:44:05Well, they're showing highlights
00:44:06of the trial every evening.
00:44:09Let's see how it looked today.
00:44:17Following the testimony
00:44:19of Terry LaRue,
00:44:20the last person
00:44:21to see Patti Gray alive,
00:44:23District Attorney Thompson
00:44:24put John Higgins,
00:44:26a police laboratory technician,
00:44:28on the stand.
00:44:28I ask you,
00:44:30as an expert
00:44:30on the subject of fingerprints,
00:44:31if it is likely
00:44:33that in the ordinary cleaning
00:44:35of a car,
00:44:36all fingerprints
00:44:37would be removed
00:44:38from the interior
00:44:39and exterior surfaces.
00:44:41I think that would be
00:44:42very unusual.
00:44:43In other words,
00:44:45cleaning a car
00:44:45in such a manner
00:44:46would indicate
00:44:47a desire to remove
00:44:49fingerprints
00:44:49rather than any passion
00:44:51for cleanliness.
00:44:52Is that correct?
00:44:52I object, Your Honor.
00:44:53This is not proper examination.
00:44:55The District Attorney
00:44:56is attempting to draw
00:44:57a conclusion from the witness.
00:44:59I withdraw the question,
00:45:00Your Honor.
00:45:01This is a conclusion
00:45:03which should be made
00:45:04by the jury.
00:45:10Thompson has a great talent
00:45:11for making minor points
00:45:12seem important.
00:45:14Later in the day,
00:45:15Thompson recalled
00:45:16Dolly Moore
00:45:17to the stand.
00:45:18The laboratory technician
00:45:19of the police department
00:45:20has testified
00:45:21that traces of makeup
00:45:22were found
00:45:23in the seams
00:45:24of the upholstery
00:45:24of the defendant's car.
00:45:26This makeup
00:45:27has been identified
00:45:28as Foster's Makeup
00:45:30No. 9.
00:45:32Do you know
00:45:32what brand of makeup
00:45:34Miss Gray used?
00:45:35Foster's No. 9.
00:45:37To your knowledge,
00:45:38did she ever use
00:45:38any other kind?
00:45:40No, sir.
00:45:44We have presented
00:45:45highlights of today's session
00:45:47of the Garrett trial.
00:45:48Beware.
00:45:51Seems to me
00:45:52that Thompson
00:45:53didn't make very much
00:45:54of the body makeup.
00:45:55Yes, that worries me.
00:45:59Having brought it up,
00:46:00I didn't expect him
00:46:00to make so little of it.
00:46:03He must have something
00:46:04up his sleeve.
00:46:06And when did you give
00:46:07this lighter
00:46:08to the defendant,
00:46:09Miss Spencer?
00:46:09May 7th.
00:46:10Well, only two days
00:46:13before the murder
00:46:14of Patty Gray.
00:46:15Mm-hmm.
00:46:16What did the lighter cost?
00:46:18$275.
00:46:21Do you recall
00:46:22when you last saw
00:46:23this lighter
00:46:24in the possession
00:46:24of the defendant?
00:46:34Miss Spencer,
00:46:36I ask you again,
00:46:37when did you last
00:46:38see this lighter
00:46:39in the defendant's
00:46:40possession?
00:46:42I...
00:46:42I don't remember.
00:46:46Well, I don't know
00:46:47how it got up there.
00:46:48I'd lost the lighter.
00:46:49Whoever found it
00:46:50must be the one
00:46:51who dropped it up there.
00:46:52Now, it has been testified
00:46:53that Patty Gray wore
00:46:54a brand of makeup,
00:46:55particles of which were found
00:46:56in the upholstery
00:46:57of your car.
00:46:58Was Patty Gray
00:46:59ever in your car?
00:47:00She was not.
00:47:01I never met her
00:47:02in my life.
00:47:03Dolly Moore
00:47:04has been in my car
00:47:05several times.
00:47:06She's a performer,
00:47:07wears body makeup.
00:47:09I guess the makeup
00:47:09must have rubbed off her.
00:47:12I'm sure that explains it.
00:47:14Now,
00:47:15it has also been testified
00:47:16that the man
00:47:17seen driving off
00:47:18with Patty Gray
00:47:19the night she was murdered
00:47:20was smoking a pipe.
00:47:21Do you now
00:47:22or have you ever
00:47:23smoked a pipe?
00:47:25I have never smoked a pipe
00:47:27at any time.
00:47:29Then you want us
00:47:30to believe
00:47:30that you lost
00:47:31this gold cigarette lighter
00:47:32between the time
00:47:33Miss Spencer gave it to you
00:47:34and the time
00:47:36Patty Gray was murdered
00:47:37in the space
00:47:37of only two days.
00:47:38It's true.
00:47:39And am I right
00:47:40that you and Susan Spencer
00:47:41became engaged
00:47:42two days before
00:47:43the murder of Patty Gray?
00:47:44I don't see what one thing
00:47:45has to do with the other.
00:47:46Oh,
00:47:47might there not be
00:47:48a connection
00:47:49if, for instance,
00:47:51you had to get rid
00:47:52of Patty Gray
00:47:53in order to fulfill
00:47:54your commitment
00:47:55to Miss Spencer?
00:47:56Your Honor,
00:47:56I am next strongly
00:47:57to this.
00:47:57All right,
00:47:58Mr. Wilson.
00:48:00I withdraw the question.
00:48:02Did you file a claim
00:48:03with the insurance company
00:48:04for the loss
00:48:06of this valuable lighter
00:48:07which you now
00:48:08allege to have lost
00:48:09so innocently?
00:48:11Uh,
00:48:12no,
00:48:15I guess not.
00:48:19Oh,
00:48:20uh,
00:48:20yesterday's transcript.
00:48:22Mr. Garrett,
00:48:24yesterday,
00:48:26attempting to explain
00:48:27the absence
00:48:28of fingerprints
00:48:29on your car.
00:48:31You testified,
00:48:32and I quote,
00:48:34what is so unusual
00:48:37about that?
00:48:38I am very fussy
00:48:40about my car
00:48:41and I keep it clean
00:48:42at all times.
00:48:43Unquote.
00:48:44That's true.
00:48:46Well,
00:48:47Mr. Garrett,
00:48:47with such a fetish
00:48:49for neatness,
00:48:50how do you explain
00:48:51the fact
00:48:51that a woman's stocking,
00:48:53one stocking,
00:48:54was found
00:48:54in the glove compartment
00:48:55of your car?
00:48:57Oh.
00:48:58some time ago,
00:48:59a lady friend of mine
00:49:00got a bad run
00:49:01in the stocking.
00:49:03She took it off
00:49:03and put it in a glove compartment.
00:49:05Who was the lady?
00:49:09I don't remember.
00:49:10I believe it was
00:49:12someone I met
00:49:12at a party.
00:49:13I merely drove her home.
00:49:15I didn't really know her.
00:49:16You've testified,
00:49:17Mr. Garrett,
00:49:17that you've never smoked a pipe.
00:49:19That's right.
00:49:20You're sure?
00:49:21You may have forgotten.
00:49:22I'd certainly remember
00:49:23whether or not
00:49:23I'd ever smoked a pipe.
00:49:24Really?
00:49:26Perhaps not.
00:49:27You can't even remember
00:49:28what you were doing
00:49:29the night Patty Gray
00:49:30was murdered.
00:49:30I told you
00:49:31what I was doing.
00:49:32I went to the movies.
00:49:33Oh, of course.
00:49:34You went to the movies.
00:49:35Alone.
00:49:36That's your claim,
00:49:37isn't it?
00:49:37That's the truth.
00:49:40Is there a pipe smoker
00:49:42among the gentlemen
00:49:43of the jury?
00:49:45Will you please fill
00:49:46and light your pipe for us
00:49:47and stand up
00:49:48so they can all see?
00:49:49No, one moment, please.
00:50:05May I?
00:50:10You'll recall
00:50:10it's been testified
00:50:11that the man last seen
00:50:13with Patty Gray
00:50:13in the night she was murdered
00:50:14was smoking a pipe.
00:50:16Now, please note
00:50:17the circular brown stain
00:50:19on the back
00:50:19of this match cover
00:50:20just used
00:50:20by your fellow juror here.
00:50:22You'll also notice
00:50:24similar stains
00:50:25on these match covers
00:50:26which were found
00:50:27by the police
00:50:28in the home
00:50:28and the garage
00:50:29of the defendant
00:50:30after his arrest.
00:50:33And you have never
00:50:35smoked a pipe,
00:50:36Mr. Garrett?
00:50:38I told you that.
00:50:39I do have visitors
00:50:40occasionally, however.
00:50:42Some of them
00:50:42smoke pipes.
00:50:44I guess that would explain
00:50:45how the match covers
00:50:46became stained.
00:50:47I doubt it,
00:50:49Mr. Garrett.
00:50:49I doubt it very much.
00:50:52Now, Mr. Garrett,
00:50:54Miss Joan Williams
00:50:54has testified
00:50:55that Patty Gray
00:50:56had a considerable
00:50:57sum of money with her,
00:50:58perhaps as much
00:50:59as $3,000
00:51:00two days before
00:51:01she was murdered.
00:51:02Have you any idea
00:51:03how she might have
00:51:04obtained it?
00:51:04How would I know?
00:51:06I've told you
00:51:06a hundred times
00:51:07I don't know anything
00:51:07about Patty Gray.
00:51:09But our investigation
00:51:11of your bank records
00:51:13discloses that
00:51:14two days before
00:51:15Patty Gray
00:51:16was murdered,
00:51:17you withdrew
00:51:18the sum of $3,000
00:51:19from your account.
00:51:21Did you give that money
00:51:22to Patty Gray?
00:51:25I certainly did not.
00:51:26Then why did you
00:51:27withdraw the money?
00:51:30Not that it's
00:51:30any concern of yours,
00:51:32but I withdrew the money
00:51:33to purchase
00:51:34an engagement ring.
00:51:36Well, how do you
00:51:36explain the fact
00:51:37that three days later
00:51:38you redeposited
00:51:39$2,800?
00:51:41Did you purchase
00:51:41an engagement ring
00:51:42for $200?
00:51:44I didn't purchase
00:51:45an engagement ring.
00:51:47My engagement
00:51:47was postponed.
00:51:51Are you sure
00:51:51you didn't withdraw
00:51:52that money
00:51:53to give to Miss Gray
00:51:54and, after murdering her,
00:51:55ransack her apartment,
00:51:57reclaim what was left
00:51:58of the money
00:51:58and redeposit it?
00:51:59That's absolutely untrue.
00:52:01It's just an awful
00:52:01coincidence that I have...
00:52:03Another coincidence,
00:52:04Mr. Garrett.
00:52:06Apparently,
00:52:06that's your explanation
00:52:07for all the evidence
00:52:08in this case.
00:52:10Well, now,
00:52:10let's move on
00:52:11to another coincidence.
00:52:14Other than Patty Gray
00:52:15and Dolly Moore,
00:52:16can you tell us
00:52:17what other female
00:52:18theatrical performers
00:52:19have recently been
00:52:20in your car with you?
00:52:20Patty Gray was never
00:52:21in my car.
00:52:22I told you,
00:52:23I never even met her.
00:52:24Ah, yes, yes,
00:52:24you did say that,
00:52:25didn't you?
00:52:26Well, other than
00:52:27Dolly Moore,
00:52:28what other female
00:52:28performers have recently
00:52:29been in your car?
00:52:30There were no others.
00:52:33With the court's permission,
00:52:34I would like to excuse
00:52:35this witness temporarily
00:52:36and recall Miss Moore
00:52:37to the stand.
00:52:38You may do so.
00:52:41Miss Moore, please.
00:52:49You realize, Miss Moore,
00:52:51that you're still testifying
00:52:52under oath?
00:52:53Yes, sir.
00:52:54Miss Moore,
00:52:55the defendant has testified
00:52:56that the particles
00:52:57of body makeup
00:52:58which were found
00:52:58in his car
00:52:59must have rubbed off you.
00:53:02Don't you believe it.
00:53:03I always take my body makeup
00:53:05off before I leave the club.
00:53:08I see.
00:53:09Uh, tell me,
00:53:11was this Miss Patty Gray's
00:53:13habit also?
00:53:14No, just the opposite.
00:53:16She always waited
00:53:16till she got home
00:53:17to take it off.
00:53:19The body makeup, I mean.
00:53:22Thank you, Miss Moore.
00:53:23The jury has been out
00:53:35since early yesterday.
00:53:37After being locked up
00:53:38for the night,
00:53:39they resumed their deliberations
00:53:40early this morning.
00:53:42Although there has been
00:53:43no indication
00:53:43when they will be ready
00:53:45to render their verdict,
00:53:46it is the feeling
00:53:46of most observers
00:53:47who have followed
00:53:48the trial closely
00:53:49that a decision
00:53:50may be expected
00:53:51sometime this morning.
00:53:54Court sessions
00:53:55usually open
00:53:55at 10 o'clock.
00:53:57But before 9 a.m.,
00:53:59spectators and members
00:54:00of the press
00:54:01had already begun
00:54:02to congregate
00:54:03at the courthouse.
00:54:05The trial of Tom Garrett
00:54:07has attracted
00:54:08increasingly wide attention.
00:54:09At the time of his arrest,
00:54:25Garrett was at work
00:54:26on his second number.
00:54:39And so the fate
00:54:43of Tom Garrett today
00:54:44rests solely
00:54:46in the hearts and minds
00:54:47of 12 jurors.
00:54:52Hello, Jonathan.
00:54:53Go on, Tom.
00:54:53Don't get up.
00:54:55You ready to sit down?
00:54:57Yes.
00:54:59Relax, Jonathan.
00:55:00You're not on trial.
00:55:01Getting upset
00:55:02is not going to help at all.
00:55:04Well, we've been up
00:55:04two days now almost.
00:55:06I'm worried.
00:55:07Well, so am I,
00:55:08but I can't do anything
00:55:09about it.
00:55:10Neither can you.
00:55:11So take it easy.
00:55:15What's the trouble, Jonathan?
00:55:17I've never seen you
00:55:18like this before.
00:55:19You've got enough troubles.
00:55:21Come on.
00:55:22Something's on your mind.
00:55:24What is it?
00:55:27I didn't want to burden
00:55:28you with this now,
00:55:30but you have to know
00:55:30sooner or later.
00:55:32Something terrible
00:55:33has happened.
00:55:35Austin Spencer
00:55:36was killed this morning
00:55:36in an automobile accident.
00:55:39That's impossible.
00:55:43It's a great shock
00:55:44to me, too, Tom.
00:55:46Well, he's got to be alive.
00:55:47Well, I wish he were,
00:55:48but we just have to face it.
00:55:50He can't be dead, Jonathan.
00:55:52Everything depends on him.
00:55:53I don't understand.
00:55:54Austin's the only one
00:55:55who knows I didn't kill that girl.
00:55:57He knows the whole story.
00:55:58What are you talking about?
00:55:59He was in on the whole thing
00:56:00from the beginning.
00:56:01We planted all the evidence
00:56:03together
00:56:03after the girl was killed.
00:56:06The lighter,
00:56:07the makeup,
00:56:08the stocking,
00:56:08everything.
00:56:09It was all part of a plan
00:56:11we had to prove that it is.
00:56:11In view of this
00:56:12extraordinary revelation
00:56:13by Mr. Garrett,
00:56:14I respectfully move
00:56:15that this case
00:56:16be reopened
00:56:17for the submission
00:56:17of new evidence.
00:56:24Your Honor,
00:56:25this is obviously
00:56:26the frantic effort
00:56:27of a desperate man.
00:56:28It is highly significant
00:56:30that the defendant
00:56:31comes up
00:56:32with this incredible,
00:56:33fantastic story
00:56:34of an alleged plan
00:56:35now after Mr. Spencer's death.
00:56:37To reopen the case
00:56:38at this point
00:56:39on the grounds
00:56:40presented by Mr. Wilson
00:56:41would be a travesty
00:56:42of our judicial process.
00:56:43The state vigorously
00:56:44opposes such a motion.
00:56:46I'm inclined to agree
00:56:47with the district attorney,
00:56:48Mr. Wilson.
00:56:50However,
00:56:51the court is deeply
00:56:51cognizant of the fact
00:56:52that a man's life
00:56:53is at stake here.
00:56:56I'll give the defense
00:56:57an opportunity
00:56:58to present tangible,
00:56:59corroborative evidence
00:57:00in support of this motion.
00:57:02The verdict of the jury
00:57:03will be withheld
00:57:04until I make final ruling
00:57:06on this motion tomorrow.
00:57:09He said the pictures
00:57:10would be here.
00:57:11There's certainly
00:57:11no reason
00:57:12for him to mislead us.
00:57:13Are you sure
00:57:13he said they were in the safe?
00:57:14He was positive,
00:57:15said he'd seen
00:57:15your father put them there.
00:57:17But Austin may have
00:57:18taken them to the office.
00:57:19We'd better check there, too.
00:57:20Let's check this test first.
00:57:41be seated.
00:57:50The defense has failed to indicate
00:57:53to the court
00:57:58that it is able to present
00:58:00any further testimony
00:58:01which could properly be
00:58:03considered new evidence.
00:58:05The motion to reopen
00:58:07reopen is denied.
00:58:11Bring the jury in.
00:58:11have you reached a verdict?
00:58:34We have, your honor.
00:58:36What is your verdict?
00:58:40We find the defendant
00:58:42guilty of murder
00:58:43in the first degree.
00:58:44And see.
00:59:06tell you,
00:59:07Tom, I've got to know the truth.
00:59:19I can't take any more lies.
00:59:22I'm not lying, Susan.
00:59:24There were pictures.
00:59:25Your father even wrote dates and places on the back of the pictures.
00:59:29This plan, whose idea was it?
00:59:31I believe he mentioned it first,
00:59:33and then the idea began to intrigue me.
00:59:38Don't you believe me, Sophie?
00:59:40I don't know what to believe now.
00:59:44Do you think I could have killed that girl?
00:59:48No, I never thought so, but...
00:59:51perhaps I can't face the possibility
00:59:53that someone who'd been so close to me
00:59:55might have done such a thing.
00:59:58I've never done anything to make you doubt me.
01:00:00There were pictures.
01:00:02Find them, and you'll know I'm telling the truth.
01:00:07I hope so.
01:00:08Come to think of it,
01:00:28Father did behave rather strangely
01:00:31at the time of Tom's arrest.
01:00:32He was very fond of Tom,
01:00:35and yet he...
01:00:36he didn't seem as surprised
01:00:39or disturbed as he should have been.
01:00:42It was almost as if...
01:00:44as if he were confident,
01:00:45as if he knew something.
01:00:49If what Tom says is true,
01:00:52that could explain it.
01:00:54It might be.
01:00:54But if it is true,
01:00:58and there were pictures,
01:00:59what could have happened to them?
01:01:00You've searched the house, the office?
01:01:02Father would never have destroyed the pictures
01:01:04unless...
01:01:07unless he had them with him
01:01:11in the car at the time of the accident.
01:01:13They were photographs, all right,
01:01:15but they're charred beyond recognition.
01:01:18The lab couldn't determine what was on them.
01:01:25But there must be negatives.
01:01:28My father always used
01:01:29one of those self-developing cameras,
01:01:30and there are no negatives,
01:01:32but surely isn't this enough?
01:01:34No, they're just remnants of photographs.
01:01:37But now we know he's telling the truth.
01:01:39They could be pictures of anything.
01:01:41Oh, Tom's always been insisting
01:01:42that they were photographs,
01:01:43but he couldn't possibly have known
01:01:45about the pictures in the car.
01:01:47Oh, that's more than just a coincidence, Bob.
01:01:50You might be right.
01:01:52But...
01:01:53officially, the situation hasn't changed.
01:01:56You still don't have any real evidence
01:01:58to back up this story.
01:02:00If you love someone,
01:02:01you must believe in him.
01:02:04I understand how you feel, Susan,
01:02:05but these charred photographs
01:02:07do not prove Garrett's innocence legally.
01:02:09They do for me,
01:02:10and I'll start from there.
01:02:12I must see him, Bob.
01:02:13I'm afraid you can't now.
01:02:16He's being transferred to the state prison.
01:02:18But that's less than an hour from here.
01:02:21A new prisoner in...
01:02:23death row
01:02:24can't have visitors the first week.
01:02:43You didn't run much of a story
01:03:05on the denial of Mr. Garrett's appeal.
01:03:08What was there to say?
01:03:09We could only report that they denied it.
01:03:10Oh, but I want more than that.
01:03:13Use the newspaper in every way you can.
01:03:16Editorials, feature series,
01:03:18anything to arouse public opinion
01:03:19in support of Mr. Garrett.
01:03:21Miss Spencer,
01:03:22your father told us to handle this case
01:03:24the way we would normally.
01:03:26I don't know how we would have felt
01:03:27about our taking sides.
01:03:28I own this newspaper now.
01:03:30Not that I'm qualified to run it.
01:03:32I don't intend to.
01:03:33My father made provision this will
01:03:35for a committee to run it.
01:03:36But the executor is in Europe
01:03:38and won't return for some time.
01:03:40Meanwhile,
01:03:41the will can't be probated.
01:03:43That leaves things
01:03:44pretty much in my own hands.
01:03:46I'm willing to take the responsibility,
01:03:47but I must insist
01:03:50you do as I say.
01:03:58Well, that's quite an editorial.
01:04:01Even Austin Spencer
01:04:02never went that far.
01:04:03And that's the bill
01:04:03you were once interested in?
01:04:05I still am.
01:04:06After this?
01:04:09Don't you have any doubts
01:04:11about Garrett's guilt?
01:04:12None at all.
01:04:14I've never doubted it.
01:04:16Neither did the jury.
01:04:17They do now.
01:04:18Oh, I read those interviews
01:04:20with the jurors.
01:04:21I know all about the petitions
01:04:22and telegrams
01:04:23pouring in for Garrett.
01:04:25But that's because
01:04:25that girl has used the paper
01:04:27to arouse everyone's emotions.
01:04:30She's even got you
01:04:31all steamed up.
01:04:33What's more important,
01:04:34she may even get
01:04:34under the governor's skin.
01:04:36I understand he's been
01:04:37following the case
01:04:37quite closely.
01:04:39That's why I can't let myself
01:04:40be swayed emotionally.
01:04:42Whatever happens in this case
01:04:44has got to be based
01:04:44on facts and the law,
01:04:46not on how people feel.
01:04:47Yeah, it might be.
01:04:49But it might also be
01:04:50that you're hanging
01:04:50yourself politically.
01:04:52You could end up
01:04:52as popular as Poison Ivy
01:04:54at a picnic.
01:04:56I can't help that.
01:04:59If I retreat now,
01:05:01just because of public
01:05:02pressure, I'm dead.
01:05:03Wounded, maybe.
01:05:04You're not dead
01:05:05until the governor
01:05:05pardons him.
01:05:10We've still got another week
01:05:11before the execution.
01:05:12I want to know more
01:05:14I want to know more
01:05:15about Patty Gray.
01:05:17Her last job
01:05:18was in Kansas City.
01:05:19Start there
01:05:20and work back
01:05:21to her first job
01:05:21in Miami
01:05:22if you have to.
01:05:23Why?
01:05:24If we could find
01:05:25any possible connection
01:05:26between Garrett
01:05:27and Patty Gray
01:05:28in the past,
01:05:29the governor
01:05:30couldn't possibly
01:05:31pardon him
01:05:31in spite of all
01:05:32the artificial emotions
01:05:33Susan Spencer
01:05:34stirring up.
01:05:34You're beating
01:05:35a dead horse, Roy.
01:05:36Nothing about this case
01:05:38will be dead
01:05:39until Garrett's executed.
01:05:41Get started.
01:05:47I've tried everything.
01:05:49I talked to the governor
01:05:50personally.
01:05:53They wouldn't do anything.
01:05:55He'd like to,
01:05:56but he says he can't
01:05:59without new evidence
01:06:00or some other valid reason
01:06:01for him to step into the case.
01:06:04I even tried to get him
01:06:04to postpone it
01:06:05to give us more time.
01:06:08But he won't do it
01:06:09without a recommendation
01:06:10from Thompson.
01:06:14Thompson.
01:06:16He wouldn't lift
01:06:17his little finger
01:06:18to help me.
01:06:23Maybe Susan
01:06:24can do something
01:06:25through the paper.
01:06:27I'm afraid not.
01:06:29Alan Kirk,
01:06:30her father's executive,
01:06:31just returned from Europe.
01:06:32He's in charge now.
01:06:35tomorrow night.
01:06:56What time?
01:06:58Eleven o'clock.
01:06:59You're a little out of your territory,
01:07:14Miami, ain't you?
01:07:15Yeah, a little.
01:07:17You remember a girl
01:07:18by the name of Patty Gray?
01:07:20Lots of girls.
01:07:22Why expect me
01:07:22to remember their names?
01:07:24Well, this one worked here
01:07:24for you some time ago.
01:07:26What did this mouse look like?
01:07:29All right, girl.
01:07:33Oh, yeah, her.
01:07:35Six, seven years ago.
01:07:36Some dish.
01:07:38She sure could throw it around.
01:07:40What did she do?
01:07:41She's a waitress.
01:07:42If it would have built like hers,
01:07:43I told her she was wasting her time
01:07:45waiting on tables.
01:07:46Gave her a chance
01:07:47to show what she had.
01:07:48Worked out great.
01:07:50Guys were drooling
01:07:50all over the place.
01:07:53Yeah, Patty Gray.
01:07:55Then this was her
01:07:56first dancing job, huh?
01:07:58Sure.
01:07:59I gave her a start.
01:08:01I even named her.
01:08:03You mean her name
01:08:04wasn't Patty Gray?
01:08:05You kidding?
01:08:06You know what this cookie's
01:08:08real name was?
01:08:09Emma Blucher.
01:08:10How about that?
01:08:12A pearly queen
01:08:12named Emma Blucher.
01:08:14Did she have any family?
01:08:15No, she was an orphan
01:08:16or something.
01:08:17What about her friends?
01:08:19Friends?
01:08:19Emma?
01:08:20She was out
01:08:21to take everybody.
01:08:23She didn't miss an angle.
01:08:24She even tried
01:08:24to put the squeeze on me.
01:08:26I gave her a fast rush.
01:08:30Served her right.
01:08:32Getting mixed up
01:08:32with Mike Robinson.
01:08:34Robinson?
01:08:35Who was he?
01:08:36Played the drums
01:08:37in a band
01:08:38I had working here.
01:08:39Emma tried to play him
01:08:40for a sucker.
01:08:42But he was too much
01:08:42for her to handle.
01:08:44He gave her
01:08:44a real rough time.
01:08:46In what way?
01:08:48Oh, if he didn't like
01:08:49something, he'd rough her up.
01:08:51Sometimes he'd rough her up
01:08:52for nothing,
01:08:52just to keep in practice.
01:08:55She finally beat it
01:08:56out of here one night
01:08:56just to get away from him.
01:08:59Leave it to Emma.
01:09:00She took off
01:09:01with all of his dough.
01:09:03Mike was really fried.
01:09:04Said he'd get her
01:09:05because the last thing
01:09:06he did.
01:09:07Rum and Coke?
01:09:08No, just Coke, thanks.
01:09:10He, uh...
01:09:11Did he ever find her?
01:09:13Don't know.
01:09:14Never heard from him again.
01:09:21Is this Robinson?
01:09:28No.
01:09:29Mike was kind of blonde.
01:09:31Little skinny guy.
01:09:32But real rough.
01:09:34Do you ever remember
01:09:35seeing this man
01:09:36at any time?
01:09:37No.
01:09:38Never seen him.
01:09:39Say, what's this all about?
01:09:41Oh, just curious
01:09:43about Patty.
01:09:44Is the kid in trouble?
01:09:46Not anymore.
01:09:48And as far as Garrett's
01:09:50concerned,
01:09:50I couldn't find
01:09:51any possible connection
01:09:52between him and this girl.
01:09:53Either when she was
01:09:54Patty Gray
01:09:55or Emma Blucher.
01:09:57Then does this mean
01:09:58the governor might
01:09:58postpone the execution?
01:10:00If Thompson recommends
01:10:01it, he will.
01:10:02After all,
01:10:03this is the first
01:10:03possible suspect
01:10:04we've had with a motive.
01:10:06But that doesn't mean
01:10:06Tom will be set free.
01:10:07No, but it'll give us
01:10:08time to run the thing down.
01:10:10Thompson started
01:10:10a tracer on Robinson
01:10:11yesterday,
01:10:12just as soon as I phoned
01:10:13him from Miami.
01:10:14You know, it's strange.
01:10:15I never thought
01:10:16I'd be leaning on you,
01:10:18relying on you like this.
01:10:20I'm not sure
01:10:20I deserve it.
01:10:22I'm very grateful to you.
01:10:25Forget it.
01:10:25Yes?
01:10:36Are you alone, Bob?
01:10:37No, Roy.
01:10:38Susan Spencer's here.
01:10:50What is it?
01:10:51Mike Robinson died
01:10:54four years ago
01:10:55in Chicago.
01:10:59I'm sorry,
01:11:00Ms. Spencer.
01:11:09Excuse me,
01:11:09Mr. Thompson,
01:11:10but Jonathan Wilson
01:11:11is very anxious
01:11:12to see you.
01:11:12You must forgive me,
01:11:13Roy, for barging in.
01:11:14Alan.
01:11:15Oh, Susan,
01:11:16I'm glad you're here.
01:11:17This is Alan Kirk,
01:11:18Austin Spencer's
01:11:19executor.
01:11:19He's preparing
01:11:20the will for probate,
01:11:21and, well, Alan,
01:11:22maybe you'd better
01:11:22tell him about it.
01:11:23Mr. Spencer's
01:11:24personal and business
01:11:25affairs were quite
01:11:26considerable and
01:11:27involved, as you
01:11:27may imagine.
01:11:29We had to get
01:11:29court orders to open
01:11:30his various deposit
01:11:31vaults.
01:11:32In one of them,
01:11:33we found this envelope.
01:11:34It's addressed to you.
01:11:50This document is
01:11:58handwritten by me
01:11:59for delivery to you
01:12:00in the event
01:12:01that Tom Garrett
01:12:02shall have been
01:12:02convicted for the
01:12:03murder of Patty Gray
01:12:04subsequent to my death.
01:12:09Is there any question
01:12:14about this being
01:12:15in the handwriting
01:12:15of Austin Spencer?
01:12:21Absolutely none.
01:12:22It's definitely his.
01:12:34Well, it's all here.
01:12:37The dates,
01:12:37the places,
01:12:38the explanations.
01:12:40He kept a written
01:12:41and photographic record
01:12:42of everything
01:12:42he and Garrett did.
01:12:45Garrett has been
01:12:46telling the truth.
01:12:48He sent a recommendation
01:12:49to the governor
01:12:50for pardon immediately
01:12:51and notified the press.
01:12:52Trying to save face
01:12:53at the last minute.
01:12:54Oh, no,
01:12:55I'm sure he was sincere.
01:12:57He even made arrangements
01:12:57for us to meet here
01:12:58in the warden's office
01:12:59so I could tell you
01:13:00about the pardon.
01:13:01Very big of him.
01:13:03Oh, don't be bitter.
01:13:04Don't be bitter.
01:13:05If Townsend had had
01:13:06his way,
01:13:07he would have kept
01:13:08this thing pinned on me
01:13:09and you know it.
01:13:09It's all over now.
01:13:11Be grateful, darling.
01:13:12I told him from the start
01:13:13I'd never even met
01:13:14this girl.
01:13:16If Townsend hadn't
01:13:17been trying so hard
01:13:18to make a name
01:13:18for himself
01:13:19over my dead body,
01:13:21he would have admitted
01:13:22he was wrong
01:13:22a long time ago.
01:13:25He should have been
01:13:25trying to find out
01:13:26who really killed Emma
01:13:27instead of putting me
01:13:29through all this.
01:13:30I don't have anything
01:13:31to be grateful to him for.
01:13:33How did you know
01:13:34the girl's name
01:13:34was Emma?
01:13:38I read it
01:13:39in a newspaper.
01:13:39It hasn't been
01:13:42in the newspaper.
01:13:45Oh, I must have
01:13:48heard it from someone.
01:13:49You killed that girl,
01:13:51didn't you?
01:13:57You did, didn't you?
01:13:58Well, this girl
01:14:06a long time ago,
01:14:09I was just a kid.
01:14:10We,
01:14:11I had to marry her.
01:14:14I found out later
01:14:15it was just a trap.
01:14:18I never lived with her.
01:14:21I gave her all the money
01:14:22I could raise
01:14:22and she promised
01:14:23to go to Mexico
01:14:24and get a divorce.
01:14:24and I never saw
01:14:27or heard of her again
01:14:28until she came back
01:14:31after my book
01:14:32was polished.
01:14:34And then I found out
01:14:35she hadn't divorced me
01:14:36at all.
01:14:37But all you could think
01:14:38of was murder?
01:14:41Well, I,
01:14:41I didn't at first.
01:14:43I didn't even
01:14:43think about it.
01:14:45And then
01:14:45your father
01:14:46started talking
01:14:47about capital punishment.
01:14:49And all of a sudden
01:14:50I realized
01:14:51he was showing me
01:14:52a way I could
01:14:52get rid of her
01:14:53without any risk.
01:14:55We had our whole lives
01:14:56ahead of us.
01:14:58That's what I was
01:14:58trying to save.
01:15:00And I did.
01:15:02I thought you were
01:15:03innocent.
01:15:05You would have
01:15:05fought for me anyway
01:15:06if you'd known
01:15:07why I did it.
01:15:09I,
01:15:09I don't know
01:15:12what I would have done.
01:15:17Darling,
01:15:17I know
01:15:20what you've done for me,
01:15:22what you've been through.
01:15:23Please,
01:15:25please let me go.
01:15:27I can't think.
01:15:28Please let me go.
01:15:28Please let me go.
01:15:53I called the prison,
01:16:04but they said
01:16:05you'd left.
01:16:06I thought you'd want
01:16:06to know.
01:16:08The governor's called
01:16:09a press conference
01:16:09at nine o'clock.
01:16:11He'll officially announce
01:16:12and sign the pardon
01:16:13then.
01:16:14In less than an hour,
01:16:15it'll all be over.
01:16:16He said you'd have to go to the prison.
01:16:18He said you'd have to go to the prison.
01:16:19How did he take it?
01:16:22I'm glad you're here, Bob.
01:16:24You've done a lot for me.
01:16:27Well, I,
01:16:27I wanted to help if I could.
01:16:31Why?
01:16:33I guess for the same reason
01:16:35that you wanted to help Garrett.
01:16:36You know how I feel about you.
01:16:37If I
01:16:40were accused of,
01:16:42of a crime
01:16:43and
01:16:43you thought that I might be guilty,
01:16:45that
01:16:46I wasn't the same person
01:16:48you thought I was,
01:16:49would you still help me?
01:16:53How could I love you
01:16:54and not do anything I could?
01:16:57Anything?
01:16:59Even if you believed that
01:17:00I'd committed murder.
01:17:02What is it, Susan?
01:17:05What's wrong?
01:17:07You've helped save
01:17:08the man you love.
01:17:08He'll be free soon.
01:17:09This should be
01:17:10a very happy moment for you.
01:17:11The man I saw in prison
01:17:13wasn't the man I loved.
01:17:15He was as strange
01:17:16as someone I never knew.
01:17:19What happened
01:17:19at the prison, Susan?
01:17:21If something happened,
01:17:22something important,
01:17:24you can't keep it to yourself.
01:17:25Please, Bob, please.
01:17:26In half an hour,
01:17:28Garrett will be free.
01:17:29If he's pardoned,
01:17:30he can never be tried again
01:17:31nor punished.
01:17:32If you know something,
01:17:33you must speak now.
01:17:35No matter how much it hurts.
01:18:02I can't do it.
01:18:07I can't do it.
01:18:08I can't do it.
01:18:09I can't do it.
01:18:11I can't do it.
01:18:12Hello?
01:18:13Hello?
01:18:14Hello?
01:18:15This is the state prison.
01:18:17I can't do it.
01:18:18I can't do it.
01:18:20I can't do it.
01:18:22I can't do it.
01:18:24I can't do it.
01:18:25Hello?
01:18:26Hello?
01:18:27Hello?
01:18:28This is the state prison.
01:18:30Wee!
01:18:31Wee!
01:18:32Wee!
01:18:33Wee!
01:18:41Nice smile, governor.
01:18:43Are you going to resume
01:18:45with your writing, Mr. Garrett?
01:18:47I suppose so.
01:18:48That's the way I make my living.
01:18:49Governor, please.
01:18:50What about you and Ms. Spencer?
01:18:54Hello? Yes.
01:18:56Who is this talking?
01:19:00Just a moment. It's for you, Governor.
01:19:03Hello?
01:19:09Are you quite sure about this?
01:19:16Is Ms. Spencer with you now?
01:19:20I see. Thank you.
01:19:36Warden, have Mr. Garrett taken back to his cell. There will be no pardon.
01:19:40Guard, take Garrett back to his cell.
01:19:50There will be no pardon.
01:19:52He will be no pardon.
01:19:54He will be no pardon.
01:19:56We will be no pardon.
01:19:58Hello?
01:20:00We will be no pardon.
01:20:02Do you all have to go in?
01:20:04Do you yeah?
01:20:05We will be my pleasure.
01:20:06You guys are welcome.