- 4 months ago
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00:00Dan, did you just touch me?
00:05Something touched my tummy.
00:07She said the Queen has got to go next.
00:30One paranormal team, one haunted manor,
00:35and one terrified Queen.
00:39Welcome to Drag in the Dark.
01:00Today, we are visiting Anne of Cleves' house in Sussex.
01:12This timber-framed medieval property dates back to the 15th century,
01:17and it was given to Anne at the end of her short-lived marriage to Henry VIII.
01:21Ghost accounts here include the apparition of a man dressed in dark clothes,
01:34mysterious voices, and footsteps heard walking the medieval floors.
01:44How will our guest brace herself for what lies in the darkness?
01:48And will she make it through the night in one piece?
02:09Well, I've gotten ready in worse places.
02:13Do you reckon it's too late to cancel?
02:15Yeah, I'm ill. I've got them.
02:17I'm ill, I'm ill, I'm ill, I'm ill, I'm ill.
02:18No, no, no, no, no, no.
02:21Marsha, put on your brave boy pants.
02:24Come on, let's do this.
02:26I hope the ghosts don't touch me up the ghoulies.
02:28Hello?
02:38Hear ye, hear ye.
02:40Marsha Mallow reporting for paranormal activity.
02:44Oh.
02:49Smells like my nan.
02:50Thankfully, Marsha will not be left alone.
02:53She'll be joined by three veterans of the paranormal world.
02:59My name's Daniel.
03:00I'm a technician for the Southeast Paranormal Team.
03:03I was first attracted to the paranormal when I was a child.
03:06We lived in a haunted house and I then kind of blocked it out
03:10and then started again around six years ago.
03:13Are you scared of the old lady?
03:15My name is Nick McLernan and I'm a paranormal investigator
03:19within the Southeast Paranormal Team,
03:21but I'm also a medium within the team.
03:24Thomas, if it's you, can you step back?
03:27I lived in a really old council house that was stone built
03:30and I was very aware that I felt things were happening around me
03:35that weren't the normal, shall we say.
03:38Who are you seeing?
03:39My name is Jackie Gilmartin and I am one of the mediums
03:44for Southeast Paranormal Team.
03:46It feels like someone's standing behind me.
03:49So I've actually been investigating as a paranormal investigator
03:54for 50 years now.
03:56Growing up, I could just see people that other people couldn't see.
04:01Can you acknowledge my voice?
04:04You either lose it or you accept it
04:05and I was just one of those people that accepted it.
04:08Hiya, Marsha.
04:11Oh, hi, Jackie.
04:12You good?
04:13Good, how are you?
04:14I'm good.
04:15Excited?
04:16Freaking it a little bit.
04:17Really?
04:18Yeah, I really, really am.
04:19Come on then, let's have a look.
04:22Hand in hand, Jackie takes Marsha on a twisted home tour
04:25of Anne of Cleve's house, pointing out the medieval oddities
04:29and freakish decor.
04:31Come on.
04:32Come on.
04:37Why can't you get that door open?
04:38Oh, look.
04:39Oh, it's freezing in here.
04:41It's bitter.
04:42It's the good thing I've got the heat pack up my arse.
04:44Lovely.
04:45This is our doll.
04:47Right, so what happens with her?
04:49Yeah.
04:50What?
04:51She's a vessel.
04:52She's not haunted yet, but what we're going to do tonight
04:55is try and get her haunted and we've put a REM pod there.
04:59So that will get switched on and then hopefully we'll get that,
05:03we'll call out and get that going on.
05:05Yeah, this is the creepiest thing I've seen so far and it belongs to you.
05:07She's, she's, she can be creepy.
05:10We've seen some really weird stuff of her, but.
05:12So what would we do, what would we do, just stand there watching?
05:14No, no, no.
05:15So what we'll do is we'll call out, so we will stand away from her,
05:19but every so often we'll check her face to see if there is any changes
05:22and we'll just call out and we'll ask her, any entities in the room
05:26to use her as a vessel and communicate with us.
05:29All right?
05:30Can't wait.
05:31So if you go down this way.
05:33This way?
05:34I'm going to let it pop.
05:36Isn't this pretty?
05:38It's like mamas and papas, isn't it?
05:41What if you've got a doll in it?
05:43Do you have a doll?
05:44There's another doll there.
05:45We could use that.
05:46So, this.
05:48Oh, this, I take it this doesn't belong to the house then?
05:52No, no, this is ours.
05:53Right.
05:54So this is a scrying mirror.
05:57Okay.
05:58All of this was made by a witch.
06:04All right?
06:05Then we've got this magic dust.
06:09I'm not going to tell you what we do with it.
06:11Right.
06:12Because Nick's going to be doing that, we are.
06:14I've done magic dust with Nick before.
06:17Don't talk about that, don't talk about that, don't talk about that.
06:19So what we hope for is that once you start scrying, what we want from you is for you to ask questions.
06:26Better not ask the spirits how my makeup's looking.
06:28I don't want to get a very disappointing answer.
06:30But yeah, that's, that's.
06:32Wow.
06:33There's nothing on there that is harmful.
06:35These are all handmade from a coven.
06:38So hopefully that, that will increase the energy around you.
06:42So the experience for you will be far greater.
06:45As I say, always use protection.
06:47Lovely.
06:48Always.
06:50Where to next?
06:51Right.
06:52This is so exciting.
06:53It's a lovely room, isn't it?
06:54Yeah, it's freezing.
06:55It's cold.
06:56It's cold.
06:57Never know.
06:58Ladies, for the sake of my love.
07:05Marsha and Jackie sneak up to Anne's bedchamber.
07:09Where all kinds of 15th century freakiness went down.
07:14Oh, wow, Marsha. Look at this room.
07:17This is more like, this is the Tudor fantasy.
07:20Look at it.
07:21Look at that ceiling.
07:22Wow.
07:23God, it's very different to my flat in Brighton, isn't it?
07:26That's amazing.
07:27Wow.
07:28Look at the bed.
07:29Oh, no woman's taken me to the bed in a long time.
07:32Too many notches on the bedpost.
07:34Yeah.
07:35Yeah.
07:36I do mine as well.
07:37We etch it in to the bedpost.
07:38Wow.
07:39It's beautiful, though.
07:40It really is.
07:41Look at the bedpan.
07:42That's crazy.
07:43I turned 13.
07:44I'm going to need one of them soon.
07:47Do you like Tudor?
07:48I do, actually.
07:49It's my favourite type of history, especially Emily the 8th.
07:52Yeah.
07:53So that's why this is so cool to me.
07:54So, as you can see, we've set the Ouija board up here.
07:57Oh, yeah.
07:58The dreaded Ouija board.
07:59Have you ever used one?
08:00Never.
08:01So this is going to be an amazing experience for you.
08:03But it's not going to be like the movies, is it?
08:05No, no, no, no, no, no, no.
08:06I don't want the spirit entering me.
08:08No.
08:09There's so many misconceptions about an Ouija board.
08:11And tonight you'll see how it's used correctly.
08:14And with all that talk of ghosts entering Marsha, Jackie leads our guests down to a spooky underground tunnel, where all manner of strange and creepy things are stored.
08:27Oh, my God.
08:28It's gorgeous.
08:29Wow.
08:30That's why they've kept them, isn't it?
08:31Yeah.
08:32Can I look at all the...
08:33Look, gravestones.
08:34Oh, my God.
08:35It's gorgeous.
08:36Wow.
08:37That's why they've kept them, isn't it?
08:38Yeah.
08:39Can I look at all the...
08:40Look, gravestones.
08:41Oh.
08:42Yeah.
08:43Yeah.
08:44Wow.
08:45And do you know what?
08:46I kept thinking to myself, what are all the...
08:47Relics up here.
08:48Chimney.
08:49Chimney.
08:50Might be everything.
08:51Yeah.
08:52Wow.
08:53And do you know what?
08:54I kept thinking to myself, what are all the...
08:55Relics up here.
08:56Chimney.
08:57Chimney.
08:58Might be everything.
08:59Yeah.
09:00Yeah.
09:01Wow.
09:02And do you know what?
09:03Yeah.
09:04How do you say it?
09:05There, Jay.
09:11Oh, my God.
09:12This is a dream come through.
09:13If you walk down the end there, there's that window up there,
09:16that's in the booktop window.
09:17Ah!
09:20Is that...?
09:22We've got...
09:23All right.
09:24Whoop!
09:26Maybe just don't say you won't knock them under the arse.
09:29No, very not.
09:31That's a chimney.
09:32It's out the booktop chimney from upstairs.
09:34It's a chimney.
09:35It's a chimney.
09:36That's a chimney.
09:39Where did you say the cell doors were?
09:41Here?
09:42Yeah.
09:43Down here.
09:44Here, look.
09:45They're up there and round.
09:47Right.
09:48The last stop on their tour is the kitchen, where the spirits are sure to be cooking up a storm tonight.
10:02Oh, wow, Marsha, this is a little bit of us.
10:05Oh!
10:06Oh, this is amazing.
10:07Look at this table.
10:08Now, this is where a lot of activity would happen, definitely.
10:11I think so.
10:12This.
10:13So, do you know about objects holding, and walls, particularly objects holding history and layers of energy?
10:19Well, I know about, obviously, when, you know, walls become frayed, obviously, through...
10:24Yeah.
10:25Things like this, and we can try this later, things like this are layered with energy.
10:31So, I would assume, if this is in the kitchen, this would be somewhere where they made their bread.
10:36Yeah.
10:37Because it's, like, cold, isn't it?
10:39Yeah, it's hot.
10:40It's actually freezing.
10:41But then again, it does feel warmer in here, though, than it does in other rooms.
10:45Marsha, there's a radiator out there.
10:46Oh!
10:47Never mind.
10:49Desi's trying to think I was Derek Okora.
10:51Carry on.
10:55Let's go down and look at the fireplace.
10:56This is, well, this is...
10:58See this, though?
10:59You're right.
11:00Quite a kitchen.
11:01It's got a completely different feel to it.
11:02Definitely from the gallery.
11:04From everywhere.
11:05There's, like, bustling.
11:06You can feel the bustling going on.
11:08So, it'll be interesting to see what we do get in this room.
11:12Yeah.
11:13Can't wait to go on that slab now.
11:15Yeah, because you've got...
11:16Don't forget, because you've got the cook, the head cook, the scullery mate.
11:20It goes...
11:21Do you know what I mean?
11:22Yeah.
11:23You're taking order.
11:24So, all these people in this one space, I think, will get a lot of activity now.
11:27Oh, I'm so excited.
11:28Fingers crossed.
11:29Also slightly breaking it still.
11:30It's an amazing room.
11:31That I'm really interested about, actually.
11:32That's really good for me, really.
11:33So, my darling, snap a lash, put your slap on, and get dolled up.
11:46Tonight, Marsha Mallow will put on her big girl pants and go toe-to-toe with the spirits beyond.
12:05But before the night's events begin, our queen must transform into an unstoppable ghost hunter.
12:17Let's find out how Marsha is feeling about the night ahead.
12:22I've never been classed as a believer of spirits and paranormal activity, but I've always thought there was something out there.
12:31But tonight is the first time I'm experiencing something like this, so I don't know if it could go either way for me.
12:37The paranormal has always intrigued me.
12:42I've never seen it face-to-face before, but I am open up to the possibility.
12:46That's why tonight is quite exciting for me.
12:49I'm a believer in, like, aura and, like, karma and, you know, people getting their comeuppance if they've done something bad to you.
12:57But I've never...it's never been something that I've thought about.
13:00But I like to think that when you do pass away, that your energy and the impact that you've left on Earth can be, you know, can be seen by other people in the future.
13:11I've been guaranteed by Jackie that I am not going to be in any harm, that I'm going to be looked after, and there won't be an exorcism or anything needed.
13:26So, yeah, again, as long as I'm not, you know, as long as I'm not having any bad spirits ending to me, I'll be fine.
13:34If something does happen to me, I'm sure you've never seen a fat person run down the street so fast in your life, but trust me, it will happen.
13:50It will happen.
13:52You watch me run!
13:54You watch me run!
14:20I've never seen a Rimpod do this.
14:50I keep screaming in the darkness.
14:55Your skin is falling and you're running for your life.
14:59Try to find it, but you're dragged away from the light.
15:04Cause there's no escape in the night.
15:07You gotta wake up from this nightmare.
15:10Your heart is racing, growing, there's no end in sight.
15:15Try to find it, but you're dragged away from the light.
15:20Cause there's no escape in the night.
15:28Dressed to the nines, and with wig and makeup now on,
15:33Marsha is ready to combat the terrors which await in Anne of Cleve's house.
15:41Guided by Jackie, Nick, Dan, and the Drag-in-the-Dark crew,
15:45what or who will our team find hiding in the darkness?
15:50So the machine is a Rimpod, so if there is any spirit energy that goes near it, it'll do there.
16:04It'll go green? Yeah.
16:06And we know that we've got something there.
16:08Okay. Okay.
16:09Can you open her up?
16:10Yeah, can do.
16:12So I ask the spirit entities in the room to come forward with confidence, knowing that we come with the greatest of respect.
16:20Please feel free to use the doll as a vessel to give us the acknowledgement that you are here.
16:26Please note that we only want energy that is pure and no negativity.
16:35But for now, please feel free to come forward, interact with the doll and even enter the doll as a vessel so that we can have some conversation and acknowledgement with you.
16:46Do you want to ask a question, Marsha?
16:49I'm not a believer. I would love to be. I would love to meet you. I promise I come, even though I'm dressed up like this, I come with a lot of respect.
17:06If you could just hover over and turn that light green for me, then I'll know you're here.
17:11Here we go. Did you hear that bit?
17:13Yeah, that's the second one.
17:14Thank you so much.
17:16Fabulous. Keep going.
17:17That's amazing. Can you do that again?
17:20Just for the record, that's temperature.
17:23So they're changing the temperature?
17:24Temperature.
17:25Thank you so much.
17:27Come and really make it make a noise. We know you can do it.
17:33Can you make the green light come in for us?
17:36Or make that go faster? Make that noise go faster?
17:40Beep, beep, beep, beep, beep. Can you do that?
17:47Thank you so much. Thank you.
17:51You're doing so well.
17:53Yep. What about four times?
17:57Four?
17:59Four times.
18:02Four?
18:07Yeah, good. It's nice to hear.
18:10Are you comfortable?
18:11Yeah, it's nice to hear from you.
18:19Well, I heard a growl from this side to my left.
18:22To my left.
18:23Right, okey-doke.
18:24OK.
18:26Are you aware of something growling in this room?
18:30Oh.
18:32If you are aware of something growling, make it happen again.
18:37Can you do that?
18:39Do you mind if I ask a question?
18:46Mm-hmm.
18:47I can't explain this, but I feel that I have to ask for Thomas.
18:54Thomas, if it's you, can you step back, let the lights settle,
19:00and then come back forward?
19:02Oh, here we go.
19:03Let's try again.
19:04All right.
19:05Because that was really cold.
19:06Don't worry, sir.
19:07But, alas.
19:08Can you do that again?
19:09Can you make the light flash again for us?
19:12That's so good.
19:13If that's you, can you come away and then come back for me?
19:17I don't think we've ever had this much interaction with it, have we?
19:38As the REM pod lights up wildly, the team heads downstairs to see if they can stir up the
19:46same response from the spirits lingering in the kitchen.
19:53You all right?
19:54Just put your little rest your hands on the table.
19:57Gosh, it's warmer.
19:58To the spirit energy in the room, we welcome you.
20:05We mean you no harm.
20:06I'm Jackie.
20:07This is Nick.
20:08This is Marsha.
20:10And we would love that you interact with us.
20:13We've come into your kitchen, which is amazing.
20:17We have a small round ball on the table.
20:22And if you work really hard and use our energy, you can make it light up.
20:28So I'm going to hand over to Nick and Marsha.
20:32Listen carefully and please, please, we mean you no harm.
20:37Please interact with us.
20:40Please feel free to come forward and stand with us or sit at the table with us.
20:45Whatever's more comfortable for you.
20:48Please know we come with the greatest of respect.
20:50We only want to interact and have acknowledgement from you.
20:53We'd love to listen to your story.
20:57We'd love to know your name.
20:59We'd love to know what your status in the house was.
21:04How long ago maybe it was.
21:07Or how recent.
21:08If you see the light that's on the middle of the table in this big box, please feel free to come forward.
21:19Make it change colour.
21:21Let it make a noise.
21:23Use all of our energy from everybody in this room.
21:26We welcome anybody to come and interact with us.
21:29But only pure white spirit.
21:30We don't want no negativity.
21:32No evil entity.
21:34When I first saw this table, I felt that it was where bread was made and dough kneaded.
21:45But while I've got my hands on this table, I also feel that this is a slaughter table for animals, small animals, for food.
21:54It would act like what we call today a fridge, a cold table.
21:59Can you acknowledge if I'm correct, please?
22:06If it wasn't for meat and small animals, was it for making bread?
22:13Was it for making pies?
22:17As you can tell, I know a lot about food.
22:20Bless you.
22:22Do you want me to move?
22:23Do you want me to move?
22:24So let's...
22:25Oh.
22:26Oh, it was.
22:28Did I just make you laugh then?
22:31I did.
22:35Do you find me funny?
22:38Where is the staff's...
22:41...dining room?
22:43Where did you eat?
22:45Was it in this room?
22:48Was it in this room?
22:49Yeah?
22:52Did you cook the food or prepare the food?
22:55I want you to tell me with beeps.
22:59Stop.
23:01I'm going to count and I want you to beep at the number of people that worked in this kitchen.
23:07One.
23:08One.
23:11Two.
23:13Three.
23:15Four.
23:18Five.
23:20Six.
23:24Now I need you to beep.
23:26Do it really fast when I get to the number.
23:29Seven.
23:33Eight.
23:34Nine.
23:36Nine.
23:38Nine.
23:44Are we right that all nine of you worked in this kitchen?
23:51If you can make it go slightly faster just to acknowledge and say yes.
23:57That table moved.
24:00This one?
24:02Yeah.
24:03Not for the first time but yeah, that's fine.
24:05That just moved? Yeah.
24:06How's that moved? It's solid.
24:08What the...
24:09That's solid?
24:11Is it me or...?
24:13No, I think it's two or three times that it has definitely shifted.
24:17Because at first I thought it was you, Marsha, I am sorry.
24:19No, no, no.
24:20No, you're not moving that, it's solid.
24:21No, I know but I thought, I thought Marsha had sort of just put her hands down and it moved.
24:26But when I looked she'd still got her hands crossed.
24:28Can you do that again for us?
24:32Can you move the table?
24:36However slight, just do it again.
24:39So I know that I'm not losing my faculties.
24:44Can you do it for me?
24:46Would you do it for Marsha?
24:53Why is it going like that?
24:56Would you do it for Marsha?
25:00Can you light Marsha's way?
25:02Marsha needs to see a green light.
25:07Would you like me to go away?
25:16Can you do that?
25:19Go on, use all the energy around the table just to give us a different coloured light.
25:25We give you the energy freely.
25:27I've never seen a REM pod do this.
25:31Come on.
25:33Marsha, you see, see if you can...
25:36Did the young boy follow us downstairs?
25:39Or the young child follow us downstairs?
25:45Hi.
25:49Hello.
25:51Could you light green, please, if it is you?
26:01Can you light the green light for us, please?
26:05Can you acknowledge...can you acknowledge my voice?
26:10Can you acknowledge my voice?
26:13Much appreciated.
26:18I've never seen a REM pod do this.
26:22So, as you can see, we've set the Ouija board up here.
26:25Oh yeah, the dreaded Ouija boards.
26:27Have you ever used one?
26:28Never. No. No. No.
26:30With Marsha already freaked, the team lead her into the bed chambers
26:34to make contact with the dead through the notorious Ouija board.
26:37So I call upon my spirit guides to encircle the people in the room, the people around the table, and the board itself in pure white light.
26:50May you keep us safe from harm, and allow only good spirit interaction.
26:56I will invite people to the board, and ask you to place your first finger on the plancher.
27:03Marsha, I invite you to the board.
27:06Marsha, I invite you to the board.
27:08Jackie, I invite you to the board.
27:11We will move the plancher three times clockwise to bring some energy.
27:16And then we'll do some questioning to see if we can get a response.
27:19If we do have a spirit entity with us that's ready to communicate, can you please give us a sign?
27:32I'll come to the yes.
27:37Or the sun.
27:43Who are you seeing?
27:49If I'm speaking to the little child from downstairs,
27:54in the other room,
27:57can you make your presence known?
27:59Is it snow?
28:04Am I talking to somebody else?
28:06No way.
28:07Go on, what?
28:08I've got to go and have a look down.
28:09Take over that ball.
28:11Sorry.
28:13Eyes clear as day.
28:15I've just seen a child run across there.
28:18I've seen it.
28:19I saw it.
28:29Um.
28:32Is that you that's taking the temperature down?
28:34I'm really cold.
28:38Really cold.
28:39You couldn't bring it up for me, could you, a bit?
28:41If you are the spirit boy that we've in, already,
28:51that we've already interacted with,
28:54do you think you could let us know your age?
28:56Can you see these numbers across here?
28:59Do you think you could let us know your age?
29:00Go on, use the energy, it's freely given.
29:07Was that moving then?
29:08A little bit, yeah.
29:15Carry on.
29:16Yep, absolutely.
29:17Don't stop.
29:19Eight.
29:21Yeah.
29:22My heart is right.
29:23That's pretty, that's fine.
29:28So I was right earlier then.
29:31You were, you were about eight or nine.
29:39Oh, are you laughing at me?
29:41Are you?
29:47Don't you burn the strength for me, my friend?
29:51Empty cold.
29:53Were you allowed to come in here?
29:54Into this room?
29:59You're not used to this many people watching you,
30:01talking to you.
30:08T.
30:11Is that a letter of your name?
30:15Okay, so T.
30:18Was your name Timmy?
30:21Oh boy, she was.
30:22I was just about to say Tom.
30:24Oh, Thomas.
30:27Hi.
30:31Where are you?
30:34Where are you?
30:35Where are you?
30:47For the final part of their investigation, the team split up,
30:50with Marsha and Nick heading upstairs to the gallery
30:53to find out more about Thomas.
30:56Meanwhile, Jackie and Dan complete the Estes test,
31:01a paranormal experiment using sensory deprivation and spirit box
31:05to communicate with potential ghosts.
31:08That was someone laughing.
31:11Okay, so we've got someone laughing.
31:13Are you a little boy?
31:18Are you a little boy?
31:19Are you a little girl?
31:23Yes.
31:24So you're a little girl?
31:30Right, this is the bit I've been dreading.
31:32Why, love?
31:33Oh, it's just a bit like, you know, I can overnight stay, isn't it?
31:36It is.
31:38This is the real Nifty Brick.
31:39I've got more layers on me than a Beef Wellington right now.
31:42It's true.
31:45Is my friend back?
31:48Thomas, have you come over to say hello?
31:50Let me know who you are.
31:54Let me have your first...
31:56I can't get out of this.
31:58What can't you get out of?
32:01Maybe I can help you get out of it if I knew your name.
32:05So just to know that you're here would mean the world to me.
32:10Maybe you could move something.
32:13Or you could tap like Nick said.
32:25I hope that's somebody in the crew.
32:27Yeah, me too.
32:29Help.
32:31How do you need help?
32:36How would you like me to help you?
32:40Attack.
32:41You want me to attack you or you're going to attack us?
32:46You're gonna get it.
32:48I'm going to get it.
32:50Who are you from?
32:56For the record, I am going to spin the camera round.
33:00For the record, I don't know what this is going to look like,
33:03but in that corner over there is a door.
33:05Now, if I'm totally honest, we don't actually know where that door goes,
33:13because part of the building is sort of locked off, locked down.
33:17But as we said that last comment, there was a really big duff by the door.
33:23I think is a reasonable explanation.
33:25A duff.
33:26By the door.
33:27If that's you, please, could you do that again?
33:34Shhh!
33:36You don't want to talk to me?
33:40Or is somebody here who I shouldn't be talking to?
33:43Good luck.
33:50What do I need good luck with?
33:51If it is Thomas that's still with us,
34:06Marsha might have to leave soon.
34:11So all these colours on this pretty dress that she's wearing,
34:14you're not going to see.
34:16Or do I have to come and find you?
34:19So just so you know, it feels like someone's standing behind me,
34:28but leaning over my shoulders.
34:30OK.
34:32Who's leaning over Jackie?
34:35Let her know what your name is.
34:39Let her know your name.
34:40Rupert.
34:42OK.
34:43Can I ask a question?
34:52Yeah, of course.
34:54Oh, maybe it's...
34:56Oh.
34:58Oh, hello.
35:00Hello?
35:01Yes.
35:09I'm going to need to come over,
35:11and I mean it with all peace,
35:14but I just wanted to come a little bit closer
35:17because I thought I could see somebody over there.
35:20over there.
35:21Can I have a look?
35:22Hello?
35:42I really hope I've got this in shot.
35:44Hello?
35:48Hello?
35:55Are we...
35:56Can you shine your light red, please,
35:58if I'm speaking to somebody?
35:59It's OK.
36:07I just want to say hello.
36:15Did you just touch me?
36:16No.
36:18Did you touch me?
36:19No.
36:21Dan, did you touch me?
36:22No.
36:26The sound's gone.
36:30That's me, that's me.
36:32It's back.
36:33The sound's back.
36:34Something touched my tummy.
36:35I didn't touch you, no.
36:36Something poked me in the tummy.
36:37OK, but it wasn't me.
36:39And the sound went off.
36:40Is it back now?
36:41It's back now.
36:43Do you want to carry on?
36:44Yeah, no, I'll carry on.
36:45No, no, I'm all right.
36:46It just surprised me.
36:47That's all right.
36:49That's not him.
36:50OK.
36:54Was that you?
36:55That wasn't me.
36:57So, erm, for the record,
37:01we've just heard a duff.
37:03Again.
37:05Give me.
37:06What would you like me to give you?
37:10Death.
37:11You want me to give you death?
37:14That's not very nice.
37:16There's something moving out there.
37:19On, erm, outside?
37:20In the garden?
37:21Yeah.
37:23Gosh, if this door opens now.
37:25Absolutely.
37:28Oh, go on.
37:29What did you see?
37:31So I kept thinking there was something moving out there.
37:34OK.
37:35And then, and then, it looked like there was a, either a black hooded figure or somebody out there going around the corner.
37:47But I can't see well enough to know what it is out there.
37:50Dan, can you check the temperature around me?
37:52Because I've just had a massive temperature drop.
37:55I don't have a temperature gun to check that Nick's got it.
38:05Are you affecting the temperature around, Jackie? Can you make it really cold?
38:08We are doing this next to windows, though, so, and it's a, a, a, a rather lovely room.
38:17Funny.
38:19Well, it's funny that we're doing it next to windows with my explanation.
38:24Oops.
38:25Maybe we're stuck.
38:26Do you want to start?
38:28It looked like something went around the corner in a black, a black hood or something like that.
38:36But again, it's hard to make out when I don't have...
38:39Um...
38:44OK.
38:45What do you see now?
38:47Um...
38:49Over there.
38:51I think that's just the glow from the windows.
38:53OK.
38:55OK.
38:57Well...
38:59That's fine.
39:01If that's, if, if, you know, if that, if that's all you're saying that we, yeah.
39:06If that's all you're saying to us, that you're here, that's OK.
39:16We did ask for the acknowledgement, so thank you very, very much.
39:20Yeah, thank you.
39:27OK.
39:28Well, we're going to leave now, I think.
39:31As we need to go and get warm again.
39:33Oh, my.
39:34What a night.
39:35Thomas, the Ouija board, and a wild ride of frights in Anne of Cleve's house.
39:48Let's catch up with Marsha one-on-one, and find out how she feels after a full night of contacting the other side.
40:05How are you feeling at the end of the moment?
40:06How do you feel about your experiences?
40:07Apart from a little bit cold, I found it very interesting when we were in the gallery and I was speaking to somebody by the doll.
40:25That was quite something for me, because it felt like a spirit had trust, had trust with me.
40:33That was weird.
40:35That, it, I would like to know a bit more about the equipment that was used.
40:40And then I might be able to be somewhat of a believer, but without doing it a few more times, I think I wouldn't really know.
40:52But upstairs in that gallery was weird.
40:55If, if there was a little boy, and this is, this isn't something that I haven't said to anybody all day, I haven't asked any information.
41:05I don't know any history.
41:06I've not asked anything about what other people have cited.
41:09I've come in and I've just done as I'm told.
41:12But the fact that I saw, or I thought it was a little boy up there, that is purely a coincidence.
41:19So, if that is the case, and the little boy has been cited before, then yes, this house is haunted.
41:38Good night, drag in the dark.
41:40But I cannot wait to take this all off now and go and have some fried chicken.
41:44So, thank you very much for having me, but Marshmallow is out.
41:49Good night.
41:51Keep breathing in the darkness.
41:54The skin is pouring and you're running for your life.
41:58Try to find it.
42:00You're dragged away from the light.
42:04There's no escape in the night.
42:07Can't wake up from this nightmare.
42:09You're always racing home and there's no end inside.
42:14Try to find it.
42:15You're dragged away from the light.
42:19Cause there's no escape in the night.
42:25It's very close.
42:26That's homophobically close.
42:28LAUGHTER
42:29OK.
42:30OK.
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