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TVTranskript
00:00Music
00:30Good morning, if only I could do that again.
00:50When will it happen? In three weeks.
00:52Bye.
00:52Bye.
00:57Ah, good morning.
00:58No.
00:59Speed, speed.
01:00Yes, it's about to start raining.
01:07Morning.
01:08Morning.
01:11Ha, that's no use at all.
01:13They don't mean it that way.
01:15And where does this come in?
01:16Well, for entertainment perhaps.
01:19You can place bets on how many minutes the delay will be.
01:22Well, I'm guessing 15 today.
01:23And you?
01:25Yes.
01:28Late for work again.
01:29Well, that might cause trouble.
01:30Well, that might cause trouble.
01:30Well, that might cause trouble.
01:30Oh, that's it, but I want to.
01:31I want, I want.
01:32Yes, that's quite good.
01:32And that's what I want.
01:33Yes, I want to.
01:34I want.
01:34I want.
01:35I want.
01:36I want.
01:36WDR mediagroup GmbH on behalf of WDR
02:06WDR mediagroup GmbH on behalf of WDR
02:36WDR mediagroup GmbH on behalf of WDR
03:06Hopefully he's back in shape. Get well soon!
03:10Bye!
03:15Yes, that's right, no, thank God.
03:17Yes, that's right, no, thank God.
03:4715 minutes, you guessed right.
03:51Hey, you there, are you dreaming, you're still late.
04:04Oh, sorry.
04:05I didn't recognize you right away.
04:09You're right. I really am late.
04:13What happened to me for the first time.
04:16Because I was so careless as to ride here.
04:19Because you, you're always late.
04:22But why?
04:24There was the detour, then the dog ran in front of my wheels and...
04:26Exactly. And then you also had to find out if Kalle was coming bowling on Friday, right?
04:30I didn't know you were here...
04:31Oh, you don't know that people have to go to work.
04:35They ride along for pure pleasure, early in the morning.
04:38There you stand in the pouring rain, locking beds.
04:41How many minutes late will he manage this time?
04:43Ten? Fifteen? Twenty?
04:45Word of honor. This is the first time this has ever happened to me.
04:48Now make a point, young man.
04:50And don't be so careless with your word of honor.
04:52Before you continue, please come to my office.
04:54I have something very interesting for you.
04:56Namely a whole folder of inputs.
04:58From citizens, from schools, from businesses.
05:01And you will read through this folder.
05:03Strange guy, that bus driver.
05:05I'll take him down and the one who dies will kill me differently than any Martian.
05:10Despite the discomfort, I managed to get through it.
05:12Great. Hey, we've had complaints about the drivers, haven't we?
05:15A lot about the drivers. Which one was it?
05:19A Lottie called him Eddie.
05:22Oh, Eddie Pracht. Well, he deserves it.
05:25The Grotian has always had problems with that.
05:28Tell me, Pracht. Is it related to the Pracht department store?
05:33Of course, they are brothers.
05:35That's stupid.
05:37How come?
05:38Well, to give them both a piece of their minds, and that too in the same morning.
05:42This is a little embarrassing in front of Ella.
05:44After all, she is a city councilor.
05:46Why doesn't she have the kids better under control?
05:48Well, what can she do now?
05:49Oh, so what?
05:51They haven't even cut the umbilical cord yet.
05:53Pasture already over 30.
05:54And still live with mothers.
05:56But I think Bruno...
05:58Yes, right, yes.
05:59He is now getting a new rule.
06:01Dini has already done so.
06:03Looks like this.
06:04But it doesn't seem to get it this time.
06:07Yes.
06:07And the buyer doesn’t let go.
06:10No bread on Mondays, no milk on Fridays.
06:12Unfriendly service, under-counter sales.
06:15No onions, no tomatoes, no apples, no carrots.
06:19This place is a bit lacking in vitamins.
06:23Maybe the boss needs a vitamin injection.
06:25And he gets it too.
06:49Look, wait a minute.
07:14What do you want in there?
07:16The boss isn't here, Mr. Filitz.
07:18So what's going on?
07:18The eggs, look here, they're almost all cracked.
07:23So, you must have dropped that one.
07:25Let it fall?
07:26No, I just bought them from you here.
07:28Yes, that's what all the customers say.
07:29Yes, that's right.
07:30But I noticed it right away.
07:32At home?
07:33Yes, when I wanted to cook one.
07:34Why didn't you make scrambled eggs?
07:37Scrambled eggs, scrambled eggs.
07:38Just pay attention.
07:39Basically, I don't want scrambled eggs for breakfast.
07:42Because I want a boiled egg.
07:47Wait a moment.
07:48Yes, please.
07:51Colleague Pracht is not here.
07:52What is it?
07:53I'd rather tell him that myself.
07:57Good morning, colleague Pracht.
07:59Am I disturbing you?
08:01But no.
08:02I just thought, because you're supposedly not here.
08:05Who says that?
08:06The colleague who guards your door.
08:09Entry at your own risk.
08:10So.
08:11Well, my colleague only wanted to because, yes, because there's an inventory coming up.
08:17If you would like to take a seat, please.
08:19Thanks.
08:19Yes, I'm glad you're joining us sometime.
08:27Well then, don’t get too excited.
08:29The occasion is not at all pleasant.
08:31So.
08:33Do you remember our last conversation after the meeting of the Standing Committee?
08:37But of course.
08:39Unfortunately, nothing has changed since then.
08:41Still complaints upon complaints.
08:43And I just convinced myself of it.
08:46Mr Pracht, we cannot continue like this.
08:47Another coffee?
08:55Yes.
08:55As always.
09:00Please.
09:07Marianne was yesterday.
09:09Oh yes?
09:11She goes into outpatient cultural care, she says.
09:15Oh, how so?
09:16With the artist as a partner.
09:18Udo and Mary.
09:20Tours, hotels, furnished rooms.
09:24That would certainly be much more fun.
09:27But it's not for Bettina.
09:31Marianne is happy that she can stay here.
09:33She would also agree if...
09:38If?
09:40You won't get angry again?
09:44Me angry?
09:46When I talk about the two of us again.
09:49Oh, that topic is too hot.
09:53It's better to leave it alone.
09:55Why?
09:56I'll risk it again anyway.
09:58Don't you agree that everything fits together?
10:03Everything?
10:04Well, we would immediately be a complete family.
10:07Bettina likes her.
10:08I get along with Stefan.
10:09There is also enough living space.
10:11Evelin is outside.
10:13There are points of contact professionally.
10:16But.
10:17The ingredients aren't bad, just...
10:20Only?
10:20Is that enough for the cake?
10:26Oh well.
10:28The yeast is missing.
10:30Don't you think so?
10:31We could travel together.
10:33A weekend.
10:34Small hotel.
10:34I know one where I once learned something.
10:37I don't like that.
10:39No?
10:39This looks like an organized test run.
10:50Good heavens, I never managed that.
10:52For a loan also a flower beam.
10:55You weren't that irresistible, Mr. Grotja.
10:58True.
11:00Sorry, duty.
11:03Very interesting.
11:05I'm watching this.
11:06What?
11:07Well, the things you accomplish.
11:09I think I'll write a brochure.
11:12The female charms in the service of local politics.
11:17Well.
11:17Well.
11:29Good morning
11:30Good morning, Pastor.
11:31Good morning
11:36Good morning
11:38Is the mayor here?
11:39Yes?
11:40Yes.
11:42Do you have an appointment?
11:44What's wrong with him?
11:47We're moving forward this time, it's urgent.
11:53This is unbelievable.
11:54This is a sensational discovery.
11:57Not true?
11:59Is it certain that the document is genuine?
12:01Subject to expert opinion, certainly.
12:05And this year of all years...
12:07...Falkenhayn turns 600 years old.
12:10We are celebrating a city anniversary.
12:12That's a nice shock in the early hours, Pastor.
12:17You're not superstitious, are you?
12:20No, I'll just think a little further.
12:22A message like this doesn’t go without consequences.
12:25We will bear the consequences together.
12:27So?
12:30All right.
12:32So tell me then.
12:34This is related to the construction work this morning.
12:37Correct.
12:38You probably know that our church was not a Christian church until shortly after the Reformation.
12:41belonged to a nunnery.
12:43The current sacristy, for example, is a remnant of the former refectory.
12:48Yes and there.
12:50This morning.
12:51As soon as the workers got to work, they found...
12:55Set between the stones.
12:57As you can see here, all kinds of objects of sacred significance
13:01as well as various documents from the monastery's possessions.
13:05They probably wanted to save them during the repeal.
13:09Here we have the 16th century, 15th century
13:15and here I am dealing with the 14th century.
13:19Oh, century, content.
13:22Can you do everything in numbers?
13:24Well, try it yourself.
13:27I?
13:28Yes.
13:33The blacksmith's name is Urbs Falkenhayne?
13:38Et so over gift, also gives up.
13:41Our gracious ladies.
13:45Yes, that is, the nuns.
13:48Oh.
13:49Yes.
13:49The Butterwiesen.
13:51And grain mills.
13:54Grain mills.
13:57A kind of user agreement.
13:59Well, I think it's more of a gift-giving thing.
14:03Written by your official procedures.
14:05600 years ago.
14:07Actually.
14:13Year of Our Lady 1388.
14:16Yes.
14:16And that would make the earlier date invalid.
14:21The city is almost 50 years older.
14:24If all this turns out to be real,
14:28which I do not doubt,
14:30then we have to come up with something.
14:33Yes, and so far.
14:35Before our anniversary here is over.
14:37Yes, and so far.
15:07Quiet, please. We'd like to begin. Gentlemen, please take your seats.
15:11We want to start. Quiet.
15:15Dear Falkkeiner, I open our traditional town hall discussion and first of all state,
15:23we have broken with a tradition.
15:26How come?
15:27Namely, that our hall seat is always only half full.
15:30Yes!
15:30From this, I think I correctly conclude that the issue was worth your Sunday stroll to the town hall.
15:39600 years, Falkenheim.
15:41600 years? Is that really true?
15:44Yes, that's true. The document has now been examined, and its authenticity has been confirmed by experts.
15:50Yes, birthdays are meant to be celebrated. And that's where a problem arises.
15:55In the meantime, the anniversary year is two steps over and the question now arises,
16:00Well, what else can we do with it?
16:03What we need now is the courage to improvise.
16:07We have formed a festival committee, the members are here, and they will accept your suggestions.
16:13We already have some, for example a traditional folk festival or a special exhibition in the local museum.
16:20There are no limits to your ingenuity.
16:23By the way, we also have a few prizes up our sleeve. For the best ideas.
16:28So it means, join in or, to adapt the tried and tested motto to the situation, do it quickly.
16:37Thank you very much and now you have the floor.
16:47Hey Ossi, kick it off. There's something going on at City Hall again.
16:50Indeed. Knights back in action.
16:51The hall seems to be quite full.
16:54You can go up and sing, then you'll finally have your big audience.
16:57Yes, that's why you also have to discover someone.
16:59Shut up, yeah. It's enough that I discovered her.
17:04Hey, look over there. At the window, Conny.
17:10Where?
17:11Well there.
17:13Actually.
17:14Ruff, they seem to be waiting for us.
17:15Beautification of the city, I have to say something about that.
17:21Behind the dairy, where the Feldschöne used to be, there's an old fence that's completely rotten.
17:25He has to go at last.
17:26Man, Heinz, think about it.
17:29600 years of Falkenheim.
17:31And you really can't think of anything better than an old damn fence.
17:36How come?
17:38Straight.
17:39Maybe it's been lying there for 600 years.
17:43Mr. Jolilat, you have a car.
17:46Yes.
17:47Surely you will take care of this personally.
17:48Give it time.
18:06You won't get me.
18:14We'll see about that.
18:19Where are you?
18:26Are you always this slow?
18:27Well, wait.
18:29I'm coming.
18:36I'm coming.
19:06Why do we see each other so rarely?
19:20I always have to share you with others.
19:23Jealous? Of Falkenhayn?
19:25You are an unbearable public person.
19:28You too.
19:30All right. All right.
19:34I only get a part of you.
19:36That has to be enough for me.
19:38Maybe it's the smaller one after all.
19:42You poor thing, he really feels sorry for you.
19:46Do you really think you're being shortchanged?
20:02What time is that, anyway?
20:03We have time. My father is working in the store today.
20:07But I have to go home.
20:09Why then?
20:12The degree comes at seven.
20:15He wants to discuss something with me about the festival week.
20:19And why didn't it happen this morning?
20:21I don't know, Moritz.
20:24He acts so mysterious.
20:25Come on.
20:30I don't want to keep him waiting.
20:37Come on.
20:38That's Alphons.
20:56Hey, he might drive in.
20:58Bye.
20:59See you in the morning.
21:00Mr. Paper.
21:09Can you sleep a little longer?
21:10Yes.
21:11Can you take me with you?
21:12Mrs. Böhermeisterin.
21:14Look at it the wrong way.
21:15Yes, it's good to meet you.
21:17Get in.
21:18There is space.
21:21Thank you very much.
21:22Home?
21:23Oh, you can drop me off somewhere.
21:24Oh, from whom?
21:26Such a passenger is transported to the destination.
21:36That's fun.
21:38This is my very first carriage ride.
21:40It's from the LPG.
21:42Used to belong to the coachman.
21:45The umbrella too.
21:47Back then, I was sitting up there too.
21:50Your coachman?
21:51Well, next to that one, Alphons.
21:53That was the coachman.
21:55Oh right.
21:56And you?
21:57I was the maid.
21:59I had to look after the food basket.
22:01You must have experienced a lot together.
22:04With Alphons?
22:05Oh, all sorts of things.
22:07They weren't a couple in love, were they?
22:09Yes, a couple in love.
22:11Well, I really don't know.
22:14So, he didn't care much about me.
22:17He still had others, this old pulsing hour.
22:19Oh, and you had others too, Mafalda.
22:22Oh, but not as many as you, right?
22:26And then there was war back then.
22:28And when he came back.
22:30Well, I had already taken the railway guard Lüttke.
22:34She had promised me that she would wait.
22:37Oh, that one.
22:38What should I have done with that?
22:41Now it's something different.
22:43Now he's becoming more sensible.
22:44I think it's great that you're doing something like this together.
22:48Mhm.
22:49We can have the carriage whenever we want.
22:53And, uh, well, I can sell the car again.
22:57And I don't need the road anymore either.
23:02No?
23:02I'm moving in with Alfons, yes.
23:08I'll do the business for him.
23:11The one from comes anyway.
23:13And my little house, my oldest one will get corners.
23:17Ms. Lüttke, that is the best solution for everyone.
23:20Well, but the legs, the legs.
23:24Alfons lives upstairs.
23:25That's why I'm so glad I met you.
23:30I can submit a new application right away.
23:33A proposal?
23:35What?
23:36There on the elevator.
23:42So.
23:44Now I'm very high.
23:48So then in Medias Race.
23:52In short, my idea is a festival.
23:55A festival?
23:57Yes.
23:59A big spectacle at the market.
24:02A dramatic picture book from history.
24:06Have you ever heard of Katrin Reiser?
24:10Katrin Reiser, wait a minute.
24:13Wasn't that the barmaid?
24:15Correct.
24:16You read about it in the chronicle.
24:19Not true?
24:20Here.
24:21Here I have everything about you that I could find out as a local historian.
24:29She was an extraordinary woman.
24:31And you think that would be...
24:36That would be just the right material.
24:39The year is 1490.
24:43Robber barons tyrannize the cities.
24:45Falkenheim is also threatened.
24:49The mayor is imprisoned.
24:51And then this brave woman from the people comes and saves the city,
24:55who might otherwise never have recovered.
24:57Well, what did you think it wouldn't be?
25:01That sounds good.
25:02A vibrant character.
25:06Embodiment of the best historical tradition.
25:09A colorful, exciting plot.
25:13Fire, battles, horses.
25:16And the tender love story between Katrin and the switching ice.
25:21And at the end there is a celebration of joy, cheers of victory, music, and dancing.
25:28And all this at the original location under the open sky.
25:31And in front of hundreds of spectators.
25:33Wouldn't that be an event worthy of a 600-year celebration?
25:38So, you have a way of getting people excited?
25:41You like the idea, don't you?
25:43Yes, she's great.
25:45I knew it.
25:46Unfortunately a bit too big for us.
25:48For our modest possibilities.
25:50Yes, of course.
25:51And that is why I am coming to you with this,
25:54because the impossible is yours.
25:58What?
26:00That's what they say about you.
26:03Does that surprise you?
26:03You deserve this reputation.
26:07That's a bit of a burden, that kind of reputation.
26:09Non-binding.
26:10Oh, excuse me.
26:11I don't want to offend you on this point.
26:13And I don't want to tell you anything yet.
26:17But do you know,
26:20this blockbuster,
26:21not true?
26:22Yes, that would be one.
26:25There doesn't have to be anything there already.
26:27A literary source material, a textbook.
26:30I have a confession to make to you.
26:36Yes?
26:38The textbook is finished.
26:43Yes, but how?
26:44I started the manuscript months ago, years ago.
26:52And that grew only very gradually and very laboriously.
26:59And then this discovery in the church.
27:02600 years, that was a spark that fell into the powder keg.
27:12There was a creative explosion.
27:17Within 14 days everything was accomplished.
27:24Well, respect.
27:25Read it first, please.
27:29I don't really trust my own enthusiasm.
27:32But if yours should come along.
27:36Yes that's it.
27:51But how do you do that in eight weeks?
27:57We'll never manage that.
27:58If only you had someone who could take the whole thing into your hands.
28:10The Chronicle.
28:10Poor Guido.
28:34Banished to the back.
28:40Sure, of course.
28:45Guido!
28:48No, I don't buy that.
28:52Not this time, Mr. Zeisig.
28:55Always the same.
28:58Whether you are advertising a film week or Gothic architecture,
29:02You can't think of anything else on this topic.
29:04Nope.
29:07I'm sorry.
29:08I'm sorry, I'm sorry.
29:10Yes, me too.
29:12Even the font is always the same.
29:17If you don't have an idea at some point, then...
29:19Maypole.
29:24Rita, hello.
29:31And I thought there would be nothing but trouble here today.
29:35How do I get to the...
29:37Oh right.
29:40Officially.
29:43A festival.
29:44I'm on vacation starting Thursday.
29:47I let go of effort.
29:48What the hell?
29:49I can get bored at home too.
29:50What?
29:54Seriously?
29:56You want me to...
29:58But of course I have experience.
30:00Teller on the open-air stage with 60 extras.
30:03Come on, send it here.
30:03I'll read it right away.
30:06I'll call you then.
30:08And I'm coming on Thursday.
30:09Clear?
30:09Bye, see you later.
30:11So, now to you.
30:20But.
30:22I like that.
30:23The whistle.
30:243.60.
30:32Enough for your slimming choice.
30:33Next week it can stand nicely.
30:35Moritz.
30:36Yes?
30:37I would like to come with you to Waren.
30:38Why then?
30:39Because of Guido.
30:44So you haven't told him yet.
30:47We'll come here tomorrow.
30:49For a few weeks.
30:53Expected.
30:56How come?
30:58To stage the festival.
31:01The festival.
31:03Couldn't you have chosen someone else?
31:06Firstly, no and secondly, why?
31:08Why?
31:10Then there is still hope.
31:12Yes.
31:13Yes, which you don't want to destroy.
31:15No.
31:17Don't you understand me?
31:19Nope.
31:22I want to be fair.
31:24Also to Guido.
31:24You are simply without.
31:25Oh, listen.
31:30I.
31:33I can't just throw it away.
31:35Because of old pines.
31:39After all, he is the father of my son.
31:42Who am I to you?
31:45Moritz.
31:47I already understood it.
31:49Please remember that the decision about both of us is not yours alone.
31:55Please take a seat.
32:03Yes, if it runs tomorrow, then all the organizational stuff will be with you.
32:06Yes, of course.
32:07Yes, we've already sniffed each other out.
32:09Yes, and I would advise the academic council on artistic matters.
32:14Connection to folk art collectives.
32:16Yes, some of it has already been recorded.
32:18The response is unanimously positive.
32:21That would be it if there are no further questions.
32:24Excuse me, Rita.
32:26Yes?
32:26Nothing serious, just a minor disaster.
32:32We don't have a leading actress for the festival.
32:38What?
32:38Yes, you understood correctly.
32:42No leading actress.
32:44Karne collapsed today.
32:47Cycle.
32:48She'll be out for four weeks.
32:51Filling the blue sky.
32:51What are we doing here?
32:52Blowing off is impossible.
32:55Well.
32:56Unoccupied.
32:57Yes, we have to vacate.
32:58Yes, but who?
32:59Not everyone can do that.
33:00Well, maybe, maybe, maybe I have a solution.
33:09I, I have to make a confession here.
33:13There is another reason why the piece was finished so quickly.
33:19I had someone in mind for the role of Katrin Reiser.
33:26A woman I know and who genuinely impresses me with her persistence, her helpfulness, her admirable tenacity.
33:42And she's also just as pretty as I imagined Katrin Reiser to be, if you don't mind the compliment.
33:56Me, you mean me?
34:06Yes, actually, yes, why not?
34:13You play her, Katrin.
34:15Oh, no.
34:16Yes, of course, that is the solution.
34:19What?
34:21Me, I should act in a play?
34:23Yes, you once did student tater.
34:25Oh, but that was years ago.
34:27Oh, you have a natural affinity for facial expressions and gestures.
34:30Yes, and if we now ask you all very sincerely.
34:34But I...
34:36Don't conjunct, Rita.
34:38I mean, we can't let our blockbuster come to nothing.
34:40You, that would be a good example for others too.
34:42Join in, they say.
34:44I'm happy to take part, but the main role...
34:45Yes, should we offer you something else?
34:49You, Rita von Falkenhayn?
34:54Yes, so...
34:57That would be it.
34:58Oldendorff, I'm leaving now.
35:14We could also go for a drink.
35:28Next door in your wine cellar.
35:30It's closed today.
35:32Besides, Aunt Henni is waiting for you.
35:34They go to bed early.
35:35So, we could also...
35:38Hello?
35:39We discussed all of this in detail.
35:41I brought you here with it.
35:42Yes, but doesn't that mean we can...
35:45I want there to be clarity between us.
35:49You know, you took on an assignment...
35:52Yes.
35:52...which has nothing to do with either of us.
35:55So, just focus on that.
35:57Don't get carried away.
35:59You haven't done anything in a long time.
36:03I would definitely skip that completely.
36:10Nonsense.
36:10The tavern where this happened wasn't on the market at all.
36:14It was located behind Badstubengasse.
36:17Nonsense.
36:17It stood where consumption is today.
36:20How do you know that so precisely?
36:21My grandfather told me that.
36:24Mine still knew every last gram.
36:26Oh, the descendants of this Katrin Reiser.
36:29They were all schoolmasters and pastors.
36:31But the last one was a field keeper.
36:34Not true.
36:35The last one was Schulze in Kreienbach.
36:37What are you talking about?
36:39I saw another photo of that.
36:41Interesting.
36:42And what did he look like?
36:44He had a full beard.
36:46The shotgun slung over his shoulder.
36:47Was tall and stately.
36:49And just like Moritz.
36:50Well, that's what I imagined too.
36:54The world rage.
36:55No, his ancestor, the mayor.
36:58Yes, exactly, like that.
37:01Because Mr. is not allowed to invite her.
37:04Here's to you, Mr. Words, assassinating me.
37:06Here's to you, Mr. Words.
37:36So Heino, he gets into the narrower car.
38:04He will surely get the prize for the most beautiful house.
38:06Well, what a dump that was?
38:08And now?
38:09Well, everyone tries hard, doesn’t he?
38:11But if there is no man in the house.
38:14What is Rita doing?
38:15I hardly see her anymore.
38:17No wonder.
38:18Bye.
38:20Well, hopefully she doesn't overdo it.
38:25Finally something is happening in Falkenheim.
38:28The events are literally chasing one another.
38:30In the past, you didn't even know what to talk about with your customers.
38:35But now.
38:37And we owe most of it to her.
38:39Do you already know that I'm participating myself?
38:40Yes, of course.
38:41Oh, there must be something going on here.
38:42Heaven and people.
38:44Luckily we have box seats.
38:46So I put my chair in front of the door.
38:48You too?
38:48No, I...
38:50What?
38:51She was willing to let that happen.
38:53But I'm taking part too.
38:54She?
38:55No.
38:57You will not hold me back.
38:59Today I will leave the city and move away.
39:04Now go towards her.
39:07Even more urgent.
39:08Yes.
39:12I beg you, stay.
39:15You will be compensated for what you have lost.
39:17Is that all, Mr. Schultheis?
39:21Don't you have any better reasons?
39:23Better reasons?
39:25Well, I have them.
39:28I confess to you that I am very fond of you.
39:32No, no, that's not how it works.
39:34Children, look into each other's eyes.
39:37You love each other.
39:39Can't you even imagine that?
39:42Watch out, Rita.
39:43Is that all, Mr. Schultheis?
39:54Don't you have better reasons?
39:58Do you pass?
39:59Yes.
39:59She's just waiting for his explanation.
40:01Do it again.
40:06And remember that you love each other.
40:08That's just my feelings.
40:09So please.
40:10Is that all, Mr. Schultheis?
40:18Don't you have any better reasons?
40:21Reasons?
40:23I have them.
40:29Hey, that's enough.
40:32Well, satisfied?
40:34Nope.
40:36That was way too overthought.
40:37Music.
40:52Look, look, look.
40:54Well, you're finally here, Stefan.
40:55How does it look so funny?
40:57Are you a knight?
40:58No, a mayor.
41:00What is that?
41:00A mayor.
41:02Mom is the mayor here.
41:04Well, today it's me.
41:06For two hours.
41:07But you haven't even discovered your dad yet.
41:11Hello, Stefan.
41:12N/a?
41:15Good morning, Gedo.
41:16How are you?
41:16Morning.
41:17Good morning
41:18Thank you thank you.
41:19We should come to Rita's office.
41:21Hopefully we don't disturb her, the great artist.
41:25Excuse me, please.
41:26Thanks.
41:28You're stupid.
41:29Yes, yes.
41:30Take it easy.
41:30See you later, Moritz.
41:31Bye.
41:31Come.
41:32Good luck.
41:32Thanks.
41:33Stefan, wait a minute.
41:39Mommy is talking to a reporter.
41:42Why?
41:43I'm supposed to report her to the police.
41:44First come in here.
41:48You've been here for over a year now and you've had your fair share of ups and downs.
41:52This is surely the highlight.
41:55Climax yes.
41:56The climax.
41:57No.
41:57All right, a day of highlights for Rita Oldendorf.
42:01Rita, one more request: please briefly describe to our listeners what is happening here now.
42:06Yes, of course, but I have to go to the gig urgently.
42:08The car of the piece can do this much better.
42:13Please, Mr. Stahls.
42:15Yes, thank you.
42:16You know, uh, yes, back then, back then life here was very unsafe.
42:22Robber barons lived in the castle next door, and once they invaded the town and committed all sorts of crimes.
42:29Yes, I am here now.
42:58Music
42:59They then had their say in the tavern.
43:28Yes, and when the landlady, Katrin Reiser, wanted to throw her out, they destroyed her entire business.
43:39Katrin then wanted to leave.
43:42But the mayor held her back.
43:46He loved her. And she loved him too.
43:49But love in times like these?
43:52Something happened again soon after.
43:55A merchant from our town was looted and almost killed.
44:02Music
44:03The citizens caught one of the robbers and wanted to put him in the pillory.
44:19Then the knight Feder announced.
44:29And he and his band managed to take the city.
44:32Music
44:33The citizens were paralyzed with fear.
44:40Music
44:41But Katrin Reiser was the only one who didn't lose her head.
44:52Music
44:53Music
44:54Listen to what I say.
44:59This bag filled with gold sugar.
45:04And this precious dagger, which kills the mayor, here and now, may both keep.
45:14I, I do it, Lord.
45:15Music
45:16No, I.
45:17Let me do it, Lord.
45:19Me, a woman?
45:21Music
45:22I hate him.
45:23He wanted to chase me out of the gate because I let you drink my wine.
45:27Won't you be timid?
45:29Music
45:30Don't worry.
45:31My hatred will guide the iron admirably.
45:33Music
45:34Whoever it is, if a woman does it, so much the better.
45:37Music
45:38Music
45:39Music
45:40Music
45:41Music
45:43Music
45:45Take it and use it.
45:48Exit!
45:50Music
45:51Music
45:53Music
45:54Music
45:55Music
45:56Music
45:59Music
46:00Music
46:02Music
46:03Music
46:05Music
46:12Music
46:42Music
47:12Hey, I really need to talk to you.
47:35Same to you.
47:36Music
47:36I'm thrilled. You could have just become an actress.
47:52You wouldn't have told him that.
47:58Music
48:00Earlier they saw the greatest difficulty for Rita.
48:07That she feels at home and settles in.
48:10Our farmers always say that if it doesn't take root, it can't bloom, right?
48:14That's true. You're right.
48:18Dear Falkenhain residents, dear guests, we are now continuing with the meadow pipits here.
48:22And our dance group.
48:24I wish us all a lot of fun for the rest of the festival.
48:34Off, off, off.
48:35I am happy.
48:36Music
48:36Music
48:37Music
48:41Music
48:42Music
48:44Music
48:45Music
48:55Yes?
48:56Yes?
48:58I guess I'm disturbing you.
49:00No.
49:02Are you closing the door?
49:06I have to tell you everything now.
49:13No longer necessary. I know how.
49:14I'm running around here dressed as a claw.
49:17As fear, Rosa.
49:19The, you, I only just realized that...
49:20Should I thank you for dumping me today?
49:25What?
49:27In fact, nothing has been going on between us for a long time.
49:34What wrong have I done?
49:38Just because I wasn't immediately enthusiastic about your decision to come here?
49:42This nest.
49:43You never understood what I wanted.
49:47What?
49:48What did you want to make of me?
49:50A housewife who brings you the slippers, who adores you.
49:52Oh, nonsense.
49:53You always secretly hoped.
49:54What did I hope for?
49:55That I'll come crawling back.
49:56That I fall flat on my face.
49:59And my love?
50:02Love?
50:03I know what that means.
50:07Everything else.
50:09Profession.
50:10interests.
50:12The rough edges.
50:14And this other one?
50:16This Moritz?
50:18He loves your edges, right?
50:20He can live with it and that is more important.
50:23If he loves her one day, all the better.
50:26And you?
50:30Do you love him?
50:33Yes.
50:35I love him.
50:38Because it's comfortable for you?
50:41No.
50:42Because he is the way he is.
50:43Nothing more.
50:45Nothing more?
50:46And because he belongs there.
50:50For what reason?
50:51To everything I love here.
50:52And what is that?
50:56This is Falkenhayn.
50:57These are the people here.
50:59The town hall.
51:01The stress, the work, the joy.
51:05Because I'm needed here.
51:10Viva!
51:11Viva!
51:11Viva!
51:11Viva!
51:11Viva!
51:11Viva!
51:11Viva!
51:11Viva!
51:12Viva!
51:12Viva!
51:13Viva!
51:13Viva!
51:14Viva!
51:14Viva!
51:14Viva!
51:15Viva!
51:16Viva!
51:18Viva!
51:18Viva!
51:18Viva!
51:20Viva!
51:20Viva!
51:20Viva!
51:21Viva!
51:22Viva!
51:23Viva!
51:24Viva!
51:25Viva!
51:26Viva!
51:27Viva!
51:28Viva!
51:29Viva!
51:30Viva!
51:31Viva!
51:32Viva!
51:33Viva!
51:34Viva!
51:35Viva!
51:36Viva!
51:37Viva!
51:38Viva!
51:39Viva!
51:40Viva!
51:41Viva!
51:42Viva!
51:43Viva!
51:44Viva!
51:45Viva!
51:46Viva!
51:47Viva!
51:48Viva!
51:49Viva!
51:50Viva!
51:51Subtitling by ZDF, 2020
52:21Subtitling by ZDF, 2020
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