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00:00Lux presents Hollywood.
00:11Lever Brothers Company, the makers of Lux Flakes, bring you the Lux Radio Theater,
00:17starring Ingrid Bergman and Joseph Cotton in Notorious.
00:23Ladies and gentlemen, your producer, Mr. William Keeley.
00:30Greetings from Hollywood, ladies and gentlemen.
00:36With the collapse of Nazi Germany after World War II,
00:39it was commonly believed that many of Hitler's more fanatic followers escaped to the Western Hemisphere
00:46to pursue their relentless plotting for world domination.
00:51Our play tonight, while purely fictional, is a sample of how these isolated groups may operate
00:56and how they may be brought to justice.
00:59It's Alfred Hitchcock's thrilling hit, Notorious, produced by RKO,
01:04and stars its original leading lady, Ingrid Bergman, and Joseph Cotton,
01:10two of Hollywood's leading performers.
01:13Notorious might take place in any city,
01:16but actually we find ourselves in teeming and exotic Rio de Janeiro,
01:21one of the most exciting cities of the new world.
01:23I have an airmail letter from a friend of ours who made a flying visit to Rio and reports,
01:29while shopping in the fashionable Copa Gabbana section,
01:33I purchased several exquisite examples of Brazilian lace.
01:38Imagine my surprise when I examined them to discover each piece labeled,
01:43wash only in luxe.
01:45Fortunately, luxe flakes are available at almost every store in Rio.
01:49So were we to stay here longer, I'd have little trouble following such sensible advice.
01:56Well, for that message from Rio de Janeiro, all our thanks,
02:00as we take you shortly to that colorful metropolis with Act One of Notorious,
02:06starring Ingrid Bergman as Alicia Uberman and Joseph Cotton in the role of Devlin.
02:12It's the height of the tourist season in Miami, Florida,
02:25and the passengers of a plane from New York have hastened to their hotels,
02:30all save one, a Mr. Devlin,
02:34who has gone directly to a building owned by the United States government.
02:39There, in an obscure and private office,
02:42And last Thursday, John Huberman, traitor,
02:45was sentenced to 20 years in the federal penitentiary.
02:48So I heard, Prescott. Congratulations.
02:50Oh, thanks, Devlin, but I didn't drag you down here to pat me on the back.
02:53Huberman has a daughter here in Miami.
02:55Oh?
02:56Well, she was in no way involved with her father
02:58or with any of the other Nazi agents who worked against us during the war.
03:02I believe she can be of great help to us now.
03:04That's what I want you to find out.
03:06You've approached her?
03:07Not yet, but we know a great deal about her.
03:10Oh, here's her photograph.
03:12Alicia Huberman.
03:14Attractive.
03:15Very.
03:16And something of a problem.
03:17Miss Huberman is not what our mothers would have called a nice girl.
03:21Out every night, drinks a lot,
03:23gets arrested once a week for reckless driving.
03:25But whatever she may be,
03:27we think she's still a good American.
03:29I have made arrangements for you to meet her tomorrow night.
03:32That should be pleasant.
03:34Yes.
03:35Tomorrow night, Alicia Huberman is throwing a party.
03:37If it's her customary party,
03:39it'll be loud, long, and alcoholic.
03:42On Sunday, she plans to leave on a cruise with friends.
03:45I want you to find out if she'll go to work for us instead
03:47in South America.
03:49South America?
03:50Yes.
03:50Rio de Janeiro.
03:52Well, here's the whole file on Miss Huberman.
03:54Look it over and then start asking questions.
03:56Do you do this often, Miss Huberman?
04:08Leave your party, go for rides at two in the morning?
04:10Oh, I thought you invited me to take a ride.
04:13Didn't think you'd accept.
04:14Don't you think I'd better drive?
04:16No.
04:16No, I thought that was understood.
04:19Or do you think I'm drunk?
04:21Oh, no, no, no.
04:22You know, something, Mr...
04:23Devlin.
04:24Devlin, Devlin.
04:24How'd you get to my party?
04:27The Hopkins, remember?
04:28No.
04:29Oh, I don't remember.
04:30Anyway, you were saying...
04:31Anyway, I like you.
04:33You're quite a boy, aren't you?
04:34Oh, terrific.
04:35How am I doing?
04:36Eighty miles an hour.
04:37Oh, you can stop grinning.
04:38I don't like gentlemen who's grin at me.
04:40I was really grinning at the man in the mirror.
04:42What mirror?
04:43What man?
04:44A man on a motorcycle.
04:46We're being pursued.
04:48Cops.
04:49Oh, they make me sick.
04:51Oh, I'm glad you're stopping.
04:52I think this cop wants to talk to you.
04:53Oh, am I drunk?
04:56If I am, I go to jail.
04:57Oh, my whole family in jail.
04:59Who cares?
05:02You're having a time for yourself, aren't you?
05:04People like you ought to be in bed.
05:05Been drinking, huh?
05:06Just a minute, officer.
05:07No arguments, mister.
05:08Yeah.
05:09What do I want your license for?
05:10She was at the wheel.
05:11This isn't a driver's license.
05:13Huh?
05:14Oh.
05:16Sorry.
05:16Okay.
05:17Sure you can handle her?
05:18I think so.
05:18Well, you ought to know.
05:20Good night.
05:20Good night.
05:21Oh, wait.
05:23That cop, he saluted you.
05:25Did he?
05:26Why, you double-crossing.
05:29You're a cop yourself.
05:29Now, we'll argue about that later.
05:31Right now, I'm taking you home.
05:32Get out of my car.
05:33Now, look.
05:33You're not taking me anyway.
05:35Move over.
05:35I'll drive.
05:35Get your hands off me crashing my body.
05:37You are a federal cop, aren't you?
05:38I said move over.
05:40Get out.
05:40Leave me alone.
05:41You're trying to get something on me.
05:42You've got to calm down.
05:43Get out.
05:43Get out.
05:44Get out.
05:44Well, I'm sorry, Miss Huberman.
05:50First time this week, I've socked a lady.
05:59Morning, Alicia.
06:00Feeling better?
06:02Oh, what do you care how I feel?
06:05You cop.
06:06It's eight o'clock.
06:07Oh.
06:08Your other guest left about three hours ago.
06:10Oh, want a refill for that ice bag?
06:13Say, what's all this about?
06:15What's your angle?
06:16What angle?
06:17Why did you crash my party?
06:19Wanted to meet you.
06:20Oh, so you could frame me?
06:21No, I've got a job for you.
06:22Don't tell me.
06:23There's only one job that you coppers would want me for.
06:25But I'm not a stool pigeon, Mr. Devlin.
06:28My department has authorized me to offer you a job in Brazil.
06:31Oh, go away.
06:32Some of the German gentry whom your father once worked for are in Rio now, busy as little
06:36bees.
06:37I'm not interested.
06:38We're working with the Brazilian government to smoke them out.
06:40My chief thinks that the daughter of a...
06:43Of a traitor.
06:45Well, he thinks you could be valuable to us and you could make up a little of your daddy's
06:50peculiarities.
06:51Why should I?
06:51Patriotism.
06:52Patriotism.
06:54Waving the flag in one hand and picking pockets with the other?
06:57That's your patriotism and you can have it.
06:59What'll you have?
07:00My own life.
07:00Go away and leave me alone.
07:02Your own life?
07:02What's that?
07:03Good times and laughs with people I like.
07:06No underhanded cops want to set me up in a shooting gallery.
07:08People of my own kind will treat me right and like me and understand me.
07:12And like Mr. Hopkins.
07:13What about Mr. Hopkins?
07:14Just phoned.
07:15Said to remind you his yacht sails at noon.
07:17They're all calling for you at 11.
07:19Oh, then why don't you get out of here?
07:20The plane to Rio leaves tomorrow morning.
07:22Then you must drop me a postcard, Mr. Devlin.
07:25Rio must be beautiful this time.
07:26We're coming into Rio, Miss Huberman.
07:40Well?
07:40Well, what?
07:41When are you going to ask me why I changed my mind?
07:44Why I took a plane instead of a yacht?
07:45Well, you're here, aren't you?
07:47As soon as we land, we'll look up Mr. Prescott.
07:49Who is Mr. Prescott?
07:50Our boss.
07:51Mm-hmm.
07:52Miss Huberman.
07:52Just now, when I was talking to the pilot...
07:55I told you we were coming into Rio.
07:57He told me something else.
07:59A message came in over the radio.
08:02Your father.
08:03What about my father?
08:06He...
08:07He committed suicide this morning in his cell.
08:11Oh.
08:12I'm sorry.
08:15Oh.
08:17Well, I don't know why I should care.
08:20But I do.
08:24When I found out about my father a few years ago, who he was, what he was doing, everything
08:29went to pot.
08:30I didn't care what happened to me, but...
08:32But now, I suddenly remember how nice he... he once was.
08:39How nice we both once were.
08:41Anything I can do?
08:43No.
08:43Well, it's a very curious feeling.
08:47As if something had happened to me, not to him.
08:52You see, I don't have to hate my father anymore.
08:55Or myself.
09:06Well, Dave, how do you like the apartment Mr. Prescott found for me?
09:08It's very attractive.
09:09Will I be staying here?
09:10I wish I could tell you.
09:11I don't know.
09:11Well, will you know?
09:12Soon, I think.
09:14Prescott's meeting now with the Brazilian intelligence.
09:16Oh, so you fixed dinner, huh?
09:18Mm-hmm.
09:18Have time for another drink?
09:19Thanks.
09:19I've had enough.
09:21Well, aren't you impressed?
09:22And practically on the wagon.
09:24Well, it's a phase.
09:26You don't think a woman can change?
09:27Sure.
09:29Change is fun.
09:30For a while.
09:31For a while.
09:32You've been sober for ten days now, and as far as I know, you've made no new conquests.
09:36Well, that's something, isn't it?
09:37Mm.
09:38Ten days.
09:39Practically whitewashed.
09:40What a rat you are.
09:42I'm very happy, Dev.
09:43Why won't you let me be her?
09:45Nobody's stopping you.
09:46Why don't you give that copper's brain of yours a rest?
09:48Every time you look at me, it tells you, no, no, no, stay away from her, it says.
09:51She's no good.
09:52She never will be.
09:54Alicia.
09:55Go on, Dev.
09:56Go on.
09:56You can take my hand.
09:58I won't blackmail you for it afterwards.
10:00Thanks.
10:01You are afraid.
10:03Afraid you're falling in love with me?
10:04That wouldn't be hard to do.
10:05Oh, no, no, no.
10:06Careful, Devlin, careful.
10:08You enjoy making fun of me, don't you?
10:10No.
10:11I'm making fun of myself.
10:13I'm pretending I'm a very nice, unspoiled child whose heart is full of daisies and buttercups.
10:18Nice daydream.
10:19Then what?
10:22I think I will have another drink.
10:23Yeah.
10:24Thought you'd get around to it.
10:25Why won't you believe in me, Dev?
10:28Well, just a little.
10:30Why won't you?
10:31How do you know I don't?
10:32I know because you're sore.
10:34You've fallen for me and you don't like it, no?
10:36People will laugh at you.
10:37Poor Dev.
10:38Poor Dev.
10:39In love with a no-good gal, huh?
10:40It must be awful.
10:41Come here.
10:43I...
10:45Don't say anything, Devlin.
10:48Just kiss me.
10:49Don't say anything.
10:50What's the matter with you, Devlin?
11:03Something wrong?
11:04Wrong?
11:04No, no.
11:05Nothing's wrong, Prescott.
11:07I, uh...
11:07I'm sorry I had to send for you.
11:10I'm sorry I interrupted your date with Miss Huberman there.
11:12Well, here's the setup.
11:14Okayed by Brazil intelligence.
11:15The leader of the German agents here in Rio is a man named Alex Sebastian.
11:19Well, if we know who he is, why can't we pick him up?
11:21Oh, sure.
11:22Sure we could pick him up.
11:24The next day, someone else takes his place and whatever it is they're working on continues.
11:28Their headquarters is Sebastian's home.
11:30We need somebody to get inside that house.
11:33Somebody in Sebastian's confidence.
11:34In other words, Alicia Huberman.
11:36Right.
11:38You said you were having dinner with her when I called.
11:41I'll go back to her apartment then and tell her.
11:43She's good at making friends with gentlemen, so...
11:45If that's meant to be funny, I...
11:46The devil's eating you.
11:47I...
11:47I don't know if she'll do it.
11:50You haven't even discussed it.
11:52No, but...
11:53I don't think she's that type of woman.
11:55She's never been trained for that kind of work.
11:57They'll see through her.
11:58Miss Huberman was chosen for two reasons.
12:01One, her father was a Nazi agent.
12:04Two, Sebastian once knew her in Washington.
12:06Sebastian knew her?
12:07Yes, he was in love with her.
12:09Well, I didn't know that.
12:10Well, you know it now.
12:11You've got to get Miss Huberman inside his house and find out what's going on there.
12:14How, uh...
12:16How does she meet him?
12:17Well, I think the riding club would be best.
12:20Sebastian rides every morning.
12:21The rest is up to you and Miss Huberman.
12:31You've hardly said a word, Deb.
12:34My cooking isn't that bad.
12:35A little bit well done, maybe, but still.
12:37I'm sorry I was so late getting back.
12:39Uh, Prescott, uh...
12:41What's the matter, Deb?
12:43Trouble?
12:44In a way.
12:46All this secrecy is going to ruin my little dinner.
12:48Come on, handsome.
12:50What is darkening your brow?
12:51Uh, later.
12:52No, no, no.
12:53Now.
12:54Look, I'll make it easy for you.
12:55The time has come when you must tell me that you have a wife and two adorable children,
13:00and this madness between us can go on no longer.
13:03Bet you've heard that line often enough.
13:06Oh, that wasn't fair, Deb.
13:08Then skip it.
13:09You remember a man named Sebastian?
13:11Alex Sebastian?
13:12Yes.
13:13He was one of my father's friends.
13:15I had quite a crush on you.
13:17Oh, I wasn't very responsive.
13:19Well, he's in town.
13:20He's part of the combine that built up the German war machine.
13:23He hopes to keep on going.
13:24Something big?
13:25All the earmarks.
13:27We'll have to contact him.
13:29Go on.
13:29Let's have all of it.
13:30We're meeting him tomorrow morning, and you're going to go to work on him.
13:34Mata Hari.
13:35She makes love for the secret papers.
13:37Prescott's orders?
13:38Yes.
13:40Did you say anything?
13:41Well, I mean, maybe I wasn't the right girl for such shenanigans.
13:45No.
13:47I figured that was up to you if you cared to back out.
13:50I suppose you told him that Alicia Huberman will have this Sebastian eating out of her hand in a couple of weeks.
13:56She's so good at that.
13:57Always was.
13:57I didn't say anything.
13:59Not a word?
14:00For the little lovesick lady who cooked dinner for you?
14:02I told you that's the assignment.
14:03Don't get cross, Deb.
14:04I'm only fishing for a little bird call from my dream man.
14:08One little remark such as, how dare you suggest that Alicia Huberman, the new Miss Huberman, be submitted to so ugly a fate?
14:15It's not funny either.
14:16Oh, darling.
14:18What you didn't tell Prescott, tell me that you believe I'm nice, that I love you, that I'll never change back.
14:28I'm waiting for your answer.
14:30What a little pal you are.
14:32Never believing me, not a word of faith.
14:35Just down the drain with Alicia.
14:37That's where she belongs.
14:38Oh, definitely.
14:42Pour me a drink and tell me what I do for Uncle Sam.
14:44We'll meet Sebastian on the bridle path.
14:46When he questions you about me, I'm with Pan American Airways, Public Relations.
14:50Anything else?
14:51I happen to meet you on the plane from Miami.
14:53The less detail, the better.
14:54That's all.
14:55That's all.
14:56My beautiful dinner.
14:58Cold.
15:00Cold as ice.
15:14I can't get over it, Alicia.
15:16Meeting you this morning at all places of bridle path in Rio de Janeiro.
15:19How do you know I wasn't looking for you, Alex?
15:22Oh, if I could only believe that.
15:23You should.
15:24Didn't I prevail upon you to take me to dinner?
15:26Prevail.
15:27You look very well, Alex.
15:29After four years here, dullness and disintegration.
15:32You look younger than you did in Washington.
15:34Entirely due to your presence, Alicia.
15:36You always affected me like a tomming.
15:39Who are you looking at, my dear?
15:41That man who just came in.
15:43Do you know him?
15:43I don't think I do.
15:45I don't think I do.
15:46His name is Prescott.
15:48Espionage.
15:48Oh.
15:48The American Embassy is loaded with him.
15:50Really?
15:51They bothered you since you came here?
15:53No, no, no.
15:53Not yet.
15:54That's one reason I left Miami to get away from their snooping.
15:57I wondered why you left your father.
15:59He insisted, Alex.
16:00He was so unselfish.
16:01He kept begging me to leave.
16:04I had no idea he was going to die.
16:06Many have died, Alicia.
16:08We mustn't let our spirit die with him.
16:10Perhaps I can help you forget.
16:12Oh, Alex.
16:13There's someone else, of course.
16:16Is there?
16:17Who, Alicia?
16:18That Mr. Devlin who was with you this morning?
16:22Mr. Devlin doesn't interest me in the least.
16:25I've just been so lonely.
16:26I could have gone riding this morning with Peter Rabbit.
16:29You will let me help your loneliness?
16:32Oh, you're very sweet to forget what a brat I was once.
16:36Well, then I'll test your opinions immediately.
16:39Will you have dinner with me again tomorrow night?
16:41My mother's giving a little party at home.
16:42Oh, Alex, how nice.
16:43Are you sure she won't mind an extra guest?
16:46Oh, an old friend is never an extra guest.
16:49Thank you, Alex.
16:57You look very beautiful, Miss Huberman.
17:00Don't you agree, Devlin?
17:01Sebastian is sending his car for Miss Huberman.
17:03I suggest we get out of her apartment.
17:05Oh, there's time.
17:06Now, part of your job tonight, Miss Huberman,
17:08will be to get the names of all the men you see in Sebastian's house.
17:11You mean the Germans?
17:12That won't be difficult.
17:13Don't underestimate them.
17:15They're a very keen and desperate bunch.
17:17Anything else?
17:18No, nothing.
17:18Good luck.
17:19Thank you.
17:19Oh, unless you have something urgent to report,
17:21we'd better avoid each other for the next few days,
17:23just in case Sebastian's crowd wants to check on you after the night.
17:26Very well.
17:27And don't meet here when you do.
17:28What about the racetrack, Devlin?
17:30Racetrack's fine.
17:30We can arrange a date by phone.
17:32Night, Alicia.
17:32Miss Huberman, well, well, good afternoon.
17:42Mr. Devlin, how nice seeing you again.
17:44Are you picking any winners?
17:45You alone?
17:46No.
17:47Alex and his mother.
17:48Where?
17:48A box in the clubhouse.
17:50I'm sure they can't see us.
17:51Play it safe and keep smiling.
17:52Yes.
17:53Well?
17:53I've seen Alex twice since the dinner at his house.
17:56Who was there?
17:57His mother, her servant named Joseph,
17:59and four other men,
18:00William Rossner, Eric Matisse,
18:02Emil Hoopke, and a Professor Anderson.
18:04Go on.
18:05Have you ever heard of Anderson?
18:06No.
18:07He's some kind of scientist.
18:08Medium height, gentle face,
18:1060 years old, gray hair,
18:12deep crease on his forehead.
18:14You writing this down?
18:15Oh, I'm just trying to check these horses on my program.
18:18I look happy, will you?
18:20What about Emil Hoopke?
18:23Heard of him?
18:24No.
18:25He made quite a scene at the dinner
18:26about a bottle of wine.
18:27A bottle of wine?
18:28Yes, it was on the buffet.
18:29Hoopke became quite excited.
18:31He said it should be removed at once.
18:32What happened?
18:33They just ignored him
18:34and kept this conversation going.
18:35Hoopke seemed quite flustered, apologetic.
18:37I couldn't figure it out.
18:39Did they serve the wine?
18:40No, not that particular bottle.
18:42Do you think it had any significance?
18:44I don't know.
18:44I don't know.
18:45What brand was it?
18:47All I saw of the label was Vintage 1939.
18:501934.
18:51Has Hoopke pulled anything since?
18:53I haven't seen him since.
18:55What else?
18:56Just a minor item you may want for the record.
18:59Well?
19:00You can add Sebastian's name to my list of playmates.
19:03Hmm.
19:04Pretty fast work.
19:05That's what you wanted, wasn't it?
19:07His mother suspects me.
19:08What?
19:09Oh, don't worry.
19:09She believes I'm after her son's money.
19:12You betting on this race, Mr. Devlin?
19:14They're about to start.
19:15No.
19:16Alex says number 10 is sure to win.
19:18I can't help recalling some of your remarks about being a new woman.
19:21Daisies and buttercups, wasn't it?
19:23What are you angry about?
19:24You knew very well what I was doing.
19:25Did I?
19:26You could have stopped me with one word.
19:28No, you threw me at me.
19:29I threw it, you know.
19:30Keep your eyes on the race.
19:31Use your binoculars.
19:34Didn't you tell me to go ahead?
19:35A man doesn't tell a woman what to do.
19:36A woman tells herself.
19:38It almost had me believing in that little hokey-pokey miracle of yours that a woman like you could change her spot.
19:44That's why I didn't try to stop you.
19:47The answer had to come from you.
19:48I see some kind of love test.
19:49That's right.
19:51But you never believed in me anyway, so what's the difference?
19:53That goes to number 10.
19:55What if I had believed in you?
19:57What if I had figured she could never go through with it?
20:00She's been made over by love.
20:04You only once had said that you loved me.
20:08Oh, dear.
20:08Oh, listen.
20:09You've chalked up another boyfriend.
20:11That's all.
20:12No harm done.
20:12I hate you.
20:13There's no occasion to.
20:14You're doing fine work.
20:15I'll see that they're told.
20:17Who?
20:17We're having a meeting tomorrow with Barbosa, Brazilian intelligence.
20:21In case you're interested, number 10 is winning the race.
20:24Yeah, Sebastian knows how to pick them.
20:27That's all you've got to say to me.
20:28Oh, dry your eyes, baby.
20:29It's out of character, and be quick about it.
20:31Here comes dream boat.
20:32Oh, no.
20:33Mr. Dabler.
20:34Mr. Sebastian.
20:35Oh, Alex.
20:36What a wonderful race.
20:37Alicia tells me you had a bet on that number 10.
20:40Sorry I didn't meet you early, Alicia.
20:41Well, I'll see you soon, I hope.
20:44Yes.
20:46What's the matter, Alex?
20:47You're not at all excited about the race?
20:49I didn't see the race.
20:51I was watching you and Mr. Devlin.
20:53You had an appointment to meet him here?
20:54Oh, don't be absurd.
20:56I just happened to bump into him.
20:57You didn't appear anxious to get away.
20:59So...
20:59I watched you.
21:00I thought maybe you were in love with him.
21:02Alex, really, I detest him.
21:04Well, I'd like to be convinced.
21:06Would you maybe care to convince me, Alicia?
21:15Of course, you know Mr. Devlin, Senor Barbosa.
21:18Mr. Devlin.
21:19And this is Mr. Beardsley, also of our office.
21:21I know.
21:21Senor Barbosa, Brazilian Intelligence.
21:23Sit down, gentlemen.
21:25Well?
21:25Our little theatrical plan is working, Senor.
21:28Good.
21:28Thanks to Miss Huberman, we know that Otto Rensler is working here in Rio.
21:32He was one of Hitler's scientific wizards, now known as Professor Andersen.
21:36Andersen?
21:36And that body found in the surf two days ago...
21:39Yes, identified.
21:40His description fits Emil Hupka.
21:42One of the boys who must have said the right thing at the wrong time.
21:45I'd still like to know about that wine bottle.
21:47Excuse me, Senor.
21:49Yes?
21:49Miss Huberman, to see Mr. Prescott or Mr. Devlin.
21:52Here?
21:53Yes, sir.
21:53Show her in.
21:55I don't like this her coming in.
21:56She's had me worried for some time.
21:58Um, a woman of that sort.
21:59What sort is that, Mr. Beardsley?
22:01Oh, I don't think any of us have any illusions about Miss Huberman, have we, Devlin?
22:05Not the slightest.
22:06Miss Huberman is first, last, and always not a lady.
22:09She may be risking her life, but when it comes to being a lady, she doesn't hold a candle
22:12to your wife, sir, sitting in Washington, playing bridge with three other ladies of
22:16great and impeachable honor.
22:17Take it easy, Dev.
22:18Sorry.
22:18I think those remarks about my wife are uncalled for.
22:20John, I apologize.
22:22Oh, come in, Miss Huberman.
22:23Mr. Beardsley, Senor Barbosa.
22:25How do you do?
22:25Senorita, you have the esteem of my government.
22:28But we're worried about your visiting this office.
22:30I promise not to break the rules again, but I need advice.
22:33I couldn't find Mr. Devlin.
22:33Something happened?
22:34Yes.
22:35Mr. Sebastian has asked me to marry him.
22:38Well, well.
22:39I'm to give him my answer at lunch.
22:42I didn't know what the department might think about such a move.
22:45You're willing to go that far for us, Miss Huberman?
22:46Yes.
22:50If you wish.
22:51Devlin.
22:52May I ask what inspired Sebastian to go this far?
22:55He's in love with me.
22:56And he thinks you're in love with him.
22:58Yes.
22:58That's what he thinks.
23:00Gentlemen.
23:00It is the cream of the jest.
23:03Then.
23:04Then it is all right?
23:06Oh, it's an ideal marriage for us.
23:09Yes.
23:09Everything seems to be arranged perfectly.
23:11I don't think you need me here any longer, Prescott.
23:13Oh, no.
23:13But we, uh...
23:14Well, excuse me then, uh...
23:16Oh, uh, congratulations, Alicia.
23:18Thank you, Dev.
23:20I knew you'd be impressed.
23:34In a moment, we will return with Act II of Notorious.
23:37Meanwhile, here's Libby Collins, our Hollywood reporter.
23:40I looked for you last Monday evening, Libby, at the Metro-Golden-Mare premiere of Cass Timberland.
23:46Oh, I was there, Mr. Keeley.
23:47But I don't wonder you didn't see me in those crowds.
23:49It certainly was an exciting opening.
23:52It looked as if practically every star in Hollywood turned out to see the screened version of Sinclair
23:57Lewis's powerful novel.
23:58You know, it seemed just as dramatic the second time, even though I'd seen a preview at the
24:02studio.
24:03Spencer Tracy is marvelous in the title role.
24:05With Lana Turner for romantic interest, well, it just couldn't miss.
24:08The triangular love story is always a great theme.
24:12Especially when Zachary Scott is the rival for Lana Turner's love.
24:15A perfect cast and a gripping play like that is every producer's dream.
24:19And every feminine moviegoer will envy Lana Turner when, as Ginny in Cass Timberlaine, she
24:26goes on a shopping spree in New York.
24:28She buys herself an expensive glamour wardrobe, including some wonderfully wispy nylon stockings.
24:34I said to myself, if John Kennedy here had been technical advisor, he would have included
24:39a shot of her buying luxe flakes to take care of them.
24:42Well, Libby, it's highly improbable, or highly probable that Sinclair Lewis heroin did.
24:47Because smart women everywhere know that luxe makes stockings last long.
24:52Well, as a matter of fact, I know that the studio kept those stockings lovely as new for
24:57retakes by washing them with luxe flakes after every wearing.
25:00A wise procedure for women everywhere, because tests show that stockings actually last twice
25:06as long when they're washed with luxe.
25:09It was really surprising how quickly identical stockings, washed with a strong soap or rubbed
25:14with cake soap, went into runs.
25:16The luxed ones kept going twice as long, and the colors looked so much fresher, too.
25:21That extra wear is just like getting an extra pair of stockings every time you buy a pair.
25:27That's why luxe flakes are America's favorite stocking care.
25:31We return you now to William Keeley.
25:33Continuing with Act II of Notorious, starring Ingrid Bergman as Alicia and Joseph Cotton as Devlin.
25:40A few hours have passed.
25:53Elated by Alicia's consent to marry him, Alex Sebastian has just brought the news to his mother.
26:00Marry her?
26:01What are you, a moonstruck boy?
26:04Of course she is beautiful, but...
26:06But what?
26:07But many things.
26:08Her sympathies, for instance.
26:09Where do they lie?
26:10I've told you a dozen times, Mother.
26:12Alicia does not concern herself with politics.
26:14At her father's trial, why did she not testify on his behalf?
26:17Because her father insisted she be kept clear of it.
26:20So she says.
26:21Mother, are you accusing Alicia of lying?
26:23I accuse only you.
26:24Thinking of marriage at a time like this.
26:27Risking everything we have worked for, suffered for.
26:29Oh, Alicia knows nothing.
26:30She will know nothing.
26:31But I know.
26:32Know what?
26:33But she came here for one purpose.
26:35To capture the rich Alex Sebastian for her husband.
26:38Ah.
26:39And she has succeeded.
26:40Oh, you're being absurd.
26:41We will discuss it more fully tonight.
26:43We will not discuss it tonight.
26:44You're jealous, just as you've always been jealous of any woman I've been interested in.
26:49Now, Alicia and I shall be married next week.
26:52Be private.
26:53We shall both be pleased to have you present, if you wish.
26:55Come in, Joseph.
27:05Did you want something?
27:06Only to tell you how happy I am that you and Mr. Sebastian are home again.
27:11The house needs you, madame.
27:12Thank you.
27:13You had a pleasant wedding trip?
27:15Very.
27:16Oh, as long as you're here, Joseph.
27:17My clothes.
27:18I'd like all my dresses put out on the bed, please.
27:20I have heard all the closets, madame.
27:22But there isn't enough closet space in this bedroom.
27:25Isn't there a storeroom down the hall?
27:27Yes, madame.
27:28But the door, it is locked.
27:30Then bring me the key, please.
27:32Mr. Sebastian's mother, madame.
27:33She has all the house keys.
27:35Oh.
27:36Do you know where Mr. Sebastian is?
27:39I believe he is having a business meeting in his study.
27:41Business meeting?
27:43Professor Anderson, madame.
27:44And the other gentlemen.
27:47What were you saying, professor?
27:49That I have news for you, my friends.
27:50Yes, my work is done.
27:53Ah, you've been successful.
27:54Yes, Alex, yes.
27:56Oh, I'm terribly sorry.
27:58Oh, Alicia, my dear.
27:59Come in.
28:00Oh, I didn't know you were busy, Alex.
28:02Some of the closets seem to have been locked.
28:04Could you give me the keys?
28:05The keys?
28:05You mean my mother hasn't given...
28:07Yes, I'll get them for you at once.
28:09Excuse me, gentlemen.
28:11Shall I go with you, Alex?
28:12No, if you'll just wait in your room, Alicia.
28:14Mother!
28:15Mother, we're out!
28:16Are you sure this is all right, Deb, meeting you like this in a public park?
28:28Oh, stop worrying.
28:30You were talking about keys.
28:31His mother keeps them.
28:33Yes, all but one.
28:34The key to the wine cellar.
28:36Alex keeps that one himself.
28:37Joseph told me.
28:38Then get it from him.
28:39Get it?
28:39How?
28:40Don't you live near him?
28:41What do I look for in the wine cellar?
28:44Look for a bottle of wine like that one that unnerved the late Mr. Hupka.
28:48Vintage, 1934.
28:50All wine bottles look alike to me.
28:52I'm no mastermind.
28:53You're doing all right.
28:54It's not fun, Deb.
28:56It's too late for that now, isn't it?
28:58Look, why don't you persuade your husband to throw a large shindig
29:01and introduce his bride to Rio society next week, say?
29:04Why?
29:04Invite me and I'll try to find out about that wine cellar.
29:07I don't think my husband is interested in entertaining me.
29:10Don't underestimate your charms, Mrs. Sebastian.
29:12You can promote a party.
29:14It won't be easy getting you there.
29:16He thinks you're in love with me.
29:17Then tell him that you think if you invited me
29:21and I could see how happily married you are,
29:24the horrid passion I have for you might diminish.
29:29Well, I'll try.
29:30Good.
29:32And get the key.
29:34I'll be looking forward to seeing you, Mr. Devlin.
29:37It's always a pleasure meeting you, madame.
29:39Good day.
29:49Still shaving, Alex?
29:51Oh, do hurry, dear.
29:52Our guest shall be arriving soon.
29:53Oh, don't tell me you're dressed.
29:55Of course.
29:56Oh, let me, let me look at you.
29:58Well?
29:59Oh, Alicia.
30:00Like a dream.
30:02A dream.
30:03Now, please, hurry, dear.
30:04Oh, don't go.
30:04Stay there and talk.
30:06Oh, what about...
30:07Oh, your dressing table.
30:09What's wrong with my dressing table?
30:10Do you mean to say you'll carry all these things around in your pockets?
30:13Oh, what thing?
30:14Oh, talk about a woman's purse.
30:16Look at this letter.
30:16Papers and letters.
30:18Two wallets.
30:18Cigarette case.
30:19Cigarette holder.
30:21Keys.
30:22Keys.
30:24You know, you know, my dear, I'm really surprised that Mr. Devlin's coming.
30:27The key to the wine, sir.
30:29Oh, Alicia.
30:33Yes, dear?
30:34You're certainly silent.
30:36Don't worry.
30:37I don't blame anyone for falling in love with you.
30:40Oh, it's not that I don't trust you, darling, but when you're in love at my age...
30:44Alicia, is anything wrong?
30:47Wrong?
30:47Oh, my word, you look so serious.
30:49Oh, I'm a fool.
30:50I should never have mentioned Devlin.
30:52Forgive me, darling.
30:52Of course.
30:53Well?
30:54What...
30:55What do you want?
30:56Hold your hand, dear.
30:57May I kiss your hand?
30:59Oh, Alicia, not that clenched-up little vest.
31:02Are you hiding something in your hand?
31:04Alex, doesn't it occur to you that I might like to kiss you, too?
31:08Oh, Alicia.
31:10Alicia.
31:20Good evening, Mr. Sebastian.
31:23Mr. Devlin, I'm glad to see you.
31:25It's kind of your bride to invite me.
31:26Well, we both invited you, Mr. Devlin.
31:28Excuse me, Alicia.
31:29I must introduce Madame Astrid.
31:31The key?
31:32Yeah, in my hand.
31:33Good.
31:34Now, this won't be easy.
31:35He's quite sensitive about you.
31:36He's going to be watching us like a hawk.
31:38How's the liquor supply up here?
31:39What do you mean?
31:40I mean, if he should run out, he'd go down to the cellar for more, wouldn't he?
31:42Oh, I hadn't thought of that.
31:43That's quite a point.
31:44You must work fast.
31:45I can't.
31:46I'm supposed to be a guest here.
31:48I'll slip away later on.
31:50You better go to your friends.
31:50I'll find you.
31:58It's a nice party, isn't it, Alicia?
31:59It's a wonderful party.
32:00You've handled things perfectly.
32:02I'm very proud.
32:03Thank you.
32:03Thank you, Alex.
32:04What happened to Mr. Devlin?
32:06I haven't seen him for an hour.
32:07Oh, he's around, I imagine, trying to drown his sorrows.
32:10Excuse me, dear.
32:10I think I'll ask the orchestra to play something lively, or we've had nothing but waltzes all evening.
32:28This is a pantry, huh?
32:29Yes.
32:30Anyone see you come in here?
32:31No, I don't think so.
32:32And is this the door to the wine cellar?
32:34Yes, for heaven's sake, hurry.
32:35Lots of time.
32:36I'll be out in the garden.
32:37There's a door from the wine cellar that leads to the garden.
32:40When you get downstairs, open it.
32:41You'll be there?
32:42Yes, I'll be there in case anything happens.
32:43Now, hurry.
32:43Nineteen thirty-four.
33:05Vintage of nineteen thirty-four.
33:07Thirty-four.
33:08Thank you.
33:08Oh!
33:09What happened?
33:10Butterfingers.
33:11That bottle.
33:14What was in it?
33:15Look.
33:17Sand.
33:17It was filled with sand.
33:19It couldn't be sand.
33:20Probably some kind of metal ore.
33:23I've got to try to clean this up.
33:24I'll push the glass onto the bottom shelf.
33:26What about the sand?
33:27I'm taking some of it for a sample.
33:29It's a little weird, isn't it?
33:31Here.
33:31Here, I'll put this bottle in place of the one you broke.
33:34It has the same label.
33:35Stop shaking.
33:36Well, I have a feeling we're so slow.
33:37Oh, there...
33:38Shh.
33:39Someone's coming.
33:39Now, relax.
33:41No, but there is.
33:41Listen.
33:42Now, get out of here.
33:43No, no, no.
33:43Not upstairs.
33:44The door to the garden.
33:44But he's coming that way.
33:46Keep quiet.
33:46It's Alex.
33:47He sees us.
33:48Now, keep looking at me.
33:49No.
33:49I'm going to kiss you.
33:50No, no.
33:51He'll only think that...
33:51That's what I want him to think.
33:54Ted.
33:57Oh, Ted.
33:59It was almost as if we meant it, wasn't it?
34:02Now, push me away.
34:03I'm sorry to intrude on this tender scene.
34:07Alex.
34:08Alex, I...
34:08I couldn't help it.
34:10He's been drinking.
34:11Why are you out here?
34:12Or did he carry you off?
34:13Oh, Alex.
34:14You love him.
34:15Oh, no, no.
34:15I don't.
34:16Please go, Ted.
34:17Please.
34:17For what it's worth, as an apology, Mr. Sebastian, your wife is telling the truth.
34:21I knew her before you, loved her before you, but wasn't as lucky as you.
34:26Sorry, Alicia.
34:28He kissed you.
34:29Alex, don't.
34:30But I came out here because he threatened to make a scene unless I'd seen him alone.
34:35I kissed you.
34:35If I couldn't stop him, I tried.
34:37All right.
34:37All right.
34:37We'll talk about it later.
34:38We have guests inside.
34:41You're not coming with me?
34:42I came to get more wine.
34:44No, I'd better go back with you.
34:46People may wonder.
34:55Alicia, darling, it's late.
34:56I thought you went upstairs long ago.
34:58I've been helping Joseph clean up.
34:59Besides, you said you wanted to see me.
35:02Oh, Devlin.
35:04Yes?
35:04Oh, I acted like a stupid schoolboy.
35:07Once again, I'm ashamed of myself.
35:09You do believe me?
35:10Well, Alicia, of course.
35:13Thank you.
35:14Aren't you coming up there?
35:16No, not for a while.
35:17Professor Anderson's still in the study.
35:19Sleep well, Alicia.
35:20Good night, Alex.
35:21Thanks for being so nice.
35:28Mother.
35:34Mother.
35:35Come in.
35:37Why are you up so early?
35:39I need your help.
35:40Something is wrong.
35:41It's a great deal.
35:42Alicia.
35:43I have expected it.
35:44I knew it.
35:45I knew.
35:47Who is it?
35:47Mr. Devlin?
35:48No, no.
35:48It's much more serious than that.
35:50I am married to an American agent.
35:53Alicia.
35:54Late last night after she went to bed, Joseph came to me.
35:56There were some bottles to be returned to the cellar.
35:58He asked me for the key.
35:59This key.
36:00It was gone.
36:01Gone?
36:02Where was it?
36:02Ten minutes ago when I woke up, it was back on my key chain.
36:06She'd been down there, the wine cellar.
36:08It is easy to see now.
36:10I knew long ago, but I did not see.
36:14They picked her up because of her father.
36:15Oh, I must have been insane to behave like an idiot, to believe in her.
36:19Oh, stop wallowing in your memories.
36:20I'm done, Mother.
36:21I'm finished.
36:22They'll find out.
36:23Anderson, Eric, Matisse, Rossner.
36:25Well, look what they did to Hupka.
36:26He did next to nothing, and I betrayed them.
36:28I do the same thing myself.
36:29Kill the fool who betrayed them.
36:31There is no need for them to find out.
36:32Oh, they're too clever.
36:34Who would imagine that you are married to an American agent?
36:38No.
36:38For a while, at least, the enormity of your stupidity is your protection.
36:42But Alicia, I'll take care of her myself.
36:46No, not that way.
36:49I stood looking at her just now as she lay sleeping in there.
36:52Be so easy.
36:54You are almost as impetuous as you were before your wedding.
36:57You barred me from that episode.
37:00Let me arrange this one.
37:02No one else must know what she is.
37:05There must be no suspicion.
37:06She must be allowed to move about freely.
37:10But she will be on a leash.
37:13And then in time it will happen.
37:15But it must happen slowly.
37:18She will become ill.
37:21Remain ill for a time.
37:24Until one day.
37:25We pause now for station identification.
37:38This is CBS, the Columbia Broadcasting System.
37:41Our stars will return with Act Three of Notorious in a moment.
38:06Our guest tonight is that rarity in movie town, a native Californian.
38:12Blonde, blue-eyed Jacqueline White.
38:14I understand you've been interested in a movie career since childhood, Jacqueline.
38:18That's right, Mr. Keeley.
38:19And now you've seen your dream come true with many successful picture roles.
38:24Well, I was especially happy with my part in RKO's new picture, Night Song.
38:27You gave a very fine performance, Jacqueline, as Merle Oberon's best friend.
38:31She was wonderful in her role, Mr. Keeley.
38:33It's an inspiring performance.
38:34And Dana Andrews at his best in those tender, sensitive love scenes with Merle.
38:39Dana told me he really enjoyed playing the part of a composer because he loves music so.
38:43There's plenty of that in Night Song and for every taste.
38:47I loved every minute we were working.
38:49But I did have a twinge of envy when I saw those gorgeous clothes designed for Merle Oberon.
38:54One negligee in particular.
38:57It was very simply made, but the softest, most beautiful satin imaginable.
39:01Merle told me she was going to have it copied for her own wardrobe.
39:05And, uh, John Kennedy might be interested in something else she said about it.
39:09Something about lux?
39:10Oh, yes.
39:12Because she didn't think it would wash until the studio luxed it, and it came out lovely.
39:16Was she impressed?
39:17RKO, just like other leading Hollywood studios, insists on luxe care for all nice washables.
39:23So what could be safer for a star's own lovely things?
39:26Or for any girl's?
39:28And here's another interesting point.
39:30Did you know that with luxe care you can have three times as many pretty underthings?
39:34Well, that's for me, Mr. Kennedy.
39:36But how do you figure it?
39:37Well, underthings washed the luxe way stay lovely three times as long.
39:41Tests prove that.
39:43Identical slips in the 90s washed the wrong way soon look faded and drab.
39:48So, instead of replacing slips often because they're old-looking, you can buy extra new ones.
39:53Have three times as many.
39:54And as you say, Jacqueline, that's something any girl would like.
39:59Thank you for coming tonight, Miss White.
40:01Back now to our producer, William Keeley.
40:05Be sure to join us after our final curtain for a brief chat with tonight's stars.
40:09Here's the third act of Notorious, starring Ingrid Bergman as Alicia and Joseph Cotton as Devlin.
40:15The passing days have brought to Alicia not the slightest inkling that her husband and his mother
40:32are well aware of her real purpose in the Sebastian residence.
40:36Now, in response to a phone call from Prescott,
40:40Alicia meets Devlin in a quiet corner of a public park.
40:43Look, I'm sorry I couldn't make it on time, Dad.
40:46Gets a bit lonely squatting on a park bench all day.
40:49I was ill.
40:51Oh, don't let it alarm you.
40:53I'm all right now.
40:54Prescott said you'd have a message for me.
40:56I want you to know you can be proud of yourself.
40:58That sample of sand I got shows uranium ore.
41:01Your job from now on is to help us find out where the ore is coming from.
41:04Anything else?
41:05Putting some new men on the case, you may soon have a new contact.
41:10You're leaving?
41:11Possibly.
41:12Paris may be more interesting.
41:14Yes.
41:15Yes, there really isn't very much for a brainy fellow like you to do here anymore.
41:19That's right.
41:20I'm going stale.
41:21I say you don't look so hot.
41:26Well, this fresh air will help me.
41:29Getting too much sun?
41:30No, don't be so charitable, Dev.
41:31It could be a hangover, you know.
41:33Back to the bottle again, huh?
41:34That lightens my chores.
41:36Big party?
41:37Oh, just a family circle.
41:38Must have been quite an evening.
41:40Well, go on, have fun.
41:41There's no reason why you shouldn't.
41:42No.
41:44Well, goodbye, Dev.
41:46What do you mean, goodbye?
41:47Just goodbye.
41:49Goodbye, fresh air isn't as good for a hangover as I thought.
41:52Sit down.
41:53You're still tight.
41:53Oh, I don't want to.
41:54Where are you going?
41:55Home, back home.
41:56Alex is coming home early.
41:58I'd better be there.
42:07Alex, the drug.
42:08You were able to get some more.
42:10Yes, I've got it.
42:11Mother, you're sure?
42:12You're sure she doesn't suspect?
42:14She knows she is ill, that is all.
42:16She is going to feel a little worse after dinner.
42:19As a matter of fact, right after she drinks her coffee.
42:28Well, we might all go into the living room.
42:31Joseph will bring our coffee in there.
42:33Alicia.
42:34Yes, Professor.
42:35My dear, you don't look at all well.
42:38Alex, what's wrong with her?
42:40We just don't know.
42:42It's those highballs I sneak on the side.
42:45What?
42:45Oh, darling, don't joke about it.
42:47Why, she hasn't had so much as a sherry all week.
42:49Well, hadn't you better see the doctor, Alicia?
42:51I never go near doctors.
42:52They always want to cart you off to a hospital.
42:54Perhaps you belong in a hospital.
42:57When did all this start?
42:58Oh, I don't know.
42:59Maybe, maybe after the party.
43:01I still think a sea trip would be much better for you, darling,
43:03than doctors and hospitals.
43:04Oh, no, no, no.
43:05I'll be all right.
43:06What about the mountains?
43:08Altitude, fresh air.
43:09I'm going next week.
43:10Oh, you're leaving us, Professor.
43:12I'm sorry.
43:13I'll miss you.
43:14Well, you could come with me.
43:15The Amores Mountains are beautiful, covered with flowers.
43:18What Alicia needs is rest, not mountain.
43:20I've heard about the Amores and those little native towns.
43:25Are you going to Leopoldina?
43:26No, no, no.
43:27I am going to Santa Maria.
43:28Well, here's our coffee.
43:30Just leave it, Joseph.
43:31I'll serve.
43:32Yes, Mother.
43:33I will not allow you to wake up on me, Madam.
43:35I can serve myself.
43:37No, that is not your cup.
43:38My cup?
43:39No, that's Alicia's cup.
43:40It's not quite full, you notice.
43:43Oh, you're giving our little secret away, Professor.
43:45Yes, we have a confession.
43:48You know how Alicia loves coffee, Professor.
43:51Alex and I think she has been taking too much.
43:54We cheat a little.
43:56Here you are, dear.
43:57Thank you.
43:58Is it hot enough?
44:00It's fine, Alex.
44:02Yeah, perhaps Alex is right, Alicia.
44:04About rest.
44:05When you are young, rest is the best, Doctor.
44:10Excuse me.
44:11Alicia.
44:12I want to go to bed, I think.
44:13Oh, the pain again, darling.
44:14I'm sorry to complain all the time.
44:16May I take you to your room?
44:17Oh, please forgive me.
44:18I'll be all right.
44:19Alex, I'm worried about her.
44:21We wanted to call a doctor yesterday, but she simply was...
44:24Oh, no, Sebastian.
44:25Mr. Sebastian.
44:26Yes?
44:26What is it, Joseph?
44:27Mrs. Sebastian.
44:28She collapsed.
44:36Oh, no.
44:37Oh, no, go away.
44:39No.
44:39It's all right, Alicia.
44:40It's all right.
44:41You'll feel better soon.
44:42You're here in your own bed.
44:43I don't want...
44:44Please let me call the hospital.
44:45Professor, you're already late for your meeting with Eric Matisse.
44:49Oh, yes.
44:49I must go, I suppose.
44:51Good night.
44:52I'll go to the door.
44:53Joseph.
44:54Yes, madam?
44:55She must have absolute quiet.
44:58Disconnect the telephone.
44:59No.
44:59Take it out of the room, Joseph.
45:01No.
45:07It's five days now, Prescott.
45:10Alicia hasn't been near the park for five days.
45:12Well, she was to check with one of us at least every other day.
45:15That must be quite a binge she's on.
45:16No.
45:17No, I don't think so.
45:18Well, you were the one who said she was drinking.
45:20I've had time to think it over.
45:21I don't believe it now.
45:23Why should she lie about it?
45:24I don't know.
45:25I don't know, but it wasn't a hangover.
45:27She was sick.
45:29She looked like the ragged head of nowhere.
45:31Yeah, well, it still sounds like a hangover to me.
45:33Well, I'm...
45:34I'm going to pay a call.
45:36Now, wait a minute.
45:36Don't worry.
45:36I won't mess anything up.
45:37Just a social call.
45:38I'm a friend of the family.
45:39Call me when you get back.
45:40I'll do that.
45:40Well, for a man about to be leaving for Paris...
45:43I want to talk to you later about that.
45:44I'd like to see that transfer held up for a while.
45:48I am very sorry, Mr. Devlin.
45:51Mr. Sebastian asked me not to disturb him.
45:53Company?
45:54He's in the study with some business associates, sir.
45:57How long will he be tied up?
45:59I do not know.
46:00Mrs. Sebastian at home?
46:03Yes, sir, but she is very ill.
46:06Oh.
46:06Oh, uh, how long has she been ill?
46:10A week, sir.
46:11Has she had a doctor?
46:12I believe so, sir.
46:13I really do not know.
46:15We are very concerned about her.
46:17If you will wait here, Mr. Devlin,
46:20I will tell Mr. Sebastian.
46:23Just go on, Professor.
46:24This sounds serious to me.
46:26Yes.
46:27What happened Monday?
46:28The same thing, Eric.
46:29When I left the bank, a man was following me.
46:32And this morning when I went to the ticket office,
46:34he was there again.
46:36Yes?
46:38I'm very sorry, sir,
46:39but Mr. Devlin is calling.
46:41Oh, uh, tell him I'll be with him in a minute.
46:43Yes, sir.
46:44Now, the ticket office, what man, Professor?
46:46What did he look like?
46:47Obviously not a Brazilian.
46:48It's hard to describe him.
46:50Alex, Mr. Devlin, he's waiting.
46:52Why, uh, let him wait, Eric.
46:53This is terrible news, Professor.
46:55This is terrible.
46:55This is terrible.
47:02Alicia.
47:07Alicia.
47:08Dev.
47:10Dev.
47:11Oh.
47:11How did you get up here?
47:13I'm supposed to be downstairs waiting for your husband.
47:16Oh, I'm so glad you came.
47:18I couldn't stand it anymore, waiting and wondering.
47:22Alicia, what is it?
47:23I'm sick.
47:25They're poisoning me.
47:27I couldn't get away, Dad.
47:29I tried when I was too weak.
47:31How long?
47:32Well, ever since the party, Alex and his mother, they found out.
47:38Come on.
47:39Try to sit up.
47:40Yes.
47:41Here.
47:41Let me help you.
47:43I've got to get you out of here.
47:45I thought you'd left Rio.
47:47Oh, I had to see you once more and speak my piece.
47:49I was, I was getting out because I love you.
47:52I couldn't bear seeing you and him together.
47:55You love me?
47:57Uh-huh.
47:58But why didn't you tell me before?
48:00Oh, I, I, I just couldn't see straight.
48:02Think straight.
48:03You love me.
48:04Long ago, all the times at the beginning.
48:06Here.
48:07Here, darling, your robe.
48:09I can't.
48:09I'm afraid they gave me pills to sleep.
48:13Here, you've got to keep awake.
48:14Keep talking.
48:15Keep talking.
48:16Camera coat.
48:17Put it over your robe.
48:18Alex, Alex and his mother, they, they don't want the others to know about me.
48:24Don't stop talking.
48:25What happened?
48:27Alex found out.
48:28Not the others.
48:29No.
48:29No.
48:30No.
48:31They'd kill Alex if they knew.
48:33Matisse would kill him.
48:35He killed him.
48:36Look.
48:36Yeah, put your arm around me.
48:38You've got to stand up.
48:39Oh, damn.
48:40I'd say it again.
48:42It helps.
48:42I love you.
48:43I love you.
48:44Alicia, please stand up.
48:46Come on.
48:47Talk.
48:48Talk.
48:49Professor Anderson.
48:50Yes.
48:51The sand comes from Imerisman.
48:54We'll find it.
48:55A town called Santa, Santa Mossa.
48:59Good, good.
49:00We'll take care of that later.
49:01Now you're on your feet, Alicia.
49:03Now move them.
49:05Move them.
49:05Walk.
49:06Start walking.
49:07They're all down there in his study.
49:08We can't make it.
49:09You've made the doorway.
49:10The stairs aren't far.
49:12I've got hold of you, darling.
49:13Yes.
49:13But you've got to walk yourself if you don't keep moving.
49:16Oh, don't ever leave me.
49:17And you'll never get rid of me again.
49:20I never try to do that.
49:22Brace up.
49:23Yes.
49:23Here he comes.
49:24What is this?
49:25What are you doing, Alicia?
49:26What is this, Mr. Devlin?
49:27I'm taking her to the hospital to get the poison out of her.
49:29Poison?
49:30How would you like your friends down there to know?
49:31I'm taking Alicia back to her room.
49:32No, Dev, no.
49:33I've got a gun, Sebastian.
49:34No.
49:35It'll raise quite a rumpus if you try.
49:36Alex.
49:37Be quiet, mother.
49:38Alex, he knows.
49:39Yes.
49:40What is happening, Alex?
49:41Alicia.
49:42Is she at work?
49:43Yes.
49:43Stay right where you are, Sebastian.
49:44Yeah, go on.
49:46Go.
49:46We're going, Pierre.
49:50We're going downstairs.
49:53You haven't forgotten what they did to Emil Hupka, have you, Sebastian?
49:56Help him, Alex.
49:57Yeah.
49:58I'm glad you have a head on you, madame.
49:59I'm not afraid to die.
50:01You've got your chance to die right here and now.
50:02Just call your friends to come out in the hall and tell them who Alicia really is.
50:05Do you need any help, Alex?
50:06No, we can handle her.
50:07Where are you taking her?
50:09You answer that one, Sebastian.
50:10To the hospital.
50:12Alex, talk to them.
50:13I'm glad she's going, Alex.
50:15You should have waited not this long.
50:17What do I do, Sebastian?
50:18Start shooting?
50:19Oh.
50:19Hold on, darling.
50:20Hold on.
50:20Only 20 yards to go out the front door and then into my car.
50:24Alex, what are you doing?
50:26Who's that one?
50:26Matisse, Eric Matisse.
50:28Alex.
50:29We're taking Alicia to the hospital, Eric.
50:31She had another attack.
50:32Mr. Devlin heard her scream as he was waiting for me.
50:35Come, Alicia.
50:36Come, come.
50:36I phoned the hospital as soon as I saw how she was, Mr. Matisse.
50:40Why didn't you send for an ambulance?
50:41Here, Alex.
50:42Your coat.
50:43You are not going with them, madame?
50:45No.
50:45Alex will call me.
50:46I'll wait here.
50:47Oh, the poor child.
50:49Here.
50:49I'll open the door.
50:50A few more steps, Alicia.
50:52How do you feel?
50:53Oh, the air.
50:54It is.
50:55Take some deep breaths.
50:56I'll open the car door.
50:59Oh, you made it.
51:00You made it, Alicia.
51:01Sit down, darling.
51:02Easy.
51:03Yes.
51:03Easy now.
51:04Hurry, please.
51:05Hurry.
51:05They're in the doorway.
51:07They're watching me.
51:08Close the door, Sebastian.
51:10Just a minute.
51:11I must go with her.
51:11No room, Sebastian.
51:12You must take me.
51:13I can't go back to him.
51:14That's your headache.
51:15Please, please.
51:16Please.
51:18Alex.
51:19Come here.
51:20Holy shit.
51:21Holy shit.
51:22I have just been up to her room.
51:25There is no telephone in her room, Alex.
51:28How could he have called the hospital?
51:30Alex.
51:31Will you come in, please?
51:33We wish to talk to you.
51:35Yeah.
51:35Thank you.
51:36Thank you.
51:36Thank you.
51:36Thank you.
51:37Thank you.
51:37Thank you.
51:37Thank you.
51:38Thank you.
51:38Thank you.
51:38Thank you.
51:49Before our stars return for their curtain calls, Libby Collins and I have some really
51:54big news for the ladies.
51:55A brand new, easy-to-enter contest.
51:58Tell about the wonderful prizes first, John.
52:00They're just about the most sensational prizes you ever heard of.
52:03$100,000 in gorgeous furs and cash.
52:07Imagine.
52:07First prize every week for five weeks is a $3,000 mink coat.
52:12And if there's a girl in this country who wouldn't like a mink coat, I haven't heard of her.
52:16And there are other superb prizes, too.
52:18Three fur coats worth $1,000 each.
52:21Five fur jackets worth $500 apiece.
52:24Twenty fur scarves each valued at $200.
52:27Fifty scarves worth $100 apiece.
52:29And that's not all.
52:30There are 250 additional prizes every week, each one a crisp $10 bill.
52:36And here's a really unusual feature.
52:39We don't select the fur for you.
52:41No, ma'am.
52:42You choose it yourself.
52:44The kind of fur, the style you want, at any furrier you want.
52:48Or you can take your prize in cash if you prefer.
52:51There's a contest every single week for five weeks.
52:54So if you don't win the first time, try again.
52:57This is just about the easiest contest to enter you ever heard of.
53:01Here's all you do.
53:02On entry blank, available at your dealer, or on any piece of paper, write 25 words or less,
53:08telling why you like any one of six famous lever products.
53:13Lux Flakes, Lux Toilet Soap, Life Boy, Rinseau, Swan, or Spry.
53:17Yes, any one of these products.
53:20And you can send in as many entries as you wish every week.
53:23Just be sure to include with each entry a wrapper or box top from any one of these six lever products.
53:29Print your name and address on your letter,
53:31together with the name and address of the dealer from whom you buy your lever products.
53:36Mail your entry to lever, L-E-V-E-R,
53:40Lever Fur Contest, Box 1, New York 8, New York.
53:44The first contest closes in just about two weeks, February 8th.
53:49So get your entry in tonight or tomorrow, sure.
53:52Entries received after this date will be entered in the next week's contest.
53:56Winners of the big prizes will be announced on this program.
53:59Incidentally, you have to live in the continental United States, Alaska, or Hawaii to enter.
54:04The contests are subject to all federal, state, and local regulations,
54:08and to the complete rules printed on entry blanks you can get from your dealer.
54:12Now, I'll repeat.
54:14Just write 25 words about why you like any lever product.
54:18Luxe Flakes, Luxe Toilet Soap, Lifebuoy, Rinseau, Swan, or Spry.
54:25Be sincere.
54:26Give us your own experience.
54:29Print your name and address on your letter.
54:31Print your dealer's name and address, too,
54:33because if he helps you to win, he, too, will get a prize.
54:37Enclose a wrapper or box top from one of these six products.
54:41Address your letter to Lever, L-E-V-E-R, Lever Fur Contest, Box 1, New York 8, New York.
54:50I'll repeat that.
54:52Lever Fur Contest, Box 1, New York 8, New York.
54:58There are five weekly contests.
55:01You can enter as often as you wish.
55:03So get busy, and the beautiful fur coat may soon be yours.
55:07Here's Mr. Keeley at the microphone.
55:09It's time for that tradition of the theater, A Curtain Call for Our Stars.
55:14And here they are at the footlights, Ingrid Bergman and Joseph Cotton.
55:18We enjoyed you both immensely in tonight's play.
55:29And incidentally, Ingrid, one could say that word notorious applies to the kind of character you play in your next Enterprise production.
55:37I guess you could say that of Joan Madubil, whom I play with Charles Boyin, Archie Tran.
55:42Very different kind of Joan, then, from the one you're currently so famous for.
55:45Nothing alike for the names, Joe.
55:47I understand, Ingrid, you've become quite a winter sports enthusiast these days.
55:51Well, my husband and I just returned from four weeks of skiing, Bill.
55:55Well, there's nothing like skiing.
55:56Well, the way I do it, there's nothing like it.
55:58I didn't know you were a skiing enthusiast, Joe.
56:03Oh, yes.
56:04Down south, where I come from, I used to get quite a kick out of it.
56:07Oh, no.
56:08They have snow down south?
56:11Not much, but they have those newsreel theaters where you can sit with the watch and watch the experts whizzing down frozen mountainsides while you sit comfortable and warm.
56:19That's really getting pleasure out of skiing.
56:23While Joe does his armchair exercise next Monday night, Bill, what will you be presenting in this theater?
56:29Next week from 20th Century Fox, a rollicking romance of the theater.
56:34The backstage adventure of a lovable, laughable couple in their climb to success.
56:39It's that musical screen hit, Mother Wore Tights, starring Betty Grable and Dan Daly.
56:47And in this warm, nostalgic story, Betty and Dan present those popular songs that made the original screenplay such a smash success.
56:56Yes.
56:57Mother Wore Tights was a great hit, Bill.
57:00And it ought to make a great hit with your audience next Monday, Bill.
57:03Good night.
57:03Night.
57:03Good night, and thanks for notorious.
57:09Most of us are happy insofar as we look forward to the future, to security, and continuing to have those simple luxuries and pleasures we deserve through work and careful, conscientious saving.
57:23And there is no form of saving that isn't one so easy and so safe and, at the same time, so helpful to your economic welfare as United States savings bonds.
57:35They offer you a cash reserve plus profit, for United States savings bonds return $4 for every three that you invest.
57:44Buy them where you work, through the payroll savings plan, or if you're self-employed, through the bond a month plan at your bank.
57:52Make United States savings bonds the basis for your future happiness.
57:56Lever Brothers Company, the makers of Lux Flakes, join me in inviting you to be with us again next Monday evening when the Lux Radio Theater presents Betty Grable and Dan Daly in Mother Wore Tights.
58:16This is William Keeley saying good night to you from Hollywood.
58:20Joseph Cotton appeared by arrangement with David O. Selznick, producer of Alfred Hitchcock's The Paradine Case.
58:33Heard in our cast tonight were Joseph Kearns as Alex Sebastian, Gerald Moore as Prescott, and Janet Scott as Madden Sebastian.
58:39Our music was directed by Louis Silvers.
58:41And this is your announcer, John Milton Kennedy, reminding you to join us again next Monday night to hear Mother Wore Tights, starring Betty Grable and Dan Daly.
58:52Pepsodent won by 3 to 1.
58:55Yes, in a recent survey, families throughout America compared new Pepsodent toothpaste with the brands they'd been using at home.
59:03By an overwhelming average of 3 to 1, they preferred new Pepsodent with Urium over any other brand they tried.
59:10They said new Pepsodent toothpaste tastes better, makes breath cleaner, makes teeth brighter.
59:18Yes, with families who made comparison tests.
59:21Pepsodent won by 3 to 1.
59:25Be sure to listen next Monday night to the Lux Radio Theater presentation of Mother Wore Tights, starring Betty Grable and Dan Daly.
59:34Stay tuned for My Friend Irma, which follows immediately over most of these stations.
59:38This is CBS, the Columbia Broadcasting System.
59:41Thank you.
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