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00:00EZI, EZI, EZI, EZI!
00:14Paloma!
00:16Slow down.
00:17I'm not even going fast.
00:18Who taught you how to drive?
00:20Well, not my dad, so maybe he should show some support.
00:23I'm so proud of you!
00:25Look, I'm sorry for interrupting the audition.
00:31It's just that there's a situation with Gustavo.
00:34First of all, he is very thankful that you hired him to paint a mural for the reopening.
00:38Of course.
00:39Painting something that embodies the spirit of Las Colinas seems right up his alley.
00:44Yes, yes.
00:45It's just that he has this process that I normally stay out of as his wife.
00:48But as his boss, I'm just hoping you could...
00:52put a foot up his ass.
00:54Paloma, whatever he painted is fine.
00:57I'm an art collector.
00:59I approach things with an open mind.
01:18Maybe he's posing a question to the viewer to look within?
01:23That there's nothing there.
01:28What?
01:30I'm so...
01:32He didn't...
01:33Nope.
01:35How is this possible?
01:37He's been out here for weeks!
01:39Uh-huh.
01:40And we're only four days away from the opening.
01:42Yep.
01:43I'm sorry!
01:44I'm blocked!
01:45This is normally where I get my best ideas, but I'm getting nothing here!
01:55He calls it cocooning.
01:57Nada!
01:58Dios mio.
01:59Maybe you could inspire him with one of your stories?
02:04Oh, Palomita.
02:05Of course!
02:07It was the winter...
02:08Without me.
02:09Okay.
02:10Oh...
02:16Um...
02:18You wanna...
02:19Um...
02:20Emerge from your chrysalis so we can talk?
02:24Oh...
02:25Yeah.
02:26Sure.
02:27It just takes me a second to be cocooned.
02:29Uh-huh.
02:34Uh...
02:35Maybe if you flip me?
02:38Why?
02:40Why?
02:41How did you even get into this thing?
02:46Gustavo.
02:48Come on.
02:50Listen, Gustavo.
02:52Things might seem tough now,
02:54but you'd be surprised at what you're capable of
02:58when your back is against the wall.
03:00Okay?
03:01Just like mine was in 1986.
03:04I could barely sleep after I let the walk out from Las Colinas.
03:08How could I?
03:09We were going on strike.
03:11Why are you awake so early?
03:12Oh...
03:13Doña Rosita was singing to you in sleep.
03:15You're more afraid than you think.
03:17So I got to fill me up for admission.
03:21Do you have to fill me up for admission?
03:24Mm-hmm.
03:25You have to wrap the knife with a lot of scissors
03:27and you're not going to take you off.
03:28And how do you know that?
03:29Common sense.
03:30I also organized a protest in my school
03:32so that they put Fanta on the refresh machines.
03:34I'm a revolutionary.
03:36What a lie.
03:37But this is not a refresh march.
03:39This is the real life.
03:40So stay with your requests.
03:42Why don't you take this?
03:43No, no, no.
03:44She's going to rub the leaf.
03:46Sarah was mainly applying to local colleges,
03:49but Aida had picked up an NYU application for her
03:52while she was on her college tour in the States.
03:54But she just couldn't allow herself to dream that big.
04:08Meanwhile, because of the strike,
04:10Alejandro Vera was working with a skeleton crew.
04:12Scabs!
04:13So he had to take on extra duties
04:15that were way below his pay grade.
04:25Hey!
04:34Your drink, miss.
04:38Diane?
04:39It is John.
04:40Are you all right?
04:41You look like you've seen a ghost.
04:43Oh, was it the one in room 237?
04:45No, I'm just surprised to see you.
04:48Well, I recently had a financial windfall
04:50after selling my prized hotel
04:52to a chicken with his head cut off.
04:54So I figured I'd cash in on a long overdue vacation.
04:58Okay, we both know you're up to something.
05:00But to show you I'm the bigger person,
05:02while you're here doing whatever it is you're doing,
05:05I will provide a five-star service with a smile.
05:09Oh, wonderful.
05:10I'll have the Caesar salad with exactly nine croutons.
05:13Yeah.
05:14That's one, two, three, four, five, six, seven, eight, nine.
05:16Gracias!
05:19Yeah.
05:24The staff had started to assemble on the picket line,
05:27with one additional soldier I hadn't expected.
05:30Hey, what are you doing out here?
05:32I'm closing my boutique until the strike is over.
05:35In solidarity.
05:36And I already made up my mind, so don't try to change it.
05:39Julia, did you give Diane my note?
05:41Yes, I did.
05:42I gave it to her before she went to the beach this morning.
05:45She also says she misses you very much,
05:47and she mentioned something about your musk on her pillow,
05:49but I turned out after that.
05:51My queen moves back into Las Colinas the moment we go on a strike,
05:54and I can't cross the picket lines to see her.
05:57It's like the gods of love are conspiring against us.
06:02How did she look, by the way?
06:03Were her lips doing that thing?
06:05I'm gonna go with a yes.
06:06Come on, let's go.
06:07Hello, everyone.
06:08Thank you all for being here today.
06:10I'm so excited to be your leader,
06:12and determined to guide you to victory.
06:18Yes?
06:19Hotel Baño.
06:20Good question.
06:21Haven't thought of that.
06:22Since we can't technically go into the hotel,
06:24I think the nearest one is at the gas station.
06:27Maybe, uh, one kilometer away.
06:31Uh, what's the situation on Shade?
06:34Oh, God.
06:35Uh, uh, yeah.
06:37Uh, we're a little exposed out here.
06:39Uh, maybe tomorrow we wear sunscreen?
06:41You look like that Swiss boy from Kids Club
06:43we had to send to the hospital.
06:45Okay.
06:46I guess we should get started.
06:48Uh, Maxi?
06:49Which way should we walk?
06:51Uh, another question.
06:54Uh, I'm gonna go with...
06:58to the right.
06:59To the right.
07:00No, uh, my right.
07:03You go here.
07:05Uh, your right.
07:07Just get in circles.
07:08Circles.
07:11You know what?
07:12Uh, actually,
07:13I know.
07:14While we were beginning our long journey
07:16to worker rights,
07:17Nora and Esteban were on their own quest
07:20to find the truth
07:21about what happened to our neighbor, Juan.
07:23O sea, ¿quién?
07:24¿Quién podría escribir algo así?
07:26Es obvio.
07:27El asesino estaba jugando con Juan.
07:29Es un psicópata.
07:30Igualito que Freddy Krueger.
07:32O esa gente
07:33que quiere comprar boletos para el camión
07:35en el camión.
07:36Oh.
07:37Híjole, no.
07:38¿Sabes qué?
07:39Esto ya está poniendo demasiado peligroso.
07:40Yo creo que tenemos que llamar a la policía.
07:42No.
07:43Nosotros vamos a ser los principales sospechosos.
07:45Nuestras huellas digitales están por toda su casa.
07:47En la cocina, en el baño.
07:48¿Eh?
07:49Ah, es que me puse un poquito de solución.
07:51Es que ese señor tiene un olor.
07:53Ah, no.
07:54Tenía.
07:55Ay, pobre.
07:59Espérate.
08:00Yo vi esto en alguna parte.
08:01Espérame.
08:04Mira, mira, mira.
08:05Cuando hicieron las obras,
08:06aquí en la cuadra,
08:07pegaron en las puertas este aviso.
08:11Eso quiere decir
08:12que el asesino vive en nuestra calle.
08:14Ahora lo que tenemos que averiguar
08:15es de quién es esta letra.
08:18Ay, yo hablo.
08:22Buenos días.
08:23Estoy recaudando fondos
08:24para una beneficencia muy importante.
08:27Si firma aquí, su donación puede ayudar
08:29a huérfanos ciegos.
08:31Claro, qué buena idea.
08:33Entonces, ¿quiere ayudar
08:34a los huérfanos ciegos?
08:35Niño, por favor,
08:36eso no importa ahorita.
08:37Mira, la respuesta a nuestras preguntas
08:38está enfrente de nosotros.
08:40¿Estás seguro?
08:41Ajá.
08:42¿Pero cómo, Esteban?
08:43Pues, si estás cieguito.
08:44¿Qué?
08:45No, no, no.
08:46Mira, tenemos que organizar
08:47una recolección de firmas
08:48y luego comparamos la letra
08:49de nuestros vecinos con la nota.
08:51Ándale.
08:52Ah, sí, ¿verdad?
08:53Muy buena idea.
08:54Yo no estoy ciego.
08:55¿Quieren donar o no?
08:57Ah, este, sí, claro, mijo.
08:58Dale algo, dale algo.
08:59Sí, sí, sí.
09:04¿Estás checándome?
09:06Perdón, me tenía que asegurar.
09:08Gracias, mi hijo.
09:09Good for it, Esteban.
09:12The killer is always the person
09:14you least suspect.
09:17What are you doing?
09:19I draw rough sketches before I paint,
09:21so I'm using everything you say
09:23as inspiration for our mural.
09:26Wow.
09:28This is an eerily detailed crime scene.
09:31Are those ants on the ground?
09:34Teeth.
09:35Teeth.
09:37Teeth.
09:39You know, like human teeth.
09:43Great.
09:44Mm-hmm.
09:46Now we know what not to do.
09:51Back on the picket line,
09:53things were slowly deteriorating
09:55like the skin on my hands.
09:56Guys, keep in line and watch out for cars.
10:04We want them to come for us, not at us.
10:07When the nurse called, what did she say?
10:10Any special instructions for our first sonogram?
10:13All she said was to not smoke the day before
10:16and be ready to cry.
10:18Retired.
10:19We're gonna see your baby for the first time.
10:21I don't want little love.
10:23I just want to remember how exciting this moment is
10:26when I'm eight months in and can't even walk.
10:28Which reminds me,
10:29I should probably get my exercise in now while I can.
10:32Okay? Yeah, okay.
10:33Be safe, please.
10:36You guys are so cute.
10:38And as your big sister, I have to say,
10:40I'm very inspired by the both of you.
10:43Oh, thank you, Dulce.
10:45But why?
10:46I mean, you know, with the strike.
10:49If I were you, I would be in full-on panic mode
10:51because there's no telling how long we'll be out here,
10:54and you need to start buying baby clothes now.
10:57We already bought some clothes,
10:58and if we need more, we'll just get some hand-me-downs.
11:01What about formula, diapers, wipes?
11:03You can't hand those down.
11:05Anyway, I need to go plant some booby traps
11:07I made for Vera.
11:08I need to go plant some booby traps
11:09for Vera.
11:11Are you paying him?
11:13This is crazy.
11:14How do you take advantage of a sick man?
11:16You're right, Lupe.
11:17You're not able to take advantage
11:18and play with the workers in jail.
11:21My friends,
11:22offer and demand are not agreed.
11:25Water!
11:27Cigars!
11:29Copa Luz!
11:31Paco.
11:32Are you okay?
11:33I'm from the bathroom.
11:34It's far away.
11:36Things on the strike line were starting to spiral out of control.
11:44I needed to boost morale.
11:45Fast!
11:46Hey, Chad!
11:49I know you've been working on some chance for the line.
11:51Have anything yet?
11:52Absolutely.
11:54Hey! Hey! Ho! Ho!
11:56Alejandro Vera's got to leave the premises immediately!
11:59Hey!
12:00Um, uh, maybe something simpler?
12:02Like a call and response?
12:04Oh, got it, yeah.
12:06What do we want?
12:07My woman!
12:14What do we want?
12:15What?
12:19No sé qué queremos.
12:20Y todos me voltan a ver para que les dé respuestas.
12:22Además, mira mis manos.
12:24Nunca voy a poder aplaudir otra vez.
12:26Ay, ya sabía que ibas a regresar arrastrándote.
12:29¿Empezamos?
12:33Venga.
12:35¿Qué hacemos en el depa del vecino muerto?
12:37Este es nuestro...
12:39War Room.
12:40Ah!
12:42¿Qué es un War Room?
12:44Es un lugar abandonado.
12:46Donde revolucionarios discuten estrategia.
12:49Y toman café.
12:51Y...
12:53No sé.
12:54Pues es lo que sale en todas las películas.
12:59¿Por qué no empezamos con tu lista de peticiones para Alejandro Vera?
13:05Sí tienes una lista, ¿no?
13:07Eh...
13:08100% he enlistado varias palabras en mi mente.
13:11Ah!
13:13Tengo tanto que enseñarte.
13:16Para lograr su meta, van a tener que hacer varias cosas.
13:20A la medianoche pedía más, más, más.
13:26Primero, recarguen energía.
13:29Más, más, más.
13:32Pónganse ropa adecuada.
13:35Más, más, más.
13:38Un grito rebelde.
13:41Más, más, más, más.
13:44Más, más, más.
13:46Manten un mensaje claro.
13:47Manten un mensaje claro.
13:48¡No nos dejaremos!
13:49¡Unidos deseremos!
13:51¡Gloria!
13:53¡Gloria!
13:55¿Le gustaría firmar la petición para que pongan el top aquí afuera?
13:59Sí, finalmente algo de justicia.
14:01¿Y una fotito?
14:02Es para nuestros registros.
14:03¿Sonría?
14:17Más, más, más, más.
14:18Proyecten seguridad.
14:19Here's our list of our demands.
14:20Ante la indiferencia.
14:22I'll get back to you.
14:24¿No le parece que pasan los carros muy rápido aquí?
14:27¿No le gustaría que fuche?
14:32Siempre dele seguimiento a su progreso.
14:34¡Gloria!
14:35Erra!
14:36¡Gloria!
14:37¡Gloria!
14:38¡Gloria!
14:41Y pase lo que pase que no se les olvide celebrar sus victorias.
14:44So, yes.
14:58Never saw this when I was the owner, I can tell you that.
15:01Oh, thank you so much.
15:03Sure.
15:04I hope it wasn't too complicated of an order.
15:06Oh, not at all.
15:07Turns out it's very easy to infuse tequila
15:09with the hampers of Palo Santo.
15:11Well, not to be a fuss,
15:12but other guests need your attention too.
15:14Cabana Four's still waiting on their drinks,
15:16and I don't think Phyllis here ever got her fries,
15:19did you, Phyllis?
15:20Still waiting.
15:21Also, Kids Club is feeling a bit lard of the flies.
15:25Come on!
15:26Oh!
15:27Hey, give me that!
15:29Hey, come on!
15:30Hey, over here!
15:36Johnny-a-scoops, a little help!
15:39Help!
15:41Help!
15:42Hello?
15:43Don't worry, the kid got out after a while.
15:49Listen, you and I both know you can't do this forever.
15:51Eventually, the hotel will go down and take you with it.
15:54Unless there was someone to take it off your hands.
15:57Even if I sold it back to you, Diane,
16:01the workers would still be on strike.
16:02Not for long.
16:03They love me and I love them.
16:05So sell it back to me and the strike stops immediately.
16:07You can walk away and never think about Las Colinas, or me again.
16:12Vera hated that he was considering her offer, but the idea of leaving his mess behind was very tempting.
16:18Wow.
16:19You want this, Phyllis?
16:20We will fight all your attacks.
16:25We will fight all your attacks.
16:27Want to cut our pay?
16:28Rhodey to the match?
16:30Huh?
16:31My dearest Diane.
16:32Though I am separated from your love across enemy lines, I throw John powered only by the memory of your bosom.
16:44You're heaving bosom.
16:45Why are we drinking this?
16:46It's at night.
16:47I don't know if he was there.
16:48It feels good.
16:49Hey, folks!
16:50I know it's been a long week, but you should all be proud because the line is holding strong!
17:05Yeah!
17:06It'll be even stronger once I'm done with this.
17:09Can someone please take that away from Dulce?
17:11There's no need for violence of any kind when the tides are turning!
17:15Speaking of, at the advice of my revolutionary training, we have contacted Red Nacional Siete,
17:21who will be sending a reporter to the picket line tomorrow.
17:24This is really going to put the pressure on Vera.
17:27So it's only a matter of time before he caves!
17:30Wait!
17:31Sorry!
17:32Sorry!
17:33Wait!
17:34Wait!
17:35Wait!
17:36Are we talking like two days matter of time or like my baby will be forced to drink
17:40Aguador Chata because his father won't be able to afford formula a matter of time?
17:43Memo, I know you're worried about baby stuff.
17:45Of course I'm worried about baby stuff!
17:47And can you blame me?
17:48Look, I get it.
17:49But I have to do what is best for everyone, which means sticking to our demands!
17:53We want our benefits back!
17:55Yeah!
17:56Along with lunch!
17:57Overtime!
17:58We aren't just cocks on a wheel!
17:59We are human beings who deserve respect!
18:02I had been on the outs with the staff for so long, it was nice to be back in everyone's
18:13good graces.
18:14It felt like they believed in me again.
18:16And no, I don't remember if they actually lifted me in the air, but I'm going to go with
18:21it.
18:22The next day on the picket line, I carried that feeling with me.
18:25willen!
18:26Well, look at the details we've had but without being a robot.
18:32People want strength!
18:33Authentic, humanity!
18:34Like if in my school they want me to offer Там그�illo guard of Fanta, I'll call him
18:39under your face.
18:40Aber if you think it's not, it's the most king to give my strength!
18:46Which is?
18:47Not my mind?
18:48I sometimes like友DT kung раз и players on NASA…
18:50and also the people of the NASA.
18:523, 2, 1.
18:54Good afternoon.
18:56I'm Minerva Luz Cruz reporting live
18:58from Las Colinas,
19:00where the employees of the hotel
19:02are in bail.
19:04It's with me Máximo Gallardo,
19:06chief of operations of the resort.
19:08Mr. Gallardo, how are the fans of the workers?
19:10We feel blessed.
19:12It may be that the sun is out of here,
19:14but inside us
19:16are also the flames of change.
19:20Well done,
19:22but they face a powerful corporation.
19:26Are you sure that they have the temple
19:28to take this fight to their last consequences?
19:30Of course we have the temple,
19:32because we have the ones to each other.
19:34And we're not going to let us intimidate
19:38by a owner
19:40who doesn't care about their employees.
19:46Well, clearly I need...
19:48It was the moment we've been waiting for.
19:50And with all eyes on me,
19:52I knew there was only one way to respond
19:54to his response.
19:56La mayoría de nuestras peticiones?
19:58Yo no estoy de acuerdo con eso.
20:00Woo-hoo!
20:02Where'd you go, Maxi?
20:04Que chingon!
20:06You were like Zapata leading the charge
20:08against the government fascist.
20:10Check it out.
20:12Uh...
20:14Well...
20:16Listen...
20:18You're a great artist.
20:20I mean...
20:22You got me dead wrong in this picture.
20:24I look nothing like this.
20:26Really?
20:27Not even when you were younger?
20:28Especially when I was younger.
20:29Yeah.
20:30Okay.
20:31Before you go all in on this idea for the mural,
20:33you should know that my colleagues
20:35had a less enthusiastic reaction that day.
20:37What was that?
20:38I rebelled against the system, right?
20:39I guess...
20:40I guess...
20:41I guess...
20:42I guess...
20:43I guess...
20:44I guess...
20:45I guess...
20:46I guess...
20:47You got me dead wrong in this picture.
20:48You got me dead wrong in this picture.
20:49I look nothing like this.
20:50Really?
20:51Huh?
20:52Not even when you were younger?
20:53You got me dead wrong in this idea for the mural.
20:55You should know that my colleagues
20:56had a less enthusiastic reaction that day.
21:00What was that?
21:02I rebelled against the system.
21:03Right?
21:04I guess...
21:05I guess...
21:06I guess...
21:07Even though I could have read the real answer.
21:11That's exactly what he wanted me to do.
21:13To access his first offer.
21:15That's why he hoped there were cameras.
21:17He used them to press me.
21:18Maximo...
21:19You're still saying,
21:21I, I, I...
21:22But this is not just about you.
21:24I know things are getting tense.
21:26But we're not able to achieve everything we want.
21:29We only have to stay united.
21:31Ah, and do you think this is the best way for him to be?
21:34Sure, yes.
21:35We have it in the hand of the hand.
21:37For tomorrow,
21:38he's going to pray for us to come back.
21:42I couldn't have been more wrong.
21:44Because the next day,
21:45Vera called my bluff and hired workers to replace us.
21:48It's tap as best.
21:50And when I say replace us,
21:51I mean literally.
21:52This was a second-rate Hector...
21:55Beto...
21:58Memo...
22:01And even...
22:06Acherrion.
22:07Esa soy yo.
22:09Any other great ideas, Maximo?
22:18Memo didn't even have time to process his anger,
22:21since it was time for Lorena's sonogram.
22:23Recuerden que a estas alturas,
22:25su bebe es el tamaño de un limón.
22:27Okay.
22:28Esa es la cabecita de nuestro hijo.
22:37Oh, hija.
22:38No sabremos el sexo hasta su próxima cita.
22:41No me importa que sea.
22:43Adoro nuestro limoncito.
22:45Nuestro bebe va a estar tan orgulloso de nosotros.
22:56O sea, vinimos directo de la huelga,
22:58de pelear por nuestros derechos.
23:01Ay, cuánto drama.
23:04Sí, aunque no nos alcance para comprarle
23:07las cosas que necesita, ¿no?
23:10Ay, qué importa.
23:12En vez de una cuna,
23:13el bebé puede dormir con nosotros en la cama
23:15y podemos conseguir que nos hereden una ropita.
23:19¿Y quién necesita una silla de bebé para el carro?
23:21Para eso está el tablero.
23:23No lo había pensado así.
23:25Claro, es una superficie plana en el coche.
23:27Es perfecta para...
23:28No, no, no, no, no.
23:31A lo que me refiero es que
23:33no me había dado cuenta que
23:35esta huelga...
23:38pues haga sentir orgulloso al bebé.
23:43Obvio.
23:44No estamos marchando por hoy.
23:47Estamos marchando por su futuro.
23:50Su futuro.
23:51Tenemos la firma de todos los vecinos, menos uno.
24:06Ay, pues sí, pero qué tan probable es que el señor Cabrera
24:08sea un monstruo.
24:10Sí, sí era un monstruo.
24:13Cuando vivía yo en el otro departamento,
24:15siempre lo escuchaba gritarles a los vecinos.
24:18¿Qué si de la basura?
24:20¿Qué si de la música muy fuerte?
24:22¿Y siempre se andaba peleando con un tipo algo como sensación?
24:28¿Con Juan?
24:29¿Nuestro vecino muerto?
24:32Sí, ese mero.
24:34Diario se estaba peleando por un lugar de estacionamiento.
24:38Un día, el señor Cabrera le puso a Juan
24:42una sorpresita en su coche.
24:44Sí saben a qué me refiero.
24:45Se peleaba con Juan y no quiso firmar la petición.
24:49Es nuestro sospechoso.
24:51Ay, Estebita, sí.
24:52Pero, a ver, el señor Cabrera ya está muy mayor.
24:55O sea, ¿tú crees que va a tener fuerza para pegarle a Juan en...
24:59en la posada?
25:15Era caca.
25:18Era caca.
25:19No puedo creer que Vera nos reemplazara.
25:34Como si no fuéramos nada.
25:37En serio, perdóname.
25:41Estaba intentando ayudar, pero creo que te llevé por el camino equivocado.
25:45No, Sarape.
25:46Esto es culpa mía.
25:48Emo tenía razón.
25:50Hice la huelga sobre mí en vez de tomar en cuenta a todos.
25:53Supongo que a una parte de mí le gustó que el Star me volviera a querer.
25:59¿Y qué vamos a hacer?
26:02Lo único que podemos hacer...
26:04preguntarle a Vera si su oferta sigue en pie.
26:08Trajo empleados de fuera. Eso debe de costarle mucho dinero.
26:11Tal vez podemos hacerlo entre la razón.
26:15Aunque tengamos que ceder en ciertas cosas.
26:18Nunca nos vamos a rendir.
26:20Memo, ¿qué haces aquí?
26:23Hemos sacrificado sangre, sudor, lágrimas.
26:27No nos podemos echar para atrás.
26:30Ni ahora ni nunca.
26:32Porque eso...
26:34es el futuro para nuestros limoncitos.
26:36Wow.
26:41No lo pude haber dicho mejor.
26:43Por eso tienes que venir conmigo.
26:55Oh, I'm glad you're here.
26:57We'll be doing the talking.
26:59I mean, if you're ready.
27:01Whatever, I'm ready.
27:03So here goes.
27:04I would normally give you a big speech with lots of fancy words.
27:07But instead, I'm gonna shut up.
27:09And let Memo tell you about the kind of people we are at Las Colinas.
27:16Señor Vera.
27:18Here, we lift each other up when we're down.
27:25We stick to what we believe in.
27:27We work until we can't.
27:32And then we work some more.
27:35But no matter how tired or beaten down we are, we always bring joy to what we do.
27:42So you can hire whoever you want to work in this hotel.
27:48Just know they will never be us.
27:52And you will be reminded of that every day when you see us out there on the picket lines.
27:56Do you want me to say it again?
28:00Oh, no, no, no.
28:01Please, Harry, I lost years of my life listening to that.
28:06Well, you will get your demands.
28:11All of them.
28:12Oh, wow.
28:14Really?
28:16Can you throw in a 10% raise on top?
28:18Don't push it.
28:19We won't.
28:20I'm gonna go tell everyone.
28:25We won't!
28:26We won't!
28:35Not that I'm not extremely happy, but...
28:39What just happened?
28:43This?
28:45For the first time in 10 years, Las Colinas got knocked off the top spot on Leisure Magazine's best hotels in Acapulco.
28:52That's why I need you and your team back.
28:53Because you know this place better than I do.
28:57And turns out that Iztapa's best happens to be Las Colinas' worst.
29:02They are rude.
29:03They are late.
29:04And they broke into my good tequila.
29:08This was a gift from Gene Wilder.
29:13I can't believe this.
29:16Alma del Mar is number one.
29:24Oh, sorry.
29:26Don't mind me just doing some light reading.
29:30You must have seen the list.
29:32Well, it's hard not to when it's a big, bold print.
29:38Alejandro, my offer still stands.
29:41Diane, no matter how bad it gets, even if we are the last hotel in the world on that list, I promise you, I will never sell this place back to you.
29:53Mi amor, the clouds have lifted.
30:02We can be together again.
30:05Though Diane was realizing that her dreams of owning the hotel were officially over,
30:09Sara was beginning to realize that her dreams were more possible than ever.
30:18Because fighting for people wasn't just something she was good at.
30:24It was a passion.
30:26A flame.
30:30And it needed to be fanned.
30:33Orale.
30:35That was a really good ending.
30:37Nah.
30:39Nobody wants a pilot who can't land the plane.
30:45What?
30:47I think I know what I'm gonna paint for our mural.
30:50I just hope it makes you proud.
31:04Is that what this is about, Gustavo?
31:07Listen, I only gave you this job because I trust you.
31:11I mean, you married my daughter in secret, but you make her happy.
31:16And you were there for her all of those years that I wasn't.
31:21So, you don't need to impress me.
31:25You've already done that.
31:27In spades.
31:31Thank you, thank you, thank you.
31:34You're gonna love what I'm gonna do.
31:36It's gonna be amazing.
31:38You're gonna love it, Maximo.
31:40Gustavo!
31:42You're not gonna tell me what it is?
31:45Gustavo!
31:46Gustavo!
32:16Did you know Fabulosti?
32:18Uh oh oh.
32:20Yes, yes, yes, yes.
32:23You move better.
32:25Uh oh oh.
32:27Yes, we are.
32:29This is Fabulosti.
32:31Uh oh oh.
32:33Yes, yes, yes, yes.
32:35You move better.
32:37Uh oh oh.
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33:50
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