- il y a 2 mois
DB - 03-08-2025
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TVTranscription
21:05à un peu d'extra quid a week.
21:07Il s'est sacked pour ça.
21:08Ils m'ont quitté la paix pour protéger l'air.
21:11C'est tout en ici.
21:14C'est l'adresse ici.
21:16787 Hancock Street.
21:18787 ?
21:19Vous ne trouvez pas qu'elle, hein ?
21:20Pourquoi pas ?
21:21Elle a demandé de la dernière paye-check
21:23à l'adresse de 321 St. de Flowers.
21:28Le care de Chen.
21:30Vous avez des questions.
21:32Je suis looking pour une fille de Millie Harris.
21:35Elle a donné de la petite fille.
21:36...
21:38...
21:39...
21:41...
21:43C'est une fille de mon...
21:44...
21:45...
21:45...
21:46...
21:47...
21:47T'es là.
21:48Il m'en a pas de rappel.
21:49Je me suis désolé.
21:50Carre-t-il, c'est pas de rappel.
21:51J'ai bien.
21:54C'est-à-dire qu'elle mentionner des noms ?
21:57Des noms ?
21:58Des noms ?
21:58Des noms ?
21:59Des noms ?
22:00Des noms ?
22:01Des noms ?
22:02Des noms ?
22:03Des noms ?
22:03Des noms ?
22:05Elle ne connaît pas très bien, mais je ne me souviens pas de nommer.
22:14Ah, oui, Brodie.
22:16Brodie, vous êtes sûr que c'était Manson ?
22:18Je pense que c'était Brodie.
22:20C'est strange de penser à comment nous avons ouvertes nos cœurs et nos vies à elle.
22:26C'est l'un, c'est l'un, c'est l'un.
22:30Milly Harris ?
22:32Elle a pris la maison de la plus belle possession.
22:35Elle a pris la maison de la plus belle femme.
22:41Do you know where Milly Harris is now ?
22:43Je...
22:45Je pense que la dragon de fire a pris la mort.
22:54Je suis désolé de vous avoir troubled.
22:55Merci beaucoup.
22:57Mucaneo, ma wife va vous montrer à la porte.
23:02Ça répondra.
23:04Je ne sais pas.
23:05Je vois pas, Milly Harris.
23:08Oui.
23:12Mais bon, c'est bon.
23:13Oui.
23:14Mildes-vous ?
23:15C'est ce qui vous fait que…
23:16Milly Harris.
23:17C'est ce qui est arrivé à votre emploiat.
23:18Mais...
23:19C'est ce que vous avez apporté cette semaine à choisir par Milly Harris.
23:20Vous voulez dire quoi ce qui est ?
23:21Je vous êtes tous ?
23:22C'est ce qui vous avez dit ?
23:23Je vous envis de dire ce que vous avez à la première fois ?
23:24C'est la personne qui est ?
23:25C'est ce qui est la deuxième personne qui est ?
23:26C'est ce qui est ?
23:27C'est la jeune qui est ?
23:28Hazardé, je vais devoir dire à mes enfants.
23:29C'est ma mère qui mourra de la mort.
23:34Elle travaille dans le Lido, un lieu de danse.
23:39Elle appelle herself Daisy.
23:59Elle arrive au monsieur.
24:04Laf.
24:06Sorry, Ansem, I'm taken.
24:08Your mother wants you to know she's thinking of you all the time.
24:13My who?
24:14Your mother.
24:15Isn't your name Maidoc?
24:17You've seen my mother?
24:19Ah.
24:20How is she?
24:22She's seen fine.
24:23Come on, I'm supposed to be dancing.
24:59Do you know a girl called Millie Harris?
25:02Do you know a girl called Millie Harris?
25:05What about her?
25:08The folks seem very bitter about her.
25:10They're bitter about everything that's happened since the Manchu Empire.
25:14Now let's cut it short.
25:15Wait a minute.
25:16Why did your father hate her?
25:18He doesn't think I'd be here if she hadn't sold me.
25:21Sold you?
25:22Millie got $150 Hong Kong dollars for recruiting me for this job.
25:26And so what?
25:27I love it here and I wouldn't leave if I could.
25:31I think I agree with your father.
25:33Listen, Millie's been good to me.
25:35She taught me everything I know.
25:37How to walk, how to dance, how to act.
25:39So don't talk to me against Millie.
25:42What do you want with her anyway?
25:45A friend of mine is looking for him.
25:48A friend named Baranka?
25:50Baranka?
25:51Say it like you've heard it before.
25:55I haven't seen Millie in weeks.
25:56Look, don't be scared.
25:57I just want to ask you a few questions.
25:58Your ticket's all used up, mister.
26:00Get lost.
26:02Before I put the bouncer on you.
26:03Millie?
26:29Millie Harris.
26:33There are no words to describe her.
26:36That bad, mister Baranka?
26:37Bad?
26:38Mr. Evans, who have you been talking to?
26:42Millie Harris is one of the sweetest, purest, most wonderful women I have ever met.
26:47Is this for real?
26:48Oh, if an angel ever walked on the earth.
26:54Tell me, why are you looking for her?
26:59Tell you the truth, I'm beginning to wonder myself.
27:03A man in my position seldom gives interviews to the press, Mr. Evans.
27:06I appreciate that.
27:08And I appreciate your discretion.
27:11Discretion about what?
27:12You have made no mention of the vicious rumor which usually is circulating about me.
27:16And what's that?
27:18That I'm involved in a criminal organization known as Triads.
27:23Oh, I had my day, it's true.
27:27I even spent time in prison.
27:29But it's all in the past.
27:32I see.
27:35Does the name Ho-Guy mean anything to you?
27:39No, I'm sorry.
27:40It doesn't.
27:43Thanks very much.
27:43Oh, Mr. Evans.
27:47When you see Millie, tell her if she needs any help.
27:51Just remember, she has a friend in me.
28:07Just a moment, I'll go with you.
28:09Oh, hi, Neil.
28:12Hi.
28:13What are you doing here?
28:15My question precisely.
28:17We've been watching Barranca's flat for weeks.
28:20What did you want with him?
28:22Huh.
28:23Well, it must be pretty important for the chief inspector to be handling the stakeout personally.
28:26One of my men saw you go in and call me.
28:28What did you want with him, Glenn?
28:31I can't tell you that, Neil.
28:32I wouldn't be here if this weren't an important matter.
28:34Now, I want you to answer me.
28:35I gave him a word, Neil.
28:38Don't let me make...
28:38You're whom?
28:39The late Mr. Ho-Guy?
28:40Mr. Manton, what story are you?
28:41Look, I can't tell you, Neil.
28:43I'm sure it has no connection with what you're doing.
28:45We'll have any connection with a girl named Millie Harris.
28:50Uh-huh.
28:53Shall we?
28:53Okay.
28:53All right, Sherlock, how did you find out about Millie Harris?
29:18Well, if you don't mind, I'll ask the questions.
29:21Did Manton ask you to look for him?
29:26Glenn, we traced Ho-Guy's movements.
29:29He was looking for Millie Harris, and the last place he visited before he was shot was Baranka's flat.
29:34Have you found Ho-Guy's secretary yet?
29:36No.
29:38Now, suppose you answer my question.
29:40All I can tell you is what I found out on my own, Neil.
29:42Millie Harris was involved with Manton's son.
29:45In what way?
29:47Oh, Glenn, let's not play games, eh?
29:49It's purely a personal matter, Neil.
29:51That's all I can tell you.
29:53How personal will it be if she turns up dead?
29:57Well, that's what can happen if Baranka finds her before we do.
30:01I have to think of a better story than that.
30:03I've just come from Baranka, you know.
30:05Your Millie Harris and a man named Jim Brody arranged a deal for Baranka.
30:10He was to pay $100,000 U.S. dollars for a shipment of gold that was smuggled into Hong Kong.
30:16Now, wait a minute.
30:16Are we talking about the same Millie Harris?
30:18The girl I'm looking for may have been a petty crook, but $100,000...
30:20Precisely the same girl.
30:22The gold was worth over half a million.
30:25The girl and this Jim Brody double-crossed both Baranka and the smuggler.
30:28They made off with the gold and the $100,000.
30:33Lovely girl to have in the family, isn't she?
30:36Now, will you tell me how Matton's son was involved with this Millie Harris?
30:41Really, Neil, you'll have to ask Matton that question.
30:43All right, take me back to headquarters, will you?
30:48Yes, sir.
30:49Thank you.
30:50Love is a many splendor day
31:03It's the April route that only grows in the early spring
31:14Love is nature's way of giving
31:20A reason to be living
31:25The golden crown that makes a man a king
31:36Love is not a high and windy
31:42Hi, Mae.
31:47Don't tell me she's gone already.
31:48I'm only ten minutes late.
31:50Well, to a woman, Glenn, ten minutes is only a second.
31:52Uh-huh.
31:52She hasn't arrived yet.
31:53Would you like to wake her at the bar or...
31:55Let's go to the bar.
31:57You can buy me a drink for a change.
31:58You don't have to.
31:59I'm sorry to be so late, but I'm so worried.
32:03What's the matter?
32:03It's Mr. Matton.
32:04He left his hotel room this morning
32:06and said he was going to the consulate,
32:07but he never arrived.
32:09And he's not in his hotel now.
32:10I've just come from there.
32:11The police are notified?
32:12No.
32:12No, the consul wanted to wait until tomorrow.
32:15Well, there's nothing we can do.
32:15Let's just relax and have dinner.
32:16Come on.
32:17But there's one other thing.
32:17A girl called all day, five or six times.
32:20She sounded urgent.
32:21She wouldn't leave her name and number,
32:22and she wanted to speak to Mr. Matton.
32:24Couldn't have been Millie, huh?
32:25No.
32:26No, I recognize the voice.
32:28It was a strange accent, not Cantonese.
32:32What is it?
32:32Did you tell her why Matton was staying?
32:37Yes, I did.
32:38Let's go.
32:40You're a doll.
32:41Come on.
32:42It is.
32:43Another one?
32:57Yes.
32:58Open it up.
32:59I don't know, Mr. Evans.
33:01If anyone find out, I get in big trouble.
33:04Mr. Matton, a very important man.
33:06You could have told me that before you pocketed my 20 bucks,
33:08couldn't you?
33:08I have time to think about an elevator.
33:10I could lose job.
33:12Mm-hmm.
33:14Take care of the risk.
33:17You not tell anyone how you get in.
33:19Want something, my brother?
33:21That's it, kid.
33:22Oh, Glenn, I don't want to...
33:31Oh, Glenn, I don't want to...
33:32No, wait, wait, wait, wait.
33:34Our hearts are pure.
33:35We've got to get that phone call.
33:36Just relax.
33:37Let's hope she hasn't given up trying.
33:38Sit down, sit down.
33:47By the way, you're a lousy judge of character, you know that?
33:50Who, me?
33:50What?
33:50Yeah, this Millie Harris.
33:52How did Matton get mixed up with a dame like that?
33:55Oh, I see somebody's filed a minority report.
33:57Not a minority report, a police report.
33:59You're joking.
34:00No, I'm not joking.
34:02Listen, honey, what about Matton?
34:03Was he on the level?
34:04You asking me, a terrible judge of character?
34:06No, seriously, you work for him.
34:08Well, Ed Matton had the same problem as anybody else has.
34:11He was overshadowed by his father.
34:12But he worked hard, and he was honest.
34:14Well, will you sit down?
34:17Yeah.
34:18Well, everybody at the consulate seemed to respect him.
34:21Hmm.
34:23What do you know about his death?
34:25No more than you, I'm sure.
34:26He was hit by a truck.
34:29Yeah.
34:31Anybody at the consulate ever think it may not be an accident?
34:35Never.
34:35Mr. Andrew Manton?
34:52Yes.
34:54You are still interested in locating a Miss Millie Harris?
34:58Yes, I am.
34:59Who's this?
34:59That does not matter, Mr. Manton.
35:01I can tell you where she is.
35:03But that information will cost you 10,000 Hong Kong dollars.
35:08Uh, that's all right, if you're sure.
35:10I am sure.
35:13Tomorrow morning, you will get the money and meet me.
35:16No, tonight.
35:17I can get the money tonight.
35:19I have that much in the hotel safe.
35:21If you'll come here?
35:22No, not there.
35:24One moment, please.
35:31You will meet me in front of one Lowe's antique shop that's on Chatter Road in half an hour.
35:38How will I know you?
35:39I will know you.
35:41Half an hour, Mr. Manton.
35:42Now what?
35:51She's picked the busiest corner in town.
35:52There are street vendors and speech makers and the works.
35:55She knows what I look like.
35:56She'll run as soon as she sees me.
35:59I've got to have help.
36:00Well, I'll do what I can.
36:02Huh?
36:04That'll do for a start.
36:05Come on.
36:05Oh.
36:06Oh.
36:06Oh.
36:06Oh.
36:07Oh.
36:07Oh.
36:07Oh.
36:07Oh.
36:07Oh.
36:07Oh.
36:08Oh.
36:08Oh.
36:09Oh.
36:09Oh.
36:10Oh.
36:10Oh.
36:11Oh.
36:11Oh.
36:13Oh.
36:14Oh.
36:14Oh.
36:14The key.
36:25You know there's information she's selling got Hogei murdered and she knows it.
36:28She's going to be kind of skittish.
36:31It won't be dangerous, but it won't be easy.
36:35There's only two flights.
36:36Let's walk.
36:36Huh?
36:36Yeah.
44:23C'est mort, Milly.
44:28Il est venu ici.
44:46Close the door.
44:53Vous pensez que je suis très cald blooded, non ?
45:05Letting him die comme ça.
45:07Je ne suis pas.
45:09Je ne suis pas cald blooded.
45:11Il n'y a rien que j'ai pu faire.
45:14Il n'y a rien que j'ai pu faire.
45:16Il n'y a rien que j'ai pu faire.
45:18Il n'y a rien que j'ai pu faire.
45:20Il n'y a rien que j'ai pu faire.
45:23Il n'y a rien que j'ai pu dire sexier di domaine inconnue
45:27C'est bon.
45:28Comme un peu de sens, Raiffelles.
45:29Il n'y a rien d'haute, Milly.
45:34C'est bon ?
45:36T'as vu ?
45:38Joli ?
45:40Il est quelqu'un qui a m trouvé dans gentil.
45:42Branca ne sent pas.
45:45C'estciawe pour ça ?
45:48Oh, t'as vu ?
45:49C'est difficile.
45:50C'est bon, Millie, c'est un peu plus vite.
45:52C'est un grand deal que vous avez pris en lui.
45:55Ah...
45:57Non point the gun.
45:58Non point the gun at me.
46:00How'd you find this place?
46:03Oh, juste un peu de brain work.
46:06Ah...
46:07This detective aupon, et il a beaucoup de questions dans les files.
46:09J'ai dû le faire et...
46:11Je n'ai pas de visiter.
46:12Pourquoi ?
46:13All I want to do, c'est juste parler, Millie.
46:15C'est juste un deal que j'ai en main.
46:17Mais je ne peux pas penser avec...
46:20... avec la gun en ma face.
46:23Oh, vous avez bien pensé, mister.
46:25Et vous avez bien pensé, c'est bien.
46:27OK.
46:29Je suis dans un peu de petits jobs.
46:31Vous savez, des choses comme ça.
46:33Et juste waiting pour...
46:34... pour un grand deal à venir.
46:36Et...
46:37...pour ce que c'est.
46:39Vous avez perdu un autre, et vous avez un nouveau.
46:43Oh, non, c'est un peu, Millie.
46:45Je crois que j'ai pas de la main.
46:47Je ne sais pas où j'ai pas de la main.
46:48Tu me suis dit que je n'ai pas de la main.
46:50Je suis toujours en Hong Kong.
46:52Si tu sais même si tu as la main, tu m'as pas de la main.
46:54Je peux vous aider, Millie.
46:58Je veux que j'ai pas de la main.
47:00Si je peux voir le travail, tu peux me trouver cette place.
47:02J'ai pas de la main.
47:04Empurté vos pockets.
47:06What ?
47:08Empté vos pockets.
47:10Everything.
47:11I want to know who you are.
47:16You're right.
47:19I do need help.
47:24Everything.
47:38Glenn Evans, Worldwide News.
47:41Well, I can explain, Millie.
47:43Oh, I'm sorry, Mr. Evans.
47:45I can't use you.
47:47Don't do it!
47:55So, you're Millie Harris.
48:01Miss Harris, I'm Edward Manton's father.
48:07He wrote me all about you the day he died.
48:10And now, I'm going to kill you.
48:15What's the matter with you, Manton?
48:16Have you gone crazy?
48:17Keep out of this.
48:19Throw that gun at my feet.
48:21You don't know what sort of woman she is.
48:25She's your son's wife.
48:26No.
48:27That was a lie.
48:30She was just my son's executioner.
48:33Oh, no.
48:35Oh, no.
48:37Please.
48:38He's insane.
48:41He found out about your gold swindle.
48:43He told you he was going to the police.
48:45And you had him killed.
48:48No, no.
48:49I didn't.
48:51He died that day.
48:52I had nothing to do with it.
48:55I swear it.
48:58Jim Brody did it.
49:00I had nothing to do with it.
49:01It wasn't me.
49:03I believe you.
49:05I'm sure you only arranged his death.
49:10Manton!
49:11I don't want someone over there.
49:12Manton!
49:13Manton!
49:14Manton!
49:15Manton!
49:16Manton!
49:17Manton!
49:18Manton!
49:19Manton!
49:20Manton!
49:21Manton!
49:22Manton!
49:23Manton!
49:24Manton!
49:25Manton!
49:26Manton!
49:27Manton!
49:28Manton!
49:29Manton!
49:30Manton!
49:31I'm sorry.
49:33Her light wasn't worth saving.
49:36That's what I think yours was.
49:51I guess that's you, sir.
49:52Goodbye, Glenn.
49:53And thank you for everything.
49:54Goodbye, sir.
49:55Goodbye, Peggy.
49:56Goodbye, Mr. Manton.
49:57Take care of yourself.
49:58Don't worry.
49:59I will.
50:00Goodbye.
50:01Goodbye, Mr. Manton.
50:02Bye.
50:03Goodbye.
50:04Goodbye, Glenn.
50:05And thank you for everything.
50:06Goodbye, sir.
50:07Goodbye, Peggy.
50:08Goodbye, Mr. Manton.
50:09Take care of yourself.
50:10Don't worry.
50:11I will.
50:13Goodbye.
50:14Goodbye, Mr. Manton.
50:18Goodbye.
50:19Do you always get so emotional with your goodbye?
50:24Don't you?
50:25When you say goodbye to somebody you like?
50:28Oh, I used to do something like this.
50:30Goodbye, darling.
50:32Hmph.
50:33Glenn, people.
50:34The airport just pretend he's saying goodbye.
50:36Goodbye, darling.
50:41Oh, goodbye, Glenn.
50:49Oh, goodbye, Glenn.
50:50Oh, goodbye, Glenn.
50:51Oh, goodbye, Glenn.
50:52Oh, goodbye, Glenn.
50:53Oh, goodbye, Glenn.
50:54Oh, goodbye, Glenn.
50:55Oh, goodbye, Glenn.
50:56Oh, goodbye, Glenn.
50:57Oh, goodbye, Glenn.
50:58Oh, goodbye, Glenn.
50:59Oh, goodbye, Glenn.
51:00Oh, goodbye, Glenn.
51:01Oh, goodbye, Glenn.
51:02Oh, goodbye, Glenn.
51:03Oh, goodbye, Glenn.
51:04Oh, goodbye, Glenn.
51:05Oh, goodbye, Glenn.
51:06Oh, goodbye, Glenn.
51:07Oh, goodbye, Glenn.
51:08Oh, goodbye, Glenn.
51:09Oh, goodbye, Glenn.
51:10Oh, goodbye, Glenn.
51:11Oh, goodbye, Glenn.
51:12Oh, goodbye, Glenn.
51:13Oh, goodbye, Glenn.
51:14Oh, goodbye, Glenn.
51:15Oh, goodbye, Glenn.
51:16C'est parti.
51:46C'est parti.
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