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00:00Previously on Dragula.
00:04I've only been sober for a couple months now.
00:07And so now I, oh wait, you know what, I need one moment so I can open up to you.
00:14I didn't get that.
00:15I'm sorry now, sorry.
00:17We're asking you to dig deep into the dumpster in this week's Trash Queen Couture Challenge.
00:22Priscilla Chambers, you have won this week's challenge.
00:25That means Hollow Eve and Eva Destruction, you are both up for extermination tonight.
00:55These bitches are giving me crow's feet.
01:06It's nothing a few stitches won't fix.
01:10Besides, we're thinning the herd.
01:13But they fucking think they know everything.
01:16Well, they're going to learn.
01:18One at a time.
01:21Bite the hand that feeds you, you're going to draw back a headless stump.
01:30Isn't that right, Dr. Randall?
01:33She'll make you.
02:03The winner of Dragula receives a cash prize of $25,000, courtesy of Merrick and Richard.
02:13And the title of Dragula, the world's next drag super monster.
02:18Drag, drag, drag, drag, drag, Dragula.
02:21Drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag, drag
02:51Whoa, that was so long, serious, what a long, serious day.
03:09Exactly.
03:10Unfortunately, I think it's time to say goodbye to Holo.
03:13I think she's just really struggled with finding her art and the limitations of this competition.
03:19Holo's definitely gone.
03:21Confident in that.
03:22It's time.
03:24We all know it's time.
03:25We're all ready for it.
03:27Like, we would not, like, no one wants Eva to go home.
03:31Fucking Eva was in the bottom.
03:33Which I personally was like, get, yeah, right.
03:36Fuck that winning bitch.
03:38Fuck that bitch.
03:39She got so many prizes.
03:40God, I hope she...
03:41I just love that none of us, none of us were scared for Eva when she went into the extermination.
03:47Because I think all of us knew she was gonna be bombed.
03:50She's gonna be fine.
03:51I don't like that though.
03:52I personally am team Holo.
03:55Personally, my opinion on the extermination is...
03:58What's up, fucker?
04:00Exactly.
04:01Thank you!
04:02Thank you!
04:03Yeah!
04:04Come on, clown!
04:07I walk into the room and I see everybody's face light up and I'm just so, so, so thankful
04:14that I'm still here.
04:16I absolutely adore Holo, but I just felt her slipping away slowly throughout the competition.
04:22It was really eating at her.
04:23By the time that we competed, I could just see that look in her eyes knowing that she just admitted defeat.
04:29I think that you have to be able to take critiques in order to win this competition.
04:33The way she talks about her drag sometimes is as if all of us are too stupid to understand it, if we're not able to break it down.
04:40At the end of the day, we're all just entertainers and we're here to entertain and do our part and showcase our art and no one's better than anybody else.
04:47If you don't think that you're better than everyone, why are you here?
04:50Well, always arguing with critiques and making it about something that it's not is really frustrating too, because like we're all getting critiques.
04:57It has nothing to do with your gender.
04:59Yeah, I would disagree with a lot of what you just said.
05:02Her art always has a powerful message and there's nothing that she goes on stage without the message and the message is what is important to her.
05:10So some of us don't do that.
05:12Some of us are just about the look and the performance of the look.
05:15I feel like the message though sometimes got blurred because it's like she would go from talking about one thing and then before you know it, 10 minutes later, she's screaming about capitalism.
05:24It just sounded like she was screaming about her own personal vendettas rather than being able to like comfort somebody else.
05:31And the whole point of being a voice is being effective with your communication so people can be exposed to it because exposure leads to tolerance, tolerance to acceptance.
05:39People that make change don't do it lying down or a calm way.
05:43People that might change are radical and do it with fierce volume.
05:48She stayed true to her message, she went down in flames.
05:51And I just think it was the unfortunate downfall of not being able to compromise.
05:57Like Drax says every time, we're not critiquing your art, we're critiquing how you apply your art to the show.
06:04And I really just think that that was where she struggled to find it.
06:07She had a hard time separating.
06:09She also found herself unwavering in being able to take critiques because she thought it was perfect in its message.
06:17I think it's important to take critiques, not to change your drag because that's not what they're trying to do,
06:22but I think it's important as insight for what they're looking for.
06:26If anyone understands that about taking critiques, it's to me, the first challenge being in the bottom, I was like, fuck no.
06:34I listened to every single word they said and they're like, amp it up.
06:38And I've taken every single critique they've given me and have applied it because I did not come here to stay stagnant.
06:46And to not progress.
06:47But you know what's gonna make you a winner?
06:49You listen to that critique and you apply it through the lens of your drag.
06:54And I know, yeah, you're giving me this critique in regards to my drag on this show.
06:59In the realm of this show, this is what you need to do to succeed.
07:04And I would be a goddamn idiot not to take it.
07:08And you know, regardless of all the opinions on her message or how intense she was,
07:14Yeah.
07:15Dragula has made such a powerful movement in including her and myself and to break down all of those walls
07:22and to show that anyone can do drag, anyone can be a monster, anyone can do this, anyone can take it all the way to the end.
07:29And it really is because of this platform and the blaze that we have to appreciate.
07:34Exactly.
07:35Hollow is a fantastic example of an AFAB queen.
07:40I'm honored to be a part of it.
07:41And I'm honored to be in this project that brought us all together.
07:46Attention competitors.
07:48Attention competitors.
07:50Please make your way to the main stage at this time.
07:55Once again, competitors, please make your way to the main stage at this time.
08:16Hello, uglies.
08:17Hi.
08:18Sometimes in the pursuit of drag monster status, a visit to the hospital is required.
08:23Whether it be a nip or a tuck to perfect your glamour or just to stitch up the damage you've sustained during the competition.
08:32Either way, we're big fans of an operating theater and have nothing but respect for the world of sutures and scalpels.
08:40For some people, the hospital can be a very scary place.
08:45And that's why we love it.
08:47This week, we're asking you to head into surgery and create a look suitable for our Hospital of Horrors.
08:54You'll be going on location to a real-life haunted hospital where you'll be modeling your looks for photographers and editors from Alternative Press magazine.
09:06The monster with the best photos will win the challenge and a two-page photo spread in an upcoming issue of Alternative Press.
09:15But be careful.
09:16If your brand of medical malady fails to increase our heart rate, you may be shocked at what we have in store for you during the extermination.
09:27Good luck.
09:28And remember, for one of you, this floor show will be your last.
09:34will be your last.
09:45Ooh, there's goodies on there.
09:46Photo shoot.
09:49Another theater.
09:51Photo shoot.
09:53Oh, it's about Swan and Drac, you guys.
09:57Oh my God.
09:59I've whacked out.
10:00I wanna read this.
10:02We see these AP magazines there with a story from the Boulay brothers and we're
10:08getting to really find out what they've been through in life and all their
10:11struggles and I could immediately relate. I remember as a child my dad saying
10:16there were only two things I could do that would make him disown me, turn out
10:21gay or become a drug addict. Reading the Boulay's letter in AP magazine really
10:27showed a lot about their history and made a lot of sense as to why they've
10:33worked so hard at giving us the platform that is Dragula. I've never forgotten what
10:39it felt like to not have a place though so the events I create the community I
10:42help cultivate and the show I am part of I provide that thing I desperately needed
10:46as a child a window and weird flower bed where seedlings are allowed to grow any
10:51way that they choose. So poetic. Those were both so beautiful. That definitely hits close to home
11:00especially Jack Marta's letter because I grew up in very rural south of a town
11:05about 500 people and I just I remember getting really sick and I was having flu
11:12like symptoms and I was 16 and my mom having to bring me to like a medical
11:18clinic the physician that was there started asking me questions and then
11:22it immediately once she heard my voice and how I looked went to well have you
11:27had sex with men have you had unprotected sex with men and I'm like no and they
11:32want to run blood tests to see if I was HIV positive and whenever the physician
11:38left out my mom looked at me and she pointed her finger right in my face and
11:42said if you have AIDS when we get home you're getting the fuck out this house and
11:47I'm not helping you at all and I just remember feeling like fuck like okay not
11:55even my mom cares and I wasn't positive I actually it was the beginning stages of
12:02Lyme disease which we got treated but I didn't have a queer community for a really
12:06long time and when I moved to Austin I found one and drag saved my life it
12:12really did I was so under the thumb my whole life either through my parents or
12:16religion I didn't start living my life until I was fucking 36 years old and I
12:20started drag when I was 36 fucking years old and now I'm 42 and these have been
12:25the most amazing best years of my life because I found a community and I have
12:30family and friends that support my work and just support me as a person and I'm
12:34fucking amazing I'm an amazing person I'm amazing drag queen my only regret is
12:40waiting so long sometimes parents do change and they grow and they realize like my
12:45mom carries I'm sorry I've talked about my mom in a while I really miss her my mom
12:50carries a guilt such a strong guilt she feels so terrible for what she put me
12:55through and my dad too and they both come to my shows now sometimes pursuing your
13:02family you can help them grow and and they they can become better people you're
13:06very very very fortunate because it doesn't always happen that way my parents
13:13will never see me perform and they're older now too and they both have health
13:18issues so yeah that has to be something I let go of is their approval and then I'm
13:29alive when I'm on stage and it's the first time I've ever felt a lot truly alive in my
13:33life and to know that they will never be privy to any of that it's a it's a hurt
13:41but I just put on my fucking bra strap fucking put on that wig and I go out
13:46there and fucking serve it that's right because that's what I do and that's
13:50that's what I was made to do right and I think that's why we know we cling on to
13:55our drag personas so much because that's the one person that'll never leave us
14:00queer people have a strength you can see it in their face because we've had to go
14:06through a lot of fucking shit in this world Louisiana finally opens up to all
14:10of us and she shares that her life did not get started until she was in her
14:14mid-30s I think this is finally her time to open up and share what was going on
14:19with her and I think that this is only gonna make her stronger and it's going to
14:22really rise her to the fucking top drag definitely saved my life and I'm so
14:27fortunate to be here with these amazing performers and share my dragon to share
14:32my story and this shows to that you know everyone's like Dracula ooh spooky
14:37Queens and they're tough and they're you know and they're rough and like gross but
14:41this show has such a heart too it might be a it might be a black heart that's
14:46like we're really really fucking beautiful too hospital of course I do
14:56really do not like hospitals so you're afraid of hospitals I got my feet like
15:00cut up really really badly in a boat propeller I had 40 stitches I got a
15:05needle through my finger all right ladies and gentlemen are we ready is it that time
15:15right ready to get this shit crack-clackin
15:20oh
15:32my inspiration is the sexy female element of horror movies and the demonic killer
15:41side of horror movies I'm gonna play with the juxtaposition of beauty and gore
15:47and have it be like super classic like throwback like swoop bang you want to
15:54tease in the opposite direction that you're intending to style so in this
15:59case because the bang went this way I teased this way and then I smoothed out
16:03the bang to make it gorgeous my inspiration for my Hospital of Horror
16:09comes from a lot of experience in hospitals both personally and close
16:13family members and I always have this feeling that Western medicine just is
16:19it is chasing intelligence and knowledge instead of really trying to help people
16:24I'm using a lot of tubes that are coming out of my body so I have this putty
16:29that I am molding around these tubes so that I can then glue them to my body
16:34where I need and smooth the edges down once I'm getting into my drag my
16:38inspiration for my Hospital of Horrors look is pulling a lot from like Shutter
16:42Island and my realm the doctor is obsessed with the leeches and so he's
16:47creating this like perfect woman that's like part leech part beautiful girl right
16:53now this entire thing was hand molded and sculpted and then cast in silicone so
16:58now I'm just adding the little teethies to the end I kind of wanted to do like a
17:02mad cow disease kind of thing and then I'm obsessed one of the like with one of the
17:07old-school horror movies eraser head and so I'm gonna try to incorporate a baby into
17:12mine like they like injected me with cow splooge and then out came a baby out of
17:17my udder my inspiration for my look comes from a lot of like horror video games I
17:23used a lot of expandable foam and then painted over it to give you this swollen
17:28parasitic attachment growing out of my skull and then it's gonna come down my arm I
17:33wanted to be somebody who was trapped and experimented on and this was like the
17:38result of it so I am working on one of my accessories one of my favorite
17:45aesthetics is really cute and outwardly beautiful but seriously creepy inside so
17:52I'm burning this beautifully distressed rabbit by setting on fire everyone loves fire I
18:02I probably shouldn't be inhaling but you know it's dragula right
18:11all right well I think that's enough for today let's go prep for surgery
18:18all right
18:34you
18:39Come on, hospital the whores.
18:54Let's go to the doctor.
18:57Absolutely.
18:58It's a new day.
18:59We're on our way to the horror hospital,
19:01and I am really excited to show what I have going on in here.
19:05With a lot less people in the room,
19:06there sure is room for my stuff on this table.
19:10Who's excited, y'all, for the challenge?
19:12I am so pumped.
19:14I am, like, I thrive when I get to be scary.
19:17So, like, I am fully dipping into the horror pool today.
19:21Right.
19:22And that prize to Page Spread and Alt Press,
19:25that's very exciting.
19:26So exciting.
19:28Let's get right into it.
19:36So, let's do a scorecard, like, count off.
19:46So, Eva, I know you have two wins.
19:49You won the first one, and then you win safe.
19:52And then Priscilla has a win now.
19:54Yay!
19:55Yes, yes, yes, yes.
19:56And then Landon, you have a win as well.
19:58Yes!
19:59What about you?
20:00Louise Hannah?
20:01Yes.
20:02I've not won anything yet, but I've been in the top three the last two challenges,
20:08and I was in top three for Vampire Queen.
20:10I feel like I'm on a trajectory, so that makes me feel confident.
20:15I may not have won a challenge, but I've been in the top three consistently,
20:20so I should not be underestimated.
20:22Good, because you've been, you've been rising.
20:25Yeah.
20:26You've been seriously, like, you've been, you've been climbing your way,
20:29so I hope.
20:31Like, honestly, like, I hope you, like, you claim a win.
20:34So do I.
20:35So do I.
20:36Attention, competitors.
20:38Attention, competitors.
20:41The floor show is about to begin.
20:44The floor show is about to begin.
20:47Competitors, please make your way to the main stage.
21:17Welcome to the operating theater, my little mutants.
21:27Tonight, our competitors have been tasked with going under the knife
21:30and stitching together a hospital horror look that stops hearts dead.
21:35Our monstrosities then went on location to an abandoned hospital
21:38to model against each other in a head-to-head photo shoot challenge.
21:42In addition to tonight's floor show, the judges will also have to decide
21:45which of our dragzillas were able to deliver the strongest photo of the evening.
21:49Poetically, the winner of tonight's challenge will win a feature spread
21:52in Alternative Press magazine to showcase to the world their malignant majesty.
21:58Here to help us judge tonight's floor show are two special guests
22:01from the world of both print and film.
22:03First up is an individual whose performance in the new horror classic,
22:07Hereditary, not only had some audience members scalped,
22:11she left others feeling literally decapitated.
22:15Please welcome Millie Shapiro.
22:17Hi, I'm so happy to be here.
22:19Millie darling, it is so wonderful to have you on the show.
22:21I couldn't be more excited.
22:23And our next judge is a celebrated journalist and marketing director
22:26for Alternative Press, who has helped the whole generation
22:29keep tabs on the underground.
22:31Please welcome Paige Owens.
22:33Welcome to the show, Paige.
22:34We are very excited to have you.
22:36Thank you so much for having me.
22:37This is the first time on this side of the country
22:39and I'm so excited to be here.
22:41Now, it's time to dim the lights, start the music,
22:45and let the floor show begin.
23:04Let's take a look.
23:08Take a long time.
25:32We're headed to the horror hospital, and I am really excited to showcase what I have
25:48up my sleeve this week.
25:49This week is our photo shoot challenge.
26:06I'm super excited.
26:07Paige being there during the photo shoot was a little intimidating, but I got myself
26:15a good picture.
26:16Throughout the place in the photo shoot where I am bringing out my pink brain sludge and
26:21I feel horrified.
26:23The photo shoot is going really well.
26:24The photographer is amazing.
26:28I am killing this photo shoot.
26:29I am so, so pumped because I thrive when it comes to photo shoots.
26:35I am killing this photo shoot.
26:36I am killing this photo shoot.
26:37I am killing this photo shoot.
26:38I am so, so pumped because I thrive when it comes to photo shoots.
26:39I'm feeling good right now.
26:40I am feeling good right now.
26:41I am pretty confident that I knocked this photo shoot.
26:42I am killing this photo shoot.
26:48I am so, so pumped because I thrive when it comes to photo shoots.
26:54I am doing my photo shoot.
27:15I am doing my photo shoot.
27:18My body has been in all types of weird fucked up ways.
27:21Fuck.
27:22I have got this one.
27:28I am going to do a mad cow disease inspired patient.
27:48I love my look.
27:49I am excited for these photos.
27:53I feel like a demon bitch crawling across the ground.
28:04And of course Paige is sitting there watching me the whole time.
28:07I am just trying not to crumble.
28:30I am so, so I am so tired.
28:31I am so tired.
28:32I am so tired of having it.
28:33I am so tired of having it.
28:34I am so tired of having it.
28:35I am so tired of having this feeling.
28:36I am so tired of getting it.
28:37Just kidding.
28:38The conflict with the sight of you.
28:39The conflict is meant to be nice.
28:40It's easier to be guided by the end of your life.
28:41Turn the whole time to the world.
28:42You need to die for the life of the world.
28:43You want to stay alive?
28:44Yes.
28:45You want to stay alive?
28:46First, the judges would like to thank you all for showing us that medical mayhem can be marvelous.
29:02As always, I want to remind you that we are not here to judge your drag tonight.
29:06Drag is art, and art is subjective.
29:09What we are judging you on is your drag as it relates to this competition and the challenges that we put before you.
29:14Now that there are only six of you remaining, I regret to inform you that from this point forward, no one will be just safe.
29:23You are either one of the strongest or one of the weakest, and there is no in-between.
29:29You've thinned the herd and you are halfway to the crown and the $25,000 prize, so the critiques are going to be scalpel sharp and they are going to sting.
29:38So we are going to start off with Louisiana Purchase.
29:42Let's start by taking a look at Louisiana's photo.
29:48I have to say that this pepto-dismal pink was a real relief from what I saw tonight.
29:54I think this character is cute, and you had a lot of sadistic little tricks up your sleeve.
29:59I do have some criticism.
30:00Those guts, that liver, whatever was in that box, you brought us to kind of crazy.
30:05I wanted you to bring us to, like, psychotically maddening.
30:08What, did you want her to eat it?
30:09If you did, I would have gagged.
30:11I would have loved it.
30:11I would have, too.
30:13The strangle marks were a nice touch.
30:15You could see this, like, strangled, murdered candy striper haunting the hospital.
30:19Really good concept.
30:21Louisiana, I really loved your look.
30:22You took great direction, and I was blown away by what you delivered.
30:28You just looked stunning.
30:29Thank you so much.
30:30The moment you walked on stage, I was instantly attached to your character, and I loved the color.
30:35I loved the story that you were telling, and I thought it was really cool.
30:38Thank you so much.
30:46Wait, but it's less of a tongue pop, right?
30:48It's more like a...
30:49So let's move on to Landon Cider.
30:52All right, Landon, let's look at your photo.
30:55So good.
30:58I really liked it.
31:00I had, like, this whole, like, story pictured in my mind that you were this doctor that wanted to get smarter and smarter, and you started going mad for it.
31:08And, like, you're doing lobotomies on your patients so you'd be smarter than them.
31:11And I just had, like, this clear image, and I thought it was just really well done.
31:16Seriously, my hat's off to you.
31:18My brain's out to you.
31:21Can you tell me about the book a little bit?
31:22I painted this book myself.
31:25It was supposed to be a kind of foreshadow moment where it's hunger for intelligence, and then I end up eating my own brain.
31:31Drag her, Paige.
31:33All right.
31:33I'm so sorry, but there is a little irony to this.
31:37You actually misspelled intelligence?
31:39Um, it was not a choice that I made on purpose, but I'm kind of into it now because I think I'm going to make a t-shirt and capitalize on the moment, so.
31:46Genius.
31:49You're just so solid.
31:50I think this is Landon Sider at your strongest, at your most inspired.
31:55Every detail is just meticulously thought out and spent time on, and not just time you spend.
32:01I get this idea that you enjoyed the entire process.
32:05Let's move on to Dahlia Black.
32:07Let's take a look at your best photo.
32:09Oh, fucking God.
32:10Yes.
32:13I think the consensus was that you gave one of, if not the strongest, photos of the night.
32:19The way you contorted your body, your torso, your legs, I mean, you were almost on your head.
32:24It made for an amazing photo shoot.
32:26I really liked the look, but I was distracted by the underwear you were wearing.
32:31It kind of took me out of it a bit.
32:33Other than that, I really liked it.
32:34I was, I didn't get as kind of a start getting ready today as the other girls did.
32:39It was my own fault.
32:40I wasn't prepared.
32:41Not to be shady, but these are the things that nobody cares about.
32:45No one gives a shit, because you can never give that disclaimer to your audience.
32:49I am petrified that these fucking purple underwear are going to put me in the bottom.
32:54Underwear.
32:55In the bottom for underwear.
32:56Can you imagine, after all this, being exterminated over purple bloomers?
33:05All right, thank you.
33:06So we're going to move on to Priscilla Chambers.
33:09Priscilla, let's look at your photo.
33:10I thought that you had a really good concept, but I felt like you were being upstaged by the calf.
33:20You were almost using it as a crutch, and you're not going as far as I think you should have gone.
33:25Honestly, with such a big facial piece, I had a very hard time pulling any of your facial expressions,
33:32and it seemed like you might be struggling a little bit with that during the shoot.
33:36Priscilla, don't have a cow, but we didn't love the execution today.
33:39Holy shit.
33:41The prosthetic needs work.
33:42This belly needs the same skin tone as your own skin tone,
33:46and maybe a little bit of attention to the way it adheres to your body.
33:50Conceptually, I think really strong.
33:51The execution, kind of on the weak side.
33:54Can we talk about the calf a little?
33:55I just need to be clear about this.
33:57Just tell us about where the calf came from.
33:58The cow was a stillborn.
34:00I like the idea of preserving beauty after death,
34:02and so I brought my little baby out and tried to give her life one more time on this stage.
34:07Nothing is killed.
34:08It is entirely cruelty-free.
34:10It is all naturally found.
34:12I just want to be clear that obviously we don't advocate any sort of animal cruelty in any way.
34:16In fact, we're the exact opposite.
34:18We love animals and hate people, so...
34:20Exactly.
34:22And moving on, Eva Destruction.
34:26Let's have a look at your photo.
34:27Yeah!
34:28Oh, gas, bitch.
34:29Come on, wheelchair.
34:30I had a bit of an issue with some of the blood splattering and the splatters on the bottom of the dress.
34:36It doesn't seem like it would logically get there without it being also in that same spot on your tights,
34:41and I feel like that really took me out of it.
34:44Just so you know, you can see Millie on CSI next season.
34:48Millie just read me for my tights.
34:50I'm actually gagged right now.
34:53I'll have to say, you know, conceptually, maybe not one of the strongest things we've seen tonight,
34:57but your performance, I think your strength is absolutely your ability to perform.
35:03The fungal growth, particularly around your head, it looks just like it's kind of plopped on.
35:08You might want to play with, like, treatment of the hair to show, like, a lot of less growth there.
35:12I was impressed and scared that you were screaming so loudly,
35:16but I really enjoyed the energy you brought to the photo shoot and to the stage.
35:20I couldn't keep my eyes off you.
35:22I do want to say, though, you get extra points for striking fear into the guest judges, so a good job.
35:28Just because of you and the concepts you've been bringing so far,
35:31I was underwhelmed by this concept and look.
35:34I think you could sell it a little better.
35:36That brings us to Madeline Hatter.
35:39Let's see your photo.
35:40Madeline, at the photo shoot, I was really impressed with how well you know your body and know your face.
35:51As much as I loved your photo shoots because you're beautiful, I wasn't sold on your character.
35:56I wasn't too sure about your concept.
35:59I really liked the jacket.
36:00I thought that was really cool, but then once you took it off, it was just the white jumpsuit, and I wanted more.
36:06Agree.
36:07Concept, probably a D.
36:09It's low, and at this point in the competition, you don't want to take risk unless you know you can nail it, because it's going to stick out.
36:15Especially if you look around, all of you are kind of coming to this level now where it's like, if you bring it out here, it better be right on.
36:21I think that a theme like the Hospital of Horrors is a great opportunity to tell a story with your look.
36:27You almost have to, and your look probably left me the most confused.
36:32I just wasn't sure where it was going to go or where it was coming from at all.
36:37Madeline's outfit is a jumpsuit with a cape.
36:40Groundbreaking.
36:42Um, I mean, I'm a bloody killer doctor.
36:46I don't know how much more direct I have to be.
36:49I guess it wasn't deep enough.
36:50Now it's time to announce the winner of our Hospital of Horrors challenge.
36:54And the winning monster is Landon Sider.
37:03Congratulations, Landon.
37:06Thank you so much.
37:07You have also won a feature photo spread in an upcoming issue of Alternative Press magazine, After Hours, of course.
37:14You may leave the stage.
37:18So even though I misspelled intelligence, I still won the AP magazine spread, and I have my brains to thank me for it.
37:24Louisiana Purchase and Dahlia Black, both of your looks also had a screaming in a good way.
37:31You may both leave the stage.
37:33Thank you so much.
37:35The three of you were the weakest tonight, and two of you will face extermination.
37:43Eva Destruction, you have survived judgment, and you will live another day.
37:54Get off the stage.
37:56I am literally gasping for air.
37:59I am so relieved that I am safe for this challenge, because I do not want to know what's in store
38:07for the bottom two.
38:08That means Priscilla Chambers and Madeline Hatter, you are both up for extermination tonight.
38:13Madeline, if I didn't know better, I might start to think you are doing this on purpose.
38:18Anyway, the extermination challenge is your last chance to prove to us that you have the guts and the glamour to be spared and stay in the competition.
38:27We will take into consideration your look, your performance, and how you fare in this final challenge to decide who will live and who will be exterminated.
38:35Tonight, you failed to make our medical nightmares come to life, and too bad for you.
38:41The penalty for failure at this stage of the game is going to be shocking.
38:46We have set up an operating table where you must delicately remove body parts from a cadaver.
38:52If your surgeon's precision slips in any way, you'll be lit up with 6,000 volts of white, hot electricity right through a live wire placed directly on your neck.
39:05Fucking wild.
39:06All of the body parts must be removed from the cadaver before the extermination is over.
39:10So if you slip multiple times, your entire personality may end up getting rewired the old-fashioned way.
39:17I do hope your next of kin have been notified and your power of attorney is in order.
39:22Once we're done with surgery, one of you may be left in the morgue.
39:40We'll kill someone young, doesn't abandon her face.
39:42All of you mayее.
39:43We missed the infection!
39:44Jacket video is actually wtedy will make her sei Anglo Honey.
39:45Copy your innych, or we're a 신ика engineer or Syria.
39:46Let me know what you're telling to tell you about.
39:47I can't wait Mitarbeiter of the reaction from all her человек.
39:48Damn you guys, she'll be taking care of this解, and just be careful.
39:49Go for茶 1965's.
39:50Do you love anいきます what 망ونius chain?
39:52That's all of you may be left in the Takesawa Sinceumpy, but the company has been the un KN rit Tages.
39:53That won't be a helium board for your Pulls.
39:55There are a variety of coś.
39:56The super Glasses, they're big girls.
39:59I mean they are zigZlike.
40:00The supernovae is which I say you've been standing there.
40:01Let's fucking do it.
40:11No shock at five.
40:31The whole table.
40:43Ah, fuck!
40:47Okay.
41:12Fuck!
41:14I can't reach it without getting shot.
41:26I don't want to fucking go home.
41:29I've got to.
41:31Ow!
41:32Fuck!
41:33Fuck!
41:34Fuck!
41:35Fuck!
41:36Fuck!
41:37Fuck!
41:38Fuck!
41:39Fuck!
41:40Fuck!
41:41Fuck!
41:42Fuck!
41:43Fuck!
41:44That's a lot of wire, cunt!
41:46Oh, bitch.
41:47All right.
41:48Oh, bitch.
41:49All right.
41:50Fuck!
41:51Fuck!
41:52Fuck!
41:53Fuck!
41:54Fuck!
41:55Fuck!
41:56That's a lot of wire, cunt!
41:57That's a lot of wire, cunt!
41:58Oh, bitch.
41:59All right.
42:08Oh, bitch.
42:09All right, fuck it.
42:10Oh, that's fucking brutal.
42:12Oh, that's fucking brutal.
42:13I just won last week, and now this shit.
42:14Fuck!
42:15Yeah!
42:16Can I just lip sync for my life?
42:18Ah!
42:20I'm not fucking going home, I'm not fucking going home.
42:32I'm not fucking going home.
42:33I'm not fuckin' goin' home, I'm not fuckin' goin' home.
42:54Fuck you!
42:57Yay!
42:59Fuck, I did it.
43:01Fuck y'all!
43:03Ha ha ha ha ha!
43:34Oh my god.
43:36Oh my god.
43:38What?
43:40What the fuck?
43:41Where am I?
43:42What?
43:45Oh no.
43:46No, no.
43:47Oh my god.
43:49What?
43:50Oh my god.
43:51Oh my god.
43:52Fuck.
43:53Oh my god.
44:01Aaaaahhhhhh-
44:04Oh my god.
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