00:00I hadn't seen you before I'd seen the film, and we discussed the Lombard of it all.
00:05Lombard. Lombard, yes.
00:06I think we landed on Lombard. Lombard, yes.
00:08But I didn't get to see your desk in the film, so I've been wondering since,
00:11what would we expect to find at that desk if we got like an hour or two to pilfer?
00:15I mean, I'm carrying a lot of it in the film.
00:17If you've seen my character poster, I've got 100 puzzles to take with you anywhere,
00:23a little globe that has a golf tee and a golf ball, and you try to get the golf ball on the tee.
00:29I got some photos of sports moments.
00:33I got my glove, my baseball glove and baseball from when I played college baseball.
00:42I was about to say basketball.
00:44A lot of little, like, knickknacks.
00:46The peaks in high school getaway kid.
00:48Yeah, yeah, exactly, 100%.
00:50And he's got a lot of little things to keep him busy, to procrastinate, not do work, you know, that sort of thing.
00:55I mean, naturally, how did I distract myself best?
00:58Yeah, yeah.
00:59But I expect there's not a ton of books, but if there were books, I expect a couple Goosebumps.
01:02If there were Goosebumps, what volumes?
01:05One and two.
01:08The puppet one, the puppet guy Goosebumps.
01:12I loved Goosebumps growing up, honestly.
01:14We talked to you guys about Goosebumps.
01:16Oh, dude, it spoke to my millennial heart.
01:18Yeah.
01:19You know, see, now I'm embarrassed that I can't come up with any, but the puppet.
01:23The puppet.
01:24The puppet.
01:25The puppet.
01:26He's the mascot of it all.
01:27Last question for you.
01:28In the world of Superman, we talked a bit about the SNL set preparing you for the physicality and the sheer volume of how much is going to change.
01:33When you're in the Daily Planet, that's an active, moving set.
01:35Did the newsroom feel more like the set of SNL than you expected when you were actually filming?
01:40You know, a little bit, yeah, because it was just like a lot of, just a lot of movement.
01:45I mean, to some degree, at the same time, I'm like, there were no cue cards.
01:49Sure.
01:50You know what I mean?
01:51A little bit more time.
01:52Cue cards, and you're so locked into reading those cards.
01:54So it was honestly, you know, I gotta say, I think it was the opposite.
01:57Okay.
01:58It was just like, you're running back and forth, and it was like, because SNL, you're really constricted.
02:02Yeah.
02:03But it did, the pressure of SNL helped me with the pressure of that first big scene, I would say.
02:08That makes sense.
02:09But the nature of the two sets were very different.
02:12If you still had Brando, there'd be cue cards, but the game has changed in Superman.
02:15Yeah, I know.
02:16I kept saying like, Brando, let's bring Brando style back.
02:19It's time.
02:20Put it on a chest.
02:21Put all the lines on little props and stuff.
02:22But James will let me do it.
02:28With this thing,Chase, this is from how you could tremble.
02:31Once I come at this point, I want to see this one story.
02:33We wanna walk over.
02:35We can imagine this one story.
02:36You're right.
02:37One thing that you're to keep living with.
02:38Your least one thing that he's had a talent to have you,
02:41but when you go in a torso.
02:42You're sitting around to write yourachen into something else.
02:43You're in different.
02:44You sort the other way.
02:45We're very, very close to mind.
02:46The whole thing that you could do is to the right,
02:48you're going to uneam first.
02:50I know, because.
02:53So, how's it even if something's sad into it?
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