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00:00Transcription by CastingWords
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02:29Bojan, I just followed her. She will go and she won't go back.
02:33That's all you can tell me.
02:35All right.
02:41You're good.
02:44Taxi!
02:50Let me go, Luka. I can't go straight.
02:53I can't go, Luka.
02:57Is that a dog?
02:59I'm so happy, Luka. I'm so happy.
03:01I'll be even more happy if he's a boy.
03:03I'll give him a name.
03:05I'll give him a nice name.
03:07Is that right?
03:09Only in the plaza.
03:11I mean, nothing from Luka.
03:23There's no one.
03:25Is it open?
03:27No, I'm not.
03:29I'll be quiet.
03:30He'll go, Luka.
03:32You can't stop.
03:33I won't even see anything.
03:34There's no one.
03:35There's no one.
03:36There's no one.
03:37There's no one.
03:38There's no one.
03:39I can't go.
03:40I'll go quickly if you don't speak.
03:41Let's go.
03:42If you don't see it, it's hard.
03:43There's no one.
03:44There's no one.
03:45I can't go, Luka and Luka.
03:47There's no one.
03:49There's no one.
03:50In this city, Nilo Ozu will be asked.
03:55Hey, Joloko.
03:57I'm Jukka right now.
03:59There's no one here.
04:04Let's go, let's go.
04:11At least we'll have this evening for our two.
04:15We'll have this evening again.
04:18I don't go any further.
04:20And what are you going to do with your name?
04:24I'm going to go.
04:28That's why I'm asking you.
04:30What are you going to do if you don't travel?
04:33I'm going to think something.
04:36And let's tell them what it is and what it is.
04:41Lucio, you don't know what to do.
04:43You have to give them a bottle of coffee.
04:47You might have to give them a bottle of coffee.
04:49That's why you could get a bottle of coffee.
04:51You don't have to give them a bottle of coffee.
04:55I don't think I'm going to settle in the house again.
04:57It's true, old friend.
05:00Just forget to give them a bottle.
05:02You're a liar!
05:04And let me see who I am in the apartment.
05:08I'll tell you, it'll be fine.
05:10Just so that you're healthy for me.
05:13I have to. I want to.
05:15I want to.
05:17I want to.
05:19I want to.
05:21I want to.
05:23I want to.
05:25I want to.
05:27I want to.
05:29I want to.
05:31I want to.
05:37To the lijenje, gospodine Bačiću.
05:41Mila.
05:46I'll go for 15 minutes.
05:48Have a nice night.
05:52Great night.
05:56What? I'll play a game?
06:01I'll play a game.
06:08Are you okay now?
06:13Will you open the door if you don't want to talk to me?
06:31I can't be honest about what I haven't done.
06:44Bojan.
06:47Between me and Tijene, anything has been there.
06:50It won't be.
06:52She left and that's all.
07:02I told you my own.
07:05Say something, don't pay more.
07:10I don't want to say everything I want, Luka.
07:14Why?
07:16Because of her.
07:18Who?
07:20I wouldn't say anything.
07:22What I haven't told you from last year.
07:26Don't talk, Bojana.
07:29You're only speaking loud.
07:34Are you with me only because of this child?
07:40Say it.
07:42Whatever you say, it will be easier than now.
07:45Are you with me only because of this child?
07:49I'm with you because of the child, because of you and because of yourself.
07:54You've always known the words, Luka.
07:57And I'm willing to listen to everything you say.
08:01And to the king of Kadmu, and his sister, and to Budvi.
08:05And now?
08:06And now?
08:07It will be easier to trust the king and his sister, and the 300 other wonders.
08:13All.
08:15What you say about us.
08:16What you say about you?
08:17What you say about you?
08:18What you say about you?
08:19I'm not.
08:21I'm not.
08:24If you want to go, I won't be able to trust you.
08:28What you say about you.
08:29And you?
08:30How much do you want?
08:31Whatever you want.
09:01You go.
09:06It's over 20 minutes.
09:09Is it?
09:11It's about 17.30 minutes.
09:13I'm waiting for you.
09:15I didn't know that you'd be able to do a minute.
09:19I didn't measure myself, but my feelings.
09:24Time to go to you.
09:28You go.
09:31I'm waiting for you.
09:36Hey!
09:38Where are you going?
09:39It's already early.
09:41Let's go, Kristina.
09:42I'm waiting for you.
09:43I thought I'd be taking you again.
09:45I was looking for a modern girl.
09:47I got a cigarette.
09:48I cried out.
09:49I'm waiting for you.
09:50I'm waiting for you.
09:52Of course, Kristina.
09:58Here's this bag.
10:01Here's this bag.
10:02Here you go.
10:03My little boy.
10:04Here it is.
10:05Here's my little boy.
10:06Here's my little boy.
10:07If I'm happy to meet you at the parking lot, I'll take it for you.
10:11I'm going to take you to the bathroom.
10:12It's agreed.
10:13Are you waiting for this?
10:15I'm afraid that I didn't have an infarct.
10:17What's wrong with you?
10:19I've never felt any better in my life in my house.
10:23And I ask my father to not think so much about the health.
10:27Let's go out of the house and die.
10:30Live your life.
10:32What's wrong with you?
10:38Oh, come on.
10:40What's wrong with you?
10:42Thank you, Ilija.
10:43But today, I'm going to take care of you today.
10:46Let's go.
10:47There's nothing to tell you about.
10:48And the last one is a change.
10:49I've lost you.
10:50I'm going to take care of you.
10:52Let's go home, Ilija.
10:55Be quiet.
10:57Be quiet.
10:59Be quiet.
11:00When I got caught, you Good night.
11:05Well, no more.
11:06Nothing to be quiet.
11:08Let me see the good night.
11:10Good night.
11:12Let's go home.
11:13Let's go home.
11:14Let's go home.
11:15Let's go home.
11:16Let's go home.
11:20Let's go home.
11:21Stop.
11:22Let's go home.
11:24You're getting home home.
11:27Good morning, Mila.
11:34Good morning. How are you?
11:37How are we?
11:39Good. How are we?
11:44And you can tell me.
11:47When we are alone, it's easier to deal with you.
11:54What?
11:58I work for you. Is it worth it?
12:04Come on.
12:08Come on.
12:18Come on, Mother.
12:24Come on.
12:28Come on.
12:30Come on.
12:32Come on.
12:34What are you doing, Jok?
12:36You see.
12:38Why didn't you put it yesterday?
12:40I put it yesterday.
12:42You see.
12:44Why didn't you put it yesterday?
12:48I put it yesterday.
12:50I put it yesterday.
12:52I put it today.
12:54I don't understand.
12:56I don't understand.
12:58I put it yesterday.
13:00I decided.
13:02I need some work to do.
13:08And how will it be?
13:10Is it good for you, Jok?
13:12Why wouldn't it be good for me?
13:14I don't know.
13:15It seems to me that you don't know.
13:16You don't do anything.
13:17You don't do anything.
13:18Come on, Veta.
13:19It's your life.
13:26What have you decided about the offer of Dokmanovićeva buyer?
13:30I don't know.
13:32I don't know.
13:34What would you say to me as my former director?
13:38They came up with permission.
13:40Let us wait.
13:42And while they wait for us,
13:44we will have to wait for the Belgians.
13:46I don't know.
13:48I'm afraid.
13:54I thought that you don't care.
13:56I don't care.
14:00I don't care.
14:02I'm afraid.
14:03I'm afraid.
14:10I'm going to leave you alone.
14:12If you and Olga don't say,
14:14you're free.
14:16Stay here.
14:17Who will protect you?
14:18And Olga will be nice.
14:20Only you and me.
14:22You're not me.
14:23What am I?
14:24You're not me.
14:25I'm not.
14:28I don't know.
14:29I should go to the shop.
14:30I'm afraid that you won't go in.
14:32I'll go to the shop.
14:33And then you'll go to the shop.
14:35You'll go to the shop.
14:37And you'll go to the shop tomorrow.
14:39Then you won't go to the shop tomorrow.
14:40When are you?
14:41I don't think I'm afraid of that.
14:43You're just afraid of us.
14:46If we are afraid of us.
14:47What am I afraid of?
14:48It's like.
14:49And what will be afraid of the man in my life?
14:51What will the man say to me in my lifetime?
14:53I don't know. I'm asking for that.
14:56I can't do it.
14:58I can't do it.
15:00Why don't you do it?
15:01I can't do it. It's because of the mortgage.
15:04The mortgage?
15:05Yes, the mortgage.
15:08Let's go find the mortgage that has so much flour,
15:12as much as I have for a month and a month.
15:14The man in my lifetime has to carry a record.
15:17I can't do it.
15:19I can't do it.
15:21I can't do it.
15:23I can't do it.
15:26What do you say?
15:28I don't know.
15:29Put it, put it, put it, put it, put it.
15:32Do it.
15:47What do you say?
15:49What do you say?
15:59Seize.
16:00I hope you, what do you say?
16:02You have been three hours since essentially.
16:05What should we say?
16:06What have I been three hours a day?
16:08How do you say to myself?
16:09Hmm?
16:11You're fine.
16:12Mm-hmm.
16:13Do you say that we're my son?
16:16No.
16:17No.
16:18No.
16:19Do you say that we're my son?
16:22I don't know how much we're here, seriously.
16:27When I'm with you, I forget about that.
16:30It's like I have someone.
16:32It's like I'm at home.
16:34You have home.
16:35It's like that's the house of Krol.
16:39What's that?
16:41I've helped me to forget my mother.
16:44But now I'm again aware of them.
16:46The love of my sister.
16:52I understand.
16:56What's the love of my sister?
16:59I don't care, Natasha.
17:01I don't care.
17:02Aleksej, Bačić, Bušem i Džepove na sve strane.
17:04Eto, Toni, Suri.
17:08Alonjo.
17:11Do you want me to talk with Aleksej?
17:13No, I'm sorry.
17:14I'm going to deal with him with Bačić.
17:16I'm going to deal with him.
17:18That Bačić needs to be a big criminal.
17:23Where do you know him?
17:24Bačić knows everyone who watches television.
17:27Do you think so?
17:30What's going on?
17:31Galentina is a newspaper guy.
17:34She's still something.
17:36She's waiting for her.
17:41What happened with her?
17:47Thank you, Angele, my mother.
17:50Why?
17:52Because you gave me a check to make a Serb.
17:56What a check, what a Serb!
17:59A Serb that I am going to do so.
18:01I am going to give you a hug.
18:04I don't understand anything about you.
18:10You made a hit from me.
18:12So now I'm going to sing a Russian song.
18:20I'm going to sing a Russian song.
18:22I'm going to sing a Russian song.
18:26I'm going to sing a Russian song.
18:32Listen, remember what it was.
18:35I'm going to give you a hug.
18:39I'm going to sing a Russian song.
18:50I'm going to sing a Russian song.
18:52I'm going to sing a Russian song.
19:02You're good, kum?
19:05Yes.
19:09A our little girl, how is she?
19:11How is she?
19:13Okay, calm.
19:20How is she?
19:21No, you are really an English- Ee-gum.
19:24Where is he?
19:26Where is she?
19:27Where is he?
19:30He has gone to the word.
19:34He has been there for a good time.
19:36I'm going to sing a little girl.
19:39I'm going to sing a little girl.
19:40I'm going to sing a little girl.
19:42How is she making it with me?
19:43How is she taking it?
19:44How is she taking it?
19:46Don't ask me. I don't know what to do. I don't know if I'm going to go.
20:08Hello?
20:09What? What did you think?
20:21Well, I think I can do a little.
20:26Okay, let's go.
20:30You can, you can, let's go.
20:33We'll see you there. Bye.
20:39What are you talking about?
20:42What are you talking about?
20:43No, you can't. No, you can't.
20:45No, you can't.
20:47And it was Zoro?
20:48No, no, what a Zoro.
20:51God, let me know that I will not be able to get together.
20:58What am I going to do now?
21:00I'm going to jump.
21:02We'll see you later.
21:09Okay, let's go.
21:13So, I'm talking.
21:21Wow.
21:23I have to drink last night.
21:24Who's going to drink last night?
21:25Why are you talking about the drink?
21:29I'm drinking the coffee, but I'm getting up late tomorrow night.
21:34What does that mean?
21:37It's just a bit later on when you and Savo come together from the hotel.
21:44Is that something you want to do, Jovana?
21:47What do you mean?
21:49I see that it's very important to take care of these kaves,
21:53so you'd like to ask Savo and me a little juice.
21:56What?
21:57Juicy, Jovana, from fresh orange juice.
22:00Savo isn't in the kitchen.
22:03Where is he?
22:05He went to the city or something.
22:08All right, then he brings me.
22:10Mila, I'm not here as your private catering.
22:15I don't know why you're here at all, Jovana.
22:18But when I see that you can carry your kaves left and right,
22:22then you can bring some fresh fresh juice.
22:26And while you're doing it, you can easily insinuate how much you want.
22:33Can you drink any of them?
22:35I can't even ask you if you're looking at the same time?
22:37I don't have to eat anything.
22:38I don't have to eat anything.
22:40He'll be cool.
22:41I have to drink something.
22:42I have to drink anything you do.
22:43Please meet up.
22:44I have to drink some coffee.
22:45I don't really drink anything.
22:46Some coffee soda and regular coffee.
22:47Let's drink nothing!
22:48I don't drink a coffee soda.
22:49.
22:54Guja.
22:55Zvečark.
22:57Bačićeva firma.
22:58What?
22:59I'm asking whether this is Bačićeva firma.
23:01What is this?
23:02I have to talk to Bačić.
23:04What would Bačić have been talking to you?
23:06About hygiene, clothes?
23:08Maybe you'd like to buy some kind?
23:10Omili Kovač.
23:13What do you know about Omili Kovač?
23:15I know everything.
23:16I know who he is and who he is ready.
23:18Come with me.
23:20Where?
23:22Let's drink coffee and eat something.
23:25I have to talk to you with Bačićeva.
23:27You don't understand?
23:28I'm waiting for you, Mila Kovač.
23:30Where are you?
23:32If you want to go to Sava, we can't go away.
23:34No, I don't want to see you.
23:36That's why I tell you to come with me.
23:39Tell me everything you know.
23:41I will help you get to Sava.
23:44Let's go.
23:48Let's go.
23:50Let's go.
23:51Let's go.
23:52Let's go.
23:53Let's go.
23:54Let's go.
23:55Let's go.
23:56There's another one.
24:06Na, thank you leware.
24:08Let's go.
24:09A thank you, Mila Kovač.
24:10Do you understand me?
24:12Oh, Mr. Joko, let me go.
24:14Good day.
24:16I'm sorry.
24:18Don't put the pipette out of the house.
24:22Don't put the mouth out of the mouth.
24:26Do you understand?
24:28Here, Mr. Joko.
24:30It's nice, Mr. Joko.
24:32See you.
24:34Dear Mr. Joko,
24:36you're welcome.
24:38Here, Mr. Joko.
24:40My Jolii.
24:42Farina.
24:44Let me go.
24:46We're all in trouble.
24:48If you do...
24:50I'm sure you're in the morning, Mr. Joko.
24:52My Ilija worked night-night.
24:54So, I'll talk to you later.
24:56I'm so sorry for you, Mr. Joko.
24:58For me?
25:00What?
25:02Because of the Farina?
25:04All evil with this Farina.
25:06I'm sorry for you.
25:08Don't forget him.
25:10Here.
25:12Here you are, Farina.
25:14I'm sorry for you.
25:16Don't forget about him.
25:18We have other issues.
25:19Here, Mr. Joko.
25:20What are the issues?
25:22I care a lot because of your luck.
25:24And because of this, I'm sure to tell you.
25:26What about them?
25:28Do you know how much I love your Olgu?
25:32Here, Mr. Joko.
25:34I care for her.
25:36Don't forget him.
25:38Don't forget him.
25:40Don't forget him.
25:42You know that my Ilija is the most discreetest in the city.
25:46The city, the city, the city, the city in the whole region.
25:48Everything he sees and hears.
25:50And he's mad and mad and mad.
25:52He's mad and mad.
25:54And when he comes to me, he'll talk to me.
25:58And he'll be on the bus.
26:00By the way.
26:01I would want to pray for you.
26:02I'd like to pray for him.
26:03Let's go.
26:04Why am I going to pray for you?
26:06Why are you telling me that?
26:08I'm sorry.
26:09Why am I going to tell you?
26:12Why am I going to pray for you?
26:14Tell me.
26:15What are you telling me, Anči?
26:17What do you mean, Pavla?
26:20It is a little more important.
26:23I've been here because of your trust.
26:24He's in front of the company here.
26:25He wants to talk to Savo.
26:27I think that he's wanted to talk to him.
26:29No, he wanted to talk about Mili Kovač.
26:34Why?
26:36It seems that Durašković and Mila are very well known.
26:40Let's go.
26:48That's what he told me.
26:50My nice friend, trust me, I didn't add anything.
26:54How easy is that, friend?
26:56I didn't say anything.
26:58I didn't say anything.
27:00I can't tell you.
27:01My happiness is the end.
27:02Friends, can I ask you one thing?
27:05That you won't say anything.
27:08Ilija would ask me.
27:10I wouldn't allow myself that.
27:12I don't know.
27:13Everyone knows that.
27:15There's no different taxi drivers than Ilija in the region.
27:21It's different.
27:22Like a French soldier.
27:24What do you say, friend?
27:25Come on, friend.
27:26Come on, friend.
27:27Come on, friend.
27:28Come on, friend.
27:29Come on, friend.
27:30Come on, friend.
27:35He worked very confident.
27:37Very good.
27:38Every taxi driver is confident when he needs something.
27:40Did he have some evidence for you?
27:41Yes.
27:42He has all the documentation.
27:44I could take it, but I said,
27:46let's go first and talk to you.
27:48What?
27:49Why?
27:50Why?
27:51Why didn't you talk to Savo before you came to me?
27:55Savo and I are not in the best relationship.
28:00It's all because Mila is a hooker.
28:02As you can imagine.
28:03You can imagine, right?
28:04I understand.
28:05I understand.
28:07Mila is Savo almost taken away from her.
28:09Yesterday, I was stuck with them as one another.
28:13What are they doing?
28:14They loved them, but it looked like one another wants to give it.
28:20There, there.
28:21Here.
28:22Don't do you think I'm a little bit of a trap?
28:25I'm just talking about what I saw.
28:28What do you want?
28:31If anyone can save the terror of the enemy, then you'll see it.
28:36See you, Jovana.
28:38Let's go and bring it to me.
28:39Let's go and bring it to me.
28:41Let's take it to me.
28:42Hello?
29:09Hello?
29:11I'm going to go.
29:13Let's see you again.
29:15Let's see you there.
29:18Let's go.
29:19Let's go.
29:32Let's go.
29:34He's calling me, saying I don't know what I am.
29:37You are..
29:38I don't know. I don't know anything about you, but what would you like to do?
29:45It's not so bad for me, Miki.
29:49What would you like to do? You hit me by my legs, you provoke me, you say to me by the way.
29:55I can't be better, you know?
29:58What?
30:00If in this job, a person has a bad attitude.
30:07Do you think I can't without a sign?
30:10I can.
30:12I can be better, better and more.
30:16What's up?
30:28When was that with me, I had to listen to you.
30:33Why?
30:34In Fatih Serdar, not alone.
30:36Without him and his family.
30:38What?
30:39I would love God in him.
30:41But nothing is going to happen.
30:43Even worse.
30:44He told me that this between us will not be ready until one of us is alive.
30:48Don't give up, Ološ will take you for yourself.
30:51Don't worry.
30:53It won't.
30:55I was also a Lopov, a Swarcer, a dealer.
31:00But I'm not.
31:02I won't be able to do that.
31:05What are you going to do now?
31:07Serdar knows that Senka is now with me.
31:11Now I have to take care of her.
31:13We have to leave from Budva.
31:15Did she know that?
31:16She was looking for it.
31:18What are we going to do?
31:20There is no other one.
31:22Who needs money?
31:24How much can I give?
31:26How much can I give?
31:28I can be better.
31:33But today it's only not about me, Milano.
31:38But about you.
31:39You still want to be your store.
31:45You don't know what you call him.
31:48I know that he's a pig.
31:51Will you be ashamed of him? I can go and go.
31:53No, I'm not ashamed of him.
31:55I'm ashamed of him. I know what he is with him.
31:58And now you think you're going to read him?
32:00It's not so difficult as you think of him.
32:03Every day you look at the top of Djubrad
32:05and when you learn to read and learn how to read
32:07and learn how to read and learn how to read.
32:09But the usual people come to you as an open book.
32:12We are for you as an ordinary person.
32:15No, that's your name is a pig.
32:18And that's it.
32:20I don't know, I'm sorry.
32:22I'm going to be happy and happy and happy and happy and happy.
32:25Why wouldn't he be?
32:27What?
32:28That's what he is a pig.
32:30Do you think he's a pig?
32:34No.
32:36No, I don't see him.
32:38I don't care.
32:39I'm not afraid of him.
32:40I'm not afraid of him.
32:42I'm afraid of him.
32:43No, I'm afraid of him that I will not be afraid of him.
32:46What if he is afraid of him?
32:47No.
32:48No.
32:49What's the reason he is afraid of himself,
32:51he'll be afraid of him?
32:52No.
32:53No.
32:54No, he's afraid of him.
32:55You don't know him.
32:56Yes, I'm afraid of him.
32:57And I'm afraid of him.
32:58What am I going to do now?
33:00If I could, I would like myself to be satisfied.
33:03See, don't be such a little bit.
33:08I'm going to be beautiful.
33:11You'll destroy everything from me.
33:13Okay, I don't like it.
33:19See, you can be beautiful.
33:23Only when you go.
33:26No, no, I'll be beautiful.
33:29No, no, no, no.
33:32No, no, no, no, no.
33:35No, no, no, no, no.
33:37No, no, no.
33:39There are a two jackets.
33:42What are you There are?
33:43No, there are a few times where,
33:44you will nobody get started.
33:49What are you doing, Dede?
33:56Well, I'm here and I see that you're holding a bar,
34:02and I'm not waiting for you.
34:04Thank you, Dede. I'll do it.
34:07Don't care for my bar.
34:09I don't care for the bar.
34:11The bar can easily be holding.
34:14The marriage is difficult.
34:16You won't. I'm not going to.
34:19What's that?
34:21You're going to take me.
34:23I'm going to take you for a few days.
34:25I'm going to take you for a second.
34:27Who will take you for a second?
34:29I don't have any license for that.
34:32If you don't need a newbie,
34:35don't care for my bar and my marriage.
34:39I'll just keep it as you know I can.
34:42I'm going to take you for a second.
34:44Take you for a second, man.
34:46No, actually.
34:48Your married marriage is not only the man gave you.
34:52It's like this.
34:55He might not be the man.
34:57But the marriage is not the man.
35:00He's been able to steal two, three books.
35:03I know.
35:04I'm going to take you.
35:06Make it take me.
35:07Your married marriage…
35:09I want you to have a diet for your skin, and your whole life.
35:18I know that it's not easy to eat, but it's easy to eat.
35:22And that's what you eat with the blood.
35:25It means that you're not your man.
35:29That's it, I've told you how you think and how you eat,
35:33and how you love it.
35:35What would you love?
35:37The truth is that no one has never left me.
35:40I won't.
35:42As long as I'll be in the bar that I've done,
35:45this bar will be an old and cramping.
35:49And as long as I'll be working on a marriage,
35:53this will be a marriage of a mother and a mother.
35:58What if she's cramping, old and old?
36:02Is it blood?
36:04It is blood.
36:05What?
36:06What is it, Radmilović?
36:07Are you waiting for a diet?
36:08Are you waiting for a diet?
36:09Are you waiting for a diet?
36:10There's a lot of food and happy life.
36:12If it will be, it will be.
36:14My uncle.
36:15The food will always be in the water.
36:18And life is the only thing you want.
36:24What is it, Radmilović?
36:26Where do you have the children?
36:28I'm looking for a friend.
36:30Where are the girls, Boćoško?
36:43I'm looking for the others.
36:45You've been looking for them, and you've been throwing them out of the mountain.
36:49And that's how you thought of me, right?
36:53One cup of tea, please.
37:00Thank you, I'll go.
37:10You made a meeting with Milo from my legs, right?
37:12It's only a job, no, no, personal.
37:16It's a bad job, since Milo is deceived.
37:21Me?
37:22I would have passed across you like a quick car.
37:30If you have what you say, Milo, what do you say?
37:37The rest of your guest left on Savo Bačić.
37:40He told me everything.
37:42Who you are, who you are, where you are, who you are, who you want, and how much money you need.
37:50So Savo Bačić is no longer willing to give you your apartment hotel for 25 million dollars.
38:00They cry.
38:05They cry.
38:09He was stopped.
38:12They have overcome you again.
38:14They haveAdanced you again to be saved.
38:16They are того, to follow me.
38:17I heard a lot from this, I don't understand.
38:19God.
38:22How I'm dying, my mother.
38:24There's a lot of ruta in the stomach.
38:26Let's do something.
38:27Let's do something, a little fat.
38:29A little bit.
38:30A little bit.
38:31A little bit.
38:32A nice little bit.
38:33Konobar!
38:41The Cimišnik is coming from the previous group
38:43because of the free hand.
38:47A businessman, like you, knows that there is no one without a solution.
38:53And I have a suggestion.
38:57Only lie until the night will be done.
39:00He won't be able to do it on the wrong side.
39:03So, you're still trying to do it?
39:06It's time for me to fill my head in the budget.
39:09And, first of all, to give me something for a portion.
39:12To close my head.
39:14And, of course, we'll do it.
39:16Longo, Longo.
39:18You're talking about food.
39:19I'm talking about green and salad.
39:21My bačušk.
39:24About euros and dollars.
39:29Can you explain to me why I should pay it to you?
39:34Because I know the way we can throw Bačićev's project
39:38for another million.
39:40And when I do it,
39:42you won't ask him how much money is.
39:45Tell me.
39:48Every million,
39:50who you are saving,
39:52will be able to get me.
39:54First of all, explain.
40:00I have a newspaper,
40:02who is ready for everything.
40:04Through which we can remove
40:05those Bačićev's Belgians.
40:07And now,
40:08you can take your hand.
40:09You can take your hand.
40:13You can take your hand.
40:16You're a lover.
40:17Oh god!
40:18You've got to pay me.
40:19You're a lover.
40:20You've got to pay me.
40:21What are you looking for?
40:31What are you looking for?
40:35No, no.
40:42What would you say that Joko will be here with us?
40:46I don't say it, but I care for him.
40:48What are you looking for?
40:51What are you looking for?
40:53Do you know where he is?
40:54No, I don't have to ask him.
40:56Do you have to ask him?
40:58Do you know what I would say?
41:00That Pošana had a chance.
41:02That Pošana had a drink of coffee and soda.
41:04He had a drink of coffee.
41:06That Pošana had a drink of coffee.
41:08That's all the last 10 days.
41:10And who knows where you're going?
41:12Now I'm in the hospital.
41:17If you're interested.
41:19Well, my father, I only care for you.
41:22You've lost so much trouble.
41:25You've lost my memory.
41:27You've lost so much trouble.
41:29I thought it was a good idea.
41:30You've lost so much trouble.
41:31The taxiers tell me,
41:32that they came again with the doctor.
41:34They were left in the hospital.
41:36I don't know what you'll be saying.
41:37I don't know.
41:38I'll tell you what I'm saying.
41:39I'm not going to catch up with you.
41:40Maybe I can't find a catch up with you.
41:42And what did you think I'm saying?
41:44I'd have seen someone with someone with you.
41:46I'd have seen someone with you.
41:48It would be a song.
41:49He's waiting for a young man to get into the hotel in the morning.
41:54Tomorrow, he comes out with a parade,
41:57and he sees the whole building,
42:00and he sees what he's doing in the government.
42:02Let me see! I don't have to do it!
42:05What do you want to do?
42:07What do you think of us?
42:09I'm in the hotel with the government attorney
42:13under Jorgan Planin.
42:15Why would I have to be honest with anyone, with whom I am
42:19and with whom I am?
42:21He doesn't want the doctor to bring you an announcement
42:25when he goes to the hotel.
42:27He didn't think so, Dad.
42:29We only care for you.
42:31You, Sherry, better care
42:33for what is going on in the morning of you.
42:37I'm sorry.
42:38There's nothing to pray.
42:40You're the only woman like you.
42:43That Ado Dokmanovic
42:46and Vasilij,
42:47in the profession,
42:48would be the wind and the water
42:50and the water.
42:51The eyes and the eyes.
42:52And that's right.
42:54I'm talking to you.
42:55A little before, one against the other.
42:57And now, one against me.
42:59You, Sherry,
43:01don't change things about your father and brother.
43:04And my things
43:05are the good family, Radmelovic.
43:07Sherry, I'll tell you something.
43:09That Vasilije.
43:11That's a fool.
43:13He's not a politician.
43:15He's a politician.
43:17Listen to me, Dad.
43:18And you, Dad.
43:20I was with Vasilije.
43:22I'm going with him.
43:24And I'll go with him.
43:26And you guys,
43:27let's go to the village.
43:28Zaraštan.
43:29Let's go to the village.
43:31Let's go to the village.
43:32Let's go to the village.
43:33Let's go to the village.
43:34Florence.
43:40Mila.
43:43You're free?
43:45Yes, I know.
43:46I did not go to Launch of Javan's field.
43:47Yes, I am.
43:48When did you go to ねvic,
43:49did you go to Netherlands?
43:50You need something?
43:52Well, I sent and sent me something to show,
43:54but not good enough.
43:55I just find it just here.
43:56And you, I try not to go here.
43:58When we go to the village,
43:59we are likely to be with you,
44:01once we even need
44:02You are you.
44:04Just a day.
44:06I have a surprise for you.
44:08What a surprise for you?
44:10You will see.
44:12I think you will have to stop.
44:16Do you think you are still thinking of such a time?
44:19Whatever it is, I don't want to wait for you.
44:32Luciano!
44:34Thank you, thank you.
44:36What happened to you?
44:38What happened to you?
44:41Do you know how it is called?
44:43The attack is the best defense.
44:45I don't understand.
44:46Just briefly.
44:48They have enough of me to talk about something about me.
44:53What will you do if they ask you again?
44:56I've lost a diversion.
44:59It would take a while to do it.
45:03Before or later, you will tell them what we are planning.
45:06Well, I will tell them.
45:08And until then,
45:10we live the life for this day.
45:16And tomorrow, as soon as it will be.
45:19Nothing better than you could say,
45:22my Joko.
45:29You will know what we call me.
45:31My Joko!
45:32Why would you say this?
45:33I'll come and believe it for the day of the day.
45:34Day of the day.
45:35Day of the day.
45:37You are busy.
45:38You are busy.
45:39I'm busy.
45:40I'm busy.
45:41I'm busy.
45:42I'm busy.
45:43Why are you doing something?
45:44You're busy…
45:45I'm busy.
45:46You're busy.
45:47You're busy.
45:48I'm busy.
45:49You're busy.
45:50You're busy.
45:51You're busy.
45:52I'm busy.
45:53You're busy.
45:54You're busy.
45:55What will I get to do when the guest is so bad?
46:01What will I do?
46:02You can't get me out of the drink.
46:04I can't get him out of the drink.
46:06Let's go, Luciano, let's go,
46:09let's go, let's go, let's go, let's go.
46:16Let's go, let's go.
46:20Have you ever seen anything?
46:22How much of the drink?
46:2516,5...
46:2816,7...
46:29It must have been out of the drink.
46:31No, see.
46:38I can't speak now.
46:39I know who I am.
46:41You got your part of the money and I want to see the results.
46:46That's it, that's it. Let's read the book.
46:50We'll be able to meet Savva Bačić,
46:52he'll be able to get out of the drink.
46:53That's what I'm saying.
46:55When will I get my permission?
46:58Everything will be fine.
47:00I'm working on this.
47:01Let's hear it later.
47:04I don't think I'm going to leave you.
47:06No, it's not important.
47:08It's about the job.
47:11Everything is fine here.
47:15Why are you?
47:16You look different.
47:17You look different.
47:18You look different.
47:19You look different.
47:25I've been married with my mom.
47:27It's not about me.
47:30It's not about me.
47:35It's not about me.
47:36He's very different.
47:41Dave.
47:42He's remembered.
47:43He's amazing.
47:45He was jealous.
47:46Give me the money in his sister.
47:49He was stressed.
47:50He's like shortest path.
47:52He's never been into my emotions.
47:59I've had no evidence of that.
48:00I don't know.
48:30Anči, pa nemam kad jeste izlazim. Što tebe briga s kim ja izlazim?
48:50Veruj mi, Savo, ovdje imam tonu papira i svi oni dokazuju ono što Đurašković govori za nju.
48:56Pripazi što i kako pričaš o Milikovač.
49:00Ako se predomisliš, dokumenti su ti kod mene.
49:03Pa šta ti misliš, Anči?
49:04Da ću ja da dotrčim čim čujem da neko nešto loše priča o Milikovač.
49:08On ne pada mi na pamet.
49:30Anči, pa nemam kad jeste izlazim.
49:34Anči, pa nemam kad jeste izlazim.
49:36Anči, pa nemam kad jeste izlazim.
49:40Anči, pa nemam kad jeste izlazim.
49:42Anči, pa nemam kad jeste izlazim.