- 9 months ago
Julia Escallón, una brillante abogada de familia, está enamorada de su colega Camilo Borrero, pero en su boda él es arrestado por el presunto asesinato de una mujer con la que habría sido infiel.
Category
🗞
NewsTranscript
00:00Hoy te vi, tan solita
00:05Y tu mirada me dice que no estás bien
00:10Te juré, que siempre estaré
00:15Que a pesar del tiempo yo te esperaré
00:19Cuando tú quieras me llamas
00:23Tú me llamas, soy el que te dio amor
00:27Y el que te roda hoy
00:29Cuando tú quieras me llamas
00:33Tú me llamas, soy el que te dio amor
00:37Y el que te roda hoy
00:40Cuando tú quieras me llamas
00:44Tú me llamas, soy el que te dio amor
00:47Y el que te roda hoy
00:53Hey, hey, hey, hey
00:56Súbete, súbete, súbete
00:59No te vayas, Julia
01:00Lito, se acabó la hora de visitar
01:02Quédate conmigo esta noche
01:04¿Aquí?
01:05Aquí
01:07Traje otra pijama
01:08Que te va a quedar completamente espectacular
01:10Una cosa divina, increíble
01:12Y otra cosita
01:14Yo puedo mover mis influencias aquí
01:16Tengo unos contactos para que nos vean crispetas, gaseosas
01:19¿Qué quieres?
01:21¿Tú qué crees que estás?
01:23No te preocupes
01:24Saqué cinco estrellas, Julia
01:26Cinco estrellas toda la comodidad
01:29Ay, no es así
01:30Y, oh, oh, oh, oh
01:32Oh
01:36¿En serio? ¿De qué?
01:37A seis de la mañana
01:38Tres, cuatro, cinco enfermeras las que quieras
01:40Doble porción de gelatina, todo
01:42Ah, no
01:43Qué plan tan romántico
01:44Nunca me habían invitado a uno igual
01:45Entonces, ¿se va a quedar?
01:47No, digo que la gelatina la mató
01:49Obvio que se va a quedar
01:50Seguro
01:51Permíteme
01:52Gracias
01:56Ya, yo voy feliz
01:58Eso es
01:59Eso es, Diego, ahí
02:01Sensual
02:02Dale besos
02:03Cuidado con la luz
02:04No le van a tapar la cara
02:06Sí
02:08Muy bien, perfecto
02:09Esa posición me encanta
02:10Sigan ahí
02:11Cámbiala, cámbiala ahora
02:13Qué bien
02:17¿Por qué no me contestas el día?
02:21Cambio, cambio
02:25Muchachos
02:27Eso es
02:28Eso es
02:32Muchas caricias
02:45Me encanta, maravilloso
02:47Arriba, arriba
02:48Ese ánimo que estamos llegando
02:50Bien
02:56Excelente, excelente
02:57La tenemos, corta
02:59Muy bien, muchachos
03:00Muy bien
03:01Corta, corta
03:03¿Dónde estás?
03:05¿Dónde estás?
03:25Está muy buena la comida
03:29Me alegra que haya recuperado el apetito, Margarita
03:32Ni mucho
03:36Estoy cansadísimo
03:40Váyase a su casa a descansar
03:43Sí, eso voy a hacer
03:46Mañana vengo temprano
03:49A ver cómo sigue
03:50Seguro le van a dar salida mañana
03:55Lástima
03:58¿Lástima?
04:00¿Es que acaso se quiere quedar acá hospitalizada o qué?
04:04Tengo pánico de volver a la casa
04:08Oye, la entiendo, pero no sé
04:14¿Y Cecilia y los niños, cuándo vuelven?
04:17Mañana en la noche
04:19Pero voy a hablar ahora que llegue a la casa con ellos
04:21Me los saluda
04:24Quiero verlos
04:26Aunque a usted no le guste, son mis sobrinos
04:30Claro que sí, Margarita. Nos vemos mañana
04:54Afro, afro
04:56Afrodita, afrodita
04:57Venga, venga
04:59Venga, venga
05:01¿Qué pasó, abogado?
05:02No, eh, qué pena, pero es que, eh
05:04Yo me tengo que ir
05:05¿Qué? ¿Cómo?
05:06¿Y eso para dónde te vas a ir?
05:08No, es que ya vi suficiente, tomé nota
05:10¿No suficiente? ¿Qué?
05:11Si te falta lo mejor, que sea el final, claro
05:14Vení, yo te pregunto
05:16¿Si te has emocionado por lo menos un poquito?
05:18Pues porque vos no sos de palo, ¿cierto?
05:20No, no
05:22Bueno, es que te voy a sentar acá
05:24En un sitio muy, muy especial
05:26No me vas a dañar
05:27Acá les...
05:28¿Qué?
05:29Mira
05:31A ver, arte que me traiciona este cuadro
05:33Eh, sí
05:34Acá, acá, tranquilo
05:36Calladito, ¿cierto?
05:37Y te mato donde te vayas
05:39Sí, señora
05:41¡Vamos!
05:42Bueno, muchachos, retomamos
05:44Afrodita a la cama, por favor, amor
05:58¿Cómo así?
05:59Mira, después de todo lo que pasó
06:01De ese video porno que hizo con esa vieja
06:03Después de lo que me pasó a mí con Julián
06:05Y tú estás así de calmada
06:06Pues, ¿qué haría?
06:07Ya, esculcarle todo
06:09El celular, el computador, los zapatos, los bolsillos
06:11Todo, ya, aprovecha que estás sola
06:13Adiós
06:28Para los momentos solitarios
06:31De mi ahogado favorito
06:34Afrodita
06:39¡Muévete, Ito!
06:41¡Ay!
06:42Ya llegó el taxi, ven
06:43¡Ay, no me afanes!
06:44Que eso es de mala suerte cuando uno va de rumba
06:46¡Va, papá!
06:47¡Va, papá!
06:48¡Va, papá!
06:49¡Va, papá!
06:50¡Va, papá!
06:51¡Va, papá!
06:52¡Va, papá!
06:53¡Va, papá!
06:54¡Va, papá!
06:55¡Va, papá!
06:56¡Va, papá!
06:57¡Va, papá!
06:58Además, mírame, no, mírame primero cómo estoy, dime
07:00Dime la verdad
07:01¡Divino! Como siempre
07:03De verdad, estoy como muy armado, muy emperifollado
07:06¡Nada! Para nada
07:07Tú eres una figura pública, tienes que cuidar mucho tu imagen
07:10Bueno, nos tomamos un traguito en ese antro de mala muerte
07:12Y luego vamos a Circe
07:13Aleja, no me perdonas
07:14Hemos trabajado demasiado, no merecemos divertirnos
07:17Vamos, pues
07:18Bueno, tenemos que llegar rápido
07:20Estoy listo
07:23Uy, por Dios
07:25Cuánta sensualidad, cuánto erotismo en una sola prenda
07:30Cuando te quieres poner sexy conmigo, te pones ese chino
07:32Sí, listo, ya está
07:33Estás divina
07:35¿Cómo sigue Pablo Domínguez?
07:37¿Ah?
07:38¿Que cómo sigue Pablo Domínguez?
07:40¿Por qué?
07:41Es que anoche estaba con Roberto cuando Jimena lo llamó
07:43Muy alterada, por cierto, por lo que pasó con Pablo
07:45Y también le dijo que tú lo habías acompañado a llevar los niños
07:49Sí
07:51Sí, yo estaba con él
07:53Yo no te había dicho nada porque él quiere manejar ese tema con mucha discreción
07:56Es muy delicado para él
07:57Bueno, no lo imaginé
07:58No te estoy juzgando ni criticando ni nada, ¿no?
08:01Mucho menos haciéndote un reclamo
08:02Los niños se escaparon, Jamilo, para ver a Pablo
08:06Llegaron a la oficina solos, de sorpresa
08:09Y ayer viernes, a esa hora, Pablo no tenía carro
08:12Pues yo me empecé a llevarlos
08:14Y ya cuando llegamos, Jimena estaba como...
08:16Mejor dicho, con una loca había llamado a la policía
08:19Terminamos en la estación
08:21De mi lado, las cosas no pasaron a mayores
08:23Quería que supieras que mi bufete no va a representar más a Jimena
08:26Roberto le va a decir que no cuente más con nuestra asesoría
08:28Sé que Pablo es importante para ti, entonces...
08:31Quería que lo supieras
08:33Gracias
08:40Bueno
08:49Perfecto, divina, corta, queda
08:53Felicidades, muy bien, muy bien
08:56Ay, tan divino, gracias
09:01Entonces, ¿qué, abogado?
09:02¿Cómo te pareció mi trabajo?
09:05Impresionante
09:06¿Sí te gustó?
09:08Ok
09:09Bueno, me voy a duchar, ¿listo?
09:10Ni se te ocurra irte sin despedirte de mí, ¿vale?
09:20Ay
09:23¿Qué tal, hermano? ¿Qué tal le pareció?
09:26Si se lo esperaba, ¿sí o no?
09:28Eh, pues, en vivo es, es...
09:32Es un mar real, ¿no?
09:34¡Qué va!
09:35Buena, buena
09:49La ley del corazón
09:54Estamos felices aquí en la finca de Lula
09:56Porque es que el clima sí es ideal
09:58Pero estamos muertas
10:00No damos una después del rombón de anoche
10:03Pues, mi amor increíble, yo voy a hacer exactamente lo mismo
10:06Me voy a meter a la camita a ver una película de esas horribles
10:10Y después, te voy a extrañar
10:13Yo no sé por qué se nos ocurrió venirnos a esta finca sin hombres
10:16Con lo bueno que la pasamos con ustedes
10:18Yo sé, mi amor, debiste haberme invitado a vestirle a las amigas tuyas
10:22Que yo soy bien divertido
10:24Pero bueno, no importa
10:26Pásala bien con ellas
10:28Y descansa un poco, mi cielo, eso te cae bien
10:30Sí, eso estoy haciendo
10:32Pero mañana, apenas llegué a Bogotá
10:35Nos desquitamos de esta separación
10:37Que además es la última
10:39Claro, mi amor
10:40Nos desquitamos porque esta es la última noche que pasamos separados
10:44Sí, mi vida
10:46Sí
10:48Yo también te amo, mi amor, con toda mi alma
10:51Yo también
10:52Hasta mañana
10:53Descansa
11:00Las cosas están muy mal entre nosotros
11:03Es que usted se ha dado cuenta, Frodita y yo somos muy frescos
11:07Y este tipo de vida que vivimos, pues
11:09Lo acostumbra uno a tener una mente muy abierta
11:13Sí, sí
11:14Yo he visto que ustedes son como...
11:17Como que se salen de los parámetros, ¿no?
11:20Somos actores porno, Elías
11:23Nuestro negocio es el sexo y nos encanta
11:26Pero somos gente también normal, común y corriente
11:29Y la infidelidad duele
11:31Así que esta relación se acabó
11:34Es culpa de los dos, en fin
11:36Qué lástima, ¿verdad?
11:37Porque es que...
11:39Pues una pareja así
11:41Es muy difícil de ver
11:44Lo importante es que ya cada uno coja su mitad
11:47Y según tengo entendido
11:49A Frodita se va para los Estados Unidos
11:51Y yo pienso que le va a ir muy bien para allá
11:54Yo si me quedo aquí con el negocio
11:56Y estoy buscando un socio
11:58¿No le interesa?
12:00No, no, no
12:02Yo no sirvo para eso
12:04No, no, no
12:05Pero de todas maneras se nota que es un buen negocio, ¿no?
12:09Yo creo que me voy
12:11Ya estoy como...
12:12Y de todas maneras yo le agradezco mucho, Rick
12:15Todo fue muy interesante
12:17No se preocupe, con mucho gusto
12:18Pero no se me vaya sin despedirse de a Frodita
12:21Sí, de pronto se me siente
12:22Porque ella después de esa clase de escenas
12:24Se pone muy sensible y se enoja
12:26Yo la conozco, espere, la llamo
12:28Sí, bueno, ok
12:32Porfa, no me dejes tomar mucho, ¿viste?
12:34Pero aquí ya llegaron
12:36Tal vez, vamos a ver
12:37Bueno, el sitio no está tampoco tan ché
12:39No vayas a empezar
12:40Yo te dije que esto no era chueca
12:42Yo te dije que tuvo su impacto en su momento
12:44Cuando los homosexuales no teníamos donde rodear
12:46Y nos escondíamos en cualquier cripta
12:48¿Dónde estará la loca de la Paco?
12:50Ahí está Paco
12:51¿Con quién está? Mira
12:53No sé, como Paco cambia de novio
12:54Como si cambiara de calzoncillos
12:56Se ve todo antipático
12:57Y soportado
12:58La Georgia
12:59¡Georgie, hola!
13:01Hola
13:02¿Cómo estás?
13:03¿Qué tal?
13:04Mi Paquita
13:06Venga, venga, sí, exacto
13:09¡Qué elegancia!
13:10Mira, aprendí, aprendí
13:12Bueno, hace mucho que llegaron
13:14Hace como 5 minutos
13:16Ah, no, ya son viejos en esto
13:18Y esa camisa está en Andorre
13:20No, el cauté
13:22Ay, en cambio, él se puso este corbatín
13:24Como los mexicanos
13:26Ay, bueno, bueno
13:27Ya, ya, ya, no se la pueden dejar después
13:29Ay, perdón
13:30Y no se han tomado ni uno
13:31A propósito, ¿qué están tomando?
13:33Bueno, aquí todo es retro
13:35Ni litchi, ni martini, nada
13:38Perfecto
13:39Doctor, con todo el respeto, ¿no?
13:41Una pregunta
13:42¿Usted hace cuánto se pasó acá?
13:44Marcos, digamos que este es el apartamento de solterio
13:46De una persona que se pasó aquí hace 8 días
13:50¿Pero es el apartamento de un divorciado?
13:52Un divorciado al que le hizo daño el matrimonio
13:54Y lo volvió un inútil
13:55Porque el matrimonio al que no mata
13:57Lo desfiega
13:58Ya, ya, ya
13:598 meses llevo acá
14:00Pues, doctor, está muy bonito el apartamento
14:02Y todo, pero...
14:03Gracias
14:04Pero no sí
14:06Marcos, Marcos
14:07No me jodas
14:08No me diga ahora que se va a poner como mi mamá
14:10Que hace falta una mano femenina
14:12Es que eso es
14:13Yo creo que a este apartamento lo que le falta es una mano femenina
14:16Están las flores
14:17Pero por lo demás sí está como grave, doctor
14:20Gracias
14:22¿Qué tal el menú de este tipo?
14:23Pizza en la mañana, pizza en la tarde, pizza en la noche
14:25¿Cómo la quiere? ¿Con piña y con jamón?
14:27No más
14:28A mí, cambio, no me gusta la pizza
14:30Bueno, pues es que no es que yo coma mucha pizza
14:32Porque mi mamá es una cocinera excelente
14:35Es una chef, mira, de las mejores
14:37A mí me encanta, entonces yo como muy bien
14:39La pizza, poco
14:40¿Invite?
14:41¿Y usted por qué no le dice a su mamá que nos invite, hombre?
14:43¿De verdad?
14:44Dos tipos solteros que no hacemos sino llamar y pedir domicilio
14:47Claro, hombre
14:49O sea, ¿ustedes irían a mi casa?
14:51O sea, es que mi mamá se pondría feliz si ustedes van hasta allá
14:54Ponga fecha y hora
14:55No, claro, claro, sí, señor
14:57Yo la voy a poner
14:58¿Cuántos están comprometidos?
14:59Seguro
15:00¿Conteste?
15:02La muchacha está en el refrigerador
15:03Sea varón y conteste
15:04¿Soy un varón y no le voy a contestar?
15:08¿Quién es ella, López?
15:09¿La fiscal?
15:10La misma
15:11¿Y por qué no le contesta al teléfono, doctor?
15:14¿Por qué?
15:15Porque no es una llamada profesional
15:18No es de trabajo
15:21¿Yo?
15:22No
15:24Ay, Elias, quédate un ratito más
15:27Mira, te invito a comer y conversamos, ¿sí?
15:31No
15:33Lo que pasa es que...
15:36Se me hace un poco tarde y...
15:39Mi esposa me está esperando
15:43Definitivamente me encantan los hombres como vos
15:48Yo no creo, Afrodita, después de todo lo que acabo de ver
15:51No es verdad
15:53Mira, en este negocio yo tengo a todos los jovencitos detrás mío
15:57Pero mi verdadera fantasía es con un hombre...
16:00Así, maduro...
16:03Y casado
16:05¿Casado?
16:06Son los menos peligrosos
16:08Mejor dicho, los casados y maduros solamente quieren acostarse conmigo
16:13Y no irse a vivir conmigo como los otros
16:17Bueno, eso es una manera de ver las cosas, ¿no?
16:22A mí me encanta cómo me miras
16:25En cambio a ti te gusta tanto mirarme...
16:29Que te da pánico
16:31Te da miedo quererme hacer algo más
16:35¿Cierto que es así?
16:38No
16:39Claro que sí
16:40¿Tu verdadero miedo sabes cuál es?
16:42Tocarme
16:44Ponerme una mano encima
16:47Eso te da pánico
16:49En cambio a mí me excita
16:55No, no, no, uy, no, no, perdón, no, no
16:58Muchas gracias
17:00Afrodita, saludos a Drago
17:02Saludos a Rick, saludos a todo el mundo
17:04Yo me voy, yo me voy, yo me voy
17:06Vete tranquilo
17:07Sí, sí, chao
17:08Nos estamos hablando, ¿sí?
17:09Nos estamos hablando, chao, chao
17:12¿Qué?
17:13¿Qué?
17:14¿Qué?
17:15¿Qué?
17:16¿Qué?
17:17¿Qué?
17:18¿Qué?
17:19¿Qué?
17:20¿Qué?
17:21¿Qué?
17:22¿Qué?
17:23¿Qué?
17:24¿Qué?
17:29Se está en todo abogado
17:32Eso, gracias
17:34Saludos por favor
17:36Sexo, sexo
17:38Ay, no, yo me siento como recogiendo los pasos
17:40Hace mucho no venía
17:42Como desde la época que lo comía y lo bebía
17:45A propósito
17:46Me encontré el ajuar y me lo fui a probar el otro día
17:48Sólo me quedó bueno el abanico
17:50Y te lo trajiste puesto
17:52But Norito is cuter now than 20 years ago.
17:54Oh, no, please.
17:5515, 15.
17:56Now 15.
17:57Baby, baby, baby.
17:58Why do you want him?
17:59Yes, yes.
18:00Ah, well, if you've been through the years, you know what to do, right?
18:04He's ready to lose.
18:05Ugly, ugly, but bad.
18:07But still, still, still.
18:09He looks like a little cattle.
18:10Yes.
18:11Oh, how are you?
18:12You guys stick to anything.
18:13Pure muscles of the body game.
18:16Look at this.
18:17I'm coming.
18:18Hey, don't show that side.
18:22I think you make me super famous.
18:24What?
18:25You make me super famous.
18:27Really?
18:28Yes.
18:29Maybe at the party this weekend, Cesar's.
18:32Cesar what?
18:33Gomez.
18:34Gomez.
18:35Yes.
18:36No?
18:37Don't you recognize me?
18:38No, no, no.
18:39Nice to meet you.
18:40How are you?
18:41Santi.
18:42Hi, Santi.
18:43Juan David, nice to meet you.
18:45How are you?
18:46I'm good.
18:47How are you?
18:48Good.
18:49What happened?
18:50It's free!
18:51UR-RETE
18:52I screwed up.
18:54My God, I screwed up.
18:56Isabel is going to kill me.
18:58Are you a new comer?
19:00Yes, I'm a new comer.
19:02Good evening. Can I have the documents of the vehicle, please?
19:09Good evening.
19:13Good evening. Can I have the documents of the vehicle, please?
19:20They're up to date, right?
19:22Look, here's the property card and the gas certificates, all those things.
19:28Yes, sir.
19:30Can you give me the personal documents, please?
19:31Can I give them to you?
19:32Give them to you? No, I'll lend them to you.
19:37Mr. Agent, I'm going to give you my citizenship certificate.
19:43I'm going to give you my driving license.
19:47Look, I can drive a double truck and everything.
19:49Can you get out of the vehicle, sir?
19:51No, but wait a minute, come on. It's not necessary, because it turns out that...
19:53I went home.
19:55Yes, I was working with some clients.
19:57Very good.
19:58Do you know a porn actress named Afrodita?
20:02No, I haven't seen her.
20:03Very good.
20:04I was with her, she was recording her movie, yes?
20:07With two male models next to her, yes?
20:10Natural actors.
20:12We're going to practice an alcohol test.
20:13Yes, yes, but come on, I'll tell you that this is great.
20:15So I, there, yes, I confess that I got drunk.
20:19Sir, get out of the vehicle and we're going to practice the alcohol test, please.
20:25Uh, yes, yes.
20:30I'm going to stop the vehicle first.
20:32Run.
20:55Oh.
21:20How is the alcohol test? Do you have to blow something?
21:23Look, sir, this is the alcohol meter.
21:24As you can see, the nozzle is totally clean for this test.
21:28Yes, yes, clean. Very good.
21:31And is that necessary?
21:32It's routine.
21:34I'm fine, I'm perfect.
21:35Blow, please.
21:41Blow well, sir.
21:42You have nothing.
21:43Blow well, please.
21:44Yes, yes, seriously.
21:54What happened?
21:55Degree 2 of intoxication, sir.
21:56Degree 2? And what is that? Is it low?
21:58Sir, according to the device, you are in a state of drunkenness.
22:00No, no.
22:01Look, you can't even walk.
22:02I can't even walk, that's why I'm driving, sir.
22:04Yes, all the drunkards say the same thing.
22:06Yes.
22:07Now what am I going to get?
22:08The famous phrase, you don't know who I am?
22:10And you don't know?
22:11No, I don't know.
22:12Uh, there, no.
22:13I don't know, but we're going to apply the law, follow the letter.
22:15I mean.
22:16I'm going to get a fine and your car is going to the courtyards.
22:17Courtyards?
22:18Then wait for the crane to arrive, sign us, and you can go to court in a taxi to your house.
22:21On Monday at the first hour, if you want, you can go for your car, pay the fine and receive your fine.
22:25No, sir, people, that can't be fixed another way.
22:28I'm not bribing you, just trust me.
22:31Look at me, look at me, I'm a family lawyer, I have my family.
22:34Look, Mr. Rodríguez.
22:35My wife is going to kill me, sir.
22:37Mr. Rodríguez.
22:38Next time, if you're going to drink, don't drive.
22:43My God.
22:45Isabel is going to kill me.
22:47Hey, I've never seen you around here.
22:50What?
22:51I've never seen you around here.
22:53No, I don't come very often.
22:55Oh, so it looks like I'm lucky tonight.
22:58Oh yeah?
22:59Yes.
23:00Is it?
23:01Yes.
23:03Come on, are you drinking something?
23:05Uh, no.
23:07Do you want to drink something?
23:08Yes, let's have a drink, I don't know, a vodka?
23:10Well, vodka, okay.
23:12How do you drink it?
23:13I love it with soda and lemon.
23:15Well, let it be with soda and lemon.
23:17Nene, come here.
23:19Bring us two vodkas, soda and lemon, and take them.
23:24Thank you, thank you.
23:26Hey guys, I'm very drunk, very crazy,
23:28or the guy over there is Juan David, Maria Cristina's boyfriend.
23:30Which one?
23:31No, turn around, let's see, like this.
23:33But how?
23:34Like this.
23:35Of course it's Juan David, so cool, Maria Cristina's boyfriend, run, oh my God.
23:38What a weird thing we're going to do, my love.
23:41Hey, maybe...
23:42No, no, no, no, let's start supposing, please.
23:44Please.
23:45The fact of coming to a gay bar does not mean that one is gay.
23:48No, we are going to several stars, we are not straight, so...
23:51And why do you talk to straight people?
23:53To recruit new talent, dad.
23:54Oh, no, please, please.
23:55Why do we always see the empty side of the bottle, guys?
23:58No, my love, but look at the chicken that is, please, it's delicious.
24:01Oh, yes.
24:02A cookie, a cookie.
24:04Oh my God, poor thing.
24:05Let's call Alvarito, please, shall we call him?
24:07No, no, no.
24:08They touched, they touched, they touched.
24:09No, no, no, wait.
24:10Time, give me time and I'll make you a revolution.
24:13That's good, Coco.
24:15Poor thing.
24:17They touched again.
24:19Little hand on the chest.
24:21Yes.
24:22Yes.
24:24Oh my God.
24:44He is asleep.
24:45He is asleep, he is asleep, he is asleep, he is asleep.
25:13What is this Elias, can you explain it to me, can you explain it to me?
25:42Yes, you, you, you!
25:44Honey, you're not going to believe this.
25:49So, to be clear, that fat guy over there is Maria Cris' boyfriend?
25:54Oh, Paco, yes, yes, don't torment me anymore, that's right.
25:58I vote because he's gay.
26:00Oh, please, don't talk anymore, I'm your partner, when Maria Cristina tells you, you're going to get married.
26:05Well, Santi, then, I already told you about me, now tell me about you.
26:10Cheers first.
26:11Cheers.
26:12Oh, no, look, I introduced him this morning, I introduced him.
26:15Since the tragedy in Orlando, I don't like gay bars, I can't with that.
26:20And now what am I going to tell Maria Cristina?
26:22There must be some explanation.
26:24Of course, honey, that man likes to serve two tables at a time, which other?
26:28Oh, Paco, you're bleeding.
26:30Hey, and you?
26:31What about me?
26:32How old are you?
26:34Enough to not be so young.
26:38You know what? I don't care, don't tell me.
26:40Maybe I'm not interested, I'm only interested in you.
26:43No one is going to believe this.
26:45Don't even think about telling the woman, eyes that don't see, heart that doesn't feel, right?
26:49And let her die in her ignorance? No, forget it, she's my friend in life.
26:52You're going to lose that friendship.
26:53It's time for the paparazzi.
26:55No, you have to do it.
26:57Sorry, girl.
26:58Seriously.
26:59Well, I'm 22 years old.
27:00You look dark.
27:01Paparazzi on TV.
27:04Hey, what a beautiful age, my favorite age, you know?
27:07Why?
27:08Well, because, look, I think that age is when the human being is more beautiful.
27:15Beautiful like you.
27:34Did you see it?
27:35No.
27:36Oh, yes.
27:37Well, well, at least you have no doubts.
27:39I mean, the chubby is intermittently one of ours.
27:42Chubby?
27:43No chubby.
27:44I want to finish that cold rib with a clean cut.
27:47I hate it.
27:48But wait a minute, crazy eye, you're not wrong.
27:50I mean, you're telling me that you've never seen that because it was Miss Piggy, you didn't even contract.
27:54Never.
27:55Never.
27:56Never.
27:57For us it was a macho, macho.
27:59Look, the cow is treacherous.
28:01For God's sake.
28:02Horror.
28:03Horror.
28:04Hiddenly.
28:05Look where they put it.
28:10Oh, for the bathroom.
28:11Oh, no, no, no, don't be bad.
28:13Neither.
28:14You can do that arm to save.
28:16Or do you think that...
28:17No, no, I don't think, I don't think.
28:19No, they went to wash their hands together.
28:21Guys, rather, let's take advantage and we're going to the little houses.
28:24Let's go.
28:26Guys, rather, let's take advantage and we're going to the little houses.
28:29No.
28:30Yes, please.
28:31My life, I don't stay with that spine.
28:32I want to know what is going to do that cow with that macho guy.
28:34You really look like a paparazzi of TV.
28:36Poison, please.
28:37Me?
28:38You?
28:39Are you coming with me to Cuesta?
28:40Of course.
28:41You don't know me.
28:42Come with me.
28:43Really.
28:44Breathe, breathe.
28:45No, George, she's my friend.
28:47No, no, no, no, no, no, no, no.
28:49No, Elias Rodriguez.
28:50No one believes that story.
28:53It's the truth.
28:54They're just clients.
28:56And since when do your clients just give you pornographic videos for your lonely moments?
29:03That's what she does.
29:05It's her job.
29:07Nothing else.
29:08Worse.
29:09Worse.
29:10Because if it's just her job, then I don't understand why you...
29:14In fact, if you don't have anything weird between the two of you, you didn't just tell me the truth.
29:20I'm sorry.
29:21Sorry for what?
29:22I'm sorry to tell you that I was invited to see how a movie like that was made.
29:28You were watching a pornographic movie?
29:32Yes.
29:33Live?
29:35Look, um...
29:38It's her job.
29:40Don't believe me, you idiot!
29:42No, no, don't believe me, you idiot!
29:44No, you're telling me that you were watching a pornographic movie,
29:49four hours after it was said, and you were drunk?
29:53Seriously?
29:55Wait a minute.
29:56I wasn't drunk.
29:57I just drank some whiskey.
29:59Oh, that's dangerous.
30:00No, seriously.
30:02That's irresponsible.
30:03Hey, driving like that...
30:05No, ma'am.
30:06The police took my car and took it to the courtyards.
30:09What?
30:11If you let me explain, I'll tell you step by step what happened.
30:15No.
30:16No, no, no.
30:17What are you going to do?
30:18No, no, no.
30:19I don't want to see you.
30:20Oh, no.
30:21You know?
30:22No, no, no.
30:23I don't want to see you.
30:24Not on the couch.
30:25I don't want to see your face.
30:26Out of my sight.
30:27Out!
30:28No, no, no.
30:29Come here.
30:30No, no, no.
30:31Out!
30:32And thank me.
30:33Thank me that I didn't send you to sleep in a...
30:35Out!
30:36Out of my sight.
30:37Damn it.
30:39Oh, no, no.
30:40All wrong, all wrong.
30:41Look, I cover myself with a blue-violet light.
30:43I'm fed up with this mess.
30:44I want to go now.
30:45Well, well, well.
30:46What happened?
30:47We're leaving right now.
30:48Do you pay?
30:49What happened?
30:50What happened?
30:51Make up your mind.
30:52No.
30:53Fornicio.
30:54No.
30:55Gentlemen.
30:56The taxi is here.
30:58Oh, wait.
30:59Put on your seatbelt.
31:00Oh, come on.
31:01In fact, in the taxi, I'll tell you...
31:02Or maybe I'll show you.
31:03Is there a video?
31:04How did he act?
31:05There was fornicio.
31:06Let's go, let's go, let's go.
31:07There was fornicio.
31:08There was fornicio.
31:09Let's say we had fun.
31:10I think I'm gonna throw up.
31:11No, you can't.
31:19Hi, how are you doing?
31:20Hello.
31:21I'm Elias Rodriguez and I'm here to see Florita.
31:23This way.
31:29Hello.
31:37It's perfect!
31:38Aphrodite!
31:39Oh my god!
31:40Oh!
31:41Alento!
31:42Oh lord!
31:43Beautiful!
31:44Oh!
31:45Oh!
31:46Oh!
31:47Oh!
31:48Oh!
31:49Oh!
31:50Oh!
31:51Oh!
31:52Oh!
31:53Oh!
31:54Oh!
31:55Oh!
31:56Oh!
31:57Oh!
31:58Oh!
31:59Oh!
32:00Oh!
32:01Oh!
32:02Oh!
32:03Oh!
32:04Oh!
32:05Oh!
32:06Oh!
32:07Oh!
32:08Oh!
32:09Oh!
32:10Oh!
32:11Oh!
32:12Oh!
32:13Oh!
32:14Oh!
32:15Oh!
32:16Oh!
32:17Oh!
32:18Oh!
32:19Oh!
32:20Oh!
32:21Oh!
32:22Oh!
32:23Oh!
32:24Oh!
32:25Oh!
32:26Oh!
32:27Oh!
32:28Oh!
32:29Oh!
32:30Oh!
32:31Oh!
32:32Oh!
32:33Oh!
32:34Oh!
32:35Oh!
32:36Oh!
32:37Oh!
32:38Oh!
32:39Oh!
32:40Oh!
32:41Oh!
32:42Oh!
32:43Oh!
32:44Oh!
32:45Oh!
32:46Oh!
32:47Oh!
32:48Oh!
32:49Oh!
32:50Oh!
32:51Oh!
32:52Oh!
32:53Oh!
32:54Oh!
32:55Oh!
32:56Oh!
32:57Oh!
32:58Oh!
32:59Oh!
33:00Oh!
33:01Oh!
33:02Oh!
33:03Oh!
33:04Oh!
33:05Oh!
33:06Oh!
33:07Oh!
33:08Oh!
33:09Oh!
33:10Oh!
33:11Oh!
33:12Oh!
33:13Oh!
33:14Oh!
33:15Oh!
33:16Oh!
33:17Oh!
33:18Oh!
33:19Oh!
33:20Oh!
33:21Oh!
33:22Oh!
33:23Oh!
33:24Oh!
33:25Oh!
33:26Oh!
33:27Oh!
33:28Oh!
33:29Oh!
33:30Oh!
33:31Oh!
33:32Oh!
33:33Oh!
33:34Oh!
33:35Oh!
33:36Oh!
33:37Oh!
33:38Oh!
33:39Oh!
33:40Oh!
33:41Oh!
33:42Oh!
33:43Oh!
33:44Oh!
33:45Oh!
33:46Oh!
33:47Oh!
33:48Oh!
33:49Oh!
33:50Oh!
33:51Oh!
33:52Oh!
33:53Oh!
33:54Oh!
33:55Oh!
33:56Oh!
33:57Oh!
33:58Oh!
33:59Oh!
34:00Oh!
34:01Oh!
34:02Oh!
34:03Oh!
34:04Oh!
34:05Oh!
34:06Oh!
34:07Oh!
34:08Oh!
34:09Oh!
34:10Oh!
34:11Oh!
34:12Oh!
34:13Oh!
34:14Oh!
34:15Oh!
34:16Oh!
34:17Oh!
34:18Oh!
34:19Oh!
34:20Oh!
34:21Oh!
34:22Oh!
34:23Oh!
34:24Oh!
34:25Oh!
34:26Oh!
34:27Oh!
34:28Oh!
34:29Oh!
34:30Oh!
34:31Oh!
34:32Oh!
34:33Oh!
34:34Oh!
34:35Oh!
34:36As a single man.
34:39Listen to me.
34:42In these days, you were the last guy in my life.
34:46Then you and your boyfriend should be very happy.
35:06I love you.
35:21Dad.
35:23Dad.
35:25Elias.
35:26Why are you sleeping there?
35:29No, it's just that...
35:31I got home very late yesterday and I didn't want to wake your mom up.
35:34That's why I came to the couch.
35:36My mom was talking to you, right?
35:38No, no, no.
35:41Dad, I don't want you to leave the house again.
35:45That's not going to happen again.
35:50I need you to do me a big favor.
35:53Go to my room.
35:55Do you know where I keep the pills for headaches?
35:58And a glass of water.
35:59I'll bring them.
36:06Do you know what I had to do last night?
36:10No.
36:11Watch all that movie they made for you.
36:15From beginning to end, every detail.
36:18Every orgasm of that girl.
36:21All fake, of course.
36:25And?
36:26And?
36:29And I don't know, Elias, but...
36:32But?
36:34But you were lost all day with that woman yesterday.
36:39Tell me, what do you want me to think?
36:41But, but...
36:42Honey, I don't...
36:43No, no, you do, Elias.
36:44You do.
36:45You do.
36:47You get lost all day with that woman.
36:52So, tell me, what do you want me to think?
36:56Isabel, Isabel.
36:58I was working.
36:59Working you?
37:00No, working her.
37:02Well, but that doesn't matter.
37:04The thing is, it's your fault.
37:08Besides arriving a little late, what else did I do?
37:12Elias.
37:16You made me lose all my confidence in you.
37:22Now...
37:23Now...
37:30It's just that you take a second, and I already think badly.
37:35And that life has become a real hell for me.
37:41I promised you that something like that wouldn't happen again.
37:46I can really believe you. Really.
37:50Were you fighting again?
37:52No, honey, no.
37:57Mom, are you going to throw my dad out of the house?
38:21Hello.
38:23Hello, my love, how are you?
38:27Hello, love, fine.
38:29Fine, fine.
38:31Here, finishing to wake up.
38:34But I'm sad because I'm in a very nice place,
38:37a farm with beautiful gardens, and you're not with me.
38:42I know, my love, but have fun.
38:44Go to sleep.
38:45I'm in a farm with beautiful gardens, and you're not with me.
38:49I know, my love, but have fun.
38:51Have a good time.
38:53Look, let's do one thing.
38:55As soon as you get there, call me, and I'll run out to see my doll.
38:58Okay?
39:02I love my life too.
39:04Well.
39:06Kisses.
39:08Bye, love.
39:16Good morning.
39:18Good morning.
39:20How did you sleep?
39:21Very well.
39:22Of course, the nurses woke me up very punctually at six in the morning.
39:25I can see that.
39:27I changed to the sleeping beauty.
39:29I was passed out, my love.
39:31Passed out.
39:32And how's your wound?
39:33Does it hurt?
39:34Fine, fine.
39:35I'm perfect.
39:36I'm perfect.
39:37The doctor will come in a minute.
39:38I want to get up because I want to get out of here.
39:42I hope so too.
39:43I'm tired.
39:44I think so.
39:46I saw you sleeping.
39:48You look so divine.
39:50Divine? Do I look like a scarecrow?
39:52Believe it.
39:53You are the definition of divine.
39:55Of course.
39:56I'm serious.
39:57How strange.
39:58I have three messages from Álvaro and Miguel.
39:59And all three say exactly the same thing.
40:01Call us, it's urgent.
40:03Well, then give me a kiss and call us.
40:05This scarecrow is going to brush his teeth first.
40:07It doesn't matter.
40:08Yes.
40:09Julia.
40:14They only write to me when my mom gets into trouble.
40:18Hi, Álvaro.
40:20What happened?
40:21Oh, Julia, you finally show up.
40:24Please, something very serious happened and you have to be the first person to find out.
40:29What happened to my mom?
40:30Or what did she do this time?
40:32No, no, nothing to your mom.
40:33Your mom must be divine.
40:35Still the same.
40:36What happened is very serious and it will affect her a lot.
40:39And then who?
40:40What happened?
40:41Oh, calm down.
40:42Nothing happens.
40:43Look, nothing happens, but it's going to happen.
40:46And it's something that's going to change your mom's life, especially, but everyone's.
40:50Oh, Álvaro, don't scare me.
40:51Please tell me what's going on.
40:53I don't understand anything you're telling me.
40:55I can't go there anymore.
40:56I'm at the clinic with Camilo.
40:58Oh, how come?
40:59What happened to him?
41:02Oh, God.
41:03Look, he needs to take a bath in sea salt or rue.
41:07Camilo is in the hospital again.
41:09No, no, no.
41:10No, no, no.
41:11Yes, my dear.
41:12I understand you.
41:13I understand you very well.
41:14Look, let's do something.
41:15Go to his apartment.
41:16You leave him lying down.
41:17Quiet.
41:18And you come here immediately.
41:20Julia, Julia.
41:21We need you immediately.
41:22It's something big that we're going to tell you, okay?
41:24Don't take too long, please.
41:25We need you.
41:26Ready.
41:27See you now.
41:28Bye.
41:30What happened?
41:31I didn't understand anything.
41:32No, I didn't understand either.
41:33What do you want me to say about my mom, but ...
41:35No, then come over and visit them.
41:37Oh, I'm going to do that.
41:38But I desperately need a coffee.
41:41Well, go to the cafeteria and have your coffee and that's it.
41:44Do you want something?
41:45A little kiss from you because you already have that face clean.
41:47Come here.
41:49You don't.
41:50No, I don't.
41:52Good morning.
41:54How is your sister?
41:56I don't know.
41:58Well, you know that she and I have a terrible relationship.
42:02We never talk.
42:03No, Ivan, but in these circumstances, one talks.
42:06Well, I don't know.
42:07I guess after everything that happened, she must be feeling terribly.
42:13I guess, Ivan, I guess.
42:15For God's sake, your sister just killed her husband.
42:17That poor woman must be devastated if she has been in self-defense.
42:21I mean, she needs all your support.
42:23Well, I really don't know if I can do much more than what I've been doing so far, Rosa, really.
42:29Ivan, don't you have to go to your sister or what?
42:31No, of course I do, but ...
42:34I don't know, it's very complicated because ...
42:37Well, I did love her a lot when we were kids.
42:39Well, she was my older sister.
42:41She was aware of me.
42:42We played all the time.
42:43She took me to school.
42:45She fed me.
42:46She really was very, very, very pretty.
42:50But then ...
42:53No, they are family things.
42:55Then what?
42:57Then she got married badly.
42:59And what is bad?
43:03She married a good guy for nothing.
43:05That ...
43:07He left her weightless with a three-month-old girl.
43:09Abandoned, absolutely.
43:13And then what happened?
43:15Well, then it was worse because he married another one.
43:19That not only mistreated her psychologically,
43:21but he picked her up almost every day of his life and ...
43:28My mother ...
43:30My mother died begging him to leave him,
43:33but there was no human power.
43:35She is very, very stubborn.
43:38And look how it all ended.
43:40He killed him.
43:41For God's sake.
43:45But ...
43:46She needs you, Ivan.
43:49Well, look ...
43:50My beautiful Rosa,
43:51I think what I'm going to do is I'm going to give her money
43:53so she can start a new life, but ...
43:56But the truth is that I can't resist her.
43:58We spent July?
44:00In pajamas?
44:03Yes.
44:33I'll wait for you.
45:03I love you.
45:04I love you.
45:05I love you.
45:06I love you.
45:07I love you.
45:08I love you.
45:09I love you.
45:10I love you.
45:11I love you.
45:12I love you.
45:13I love you.
45:14I love you.
45:15I love you.
45:16I love you.
45:17I love you.
45:18I love you.
45:19I love you.
45:20I love you.
45:21I love you.
45:22I love you.
45:23I love you.
45:24I love you.
45:25I love you.
45:26I love you.
45:27I love you.
45:28I love you.
45:29I love you.
45:30I love you.
45:31I love you.
45:32I love you.
45:33I love you.
45:34I love you.
45:35I love you.
45:36I love you.
45:37I love you.
45:38I love you.
45:39I love you.
45:40I love you.
45:41I love you.
45:42I love you.
45:43I love you.
45:44I love you.
45:45I love you.
45:46I love you.
45:47I love you.
45:48I love you.
45:49I love you.
45:50I love you.
45:51I love you.
45:52I love you.
45:53I love you.
45:54I love you.
45:55I love you.
45:56I love you.
45:57I love you.
45:58I love you.
45:59I love you.
46:00I love you.
Comments