00:00So my reason was that I was very shocked by the lady producers.
00:15When I was young in the industry, I should give that opportunity.
00:21I must use that opportunity.
00:23The opportunity that I am giving, I want to use that opportunity.
00:26The other thing, the character is Fedora.
00:30He is a very interesting character.
00:32He is a 70-year-old old sex worker.
00:35So the challenges are that this is a very rare subject.
00:40What Ashwin Ji has thought about it.
00:43So these were my reasons to do this.
00:45And I am very happy to note that I am very happy to take this choice.
00:50It was very challenging.
00:57Because obviously, I don't know the space.
01:02I don't know the space in a 70-year-old old band room.
01:06I don't know the space.
01:08So how do I know his mind?
01:10But for this, there were some workshops and discussions.
01:14So sometimes I have tried to raise that character.
01:18I hope that I will be successful.
01:20Well, it is not true.
01:21The first thing is about the honor.
01:23The Relationship.
01:24What do you expect to see?
01:25What do you expect to see?
01:26What do you expect?
01:27Yes!
01:28There was a lot of names.
01:31But trust me, by my heart, I was not happy.
01:35But we are the people that say that it is that POV is not going right.
01:41I feel like there is something missing.
01:42I thought something was missing, but Ashwin has suggested and I said yes, I mean how can you miss Sushmita Mukherjee?
01:52And you will have seen that it will be a Gold Mall film or Dabba Cartel or any number of films.
01:57Kitty Carville is famous for it.
01:59So, I don't know how much she is eating.
02:05Oh my God, these people are going to Cannes. We are not going to go, unfortunately.
02:13But the kids are going there.
02:15See, it's very difficult to get there, to Cannes.
02:18It's very difficult.
02:19So, they have such a good idea.
02:22They have such a good network.
02:24They have such a good producer.
02:26They have such an opportunity that they have missed.
02:30They make a lot of indie films.
02:33They have such an opportunity for anyone, so they can join the world.
02:38It's her credit.
02:47Yes, yes!
02:49Yes, yes.
02:50So, they say it and maybe it will be my best friend.
02:53My best friend of French, I mean it.
02:56He said that you have to buy the money, but why don't we take the negative things?
03:03Our work is done physically, so it is negative.
03:07We live in a world with every color.
03:11We will focus on our work, we will reach there, we will see people's work. That's all.
03:26I have a competition in the film and television.
03:35I am an artist, my work is to be in a film, TV, theatre.
03:41My work is to be able to create an instrument for art.
03:47Mediums don't matter.
03:56No, no, nothing is going to happen.
04:05Everyone is like one another.
04:06It's so beautiful and beautiful.
04:08It's like a thread zone, and the art creates something.
04:13If anyone is running away, it's almost miserable.
04:16All things are going to happen.
04:18This is the essence of the power of the nature.
04:26Yes.
04:32Look, all these things are...
04:35What do we say?
04:36What do we do with humans?
04:38My religion is art.
04:40I am not in politics, I am not in religion,
04:43I am not in left or right,
04:45I am an opportunist.
04:47I am an artist.
04:48My job is to see everything
04:50and to keep your thoughts on yourself.
04:56My life.
05:00Not just pixie through things...
05:02The childhood?
05:03No science.
05:04No science.
05:05My, you know,
05:06дыあとい?
05:07There just go for it.
05:09What should I say?
05:11To showcase this is a culture...
05:13What?
05:15Are we videos?
05:17How does it do?
05:18Are we a part of the future?
05:22The gathering and the particles...
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